Search this site

Finding a sweet spot between his middle name, Patrick, and his last name, Miller, Miltrick was born. Through his time at Oneonta, he met numerous talented musicians which inspired him greatly. There he was exposed to an abundance of music genres including classical, jazz, and funk. In Oneonta, Miltrick was able to perform in rock, experimental, and jam ensembles which helped him achieve the desired sound that he carries forth today. Composing an EP based on his single, “Drive,” we have Miltrick taking an all-encompassing route to form his solidified base for how others perceive his music. Fixating on the single itself, we have buoyant instrumentation that imitates a reflective state where Miltrick can authentically be himself as he lays it all out on the table. Carrying the weight of heavy-hitting kick drums, and a resonant bassline, we become fixated on the infectious grooves pouring out from this arrangement as a whole. Syncopated in all of its glory, we hear Miltrick approach the track with the type of confidence everyone wishes they could take with them through their day-to-day lives. He is clear and present with the words that he strings together as the medley of lyrics shapes his mindset and the in-your-face prominence that the mass of his words holds. There’s a raw and cutting edge appeal to “Drive,” as the vocals hone in on an authentic texture, not overly done with vocal effects. As he gets straight to the point and we see a striking performance burst at the seams, Miltrick shows that this solo work he has been diligently working away at represents something beyond himself. Congratulations on the release of “Drive.” The energy you pour into this song hits listeners with an impact! What is your inspiration behind this track? Lyrically “Drive” was inspired by a point in my life where I felt really lost and didn’t know where to go next. I was in a rut and at that point, I was going on nearly 6 months of being out of work and questioning whether or not I made the correct choice pursuing an education/career in the music industry. After being one of the hardest-hit industries from last year, a part of me was thinking of whether or not to switch up career paths and try to find something new for the sake of stability. When I wrote the very first draft in August of 2020, there were days I was just chilling and thought I had it all figured out. There were other days where I started feeling really stagnant and I was getting really stressed that I was never going to get my original job back. I even started trying to learn about the stock market and day trading at the time and that led to even more stress. The exact event that inspired “Drive” was taking a short trip down to Atlantic City with a couple of friends last August. I had never been before and I wanted to use this quick trip to reset and just figure out what’s next... You decided to do something that not a lot of artists do, by releasing an EP based around “Drive.” On it, we have the instrumental, behind the lyrics and behind the production, elements to accompany the single. What’s your reasoning behind this? Do you think more artists should take this route? The reasoning behind this is that I wanted to dive into what was going on in my head through the creation of "Drive" from beginning to end. I wanted to give listeners more insight into my production process and what I was going for sonically and lyrically. I haven't seen many people release spoken word-type content to accompany a single release and I wanted to get out of my comfort zone and try adding in podcast-like content to go along with "Drive." I released an EP as well with my previous single "Pieces" and it's something I want to implement into my future releases. I feel that it's 100% up to the artist and whatever they feel most comfortable with. It's their art and they should be allowed to express it, however. I love behind-the-scenes content and being able to see what goes on behind the song or lyrics so that's why I felt inspired to include behind-the-scenes content in my single releases. Does “Drive,” reflect what we can expect to hear from you with future releases? What does your audience have in store? "Drive," is definitely part of what you can expect to hear from me with upcoming releases. All of my releases so far have been written, produced, mixed, and mastered by myself so I feel each song reflects a different part of my individuality. Each song has also been a little different in terms of genre. I feel very close to each project because it's me trying to better myself as a musician and a producer. That journey never ends and I love learning new production techniques every day. I consider my music to be rhythmic alt-rock inspired by hip-hop, pop, and indie, and the production for "Drive" was more inspired by boom-bap style hip-hop with rock-influenced vocal delivery. What is your mission statement as an artist? My mission statement as an artist is heavily centered on self-sufficiency, collaboration, and conversation. I would say that now, especially with what has transpired throughout the world recently, this is the perfect time to take risks and get out of my comfort zone as an artist. To just have as much fun as possible exploring different genres and sounds and to not be afraid of what anyone thinks. Creating is meant to be fun and that's the beauty of it. What's next for you? Currently, I'm in the middle of planning my next 5 releases. My next three song titles will be "Shareholders", "Good Day", and "Fantasy" and I'm planning on releasing them all by July 30th. I had 24 song demos written throughout the latter half of 2020 which I wrote in my childhood home in Staten Island, New York, mostly in my attic. That's the place I love to write to the most. It's where I played my first guitar and keyboard and it used to be my dad's home office that we now share. That's where I write, produce, and mix my songs. I've been spending the last 4 weeks putting the finishing touches on the mixes and masters and finalizing the art direction and visuals. I'm possibly interested in reviving a character that debuted in February with the release of my song "Comedown". I want to experiment with short-form video content and podcasts as well, interviewing artists in the industry on my weekly Livestream "Miltrick Media." instagram.com/miltrick_ facebook.com/miltrickmusic twitter.com/miltrickmusic

Norway-based Rat City has seen grand success the first time around with their collaboration with Isak Heim on ‘Kind of Love.’ Returning with a summertime banger sure to bring a unique flair to the table, the dynamism comes to life in their latest single, “Rather Be.” Although created in the midst of the pandemic last year, Rat City and Isak Heim produce an uplifting soundscape that shows no sign of negative COVID-19 connotations to be found in this alluring record. An atmospheric utopia that radiates from the song’s instrumentation has you prepared to embrace “Rather Be,” with an open mind, eager to get lost in the music. Through the layered melodies and multi-dimensional components that can be heard hailing from the song’s skeletal structure, you quickly begin to realize the level of intricacy that a track of this caliber has to hone in on, in order to produce a mesmerizing depth. “Rather Be” holds an exceptional flame to mainstream bops heard across commercialized radio, all while maintaining the exclusive level of independence it takes to thrive in a realm of their own. Isak Heim releases a reverberated vocal chamber that spills lyrical motifs out with a bolstered passion. Listening to each word performed, we admire the method that approaches the songwriting techniques as Canada-based songwriter Faouzia helped to structure the composition. With each prevalent melody enhancing the impact of the tantalizing musical foundation before us, we hold “Rather Be” to high standards as we immediately know that this song is going to take Rat City and Isak Heim far. We love your latest release, “Rather Be.” The timing for this track couldn’t be more perfect. What inspiration did you take into the themes heard in this song? Thank you, BuzzMusic! “Rather Be” is about removing the chains from a really bad relationship or the toxic person who holds you back on the things you really enjoy in life, like having a good time at a party or following your dreams. I guess covid-19 is that person. Now, for Rat City, this was your first time creating over a Zoom songwriting session for the first time. Which we can only imagine is quite the experience! How did you both find yourselves navigating through creativity? What was it like collaborating with Faouzia in order to fixate on the vision? It was a fun experience! Faouzia did throw everything she had at us in terms of melodies and topics. Eventually, we had the chorus. Some days later Autumn finished up the verses before Isak came to the studio and did the vocals. How does “Rather Be,” compare to ‘Kind of Love’ in terms of significance to you and to your audience? I don't think we’ve ever thought about that. We are always trying to make the best out of every song, and hope that it can give people a good feeling when they listen to it. What is the main message you’d like to take with you into the music that you put forth? Have a good time! It doesn't matter if you are out running or are at a party. As long as it gives you something. Facebook Twitter Instagram

The classically-trained pianist turned producer Ashi Shonen teams up with vocalist L.A. Zonin' for their groovy set of singles, "Georgia Rose" and "What a World." Having been involved and intertwined with the music scene since the age of six, Ashi Shonen grew up playing piano and saxophone, which later turned into bass playing for various bands. After dabbling in production by the age of sixteen, Ashi Shonen fell in love with the craft and now releases his upbeat and lively electro-pop tunes for the public to savor. With two fresh and beaming releases entitled "Georgia Rose" and "What a World," Ashi Shonen brings listeners into two distinct yet stimulating soundscapes with help from the vibrant vocal stylings of L.A. Zonin'. Both singles share Ashi Shonen's vast creativity while also swooning any listener with their punchy and exhilarating rhythms. Taking a listen to the first track, "Georgia Rose," a lush and dreamy keyboard melody floats through our speakers accompanied by a celestial background synth. As the plucky and bright bassline pierces our speaker alongside L.A. Zonin's powerful and melodic vocal stylings, the song quickly transitions into this vibrant and exciting atmosphere that gets any listener up and on their feet. We can truly get a feel of Ashi Shonen's creative approaches through his lively and ambient synth arrangements within this single. Diving into the second single, "What a World," a heavy and textured bassline opens the song while leaving us tapping our feet to its dense groove. As L.A. Zonin's sweet vocals make their appearance alongside Ashi Shonen's bright synth arrangements, the song quickly transitions into this retro space, primarily through the unique use of synths and keys. Ashi Shonen continues his extensive use of keys and synths at an upbeat and lively pace until the very last beat. Not to mention L.A. Zonin's exciting vocal delivery; the song truly gets us feeling the warmth and heat of the forthcoming summer season. Don't miss out on the groovy experience of Ashi Shonen's latest singles, "Georgia Rose" and "What a World," now available on all streaming platforms. Welcome to BuzzMusic, Ashi Shonen. We're deep in the groove of your two singles, "Georgia Rose" and "What a World." What made you want to drop two upbeat singles right before summer? Thank you, I’m excited to finally be able to share these songs with the world. I guess there was never a plan in motion to release them around summertime, it just kind of happened that way. But now that I think about it, they do both have an upbeat, summery kind of vibe. The real reason was it had just been so long since I had a release, I was very eager to release them as soon as I could. Speaking on both singles, "Georgia Rose" and "What a World," why did you want to release these specific songs together? Do you feel that they share any similarities? I chose to release these two together because obviously, they are both a collaboration with L.A ZONIN and I felt that the mood and atmosphere of both songs would be something that they would really be able to deliver some strong vocals over. What was your collaborative experience like working with vocalist L.A. Zonin' for your two singles, "Georgia Rose" and "What a World?" Is this your first time working together? Speaking of L.A ZONIN, I wouldn’t have been able to have this release happen if it weren’t for them. They’re a supremely talented vocalist and lyricist and I was more than happy to have a collaborative effort with them, and both songs turned out exactly how I wanted, so, props to them! I met L.A ZONIN in audio school in 2019, and our relationship grew from there. There were a few projects we had worked on before for school and I usually send them what I’m working on every so often, and let them choose which ones they like best and we go from there. Did you share the songwriting process with L.A. Zonin' for both singles, "Georgia Rose" and "What a World?" Or did they handle both songs' lyric writing? I handled only the production for both singles and I leave the vocals and lyrics up to them, as I trust their judgment and songwriting process. What did you want your audience to feel after listening to both singles, "Georgia Rose" and "What a World?" What sort of mood or sensation did you want these singles to deliver? I guess I leave the feeling up to the listener. There isn’t a specific feeling I want to convey with my music, I just hear what I want it to sound like in my head, and try my best to flesh out those ideas into reality. The way the listener chooses to perceive it is up to them I suppose. What I can say, however, is that when I created both singles I had an upbeat, funky, kind of party vibe in my head with essences of melancholy. Instagram

Mississauga-based R&B artist Maame Gyiwuo is known for a few of her impressive accolades in the music industry. From achieving studio time at Metalworks Studio after winning a high school singing competition, she has performed in her city and in the GTA participating in open mics, talent competitions such as Teen Idol for Honey festival, Rising Star CNE, Talent Nation at Hard Rock Cafe, and many more. Quarantine has inspired Maame Gyiwuo to write more original music, and has led her to the release of her debut hit single, ’11 PM in Toronto.’ With Bvtman at the helm of the production ship, the laidback essence that speaks into the city’s late-night landscape has listeners falling into the infectious grooves throughout the song's progression. From the moment this record begins to play, you’re submerged in a dark, atmospheric realm that is cemented in Contemporary R&B energy. The reverberated timbres of Maame Gyiwuo have you fixated upon the intimate lyrics she sheds as her almost ethereal ambiance has you captivated by her mind-altering presence. Connecting an array of vulnerable words that allow you to leap into her sultry croons without hesitation, Maame Gyiwuo’s lyrical motifs that kick off this composition have, ‘It’s a late night in Toronto. 11 PM on the dot I get a message from you,’ embedded into your mind with anticipation, and the foreshadowing of vivid imagery. Introducing her authentic sound to an audience that is keen to take in the refreshing quintessence of Maame Gyiwuo, we can’t help but to already want more from this emerging Canadian songstress as she bares it all in “11 PM in Toronto.” Welcome to BuzzMusic, Maame Gyiwuo, and congratulations on the release of your debut single, “11 PM in Toronto.” For a debut single, you have already developed such a mature sound to back your musical thoughts. Do you find that your experience in performing has played a critical part in shaping the sound we hear? Hey BuzzMusic! Thank you for having me. Performing music has definitely helped me develop into the artist I am today. Obviously with the pandemic going on it was hard because of the restrictions. This is why I can say that when it comes to my sound, I don’t think that it played a huge part in it only because I was still able to be more creative and write music. In your own words, what does this record mean to you? What are you hoping that your audience takes away from the messaging and what it says about you as an artist? My song "11 PM in Toronto" embodies what chill late-night vibes music is. As an artist, I’ve been working on making music that I think people can vibe with. I’ve been experimenting with my sound for the past 3 years and I can say that it definitely brought out the creative side of myself. This record has shown me that through tough times, I can still create something so positive and fun. I want my audience to feel the good energy through my music. As well as, to be able to play my music when they are having a good time Could you please share a glimpse into what the creative process entailed when bringing “11 PM in Toronto” to life? I remember just hearing the beat and having nostalgic memories come to me. Staying in quarantine has made me feel very closed off from the world and I was missing how things used to be. So I ended up writing a chill song that I know people can vibe with and maybe relate to. I recorded it and decided to share it with the world. What musical and non-musical influences do you allow to speak into the music that you create? When it comes to my music I am influenced by so many artists like Kehlani, HER, Drake, The Weeknd, Ariana Grande, and many more. My personal experiences also play into the music that I create which I think is great because it allows you to build that real genuine connection with the audience. Instagram

Under The Den was formed in the autumn of 2017 as a collaborative effort of four people trying to make good music in Upstate New York. Madison Lewis, the group’s lead vocalist, hails from Orange County, CA. A voice all her own, she pours her soul into live performances. Benjamin “Ideas” Zoleski plays guitar and keys, and is a music major from Berklee, while Ben brings a great range to the guitar and vocals along with an amazing positive energy and stage presence. The rhythm section is comprised of identical twin brothers John Nowak on bass and drummer Jason Nowak. Both musicians have a long musical history in the 518 and abroad, playing in successful bands on indie and major labels. Under The Den is not a genre-specific band. They play derivatives of the same type of music. Songs they write utilize rock, punk, Latin, reggae, 90’s house, drum n bass, heavy metal, and many other styles to create unique musical perspectives behind the catchy vocal hooks and carefully crafted harmonies. One thing is for sure, they are a LIVE band. Recordings are great, but the energy this band creates and gives out during a live performance is palpable. Exuding a dimensional soundscape that grasps you in from the moment this song begins, the recently released single “On The Run,” plays into classic rock tenors, while indulging fans in an early 2000’s vibe. We love the nostalgia that drips from the compelling bass riff that gets latched into our head when this track touches down. It brings us into a familiarity that we seek out when developing a relationship with a band, and a song for that matter. There are various components in the musicality that make this jaunty instrumentation sparkle from an array of angles. Between the perfectly paced rhythm, opulent guitar chords, and glistening keys, this foundation strengthens the smoldering vocals that lay upon the musical arrangement as the storytelling narrative is intensified through carefully crafted lyrics. “On The Run,” delivers a tale that reflects on a woman fleeing domestic abuse by killing the man who had put her through the wringer. Now, On The Run, we follow her journey as she battles with the thought of being caught for the act, but her path leads you to an unsuspected ending. The way that Under The Den brings life to the words they sprawl across their artistic canvas is truly remarkable. We envision the imagery so vividly, that we may as well have a screenplay running through our minds. Embark on the adventure of a lifetime with these rockers; we guarantee you won’t regret it. Welcome to BuzzMusic, Under The Den. The immaculate imagery that you have us fixated on in “On The Run,” is outstanding What inspired you to come up with such a vivid plotline? Is this based on a true story? John: Thank you for having us! We are very excited to be part of the Buzz Music fam. I will leave it to Madison to explain the plotline. Madison: It’s not based on a true story, I suppose, for my part, I found some inspiration within, “She Got Arrested,” by The Interrupters, but it all starts with what the boys create, just by being them and playing together. When I heard what Jay, John, and Ben had come up with, the lyrics came very naturally. This girl was running, and no one was going to stop her, she was living on her own terms. That's the story the song needed, but it is also a call to arms for my fellow women. Live, now. Jason: For this song, my brother John and I came up with the basic feel, and Ben and Madison felt right away what kind of song this was, what the groove was. We have written a lot of material through 2020 with everything slowing down, and this song came together in a very fluid sort of way. It was very natural and the song is fun, even though the story is sort of gritty. Ben: This is more of a Madi question. But ditto what everyone else said. How do you compare the songwriting style of “On The Run,” to other songs found in your music catalog? Does this fit your typical outline? Ben: I think we try to write in different styles that will push us all as musicians and songwriters while staying true to ourselves. On The Run was a song that, like others in our catalog, started with a musical idea. One of us will usually bring an idea to the table, which the others will start adding parts too, and eventually, a song is born. However, the real additions come when we go into the studio and can add in the extra layers, like in On the Run. It's important to fill up the sound to get that "wall" of sound we seek to bring to our audience. Once the music is created, Madison will really take the music and make it into a song and story. Madison: Our approach to songwriting is pretty relaxed, the boys start with something and then I just listen and hear what I hear, and we go from there at our own pace. Jason: I wouldn't say there is a typical outline to our creating and writing, but it's like making a cake, or magic. Sometimes a spontaneous riff during a break at practice will progress into something that could be a song, and other times, like for this song, there was a finalized idea as to what the song would feel like. With the idea in mind, it was easy to shape it into what you hear. The way that you all work together is an experience in itself! At what point do you all know a song is complete? How does that process work? Madison: Sometimes a song never feels complete, but you know when it feels right, and I like to think the four of us work well enough together to know what is right for the song. Ben: This may be hard to explain, but the song just kind of naturally comes to completion in our rehearsals. We never really sit down and say, "okay, this song is done" but we workshop it until there is a certain feeling of "completion". We will add, workshop, and take away until what we have in rehearsal is what we would want to play out live in front of people. John: We just flag the jars, hard. The result is something amazing. Seeing what a song becomes during the process is always one of the best parts of playing music to me, and we are very happy with this tune. Jason: I love writing songs with this group of people. With that being said, that is one of the hardest things in art, to know when something should be finished, because often complete is never obtainable. Complete is ideal, but we are lucky that we can understand when a song is a song it should be. As a band, what is the main message you wish to send out through your music? Madison: For me, it’s acceptance - of yourself, of others, of the circumstances at hand, whatever the case; no matter how difficult, just find a way to embrace it. Jason: Just try and find what you love and BE it. Be good, don't worry about labels and division, come together. We want people to have fun at our shows, to enjoy live music. Dance, go crazy, just live it up. Music is fun, life isn't always, but rock should always be a blast. Ben: The main message I think we try to send is, we want people to enjoy music and not have to worry about labels as to the music's genre. We all have different tastes and influences when it comes to music, but at the end of the day, we just love music, and we want to share that love. We try to put our passion into the songs on the album and our live shows, making sure that every time the audience hears one of our songs, they can feel some connection to it. Whether it be the lyrics or the music, we want every time someone listens to Under the Den to be an experience. John: We just hope that other people can possibly relate to our passion, and to the fun we have at our shows and that this positivity gets carried out beyond the show. What's next for Under The Den? Ben: We are in the process of producing and releasing music that we have been working on in our downtime away from live shows. Understandably, with venues shut down, we didn't have many opportunities to get out there and share our music with people, but with things opening up, we are aiming to get out there and share our music with more people. Hopefully, not just shows in our local area, but we want to bring the Under the Den experience across the country! Jason: We hope to continue the positive momentum and be playing shows steadily in the future. We are also working on our next full-length album, along with a music video for On The Run for late summer. We have a lot of fun stuff (boutique vinyl?!) and projects coming along now as well, so the future should be fun!! Madison: Just super pumped for life and whatever happens, me and the boys will keep playing! John: Dworld Dwomination Facebook

From Pennsylvania to Nashville, the impressive singer-songwriter and r&b/soul pop artist DANiiVORY releases a stunningly magnetic single entitled "Pink Lightning." Holding a love for music since before she can remember, this passion later led DANiiVORY to tour with powerhouse acts like Beyonce, Cee-Lo Green, Rhye, Imagine Dragons, and many more. Currently creating dreamy electro-pop music from her home studio in Nashville, DANiiVORY is more than excited to open the following chapters of her career. Now releasing her dreamy and iridescent pop single, "Pink Lightning," DANiiVORY truly leaves us wanting more of this uplifting and transcendent sound. While merging anthemic electronic undertones with organic instrumentation and DANiiVORY's brilliant vocal stylings, she's sure to leave any listener in awe of her electrifying performance. Listening to "Pink Lightning," the track opens with bright steel drums accompanied by an upbeat electronic drum arrangement. As the background synths and waves begin to crash over DANiiVORY's dynamic vocal stylings, the song later lifts us into the sky-high hook while leaving our ears locked into the song's ever-changing sonics. Around the second verse, we're met with organic acoustic guitar melodies and shimmering keys that float down alongside DANiiVORY's angelic stylings. We adore the use of synthetic and organic instrumentals, as it makes for a chilling and refreshing listening experience. As the outro begins to seep through our speakers with mysterious and haunting vocal tones/layering, DANiiVORY closes the song off on a sweet note of passion and desire. Spark up your summer with DANiiVORY's latest single, "Pink Lightning," available now on all digital streaming platforms. Welcome to BuzzMusic, DANiiVORY. We're head over heels for your bright and anthemic pop single, "Pink Lightning." What inspired you to create this thrilling summer bop? Thank you so much!!! I was on tour at the time and a few days before I wrote this song (which was in my hotel room), I was in Houston, Texas. I was in a parking lot on my way to visit an old friend and a streak of pink lightning flashed across the sky. I've always loved lightning storms from when I was a child. I remember sitting next to the back door screen during storms with the door cracked open so I could listen to the rumble of the clouds and the rush of the rain. If the lightning was really strong, I would run-up to the top floor and the farthest bedroom at the end of the hall. There was a window in that room that had an amazing view for miles (since our house sat on a hill). I would watch the lightning strike through the clouds. Something about it invigorated me. Anyways, when I saw the pink lightning in Texas, it reminded me of all the times I witnessed its power in my past and became the electric metaphor for an experience I had. Was there a particular message you wanted to convey within your lyricism for "Pink Lightning?" What themes did you want to capture within this single? I hope people can relate to the song. I want the lyrics to resonate with listeners and to help facilitate thinking outside of generic stereotypes. I want the song to promote genuine curiosity, exploration, discovery for individuals while remaining true to who they are, yet loving every moment of the growing pains! What was it like working with Producers David Asambazde, James Krauss, and Anthony Focx for your single, "Pink Lightning"? How did they help bring the song to life? I loved working with David, James, and Anthony. James (mixing engineer) and Anthony (mastering engineer) really help bring the nuances of the mix to life! David and I worked together on all of my songs for my upcoming album, so we spent countless hours in my home studio back in my old place in Los Angeles. We got to be very close friends through music and creativity. David is one of the most creative, intelligent, and hard-working people I know. He always had a suggestion to try to make a unique sound or record something different so it would bring a cool sound to the production of the song. This song went through several transformations with different beats for the Chorus section, but when this final version was created we knew it was the right one because we couldn't stop smiling and dancing. Besides having toured with various staple artists and performers, could you tell us more about your solo musical brand and what you stand for/represent? I have been working on my solo project since I was 5 years old, but was always derailed by an amazing opportunity to work with another artist. I try to allow myself to be honest and vulnerable in my music and hope to stand for freedom in thought and individuality. I write my songs from that very vulnerable and honest place but give myself creative license to exaggerate some circumstances to make the story more interesting or to create a more vivid image in the lyrics. I also hope to stand for uninhibited expression without fear of judgment. What's next for you? I will be releasing another single soon and shortly thereafter my full album with hopes for a live release performance and perhaps some tour dates! Instagram Facebook

Hailing from Chi-town, the veteran rapper, songwriter, and hip-hop artist Jiggy Bars lock us into the upbeat and contemporary groove of his latest 3-track EP, 'Upper Echelon.' While beginning his musical career in college after reconnecting with his brother A.T.O. in early 2015, Jiggy Bars' music quickly gained immense traction and recognition. With help from Chicago's top blogs and radio stations, Jiggy Bars' music has made its way across the city without an end in sight. Recently releasing his debut EP, 'Upper Echelon,' Jiggy Bars is excited to showcase his vast talents while leaving listeners bopping their heads to his savory beats. Diving headfirst into the EP, we're met with the introductory track, "Get Blessed." As we begin listening to the single, Jiggy Bars bless our speakers with shimmering keys and low synths. As Jiggy Bars later makes his broad vocal appearance, we can't help but hear similarities to the irresistible stylings of Lil Uzi Vert. Accompanied by the blistering and heavy-hitting trap drums, Jiggy Bars continues his dynamic performance while transitioning from fierce bars to a warm serenade. We adore the versatility of this track, as it genuinely showcases Jiggy Bars and his captivating talents from beginning to end. Leaping into the EP's second track, "Work," we're met with staccato and bright keys that bring us into a hard-hitting hip-hop space. As the vibrant drums begin punching through our speakers, Jiggy Bars make his powerful vocal appearance and encourages us to get into the grind and work our way to success. Not to mention the mesmerizing and groovy production, this track is genuinely the perfect way to introduce us to Jiggy Bars and his many ways. Once again, Jiggy Bars offers many transitions from his heavy bars into a warm singing voice that leaves us in awe. We love the tenacity and relentlessness of this track, as it has us feeling inspired to tackle life's trials and tribulations. Reaching the last track of the EP with "Level Up (feat. Prince Crowe)," the song opens with a haunting synth arrangement accompanied by tight hi-hats that later drift into a heavy-hitting trap feel. As Jiggy Bars remind us to level up and get that bag, he hits us over the head with his mesmerizing performance, truly holding vocal similarities to Lil Uzi Vert. With a scorching hot sonic arrangement, we're left grooving away to the song's ominous and dark tones. Not to mention the powerful and heated feature from rapper Prince Crowe; he sinks us into the depths of power with his ferocious and delicious vocal delivery, perfectly closing the song off with vast energy, grit, and passion. Experience the heart and ferociousness of Jiggy Bars' debut 3-track EP, 'Upper Echelon,' on all digital streaming platforms. We can't get enough of the power and energy you've delivered within your 3-track EP, 'Upper Echelon.' When did you begin creating tracks and ideas for this project? It was a pretty long creation process I began recording tracks in the summer. Really once the pandemic began that's when I really took advantage & was in the studio 3 times a week. I have over 40+ songs in the catalog now and I really developed my sound working with my team of producers. Why did you choose these three tracks to make up your EP, 'Upper Echelon?' How do the songs on the project correlate and relate to each other? These 3 songs all gave me the same feeling even though they were different. The level of production, vibes, and lyricism made me want to put the three together. All three songs have a common theme of working to get to the point I am at today. Get blessed I speak on being at a crossroads in my life where I had to make a decision on if the music was going to be 100% the route I’m taking w my life. And if so I would have to take it to the next level. Work is an anthem for anyone who feels like they’re applying pressure. I feel like I’m really at a stage in my career where I’m in my own lane & I'm creating separation because of my work ethic. Level up is a statement to show the music world how JiggyBars is coming. Did you work with any producers when crafting the upbeat sonics for 'Upper Echelon?' What was the project's sonic creative process like? This project was exclusively produced by Blasè with da heat out of Atlanta. We spent most of the time having beat making session over FaceTime. Blasè also produced most of my guys to this day. What did you want your audience to take away from the three tracks within 'Upper Echelon?' How did you want them to feel after listening to the project? I want people to be motivated. This is a very upbeat project so I expect people to be listening to this project when it’s go time. Whether you're an athlete, artist, or 9-5 worker. I want Upper Echelon to help motivate people to get to it whatever their hustle may be. What is your mission statement as an artist? My goal is to enhance the lives of everyday people. To help give people confidence and provide top quality music & art. Instagram

The elusive Athens-based electronic music producer and DJ Autow Nite Superstore release a brilliantly stimulating cinematic venture with his latest music video, "SYZYGY." Well known for his unique production, fast-paced rhythms, and atmospheric instrumentals, Autow Nite Superstore is genuinely one of the most exciting and sought-after independent acts around. Recently releasing his highly anticipated eight-track album, 'HEAD OVER HILLS,' Autow Nite Superstore is firmly planting himself on the frontlines of our contemporary electronic music scene. Getting to the goods, Autow Nite Superstore recently released the utmost unique and cinematic music video we've seen this year for his smash single, "SYZYGY." Directed by the renowned Effie Pappa, Autow Nite Superstore's music video for "SYZYGY" truly brings viewers on an adventure they never thought they needed. Expanding on the single itself, "SYZYGY" delivers a crisp and haunting cinematic undertone that's as lush and haunting as the deepest nightfall. With a brilliant vocal rendition of "Ave Maria" sung by the operatic stylings of Lia Kolita alongside a powerful piano instrumental, Autow Nite Superstore later joins the party with his dense production to emphasize the song's modernity. Through his striking strings, punchy sub-bass, and ominous effects, the song gives us nothing but extensive chills and thrills. Touching on the music video for "SYZYGY," we're met with an opening scene of actor Natasa Tsagari covered with minimal and unique makeup in front of a portrait border while lip-synching to Lia Kolita's operatic vocals. With a clean transition to the contemporary dance stylings of JAMSQ, he later emphasizes the song's haunting themes through his fluid body movements. Towards the heat of the outro, Natasa Tsagari and JAMSQ later become entirely intertwined with flowers, grass, and greenery, making for a truly unique and artistic adventure. Don't miss out on Autow Nite Superstore's latest single and music video for "SYZYGY," and catch his recent eight-track album, 'HEAD OVER HILLS,' on all digital streaming platforms. Instagram Facebook

Producer and multi-instrumentalist NASAYA teams up with singer-songwriter MARO for the release of their sweet summer single, "TEMPO," via ODESZA's Foreign Family Collective. The well-rounded electronic crossover artist NASAYA has been enthralled and inspired by sounds like jazz, dance music, pop, and classic rock since before he can remember. After graduating from Berklee College of Music with classmate MARO, the two have become close friends and even closer collaborators, currently bringing us into the uplifting sounds of their latest single. Expanding on the single, "TEMPO," both artists are excited and eager to bring listeners into the lush electro-fusion for fans of dance music, r&b, and alt-soul. "TEMPO is a good first glimpse of the world NASAYA and I are starting to create. It regards time and its spiral sensation, which we then print by doing a play with words on a repetitive, nostalgic beat," states MARO. Listening to "TEMPO," NASAYA opens the song with his bright and pulsating electronic drum breaks, sweet-sounding synths, and ghostly background vocals. Once the song's uplifting and tropical atmosphere is established, MARO makes her brilliant vocal appearance and stops us dead in our tracks with her soothing vocal filters and layered arrangements. This song truly stands out as one of a kind, as MARO's breathy vocal stylings overtop of NASAYA's calming electro sonics bring us a bounty of flavors and feelings from beginning to end. As NASAYA continues encouraging us to groove away with his song's tender and delicate sonics, we can't help but feel artistic similarities to acts like RÜFÜS DU SOL through each ethereal, magnetic, and lush tone. Closing the song with help from MARO's daydreamy vocals, we're truly left in a trance with each stimulating aspect of this delicious single. Find "TEMPO" on all digital streaming platforms, and be sure to stay up to date with NASAYA and MARO as they continue making waves across the vast electronic music scene. NASAYA: Facebook Instagram Twitter MARO: Facebook Instagram Twitter

SUPER FREDDY is a Montreal-based Canadian artist of Cameroonian origin. His music blends Hip-Hop, R&B, Jazz, Soul, and Afro, as well as House influences and samples in order to tell a story and convey feelings and ideas. His most recent project is his three-track EP, “MERCURIAL.” An exploration of the themes of physical distance, diaspora and third culture experience, disconnection from one’s roots and family, as well as feelings of loss and change presented through an Afro-futurist lens. Created in collaboration with KOSI, a Toronto-based Zimbabwean producer, the soundscapes offered up tiptoe between vibrant to mellow tenors. Kicking off the EP with the introductory single, “Gold Star,” we’re immediately swept into the rhythmic essence of the weighty bassline and enticing drum patterns. Bouncing to the effervescent verses that SUPER FREDDY radiates in a charismatic manner, we’re drawn towards his starkly vocal performance as his lyricism creates vivid imagery that reflects his life experiences. Unceasingly bringing forth an energy that is so intoxicating in its arrival, we admire the bolstered tone that is laced into the foundation of “MERCURIAL.” The way that “In Too Deep,” follows in succession seamlessly blends the integrity of the tracks to flow in a way that treats this EP like a sonic expedition. Approaching the beat with a more laid-back cadence that cascades over the reoccurring bassline, we are hung up on the ease that is portrayed through the impeccably timed rhyme schemes SUPER FREDDY delivers. Switching his tempo from the soothing scape of his rapped verses, SUPER FREDDY treats us to his melismatic vocal range in the textured hypnotism of his smooth timbres. Throughout each track’s veracity, KOSI has executed the instrumentation in a way that caters to the stylings of SUPER FREDDY, all while being consistent to the realm of KOSI’s panache as a producer. Reaching the final song of “MERCURIAL,” we unwind to the striking brilliance heard in “Ça Gâte!.” Embracing the warmth heard through the golden saxophone hues, this pacifying realm of sounds eases us into yet another side of versatility that SUPER FREDDY conveys as an artist. We went from SUPER FREDDY rapping in “Gold Star,” to blending his techniques as both a rapper and singer in “In Too Deep,” to this present moment where a powerful SUPER FREDDY lusciously pours his passion through francophone lyrical motifs glistening in the melodies. If that doesn’t instantaneously grasp you into the magnetic pull SUPER FREDDY has, then we need you to go back and listen again. Showing that it’s about more than piecing together songs, the collaboration of SUPER FREDDY and KOSI in “MERCURIAL,” proves that their art is about piecing together narratives and emotions. “MERCURIAL,” leaves us with such a satisfying feeling after taking it all in. This is truly a piece of art! How did the collaboration of both yourself and KOSI come to be? Thank you so much. KOSI and I go way back - between 2009 and 2011, we both lived in Tunis, Tunisia at the same time and became friends. We lost touch for a while, but last Spring, during the early days of the pandemic, we reconnected over a mutual admiration of the music that we had been putting out (he is also a part of SEAZN., a duo that he formed with his sister Thando). After realizing that we were on the same musical wavelength, the rest flowed naturally. Could you please share a glimpse of what the creative process was like when bringing this project to life? What was it like bouncing ideas off of one another and working towards your vision? We had conversations about our different ideas, moods, and styles that we wanted to try out, and I sent him the songs and sounds that I had been listening to. As we continued our talks, he started sending me to beat ideas based on the sounds that we were feeling, then I would write and record song demos, or share which ones I preferred, and we went back and forth like that until we settled on three tracks that fit together and inspired me to write. Having the project's sonic identity settled also made it easier for me to work through the project's themes. Looking at the EP in completion, is there anything you would do differently if you had the chance to? The biggest thing that I would do differently is less about the actual music - when working on MERCURIAL, I was aiming to create an experience and build a world to accompany the project. I commissioned artists to animate a few videos (the video for "Gold Star" is out, and the video for "In Too Deep" is coming soon), and I had plans to create a website and set up all of my social media to match. Unfortunately, due to complications with the final phases of the mixing and distribution of the project, I didn't have as much time to organize all of these surrounding plans to fully flesh out my ideas. Out of the three songs heard on “MERCURIAL,” we get a different side of your artistry through each one. Is there a particular style that resonates with you more than the others, or would you say all equally represent you? I would definitely say that each of the tracks represents me in some capacity, but I think that the last song is the most "me". The first two tracks are more based on past versions of me, but I feel that "Ça Gâte!" reflects the personal and musical headspace that I'm in now - driven, energetic, but also calm and easygoing. What are you hoping that your audience takes away from the release of this EP? As with all of my releases, I'm hoping that people feel moved by the music in some way - whether it's moved to dance, moved by the story that I'm trying to tell, or moved by other elements within the music. Also, I'm hoping to use this project to re-establish my artistic identity, and I hope that this image stays in audiences' minds. Thanks to KOSI, I feel like I've been able to make the music that I've been wanting to make, and I'm looking forward to this being the first of many collaborations. Instagram Twitter