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Los Angeles-based artist Mirror has a strong, eclectic sound to share with any willing listener. He strives to allow his music to resemble unique elements of pop-inspired R&B music, bringing in refreshing, possibly a never-before-heard style. Mirror took his intricate time to refine his sound, and after releasing 4 singles, he's confident with his creative delivery. One of his current singles, titled "Baby," features this highly eclectic take on R&B music, and it's one to listen to purely for the experience of something incredibly different. "Baby" undoubtedly has an eccentric production with its many instrumental and electronic combinations. The result is a melody that is original and disparate from the common sound one may be used to hearing. Mirror's vocal delivery stands out with his passionate, fierce approach with his tone. The level of passion arises from the narrative of the song, predominantly having a theme that circulates infidelity, along with doubts that arise within relationships as a result. The lyricism contains within "Baby" portrays that Mirror is incredibly purposeful with his word choice, and one can feel the ferocity that arises from such realities exposed within the track. Overall, "Baby" showed listeners that Mirror doesn't conform to the common sound, as his creative spunk is much more diverse. "Baby" is now available on streaming platforms; listen in today. Hello Mirror and welcome to BuzzMusic. What kind of experiences led to the construction of your recent song release, "Baby?" "Baby" was created completely on a whim… I wanted to write a pop ballad that could serve as the intro for my EP, but when my producer pulled up this beat I went to a completely different place and I loved it! Something very different from anything I’ve done before. Your style is incredibly varied in "Baby", as the song tends to bring in many contrasting sounds. What kind of strategy was applied here when creating the production of the song? I love production that keeps the listener on a ride where you don’t know if it’s going up, down, left or right! Using sounds that aren’t typical for the lyrical content I write is such a fun and creative twist that often I feel people stray from it. What kind of response were you hoping to receive from the release of "Baby?" I wanted people to just see and experience another side of my artistry. As much as I would love the vast recognition and awards I enjoy the experience of just doing what makes me happy and at the time baby made me happy! Are you planning on creating future music that contains a similar energy to that of "Baby?" I think going forward all of my art will incorporate different influences of hip hop, pop, R&B, and indie pop I just can’t be tied to one lol. Instagram TikTok

The multifaceted Heros Gabri is based out of Los Angeles, California making a name for himself as a guitarist and singer-songwriter. As the frontman, lead singer, songwriter, and guitar player for his new debut self-titled band, he taps into a signature sound that reflects a musical assortment of various genres including acoustic rock and classic rock and roll. With an extensive amount of experience in the music industry rooting back to his early childhood years, he is off to a running start by launching his solo project. The most recent release to come from Heros Gabri is the latest single “Sleepy Hollow,” which takes on the type of feel-good energy you long for in a laid-back, rock record. The enticing essence of opulent guitar riffs instills an alluring rush of anticipation through your veins as you patiently wait for the full composition to kick in. Heros Gabri cascades a buttery vocal over top mid-tempo instrumentation that bursts from your speakers with a seamless blend of booming charisma, and spirited delicacy. Rich in harmonic layers, the textures that are present have the overall quintessence of “Sleepy Hollow” robust with a wide sound that fills out your speakers. Sonically packing a well-rounded punch with the top-tier production quality, Heros Gabri ensures an easy listening experience that plunges into the most pleasant descants unveiling themselves in this record. Captivated by the luscious croons that are set in place with an impeccable offering of timing and spatial cues, Heros Gabri excels at making “Sleepy Hollow” a mirrored representation of what he has to offer as a creative. If you’re looking to release your mind and set your cruise control to the blasé vibrations of rhythmic energy, then “Sleepy Hollow” is the song for you. Hello Heros Gabri, welcome to BuzzMusic, and congratulations on the release of “Sleepy Hollow,” and establishing your solo project, Heros Gabri. With this track being your debut in this particular realm, what inspired you to lead with “Sleepy Hollow?" Thank you so much! Well, I never really knew a solo project route is what I was going to take. I feel like I didn’t choose it, This whole experience kinda chose me. I woke up one day and decided I wanna start writing songs for a solo project but didn’t know how I was going to do it or what route I was going to take. So that particular morning I went for a little hike by my house. There is a mountain trail where I live in Los Angeles, CA. called “Sleepy Hollow Trail” and I often go there to unwind and meditate. One day I just took my guitar and started playing that chord progression. So I went home slept on it and came back to sleepy hollow and wrote more chords/lyrics. For 7 days straight every day I went and wrote something new and by the time I knew it I had a song and it was the song I decided to launch my solo project with. Could you please share the meaning that’s laced into the lyrical motifs we hear on this record? What do you hope your audience can take away from the significance? Well, the Lyrics in the song are a combination of some lyrics I’ve had for years hidden away in a notebook, mixed with lyrics I wrote on the fly while writing the song. I feel like I didn’t necessarily write the song, the song kind of wrote itself and fell from the sky. So when I was at Sleepy Hollow writing, I was surrounded by the trees I instantly wrote the opening lyrics to the song “Come with me my dear, I know it may seem a little unclear, just lay your head on the Sleepy Hollow Trees.” After that a huge eagle started majestically soaring right above my head and boom I wrote the lyric “Soaring in the sky, I might seem nice when you’re up and you're high, but don’t get stuck in those Sleepy Hollow Trees.” A lot of the lyrics in this tune kinda have their own little back story and I can break it all down but I’d rather have the listener have their own story connected to it so it can be open for interpretation. What sleepy hollow means to me can mean something completely different to you and that’s okay! That's what art is all about. Being well-versed as a musician, do you find that your creative process is similar or different in your solo project, versus previous experiences you’ve had as a creative? Extremely Different but in the best way possible! Having a solo project is super liberating because you choose the pace you wanna go. Don’t get me wrong, being part of different bands was great but when you have full responsibility and control of your own project the ceiling and possibilities are endless. It's all about how much you’re willing to put in. Also as you can imagine the creative process is much easier being the only songwriter. It's a great way to build trust in your own songwriting/Lyrical capabilities. It can be a bit intimidating at first but I feel like this is the route that was definitely chosen for me. What’s your mission statement as Heros Gabri? How important is it for you to let that shine through everything you do Well, I don’t necessarily have a mission. I just want to write good tunes and have people enjoy them. Art is the only way I can outlet my experiences in life and if other people find it relatable and enjoy it then that's what being a musician is all about! What’s next for you? Write write write! I’m Currently still Writing the record. It's almost finished and When the songs are done, into the recording studio I go! I don’t have a set date on when the album will be out but I do plan on releasing it very very soon and after that live shows until we drop! A Great number of Concerts is what I see coming very soon. Instagram

Melodic singer-songwriter SUMWHR is a Watts region homegrown talent that has used his technical aptitudes in music production and engineering to become one of Los Angeles’ most highly anticipated artists. Growing up in a neighborhood where one can easily fall into the influential grasp of a faulty system, he studied additional skills and methods to express himself, while developing a crucial sense of independence at a young age; a vital discovery for any youth thrust into unfavorable circumstances. Evolving into a well-rounded sound architect by conveying a wave R&B style, SUMWHR utilizes his distinctively edgy sound to push every boundary set by the industry and the casual listener. Applying lessons from his past and blending them in an intricate manner with new hurdles, SUMWHR leaps with a protruding sense of determination as he hypnotizes his audience with harmonic croons and smooth instrumentation in his most recent single, “OMW.” Applying his deep, bass-forward vocalization to drive home every last intended emotion from his heartfelt lyrical motifs, words like “Baby you had it, I ain't trynna fall in love no more, better quit the cappin, couldn't tell you had me down bad,” has SUMWHR immersing his audience into his custom-crafted world with unmatched accuracy. The buttery, melodic vibes generated in “OMW” are sure to accompany any listener on a soul-nourishing journey, no matter the time or state of mind they embody. Easing you into the soundscape exactly how SUMWHR intends for you to be placed, this modern wave that stems from Contemporary R&B has us gripping onto the edge of our seats. While honing in on his prolific skill set, and continuously offering his fan base a taste of his eccentric sound, SUMWHR continues to demonstrate a profound affinity for his art while possessing the proper work ethic that will propel him through this music industry. Be prepared to tap into the captivating essence he delivers through “OMW,” as you add it to your favorite playlist. A big congratulations on the release of your most recent single “OMW.” We love the way you tap into the new wave of R&B all while honing in on a lane of your own. Where did the origin of your wave R&B stem from? Wave R&B stems from my melodic cadence, blended together with some trap drums, atmospheric arpeggios, and reverberated soft pads. The texture of each record feels smooth like you’re on a journey with a partner who is ready to take on the world. I really wanted to create something of substance, you know timeless. Taking a deeper listen to “OMW” we hear a profound sense of intimacy that’s poured into this track. Is this writing style fairly easy for you to tap into? Could you please share the inspiration behind this song? I would say it comes naturally, many of the ideas that pop up are on the spot. I typically sit and press record then let things fall where they land. The song for me at least tells a story of passion, like that feeling in your stomach around the person you vibe with the most. What’s so inspiring about a record like this is the fact that we all felt this way before I’m just saying it out loud. How does the sound of “OMW” compare to other tracks heard in your discography? To me, OMW adds another element to the discography. This record could be thrown in rotations with any of them and immediately catch the listener's ear. I feel it jumps out at you, this song can truly stand the test of time in my opinion. What’s your mission statement as an artist? How important is it for you to have your brand align with this perfectly? “Bringing melodic textures and dark tones to storytelling for music lovers by expressing captured memories.” To me, this is very important because through these stories there is a person listening who feels or felt what I’m talking about you know. To convey a message that resonates with someone is priceless, and it lets me know I’m doing something right at the end of the day. What's next for you? Next, for me is to keep writing and releasing more music. Stay grinding behind the scenes collaborating with another artist, and the key thing for me is staying consistent above all. Instagram Facebook

From Phoenix, Arizona, the influential hip-hop artist, rapper, and songwriter YungFace releases an incredibly meaningful single and accompanying music video entitled "I Got This." Discovering his passion for music creation during his incarceration, YungFace felt compelled to releases his authentic and honest creations for anyone to nod their head to. Inspired by his daughters, family, and MBK | MSK, YungFace never fails to shine a light on necessary topics while leaving the listener in a state of reflection. Recently releasing his thorough single and music video for "I Got This," listeners can catch YungFace in his prime, delivering a significant lyrical concept while grooving to the song's downtempo and passionate production. Throughout the music video, YungFace makes his way around Pheonix while telling a genuine tale of life's trials and tribulations. Plunging into the single, "I Got This," the track opens with a warm piano melody alongside a haunting ghost vocal and a bright woodwind instrument that later drops into the tender beat. As YungFace makes his powerful and mighty vocal appearance, he swoons any listener with his intense performance while touching on the needed change within society and, more importantly, our police force who continues to oppress and discriminate against fellow human beings. We're truly impressed with YungFace's tenacity and mental endurance throughout this track, as he reminds listeners to put their fists up and strive for change while allowing us to bop our heads to the soulful beat. As the song makes its way to the outro, YungFace closes the track on an incredibly reflective and necessary note. Take time to examine how you can make a change with help from YungFace's latest single, "I Got This," now available on all digital streaming platforms. Thank you for joining us at BuzzMusic YungFace. We truly appreciate such a meaningful and necessary single like "I Got This." What inspired you to create such an important and significant piece that encourages change? "I Got This" was an outlet for me, it was at a time when I felt like giving up music and dealing with the lack of support from my city. I felt like at the hardest of times I was supposed to have faith, and when I was in my bed praying, I sat up and gassed the beat. Did you face any personal challenges when writing your bars for "I Got This?" Or was it easy for you to be so honest and open regarding our society's needed change? You know, I get it! I've been there in the street life to the penitentiary. Pride is what tests you in life and still does. Keeping things 1000 times over has been my motto from upbringing, so I try to never shy away from standards, in everything I do (far from perfect) but I know I'm destined for greatness. Who produced your single "I Got This?" Why did you want the sonics to be so tender and soothing? I actually found this instrumental during some lyrical exercise to which I ended up purchasing the exclusive rights. I brought it to one of my home bases, The Bakery, big ups to my bro Willie Animal. Instagram

From a 2009 Nickelodeon hit series to 2020 memes, Stephen Kramer Glickman remains an instantly recognizable figure in the entertainment industry. With the release of his debut album entitled ‘The Moving Company,’ we get to experience a project full of cover songs that pay homage to Billie Eilish, Radiohead, The Beatles, Post Malone, Soul Asylum, Green Day, Bob Dylan, and more. Taking our attention to the trending sounds of his Gnarls Barkley rendition of “Crazy,” the mass success of this song continues to flood in with its popularity stemming from the popular social media platform, TikTok. The intensity that drips from this composition immediately protrudes through the speakers with the piano forward instrumentation making a grand basis for what’s to come. Basking in a whirlwind of tantalizing and prevalent elements that are brought through the musicality, the minimalistic approach is more than enough to curb our sonic appetite as Stephen Kramer Glickman’s cascading timbres sweep you into a frenzy of striking echoes. It’s no wonder why we see this song garnering the mass attention that it is. There’s a pure beauty that lies in the organic vocal range that is in the realm of Stephen Kramer Glickman’s grasp, and he conveys it with certified ease and grace. Taking us into a complete 180 of this song's original version, we admire the fusion of intimate croons that carry forth with an effortless wave of passion within the sound waves radiated. Being a reflection of what’s to come with his ‘The Moving Company’ album, Stephen Kramer Glickman gives us all the desired taste of what we crave in terms of captivating cover songs. Welcome to BuzzMusic, Stephen Kramer Glickman! Congratulations on the release of “Crazy.” We love the approach that you took to this piece as you made it completely your own while honoring the sound we know and love. What inspired you to take this route when creating? I had always loved singing that song at the piano and over the years I’ve sung it for friends and at parties, so it’s always been in my repertoire, but something special happened at that recording session. It was my second time in the recording studio, and I had prepared six or seven songs to play on the piano and sing including songs by Elton John, Coldplay, and Rihanna. None of them felt right at the end of the day and it kind of felt like a bit of a wasted day. I was packing up my stuff when I remembered “Crazy” and I said to Mitchell, the recording engineer, “let me take a run at this one last song.” I recorded piano and vocals at the same time and that is the track. I listened to it a lot with my producer Natalie London (from the band Hey, King!) and we talked about what else could possibly be added to it to make it stronger. London had the brilliant idea of getting Cello on the album, so while she composed arrangements for Cello, I reached out to my friend Marza Wilks who just graduated with her master’s degree from Julliard in cello. Marza and Natalie worked together and built the track into the song that is on the album. It was absolutely a group effort making that song pop. We know that you’re eager to share the cinematic component of “Crazy” with your audience before the album’s release! What was it like filming this music video, and how did the vision come to life? I got to work with Director/cinematographer Devin Hamilton who is absolutely brilliant and is just down to make cool shit. I’m a huge fan of Gnarls Barkley and every time they would perform the song back in the day, they would wear these amazing elaborate costumes with different themes. I really wanted to honor that and I’m a huge DC comics fan, so I thought, let’s do it Joker themed and film in downtown LA. I don’t know if you’ve been to downtown Los Angeles but it’s nasty as hell. We were shooting in an alleyway with a 6k drone, with me in full make-up and costume, and Homeless people would wander into the alley, see me, and say “Nope!” and walk away. How does it feel to see other entertainment industry members like Addison Rae, Ben Platt, and CeeLo Green take a liking to your work? It’s such a ridiculous honor. It makes me feel like I’m on the right path. What do listeners have in store with the collection of songs heard on ‘The Moving Company?' What inspired you to choose the songs that you did? The songs were chosen because I felt emotionally connected to them and singing them, helped me work through the struggles I was going through at the time. I’m a fan of these artists and getting to sing their hits while working with amazing musicians and extraordinary producers was a privilege I’ll never forget. Instagram Facebook

Based in Lafayette, Lousiana, the jazz ensemble Dr. Daylight's Jazz Co. releases their swinging and soulful 10-track album entitled 'Potluck.' Encouraging us to pull up a seat and transport ourselves back to New Orleans in the roaring 20s, Dr. Daylight's Jazz Co. is known for taking a new approach to traditional jazz favorites while transforming modern pop songs into jazz standards. Although jazz music is heavily underrated during this day and age, Dr. Daylight's Jazz Co. makes sure to shine a needed light on the genre's many exciting and experimental ways. Recently releasing their 10-track album 'Potluck,' Dr. Daylight's Jazz Co. features a smorgasbord of jazz as they open the project with the intro track, "Dinah (feat. Linnzi Zaorski)." The song brings the listener straight into the heart of swinging 20s jazz tunes with a brilliant instrumental arrangement and the lively vocal stylings of Linnzi Zaorski. Moving into track number two, "Comes Love (feat. Julie Williams)," Dr. Daylight's Jazz Co. drenches us in more of a moody and burlesque feel with their mysterious instrumental arrangements and Julie Williams' sweet and crooning vocals. Jumping into a more smooth-sailing and downtempo piece, "Lousiana Fairy Tale (feat. Rob Pate)," we can hear a heavy homage to Louis Armstrong as Rob Pate's raspy and low vocals pour over our speakers alongside Dr. Daylight's Jazz Co.'s dreamy arrangements. Spicing up the energy with "Mess Around (feat. Ray Boudreaux)," this song offers all the life and passion we need from jazz music, especially as Ray Boudreaux's uplifting and soulful vocal portrayal continues serenading us alongside Dr. Daylight's Jazz Co.'s groovy instrumentals. Plowing our speakers with the next tune, "Exactly Like You (feat. Kelli Jones)," Dr. Daylight's Jazz Co. takes off into a swinging and lively atmosphere that brings us into a front-row seat of Broadway's Chicago while Kelli Jones passionately sings a message of pure and unbridled love. Jumping over the project's halfway point with "King of the Road (feat. Jake Spinella)," this song offers more of a reflective and downtempo tone through Dr. Daylight's Jazz Co.'s soothing and plucky instrumentals while Jake Spinella paints incredibly picturesque scenes for us to savor. The following energetic tune, "I'm Gonna Sit Right Down and Write Myself a Letter (feat. Sasha Massey)," takes us through a unique and toe-tapping instrumental venture while Sasha Massey's crooning vocals sing a charming and playful message. Sparking the energy with "Little Liza Jane (feat. Sarah Robinson)," Dr. Daylight's Jazz Co. gets us up and moving with their high-energy instrumentation and Sarah Robinson's lively and descriptive vocal portrayal telling the old tale of little Liza Jane. Getting groovy with the next track, "Cantina Band," Dr. Daylight's Jazz Co. pays tribute to John Williams' "Cantina Band" from Star Wars. While the ensemble offers a brilliant and lively rendition of the timeless tune, they swing and groove with each transition and melody that's bound to get listeners out of their seats. Closing the album with the outro track, "Bourbon Street Parade (feat. Spencer Recca)," the song's title perfectly encapsulates the anthemic and energetic feel of this piece. As Spencer Recca's vocals invite us down to New Orleans, the song comes to a close, and we're left moving and grooving to each toe-tapping drum break and the powerful array of in-depth instrumentation. Take a trip back in time with help from Dr. Daylight's Jazz Co.'s latest 10-track album, 'Potluck,' now available on all digital streaming platforms. Welcome to BuzzMuisc Dr. Daylight's Jazz Co., and congratulations on the big release of your thorough 10-track album, 'Potluck.' What inspired the project's title? Thank you! We've put a lot of time and energy into it! The title came from where most of the musicians were involved in the project, a literal potluck. Most of us are transplants to Lafayette, Louisiana. As we were gaining a sense of what the record was going to sound like, we felt like every track was unique and had something very different to offer. Much like a literal potluck where you want to contribute the dish you make best, all the musicians brought their own flavor to the table. It felt like we'd come full circle and were now creating a musical potluck. What was it like working with the many vocalists for 'Potluck?' Was this your group's first time working with these talented vocalists? I was shocked to get so many of the vocalists to say "yes" to the project. Our prior studio album only featured a 5 piece band, including 1 vocalist. This project tripled the size of that one with a cast of 15! I had worked with a few of the vocalists on some of their own smaller projects, but as a group, this was our first time together and it was wild! Studio time was very limited, but everyone brought their A-game and knocked things out in a few takes. The only overdubbing is the band shouting, snapping, and singing backup vocals. Scheduling and pre-planning really paid off. This project was a lot to handle, but well worth it! Regarding your in-depth and dynamic instrumentation within 'Potluck,' could you describe what a typical day in the studio looked like when formulating your album? Who are your core members, and how did you go about navigating each song's feel and atmosphere? The project was funded by my 8-figure a year teacher's salary. The first 3 figures are zeros. I knew that we would not be able to afford a lot of time in the studio but wanted to find a way to make this happen. I spent several weeks talking with each of the vocalists and instrumentalists about my ideas for them, then making "mock-up" arrangements. The goal was not just to showcase what the band does live, but to compliment the individualism of each vocalist. If the singer liked the key and vibe of the arrangement, I built them a karaoke track and then wrote out charts in sheet music form for everyone. The instrumentalists had one rehearsal to make sure the charts were written mostly error-free. The vocalists never worked with the full band until their allotted hour of studio time. Scheduling was crazy - you don't realize how quickly an hour can go by in the studio. We ultimately had 3 days in the studio, recording each track in an hour or less (we almost didn't make all 10 tracks on the album - darn that teacher's salary!). The core members were my musical sounding board throughout the process - I cannot thank drummer Jim Kolacek, guitarist and guest vocalist Rob Pate, trumpeter Jim Price, and clarinetist Lucas Munce enough for their feedback and support. They listened to me brainstorm (and occasionally vent) for hours before we got to the studio. When we finally got to the studio, they had wonderful creative suggestions after hearing the vocalists singing along with the charts. Does your group have a favorite track within 'Potluck?' Which songs are you most excited to perform live? We do have a favorite track, it's "Louisiana Fairy Tale." It was the first and most experimental arrangement I did, and it almost got cut! Rob Pate is the vocalist on this one, and wasn't supposed to be - I wanted him to sing "King of the Road" (which I ended up singing). There was a scheduling mix-up with the original vocalist. We laid down the track without the vocalist in hopes they'd show up during their slot. It was the last day in the studio and the band knew I was freaking out. After we got a clean take, Rob said to me, "want me to throw filler vocals in there? You can call the vocalist and try to get them here in the meantime, so we don't lose this track?" I said yes and stepped outside and had a very disheartening phone call. When I walked back in, Rob had just finished his take and was in the mixing room with the rest of the band. I was so devastated, and said: "Well guys, I think we're going to cut this one." Lucas looked at me and said, "no dude, I think this is the best arrangement out of the bunch. You can't cut it. Can we listen to what Rob just laid down?" Mark Bingham (the engineer) cranked up the speakers in the room and we all sat and listened, until someone blurted out "[expletive] - this is the take!" I tackled Rob and gave him the biggest bear hug - he saved the track! A few weeks later, I played the record for some friends from the record and some that were not involved/didn't know the whole story, and made them fill out a form rating each track (what a friend I am!). They also liked "Louisiana Fairy Tale" the most - it's my personal favorite track, and every time I think about this story, I'm reminded of the comradery from the guys. Almost makes me tear up a little bit. We've never played the album's arrangement live: there's a nod to Camille Saint-Saens' "Aquarium" from "Carnival of the Animals" utilized throughout, so I'm really excited to see what the crowd thinks! For readers who aren't so well-versed in jazz, how does your album 'Potluck' embody the essence of jazz music? How can listeners get to know jazz's artform better through your album? I think the word "Jazz" in 2021 doesn't get the best representation. Jazz was THE popular music for a good 30 years before Rock 'n' Roll took over. When most people see the word, I think there's an immediate association with "background music" or being too intellectual. It makes sense, since the Bebop era, performers did not encourage dancing (only listening), and made it tough for the non-musician to participate in the experience. Similarly, if you go to a fancy restaurant or get in an elevator, it's the soundtrack. Our mission for the album is to break free of those associations. We're very inspired by the early eras of Jazz (before it was background), particularly by what the folks in New Orleans did (and continue to do) with the music. It's sing-able, catchy, engaging, and FUN! We swing and improvise, but we also break "the rules!" We take tunes from outside the genre and cover them in an old-school Jazz style. I think this is the way to get folks excited about what we do - take something familiar and present it in a welcoming, new way. Our shows are very interactive - we invite you to a sing-along, dance, and even a second-line parade around the venue with us. If you enjoy what you hear on our album, Jazz might not be everything you thought it was! Instagram Facebook

Chris Micheal is an established Winnipeg-based Canadian recording artist. Known for being the lively vocalist filled with passion and emotion, he performs acoustic and electric guitar on songs that you can hear across all digital streaming platforms. Raised in a musical family, Chris Micheal became enamored with 90s grunge culture, which thoroughly influenced his dynamic musical approaches. Delving into the country music scene by playing events and festivals that encouraged the mixing of genres led Chis Micheal deep into the profound passion that country culture has to offer. Indulging his audience to a testament to his growth and journey as an artist, the recently released “Upside Down,” has us frolicking in a buoyantly sculpted soundscape of elevation. The sustaining guitar riffs cascade upon the rhythmic portion of this musical arrangement in a manner that has us thriving in the transitional soft-spoken verses, and amplified outpour of the chorus. Synchronizing the intensity to unleash itself in a full-on bout of high octane ambiance, the alluring essence of this record strikes us with a familiarity that we’ll happily take into the summertime heat. Chalked full of full-circle moments that are referenced in the carefully crafted motifs that Chris Micheal places forth, the sense of comfort that lingers in his vocal tone pushes this song forward on various levels. Allowing us to tap into the soothing and prevailing quintessence of his artistic elements, there is an influential pull that the incomparable timbres he radiates provide our soul with. We’re truly on the hook with this new single. Dabbling in an electric surge of confidence that sparks a better understanding of Chris Micheal apart from the art, we’re grateful for a song like “Upside Down,” to be added to our rotation. Welcome to BuzzMusic Chris Micheal, and congratulations on the release of “Upside Down.” With such a wonderful story that captures pure moments from your life, what does this song say about the present-day version of you? I think the new track speaks about my old soul and hopeless romantic side of who I am, but at the same time being lighthearted and having fun. Over the past several years I have spent a lot of time self-searching and building my self-worth not only as a person but as a musician. Who and what I wanted to become with all my goals and passions aligned. I'm also extremely passionate about living a positive, motivating lifestyle all about the good vibes. I believe this track portrays the hard work and devotion I have made towards music, The person I have become. I can happily say I am proud of myself and every moment is a blessing and to be at a point musically and emotionally that I can share it with the world and to be so receptive is beyond humbling and just makes me love life more. What would you like your audience to take away from “Upside Down?" I would love my audience to be able to sit back and enjoy the journey through my new summer song and share some of the moments of my life this song is as true as they come. And my delivery sentiment can truly be relatable. Now that you’ve established a sound that you excel at, have you noticed any changes in your creative process? Could you please elaborate? In my past 2 singles, the only thing I have changed is how I decided to only focus on upbeat positive driven music that was relatable. Working with Big Chris Flores has really made big strides he has helped me focus more on my strengths as a singer which also translates back to my writing process. Something that is important in all my music is that I bring in real-life experiences and moments and try to express them through the music. What can we expect to hear next from you? I have lots of material coming up that will be released over the next year. I am always in the studio creating and working with other artists so one thing is for sure, we can never expect, life is forever changing, but I'm loving every minute of it so far. Instagram Facebook

Dallas Dante Clair, known artistically as Donnie Visa, has a personalized rap style that fits well into his singing and songwriting abilities. As an artist who is recognized for his eclectic vocal delivery, Donnie Visa enjoys crafting songs that are full of spice (and everything nice). "Not One Of Them" begins with a high-energy beat, and soon enough Donnie Visa integrates his distinguishable lines. He's bold and self-assured with his delivery, never missing a beat and executing the flow with pinpoint precision. "Not One Of Them" has that same quality energy you'd find in the mix of a Spotify Top 100 Hip/Hop playlist for 2021. Donnie Visa articulated his thoughts and ideas well throughout "Not One Of Them", and the track saw a ton of clever, subtle wordplay. A music video accompanied the "Not One Of Them" track release, and the chosen visuals were perfectly arranged for the energy the song gives off. Donnie Visa is the star of the show, and the video takes viewers on an intriguing journey, which you'll have to tune in to see for yourself. All in all, Donnie Visa's "Not One Of Them" was right on track for what the current Hip/Hop music scene welcomes, and we're waiting to see where Donnie Visa will take his inspiration next. Hello Donnie Visa, and thank you for joining us at BuzzMusic to talk about your latest release, "Not One of Them." What kind of intention did you have with the release of "Not One Of Them?" My intention for the release of “Not One of Them” was for people to say, “oh that’s hard” or “that’s lit bro!” when they hear the song. I’m always swinging for hits! How were you hoping your listeners would view you after listening to and watching the video for "Not One Of Them?" I want listeners to fall into the world of Donnie Visa and Approved Way when they watch my music videos and listen to my music. I want my listeners to dig for more. Are there any reservations you had going into the writing and/or recording process for "Not One Of Them?" Nope, I didn’t have any reservations during the writing or recording process. I just treated it like any other song and went right to work. As an artist who views himself as eccentric, how would you describe "Not One Of Them" as being an eccentric style of music? Honestly, to me, it’s everything about the song. The name of the song and the all-around vibe of the music and the video are nothing like anything you’ve heard before. Instagram Twitter

Former keyboardist for SeepeopleS and The Beautiful Ones, Fred Copeman, is proud to announce the release of his second solo EP, ‘Mere Mortals.’ In April 2020, during the pandemic, Fred Copeman launched his solo career as a musician. Recorded at home during the lockdown and mixed and edited by Holland at the legendary Chillhouse Studios in Boston, MA, the body of work known as ‘Mere Mortals,’ is a substantial testament to Fred Copeman's growth as an artist and sonic arranger. Allowing us to be introduced to this collection of songs with the notable title track and lead single, “Mere Mortals,” Fred Copeman’s vulnerability is placed into a scope of utter beauty as we gauge the intimacy this record showcases. Through poignant instrumentation that has us feeling the music more than we hear it, the elusive essence of delicate hi-hats, twangy guitar plucks, and present piano chords has us embarking on this sonic voyage head first. Coming together in a brilliant fusion that speaks volumes on the soulful nature of Fred Copeman, this instrumental record has us capturing glimmers of light that burst from the seams of Fred Copeman’s artistry and individualism. Being a staple song on the project due to the hurt that Fred Copeman felt as his father sadly passed in the midst of recording, “Mere Mortals,” is dedicated to his father, and acts as a creative outlet for the amalgamation of complex emotions that Fred Copeman searched to profoundly express. There’s a prominent sense of passion that is dispersed through the song’s organic evolution as each rhythmic pulse drowns you in a clutch of soul-infused tenors. Ensuring to never stray from the integrity etched into each record exuded on the EP ‘Mere Mortals,’ Fred Copeman’s mission is loud and clear, as he becomes more honest with the feelings he holds within himself. Welcome to BuzzMusic, Fred Copeman. We’re honored that you’re able to share this marvelous project with us. Our deepest condolences for your loss. With this tragic event taking place during recording, did you find that this ultimately changed the essence of your EP? It did and it didn’t. Many of the songs on this album were well on their way to completion when my father unexpectedly passed. The title track, however, I wrote just 6 days after his death. I just sat at the piano and let the emotions come out, which is not how I typically write. That track was my opportunity to not only release my emotions at the moment but as I worked to complete it, to build a more dimensional emotional story of what processing grief looked like for me and share that. While the rest of the EP might feel like it has a different vibe, I hope and believe that all of my music offers a sonic pathway to contemplation. There is such bold energy that comes to the surface in your lead single and title track, “Mere Mortals.” How long did it take for you to create a piece of this caliber, and could you please give us a deeper meaning into its significance to you? The song Mere Mortals was built in pieces over about two months. I started with the main Piano riff and played around with different variations of that for a while. Then I found myself toying with flashy lead synth lines in the chorus and while it might feel a bit jarring, it strangely seemed to fit. The song became a way for me to represent the high highs and low lows of grief - and not just of the loss of a loved one but the feelings of gratitude that I felt for the good times I had with my father and for my own mortal life. The song’s varied elements really do feel representative of the spectrum of emotions that I have felt during its composition. How has your creative process changed or remained the same from being on your own, versus being in a band setting? Could you please elaborate? Well, the process does feel completely different. I have always loved being able to bring a song idea to bandmates or a writing partner and take it to the finish line together. Not having that in the solo writing process is a limitation, but I see limitations as really extraordinary opportunities in creation. With no one to bounce ideas off of, I have to create that process of finding fresh creative energy artificially. Maybe that means putting a song down for a few days and returning to it with fresh eyes, or approaching it with a different instrument in hand. I always find that embracing limitations like these ultimately helps squeeze that much more juice from the creative process. What's next for you? In life, I’m making a major pivot - I’m moving to Manhattan and starting a graduate program in sustainability at Columbia University. (For a few years now, I have found I can have separate music and career paths as long as sleep is kept to a minimum). In music, I think I’d like to take what I have learned as a solo artist over the past few years and try to build something with one or two other performers. I’m particularly interested in taking things into a more EDM direction, but who knows. I could very well find myself in a mandolin trio this time next year. Facebook.com/fredcopemanmusic.com

Soaring down from Vancouver Island, the pop-punk artist, producer, and singer-songwriter Darrian Gerard releases a bratty and spiteful anthem with her latest hit, "I'm Not Sorry." Writing, recording, and producing all of her music, Darrian Gerard is truly making her mark on the independent pop-punk scene. Honing in on her production and instrumentation during the pandemic, Darrian Gerard continued reworking her craft with help from inspirations like Avril Lavigne, blink-182, Angels & Airwaves, Alanis Morissette, and Taylor Swift. Now releasing her vibrant and punchy pop-punk single, "I'm Not Sorry," Darrian Gerard drenches our speakers in the utmost charisma and attitude while wishing the worst on someone far in the past. Writing this spicy breakup tune in 2015, Darrian Gerard recently mentioned this, "Now, happily in a relationship, it's funny looking back on this song seeing how much raw emotion I poured into the lyrics. It just shows how time can heal almost anything, and heartbreak isn't forever." Diving deeper into "I'm Not Sorry," the track begins with a flaming hot electric guitar and a fiery bass lick that paves the way for Darrian Gerard's scorching hot performance. As she begins elaborating on the regret she holds for apologizing to someone who didn't deserve it, let alone say it back, Darrian Gerard offers this incredibly spiteful and carefree approach that makes the listening experience all the more intriguing. We can't help but feel this intense similarity to Avril Lavigne through Darrian Gerard's punk attitude and melodic flair. As Darrian Gerard and her intense instrumentation lead us to the song's end, she continues to belt her explosive vocals while reminding listeners to stand firm in their ground. Find your voice with help from Darrian Gerard's latest single, "I'm Not Sorry," available on all digital streaming platforms. We're more than impressed with the raw energy and empowering lyricism you've placed into your recent single, "I'm Not Sorry." Was there a specific moment or experience that sparked the inspiration for this spiteful breakup tune? I actually wrote this song in 2015 during a time where I really cared about someone who wasn’t quite ready to care about me yet. I always found myself saying sorry, or apologizing for things that I really should’ve gotten an apology for. I think as a girl, it’s difficult to express your emotions or concerns without feeling like you have to constantly apologize for feeling anything but happy. This song has a lot to do with empowerment in the realm of standing up for yourself and being unapologetically true to yourself. Did you create your dense and powerful instrumentals solo for "I'm Not Sorry?" What was your creative process like when navigating the song's feel and atmosphere? Yes, I did! Like all my songs, I wrote it on the acoustic guitar to start. When I started producing it, I knew I wanted it to sound bratty and pop-punk. I already had the lyrics and rhythm that I wanted, so that was the easy part. The rest of the production just came naturally and everything fell into place, exactly like the instrumental solo! I honestly just played the guitar to follow my vocals in the bridge and I think it came out pretty darn cool haha. What did you want your audience to take away from your empowering lyricism within "I'm Not Sorry?" I want the listeners to know that it’s okay to express your feelings without having to apologize beforehand. It’s okay to let someone know how you feel, even if it’s in a negative aspect because you deserve to be heard. I still even catch myself still apologizing before beginning a sentence, so it’s a reminder for me too to stand my ground and find a way to get my point across without feeling bad for having emotions. Seeing that "I'm Not Sorry" is your third released single, how do these three songs represent you and your music? How can listeners get to know your sound and style better through these singles? Looking back at all three songs now, I think they’re all very similar in the fact that I’m singing about empowerment in one way or another. Whether it’s not needing anyone, deciding that you’re going to go for your dreams, or being unapologetic. They all have similar themes in a way that’s telling you to just go for it and stand up for yourself. I would say my style and sound are definitely evolving to a place where it’s starting to emit my favorite artists while also being uniquely me. I love pop-punk, punk-rock, and pop music, and I definitely think my sound is moving in that direction. I’m super excited for the future and what comes next! darriangerard.com instagram.com/darriangerardd twitter.com/darriangerard