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Born and raised in South West London, ReepMan comes in full force with a smooth Hip-hop sound, punchy flows, and catchy choruses. The 23-year-old takes his inspiration from the greats of Hip-hop including 50 Cent, Jay-Z, Stormzy Mostack, and J Hus, all the way to Afrobeat/ Dancehall’s Vybz Kartel and Burna Boy. Gearing up for the release of new music, the initial fan base he has built in his hometown is being expanded by the skill set of ReepMan, as he continues to work diligently on his craft. Indulging in the ambiguous soundscape of his latest single “Let Go,” we’re greeted by instrumentation that enticingly pulls you into the mystery that it creates. The ominous resonance breaks into a fully orchestrated vibe of upbeat intensity, as the bass punches through the speakers in a prevailing manner. Melodically rapping verses that are doubled with their effect, the essence of ReepMan is undeniable. He takes control of this beat in a way that has us copiously absorbed in where he will navigate us next. Through his spellbinding hook, which has you chanting the words right back at him, we embrace the trance-like spirit of “Let Go.” You hear an irresistible hunger that resides in the tone provided by ReepMan as he powerfully expresses lyrical motifs such as, ‘had it in bags a bundle of what that loud is growing higher than mountains.’ His words cast out vivid imagery that allows you some wiggle room to place your own images to what he is saying, as it’s brought to life through impeccable cadences that sweep into the musicality drastically. ReepMan embodies charisma and a unique wit that allows his music to propel us into a newfound dimension that we thrive in. Congratulations on the release of “Let Go.” We love the energy that you serve on this release. What does this song mean to you and what are you hoping your audience takes away from it? Thank you and I would say this track defines me as an artist, you get to hear my sense of humor and character on these tracks. I would hope for my audience to feel like I'm a breath of fresh air when listening to me, to take and leave a vibe and emotion with them. Was there a specific moment or story that inspired the creation of “Let Go?" How long did it take you to create this song? I think when I heard the beat drop that was the specific moment for me I wish I could say relationship problems or else, as to me referring to letting a girl on the chorus ha! but sadly not. I work very rapidly and at the time the energy was high on a Friday night studio session. That base made everyone get off their feet, so many vibes & ideas floating around the room so roughly within an hour the song was recorded, the sound represents UK Afro-Caribbean culture in London. When you were bringing this vision to life, did you have a team help you with the production and release? What was everyone’s role and how did they help to capture the idea? No, at that time it was just me and the engineer on the production side of things and Wave clan records were not formed yet, to be totally honest after recording the song I didn't even give myself a week to plan visuals or release rollout. At that time of my life being caught up in street activity, it was straight studio buying outfits and calling the cameraman to the block (estate) until wave clan record's vice president, Emeka White came along and started structuring plans for me and my label. when I approached him with the idea of starting a label and sign myself he didn't hesitate it wanted in ever since then we have become good partners and he manages to make me sign the distribution deal with EQ/roc nation on his birthday What does “Let Go,” say about you as an artist and individual? "Let Go" shows you how diverse my flow can be throughout the song, my lyrical ability, and my character all in one track. The fun fact is...this is a favorite song of mine so by listening to it you'll get to discover the type of individual I am and a song I'd share with someone being a first-time listener if you ask me. South London has a history of reggae called "lovers rock" funny I mention reggae I and Emeka were under a south London reggae legend's wing his name is asher senator he made a hit record called "character reference" in the 1980s with another south London reggae legend called smiley culture. What would you like new listeners to know about you and your music? I want my music listeners to feel a different type of emotions in my music and hear the genius rhymes I put together and also inspiring the world through hip hop and dance music even with the first mixtape I had dropped 'EnTrapreneur' being co-signed by Tim Westwood, every single song was different from the tempo to the sound. the UK rap tempo is normally 140BPM UK drill has mastered the art of keeping the tempo close to 140BPM 2022 my new records will be at a quality control level fans will see a diverse musician. @reepmandaily_ @waveclan_records

If you’re looking for cinematic, melodic indie rock from Berkeley, California, The Jenny Thing has you covered with their sonically omnivorous, and lyrically passionate music. Evoking the music of the future and the past, The Jenny Thing’s compositions are heady, and their arrangements are intricate: expect interlocking, richly textured guitar parts, layers of synthesizer and electronics, and haunting support vocals. Although no matter how artfully their songs are decorated, they never fail to rock. Carrying out a psychedelic fusion with ethereal tenors, the rock anthem that is “American Canyon,” propels through your speakers and nearest screens with a hand in hand sonic and visual offering. Known for the cinematic twist that they tend to sprinkle into their music videos, The Jenny Thing has us traveling to the heart of the desert where they can be seen showcasing a performance in the spacious landscape, as the intensity of the cinematic component bubbles. Kicking off the amplified integrity of “American Canyon,” with a woman riding freely and wildly on a horse, the fast-paced motions lead us to believe that she is headed to or running from something of great significance. Through the direct, smoldering vocal performance that cascades over a rhythmic groove, driven by the ambient tempos in place, the musicality of “American Canyon,” overflows with relatability to the movielike approach present before our eyes. Determination is a running theme throughout “American Canyon,” and you can expect the intensified storyline to elaborate through setting flames to what no longer serves the music video’s protagonist, and the anticipation bolstered into the foundation of this record from the game of cat and mouse harnessed within the liberating essence of breaking free. Do yourselves a favor and take in all that is The Jenny Thing’s, “American Canyon.” Welcome to BuzzMusic, The Jenny Thing, and congratulations on the release of “American Canyon.” With such a powerful message laced into the music video, did you always know that this would be the plan for the scenes your listeners can view? Thanks very much. Yeah, we definitely met our creative match in director Ramesh Nicolas Iyer. He’s as obsessive about filmmaking and images as we are about songwriting and sound. One of the initial video concepts for “American Canyon” was a desert journey through canyons and caves. And then that morphed into a treatment for a night setting: a journey by car and then a story moving through hotel rooms in vignettes. Somewhere along the way, Ramesh keyed into horses galloping being central to the concept, and that was a big breakthrough. It obviously took us back outdoors, but in that single element, he not only locked into the loping, driving feel of “American Canyon” but he also found a way to succinctly express heroism, pursuit and escape, striving, open space, and a bit of antiquity. The horses (two played the part of one in the video) were a very powerful active ingredient in the sense of story and place. And then once Ramesh arrived at the clean, spacious blueprint you see now, the song’s lyrical elements of winning, losing, and underlying violence started resonating more freely with the visuals. With that, I began to see the actors, Brooke and Brendan, as playing more than just individuals. They are like two psychological states. And they are like dancers on the landscape of “American Canyon,” like a giant stage. There’s such a laid-back feel to “American Canyon,” although the rush we get from it is as equally intensified as it is relaxing. What inspired the structure and creation of this song? We wrote “American Canyon” very quickly. Shyam and I were in my music room and we happened upon something with lots of vibes but less harmonic movement than usual for us. We followed our noses into what I think of as "Led Zeppelin covered by Tears for Fears" territory, and he conjured up that signature bass tone. I think we ended up with a hybrid of something that could have been written in the early 70s and recorded in the late 80s. But strangely it doesn’t feel particularly retro. The track has both a lot of space and a lot of weight. Pretty distinctively, even though it's a bona fide rock n’ roll song, it has no guitar on it at all. And I think this allowed us to use more subtle layers in the mix and to get a more dynamic range. Lyrically, “American Canyon” is about the defeat of a lifetime, one that's so bad that it somehow cleanses you. All your anger, even your hope, ends up being burnt off of you. I used two primary sets of imagery in the text—architecture, and war—and by entwining the two, tried to create the impression of structures being destroyed, and then people rising from the rubble, defying destruction. It’s about somehow finding a surreal moral victory amid abject defeat. With each musician varying, how important is it for you to tie in vulnerable subject matter when it comes down to your creations? What’s critical to me is that the feelings—the emotional pivot points—are vulnerable and real in both the writing and performance. But that doesn’t mean the song topics or contexts need to be true to life. I think about a song like “Waiting for the Knife,” the last song on the album. The story of it is pure fantasy, and I’m essentially in character when I sing it. But when it’s time to interpret that writing into a performance or recording, the emotions are very, very real. The details (perhaps fiction) are being used to reanimate the emotions (non-fiction.) So, it’s like I’m always trying for bright, high-fidelity, relatable emotions… which often occur within veiled or grainy, or synthetic settings. Since making a comeback from your hiatus in 2016, what have you loved the most about being back to making music? As basic as it might sound, the best thing about making music is “maker life” itself. In our case, that's song making and story making and sound making. Rallying around the songs and recordings themselves with other people and marveling at them as they come alive, and even being surprised by them as they emerge and are reworked, is a big joy. And then, of course, this time out getting to do all of that in even more dimensions with the “American Canyon” video by handing the reins to an amazing filmmaker, cast, and crew, to all of whom I’m so grateful. That experience will certainly be among the highlights of my whole creative career. What's your favorite release of this year, from an independent band or artist that you admire? Oh, gosh. Don’t hate me, but I’m very likely to get weird and just listen to Fugees’ The Score or Book of Love’s first album every day for several months at a time. Like I'll seriously listen to only one album for an extended period. Especially this past year. Instagram Facebook

The Lloydminster-based country artist and singer-songwriter Jordyn Pollard wishes to get her sweet "Kisses Back" with an uplifting new single. Focusing on the little things that matter in life, Jordyn Pollard uses her life experiences, pop culture, friends, and family to write the utmost meaningful and genuine lyricism. Currently putting the finishing touches on her forthcoming EP, we're excited to see what Jordyn Pollard has up her sleeve as we approach the summer season. While her latest release, "Kisses Back," takes on a more spirited approach towards a breakup, Jordyn Pollard delivers incredibly emotional and reliable lyricism that's bound to strike a chord in any listener. Through her vibrant country instrumentals and vocal similarities to Taylor Swift, Jordyn Pollard is truly making a name for herself in the country music scene. Pressing play on "Kisses Back," the song opens with bright acoustic guitars, mid-tempo snaps, an uplifting synth arrangement, and Jordyn Pollard's brilliant vocal stylings. While she begins letting the listener into her personal life through lyrics that yearn to get her wasted kisses back from someone who didn't appreciate them, she ultimately lets the listener find a piece of themself in her relatable lyricism. Slowing it down at the hook with nothing but a plucky banjo, sweet acoustic guitar melodies, and Jordyn Pollard's melodic vocal stylings, she leads us towards the lush outro. While leaving any listener inspired to look at the bright side after enduring something as challenging as a breakup, Jordyn Pollard makes sure to share her love with someone worth it next time around. Delve into the stylings of Jordyn Pollard and her latest single, "Kisses Back," available on all streaming platforms. Welcome to BuzzMusic, Jordyn Pollard. We're totally swooned by the uplifting tones and relatable lyricism within your recent single, "Kisses Back." What inspired you to write this breakup anthem? Hey all! Thank you so much. That’s so nice of you to say! This song was pitched to me and my team and was written by Matt Koziol, Nick Bailey, and Emily Earle. As soon as I heard it I knew there was something special about it! I tend to gravitate towards R&B or rap-inspired hooks whether I’m writing or listening to music and this one is no exception! This song tells the story of a girl going through the break-up process. She’s upset about the time she wasted crying over a guy who did not treat her right. I think so many of us can relate to that and the way it’s expressed through the lyrics is so fun! Was it easy to write your relatable and emotional lyricism for your single "Kisses Back?” Or did you face any personal challenges when writing your lyrics? I definitely think songwriting can be tough. There are times where I struggle to put my emotions or thoughts into words, but other times it comes out effortlessly! You just have to try and be patient and keep trying! Or wait a few years until it appears again! Did you work with any producers or musicians when creating the lush country atmosphere for "Kisses Back"? What was the instrumental creative process like? I had an amazing team on this single! I worked with producer Bart McKay again this time around! He also produced my debut EP “Good On Me”. He’s so talented! The musicians that played on this record were Chad Melchert (drums), Travis Switzer (bass), and Ryan Davidson (guitar). They killed it and truly made my vision come to life! The creative process this time around was a little bit different than the last as we had to wear masks and social distance, but I loved every moment we spent in the studio! We've heard that you're in the studio putting the finishing touches on your forthcoming EP. Could you drop any hints regarding the EP and what listeners should anticipate from the project? I feel like this album is the perfect reset after the pandemic! This album is going to have lots of pop elements but still hold that country charm. It’s mostly upbeat but I also added a song that I wrote that is really personal to me. I can’t wait to share it with the world! Instagram Facebook

Alternative R&B band, Xella, hails from Los Angeles, CA. Comprised of band members Michelle Villegas (lead vocals), Wynette Manacsa (guitar/backup vocals), Tiffany Perez (drums), and Andru Bautista (guitar), they started out as longtime jam buddies, and Xella was finally formed in the summer of 2019. Influenced by their mutual love for music ranging from Pop and Rock to Hip-hop and Soul, they have infused their laid-back vibe in their soulful melodies with lyrics that reflect their own life lessons and experiences. Known for their band mantra ‘music for your mind, body, and soul,’ the music of Xella will truly speak for itself. Xella’s third and latest single titled, “Sugar,” plays upon a dark atmospheric offering of melodic luxury. There’s a comforting ease that is launched throughout this track as we hone in on the sultry and smooth styling of the lead vocals. Taking sips of glimmer as they plunge into the mellow presence of “Sugar,” you’re intertwined within the powerful universe they explore as they embrace the emotion and thoughts that run through them. We admire the way that each instrument has its solidified place in the mix, where we can fixate on the brilliance it brings to the dynamism of this composition. Altogether as the cascading allure trickles through the speakers, we’re fascinated by words of adoration such as, ‘You don't need no sugar when I'll be sweet to you. I'll be so sweet to you,’ are gently carried by the instrumentation's yearning waves. The entire group contributions of Xella bring each member to the spotlight where we feats upon the talents they provide the rhythmic essence of “Sugar.” With a narrative that’s so sweet in its nature, we can’t help but be drawn towards their inimitable charisma and the way that Xella can arrange a song. Hello Xella and welcome to BuzzMusic. The waves that flow through “Sugar,” are truly remarkable! Was there a particular moment or story that inspired the creation of this song? Thank you!! As a band, we were definitely going through our own ups and downs riding the pandemic wave as everyone...Also one of our members had parted ways with us as well so that was bittersweet. Sugar was in a way our stamp, or you can say even our lifeboat to our return and acceptance of the new reality while at the same time having nostalgia for the way it was. We definitely see that mood come across in the song. Carrying such an easygoing, yet prevailing stance throughout this track is no easy feat. Job extremely well done! Was approaching “Sugar,” with these intentions something that you tend to find yourselves doing, or was it a unique process to you all? It was unique compared to our last two singles. We didn't want to over vocalize it or overdo it with all the bells and whistles this time. We wanted to show our restraint. To be honest, this song took longer than our last two singles, but we definitely spent more time creating the atmosphere for the tender lyrics to get you in your feels. It was a challenge, but with Taydex and KillahCortez's help on producing it was a fun one to figure out. What does “Sugar” mean to Xella as a band? What are you hoping that your audience takes away from the release? After not having released a single since before the pandemic it did mean a lot to us to show people our new chapter. To show them that we weren't going to let anything stop us but of course we were still affected. We think it definitely shows the audience our range, our influences, what we've been going through, and how we translated that together. Lyrically too of course..we always hope whoever can relate will know they're not alone, and that you always have a safe space in this song. Were there any memorable moments from this release that shaped the entire process for you? We were so relieved when Sugar was released. It was a struggle having so many delays wanting to get it done, but just like the song, it taught us restraint. It reminded us not to rush the process and that it's all about the process so let's take our time... Of course after hearing it many times you start to forget how great it sounded when it was first made too. So when we hear people enjoying Sugar for the first time giving us such great feedback, it's such a big reminder of all our hard work and how it was worth it... especially for our listeners. What's your favorite release of the year, from an independent artist you admire? We have to represent our very own co-producer of our last three singles, Taydex who just released a producer album called Dexter's Lab this May. It's a project with a bunch of artists and the range is incredible for any kind of listener! It's also perfect for the summer! Instagram Facebook

From Edmonton, Alberta, the upbeat pop band Stereos makes their anticipated return with a sparkling summer single entitled "Look Good." After gaining recognition from the MuchMusic series, disBAND, Stereos made their way to JUNO award nominations for Best New Artist and Best Pop Album in 2010. With a 3x platinum, 2x platinum, and platinum single under their belt, Stereos now gives us the goods with their recent summer bop. "Look Good" was created as a pick-me-up, serving it to anyone in need of a reminder to love themself unconditionally. Inspired by the face of adversity from the pandemic, Stereos felt compelled to create a summer 2021 anthem while also leaving the listener feeling ready to take on the world. Taking a spin on the single, "Look Good," the track vibrantly opens with a cheerful piano melody, short snare bursts, and lead vocalist Patrick Kordyback's energetic vocal portrayal. Once the drums begin to expand and set the groove for this lively summer single, we're met with the exhilarating hook that blasts through our speakers with tight electric guitar melodies and foot-stomping drum patterns. Everything from the background vocals to the anthemic pop instrumentals/production leaves us basking in the heat of Stereos and their summer-feeling tones. As the song makes its way to the outro, Stereos leaves any listener with the utmost energy and motivation through their feel-good lyricism and uplifting sonics. "Look Good" and feel good with Stereos and their recent anthemic single, now available to stream all summer long on all digital streaming platforms. Welcome to BuzzMusic, Stereos. We're excited to chat with you about the making of your recent single, "Look Good!" What inspired you to create a single that leaves the listener feeling good about themself? Great question! We were writing this with our good friend Dan Davidson, and he had an idea revolving around the line “damn, you look good”, but this was at a time where I personally had a lot going on in my life, so I wanted to shift it towards self-love in the face of difficult circumstances. So that’s where we were able to take his awesome idea and flip it a bit, and it became “damn, I look good”. From there, the song started writing itself and we knew that day we had an awesome song that could speak to literally anyone on a personal level. How did you create the sonics and instrumentals for "Look Good" to give off a beaming summer vibe? What was your band's creative process like? Once we took the demo into production, it was such a team effort in honing in on the sonics. It’s funny, because we really did experiment with a bunch of different vibes, and although the chord progressions, lyrics, or melodies ever changed, this song really could’ve ended up sounding completely different. Once we got the clean guitar vibe, it started becoming more and more apparent that the way it sounds now, with a funky, upbeat pop sound was the way to go. Does your band share your songwriting process? How did you go about writing the lyrics for "Look Good" to leave your audience in a positive state of mind? We honestly do all of the above, it’s just about whatever works! I’ll write the majority of our songs solo, and then we take them as a band and really bring them to life collectively. But there are a few co-writes on this album as well, and that’s a process I’ve really learned a lot from and enjoy now more than ever. As for the lyrics on “Look Good”, it was again just an effort to touch on a difficult circumstance, something I know everyone can relate to, and just standing up for yourself and saying “I matter and I know it”. What has your band been up to since your previous release last summer? Have you been creating or reworking some projects for future releases? Yup! We really took the last year to develop our sound and record the album. I’d say there were about 25 songs written, 12 recorded, and 10 will make the album. From there we’re hoping for more of the same and getting back out on the road as soon as possible! Instagram Artist Website

Los Angeles-based singer-songwriter Ambria Elàn has honed in on using songwriting as a way of communicating her most honest, inner thoughts. Originally from a small town, she uses her small-town charm to transmute the feeling of wanting more. With candid lyricism and a voice that’s to be recognized, Ambria Elàn continues to make herself known in the music industry. As we lock ourselves into her latest EP release of ‘Loner,’ we fixate upon the atmospheric essence of her single, “I’m Trying to Find God Everywhere.” Holding a powerful stature in the moody realm of impactful melodies, the third and final track on this project stirs up a series of emotions through a bolstered performance. In the insightful lyrical motifs that Ambria Elàn graciously offers up, we hear her stark timbres shed harmonious light on the narrative she illuminates. The slow to mid-tempo of “I’m Trying to Find God Everywhere,” dips between an almost ethereal force field of vulnerability as she authentically pours a specific type of passion that is laced with lost hop and questioning faith. Ambria Elàn’s undeniable croons cascade in the pond of words such as, ‘I’m trying to find God everywhere, and even when I look he’s not even there.’ Through this, we find it easy to place ourselves in her shoes through the sense of not only trying to spiritually align the signs in our lives but to pose certain questions in a way that ushers you into knowing there’s a greater purpose within it all. Provoking thought into her audience, the authentic showcase of Ambria Elàn’s grippingly raw emotion allows the strength within the connections she creates to flourish into a connection of trust, and we have to say; that’s what we love most about this emerging artist. Welcome to BuzzMusic, Ambria Elàn. There is such a profound beauty that makes itself known in “I’m Trying to Find God Everywhere.” Was there a particular moment or story that shaped the intimate quintessence of this song? Thank you for having me! I was 18 years old when I wrote this song and I had just moved to Los Angeles, having come from a small town. Everything around me felt so big. I wanted so desperately to believe in something because I felt myself getting lost. I feel longing really intensely. I’m Trying To Find God Everywhere is me trying to reconnect with the child I once was before I felt jaded. How does this song compare to the other tracks heard on your EP, ‘Loner?' What is the concept heard within this project? I’m Trying To Find God Everywhere is much more fluid than the other tracks on my EP. Sonically, it makes you feel like you’re in a field looking up at the sky, wondering how the sky was created. The concept of this song is very much me falling in and out of faith and trying to find a balance. It’s the concept of looking for something to believe in. I think when you can give your fears to someone or something otherworldly, it takes the pressure off of trying to be a fit human or trying to fit into a mold of what’s deemed good and perfect. When bringing this song to life, did you find yourself carrying a different mindset than you are in this present moment? Could you please explain? I listen back to this song and it’s a relief to me because I don’t feel the way I felt when I wrote it anymore. I don’t question why things are the way that they are. I have trust now, and I didn’t have much trust before. I’m much more confident in my capabilities and what I can amount to. This song sort of gave me a breakthrough that I didn’t know would happen. What is your mission statement as an artist? My mission as an artist is to be brutally honest. I find it my duty to grab handfuls from my life and create, even if it feels really draining or painful. I want to make people feel seen. What's next for you? I’ve been writing music that I’m super proud of. Connecting with my adolescence and bringing it into my young adult life. You’ll be hearing more from me. I have so much to say. I am so grateful I have music to be able to communicate through. Instagram Twitter

The Atlanta-based r&b/neo-soul artist and singer-songwriter Yael Santé highlights the passionate single, "Don't Take Me Home," off her three-track EP, 'Miles In Between.' Yael Santé has often been compared to acts like Amy Winehouse and Adele through her rich, soulful, and powerful vocals. That said, Yael Santé always manages to bring forward unique and raw elements that make her sound completely and utterly authentic. Fuelling her music with raw storytelling and organic tones, listeners can get a solid glimpse of the music Yael Santé creates through her recent hit, "Don't Take Me Home," off the EP, 'Miles In Between.' When creating the project, Yael Santé mentioned that she was inspired by melodies she conjured while stuck in Atlanta traffic and reflecting on themes, approaches, and concepts to provide listeners with this time around. Jumping into the single, "Don't Take Me Home," the song peacefully opens with warm r&b-inspired keys, a downtempo drumbeat, and Yael Santé's soulful vocal stylings. While she begins emphasizing themes like feeling restless when thinking about someone special, Yael Santé later transitions into the uplifting and sultry hook where she's met with glittery effects and sparkling keys. As she continues touching on feeling captivated and swooned by that special someone, Yael Santé makes her way back to the pre-chorus, where she's accompanied by staccato keys that drench us in the sweet grooves of neo-soul. As the song comes to a heartfelt and sensual close, we're also met with a low synth melody that drives the low end alongside Yael Santé's fluttery background vocals. Allow Yael Santé to remind you of pure passion through her latest single, "Don't Take Me Home," and find the rest of her three-track EP, 'Miles In Between,' on all streaming platforms. Welcome to BuzzMusic, Yael Santé. We're honestly swooned by the groove and feel of your latest soulful single, "Don't Take Me Home." What inspired you to create this single in the first place? I wrote “Don’t Take Me Home” at the height of the Covid pandemic last year in May. I had recently moved to Atlanta and ended up being at an apartment that I couldn’t stand being at. With the shelter in place regulations, I was stuck inside like everyone else and was watching all the hate in this world come to light across social media. I found myself feeling stuck in the frustration of not being able to go out and being somewhere I hated. How did you manage to achieve such a fluid, groovy, and sultry tone for your single, "Don't Take Me Home?” Did you work alongside any producers/musicians for this piece? For the entire ‘Miles In Between’ project, I worked with producer and artist Joshua “Josh2800” Bryant. We worked over Facetime and as I was writing this ep, I sent him my vocals with nothing behind them and asked him if he could create what I was hearing in my head. Josh has as well been so much fun to work with, he always sees my vision and helps me execute exactly that. Specifically for “Don’t Take Me Home” it all started with the line “I’ve been missin’ church on Sundays.” I had the melody in my head and one night I spent time to just build on it and express what I was feeling. I really was missing church. Due to covid, I wasn’t able to go and missed experiencing the joy of praise and worship. Every day was the same just staying at home. Seeing that the entire song touches on your passion and devotion to someone special, what inspired the song's title, "Don't Take Me Home?” Why wouldn't you want them to take you home? I love that you guys caught this, I feel like it’s something a lot of listeners miss. In the chorus, I’m directly referencing a time when my boyfriend was driving me home and I told him “Don’t take me home, I want to stay at your place.” Like I mentioned before, I hated where I lived and I found comfort at his place and just being in his space. It made me feel like I could get through the pandemic because we had each other. The feeling is mutual, but that particular day he had to work on some mixes. Thinking back on it now, we laugh at the situation because I got so frustrated that he took me home. But, I got my way and moved in haha. How does "Don't Take Me Home" fit into the vibe and theme of your EP, 'Miles In Between?' For this entire EP, all of the stories behind the music came about when I was in the car. I don’t know what it is about driving, but melodies flood my mind when I’m on the road. In fact, this is why the EP is titled Miles In Between, to reference the space between point A and point B. Don’t Take Me Home fit perfectly, as the inspiration for that song literally began in my boyfriend’s Camry. Instagram Facebook

The Canadian singer-songwriter, producer, and electronic/metal artist Billie Rogue struts down a new path with her electronic-industrial-sounding single, "Pursuit of X." As a former frontwoman for the extreme metal band Anakra, Billie Rogue found herself earning a positive and fearless reputation around the Toronto music scene. Now steering away from her typical acoustic-metal sound, Billie Rogue is excited to release her forthcoming debut EP, 'ECLECTRIC,' where she will further delve into the sounds of electronic-industrial. Through her latest grimey and foot-stomping single, "Pursuit of X," Billie Rogue showcases a feistier and more dominant edge that's bound to draw listeners into her explorative ventures. With help from fierce and distorted electric guitar riffs and Billie Rogue's low groaning mezzo vocals, the song gets us ready to brace for impact. Opening "Pursuit of X" are heavy and groaning electric guitar riffs accompanied by upbeat crashing drum breaks that set the song's lively and gritty tone. As Billie Rogue's deep and anthemic vocal stylings pour through our speakers, we instantly feel this stimulating and exhilarating sonic sensation that leaves us in a deep and dark trance. We are incredibly enamored by the overall listening experience, as everything from the blistering guitars to Billie Rogue's dense vocal portrayal leaves us stomping our feet amid the song's intense and ominous atmosphere. With the addition of retro synth melodies that liven the song's background instrumentals, Billie Rogue sprints towards the song's end while keeping us locked and loaded to hear more tracks like this in the near future. Catch Billie Rogue's ferocious single, "Pursuit of X," on all digital streaming platforms. Be sure to stay updated with Billie Rogue as she prepares to drop her forthcoming debut EP, 'ECLECTRIC," later this year. Welcome to BuzzMusic, Billie Rogue. We're deeply impressed by the raw and anthemic tones within your recent single, "Pursuit of X." What inspired the song's lyrical content and theme? Hello, hello! Thanks, I'm glad you liked it. The lyrical content was loosely inspired by a novel called The Alchemist and its author, Paulo Coelho's, philosophy on how the "universe conspires around you to get what you want". He believes in fate and intuition, all that. I don't consider myself a "spiritual person" exactly, but it is something that touches me and keeps me hopeful in times of dysphoria and disappointment. On the other hand, Pursuit of X is about my search for some kind of “destination. Like the ‘X’ on a treasure map. We may or may not know what it is or consists of, regardless, we want it. It’s about not having enough faith in your future that you need to compensate it with some pretentious, faux-ambition--just to have control. Maybe even to flex for the 'Gram. This is all due to dissatisfaction. Restlessness. You’re ravenous for more; a purpose—when you don’t even know what your purpose is. Your perception is distorted. You’re so focused on gold when you still don’t even know who you are. Song's pretty much me calling myself out and the toxic "hustle culture". Being that you're a producer as well, did you tackle the entire production/sonic creative process for "Pursuit of X?" What sort of sound and feel were you aiming to achieve? Yes, I did--I was in charge of everything. In the early moments of making it, I didn't have a specific intention mind other than BADASS. Being that I'm fairly new to synths and all that midi goodness, I'm very experimental in my process and so I'm in this trance-like state to even focus on a specific 'goal'. For me, if it sounds like a head-bop, then it's in the right direction and I go from there. I guess I could say that a track that I was replaying over and over during the times of making it was Ministry's "Land of Rape[seed] and Honey". It's this repetitive but addictive EBM anthem from '88. I think that's why Pursuit of X ended up with the retro, old-school tinge to its sound. Should we expect to hear "Pursuit of X" on your forthcoming debut EP, 'ECLECTRIC?' Does the upcoming project mark a change or shift in your sound? Heck yeah. This EP is a whole new chapter for 'BillieRogue'. This is the material I feel confident in because it's where I feel more represented and empowered, and it's allowed to discover more about my identity, and capabilities, as an artist. My music continues to grow and change, at this point, I call myself "genre-fluid". One song could be straight up industrial-metal-- but then the next track could be jammy, post-metal. Or another could be electronica. I don't know, but I love being versatile like that. C'mon talent! What inspired you to steer away from your typical acoustic-metal sound and venture down the path of electronic-industrial? How has your musical past prepared you for this transition and shift? Pure dissatisfaction. I do love dark, brooding songs but making that, didn't make me feel empowered. It didn't represent ME. Mix that with the fact that at the time of the "Acoustic-Metal era" I was not in a good place mentally and it showed. I don't want my artistry to be defined like that--this sad-girl metal thing. Many things inspired me to venture into this new sound: video games, the 90s--early 2000s action flicks, being an Asian female in the male-dominated, metal genre. The catalyst of it all was Bjork's Army of Me. Since I was 11 it's been one of my favorite songs like EVER. I don't know if I could say my musical past 'prepared' me because this change was quite sudden and just happened...BUT I've always had a fascination with composing with midi; I've always incorporated it--ever since my old songs because I wanted my music to be a cinematic soundtrack experience. What's your favorite release of 2021, from an independent artist you admire? ME. Lol just kidding. I'm probably gonna have to say Levitanaut by Blind Ivy, they're an underground band from Russia (Hi, Anna!). Levitanaut is basically just a three-song acoustic EP of their heavy songs. Check them out, their lead singer is a female with the most insane extreme vocals. I also see quite a few releases from my artist friends planned out this summer. It makes me excited to see, considering there's some hope for the pandemic to fade away. We all need new things to celebrate while we wait. Instagram Facebook

23-year-old Atlanta-native, KAYLEE has used the time she has spent in quarantine to her advantage. From age 13, KAYLEE became a self-taught guitarist and began writing her own lyrics soon after. Growing up, artists such as Rihanna, Hayley Williams, and Santana inspired her to create music that made her feel good. From then on, artists like Chloe x Halle, UPSAHL, and others have inspired KAYLEE to take a plunge with her music. Her most recent release, “SHIT BOY,” plays upon a buoyant, electronic soundscape that has you filled with anticipation the moment it lands upon your speakers. Immersing us in a rhythmic effervescence that has us out of our seats as we glide to the music, KAYLEE exudes a unique fusion of genres as she blends R&B and Pop in her favor. KAYLEE does a fascinating job of pulling us into her sultry croons as she harmonizes beautifully performed vocals to get an extremely blatant point across. The songwriting highlights a boy who is no good for her that continues to consume KAYLEE’s energy by attempting to drag her into his immature antics. A story that we all know too well, the relatability that leaps from this piece has us convinced that KAYLEE is talking about the same person we know inside and out. With lyrical motifs such as, ‘you wanna know if I’m free, boy talking to me costs a fee,’ we suddenly feel a surge of bad b*tch energy come over us as we become empowered to say, ‘NEXT!’ That’s exactly what you can expect from KAYLEE’s music. It’s more than just another song in rotation, it’s an experience, and a lesson all wrapped into one. Be prepared to get the dose of confidence you need with, “SHIT BOY.” Welcome to BuzzMusic, KAYLEE, and congratulations on the release of “SHIT BOY.” This track speaks to us on so many levels! Was there a particular moment or story that shaped the inspiration for this song? It’s a really bad story — It may not sound like a big deal but it definitely sucked. I’ve been friends with this guy (let’s call him: James) and he’d been with me through a lot, it seemed. I reached out to reconnect and things were…different. I didn’t necessarily put my finger on it but I definitely tried to keep our flow going. After a short period of time, I don’t know, James just cut me off. Stopped responding and started being aloof, it was weird. I eventually asked him what was going on and he just laid it out that we were not what I thought we were. So, sadly I lost a “friend” that day but I learned a lot and realized that he was kind of a terrible person anyway. Everything worked out! Could you please shine a light on the creative process that you embarked on when bringing this song to life? I was still reeling from my friend breakup and I kept singing the first two lines of the hook. I was listening to “Lo Que Paso” by Nina Cobham and something about the mood and how I was feeling — I just birthed “Shit Boy” on the spot. Like, everything I was feeling, I wrote out and just aired out my dirty laundry. I’ve always been embarrassed to write about specific things that happen to me because I worry about someone figuring it out but it’s just so cathartic; I couldn’t help it. How has your mindset changed from the moment you created “SHIT BOY,” to this very moment now? Have you learned any lessons along the way? I wrote “Shit Boy” fairly recently. The whole process of getting “Shit Boy” to its final stage was very quick because I knew exactly what I wanted. I’ve focused less on people liking me, “Shit Boy” reminded me that you’re not gonna get along with everyone and that’s fine. Of all the things I’ve learned since creating that track, I’ve learned to just work with what you have. Nothing goes to plan and people you think who have your best intentions — don’t. What has been the best piece of advice you have been given on your music journey this far? I reached out to one of my favorite artists right before I released my EP. And shockingly she responded and told me that I shouldn’t get caught up in the numbers but get caught up in the moment and what you’re feeling. I’ve had this mentality with my music career that I have to get rich quick or get famous fast — I’m really just doing it because I love it and I wake up with music in my head every day. Like, what am I supposed to do? What's next for you? I’m working on going on tour with everything opening back up! I have a new track out on June 26th called “I’m Unwell” and that was fun to write! I poured a lot of personal stuff into that one and I can’t wait for it to be out. Instagram Artist Website

The BMI award-winning television and film composer Mark Vogel is excited to announce his forthcoming project while keeping us in the know with new hints. Most known for his role on the ABC show, Full House, where he appeared for four seasons in JESSE and THE RIPPERS, Mark Vogel also received the opportunities to perform alongside golden era acts like Bob Hope, Fred Astaire, Ginger Rogers, Bing Crosby, and more. MarkVogel is now working with Soul of Broadway after signing with Mercia Records whom is distributed by The Sony Orchard. Mark Vogel is currently working on his latest project but can't yet elaborate on details and announcements. He is also eager to open his masterclass coming in June, created to mentor young artists about the casting process. Stay up to date with Mark Vogel at markvogelmusic.com Welcome to BuzzMusic, Mark Vogel. We're excited to chat with you about your latest and forthcoming endeavors. Could you drop any hints as to what we should expect from your upcoming project? Okay, hint: It’s got celebrities, hit songs, and legends on staff. I literally pinch myself at the music meetings…I’m also producing 4 records and 2 scripts for the stage while working on 2 film projects. Crazy, huh? Could you elaborate on your masterclass about the casting process? What sort of tips and advice do you plan to offer your students? I LOVE doing Masterclasses. Working with new talent is such an amazing experience. I had the BEST mentors and coaches and love to pay it forward. This next Masterclass will be specifically for casting. One lesson we hope to get across is that getting ready for that kind of an audition is everything. You can’t be TOO prepared!!!! It’s going to be awesome. What position or work are you executing with Mercia Records-SONY, the Orchard? When did you begin working with them? I was the executive producer of an album called “The Soul of Broadway”. It was a record for Terron Brooks, and we got signed to the label for distribution. We are busy working every week on the releases. I signed in January and it’s been quite a year already! Being that you're regularly in high demand, what's been keeping you busy during the pandemic? Did you focus on your own projects or expand and collaborate with other artists? The pandemic put us all in from of our computers. It actually opened up a whole new world for me. I’m able to work with talent all over the world now. There are days I work “in New York” and an hour later, I’m “in Nashville”. It’s crazy, but I’ve produced more music in the past year than I did the year before…and I was already busy. Instagram