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  • Thunderthief’s New Single Is Sweet Like a “Cherry”

    The ethereal noisemaker, storm breaker, and musician/producer Thunderthief blesses our speakers with a chilling and transcendent new single, "Cherry." One can best describe Thunderthief's music as alt house, as he blends pulsing electro beats influenced by vast genres alongside savory synths, driving basslines, and bright guitar work. Thunderthief's music often evokes a serene sense of emotion and nostalgia, but with a melodic and groovy undertone that anyone can admire. His latest single, "Cherry," is incredibly dreamy and lush, and we're truly impressed with how carefully Thunderthief arranged this piece in order to give off the perfect amount of soul, funk, emotion, and modernity. There are several dips, twists, and turns that Thunderthief takes us through in the new single, all of which perfectly paint surreal scenes that chill us down the spine. Diving into the new single, "Cherry," the song softly opens with soothing keyboard melodies and fading background synths that slowly drift into the foreground. As the groovy and warm beat drops, so does the plucky guitar lick that perfectly enhances the song's blissful and chilling atmosphere. We appreciate how Thunderthief took his time to carefully break down each unique transition; this song clearly represents his vast artistic skillset. Thunderthief complexly travels into the song's second half, where he showers us in a radiant electric guitar that soothes the soul alongside the lush keyboard melodies to up the song's emotion and heart. As we float our way to the zen outro, Thunderthief closes the track with ample notes of euphoria and pure, utter bliss. Do some soul-searching with help from Thunderthief's chilling new single, "Cherry," now available on all digital streaming platforms. Welcome to BuzzMusic, Thunderthief. We're truly impressed with the soothing and tender sounds in your latest single, "Cherry." Did anything inspire you to create this piece, or was it more of a spur of the moment? "Cherry" came to life through a writing session I had with my friend in December of 2019. It was the first holiday season since my mom passed away in October of that year and I processed my emotions through making music, so everything we were writing during that session had a tinge of somber beauty to it. Between that session and a few solo studio days to develop the idea from a loop to a full-blown song, I cruised through writing parts that I thought fit beautifully and it became the full song very quickly. Could you take us through your creative process for "Cherry?" How did you begin laying the foundation and working your way up? I have a podcast called HAPPY ACCIDENTS with THUNDERTHIEF that walks through the process of creating all my songs front to back that explains this in more detail, but the cliff notes version is as follows. My friend Dan came over for a writing session and we made 4 different loop ideas that only 1 ended up becoming a full song, which is Cherry. He wrote the first and last guitar parts in the song along with a basic version of the verse drum beat that's in the track. I took that loop home, started expanding the song fully, and wrote the verse bassline and synth chords to create a dreamy but driving sort of energy. To move the song along, I wrote a new synth bassline that I knew wanted to have a 4x4 drum beat sitting behind it, which I made from the kick drum pattern of the verse drums to give it some familiarity but from a different place. The hook guitar part that happens during the middle of the song was written in an attempt to act as a vocal melody with softness and simplicity, but to be emotional and impactful. The drums throughout that middle part aspire to be a house music version of the verse drums with a lot of ride cymbal, driving hat hats, and interesting percussion sound. Then the track comes back around to where it started, but with a different guitar part and subtle percussion difference from the first part of the song. What impact do you hope to make on listeners when experiencing your lush arrangements in "Cherry"? I learned a long time ago that I have no control over what people think about my music, I only have control over how I feel about it. But I know that grief and emotional stress have become a lot more typical states of being in the last couple of years, and I hope that my way of dealing with those states of mind can help others deal with theirs as well. Some of my songs are made to dance to, some feel to, but all of them are for you to do whatever you need them to do. Could you share some artistic influences of yours? Whose music would you say impacted your sound the most? I think most of my musical influence comes from my teenage years when music has the most impact and can resonate deeper than in any other time in our lives. Bands like Coheed & Cambria, Saves the Day, and AFI has a huge influence on my bass and guitar playing, while artists like Beastie Boys, The Chemical Brothers, The Prodigy, The Crystal Method, and BT influence my production style and sound design preferences. What's next for you? I just had my album release show in January and that was amazing, but it's really hard to stay consistent with shows right now because it seems like there's a 50/50 chance of any show actually happening each night. My plans are to continue releasing my podcast for each of the songs on my album Past Amore and to write another handful of releasable songs by the fall of this year. I plan to write as many songs as possible in my life and how they are released or performed is bound to change throughout, but I hope to adapt well enough to create and live the way I have always dreamed. Instagram Facebook

  • Jamie Alimorad Has Us Hooked On, "Give a Little Lovin'"

    While attending Northeastern University, light first dawned on Jamie Alimorad's prodigal artistry in Boston's underground music circuit. From those humble beginnings, Jamie Alimorad dedicated himself to honing his craft as a singer-songwriter and multi-instrumentalist. His time at Northeastern proved invaluable, culminating in a Bachelor of Science in Music Technology, and a blossoming career. Taking our attention to the most recent work of art to come from a flourishing music catalog, we have "Give a Little Lovin'." Commencing with the lush guitar riffs that strum warmth into our very being, it's apparent the type of feel-good grooves that we're about to be doused in. Incorporating the upbeat characteristics of an electro-dance bop, we have what trickles into our speakers as mainstream potential. We admire the soothing and wistful vocal performance Jamie Alimorad conveys to his audience. There's anticipation that comes with each word he leaves us with as we're caught up in the adoration strung throughout this record. "Give a Little Lovin'" tours us through the new wave as we clasp onto inspiration derived from the previous eras of music. Leaving no part of this track bare, there's a musical element that weaves through your senses as you take on this profound heightened feeling. You can hear the detailed approach at every moment, which takes us further into the vivid imagery that Jamie Alimorad intends to cast out. Coaxing us into going that extra mile for that special someone, we're hooked on "Give a Little Lovin'." Welcome back to BuzzMusic, Jamie Alimorad. This new record, "Give a Little Lovin'," has us feeling the vivacity you've set out for. We love it! Could you please share a glimpse into the meaning of this track? Always great to be here! I'm glad you like it. This is the song that got my new project going. In the summer, I got into the studio with my producer and writing partner, Ross Vannelli, and I had a set of goals for the type of songs I wanted us to produce. We each had ideas in our memos, and we would trade them back and forth, with me on the keys, and him with an acoustic guitar. This was the very first thing that was presented by either of us, and I loved it. It didn't take long to finish. The lyric is from a place I know all too well - feeling a strong attraction toward someone and the, all too often, inevitable games people play when you're interested. How long did it take for you to craft and release this single? How does it compare to previously released tracks of yours? Writing it was fairly quick. We finished it within the first hour of getting together, however, we didn't track it until two months later. While building the track, Ross changed the bridge section, and originally put the idea of rap. I wasn't too keen on that unless we did it a la "24K Magic." In the end, we came up with two new melodic ideas, and the lyric ties it all together. This track is definitely edgier and more R&B than my previous work. I wanted all the new songs to be very rhythmic, and incorporate more harmonies, and "Give A Little Lovin'" definitely checks those boxes. What's the biggest thing you look for when creating hit records? What factors into if it's ready to be released for you? Melody is king for me. I want a really strong melody that I can sing, whistle, or hum at any time. I want it to be stuck in your head. The other thing with my new music is the groove. If it makes you move, then it's got it going on. You never know what's going to happen once it's out there, but if it feels good in the studio, and when you listen at home, then you know it's ready for the world. What's the most important message you aim to send to your audience as an artist? I always think of Paul McCartney reflecting on the Beatles catalog - saying how he's so happy that they focused on themes of love, peace, and togetherness. Music has always brought me great joy, and I want to make people feel good when they listen to my music. Whether it's a recording or at a show, I want the audience to get lost in the music, and in the moment. I hope that my music makes anyone day who's listening's a little brighter. What's next for you? I have a lot of new music coming in 2022! We just filmed the music video for "Give A Little Lovin" and that will be coming out soon. My next single will come in the early Spring. Can't wait for you to hear it! Instagram Twitter

  • Skyman Hits Hard in “AUSTIN”

    Born in Lagos, Nigeria, in the early 90s, Skyman was exposed to Western pop music and Afrobeats that were released during this time. As he got older, he was introduced to hip-hop of the late 90s and early 2000s. From reciting lyrics by his favorite rappers and impressing his friends to beginning the journey of writing his lyrics, it was in 2014 when Skyman moved to Cyrus to pursue higher education; he then took the rapping more seriously and started gaining local attention with freestyles. Now with a music catalog filled with enticing hits, we land at the most recent release by Skyman. "AUSTIN" has us swaying to the beat of his eclectic essence. Amplified with heavy-hitting lyricism, the emcee approach that Skyman takes is reminiscent of Kendrick Lamar. The greatness is in the attention to detail that resides in the composition. Every vocal effect is impeccably placed to add another dimension to the vocal tracks. Giving this otherworldly feel to the instrumentation, we have a pulsating record that emanates intensity with how it's conveyed. Skyman's performing techniques are unforgettable as he adapts to the beat with more cadences than we can count. It's as if he is showcasing these various versions of himself that, in turn, pull us closer to the most authentic version of himself. The creativity in "AUSTIN" is refreshing and welcomed by our speakers. This upbeat anthem has us hooked on the skill set of Skyman. Winning us over with each release, "AUSTIN" sits high on our repeat radar. There's no doubt about it; you'll be adding this track to your favorite upbeat playlists. Welcome to BuzzMusic, Skyman, and congratulations on the release of "AUSTIN." We love the energy you deliver in this record! What moment or story inspired the witty lyrics we hear? Thank you so much and thanks for having me. The story comes from a collection of experiences relating to crime in cities I have lived in. The lyrics mostly reflect on youths' daily lives trying to make ends meet, so blindly taking on deals to engage in illicit activities. Some off-course with dear consequences. You have to listen to the song carefully to understand what it truly means. Who and what are your musical and non-musical inspirations? Do you find this greatly plays into the sound you have? My musical inspirations include Nas, Biggie, Eminem, Kanye West, Lauryn Hill, Michael Jackson, Queen, and more recently Kendrick Lamar, Frank Ocean, J Cole, and Drake. Well, I believe it is quite hard to pinpoint any direct influence, but I would say you can find bits and pieces of all these artists I have mentioned in a body of work project or even a song. It just depends on the vibe at that moment. Although, I started rapping from listening to Biggie, Eminem, and Nas. However, listening to Kendrick and J Cole has changed my flows. Non-musical inspirations would be Denzel Washington, Michael Jordan, and Mohammed Ali because of their passion and dedication to their craft. What does "AUSTIN" mean to you? What do you hope your audience can take away from it? AUSTIN is really just a name, a reference to the movie, ‘Austin Powers’, and has no direct meaning to me. I’m just saying like Austin, I got powers. So, the reason I got powers is left for the audience to find out by listening to the song. That way they can make sense of it how they see fit. After all, it is art. What's your mission statement as an artist? How does "AUSTIN" tie into that? In this mad game called life, everyone is racing to the top trying to win, make it big, and stuff, but I believe the real winners are those ones that help others cross the finish line. So, if I really have one, my mission statement is to practice collective winning or something along those lines haha. Help others win. I wouldn’t say AUSTIN ties into that, but if you got powers like AUSTIN use them generously. Instagram

  • Bjorn Rydhog Is Present With the “New Day Coming”

    It most certainly is a "New Day Coming," as this brand new release from Swedish artist Bjorn Rydhog gives us a deeper look into his forthcoming E.P. Touring us through the buoyant and profound essence of this track, we're entranced by the innovative core that has us swarmed in a myriad of solid melodies, airy retro synths, and deep 808s. Teaming up with producer extraordinaire Johan Sigerud (JRSS) and co-writer Olof Gråhamn, Bjorn Rydhog gives us a record that's inspired by the prominent Swedish pop scene. "New Day Coming" fills us with triumphant notions as we bask in the celebratory and hopeful feel conveyed. We got the chance to speak with the song's performing artist Bjorn Rydog for the BuzzMusic exclusive interview. Welcome to BuzzMusic, Bjorn Rydhog! It's such a pleasure to be chatting with you about the release of "New Day Coming." With this being a look into your forthcoming E.P., what can you tell us about your reasoning for picking this as the second lead single? I think ‘New Day Coming’ is my best song so far. It’s catchy, celebratory sort of an anthem. Even though the lyrics were never about Covid its theme seems very fitting now that the pandemic is finally coming to an end. So the timing of the release seems perfect. We would love to know more about the messaging in this record. What does this song mean to you, and what do you hope your audience can take away from it? I’m an optimist and also fond of the deeper layers of existence. I think that is reflected in the song, the music video, and the whole EP. By the way, I should not forget to mention that the music video was kindly created by the awarded 376 films, also from Malmö. What was it like bringing your vision to life with Johan Sigerud and Olof Gråhamn? How did this collaboration come to be? Olof Gråhamn is a close friend and multi-gifted all-around artist. We meet regularly and write songs through jamming. We create at least one song or more each session. For example, ‘New Day Coming’ and my first single from the E.P. ‘Let’s Not Get Old’, were created during one of our sessions. Both these songs immediately lifted up my spirit and had high energy, so I made a demo of them and sent them to Johan Sigerud (JRSS), the producer. He brought them to the next artistic level and further into an electronic and beat-based realm. Which is an area I’ve been exploring lately. I met Johan three years ago, at a weekend music production course at a study association, where he teaches. We started to work with the song ‘Just to be with you’ and our collaboration has been very fruitful ever since. Johan has a great knowledge of sounds, textures, and rhythm. Let fans know about your art and who you are in terms of what "New Day Coming" says about you as an artist? Creating music is an essential part of my life. A way of healing old wounds as well as bringing me in contact with the deeper layers of myself. I guess it’s my way of being a child in a grown-up body. Could you please take us into what we can expect on your forthcoming E.P.? What concepts, themes, and emotions are you looking to bring to life with this release? I continue to explore love and belonging in a deep sense. It’s optimistic, perhaps bombastic. I’m finding myself embracing the epic. It wasn’t planned that way, it just happened. I might add that the last song on the E.P. ‘Your Love’, was a way of coping with my grandmother’s death. It’s a celebration of her and the love she had for us. Instagram Artist Website

  • Aliza Li Expands On Love's Peaks & Valleys In A New EP, 'Soul X Sushi'

    From Atlanta, Georgia, singer-songwriter and r&b/soul recording artist Aliza Li grabs our undivided attention with a stunning 4-track EP, 'Soul X Sushi.' Aliza Li is known for melting the hearts of all listeners with her breathtaking vocal dexterity and raw, emotional songwriting. The star on the rise blends contemporary r&b with organic soul to create a unique style that's best expressed on stage, inspired by the likes of Jill Scott and Erykah Badu. Now examining the peaks and valleys of love with Li's newest EP, 'Soul X Sushi,' let's dive right in. The project opens with the introductory track, "Carry Me Blu," which begins with a groovy bassline and bright electric guitar arrangements at a slow, downtempo pace. As the lush r&b drums begin to rain down from above alongside the harmonious keyboard melodies, Aliza Li makes her angelic vocal appearance and begins to dissect the tribulations of troubled love. Aliza Li carries such confidence and charisma when performing, and she perfectly opens the EP with the utmost poise while serenading us with lyrics of searching for peace in love, not turmoil. Heading onto track number two, "Dried Flowers," this song opens with a hazy and psychedelic electric guitar drenched in reverb. As Aliza Li's ooh and aahs begin to float through our speakers, she strolls into the first verse while taking the listening experience to new, blissful heights. As she reaches the hook and reminds us how she fears being alone, Aliza Li turns up the project's emotion through her vulnerable and intimate words that we can all relate to. This song is incredibly dynamic, and Aliza Li's performance keeps us on the edge of our seats the entire way through. Passing the project's halfway point with the third track, "Mirror Me," this song was also the lead single for the EP. While the song opens with chilling, smooth, and sultry r&b keys, the jazzy and soulful drums begin to tap through our speakers while Aliza Li haunts our ears with her dynamic vocal range. As she begins to expand on someone matching her energy and seeming like the right fit, we groove through the harmonious hook while Li keeps the vibes at a serene high. We adore the devoted passion and desire Aliza Li brought to this track; it perfectly represents how our love blossoms for someone new. Reaching the EP's fourth and final track, "Reading," this song opens with another peaceful and melodic keyboard arrangement that quickly drops into a heavy and soulful groove. While Aliza Li begins to transcend our speakers into the celestials with her otherworldy melisma and broad vocal range, she expands on themes of painful love and wonders how it will play out. This track is truly the perfect way for Aliza Li to close such a cathartic and meaningful project, as it encompasses the true meaning of love from heartbreak to pure euphoria. Do yourself a favor and bask in the warmth and tenderness of Aliza Li's latest 4-track EP, 'Soul X Sushi,' now available on all digital streaming platforms. Welcome to BuzzMusic, Aliza Li. We're truly impressed with the emotion and soul you've delivered in your 4-track EP, 'Soul X Sushi.' What inspired you to create this passionate and vulnerable project? Life experiences are always the inspiration behind my music. What does this project mean to you? Does 'Soul X Sushi' represent a certain moment or experience in your life? 'Soul x Sushi' developed out of an emotional rollercoaster I was going through in life at the time. This project was literally me grieving from something out of life I know I’ll never get but turns out I never needed. When I hear these songs, I’m comforted by the fact that I am enough. Did you work with any musicians or producers when navigating through the creative process for 'Soul x Sushi?' The creative process was all me, my music is so personal and I wanted this EP to be a reflection of that. I worked with some great engineers to polish the sound towards the end. I’m grateful they were able to jump right in and go along with all my craziness. What impact do you hope to make on your audience with 'Soul X Sushi?' What should your listeners feel and take away? I want my listeners to feel empowered when listening to 'Soul x Sushi' and that self-love requires maintenance. We are all a work in progress so celebrate the small victories. Do you have a favorite song on 'Soul X Sushi?' What makes that song stand out from the rest? My favorite song would have to be “Mirror Me” hands down. I think it’s my favorite song because this track is probably the most vulnerable I’ve been musically and that’s something that’s hard for me to do in my personal life. Instagram Twitter

  • Count Down the “Hours” With James Bene on Latest Electro-Pop Single

    American singer, songwriter, and spiritualist James Bene has been writing and playing music since he was a child. Despite having a limited number of releases so far, this Electro-Pop artist has already managed to carve a name for himself in the industry. James Bene stands out among the rest with his intimate and honest lyrics powerful melodies, showcasing an evident passion, and drive for his craft. In addition, Bene dives deep within his music, demonstrating a solid knack to transform his triumphs and anxieties into songs for the masses. We are incredibly impressed with James Bene's releases thus far and can't wait to see what he will accomplish in this upcoming year. Now, let's dive into James Bene's latest single, "Hours." This high-energy electro-pop anthem immediately engulfs the listener in Bene's powerful, emotive vocals. Bene's prowess continues to dominate through the entirety of the track as he makes the listener feel the anguish and pain he expresses for the protagonist of the song- pulling the listener in with his solid melodies and intimate lyrics. Bene's passionate vocal performance and meaningful lyrics are perfectly supported by the production within "Hours." Emotive keys and driving drum lines carry the listener throughout the dynamic track, following Bene's emotional journey. "Hours" is not just your average pop song. Bene brings forth a unique depth throughout his vocal delivery and the production that accompanies him. We can't wait to hear more from this rising artist. A warm welcome to BuzzMusic, James Bene, and congratulations on your new single "Hours." We really felt the raw emotion you expressed throughout your performance in “Hours." Can you tell us a bit more about the inspiration behind the track? I was sitting at my piano years ago after one of my best friends told me that she was getting married. I remember I had a flurry of emotions happen. I couldn’t help but feel like it was the end of something special. The idea of time passing me by while friends moved on hit me like a truck. I started to reminisce on our youth together and I couldn’t help but feel a sense of sadness even though consciously I was happy for her. The song grew out of that moment. I wanted to express the emotional aspect but also the excitement of her news therefore the melody and instrumental qualities are vibrant and danceable and the melody is written in a major chord. This obviously very emotional and personal subject matter to be writing about. Was it vulnerable at all to share this with the world? What do you hope listeners will take away from the track when they hear it? It was a personal moment for sure, but I am sensitive to nostalgia and as an artist, I capitalized on the emotions of the moment lol…the first sentence in the song reflects the drama I was feeling. Yes, I can be dramatic lol. I am an open book at times. I am more than happy to be vulnerable if it will help someone learn, heal and grow. I hope listeners appreciate a male artist expressing these feelings and can be inspired to do the same. I think it is important for artists to break the mold of male/female standards. My style has been called dramatic or feminine in nature. Is this because I am a guy expressing the emotions all men have but often repress? Not sure, but I enjoy telling my truth in any and every way I can artistically. The dynamic production pairs perfectly with your powerful yet intimate vocal delivery in the single. Did you have a vision for the production elements when initially writing the song, and how did you go about translating that during the recording process? Because the sentiment of the song is about loss and feeling lost the track itself needed to feel up-lifting and forward moving. The song ends with a question, “Do you even love me anymore now that you're gone?” and leaves little room for hope. Hope had to be found in the instrumentation leaving the listener feeling good in a roundabout way. A great tool for songwriters in general when dealing with the heavier subject matter. A great example of this is Sia’s Chandelier. Can you tell us about where your passion for writing and performing all began? What's next for you as an artist? My passion for music started as a child. I remember receiving my first piano as an x mass gift from my parents and spending hours on it. I started taking piano lessons from a local teacher who was a good friend of mines mother, Beth Kilmer. I cherished learning how to play some of my favorite musical pieces which loved listening to under her tutelage. Being able to play Beethoven’s Fur Elise was a dream for me as a young kid and the realization that I easily could at that age made every dream feel possible. I went on to study music in college and there it began. As an adult venturing back into my musical self I am trying very hard to stay in the moment with my art. What is next is now and what is now will create my next. Let’s say I never gave up on my dreams and I am determined to make them a reality! Instagram Twitter

  • K-cuzz Proves He Is One to Watch In New Single, “Northpole Dancer”

    It is extremely apparent that Hip-Hop artist K-cuzz is fueled by an intense determination and love for his craft. Toronto-born K-cuzz has just released his third album entitled, 'Pressure,' featuring the hit track, "Northpole Dancer." Throughout the album, he speaks to the pressure cooker he has been under his entire life and the challenges he has had to face to persevere through it all. His music reflects the ebbs and flows that life offers, reflecting a wide variety of tracks. He notes that this album is a mixture of songs for the streets, tracks for his friends and significant others, and meaningful, relatable messages of determination and perseverance. If you're looking for a song to vibe to with your friends or at the club, "Northpole Dancer" hits the mark. K-cuzz has created a chilled-out yet dynamic Hip-Hop track that you can't help but love. An enticing beat carries the song along, maintaining a steady energy throughout. At the same time, contrast is created through light, soothing keys that back up the dynamic beat as well as K-cuzz's vocals, enticing the listener's ear with its softer presence. K-cuzz's vocals are smooth yet powerful. His flow is melodic and engaging, perfectly gliding in and around the production that is backing him. We can't help but latch on to every word with their captivating delivery. Go show the extremely talented K-cuzz some love on his song, "Northpole Dancer," the featured track from his full-length album, Pressure." Make sure to keep an eye out for this rising talent; he's one to watch. Welcome to BuzzMusic K-cuzz, and congratulations on your latest release, “Northpole Dancer." Can you tell us a bit more about the inspiration behind the track? In my City of Toronto, there are tons of females tagging @thenorthdancer who think they are north pole dancers/models this was some of the inspiration behind the song NorthPole dancer. We love the energy and vibe behind the production of “Northpole Dancer." Did you have a vision in mind for the production when you initially wrote the track? Who helped you bring the sonics to life? I directed the video by myself, I had the idea of a stripper music video. I rented a club and got a few ladies together and got to work. Did you face any challenges while recording your latest album, “Pressure” featuring “Northpole Dancer?" I recorded this album during the beginning stages of covid 19. This was the biggest issue I faced during the process of making the album. Did you have a specific idea in mind of you who hoped this song would resonate with the most? What do you hope listeners will take away from this song while hearing it for the first time? Yes, I had an idea ladies would resonate with this song. I mainly direct my music for female fans and have started to gain alot of female fans around the world. What's next for you? My next project is an RnB EP dropping with a music label. I will be dropping a 5 song EP in 3 parts beginning in March. Instagram

  • Country Singer-Songwriter Travis Yee Releases, "She's Changing"

    Country singer-songwriter Travis Yee has quickly amassed an impressive social media following and has fans from all over the world that enjoy his music. The Las Vegas artist introduced his unique sound to the world with cover songs and was immediately welcomed with positive feedback from diverse listeners. Now, after sharing his unique style and tone through cover songs, Travis has embarked on the next step in his musical journey – original music, which is sure to captivate audiences across the globe further. In the warmth emitted from the melancholic soundscape of Travis Yee's latest single, "She's Changing," we find that the phrase less is more truly brings this piece to life. With a minimalistic approach to the instrumentation as we hear the acoustic guitar strums fill our speakers, this welcoming touch allows the other elements in the musical foundation to cast out a seamlessly blended sonic cocktail. With delicate yet enticing hi-hats that sprinkle the tempo into this piece, you're left feeling whole throughout the progression of "She's Changing." Travis Yee's passionate timbres whisk you away with heartfelt songwriting that leaves you in a pool of his sincerity and vulnerability. As we admire the therapeutic framework that bolsters this record's heartrending quintessence, we feel as if Travis Yee has personally confided in us as he reiterates a bittersweet narrative. "She's Changing" leaves us all feeling emotionally connected to the tantalizing core that Travis Yee cements. Touring us through the sentimental hues that we've adopted after listening to this track, there is no doubt about it: Travis Yee is here to tug on heartstrings in the best way possible. Welcome to BuzzMusic, Travis Yee. Congratulations on the release of your single, "She's Changing." With a track that opens up so profoundly, did you find it easy to tap into this headspace when creating? Thank you so much for even taking a listen. That means a lot! I've always had the idea that I wanted to write a song about relationships ending abruptly. I feel so many people commit 100% into relationships, some ending with no closure. I feel like we've all been there at some point or will experience it at some point. This song doesn't just represent a change or departure of a broken couple, but also the friendships that end over time. When writing this song, I actually initially thought about my high school days. I hung out with people daily that I have little to no communication with now. It's interesting how people move on sometimes without saying goodbye. Part of me was thinking of Part 2 that actually goes into details about events that occurred, but revisiting them in present-day alone, looking back...hmmm. Out of the beautiful lyrics that you intricately piece together, what motif resonates with you the most? Why? The opening line to me is what makes the whole song. I wanted to introduce the song without giving it away. The opening line is super vague, but once you understand the song, it makes it clear what "she's changing" and "I don't want to give up" mean. The last line, "this is the end of us" was also the only lyrical tweak that occurred during production. It originally was going to just be the same first lines in the opening. I decided the song needed to end in a worse state emotionally because that's where the relationship was going. This song wasn't meant to have a happy ending. Could you please shine a light on the creative process that brought this single to life? This was the third song I ever wrote back in 2017. I will say that I was surprised after writing it in about 30 minutes. However, because I wrote it so quickly, I didn't believe (at the time) the song was good enough. How could I have written a song in 30 minutes? There must be a lot of adjusting. I shelved the song for a good 2 years before considering even bringing it back to life. That's when I became more comfortable with my own music and sound. I took a listen and knew this was a song that I really enjoyed writing and whether people liked it or not, it was one of the favorites I've written. The song was written with a guitar, so thinking outside of the box for production was new for me. One of my great friends, Dylan Kline, produced the song. We started working on production in the middle of 2020...when the majority of people were at home, bored. I brought this song to my producer and said I wanted this to be a song I release. The process took 2 years because my self-doubt still question the song. However, when the Summer of 2021 came, I made it a goal to complete this song and remove that little voice inside my head. We spent a good 3 to 4 months just figuring out the sound. Towards the end, the little voice came back, not pleased with the production. Let's add this. Let's remove this...but we just had to be content with what we had and not make any more adjustments. There's a point when it can become overkill. I have so many versions of the song. It's crazy listening to those early versions now after listening to the final product. I'm very happy with the final product. How does "She's Changing" compare to other songs previously released in your music catalog? I feel this song is the most relatable compared to my other releases. I've had a fun song and a serious song. This one, to me, fits right in the middle. It's a sad song, but I tried to make sure the melody had good energy. It could've been a ballad, but I liked the idea of it not being a typical slow sad song. What can listeners anticipate to hear next from you? I'm still trying to figure that out. I do have a lot of ideas and songs written, but it's hard to choose...and it might be a song that syncs with what is happening in my life at that time. However, it's also fun testing out different music to see how listeners respond. I "may" do a fun song next because that suits my personality the best. Instagram Facebook

  • Josh Kroehn Tracks His Personal Growth in a Sophomore Album

    Taking us on a lush and ethereal adventure is a singer-songwriter, musician, and recording artist Josh Kroehn with his latest 8-track album, "Moving Out." Josh Kroehn's art has been heavily influenced by the guitar playing of Ben Howard, John Martyn, and Nick Drake and composition approaches like Godspeed You! Black Emperor, Radiohead, and Talk Talk. He's performed around Adelaide and South Australia while swooning listeners with his textured and dynamic guitar playing that speaks a thousand words. Now releasing his sophomore album 'Moving Out,' let's peel back yet another layer of the driven recording artist's complex creations. The album 'Moving Out' kicks off with the blissful introductory track, "Leaves," which breaks open like a radiant beam of morning sun slowly peeking over the hills and rising onto the lush sonic foreground that is Josh Kroehn's stunning instrumentals and production. This song is a short but sweet interlude-type introduction piece that perfectly and hauntingly sets the tone for the following emotional and vulnerable tracks to come. We love the deep synth work alongside the floating and reverbed electric guitar, a combination for the soul. As we move into track number two, "Quantity," we're met with the warm and smooth-sailing alternative instrumentals that open with a soothing keyboard melody and a wavy west coast-like electric guitar raining down from above. As Josh Kroehn makes his vocal appearance, he begins falling deep into reflection as he expands on leaving earth's peaceful and stable ground to float around and find his purpose. This song also features the beautiful vocal stylings of Rosanna Barani, which dance through our speakers with the utmost grace, clarity, and emotion. Drifting into the third track, "School Photos," this song begins with Josh Kroehn's complex acoustic guitar picking that keeps the song's emotion at a high. As he begins to sing of childhood bedrooms and the photos within, memories come flooding back while Rosanna Barani's harmonious vocals come in to enhance that emotional experience. As a set of serene and orchestral strings begin to roam the background, Kroehn livens the energy and nostalgia through his sincere and soulful acoustic guitar melodies, ending the song on a resounding note of introspection. Reaching the album's halfway point with "Residue," this song opens with incredible sonic emotion through heavy piano chords and crunchy electric guitars that slowly pierce through our speakers. As the piano melody begins to shift into this haunting and cinematic arrangement, the background sonics pick up the pace and bring us into a spiraling atmosphere that feels like the album's climax. This song is another instrumental but perfectly divides the project's first and second half through this magnetic and mesmerizing sonic journey. Spicing things up with track number five, "Balcony Beers," for the first time on the project, we hear a hip-hop-inspired drum arrangement that opens the song with energy and emotion. The instrumentals later expand with added reverbed electric guitar picking and low, growing synths that deepen the atmosphere into this surreal and heavy soundscape. Listening to Josh Kroehn's lyricism, he expands on hovering crows and society's herd mentality that keeps us in line without questioning how we can step outside the box and carve our own path. Each song's introduction on this project carries its own unique sound, and we can't get enough of the dreamy and mystical acoustic guitar picking on track number six, "Double." As Josh Kroehn's vocals begin to float through our speakers with the utmost poise and gentleness, he starts singing of the choices he's made that's landed him in some deep states of reflection, questioning if these choices were the right ones. Josh Kroehn carries such lyrical depth, and he's truly mastered the art of transmuting thoughts to cohesive, compelling lyrics. The warmth and tenderness of Josh Kroehn's lush electric guitar open track number seven, "Breaking Out," alongside his delicate vocal portrayal that sings the familiar scenes of late-night blues and going through the motions day in and out. The song's gentle and reverbed electric guitar is the sole instrument throughout this entire piece. It perfectly allows Josh Kroehn to open up and shine in the spotlight with his delicate words of realizing the trouble he's caused someone and promising never to put them through such turmoil ever again. Onto the project's outro and title track, "Moving Out," this song cinematically opens with a powerful and emotional piano melody alongside Josh Kroehn's warm and captivating vocals that touch on strolling his empty yard and hanging those memories to rest. This song is chilling to the core, and the addition of a warm acoustic guitar alongside the slight percussion offers vast depth and vulnerability. Not to mention the serene stylings of Rosanna Barani, she joins Josh Kroehn one last time on the song's outro to help close the album on a note of change, transformation, and rebirth. Do yourself a favor and feed our soul with the eight lush tracks on Josh Kroehn's sophomore album, 'Moving Out,' now available on all digital streaming platforms. Welcome to BuzzMusic, Josh Kroehn. Congratulations on releasing your sincere and vulnerable sophomore album, ‘Moving Out’. What inspired you to create this reflective and personal project? Thanks for having me guys. This album was mostly written during isolation in 2020 when the pandemic first started. It was a time when I was getting used to living on my own for the first time, as I moved into my house in March of that year. It was also the year I released my debut album ‘State Of Devotion’ which is such a different record to this one. ‘Moving Out’ is a collection of songs that are essentially reflections on previous events that I just sat and pondered about greatly, whilst moving into my house and enduring the lockdowns and restrictions imposed here in Australia. What is 'Moving Out' at its core? What does this album represent and mean to you? I think it’s a record that shows I have moved on from the darkness of my debut album ‘State Of Devotion.’ I endured a lot of stress and trauma in my teenage years and early twenties, and my first album was a cathartic release of all the pent-up emotions stemming from that. Over the last few years, I have achieved a lot on a personal level, and I feel like I am completely comfortable with who I am now and I will no longer change who I am to suit others. That was something I was guilty of for far too long, and it really did take its toll on me. Learning to be unapologetically myself has been truly fulfilling and liberating. What was it like working with vocalist Rosanna Barani for 'Moving Out?’ Was this the first time you worked together? Rosie was fantastic the whole way through the process. My initial plan was to only have her sing on the track ‘School Photos’. The song idea came from sitting on my bed going through old school photos when I was unpacking crates moving into my house. I couldn’t help but think of the people who had already passed since I finished school in 2012, some of them my friends. I had always wanted to sing a duet with a female vocalist, after being inspired by Dallas Green’s collaboration with Pink (You + Me) and Phoebe Bridger’s collaboration with Noah Gundersen. Because ‘School Photos’ is about sharing memories of those who have passed with others so their memory can live on, I wanted an extra voice on the track to give a sense of harmony and togetherness. Back in 2016, I was hired to play guitar for Rosie’s performance of ‘Big Yellow Taxi’ by Joni Mitchell. I’m a big Joni Mitchell fan, and I was immediately impressed with Rosie’s angelic tone and control. When I was looking for a vocalist for ‘School Photos’ I thought back to her performance and felt she had the kind of voice I was looking for. Once we had ‘School Photos’ figured out, I felt it would be a waste of an opportunity not to get her to contribute more to the record. Her part on ‘Quantity’ was meant to be a short fade-out transition into ‘School Photos’, but instead I got her to improvise her own vocal melodies over the last instrumental. Joseph Cheek (Island Studios) the studio engineer and I both liked her parts that much, we decided to just layer them like a collage, which created one of my favorite soundscapes on the album. She has very natural control and super accurate pitch, so I wanted to give her creative license, rather than instructing her what to do too much. I’m also glad she sang such lush harmonies on the closer (the title track) which really lifts the second half of the song, and to me represents a reprise of the first tracks of the album. Could you take us through what your creative process looked like when formulating songs for 'Moving Out?’ How did you begin that process? It was very sporadic, and the timeline was all over the place. Both ‘Double’ and ‘School Photos’ were the first two songs to come about through messing around with strange tunings on my acoustic guitars during the lockdown in 2020. ‘Leaves’, ‘Quantity’, ‘Residue’ and ‘Balcony Beers’ all quickly followed. These were also the result of experimenting with obscure open tunings, and I found one that I really enjoyed playing in on my semi-hollow Les Paul, which was used for all four of these tracks. ‘Leaves’ is the intro to ‘Quantity’ and ‘Residue’ is the intro to ‘Balcony Beers’. I consider them co-dependent of each other, however, I wanted them as separate tracks so that the listener could choose to skip the ambient openings if they wished. ‘Breaking Out’ is a sorry message to my Mum for breaking out of her work carpark with her company car when I was younger on a night out. In lockdown last year I thought back and felt guilty about the stress I put her under in the aftermath of that event and ended up writing the song in about 20 minutes. ‘Moving Out’ as the title track is the summative song of the record, and it was written last. It is a reflection of how I was feeling in March 2020 when I first moved into my house, and I feel it is the perfect closer. What emotions or thoughts do you hope to evoke in the listener when experiencing your recent album, 'Moving Out?’ I’ve always said that I like my music for the most part to have a sense of ambiguity, and I like the idea that people can interpret it the way they want to. I think that is what makes instrumental music so powerful. Both Leaves and Residue are instrumental tracks on the record, and they are an indicator of the direction I am going to head into next if I choose to continue to make music. In terms of the more lyrically driven songs, they are introspections about past events, and I feel these are events that are relatable to many. Therefore, I’d like listeners to have their own individual experience, without me imposing any pre-conceived notion of how one should be feeling or thinking whilst listening to the record. Instagram Facebook

  • PALAWN Splashes The Scene With His Debut Single "Juxtapose"

    NYC-based singer-songwriter and r&b/pop recording artist PALAWN introduces us to his inspirational and charismatic ways with a dynamic debut single, "Juxtapose." PALAWN's goal is to normalize and celebrate the queer experience through music while navigating his journey to mental health clarity, calling it #mentalhealthmusic. With vast influences from George Benson to Dolly Parton, Celine Dion, B.B. King, and many more, PALAWN was able to carefully curate is his unique sound while using it to elevate black-queer voices. Now releasing his exciting yet emotional debut single, "Juxtapose," listeners can introduce themselves to the honest and head-turning recording artist as he showcases his vibrant vocals and charismatic stage presence. PALAWN is incredibly excited to use this single as leverage into the music industry, and we can already tell the new track will put his music on the map. Hitting play on "Juxtapose," we're instantly met with PALAWN's soft and airy vocals as he gently wishes for someone to stay. As the faint keyboard melodies slowly expand, PALAWN drops us into a modern r&b/pop beat where he brightly expands on not being able to resist someone regardless of the harm they've placed on the relationship and PALAWN's personal growth. This song takes many groovy twists and turns that keep the vibe alive, all while PALAWN takes us over to the hook and realizes that self-growth is a priority. We love the song's exciting and modern feel; the production lays a solid and dancy foundation for PALAWN to shine in the spotlight while emphasizing the importance of distancing yourself from others who don't do you any good. Make some crucial realizations with PALAWN's big debut single, "Juxtapose," now available on all digital streaming platforms. Welcome to BuzzMusic, PALAWN. Congratulations on releasing your vibrant debut single, "Juxtapose." Why did you want this song to be your big debut? How does it represent you? Thank you so much for the well wishes, I'm happy she's FINALLY ARRIVED. I chose this track for my debut because it's the start of my beautiful journey of self-assertiveness, self-awareness, and overall self-love. The day I decided to truly choose loving myself and making choices that fuel that love. What inspired the honest, emotional, yet empowering lyrical content in "Juxtapose?" What experiences led you to write this song? HERE WE GO...It started with the end of 2019 I was cornered into a deep battle of depression and not the usual seasonal kind. I was in a relationship of almost 4.5 years at the time, and it was very toxic and I lost my sense of self-worth. I put my whole being into work, I didn't really know who I was outside of that so when it was gone I was devastated. I was broke trying to make ends meet, couldn't visit my family during the holidays, unknowingly exhausted from the hustle and bustle of it all. Nothing felt like it was working and it didn't seem like there was a light at the end of the tunnel. My partner and I, who lived together in a small NYC apt uptown decided to call it quits but agreed that one of us will move out once things started moving again...in a couple of months. March 2020 hits and the world is locked down. Now I had to be in a space with my ex-partner 24/7, we both were scared and didn't want to outside and leaned on each other for everything which caused me to have THE MOST anxiety, fear, confusion which I had never experienced in a relationship before. Always wondering where they were, who they were with. There was a point when every time they entered the space my heart would start racing and my body would tense up. Something HAD to be done before I went to a darker side, so I decided, from their suggestion to begin my journey with therapy for the first time in my life and my therapist suggested using songwriting to navigate through the breakup. One night I was listening to a beat by MANTRA and the lines, "I need you to go, so I can grow, no back and forth." The lyrics came FLOWING out of me and a year and 7 months later you have "Juxtapose." Speaking of writing "Juxtapose," what was the main message you wanted listeners to take away when writing the debut single? I want people to know they are not alone in and out of the context of the song. As I was explaining my situation to others, I found a good amount of folks have experienced staying with an ex-partner post-breakup, not in a global lockdown, but we parallel the anxieties that come with being in the same space as your ex-partner after you've called it quits. Could you tell us more about #mentalhealthmusic and why you wanted to create music that sheds light on positive mental health? As people of color, especially L.G.B.T.Q.I.A., we often don't have an outlet or realize we have other resources for mental health wellness until adulthood. It's just not a thing talked about often growing up. The only option presented for solving your problems is faith-based and the stigma for going to see a mental health professional means you are going "crazy," when in reality utilizing those resources is just an additional outlet for mental compartmentalizing. I'm using my music from my experience as I navigate my own personal journey with my mental health via that specific time in my life. That is what the EP, "Juxtapose" will sculpt itself to be. It's a movement that says, I'm not dealing with "ifs and maybe." I'm dealing with "yes" and "no." Instagram Facebook

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