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The solid, reliable, Michigan-hailing rock band, The American Hotel System, makes their highly anticipated return to the scene with a long-awaited 12-track sophomore album, 'Interrobang.' One of our Top Ten Acts of 2019, we know and love The American Hotel System for their consistently conceptual tracks and versatile instrumentation. The five-piece prides itself on intentional musicality and heartfelt lyrics, and we're sure to get a generous dose of that on the recently released 12-track album, 'Interrobang,' which is said to explore "rhetoric through the lens of mid-century Americana and pulp," notes the band. The American Hotel System explained that an interrobang is a combination of a question mark and exclamation point created in the 60s to slap at the end of quirky, corny, yet nostalgic rhetorical questions in advertisements. That tongue-in-cheek era is conceptually weaved into The American Hotel System's new record. Beginning that venture, the album opens with the introductory track, "T.A.H.S (Interrobang)," perfectly reflecting the statement above right off the bat. The American Hotel System instantly transports us into an AM radio-like 50s-inspired acapella tune that sees the band in a deeply nostalgic advertisement that's bound to put a smile on anyone's face. This short but effective intro track was definitely the band's best way to start such a conceptual album. Onto track number two, "111.7 WTST Presents Ameri-Dan (& Banner)," this is another minute-long intro-like track that gets even more conceptual. This time around, we introduce ourselves to the patriotic pair Ameri-Dan & Banner in a sort of super-hero-like radio show. When the star-spangled duo faces off against the Red Devil, a squealy Banner turns on Ameri-Dan, stabbing him in the back and declaring he takes on Red Devil alone. Will we find out what happens? "Tune into your same American channel and the same American time" to see—err, hear. Track number three, "LOYALTY," is where the party begins. This song is all too familiar—we've had the chance to feature it once before prior to the album's release, but we're excited to see how it weaves into such a precise concept. This groovy and high-energy rock anthem also contains the most exciting instrumental transitions and making that experience all the more thrilling is Jacob Betts' familiar and gripping vocals. TAHS mentioned that the pandemic's setbacks allowed them to enhance the song's theme of lifting your neighbor during these difficult times. Onto a track we've never heard before, "Second Hand," this song opens with a slow and tender acoustic guitar and soft white noise in the background. Jacob Betts' vocals are wildly dynamic; the track prior had him belting and ramping up the energy, but this song takes a far more reflective and emotional route. We get the feeling this song's theme might've been amplified by the pandemic, as Betts' warm vocals continue to sing of the second-hand sadness and the first-hand madness that washed the world these last few years. The American Hotel System quickly takes us back in time with another minute-long transition piece that brings us into the heart of a swinging 50s rock concert with "Don't Believe Ya." While the crowd roars and the band channels all the surf rock elements they can, we get the feeling this track is preparing us for another conceptual news bulletin or advertisement within the coming pieces. Towards the song's end, the broadcaster reminds us that a very special act is coming up next, "so don't move that dial!" But just before we get to that very special act, the album hits us with the "DMN News," where Dan Mack gives us the nightly rundown. He informs us that actor Glen Clarkson, known for his role as Ameri-Dan in 'Ameri-Dan & Banner,' was recently cast as Sheriff Holmes in the newly announced film 'Hotel Revolver.' Towards the end, we're met with your usual 50s advertisement that promotes Shades by Greener Pastures, helping you avoid conversation with people while hiding the shame and the pain. Funny enough, the seventh track is dubbed "PAIN" and cranks open with a chilling and heavy rock instrumental right off the bat. This is another track we have yet to hear, but as soon as The American Hotel System blasts us with their thrilling and complex arrangements, we know we're in for a treat. This track is, of course, rather emotional (hence the name), but TAHS has this unique way of creating this sensation of cathartic release while driving the energy, groove, and rhythm to a high. Reaching the eighth track, "Chains," we've also had the opportunity to feature this beautiful piece before, but it carries far more depth this time around when sitting in the midst of such a dynamic and conceptual album. This soothing soft-rock piece sings of focusing on the love that grounds us and keeps us stable, and when the world is at war, you know solace remains in the arms of someone dear. We love the beaming electric guitar solo that glitters and gleams with nothing but passion, perfectly adding a sense of sonic emotion. The American Hotel System takes us into another concert, but this time with a heavier 60s early-psychedelic appeal. The performance is incredibly emotional and sings of wondering what life would be like in the 21st century. Towards the song's end, the broadcaster gives us the inside scoop about how the band we just heard isn't together, but past members have been seen talking outside the studio. This sparks many questions, like "how 'bout a ciabatta‽" Another humorous advertisement to close the piece. In our last time around the story of Ameri-Dan & Banner, we hit play on "The Ameri-Dan Story Minute" with a radio jingle. The radio broadcaster introduces us to another Ameri-Dan story minute, where a child goes to inform his mom what he heard about Timmy Thompson. The mother asks him if he's applied the three sieves to what he's about to say. Is it truthful? Does it spread kindness? Is it necessary? She lets him know that if none of these are true, then let the story die. A quick and high-energy transition leads us into track number eleven, "STORIES," a song we know all too well and urge you to hear. Not only did this song's theme ring true when we first heard it, but throughout the pandemic, it gained a whole new meaning. TAHS takes us through a mid-tempo yet dynamic rock composition that drenches us in soul and truth. While Betts belts his vocals and reminds us to let the stories die and put away conspiracy nonsense, The American Hotel System picks up the energy with a breathtakingly cinematic outro, leading us to the album's final track. Hitting play on track number twelve, "Pretty Things," The American Hotel System offers this soul-soothing and gentle outro track, allowing us to recollect our thoughts and remember what we just experienced. This delicate piece also adds cinematic background strings to maintain that end-of-story feeling. Betts moves into a narrator delivery on the bridge to remind us that life's pretty things aren't what set us free; they're just temporary pleasures and echoes of nostalgia that we keep to convince ourselves we're at peace in such a chaotic world. We're more than impressed with the deeply conceptual, dynamic, and relatable 12-track album The American Hotel System just introduced to us. If you're ever in the mood for some soul food, nostalgia, and gripping rock, find it in the new album, 'Interrobang,' now available on all digital streaming platforms. Welcome back to BuzzMusic, The American Hotel System. We're thrilled to feature your long-awaited sophomore album finally, 'Interrobang.' What inspired your band to take this deeply nostalgic tongue-in-cheek route? The origins of Interrobang can be traced back about six years ago to a 3 am conversation at a 24-hour coffee shop. A friend and I were working on assignments for a class together, and one of us pitched the idea of an album centered around a fictional narrative set in the 1950s or '60s. We had both recently taken a history of popular music class and thought it would be great to make a love letter to rock'n'roll baked in mid-century nostalgia. That idea evolved over the years to become the album we have today, a project dealing with themes of rhetoric, consumerism, and cultural commentary through the lens of satirical nostalgia. Since a few songs from 'Interrobang' were created years ago, which song do you feel aged the best in terms of its lyrical concept? "LOYALTY" was the first song written for the record, and those first verses were penned the day after our first EP was released in 2018. STORIES and Pretty Things are also two of the earliest tracks, the former of which evolved a great deal over the last few years. Despite having been released nearly two years ago, I really think LOYALTY still holds up and rings just as true today as it did when it was first released at the beginning of 2020. That track really captures the loud, rhetorical vibe we set out to capture. What was the most challenging aspect of creating 'Interrobang?' Was it the many setbacks and delays from the pandemic? We originally intended to release this album in the fall of 2020, but the pandemic forced us to delay the project several times. Many of our previous projects have flourished quite quickly in the production stages, but nearly every aspect of Interrobang felt like an uphill battle of struggles and challenges. In retrospect, I'm quite grateful that it took some extra time to bake because certain songs would either be drastically different or completely non-existent. Chains, for example, was written in the fall of 2020 in response to all of the chaos of the year. STORIES evolved quite drastically, and Pretty Things was originally just a spoken word. Without the last two years of delays, those tracks would simply not be the same. What was it like creating those nostalgic advertisements and news bits for 'Interrobang?' What was that process like? The narrative tracks and adverts were some of the most fun we've had in the studio. We've spent the last several years crafting a whole narrative and lore around 'DanMac Records,' 'LIVE! With Johnny St. John and all of the characters that pop up within those tracks. I have a notebook filled with pages of stories that we plan on continuing to craft and tie into future projects. Another fun aspect was crafting fictional artists and classic rock'n'roll versions of previously released tracks; 'Deaf Ears' became 'Don't Believe Ya' by Tye Lee & The Quarter Pockets, '21st' became 'I'm Letting Go' by The Republics, and we even have a Jerry Lee Lewis inspired version of our track 'Talk, Inc' that didn't make the album. What do you hope the listener takes away from your conceptual new record, 'Interrobang?' What did you want them to experience? After being bombarded by nostalgic advertisements for eleven tracks, the album ends with the song Pretty Things. There's a line in the bridge section that says: "When the day is done, and the sunsets on me, These pretty things aren't what set me free. They're just echoes of nostalgia; news from a foreign land The longing of discontentment for a peace I've never had." The first eleven tracks of Interrobang are satirical commentary, but this final track realizes that all of the nostalgia that I seek isn't actually what I desire; it's the "thing behind the thing." I want people to walk away from Interrobang feeling introspective and freed from the cultural chains of pain, chaos, division, and consumerism. Instagram Facebook

From Edmonton, Alberta, singer-songwriter, producer, and electronic/alternative recording artist Rick Christian invites us into his darkest nightmares with a transcendent new single, "Contagious." You never know what you're gonna get with Rick Christian; his sound soars through the realm of electronic music, leaning towards dark dance with a passionate and piercing alternative edge. The Edmonton-based producer takes incredible pride in his time-consuming creative processes, and this latest single perfectly showcases the sonic depths he's willing to explore. Now releasing the vibrant and thematically combative single, "Contagious," Rick Christian takes us on a sonic journey through the deepness and darkness of high-energy electronic paired with his emotive and rugged vocals. The combative energy kicks in when Christian begins vocalizing the volatile imbalances of relationships and the malicious energy they can produce. Hitting play on "Contagious," the track bursts our speakers with a heavy dark synth arrangement that's oozing in groove and energy. Alongside a hefty kick drum and the fierce snares, Rick Christian pours his angst into the song with his raw and raspy vocal appearance that adds a vicious edge—lifting the energy and power to a high. What's interesting is how Rick Christian sings such a real and tragically true message while his production zooms us through spiraling celestials with its chilling melodies and otherwordly feel. Rick Christian pumps up the party towards the outro and leaves us tapping our toes to the high-energy beat, perfectly ending that aggressive yet captivating escapade we'd happily experience again. Expect the unexpected when taking a listen to Rick Christian's expressive and fiery new single. Find "Contagious" on all digital streaming platforms. You left us gobsmacked by the energy and exhilarating sonic atmosphere of your latest single, "Contagious." What inspired your honest and emotional lyrical content? My 2021 album “The New Normal” was a pandemic concept piece. It left mystery and questions about me from the listeners. I decided that I was going to write and release personal and honest singles eventually leading up to an album. I drew heavily from my personal relationships. At moments I feel exposed by the process. Any relationship can be volatile and what you put upon others is certainly contagious and malicious. Speaking of your lyrics in "Contagious," what was your songwriting process like? Did you find it easy to finally have an outlet to unleash those negative thoughts? Going into the songwriting process I already knew what the song was about. I’ve always had music as an outlet for emotions and thoughts. The most challenging part was creating two extreme, metaphorical, and exaggerated verses. Having the chorus deliver my reality and honesty in harmony with a modified truth took some thought. Seeing that "Contagious" offers some darker lyrical themes, what sort of experience did you want production to deliver? How did you want the production to feel? I think I got it pretty close. I always want the listeners to experience something rich, full, and sonic. I want the listener to join the dark and painful journey. My intention was to use some industrial elements to incite those emotions. The chorus had to be so catchy that it was addicting. You've mentioned that making "Contagious" was the most evolved production you've ever created. What inspired you to reach outside of your comfort zone and try new production techniques with this song? I seek to make every new release better than the previous. I’m never satisfied until I feel the production and final result is evolved and I’ve grown in my abilities. I knew this song could be amazing and needed unique qualities. I painfully decided I was going to record, blend and mix more tracks than I’ve attempted previously. The production side of this song has been the most time-consuming of any song I have ever worked on. What's next for you? My plan is to release a few more singles/music videos and eventually the next album. I’m working on making this year more involved with live shows. Instagram Facebook

Arionne, a 23-year-old singer and rapper from St. Louis, Missouri, has been pursuing his music career for just over four years now. He started by rhyming with his high school friends during lunch breaks, but after going through some of his lowest moments in life, he found that music was the only thing he could count on, so from there on out, he gave it he's all, and aren't we glad he did. He talks about his many inspirations like Micheal Jackson, Kanye West, Drake, Khalid, and Childish Gambino. As he enters into his season of greatness, we want to show you more of his subtle sound, amazing cadences, and he's deep lyrics that will have you daydreaming about your own situations for a while. Arionne isn't just like any other 23 year old with his experience and compatibility in his craft. We are sure he's up next. His recent single "Ctrl" has everyone in their feelings with its emotional yet relatable lyrics and beautiful visuals to perfectly match the record. This was Arionne's debut music video, and with the help of his amazing team, they managed to get all of the shooting done in Joshua Tree, California. Arionne thanks people like Andrew Olszewski and Good Studios, who took part in the making of the "Ctrl" Music Video. "Ctrl" brings back so many nostalgic memories as it has an old-school r&b soulful sound with a softer yet dreamy production to round it all off. He takes us on the journey of his own experiences and lessons he's learned along the way; even though he's only getting started, we are excited to see what he has planned for the future. We are so glad to have you here with us! We love your new single "Ctrl" and the vision behind it. What inspired you, and was there a specific reason behind it? The track overall was like a bit of a therapy session for me. I wrote it in about two days, the verse was written in my room, and the hook was finished in my car before going to my friend AJs house. What was the point you wanted to bring across in this record, and what would you like people to take away from it? The point of the track is basically letting go of the things you have no control over, big or small. The main thing I want people to take away from this is perspective. Not just for me but for everyone around them. Shit may seem perfect, but deep down, we are all struggling. We are all fighting to maintain something. Can you tell us more about your creative process behind making the "Ctrl" Music Video? For the video, I took a trip to the Joshua tree desert in California. My director/friend ( Andrew Olszewski ) was the creative genius behind these shots. It took about 6 hrs to get everything. They had me sitting really close to the fire and told me to basically have a one on one with myself while singing the song. What advice would you give the younger generation that is dealing with similar struggles you've faced in the past? The advice I have for other people basically just takes your time with stuff and doesn't be afraid to try new things. If you can't get around it, go through it. What's next for you? As far as what's next, I plan on dropping my five-song ep "See U Then "in the next month or two. After that, I plan on doing as many shows as possible before getting to work on my first tape/album/project. Instagram

From South Africa to New Zealand, singer-songwriter and thought-provoking recording artist Lee Martin releases her beautiful new single, "Daydreaming." Lee Martin quickly saw success after releasing her first two albums that received ample radio airplay. With inspirations like Van Morrison, Dire Straits, Pink Floyd, and Leonard Cohen, Martin's vast musical taste is able to shine through on every release. Lee’s latest single, “Daydreaming” gives us chills down our spine. The song is sung to a little boy, and it plays to the fact that we get taught certain things in our childhood that we might later discover to be untrue. This ranges from simple things like the Easter Bunny to more indoctrinated things like religion. The music video for “Daydreaming” is a stunning visual experience that tells the song's tale gracefully and emotionally. Daydreaming" is the third and final single before the release of Lee’s full 12-track album “Gypsy Soul”. The additional backing vocals for the album, recorded and arranged in South Africa, add layers of stunning texture which grounds the album in her African heritage, whilst still paying homage to Southern US Layered harmonies in a Soulful and Gospel style. Following the album, Lee will be touring the country with her band and hoping to add international dates as soon as the borders open up. Orders for the album and merch are available via Bandcamp. "Daydreaming," is now available on all digital streaming platforms. Instagram Facebook

Hailing from Calgary, Kuzi Cee brings forth a unique, emotional, and energetic mix of R&B, Pop, AfroBeat, and Hip Hop. He constantly incorporates his personal experiences into his music, whether that be the various hardships he faced growing up, the euphoric feeling from a night out with friends, or navigating the roller-coaster of emotions that come along with love and heartbreak. Kuzi Cee has garnered some major successes over the last few years. Some of these accomplishments include selling out his first headlining show, opening for R&B icon Roy Woods, and performing at the CEBL (Canadian Elite Basketball League) semi-finals halftime show. “Did You Find Love” is the lead single off his new “Butterflies and Roses” project that’s expected to drop in March 2022. Mixed with melodies and messages, Kuzi’s new single stems from the question “How Did You Find Love?” The song encapsulates the feeling of trying to find an emotional connection in a world of physical love. It’s told from the perspective of someone who’s been broken and hurt so many times in the past, that the thought of love itself brings no excitement. With help from producers @HossyBeats and @LouXtwo, and engineer @SheaMichael, Kuzi Cee has created a soothing yet ramped-up anthem for the clubs. “Did You Find Love” is a soundtrack for those moments where you don’t have a care in the world, down to go wherever the night may take you. Listen to “Did You Find Love," available on all streaming platforms. Can you give your listeners a bit more insight into the inspiration behind the track? The inspiration behind this song came from times when I had to address what I wanted in life and went through that "I gotta put myself first" phase. The song encapsulates the feeling of trying to find an emotional connection in a world of physical love. It's told from the perspective of someone who's been broken and hurt so many times in the past that the thought of love itself brings no excitement. It stems from the question, "How did you find love?" This song touches on a variety of personal experiences. Was it tough to be so vulnerable and open on this track? How do you hope that listeners will resonate with your lyrics? I feel like the best music comes from a place of being vulnerable and open. I try to do with my music to stay true to myself and describe how I am feeling. To me, as a listener, I love when I hear music that I can relate to, and the artist conveys all their emotion into the song. So that's what I try to do with my music. I wouldn't say it was hard being vulnerable on the track, but it is difficult to put yourself out there for the world to judge. Now it's not just a song. It's a part of me being judged. Your love and passion for music and performing are extremely apparent in your music. Do you remember where your love for music all began and who your major influences were growing up? As a kid, I grew up listening to mainly R&B with a big influence from the early 2000s sound. I had a lot of influence from artists like Michael Jackson, Usher, Chris Brown, Ne-Yo, The Dream, and T-Pain. It was during this time that I started getting involved in a church choir, and school talent shows where the idea blossomed of becoming a musician. Unfortunately, it was cut short because I started playing sports, and, like every other kid, I thought I was going D1 then going pro, so I sidelined the artist dream. It wasn't until the end of high school that I came back and started making music. I've been singing for as long as I can remember, but when I finally started making music, I was rapping. It took a while for me to gain the confidence to sing on my songs, but I think it clicked somewhere in 2018, and ever since, I've been more focused on the R&B side of my art. What sort of atmosphere and vibe did you want the instrumentals and production to give off in "Did You Find Love"? Who helped bring the sonics to life? I wanted the song to be relatable to a wide range of individuals. The older generation gets the Usher, falsetto style of the chorus that came with Confessions, while my generation gets the afrobeat infused R&B sound that we grew to love. For the instrumental, I wanted it to be very open and soothing but have that ramp up to give it that club/late night drive vibe. That's primarily why I fell in love with the 808 and drum pattern. They brought so much energy into the song, and paired with the vocals, it gives the song the ability to tell a story but keep you engaged. However, the song is structured for clubs; specifically, that moment at 2:00-3:00 am where you don't know what time it is, you don't care what's going on, and you're just feeling the vibe and flowing with it. Big shout out to the producers on it, @Hossy Beats and @LouXtwo knocked this one out of the park. In the first seconds of listening to the beat, the "How did you find love" lyric came to mind. Then I jumped in the booth, and it was a wrap. Gotta show love to @Shea Michael as well for helping out with the mix and master. He really brought this song to life. Instagram

From Las Vegas to Los Angeles, songwriter, rapper, and hip-hop/r&b recording artist 1k. slaps the scene with a "CYCLONE" of a single. Constantly surrounded by like-minded individuals who keep it one hundred, 1k. is always finding new ways to prove that he's a mainstay in the modern music industry. Music was always a staple to a young 1k. He was heavily influenced by funk and r&b, but he became the ultimate hip-hop head during his adolescence. His wide range of beat selection and versatile flow is truly taking 1k.'s career to new heights. After transforming himself from the listener to the artist, 1k. now hopes to influence and inspire individuals to take the route that leads them to their dream. Listeners can catch his artistic versatility and lyrical mastery through his latest bop, "CYCLONE," from his recent 9-track album, 'VILLAINS.' Hitting play on "CYCLONE," the tune kicks off with a dreamy and laidback lo-fi hip-hop beat where a low, demonic, and A$AP Rocky-like voice melts through our speakers with the utmost poise and confidence while describing the spiraling weed smoke looking like a "CYCLONE." As 1k.'s fluid bars make their way in, he offers an incredibly rhythmic and composed performance to up the song's dominant feel. If this track is anything like 1k.'s forthcoming releases, we're positive he's destined for greatness. This song offers such a dynamic feel through the celestial sonics and the LA-based rapper's attention-commanding performance. As we drift out way towards the outro, 1k. continues to make it clear that he's not one to mess with. Don't miss out on your new favorite song, "CYCLONE," and find the rest of 1k.'s 'VILLAINS' album on all streaming platforms. We love the poise and authority you offer on your recent hit, "CYCLONE." So what inspired this dreamy yet dominant tune? I gotta say the inspiration came from high times in the studio. I had a session in LA where I came out of the booth, and the room was just smokey as hell. My engineer was getting contact—most times when I'm in the studio with some people that are part of the routine. When I returned to my home studio, I played the beat, and the idea just felt right in front of me. Who created the composed and celestial beat for "CYCLONE?" Was the production pre-made for you, or did you have any say in the sound and vibe during the creative process? Shoutout to Prod by Rxkz. To be completely honest, I searched through youtube beats when I came across this producer. He has a few joints on my album 'VILLAINS.' As soon I started writing to it, I hit him up for the beat, and the rest is history. What sort of scenes and images did you want to paint with your rhythmic and conceptual bars in "CYCLONE?" What did you want to make the listener think and feel? "Cyclone" for me was just about being in that zone. When im creating, marijuana normally lets me reflect more than I should, but it helps me zone out into endless thoughts. The bars in this song are almost like the voices in my head when Im in that zone. How does "CYCLONE" fit into the vibe and theme of your recent 9-track album, 'VILLAINS?' 'Villains' is basically a journey down the abyss in its tone. It goes from Light to Dark while giving aspects to the way there. "Cyclone" is right in the middle. That grey area. It represents reflection and my ways of relaxation. If the beginning is me on top of the world and the last track is me going crazy, "Cyclone" is that middle ground. Where most people probably relate anyway. What's next for you? OH, EVERYTHING! Shows, videos, projects. 'VILLAINS' being my crown jewel, I'm still coming up with new music all year—more collaborative efforts, including a joint tape with one of my team Supaaman. You'll be hearing alot from 1k. in 2022! Instagram Twitter

It's no secret that women in music are bad-asses, but what's all the more exciting are corporate executives taking the music scene by storm, and that's exactly what inspirational pop artist Theresa is doing, especially with her powerhouse new hit, "Under The Influence." Theresa works as an advertising music executive but always carried a long-held belief that musicians could make their dreams come true no matter what phase of life they're in. The 42-year-old recording artist strives to focus on her career as a hitmaker and songwriter, but the bigger picture is to inspire individuals to follow their dreams whenever and however they please. Time and again, Theresa proves that an undeniable work ethic and dedication to craft can land someone as a force in the modern music scene, and her latest single is no exception. "Under The Influence" is Theresa's first collaboration with Colby O'Donis (Lady Gaga, Kelly Rowland, Akon) and features the relatable concept of losing yourself in new love that truly consumes the mind and body. "Under The Influence" melts our speakers right off the bat with Theresa's textured and alluring vocal appearance that passionately sings of not being able to shake a new lover from her mind. No one's arguing that this is a negative experience, especially Theresa, who grooves towards the anthemic hook and relishes the intoxication of someone's love. The production by O.M.G. is another heated element to this track that keeps the energy at a high, especially the groovy synth-like bassline and tight drum breaks that keep the rhythm alive. Theresa later heads to the outro and chants her affection for the hypnotic lover that her mind can't stop thinking about. Welcome back to BuzzMusic, Theresa. We can't get enough of the feel-good and passionate energy you've provided in your new single, "Under The Influence." When did you begin feeling inspired to create this lively new tune? Thank you SO much for having me back!! I am so glad you love "Under The Influence"! I actually started writing the song last winter (2021). I was reading the amazing Mariah Carey autobiography, "The Meaning of Mariah Carey" and learned that her songwriting process was super similar to mine. That she comes up with songs and vocalization ideas in her head. The "ba-da-ba-da-ba-da" vocalizations in "Under The Influence" are definitely a nod to Mimi. We are both from Long Island, so I feel like we have this special bond. I was definitely "Under the Influence" of Mariah writing this song!! What was it like working alongside Colby O'Donis for the songwriting process in "Under The Influence"? How did he help make that process easier and more enjoyable? Colby is the coolest. We actually worked on this song 100% remotely - me in N.Y. and him in L.A. We were introduced by a mutual friend (oh hi Eryk Rich!), and we just hit it off the moment we first spoke. Colby is such an old soul. It didn't feel like this was the first song we collaborated on. He really understood the vibe I was going for - a super modern take on a 90's dance classic. He was really supportive of my experimenting with weaving my vocalizations into the instrumentation and came up with amazing ideas. I love this track. That bassline is crying out to be played on the dance floor!! What sort of vibe and atmosphere did you want the production to emit in "Under The Influence"? How did producer O.M.G. make that happen? Colby is O.M.G., so I've addressed the above!! On a more personal note, do you feel that being an Advertising Music Executive gives you an advantage when creating and marketing your music? How has your day job helped your solo career? I love my job as an Executive Music Producer at an ad agency. I love working with creative people and enjoy bringing their musical visions to life. However, it's a demanding job. I work around the clock and on weekends. And although sometimes the daily grind sucks me dry, I am reminded that I am following my dreams of becoming the biggest pop star and hit songwriter on the planet. I do my best each and every day. I am so fortunate to understand work/life balance. It's not something I was "born with," but when I started my musical evolution three years ago, I had to prioritize my life as a whole to make room to grow as a woman and an artist. I am so very grateful for this role which allows me to chase my dreams. I am always inspired by the people and the projects - every experience helps me continue to grow personally and professionally. What's next for you? As always, I am working on new music and plan to release new songs throughout the year. I've started playing live and have some gigs in the N.Y.C. area coming up this Spring. Overall, I feel some positive shifts coming for me - and I am welcoming them with open arms. I am ready for whatever the universe has in store! INSTAGRAM

New York-based r&b/pop recording artist and singer-songwriter Jae Cabrera returns to highlight his many accomplishments throughout 2021. The dedicated singer-songwriter is known for making music that reflects many artistic forums; his timeless r&b always keeps listeners returning for more. One could describe Jae Cabrera's sound as soulful and energetic, but that's just scratching the surface. A veteran of the music industry, Jae Cabrera took 2021 by the horns and reminded us why he's here in the first place through his many meaningful tunes. One of our favorite releases of the year from Jae Cabrera was his July release, "Gravity," which sucked the air out of the room with incredible passion, lust, and desire. It's safe to say that this song holds a special place in our hearts thanks to Jae Cabrera's relatable and sensual words. Another track that kept our world going round was the softness and unbridled passion of "Love Tomorrow." We heard Jae Cabrera spice things up through his cinematic and dynamic single, "Turbulence," which left our souls floating above this plane and into sonic bliss. Another honorable mention is definitely Jae Cabrera's late March release, "59Fifty," reminding us that his lover fits him just right like a perfect 59Fifty. Jae Cabrera also lent his stylings to CvpFuturisticBeatx for their atmospheric single, "Lounge Americano South Africa (feat. Jae Cabrera)." All in all, Jae Cabrera took 2021 by storm, and we watched as his career reach peaks with help from the many singles he's released. For now, catch Jae Cabrera's music on all digital streaming platforms, and keep your eyes open for his sweet and savory tunes throughout 2022. Instagram Facebook

Hailing from Washington, D.C., is an artist you never knew you needed. Songwriter, hip-hop recording artist, and musician T. Houze is coming in hot with his latest 14-track album, 'Midnight Season.' Besides the musical realm, T. Houze is also a photographer and creative director who gained access to photo and video technology in high school in the 2000s. After becoming enamored with the art of storytelling and poetry through hip-hop (thanks to influences like Lupe Fiasco, A Tribe Called Quest, Kendrick Lamar, and The Foreign Exchange), a star was born. Now releasing his conceptual new project, 'Midnight Season,' T. Houze mentioned this album was inspired by "living in Washington D.C. and embracing the nightlife and concert life." Initially created and scrapped in 2013 as a 'therapy album,' T. Houze revisited the project during the pandemic and brought it back to life. The journey begins with the introductory track, "August Breeze (It's Just the Feeling)," alongside angelic vocalist Millicent. This song opens like a nostalgic and old-school hip-hop track with a laid-back, groovy drum arrangement, wavy background synths, and Millicent's distant oohs and aahs. Both artists at hand give us such a calming and dreamy experience that truly offers that sweet summer air. However, T. Houze ensures that he makes the experience worthwhile by portraying his love for performing live and the many audience members he sees time and again. Moving into another transcendent piece with the second track, "Breathe In," this soulful tune features the warm and tender vocal stylings of KOZA. The piece begins with a hazy and distant synth melody that's later met with a sensual and groovy drum arrangement where T. Houze makes his passionate vocal appearance. This song perfectly sets the vibrant nightlife scene through lyrics of the many souls seeking a refreshing experience in unison. KAZO amplifies that refreshing sensation towards the song's hook with her airy and soft vocals to send us into bliss. Hitting play on the third track, "Simple Things," this is the first track on the album that we hear T. Houze's solo performance take the stage and serenade us from all aspects. The song gently opens with another nostalgic, soulful, and groovy hip-hop/r&b sonic arrangement while T. Houze's bars remind us of life's simple things and being in touch with one's higher self. This track perfectly represents T. Houze's artwork; he effortlessly takes us into varying sonic atmospheres while ensuring we enjoy the ride through his laidback and composed aura. The track prior then transitions into the same keyboard melody within the fourth track, "Interlude I," where T. Houze opens up about how long it's taken to bring this record to life. He sets the scene with his gentle keyboard and warm speaking voice in front of an eager crowd ready to begin their night's adventure. Mild conversation lingers in the back to give the album more of an inclusive and engaging feel, but T. Houze declares that the only thing he needs from the audience are ears and energy...letting it all "Simmer." As we transition into track number five, "Simmer," T. Houze ups the album's modernity with a crisp and clean synth arrangement, the most sensual r&b percussion, and his composed performance. Although the sonics bring a modern edge, there's a certain cool, calm, and collected nature within T. Houze's vocal performance that brings us back in time to smooth 90s rap that has truly stood the test of time. The Washington-based rapper continues to enhance the theme of a picturesque night out where the drinks might give you courage, the green might help you loosen, but the music is sure to keep you moving. Taking it down a notch with the groovy and smooth sixth track, "No Sweat," this sweet single features the exciting flow of rapper Nikko Miles. We take a trip back a couple of decades once the bouncy drums, plucky bassline, and Kaytranada-like synths begin pouring through our speakers. What's just as exciting is T. Houze's Fresh Prince of Bell Air-type verse that truly gets us moving and grooving. Rapper Nikko Miles offers a similar vocal tonality to Lil Baby yet gives the song another nostalgic edge while his unique flow and composed bars bring us into another exciting nightlife experience. Reaching the album's mid-way point with the seventh piece, "Black Hourglass," T. Houze pairs up with the harmonious r&b stylings of vocalist Devin White. The song shimmers open with another deftly-groovy bass lick alongside tightly-wound drum breaks and shiny background synths. T. Houze channels his deep and sultry vocals to deliver his rhythmic bars in this passionate and sultry track. Devin White makes his way in with such a mesmerizing presence that perfectly ups the song's sweet and sensual r&b atmosphere. It's likely this song may represent that part of the night where taking someone home might be the next move...wink wink nudge nudge. But, before we get into that exciting experience, T. Houze wants to make sure we're all still with him and engaged in the performance through the eighth track, "Interlude II." When asking the crowd if they like what they year, T. Houze receives an eager response while shouting out artists Nikko Miles and Devin White for giving the crowd a dose of energy and excitement during the midnight hour. As a sweet and jazzy instrumental begins to pick up, T. Houze urges the audience to participate even further and pay attention to the layers he continues to pull back throughout the rest of the album. "Let's get some healing done," says the recording artist in the interlude above, making his way into the ninth track, "Healer," featuring KOZA's blissful vocals once again. The song opens with smooth and tender keyboard melodies alongside sharp drum arrangements that shift the track into a soulful and rejuvenating space. Reaching the hook, KOZA's lush and clean vocals add a soothing and refreshing edge, while T. Houze reminds us that one day will come healing, flushing tears, and forgetting your past woes in order to embrace change for a brighter future. Dropping "The Bomb" with the ninth track, T. Houze turns it down a notch even further and channels a more lo-fi, reflective, and old school hip-hop/r&b atmosphere while grooving to the song's sweet instrumentals and production. This song offers another composed approach to life; although the peaks and valleys might seem quite chaotic, T. Houze remains calm and cool while reminding himself of his worth. We love this track's smooth and relaxed feel, and we appreciate the introspective edge T. Houze added to such a conceptual album. Continuing that same relaxed vibe with track number ten, "Midnight's Theme," the song kicks off with various synths and effects while the steady downtempo beat taps through our speakers. Listening to T. Houze's soft and whispery vocals, he flows with bars surrounding a trip of some sort where the paranoia is at level nine. At this point in the night, there's a profound sense of reflection that triggers thoughts of higher reasoning, like what brought you here in the first place. That said, the pressing sense of calmness and clarity is slowly kicking in thanks to T. Houze's words of wisdom and soothing instrumentals. Making our way to the final tracks of the project with "Interlude III," T. Houze opens this piece with a chill and mellow performance while thanking his crowd for joining him on his midnight show. However, before the night ends, T. Houze has one more track up his sleeve to end the last five minutes with a bang. While the groovy production moves over to the song's end, we transition into the album's final minutes. Inviting the serene vocal stylings of Valentina Lelà for the thirteenth track, "August Breeze, Pt. 2," this rendition of the album's introductory track offers a sweet piano melody to begin the journey. As Lelà's soulful, powerful, and harmonious vocals appear, she passionately reminds us that we are our only limits and encourages us to reach for the sky with each endeavor. T. Houze makes his confident vocal appearance while emphasizing the importance of vocalizing your feelings and never concealing the power within. This song is truly an "August Breeze," and we feel more refreshed with each listen. Landing on the album's final and outro track, "Together We Float - Bonus Track," we're introduced to the passionate and bright vocal stylings of Nera Mamić. The sonics take off with another warm and Kaytranada-like drum arrangement that takes us on sonic vacation. In this groovy bonus track, T. Houze expresses the passion he holds for those lively nights out where everyone's grooving to the music without a care in the world. Mamić takes over the hook with her sugary vocals to up the vibe. But, before we know it, both artists bring us to the blissful outro and end the album with a bang. If you're in need of a thrilling night out on the town, prepare with the many vibes brought to life in T. Houze's latest 14-track album, 'Midnight Season,' now available on all streaming platforms. Welcome to BuzzMusic, T. Houze. We are very impressed with the exciting and rejuvenating concept in your recent album, 'Midnight Season.' What inspired you to create a project about the nightlife experience? Thank you so much for having me, and thank you for taking the time to enjoy the album! A lot of the inspiration for the album stemmed from a couple of pivotal moments in the 2010s. Around 2011, I was around artists like Nikko Miles and Devin White (who are featured on the album), who were both creating some amazing music, and I was fascinated by the idea of creating my own project. In the midst of that time, I was also dealing with some self-conscious issues, and I figured the easiest way to tackle them head-on was to sit down and create a full project. Over the first couple of years, the project didn't come together as I planned, but it allowed me a chance to explore more inspiration while living in downtown Washington D.C. I spent more time going out and experiencing the nightlife more. I often found myself going to a lot of lounges and small concert venues frequently, and I felt that the pandemic really slowed down my time in those spaces, but at the same time made me reflect on those times more to create this album. What was it like collaborating with the many artists for 'Midnight Season'? Have you worked with these names before? It was amazing working with all the artists that are featured within the album. About half of the artists featured I knew personally (Nikko Miles, Devin White, Deja B, and Definite D, who's featured on the Bandcamp version of the album). These artists I met between high school and college knew what they all were capable of bringing to the table, so it was important for me to bring on the artists who were supportive of what I've done from the beginning to be here for this project. The other artists like Nera Mamić, Valentina Ielà, KOZA, and Millicent I met when creating the project as well. While I never met them in person during the recording, they were all great and super collaborative to work with. It was important for me to find musicians that had experience outside of the Hip Hop genre to give the albums its unique tone. Do you have a favorite track off of 'Midnight Season'? What is it about that track that makes it your personal go-to? If I had to pick my favorite song, it would have to be "Breathe In." It was one of the earlier songs I recorded, and hearing the chorus with KOZA's vocals really made me more enthusiastic about bringing this project together. The go-to songs that I have been playing a lot more tend to be between Black Hourglass and No Sweat. What was your main goal regarding the listener's overall experience when hitting play on 'Midnight Season'? What impact did you want the album to have on your audience? The most important thing for me was to create an after-hours atmosphere throughout the project. I treated the album as if it was made for an intimate concert show, and I was very specific about the pacing and sequencing of the songs as well that travels from the carefree hip hop style songs to more reflective and mysterious as the album progresses. I think for many who know me personally, even seeing me perform songs is very atypical from the person I am, and it made me more driven to really make sure the album opener "August Breeze (It's Just the Feeling)" really was as hard of a hook as I could create. How can new listeners get to know you through the album 'Midnight Season'? Would you say this album is a solid representation of who you are and the music you aim to create? I think this album is a faithful representation of who I am and the music I like as well. I was a late bloomer to Hip Hop, and alot of my early upbringing started on Contemporary R&B. As a person who loves music from Kendrick Lamar, Robert Glasper, Lupe Fiasco, and A Tribe Called Quest, I wanted to see how to mix my influences in a way that still represents a lot of the emotions I have as well. WEBSITE

Hailing from Portland, Oregon, singer-songwriter and passionate recording artist Grant Brett gives us a sensual Sunday morning vibe with his latest single, "What You Like." A certain versatility comes with Grant Brett's Chillwave tunes, perfectly blurring the lines between r&b, pop, and alternative. Brett formulated his unique sound with help from artistic influences like Alina Baraz, ZAYN, and Glass Animals. He's also landed himself as a finalist in the Local Roots Pop Music Concert for his single, "Crazy." Now releasing his latest hit, "What You Like," we're sure a dreamy and passionate tune like this will lead Brett towards even more opportunity. It's no doubt the Portland-based singer's music is chilling, but the overall sultry atmosphere he provides in this song through the descriptive lyrics and tender sonics takes Brett's sound to new and intriguing levels. Dipping into the waters of "What You Like," we're softly greeted with a soothing array of background synths, warm sub-bass, and bright keyboard melodies that set the song's dreamy and sexual tone. As the slow and nostalgic r&b drums kick in, Grant Brett's clear vocals drift through our speakers with equal amounts of passion and commitment towards someone special. We also love how straightforward Brett's lyrics are; he wastes no time in telling his lover about what feels right, what he plans to do, and where the night is headed. It's likely Brett created this track for you to add to your 'spicy' playlist if you get what we're hinting at. All in all, the sensual, calming, yet the gripping experience is truly a treat for the ears—and maybe other body parts too. Get to know "What You Like," and then hit play on the chilling adventure that is Grant Brett's sultry new single, now available on all streaming platforms. Welcome to BuzzMusic, Grant Brett. We're truly enthralled by the overall exciting yet sensual experience within your latest single, "What You Like." What inspired this rather descriptive and passionate song? About two years ago, I released my last single, "Silence," which was about dealing with inner demons and overall a very depressing song. Now since we have all felt the Covid fatigue over the past two years, I wanted to give everyone something sexy to listen to. I want everyone listening to feel sexy. We deserve it! Was it easy for you to paint such alluring and passionate scenes with your lyrics in "What You Like?" Was this a relatively 'intimate' songwriting process? One afternoon I just sat down and started writing. I wanted to create something that would be sexual without being too vulgar. I rewrote it a few times because, in the back of my head, I was like, what would my mom say if she heard this? Haha. I wanted to create a song where I could really have fun with it. Did you create the soothing production within "What You Like"? What vibe and feeling did you want the production to emit? I worked with Luke Neill from Track 11 Music. I went to my studio session with a lot of ideas and the vibe I wanted. I got my inspiration from artists like Alina Baraz, and Zayn Malik. Luke really helped me bring my ideas to life. Do you usually put such passion, depth, and detail into your songs, similar to "What You Like?" How does this song stand out from your others? When writing a song, I do bring a lot of passion. I have written about breakups in my song "Drive Away," I have written about mental health in my song "Crazy," and I have written about ending a friendship in my song "Fake Friend." I feel like a songwriter. You have to write with passion; otherwise, it will show in your overall performance. "What You Like" was the first time that I have written about sex, and I have to say it really felt natural to write it all down. What can listeners anticipate to hear next from you? I am working with a couple of producers on remixes for my single "What You Like," and I have an EP in the works, which I'm very excited to share. It is going to be sexy Sunday morning listening vibes. It should be out in the spring. Instagram Twitter