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Listeners can’t help but gravitate towards Cleveland’s catchiest songwriter, Matt Moody. Growing up in the grey town of Ohio, he credits the melancholia in his music to these attributes of his surroundings. However, recently relocating to the sunshine of Los Angeles, CA, Matt Moody has noticed that things have started to come full circle for himself. Focused on his art, now more than ever, he keeps his eyes on the prize and invests himself into what truly matters; making honest art. Taking this into the formation of his most recent single “Graveyard,” Matt Moody introduces us to a genre-defying resonance that comes throttling through the speakers. Picking up on hues of the modern and refreshing notes captured, Matt Moody flawlessly sustains a driving relationship with the nostalgia that classic rock and 80s synth wave brings to the table. In addition, he has a flair for seamlessly merging these worlds into a cosmic representation of how he distinguishes his signature styling. Etching his allure into each melody cast out in “Graveyard,” there’s an effortlessness to the way he projects his croons. Deliberate with their impact, you hear the emotion that is spun into this masterpiece. With lyrical motifs such as ‘I bet you have a graveyard full of hearts,’ steering the repetition in the chorus, we pick up on Matt Moody’s talent for crafty one-liners that will here on outlive inside your mind. Performing on a narrative of loss, love, and shattered souls, this fourth single hailing from his forthcoming album ‘Still a Kid in a Painted Sky,’ is a snapshot of an artist facing adversities, and channeling negative emotions into aspiration. After taking the experience that life has brought him, and making his realizations, Matt Moody is finally at a place where he is ready to give more to his audience. Welcome to BuzzMusic, Matt Moody, and congratulations on releasing your fourth single from your upcoming album. What moment or story took your inspiration to the next level when bringing this piece to life? I started collecting, arranging and writing demos in late 2019 for this album and through that process, I stumbled upon the discovery of: "This feels like a statement - not just a batch of songs." Still, a Kid in a Painted Sky is a calling. A journey from dust to dust. I can't exactly remember that AHA moment (though I'm sure it came when I was stoned around 4 am one night) when everything clicked and fell into place for me mentally, but with each new song I wrote in the period of time, it felt like another layer to something I was uncovering. "Graveyard" is a song that I've had in my back pocket for over 8 years and when the concept for the album started to become clearer, I knew it was time to give it the platform it deserved. I knew I had a body of work that it was finally going to fit into. What does “Graveyard,” say about you as an artist and individual? How has your mindset adapted since writing this song, to the current release of it? I think above all else, "Graveyard" says: Matt Moody is a songwriter. It's something I had co-written 8 years ago in Nashville with my good friend and long-time collaborator Cass Hunter. It was the first time we had met. I had the chords and the melody and she came up with the lyrics on the spot. We had a song in about 30 minutes. One of those gifts from the ether where the song just pours out. It's not always that easy. When we first wrote the song, I was working in Nashville and was scared shitless. Thrown into the music industry as a kid fresh out of a grunge band from Cleveland, now expected to be some star-studded artist that I had no right to claim by a manager who was out of touch with an industry far beyond her hay-day. Fast forward 8 years and I've been through the wringer. Everything from being shot down by major labels, to losing a manager, to going through a battle with depression when I lived in Columbus, to moving back to Cleveland and making my way from open mics to headlining spots at local festivals and selling out venues. To put it simply, I went from "do I deserve to be here?" to "I'm here because I deserve it, and I worked my ass off for it." Now I've thrown myself into the gladiator hell-hole that is Los Angeles (don't get me wrong, it's a love-hate that I'm learning to embrace fully) and I'm still so new here that I don't have a sense of anything yet. All I know is, there's a lot of us - and most of us want the same thing, and most of us aren't going to see the light of day. I don't know what happens beyond this point, I just know I'm hungrier than I've ever been and I came here because I felt called to do so. That's good enough for me. With such abstract lyrics that truly encourage the listener to take what they can from the song, what message do you hope that all can reflect on after listening to “Graveyard?" I always like to emphasize that it's not my business to tell you what you ought to feel or walk away with after listening to any piece of music. That's for the listener to determine. I'm simply a conduit for what I hear floating around *out there* and whatever's churning inside me at that particular time. If anything, turn it up loud, bang your head, dance your ass off, let that shit out, whatever it is. What is your mission statement as an artist? Has this remained consistent through your move from Cleveland to LA? I don't think in terms of mission statements. I don't want to save anybody or sway anybody's perspective on life. I write songs. I value freedom and truth. Freedom from anything that tries to beat you into submission. Truth in the face of a world filled with distractions, white noise, and sensationalism. What's next for you, Matt? I'll be releasing "Still a Kid in a Painted Sky" in its entirety sometime in the Spring of 2022 but I've still got some more singles coming down the pipeline before then. You can catch me playing around LA with my band. We've got a free show at Little Joy in Echo Park on November 16th. I'm constantly writing new material; there's always something brewing for me. Just keep an eye out and I'll share more when the time is right. Beyond that? Hell if I know; the mountains, the sea, the birds, the trees: anything but more concrete and razor wire. Instagram

On tour the past summer, Maddisun, and Tenise Marie have us exploring the country-pop realm of music in an immersive way. Maddisun has always incorporated heartrending tenors into the music that she crafts. After connecting with Tenise Marie through the music industry, they showcase their harmony and unity as they blend togetherness in a song titled “Something True.” With pedal steel courtesy of Matt Kelly, the brilliance laced into the sweet sounds of this record are purely collaborative effort split down the middle. Reflecting both of their unique sounds, the resonance weaved into this piece has us reminiscing on the bittersweet moments of summer coming to an end. Aiming to have their listeners grasp the nostalgia that stirs warm breezes and beachy hair into their memory, the connection between these powerful female artists is remarkable. Be sure to hang onto the last bits of summer with “Something True,” on all digital platforms. Maddisun Instagram Tenise Marie Facebook

The genre-defying rock band, Grayhunter hails from NYC with songs that adapt to a different genre each time they create. Allowing the lyrics to steer the ship, they’re known for taking unconventional talk pieces and throwing them in your face with powerful beats and ground-shaking guitar riffs. Currently, in the process of constructing their second EP, they know that no matter what your mood may be, Grayhunter will make you jump and dance while you question how you make life decisions. The elusive yet prevalent spirit of their latest single takes the form of a melancholy ballad that subverts your mind and sensations upon impact. “Stranger (Live Acoustic)” is everything we look for in a stripped-down composition. Leaving you up close and personal with the sentiments shed, Grayhunter makes you feel things that you didn’t know were residing within. The powerful lead vocal propels you into a spiral of intensity as the timbres glide into your ears with simplicity and elegance. Cascading over unique piano instrumentation that preserves the musical foundation in a timeless fashion, the lyrical motif, ‘but all you do is run away,’ transcends the spectrum of power ballads in a whole new dimension. Grayhunter releases thought-provoking content that has you reflectively sitting with your beliefs. Touring us through the hurt and pain that comes from love and loss, you can apply the influential wording to many aspects of your life. As we take in all that is the grippingly raw beauty of “Stranger (Live Acoustic),” we admire the approach taken to have a rush of inclusivity served through the soundwaves. Captivating in the best way possible, Grayhunter makes us feel and believe in this brilliant sonic canvas. Thank you for joining us at BuzzMusic Grayhunter, and congratulations on the release of "Stranger (Live Acoustic)." With such a powerful flood of emotions rampant in this record, what inspired the depth you showcase? Thank you! "Stranger" was the first single we ever released, and it's from our Comeback Kid EP. We celebrated our third anniversary as a band just this past May, and we got nostalgic and very emotional about how far we've come, surviving even a global pandemic together. So we wanted to express that emotion and pay tribute to our journey by releasing a special version of the song that started it all for us. You mentioned letting the lyrics speak in the music you create, which steer the track's genre. Do you always get as vulnerable as you do when creating? Do you find that you pull inspiration from personal experiences more than fictitious happenings? As artists, we need to be vulnerable to get our feelings and messages across fully; that is how we get our audience to listen and absorb what we're trying to say. We're pouring our hearts out to encourage others to do the same. All of the songs we have performed and recorded so far have come from personal experience because we're trying to be relatable to our listeners. We want them to know that they are not alone in working to manage their emotions. How different is the creative process when bringing life to an acoustic version versus the original song? Do you do this with a lot of your songs? This is the first and only song that we have recorded an acoustic version of so far. Our sound is usually loud and heavy, so the creative process with this track was different and more difficult: the lyrics and vocals are the main features of this arrangement, so there was a much larger amount of vulnerability that needed to be expressed during the recording process. Meanwhile, we wanted to make sure that the passion and intricacy of the original arrangement were properly represented in the piano accompaniment, as it also contributed to the power behind our message in this song. What has been the most challenging genre for you to tackle? If fans want to check that piece out, where can they find it? The biggest challenge hasn't been so much the genre as it has been the lyrics/message since that is what drives our sound. The toughest song to write was our single "Waves," which we released in February of this year. Our usual topics are very heavy and touch upon sexual assault/abuse, regret, heartbreak, suicidality, and so on. Reisha is our vocalist and primary lyricist, and love songs were never really her forte. She wanted to challenge herself to write a love song to which anyone could relate while sticking to the band's theme of covering sensitive subjects. "Waves" comes across as a typical love song (which it totally can be if that is how the listener wants to interpret it), but the lyrics were originally inspired by substance abuse and addiction. This track can be found on all streaming platforms, and we hope that listeners enjoy it and stick with us because we have a lot more to come. Instagram Facebook

Kitchener, Ontario's Faulty Rivals, is a sour yet sweet hard-rock group. Led by singer-songwriter Koi Getson, the band has amassed a cult-like following with their melancholy sound. An updated installment in Faulty Rivals' repertoire, "Bliss," is the band's latest single, released on October 15th. Incorporating all of the trappings the band is known for, "Bliss" utilizes rhythmic twists to shake up the group's dynamic. Inspired by Koi's personal experience of being stuck in a toxic relationship with alcohol, the lyrics speak true to his inner world of pain and self-abuse. The song has quickly become a fan favorite and shares the same admiration within the group. Right out of the gate, the track blasts open with stern drums, melodically melancholic guitars, and gentle, introspective lyrics. This is then followed by a contemplative and angsty chorus that rings in tandem with the backing instrumentation. Exploiting the dark energy of the music, Faulty Rivals allow their instruments to be a conduit for their intangible expression of raw emotions. Complemented by the songwriting process, which describes the feeling and experience in a much more objective and descriptive manner, this way of functioning allows the band to vocalize their intent and connect thoroughly with their audience. "Bliss" has propelled Faulty Rivals to new heights. Given their authentic songwriting and truly inspired sound, we have no doubt Faulty Rivals will continue to make hay of their momentum. We see no reason why they won't keep climbing the Canadian charts and make international headlines. Welcome to BuzzMusic, Faulty Rivals. Congrats on the release of "Bliss." Can you give us some insight on the emotional toll creating such a personal song took on you? The writing of Bliss was cathartic for me. It didn't feel like a toll to write the song, but more like a release. Sometimes writing emotionally intense songs that hit so close to home helps you let go of the pain and leave it in the past. There was some anxiety around showing people such a personal song. However, it ended up feeling liberating to be able to express this pain authentically. Why is being transparent in your music so important to the lot of you? It is important to be transparent in our music because we want to play the music that is true to ourselves. Our music is an expression of the thoughts and feelings we experience, and it is important to us to honor our true selves, darkness and all. You can only be yourself. Everyone else is taken. What influences have the band experienced coming from Kitchener, Ontario? Kitchener has a strong metal music scene, and I think that had some influence on us. Although we aren't a metal band, we are actively involved in the metal community, and I think our ears have developed to like heavier music because of this influence. So we incorporate darker, heavier sounds in our otherwise rock music. Kitchener also has a thriving blues scene, which contributes to some blues influence in our music. We all have to start somewhere. So what advice would you give to your fans looking to start a band of their own? The advice we would give to people looking to start a band would be to do whatever you have to do to always love it. It's not worth doing things that will kill the joy of playing music. So never lose sight of the things in music that give you the most fulfillment. Relish the good times and always congratulate yourself on any successes you may see. Finding the right people to play with is also crucial. When you jam with musicians who have the same ambitions and work ethic as you, it makes the journey even more fulfilling. Instagram Facebook

Originating from New Jersey, KIDSNOT$AINTS, also known as KN$, is the musical collective of Josh Mathew, Alan Warui, Raphael George, Brandon White, Michael Dinardi, and Jalen Brown. Conceived during the early stages of the pandemic, this east coast crew draws inspiration from the Doobie Brothers, Clairo, MGMT, and several others. KN$ crafts sound from a large variety of genres and eras, with an emphasis lying within love, heartbreak, and everything in between. Their forthcoming EP titled ‘Can Boys Have Diaries?’ tours through these themes over the four tracks carefully curated for the best listening experience in mind. With these songs following an individual struggling to figure out what an ideal relationship would look like, each track represents a different stage on a voyage through adoration. Commencing this project with the groovy introductory single, “I THINK I NEED HELP,” we get weaved into the lyrical tapestry that is the start of ‘Can Boys Have Diaries?.’ Through pulsating percussion patterns and impeccable use of electric synths and dreamy guitar riffs, we’re submerged in a resonance that captures the fluttery buoyancy locked into place—delving into a narrative that touches on words embracing a melancholy nature, the notion of realizing the struggle of hiding behind a facade for the sake of pleasing someone else is brought to life. KIDSNOT$AINTS leaves an impactful mold into our mind with earworm melodies that run wildly free as we digest this slice of harmonious bliss. Attaching us to the unconventional soundscapes that KIDSNOT$AINTS are known for, we’re transported to the darker wave of the spectrum as we carefully listen to the finer details roaming throughout “GIRL WITH THE FILAS.” The atmospheric nature of the musical foundation leaves us to fixate upon the mesmerizing croons conveyed. The therapeutic essence has us indulging in brilliant harmonic schemes as the mystery etched into this piece has us appreciating the emotionally potent record. With lyrics that encompass themes of self-love and reassurance, we’re effortlessly drawn towards the contrast implicated in “GIRL WITH THE FILAS.” “AL’s INTERLUDE” gives short and sweet a whole new meaning. The psychedelic amalgamation of vibrant guitar riffs melts through the speakers in a unified fashion with the resonated bassline. Instilling an undeniable sense of rhythm within us, the blatant messaging is made crystal clear with the songs debuting lyrical motif ‘You can do me wrong a million times, but I still won’t know how to hate you.’ Transcending harmonies gently caress our very being as there’s tantalizing energy to the empowering spirit that an interlude of this caliber carries forth. Professing emotion in the vulnerable essence of this EP, it only makes sense to get off this sonic voyage with the thought-provoking “CLOUD9.” The effervescence that travels through the top-tier production elements of this record signifies hope for better days ahead. Burgeoning with the intoxicating textures found as the composition progresses, we find ourselves clasping onto the closure that KIDSNOT$AINTS provides to us. Redefining what love truly means and the rollercoaster of a journey that comes with it, the brilliance unraveled gets a round of applause from this entire auditory documentation. Welcome to BuzzMusic, KIDSNOT$AINTS, and congratulations on the release of your latest EP. With such a relatable concept taken to great depths, what was the moment or story surrounding the creation of this project? This project was conceived out of wanting to give listeners a little more substance to digest rather than our previous approach which was solely singles. It started with "Girl With The Filas" which, in itself, marked a new direction for our sound. It was initially going to be released as a single but we thought that it might be overlooked if it wasn't given the right emotional context. To combat this, we spent a lot of time meticulously crafting demos, curating the sound and the look for this project to create a story that people could connect with. Needless to say, we hope that our work paid off. Out of the four songs conveyed to listeners, is there anyone in particular that you as a band resonate with the most? Why? "Cloud9" is special for me (producer Josh) because I get a feeling of elation every time the chorus hits. I think the title really suits the song because the chorus makes you feel like you're soaring and the warmth in its tone signifies the ideal conclusion to any relationship: a happy one. At the end of the day though, all of the songs have their own unique strengths that I connect with. Compared to your work found in your music catalog, how does ‘CAN BOYS HAVE DIARIES?’ stand apart from the rest? 'CAN BOYS HAVE DIARIES' is our first cohesive project...whereas we mentioned previously, our past releases have just been singles. In such a short span of songs, we really tried to capture a bunch of different emotional moments to bring listeners on a brief but rich journey. There is also a very apparent progression in maturity from our first release "Daydreamer" to this project. Could you please share a glimpse into what the creative process entailed when bringing this EP to life? How did curating the tracklist fall into this? Our creative process typically results from the main songwriters Raphael and/or Alan bringing an idea to the table, workshopping those ideas in the studio, then producer Josh working to fully realize the idea and turn it into a song. Curating this tracklist was really just us trying to figure out the best way to convey the narrative that this project encompasses. These four songs represent the different stages of being in love and we ordered the tracks chronologically in accordance with that theme. What do you hope that your audience can reflect on when taking in this masterpiece? We hope that these songs resonate with people not just simply in terms of sonics but emotion as well. If any part of this project evokes some kind of nostalgia, love, heartbreak, or feelings in-between, then I would say we did our job right. Instagram

With a decade of experience, Adrian Henry's instruction to music began as a child and has grown into a safe house. The artist name H3g does an impeccable job of allowing his audience to see through his kaleidoscope lens and vice versa. Allowing the listener to gain perspective on who he is as an artist, H3g's music reflects who he is today and who he plans to be. Colliding with the artistic talents of Jafarrii, "Sly Fox" is the most recent single to come hailing from the artist's joint music catalog. With vibrancy glimmering through a diverse representation of lounge-like electronic music, the upbeat and lively club scene was the first thing in mind when this unforgettable creation grew into fruition. The pulsating percussion has us navigating around an entrancing tempo as we sink deeper into the infectious grooves gracing our speakers. The cloudy essence of skewed realities that tiptoe amongst the dream realm is naturally infused into "Sly Fox" as the almost ethereal elements shimmer in a potent manner. Elusive vocals in an echoed chamber of soothing bliss further add to this composition as the layers emit a buttery texture that you can't deny. Propelling us into a universe that allows our mind to drift into an abundance of melodies on a reverberated spectrum, H3g, and Jafarrii mesh their artistry together to provide us with an alluring array of resonance. Admiring this dynamic duo and the creativity that flourishes from a joined headspace, "Sly Fox" is a record that could be the soundtrack to your life. Submerge yourselves in the immersive soundscape with "Sly Fox" on all digital streaming platforms today. Welcome to BuzzMusic, H3g. The entire sonic voyage that's "Sly Fox" is one that we loved to experience. So how did the collaboration of yourself and Jafarrii come to be? What was it like working with one another? I've known Jafarrii for quite some time now, and he has written music for a couple of years and never wanted to produce anything with anyone until he showed me a song that I thought was genius and extremely catchy. He has a gift, and I want people to see how gifted he is, so we got together because of the versatility we both have in creating music in multiple different genres. He just needed someone with enough experience to bring out the creative side of him that's been kept under wraps. It helps when you're friends with the people you work with. We can only imagine that your creative process works differently when working with another artist versus working solo. Do you have a preference as to how you craft your best work? My best work is definitely made when working solo. I get self-conscious in front of other people because I think it sounds repetitive and annoying to other people when I'm just playing the same kick for like an hour straight, so when I'm in the studio with other people, I make sure to just keep it simple and concise. I leave the details for after the session when I'm by myself. What does "Sly Fox" mean to you both? What would you like the listener to take away from this piece? "Sly Fox" is the title we gave this song because of how we believe women are in a club setting when they're trying to flirt with someone. The subtle look they give you is all you need, but are you going to take that chance or are you going to walk away and think about it later. Either way, she was sly and slipped into your mind just like a fox does when hunting for its prey. Compared to your previous releases, how does "Sly Fox" differ from the rest? "Sly Fox" is a different sound from what I've been releasing. Most of my official releases are built around a lo-fi vibe, but this song branches out into an indie electronic atmosphere that is a good pathway into my future releases. What's next for you? I have hundreds of songs and beats that I want to use for future concerts that I'll be playing. I'm working on a couple of EPs and singles that I want to release fairly soon, and I'll be branching out enough to be in the realm of a variety of different genres. I'm constantly creating, and I've built a record label in the process. I'm working in photoshop to create different prints for people to buy from me and my label, and I'm also writing a screenplay for which I'll be producing the soundtrack. I've constantly been working, and I have a lot of work ahead of me. I'm right where I need to be. Instagram Facebook

Hailing from one of the most isolated cities globally, Perth, Australia, not many have a style and cadence as unique as Young Pascal within the city. The up-and-coming artist is widely known for his energetic live performances, having performed at sold-out events around Perth, showcasing his talent alongside the biggest names in the city, and steadily growing an army of fans. Young Pascal’s music speaks for itself. With Influences from this generation’s rhythmic Hip-hop movement, and years spent developing his craft, Young Pascal boasts a fusion of conscious lyricism and catchy melodies laid over carefully selected trap instrumentals. Releasing his fifth single to date, we get to take in the cognizant vibes flooding from “City Lights (feat. Kid Rey and Perry P).” Conjuring up melancholic hues found in the instrumentation, the production elements amalgamate to produce a modern wave of emotion that looms over us as we get lost in the music foundation. Fully engaged by the melodic timbres that are professed by Young Pascal, the alluring primitiveness of his lyrical motifs have us admiring the dark undertones of an alluring story unfolding. Playing upon losing one’s self to chase momentary happiness, the almost ethereal backing ad-libs create the significant ambiance that emphasizes this narrative to reach its full potential. The songs featured artists Kid Rey and Perry P match the energy projected by Young Pascal and incorporate an exclusive dynamism that gives “City Lights” a textured dimension. Clasping onto the Rareluv and Akuyaku’s crisp guitar riffs and mesmerizing 808’s this musical framework does the lyrical techniques of Young Pascal, Kid Rey, and Perry P justice. Transporting us through the picturesque wording that carefully sits upon the pulsating foundation, the creation that is “City Lights” shines brightly in our eyes. Welcome to BuzzMusic, Young Pascal. We love the story that you reiterate to your audience in "City Lights." With such a profound concept, was there a moment or story that inspired the creation of this record? "City Lights" is all about getting lost in the sauce of it all. You know, the bright shiny objects/feelings are so temporary to get that quick happiness shot. More and more people get sucked into materialism, clout chasing, their social media follower count, and so on. And they use this to tell themselves they are worthy. I guess I was at that part of my life where I saw and thought about this concept more and more, so I decided to explore the idea and did what any artist does, get in the booth and record! How did the collaboration between yourself, Kid Rey, and Perry P come to be? What was it like working with one another to further propel your vision? The song has a somewhat stripped-back and darker atmosphere, especially with the beat that Rareluv and Akuyako made, and I felt that Kid Rey and Perry P were the perfect features on this one because they bring in their flavor within the vision I had for this single. You can feel this as you make your way through the record. What do you hope resonates with them the most in terms of themes or messages that your audience can take away from this song? I think that this song, and others in my catalog, have something for a few different types of listeners. I always want to create something melodic and catchy but will always try to build different layers that a listener can unravel. For the case of "City Lights," it's the meaning behind the lyrics, but I've told of a couple of different standouts. How does this track compare to other songs that you've released in your music catalog? This track is just a part of the journey, in my opinion. I'll always make music that is organic to me and true to myself, and so I think people will see differences and hopefully go through the motions with me as I gear up to release more and more music over the next year. I don't want to have a cap on what I can do, so I feel like each release will have its versatility. Instagram Facebook

Los Angeles' own Betty Moon's entrancing sounds always seem to up the ante this songwriter and producer embraces. With a substantial underground following that passionately approves her unique fusion of rock, pop, and electronic resonance, the illuminating platform that Betty Moon stands on always seems to have her stepping into the next level. This stands true on the release of her tenth studio album, 'COSMICOMA.' Tapping into a familiar range of sounds that die-hard Betty Moon fans may recognize, the lead single "My Only One" has us surfing through the glimmers of nostalgia that gave Betty Moon the reputation she wears extravagantly well to this day. Blending dark melodies that thrive in a pop universe, the myriad of mind-altering resonance has you immediately gravitating towards the mysterious elements present. Fixating upon timely percussion that trickles into your speakers, you can find these patterns accompanied by electric guitar riffs and a protruding vocal that is an impeccable blend of elusive and potent. Incorporating playful hues into the theme addressed of infidelity, Betty Moon aims to make this compelling piece resonate with each listener in a manner that's custom to them. Adding shimmering buoyancy to how she gets her bolstered essence across, we're very familiar with what Betty Moon brings to the table as a producer. Allowing us to divulge into this eight times over with her brand new album, 'COSMICOMA,' makes it that much more of a sonic delicacy on the spectrum of rock-driven soul. Welcome back to BuzzMusic, Betty Moon. It's always a pleasure when we get to chat with you about all things music. With "My Only One" being your lead single off 'COSMICOMA,' what inspired you to set the pace with this record? Thank you for having me. As always on any Betty Moon album, I like to have a diverse range of songs that set the tone and keep the "sound" that many listeners have come to appreciate. "My Only One" is sort of a signature style track, it has the 90's rock energy that I think is timeless, and that put me on the map when I lived in Canada. I brought my sound down here to Los Angeles, and on many of my newer albums, including Cosmicoma, I injected some other cool styles like electronic, funk, soul, and more. I want to assure everyone that rock n' roll is at the heart of everything, as always. Is there a particular moment or story that "My Only One" is based on? Do you tend to speak from personal experiences or fantastical realms when you create? Many of my songs I leave vague and up to the listener to interpret. I think it's more fun that way and keeps people engaged. "My Only One" is a bit of a love song. I get nostalgic about my times being out on the town and dating/meeting some very interesting people ranging from celebrities to people who end up being crazy. Many broken hearts are spread around in my songs as well, and "My Only One" is more about those unique loves that you meet that are quite irreplaceable because they own that moment in time. How do the concepts that are addressed in this song complement the rest of the album? All the songs are always connected because they tell stories of love, overcoming the odds, the universe, and other relatable topics that we can all connect with. So instead of journaling or dumping my dirty laundry on social media, I'll write a song, and eventually, it becomes an album. Rock N' Roll is about being vulnerable and unique in a way that the listener can connect with, and I think each Betty Moon album does a pretty good job putting all the pieces together. Not many can say that they've released ten studio albums, so kudos to you! How does 'COSMICOMA' stand apart from the rest? Good question, if anything. I take things a few steps back in time and put more rock/guitar work into these tracks. Over the years, I went a bit more pop and electronic on some of these albums, and more recently, I was missing the days of heavy guitar riffs and a bit more aggressive singing. The album is still many steps forward in the grand scheme of things, but I always like to stay grounded and keep the Betty Moon sound consistent. What's next for you? I've been working on new music throughout 2021 and saved a few extra tracks from the Cosmicoma sessions to put on this next album. I try to release something every year at this point, and the focus is staying in the studio weekly to get the next EP or LP locked for an early 22' release. I may have a music video or two up my sleeves, and heck..maybe even a live show or two early next year. Instagram Facebook

The Miami-based singer-songwriter, producer, and electro-pop recording artist Jogïr makes his big debut with a conceptual and groovy 10-song album entitled 'Neon.' With an artistic career inspired by 80s music and old-school video games, not to mention the invasion onset of adulthood, it's safe to say that Jogïr's music is far from ordinary. He perfectly reflects this through his debut album, 'Neon,' which demonstrates the story of a millennial struggling to find his way and make peace with his existence. Without further ado, let's jump into the new record. The album kicks off with the interlude-type introductory song, "Press Start," similar to the opening of a video game, which Jogïr also mentioned was an inspiration of the entire album's concept. The sonics take off with the sound of a car starting and zooming off into the night, where we later hear the footsteps of someone walking into some type of arcade. Then, while the synths begin to rise with anticipation, we jump into a seamless transition with the next song. Song number two, "Headlight Mist," opens with the brightest and grooviest electro-pop/80s synthpop sonic landscape. Alongside a brilliant electric guitar, we jump into the first verse where Jogïr makes his warm vocal appearance. We love the vibrance of this song; it perfectly starts the album with nothing but life and vitality. As Jogïr jumps into the pre-hook with the utmost anticipation, he takes us into the beaming and melodic hook, where he drenches us in his catchy and rhythmic vocal delivery. This is a quality introductory song; it leaves us excited to see just where Jogïr might take us. Another great transition leads us into the third song, "Descent," but this time around, it feels like we're being transported into the second level of a video game. This interlude-type piece opens with the chirping of crickets and the same footsteps approaching a dizzying sci-fi noise that opens its doors to accept the protagonist. Several industrial noises and a maniacal laugh roam the background while more dizzying synths heighten the anticipation and drop us into song number four. As the muffled synths in "Fatalist" open song number four, they sink into this dazed state where a laser-like synth begins piercing our speakers alongside a bright and radiant 80s sonic landscape. As the airy drum breaks and bright keyboards begin to drift through our speakers, Jogïr jumps in and sings of his fatalism getting to him while he approaches the onset of early adulthood. This is the perfect song for the average millennial enduring a quarter-life crisis; it has all the soul and emotion to get anyone back on their feet. Not to mention the song's overall stimulating feel; it leaves in search of a dancefloor. Uh oh, we're approaching "Level 6," there has to be some obstacle in our way. This interlude is much shorter than the other two and kicks off with what sounds like an elevator approaching "Level 6," where the protagonist hesitantly walks off with heavy footsteps on a metal floor and approaches the next song. We must mention that we deeply appreciate how Jogïr tied in his love for video games into this conceptual album; it makes the record all the more engaging. Onto a fan favorite and previously released singles, "Easy," the song takes off with Jogïr's soothing and melodic vocals that sing about the emotional theme of a troubled relationship. While the bouncy and quick drums begin to pound through, a radiant and electrifying synth begins to jump through our speakers while we land on the exhilarating hook. We love how Jogïr placed such an emotional message over a vibrant sonic foreground, especially with his rich background vocals that spice up the song's energy and life. The production of this song is impeccable, and Jogïr's emotional lyrical portrayal offers boundless relatability. With the next song, "Hologram," we're taken way back into the 80s with the array of pulsating synths and robotic vocals that shower us in darkness and introspection. As Jogïr's low and deep vocal portrayal enters the song, the tappy drums begin to snap through while taking us into the transcendent and synth-heavy verse. The keyboard solos on this song are incredible, and they do a brilliant job of bringing the song to a vibrant climax with endless energy. The song's second half transitions into this reflective spoken word from Jogïr, who speaks with the utmost vulnerability about making up for his mistakes. Moving onto the eighth song with another seamless transition, "Light Years" opens with a soft pulsating synth and a light piano melody. As Jogïr opens his heart and sings of searching for a lover, the drums begin to kick through our speakers alongside a video game-like synth while leading us into the exciting hook. Jogïr belts his vocals while singing of yearning for someone's love once again alongside the exhilarating sonic background that keeps the song pumping forward. A beautiful piano melody leads us into the dark celestials with a dizzying synth towards the song's end. While another array of dark and sultry synths pour through our speakers on the ninth song, "Real World," the effects of rain and thunder strike our ears while the sensual and heavy sonics pound through our speakers. There's also the blazing addition of a wailing electric guitar that haunts this interlude with the utmost emotion and reflection. This song's sonics feel like they're straight out of The Weekend's latest album, filled with lust, energy, and emotion. As we drift into the refreshing outro song, "Heaven," the song opens with a pilot preparing for take-off while an array of synths take us into what sounds like the sonics of heaven. As a mid-tempo drum arrangement pours through our speakers alongside a glimmering keyboard melody, Jogïr makes his soothing vocal appearance alongside a distorted synth while singing a reflective message of watching the years fly by and yearning to hold someone's heart for the rest of eternity. This song is a stunning modern-day ballad, and it closes the record with nothing but grace and composer. Jogïr left our heads in the clouds with his debut album, and we encourage you to experience the record's emotion and sonic mastery for yourself. Find Jogïr's debut album, 'Neon,' on all digital streaming platforms. Welcome to BuzzMusic, Jogïr. Congratulations on releasing your passionate and conceptual debut album, 'Neon.' What life themes or experiences inspired you to create this record? Thank you for having me! So the album was inspired by a time in my life where I felt incredibly lost. I had just graduated from the University of Pennsylvania. I was hoping to begin some sort of an illustrious career like many of my peers, but I ended up stuck in a dead-end temp job that made me miserable. I didn't know how I would get out of there, and anytime I tried, I ended up feeling disappointed by the results. This seemingly endless cycle of getting my hopes up followed by repeated disappointments led to my existing anxiety getting out of hand. The negative thoughts in my head grew so loud I couldn't ignore them, and I found that the only way to process those feelings was to write and create music. Eventually, the things I was writing about were less specific to that particular experience and more about generally making peace with all the parts of myself, both good and bad. Since this is your big debut, how can listeners know you more personally through the album 'Neon?' I would say by really paying attention to the lyrics of each song! I consider myself to be a songwriter before anything else, really, and the lyrics on this album are the most personal and vulnerable I've ever written. You get to see the good, the bad, and the ugly. That's part of why I took on my stage name, Jogïr because I felt like it gave me the freedom to be as open as possible without having any preconceived notions of my character or who I am attached to the music. It was more of a mental thing for me, but it led to lyrics that I hope will ultimately really resonate as honest and true to who I am. Did you produce the entirety of your record, 'Neon?' How long did it take you to finalize and finish the record? I did! There are some small production elements from a collaborator on "Fatalist," but aside from that, everything you hear, production-wise, came from me. It took me four years to complete the record, in part because life was happening simultaneously and because I wanted to give myself the room to grow and put out the highest quality work I could. It's wild for me to go back and listen to some of the earlier demos I had made for some of the songs compared to the things I was able to do later on with the skills I naturally gained as I worked more and more on the album. It was a process of getting out the raw ideas first, then teaching myself and refining my skills to bring what I heard in my head fully to life. As I grew and changed as a consumer of music, that also really impacted what I felt I could do and what types of sounds and experiences I wanted to craft for the album. For example, the way all the songs flow into one another was inspired by Janelle Monae's Dirty Computer. I thought that technique really created a cohesive listening experience that I felt would fit my record well. Those types of realizations also extended the time it took to complete everything. Is there a song off 'Neon' that you resonate the most with, or that means the most to you? Could you explain why? I would have to say "Light Years" for sure. In my opinion, it's the most nuanced song on the album by far, which is why it takes place towards the end, and honestly, every time I listen to it, especially the beginning, I get super emotional. It's a moment of clarity, realization, and acceptance. The song is about coming to terms with the parts of yourself that may have caused you or others harm while striving to do better and aim higher for yourself moving forward. The second verse of the song reads: "I know it's so hard to appease me/Self-immolation comes too easy/All these galaxies and stars make trails that run too far/Of all the sparks I've left between you and me," which I think really strikes at the heart of that sentiment. All the times I've been self-destructive or felt like the negative voices in my head have gotten too loud have created these sparks that looking back seemed like really negative moments but are now these really beautiful experiences that have made me who I am, as a fully realized human being, but that maybe have also pushed me away from being the best version of myself as quickly as I would like to have been. It's really bittersweet but authentic, and I hope, ultimately liberating, sentiment. What did you want your audience to experience when listening to your album, 'Neon?' Did you want them to take anything away for themselves? First and foremost, I want the audience to feel like they've gone through a journey by the time they've finished the record. I created the album to be listened to from top to bottom. There's a lot of verticality and space to the production design, especially with some of those interludes, which I hope leads to a really cinematic and cathartic listening experience. Beyond that, and more importantly, I want for listeners to leave the album feeling like they aren't alone in the experience of discovering and becoming their full selves. Especially for–but definitely not limited to!–younger people in their early twenties enter that emerging adulthood stage of life; there are so many pressures we place on ourselves, molds we try to fit, expectations we try to meet, that it's really easy to lose oneself along the way. Learn to make peace and love who you are in the present while also working to be the best, most authentic version of yourself you can, and everything will fall into place, even if it's not how you expected. Instagram Facebook

In the midst of her journey of self-love and discovery, Soulful singer-songwriter Marina Bennett gathers and preserves her listeners' curiosity by telling cinematic stories through her distinctively mesmerizing sound. Seamlessly blending R&B, folk, and jazz, the dreamy voiced vocalist, hypnotizes her audience into a sonically inspired reverie, allowing her to reveal a unique vulnerability that entraps you in an emotional whirlwind. Not one to shy away from divulging her sentiments, Marina Bennett inspires you to do the same in her magically crafted single "Hideaway." Playing into a narrative where she commands her love interest to share their feelings openly. This sensual piece will, without a doubt, send chills to every inch of your body and garner your full emotional awareness as you take it in. "Hideaway" sets the perfect mood with a vibe shepherd by the instrumentations heard in the musical foundation. Smooth bass riffs accompany a high-pitched electric guitar carefully layered into the resonance as it adds a dynamically dreamy element to the composition. Factor in hi-hats that carry the percussion to a pulse-raising tempo and keys that enshroud the entirety of the instrumental with a classy sense of unity and warmth, and you have the masterpiece of "Hideaway." We have no doubt Marina Bennett's listenership will fall in love with her soothing, dream-like voice, as she professes her need for honesty and transparency with raw and grounded lyrics. We are undeniably moved by her talent and seemingly limitless ability to bring out the most estranged sentiments from all who partake in consuming her art. We have no doubts that Marina Bennett will inspire countless numbers of fans to come out of hiding and join her on this journey of personal growth as she unlocks the secrets of her heart. Welcome back to BuzzMusic, Marina Bennet, and congratulations on your newest release, "Hideaway." What can you tell us about your inspiration for creating this song? Hi BuzzMusic! Thanks so much for having me again! The story behind 'Hideaway' is that my great friend and collaborator, Will Evans, aka Lex Echo, had started producing an incredibly dreamy RnB track that he was working on, and he sent me a snippet of it. I'm a HUGE lover of RnB music, and the moment I heard the track, I was immediately obsessed with it! I still remember exactly where I was in Vancouver, walking down the street with the sunshine on my face smiling and my headphones on as I recorded a bunch of melodic ideas I heard as I walked around. When Will and I got together to write the entire song and put all of the pieces together, we tested out a bunch of different melodies and hooks like we usually do. He had a cool chorus from his original demo that we kept-- I was immediately grabbed by it. We went back and forth on the arrangement and verse melodies and lyrics until it all felt great. We wanted to develop the song about the importance of sharing your emotions with someone you care about to foster a sense of intimacy and belonging. I think, especially in these times we're living in now, where we've gone through such disconnection and isolation, the need for depth and emotional connection is at an all-time high. Sometimes it's scary to open up and share what you're feeling inside with someone you love, but it's ultimately worth it when it means you're being true to yourself and opening up your heart. Besides opening up to someone else, the song also explores how we become someone else's sanctuary or 'Hideaway' as they open up in return. How important is it for you to write songs with such emotional depth? Does it allow you to feel closer to your audience? I try hard not to feel all the feels all the time, but it's hard! I'm an emotional person at heart, but now I see it as a superpower. It's important to me to write songs and poetry that comes from experiences that I've had because there's truth-telling in that. I don't know how to connect to a song unless something in the lyrics or overarching theme/vibe that I connect with emotionally or experientially. Even if it's someone else's story I'm writing about, I need to empathize with them and get into its feelings to connect to the song and have it translate into something someone else would feel moved by in some way. It has to hit me a certain way first. I don't necessarily think every song needs to be heavy or emotionally deep-but there has to be a feeling or mood behind the song that feels true and real to me, and I think that's what people resonate with. When it comes to songwriting, I want to share songs where people listen, and they feel like I'm singing directly to them, or like I created a world they get to get lost in, explore, and process their own emotions through. What message are you hoping to convey to your listeners when they take in the lyrics to "Hideaway?" The message of "Hideaway" lyrically is not to hide way your emotional world from others and calls you to risk opening up your heart. Don't hide your beautiful capacity to love from the people you love. Life is short. It can be so scary to open up to someone else and risk being truly seen as we are in all of our flaws, but that's the only way to build a genuine, authentic connection and relationship. The era of ghosting is upon us, and there is such a lack of awareness on how to properly communicate what you're feeling and thinking without fear. It's become so easy to slip into silence and remove ourselves from facing those conversations around our needs and the needs of others. I think we're all longing for a deeper sense of connection in our lives--whether that's to ourselves, our families, partners, careers, or communities. Still, the foundation of connection is through vulnerability. How has your journey for self-discovery affected you as a person and an artist? I would say my journey of self-discovery has been ongoing and has helped me to understand myself on a really deep level-- this has helped my work as an artist immensely. I trust my instincts, I trust my emotions, and I don't run from them, and I'd say I've worked hard to channel my emotional world into art through songwriting and poetry. I used to be extremely insecure growing up because I didn't feel like I truly knew myself on a deep enough level, and I felt very lost searching for what that feeling might be. I think going through life and the hardships that have come my way, I've come out the other side with enormous gratitude for my life, sense of self, and access to my creativity. Music feeds my soul on a really profound level. I don't think the journey of self-discovery ever ends, and I'm excited to continue growing as a person, musician, and artist and to take the transformations that occur on the inside and translate them to the outside world through song. Instagram Facebook