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Brooklyn-based artist Unknown Caller uses his outside environmental settings for influence to produce atmospheric grooves like his latest release “See You Again”. Inspired by Japanese city pop, as well as the Memphis design movement. Unknown Caller delivers smooth grooves underneath sun-faded synths and shimmering guitars. “See You Again” is an abundantly groovy mix of R&B and electro-pop encouraging you to dance and get lost in the sensation of it all. From the artist perspective, “See You Again’" is about people and places that appear in your life - perhaps briefly, perhaps enduring - and impact your worldview in a way you don’t always realize at the moment," explains Alex Lichtenstein, the name behind Unknown Caller. "There’s something refreshing about the spontaneity of certain interactions, especially during a period where every connection is trackable. The meaning also parallels never being able to see a person again because of change, but there’s a certain beauty in remembering them as they once were." “See You Again” captivated me completely with its ability to fabricate a sudden emotion of contentedness and relaxation with its glistening, organic and electrifying aura. The song sparkles across the platform into our ears, adding a livelihood to the nostalgic thoughts and emotions of a significant other. Unknown Caller has an ethereal vocal resonance with the correct production to abduct us into the realm of his music. “See You Again” undoubtedly has the potential to be a mainstream hit with the correct marketing strategies and promotion of the record. Listen to "See You Again" and be sure to check out Unknown Caller on social media. Care to introduce yourself to our readers? Hi! I’m Alex and I record and perform under the midnight-pop project, Unknown Caller. I’m currently based in Brooklyn, NY. How was your upbringing in Brooklyn New York? Is there a heavy music scene you may have been inspired by? I’ve been living in New York for the last several years, but actually grew up in McLean, Virginia, a DC suburb. I was really inspired by the raw energy of the 80s DC punk scene when I was playing in bands in my teens, but my influences became much more eclectic after moving to NYC to study music technology. I was immersed in so many different kinds of music from seeing tons of shows and meeting new people. I found myself especially drawn to the late 00s dream-pop/chillwave scene - Wild Nothing, Toro y Moi, Neon Indian, etc. I started experimenting with different recording techniques, adding synthesizers to my arrangements, and arrived at my current dreamy, funky sound. Many of the musical legends and icons are based out of New York, do you feel like your city is the home of all the go-getters? I think living in New York really motivates people to be on top of their game and to never become complacent. It has such a rich musical history, and I think that’s a big part of what pushes people creatively. Something I really like about the city is that you’re never the smartest or most talented person in the room, you’re constantly learning new ways to improve your art and yourself. What is Japanese City Pop for our readers who aren’t familiar with it? City pop is essentially Japanese pop in the 80s that mixes elements of synth-pop, funk, and jazz and is thematically associated with metropolitan life. Whenever I listen to it, I’m taken to such a specific place, and both singles I released this year are partly inspired by this genre. Can you tell us a bit about your new single? What inspired you to create “See You Again?" “See You Again” is about people and places that appear in your life - perhaps briefly, perhaps enduring - and impact your worldview in a way you don’t always realize at the moment. There’s something refreshing about the spontaneity of certain interactions, especially during a period where every connection is trackable. The meaning also parallels never being able to see a person again because of change, but there’s a certain beauty in remembering them as they once were. It's a companion single to "Sayonara," a song I released in August. What can we expect to see from you in 2019? I’m very excited to kick off the year by playing my first show with a full live band. We’re supporting Computer Magic at The Knitting Factory in Brooklyn on January 12th. The following day, I'll be locking myself in my studio to finish my first full-length. facebook.com/itsunknowncaller instagram.com/itsunknowncaller twitter.com/itunknowncaller

Hailing from Boston and Dorchester, MA, the hip-hop duo Weapon releases their long-awaited debut 5-track EP, 'Winterlude.' Compromised of 25-year-olds Fantasy and DFizz45, Weapon strives to create soundtracks to their everyday lives while also composing bars and melodies that give their audience something to enjoy. "We want to create art that shapes the world. We want to go down as one of the greats in this rap game; it has given so much to us, so it's time for us to give back," states Weapon. Diving into their debut 5-track EP, 'Winterlude,' the project begins with the first piece, "Fire," and that's precisely what it is. While opening the song with samples of a choir pitched up alongside the deftly-produced drum breaks, Weapon later makes their way in and stomps through this track with incredibly uplifting vibes. Fantasy and DFizz45's vocals perfectly complement each other as they continue to sing playful lyricism that bounces alongside the fiery production. We love the playfulness of this track, as Weapon sets the tone for the rest of the project through their heavily engaging performance. Bringing the energy down through the next track, "Slow Down," the song begins with haunting r&b keys and downtempo kicks that push through our speakers with lust and desire. As Fantasy starts singing his romantic lyricism surrounding taking his time with a lover and learning their every way, we can't help but feel compelled to keep listening to such a romantic and desirous tune. As DFizz45 makes his way in, he offers a similar sensual flair through his soothing vocals and descriptive lyricism, heating up the song with desire and lust from each aspect while ending it like a daydream. Drifting into the next tune, "2Hr Drive," this track hits us with incredibly modern production right from the jump. Through an eerie vocal sample that whales in the background and tender r&b keys, the sonics later fall into punchy downtempo drum breaks that soak our speakers in passion. Another heartfelt and desirous song, we adore the amount of unhindered passion and heart that Weapon has delivered throughout this EP. Primarily through this track, Weapon comes together to offer their devotion on a platter and serve it to listeners abound. Ending the song with soothing piano melodies and soft pulsating synths, we love the relaxed and tender feel of this piece. Spicing it up with the next track, "Who to Blame," a soaring synth opens the track as it later drops into a mid-tempo beat alongside hefty drum kicks and Fantasy's warm vocal tones. As he begins singing of who's to blame when a relationship comes to an end, DFizz45 later joins Fantasy and expresses his inner pains towards a relationship that went south. We can feel their anger and emotion merely within the sharp tone of their voices, as Weapon continues to complement each other's performances as they make their way through this relatable and moody track with vigor. Reaching the EP's outro track, "No Love," the song begins with haunting electric guitar melodies that offer a melancholy and grunge-like flair through its saddened tones and slightly out of tune sound. As Fantasy and DFizz45 enter the piece, DFizz45 begins rapping of feeling confused whether someone's a friend or foe, while Fantasy later sings of returned and requited love. We also hear a spoken word feature from a soothing female narrator who touches on similar topics of authentic and healthy love. She later begins rapping and powers through this song with empowering themes of leaving foolishness in the past and seeking someone who will treat her the way she deserves. Find yourself submerged into several heated hip-hop atmospheres through the exhilarating stylings Weapon on their debut EP, 'Winterlude,' available now on all digital streaming platforms. Congratulations on releasing your debut EP, 'Winterlude.' What inspired your group to release a 5-track EP as your debut, rather than releasing a single by single? The inspiration behind us releasing a five-track EP as we are very versatile and diverse with our sound so we wanted to give a little bit of everything to the listeners and let them pick their favorite track. I mean we are handing you greatness with our five fingers. You can’t hand someone something great with one finger right? Just kidding, no seriously we just wanted to give a variety of feelings and a range of emotions that we personally felt and we believe the rest of the world felt in 2020. we had a story to tell with the EP. a true one at that and we really gave our all through some dark times and some points of healing as adults to grow and move on through the art, we want to make art that connects and shapes the world. Is there a running theme throughout your lyrical content within 'Winterlude?' What did you want your listeners to take away from the project? There absolutely is a theme, The Winterlude starts with a happy and energetic record called Fire. This track boast and exudes the male ego as he meets and courts what he believes is the woman of his dreams and Slow Down, record #2 on the EP is more of the same, a happy and intimate record between the two personas’ in the EP. You can very much feel an energy shift during track #3, 2Hr Drive, where frustrations begin to be voiced. It is also more of neutral energy between the two characters. The plot thickens for Who to Blame, which a is very dark and lyrically aggressive track. Track #5 No Love marks the ending of the relationship and the EP in a spoken word, poetry heavy, 90s rap kind of feel song. To bring it full circle it’s a story of what most people experience at least once, in life, a relationship with a significant other that you think is the one and then toxic traits are revealed through the time spent and you realize that the relationship isn’t healthy and cannot continue. So you got to work through the hurt and move on. That’s what we tried to display. Seeing as your duo is relatively new to the music industry, why did you choose the project 'Winterlude' to introduce us to your music? How does the project help us get to know you better? We went with Winterlude as our introduction to the music scene because it was pretty true to live for both DFizz45 and Fantasy having both lost women they had a relationship with and also 2020 brought a whole range of emotions from happy to sad, just like how the EP moves. The year really kind of inspired the whole thing on top of the real-life issues both artists were going through. 2020 started as this is my year and big plans and turned into a lonely, loveless feeling year. The music is how we lived, the music is how we felt. Within the last track of the EP 'Winterlude,' who was the female vocal feature? Why did you want her to feature on the project? Fantasy: The female artist is yess_maa! Now you ask why we wanted her on the project?! You must have not seen her, but I know you heard her on the track she’s fire! DFizz45’s: anyways to piggyback off Fantasy, her name is Essmaa Litim. She’s a creative, a poet and soon to be an author. She’s the whole package with a pen and she’s been one of my best friends since 9th grade I love her to death and I felt she was the perfect voice to speak on behalf of the female character as we brought her to life on the last song No Love. We heard from the male perspective the whole EP but we felt it was only right to allow the woman persona to not only speak for herself but defend herself as well before the EP concluded, also we felt she could just represent women in general who could relate with the song and the kind of the energy it brings. The idea of even though we’re breaking up I will be ok in the end, a matter of fact, I will be better for it. Fact. Do you have a favorite track on the EP 'Winterlude?' Why do you think your duo gravitates to that specific piece? Fantasy: I actually have no favorite song as I kinda fell in love with each song in its own way and they all have their own vibe to them so it really just depends on how I feel to dictate which is a “favorite” I guess I love them all honestly. DFizz45’s: Now my favorite is definitely Who to Blame, it was true to life for me for the most part and I really wrote it while I was in a dark place and I feel the listener can feel and hear that through the music as well, but Slow Down is 1000% an honorable mention because even though I’m heavily a rapper in our music, my personal music listening tastes are definitely more on the R&B side when I go through my day to day, odd right? But to bring it back to your original question, as a duo I guess we would have to pick No love as our favorite song because it was the most difficult song to create on the whole EP but it was also the most fun song to create having all three of us in the studio bouncing ideas off of each other and creating something that’s not only a rap song but kind of like a poem in the same light but really had a powerful message of like, male ego and overcoming it, the trials and tribulations of a relationship and identifying a bad relationship and ending it. We even have a music video releasing on Valentine’s Day for the record. In short, the creation process of No Love makes it our favorite collectively. WeaponMusic.com

United Kingdom native Alex Cottom examines the feeling of earning the simplicity of the past in his newest single “Lose Ourselves." This singer-songwriter’s roots lie within his previous band The Verse where he was driven by his love for releasing music and performing. Alex is truly filled with excitement to begin playing and writing music as a solo artist for his musical growth and happy connection with listeners. This new single beams with these feelings and his ability to look back and recognize the good times from his current point in life. “Lose Ourselves” is an emotion-filled track that connects an individual to their roots. Each lyric reminisces of a simpler past where Alex was happiest. This new single is able to capture the joy of the past with its upbeat motion and supporting band. Vocals like “let’s relive another day” capture his complete bliss within and sense of fun although he is now grown. Alex's light vocal tone embodies a sound above the clouds and is able to wisk listeners away into his compelling storyline with each verse. Encouragement and connection are inescapable within this piece and we can not wait to see Alex's growth as an artist as he moves forward releasing music post-success of this single. We can't wait to see what's in store next for this talented artist. Your new track is filled with so many emotions and you mentioned it ties into reminiscing on the simplicity of the past as you grow up. What was the process like when creating this piece and what kind of personal experience did you draw on? Thank you for having me (and thanks for the interview!). Going into the studio I had a very rigid idea of what the song would sound like. 12 hours later I left with something entirely different. Until that point, I'd been working on the song alone but having a second pair of ears, who made me listen to the story in the lyrics, enabled me to consider the different direction the track could go in. The song takes on a different meaning depending on what mood I'm in but I seem to always come back to the feeling of nostalgia. There's something quite comforting thinking about how simple things were as a child and the complete lack of responsibility you have - I wouldn't mind ​going back to those days! Would you say you have any successful artists you look to for inspiration, if so, who are they and why? It's interesting because the artists that I have on repeat all day don't completely match up to the sound of the song​. I love listening to Declan McKenna for his songwriting and storytelling in his lyrics, Rex Orange County for composition and inspiring funky chord progressions, and listening to bands like Børns, Wallows, Blossoms, and Two Door Cinema Club to get a good vibe going. How has the songwriting process differed now that you are creating solo tracks in comparison to your time in ‘The Verse’? I love this question! It's both liberating and scary, to be honest. In a band you always have the security of collaboration - we'd get to the end of a writing and recording session and say "Yeah, that sounds like The Verse". On your own there's the autonomy and freedom of "being your own boss" but discovering what your own sound is, is a process... one I'm still working on. I'm really looking forward to spending time in the studio playing around with sounds and ideas that I would not have tried previously. How have you been able to manage the Covid-19 pandemic situation in regards to your music creation and release and what are you looking most forward to achieving ‘post-pandemic’? Maybe unusually, the pandemic has given me more freedom and a real chance to step back and assess exactly what I love about music - there's a lot to be said for just sitting down and being creative. I miss gigs - seeing people, playing live, the buzz you get being in a random venue somewhere in the UK having the best time playing to crowds of people. That's what I can't wait for - simply getting back into a pub and playing gigs. What can we expect to see next? I'm back in the studio soon recording my next single and I have a music video coming out too! The next song is going to be upbeat, vibey, and very Summery. I'm enjoying being creative and discovering what my sound is and hope to release more music throughout the year. Thank you so much for the great questions! I can't wait to catch up with you guys in the future. instagram.com/alexocottom

Born and raised in the south of Italy; classical, jazz, and blues music has been a part of every living and breathing aspect of Linda Andresno’s growing life. Andresano has collaborated with a variety of Italian jazz musicians as she continued to create and perfect her unique sound filled with soul, growing energy, and classical Italian roots. Her new single “My Time is over” is a self-written, cool jazz ballad that embodies a feeling of kindness and elegance in every growing and changing melody. With the opportunity to collaborate, Andresano was able to produce this track alongside international trumpet player Antonio Baldino and pianist Massimo Colombo. The ability to connect and produce music with such strong musicians truly elevates the intensity of this single as Andresano’s lyrics vibrate with emotion with each supporting and connecting trumpet and piano melody. Lyrics like “My way is far and I belong to another life” exemplifies a connection that has fallen through between two individuals and the passionate feelings within one as she looks to find her way. “My Time is over” mixes Andresno’s various cultural backgrounds into one chilling piece that boasts an immense emotional interpretation for each listener. Looking forward we can expect an upcoming EP released in 2021 and we could not be more excited to hear more of Linda Andresano’s elegant cool jazz tracks. Facebook Website #BUZZMUSIC

DNyse is a singer, songwriter, and producer with a sound defined by storytelling and soulfulness. Growing up in the Jane and Weston Neighborhood of Toronto, Canada, DNyse's passion and musical influences came from his parents' vast collection of Soul, Gospel, R&B, and Reggae music. His church choir background in addition to his personal obsession with R&B, Dancehall, and Hip Hop made his transition into an artist inevitable. DNyse’s sound is a unique contribution to the Toronto Sound, weaving pieces of his journey overtop mood-making production. Kicking off 2021 with the smooth stylings of his latest single, “SO FAR AWAY,” DNyse has his audience eating out of the palm of his hand with the top tier production elements shining effervescently in the Contemporary R&B tones emitted. Being an artist of visual and sonic entertainment, DNyse accompanies the sultry fashion of, “SO FAR AWAY,” with intoxicating visuals illustrating a bank of imagery. With his creative cap on tightly, DNyse begins the music video with his previous release of, ‘Giving it Up,’ to stimulate his audience with a familiar nod to his musical creations. Transitioning into the mid-tempo waves that sway in the heedful instrumentation of, “SO FAR AWAY,” DNyse has you pulled into an entrancing development of soul-infused spirit in both the auditory and pictorial expansion. When an evening goes awry, DNyse catches wind of the apple of his eye out on the town with someone who isn’t him. Taking it upon himself to figure out what events are going on behind his back, you see a story unraveling right before your eyes. The attention to detail that is disbursed in the exploration of this music video catches our focus as we stroll the streets of Toronto with DNyse. You’re sedated in the infectious energy that DNyse radiates as the protagonist, offering the energy in b roll footage that stays apart from the main plot, you come to love everything DNyse has to offer as a creative making his mark in the industry. Want to figure out how this one ends? Well, you’ll just have to tap into the, “SO FAR AWAY,” music video yourself. Welcome to BuzzMusic, DNyse! Congratulations on the release of, “SO FAR AWAY.” With such an imaginative concept, how did the inspiration for the music video come to be? Aside from the music itself the inspiration for this video came from me wanting to take a very relatable concept and create a theatrical and cinematic type of music video that people can attach themselves to. The nature of the song is this concept of reminiscing in a remorseful way and having all of these flashbacks as it relates to a past love interest so I guess I wanted to use this visual to truly capture those feelings and experiences. I’ve always had a knack for acting and deep love for great cinema, so I told myself that I wanted to use those gifts in my development and creative directing for a lot of my music videos. What was it like on the, “SO FAR AWAY,” set? Did your concept go exactly as planned? It was amazing, the whole shoot took about three days of work but honestly, I loved every moment of it. I love working with and around good energy because it makes the process even more enjoyable. These are the type of settings that you love to be in because there’s always going to be that natural chemistry and vibe that allows you to stay present and lets the ideas flow. Could you please take us into the creative process that you tackled when you wrote the lyrics to, “SO FAR AWAY?" It came during a time when I was fresh up out of a relationship, I was getting used to not having that person there anymore and I think deep down there were things I truly missed. At that time I felt like I needed to do some reflecting & soul searching and the best way I knew how was through making tons of music. At the time I was bouncing ideas back and forth with my guy Greg "Markov", a super talented musician out of Toronto, and I had written this demo and sent it over to him and he was rocking with it so he added his sauce and took the record to that level where it needed to be. I guess in that moment I was finally finding my stride as a singer-songwriter and allowing myself to tap into being vulnerable and connecting with those raw emotions. So quite frankly it felt like I was on autopilot when I created it because my emotions were literally the source of the lyrics. I guess that's why this record is so relatable because people can connect and feel the deep genuine place it came from. In your own words, what does this song mean to you and what would you like your listeners to take away from it? I guess this is me letting people in which is something I rarely do and this song is just me finally admitting to this person that I miss their vibe. I think any listener can relate whether it be a good experience, a bad experience, or somewhere in between there's always gonna be things that won't be the same elsewhere. A lot of times you'll never catch that same vibe again, and here I am admitting that if things were in my control or the way I wanted them to be, that distance between the two of us would be much shorter. What can we expect to see next from you? I'm gearing up to release my first EP of 2021 entitled "Mixed Emotions" which is going to be part one of the series or EPs I'll be releasing this year. It's going to feature both "So Far Away" & "Never Too Late," which are my two most recent singles. Alongside a few other visuals that I can't wait to share with you all. instagram.com/dnyseofficial

Bringing elements of his past into the present, the Myrtle-Beach native and singer-songwriter Grant Nesmith presents the result of his musical journey with a sophomore studio album, 'Dreams of the Coast.' After taking part in the psych/surf band Ocean Forrest in 2018, Grant Nesmith later released his debut solo album 'Between Tides,' after the group parted ways. Wanting to pay homage to his musical past, Grant Nesmith released his latest album 'Dreams of the Coast,' soaked in the psych/surf sound of Ocean Forrest, the Americana twang of 'Between Two Tides,' and smoothened with a soft rock feel. Grant Nesmith opens his album 'Dreams of the Coast' with a beachy-infused retro introductory track titled "Never Die." Opening the album with fuzzed-out guitars and warm instrumental tones, Grant Nesmith keeps us floating along with each melodic and inspirational lyric he blissfully delivers. Moving into the second track, "Kaleidoscope," we hear more of a dramatic and nostalgic Beatles-feel through the organic and bouncy instrumentals and psychedelic effects. Introducing the upbeat fiddle stylings of Gene Elders on the next piece, "Another Day," she opens the piece with wildly serene melodies that give an ode to Grant Nesmith's country roots. As Grant Nesmith sings another motivational message to his listeners, he jumps into the next tune and title track, "Dreams of the Coast." Beginning with the twang and dreaminess of country through a soothing acoustic guitar and mellow electric guitars, we must also mention the savory stylings of Sadler Vaden on lead guitar as he sweetens this song with the utmost soul and passion. Onto the fifth track, "Morning," this piece brings a down-tempo and introspective atmosphere through Grant Nesmith calming performance and emotional lyricism. Depicting quite poetic lyricism, we're later met with a heavy instrumental shift that takes us into the heart of melodic rock. Reaching the halfway point with "Souvenir," Grant Nesmith transports us back to the swinging 60s with the brightly reverbed vocal harmonies and upbeat piano, guitars, and drums. We truly adore the versatility within Grant Nesmith's album thus far. Fast forward a few decades into the grunge and emotion of 90s rock with the next piece, "Untitled," Grant Nesmith drenches this track in emotional catharsis with each blazing electric guitar melody and his filtered and melancholy vocal delivery. Livening our spirits with the next piece, "Mountaintop," Grant Nesmith takes on another reflective and contemplative lyrical concept. Singing about the troubles of running from the truth, Grant Nesmith drops another heavy instrumental transition to keep us locked in. Slowing it down with the 9th track, "Wish," we hear a more personal side of Grant Nesmith singing of his wishes and desires on this somber interlude-like piece. Channeling the brightness and liveliness of the beginning of the album with the 10th tune, "Haunt," we genuinely adore the ode to his country roots through the savory guitars and soothing vocal delivery. Reaching the end of the album with the outro piece, "Such a Crime," Grant Nesmith perfectly placed the elements of his musical past within this track. From the psychedelic guitars, surf-rock feel to the soothing twang of country guitars, Grant Nesmith has truly taken us through an unforgettable experience. Find Grant Nesmith's sophomore album, 'Dreams of the Coast' on all digital streaming platforms, and find yourself in several different musical decades with each versatile sonic and lyrical approach. Check out our recent interview with Grant Nesmith, here. Congratulations on the release of your second studio album, 'Dreams of the Coast.' How long was the project in the making? When did you begin tracking ideas for the album? Thanks so much! I started writing songs for this album immediately following the release of my debut album, 'Between Tides' in January 2020. I recorded 4 songs last February, but out of those sessions only 'Haunt' and 'Mountaintop' made it on the album. Once lockdown began in March, I had a ton of time on my hands so wrote the majority of the album April-July. What influenced or inspired the creation of your album 'Dreams of the Coast'? Did you have a collection of songs to be released, or did you create each track to fit this specific album? I'd say a mixture of both...we recorded 14 songs total, but only 11 made it on the album. I wanted 'Dreams Of The Coast' to have a certain flow and theme to it. I love the 3 songs we didn't put on the album, but they didn't quite gel with the overall vibe. They'll definitely see the light of day soon though! As far as the influence and inspiration for 'Dreams Of The Coast,' it's heavily influenced by Myrtle Beach and our warm, summer environment and climate! Was there a particular concept or theme that you wanted your audience to take away from the album 'Dreams of the Coast?' To me, it's a feel-good Summer album. Listen to it at the beach, after a day of surfing, or late at night with a pair of headphones and a nice bourbon. My Wife loves listening to it on long runs and road trips. Myrtle Beach tends to get a bad rap. People call it "Dirty Myrtle" and "Redneck Riviera" but it's not like that at all. 10 blocks of Downtown Myrtle are overrun with Beachwear Stores and Tourist Traps, but that's it. Myrtle Beach is a truly gorgeous place to live. I wanted to shed some positive light on Myrtle Beach. What was your experience like collaborating with Gene Elders, Sadler Vaden, and any other artists/producers featured on your album 'Dreams of the Coast?' It was amazing! Sadler grew up around here so I had to get him to play on the title track 'Dreams Of The Coast.' It just made sense! Gene knocked the Fiddle out of the park! I had a specific Fiddle motif in mind for 'Another Day', but Producer Ed Dennis told me not to point Gene in any direction so we can see what he comes up with naturally. I'm so glad I took Ed's advice because Gene's part is so much better than what I had in mind! Ed also contributed to a lot of songs. He played Pedal Steel on most of the album, along with some Electric Guitar and Harmony Vocals. He played that big guitar solo through a Leslie Speaker at the end of 'Such A Crime.' Two of my best friends who I used to be in a band, "Ocean Forest" contributed to a few songs. The Bassist Bruce James played Bass on "Morning" and also contributed some Trumpet and Harmony Vocals here and there. Cole Rateliff, the Drummer played on "Morning," "Untitled," and "Dreams Of The Coast." He's such an amazing Drummer! Is there a track off of your recent album 'Dreams of the Coast' that's your personal favorite or means the most to you? I have to go with the title track 'Dreams Of The Coast.' That song is Myrtle Beach through and through! It's got Sadler playing Lead Guitar and a killer Slide solo at the end, my "Ocean Forest" brothers both appear on that song in some capacity, and Ed is playing a great Steel part on that song as well. I came up with most of the lyrics in the middle of a July surf session. I was really pleased with the way that one came together. grantnesmith.com

R&B/Pop artist Nate Myles, hails from the sun-drenched state of South Florida. Nate Myles’ unhinged and uninhibited relationship with creativity allows his music to know no boundaries. With a creative nature and captivating voice that sees no ceiling, Nate Myles is sure to storm the music industry in a way that will be iconic. In the most recent depths of his latest single, “Trouble,” Nate Myles uses a sultry soundscape to deeply connect with his audience as he pulls them into his endearing embrace. The up-tempo ambiance of the instrumentation plays upon the distortion leaked in a textured vocalization that gives Nate Myles’ sound an edgy resonance that is true to his boisterous persona. Lingering in the smooth cascades that he offers up in the vocal delivery conveyed, Nate Myles uses his lyrical canvas to sweep listeners into themes of someone being so good for you, that it’s bad for you, and wanting to pursue them regardless of the signs in front of your eyes. The rhythmic drive of the weighty bassline has you fully entranced in the composition as it flows in a unified manner. Sending nostalgic vibrations through the speakers, the vintage synths play a huge role in shaping the ethereal universe that Nate Myles’ exercises. As we soak in the enigmatic swagger that lusciously drips from the arrangement, we acknowledge and admire the production quality that focuses on the intricate details at hand. Stepping out of his comfort zone to produce sultry energy fused single, Nate Myles shows us that his artistic versatility is peaking in the creative realm he strides upon. Welcome to BuzzMusic, Nate Myles! Congratulations on the release of your latest hit, “Trouble.” What themes and messaging inspired the lyrical content in this track? I wanted the lyrics to paint the picture of being into someone that you might not usually go for. You know that this person is the opposite of everything you are used to but it's exciting, fresh, and a little risky. It feels like you are falling for the troublemaker type. With this song being the polar opposite of your usual creations, how different was the creative process you approached when giving, “Trouble,” the sound that we know and love? Well first off, Trouble was written years ago as opposed to my other singles that were written within months before releasing them. I knew this song was going to have a darker and more steamy sound than my other songs. I also knew this song needed to open up a story that I would be telling in my future music. So the lyrical content changed a lot and so did the melody. It's funny because I was going through old voice memos on my phone and found a recording of when I first started writing Trouble and it sounds completely different than what I released. Can we expect a sound like this from you in future releases? Was this your way of widening your horizon of artistic versatility? Yes, this darker sound will be a common theme moving forward. Trouble is definitely an example of how I am as an artist. I pride myself on versatility and this release allows people to see that I am not confined to one type of sound. What inspirations did you take into the creation of this song? Were you influenced by musical and non-musical aspects that we can hear in the sound of, “Trouble?" There were a few musical inspirations but I think the two that were the biggest for me were Troye Sivan's 'My My My' and Billie Eilish's' 'Bad Guy'. Then there is the inspiration of nightlife in a big city, specifically NYC. When I was writing this and even thinking of visuals, the image of a foggy night club with strobe lights or different color lights, pulsating, kept coming up. Then sometimes I felt like I was speeding through a city in a car, or running through the streets at 1 am on a Friday night doing something wild. What can we expect to see next from you? You can expect to get a taste of what I have to offer visually in the form of music videos and live performances. Of course, sometime in the future, there will be an album when the time is right, but until then, I won't be taking my foot off the gas with releasing music. instagram.com/iamnatemyles facebook.com/iamnatemyles twitter.com/iamnatemyles

Dabbling in the essence of Alternative Rock, Lockjaw Smile reigns raucous energy from Haverhill, MA. The band consists of members Tony Thanos perfecting the lead guitar and vocals, Bill Douty giving life to the bass and vocals, as well as Ioanis Pintzopoulos executing colossal drum hits. Together each member brings their various influences to designing sound fusing aspects of bands amongst the likes of Foo Fighters, Stone Temple Pilots, Jimi Hendrix Rancid, Jimmy Eats World, SRV, and Weezer. Blending the sounds of rock, Lockjaw Smile is swinging towards the melodic, crisp tones with sing-along choruses. Shadowy tones drag you into the underworld of Lockjaw Smile in their most recent single, “Black Sky.” Carrying inspiration through the eras, this trio exudes a larger than life sound that embodies an edgy, rambunctiousness that surges through your speakers. As you try and wrap your head around the ominous hues cast out into the instrumentation, the prominent groove of the bassline has you bobbing and weaving around the chugging of the guitar riffs performed. Touching on the prominent landscape in which the drums peak from, “Black Sky,” is a strikingly balanced tune that rings bells in the realm of Rock n Roll. You have moments of sublime expansiveness that intrigue the epic panache that is captured melodically. There is something so unique about the styles voiced, that have the swift lyrics melt into the production as the vocal performance ties this number together in a unified manner. With the comforting virtuosity that soaks into each moment developing through the arrangement, Lockjaw Smile utilizes a vast array of contrast in order to capture their audience with authentic expression. “Black Sky,” has us soaring in and out of a universe that is custom to Lockjaw Smile, and we must admit; we’re thrilled about it. Could you please share a glimpse of what the creative process looked like when bringing this song to life? Thanks for showcasing our music! I started the song with the main riff in drop D on an acoustic guitar. A lot of our tunes start that way with an acoustic guitar and melody ready for the band. Bill our bassist comes up with some of the best riffs in our songs to add which are the fun, and crazy ones you usually hear in our music. Then I worked on some lyrics that were a little dark and melodies with the band and our producer, Doug. In the studio is where the tunes really come alive we record all of the music with Doug at The Den Studios of North Reading Ma. - Tony Taking it back to the roots, how was the concept of Lockjaw Smile born? Lockjaw Smile had been a group for a long time, there have been many changes in lineups formats and styles along the way. When we decided to be a trio back in 2017 that’s when we thought our signature sound was born! This will be the 3rd release since we became a trio 1 EP “Three-Headed Monster” then a full-length Self Tilted LP, and now we have released our first Single for our next EP coming this year! In “Black Sky,” what is the meaning behind the lyrics crafted? The lyrics started the first couple of lines of the song. I just kept plugging away and then there seemed to be a theme. I have always been a fan of letting listeners interpret the music and have them have their own meaning to the song. In terms of themes and messaging, what do you hope your listeners take away from the music that you create? Being in a band and working together on music melodies and ideas there can be some great inspiration. Sometimes writing a song could have a theme totally made up, or telling the story from another person's perspective can also become a little ambiguous when it comes to lyrics but that is a great thing. we hope our music can move people and they enjoy what the songs bring to them. What can we expect to see next from you? We have more songs ready to release from the same session as Black Sky. We are working on a music video from one of those singable for our next single. We are already working on new music to have ready before we go back to the studio. We have a new member Ioanis on the drums. He has been pivotal to both me and Bill in crafting our music with a musically fresh set of eyes. Stay tuned for more music in 2021 instagram.com/lockjawsmile

Finally emerging into a solo career, the singer-songwriter and multi-instrumentalist Emvee Harlan touches on reflective and emotional themes within her recent hit, "Mirror Thoughts." Dragging around a cello since the mere age of eight, Emvee Harlan only recently took the leap into her solo career. "It took me years to accept my true identity as an artist. It still feels pretty awkward to even say it," she states. After roaming through the depths of emotional darkness and finding her way out again, Emvee Harlan wrote her debut EP 'No Longer Invisible,' featuring the soulful single, "Mirror Thoughts." "Mirror Thoughts" takes listeners into a dynamic journey through Emvee Harlan's emotional and sorrowful lyricism that sings of regret and despair. Not to mention the blazing and versatile rock instrumentals that offer heightened emotion and darkness to Emvee Harlan's lyrical theme, the song truly captures the midst of mental and emotional turmoil. Listening to "Mirror Thoughts," the song opens with heavy electric guitar melodies that set the emotional and weary tone. Alongside a melancholy piano melody and mid-tempo drum patterns, Emvee Harlan begins singing of lying awake at night and thinking of a lover in someone else's arms. As the song continues, the surrounding instrumentation begins to pick up and exude nothing but an aching pain through each somber tone and melody. Also touching on constantly remembering the pain she once endured onto a past lover, Emvee Harlan crafted her lyricism within this piece to offer a unique connection with her audience and those who've experienced love's confusion and chaos. Ending the song on a soulful and reflective note, we're eager to take a listen to the rest of Emvee Harlan's debut EP. Find Emvee Harlan's single "Mirror Thoughts" and her debut EP 'No Longer Invisible' on all digital streaming platforms, and experience each introspective and profound lyric for yourself. What inspired the somber and emotional lyrical message behind your single "Mirror Thoughts"? Simultaneous heartbreaks. My parent's unsettling separation, getting out of a toxic relationship and rushing into a new one. As well as having lost my sense of identity and reliving traumatic experiences that brought me to my knees as I worked for a desk job that made me feel empty every day. It was truly a mixture of a lot of unpleasant events that over the years took a toll on me. I developed PTSD symptoms in 2017 and I think that the lack of creativity and value in my life had diminished. On no one else's account but my own. Mirror Thoughts was the first song I had written in years and it reflects a point in my life where I found no end in sight. As dark as that sounds, I must add, it was a beautiful gift. It channeled its energy through me and pushed me right back into music. How were you able to mold your instrumentals within "Mirror Thoughts" to offer such strikingly emotional tones? What was your recording/creative process like? My producer Robbie Soukiasyan did an incredible job in capturing the essence of the song. I honestly had no idea what I was getting myself into when I first walked into the studio. It had been so long since I had performed/played/sang. But after sharing some demos with him, he immediately was able to pick up on the heart of the song. We did a few takes in his home studio with the guitar and vocals to lay down the tracks. Maybe about a week or so later we did the live drums at Big Bad Sound LA Studio. I wanted it to sound as powerful/edgy as possible with a Rock feel given the vulnerability of the song. We did similar in-home recordings for the rest of the tracks and did the final takes at Big Bad Sound LA. Overall it was an emotionally driven and therapeutic experience. I felt at home and in control for the first time in a while. Loved every moment of it. Are you familiar with writing vulnerable lyricism? Was it easy to open up and write such emotional lyrics for "Mirror Thoughts"? I'm not sure but I have always been emotionally expressive through writing. Songwriting comes naturally to me. But sharing it? That terrified me; which I think a lot of artists can relate to. Especially if it's their first time. But Mirror Thoughts was different. It was the opposite and it made me want to record it for others to hear. It just felt like a great song from the beginning and I knew I had to get it out there, no matter how big/small of an audience it may have. You mentioned that "Mirror Thoughts" marks the beginning of the soulful journey throughout your EP 'No Longer Invisible.' How does the single connect with the rest of the EP? Well, that's the funny part. It was the song that got me into the studio. I had written so many songs growing up but never recorded them. So when I connected with Robbie and got a taste of creativity again, I was hooked. I ended up going through some old music sheets and found Heaven, Without Your Wonders and Soul. These songs represent the artist I used to be but never let out, basically where it all began. I wrote Northern Lights and Dream after having been in the studio a few times. And those songs gave me a sense of clarity about what direction I need to go. So I kind of see the EP as a past/present/future dimension that only music can make sense of. What can we expect to see next? I released a new Single called "Sue" this week. It's more of a folksy/upbeat tune that still offers that dark/therapy writing I do as a lyricist. I'm happy with how it came out. I'll also be releasing another Single called "Masquerade" soon. Masquerade is a bit more similar to the rock songs from the EP with its heavy electric guitar progressions and rock vibe so I'm excited about its release. For these two songs, an old friend of mine, Glen came in to do the session drums which makes it extra special for me. We go way back and I look up to him as an artist. He plays the drums currently for Alice Cooper and Hollywood Vampires. It's an honor to have him on these tracks and I hope you guys enjoy them as much as I enjoyed creating them! Maybe once this pandemic is over. I can step into live shows next. emveeharlan.com facebook.com/emveemusic instagram.com/emvee_harlan

Self-made chamber pop artist Jessy Barham brings forth lyrical ballads in her new single “Price to Pay.” As a creative young woman on the autistic spectrum who struggles to find connections, Barham writes music to enrich other individuals of the hidden world that exists within the silence. “Price to Pay” is a light and bouncy piano track that is able to carry the heaviness of the emotions of individuals who feel alone and ignored. Within each moving lyrical sequence, listeners are able to feel the emotions tied to the voice inside one's head. Lyrics like “It is clear these people don’t care, you are nothing to them” embody a feeling of alienation as the beat and soundtrack continue pushing ahead. You can feel the inter directional pull between the lyrics and instrumentals as Barham feels the divide in her own head. “Price to Pay” is genuinely a battle cry that is masked with light and loose instrumentals. Each song a part of her album (Light in the Darkness) creates meaningful connections and feelings to the problems Barham finds herself facing. Her ability to do this in such a musical, piano-based way is unmatched and sets her apart as an artist! With the release of various successful singles, we can not wait to see what 2021 has in store for this truly inspirational pop artist. We are loving your new track “Price to Pay”, what was the process like for you when writing this piece? Thanks, the process was very exciting! It was the first song I wrote in a jazzy style. Usually, the songs I write have a dark classical, indie-folk vibe to them. This time, I wanted to combine dark lyrics with an upbeat jazzy, piano melody for a new sound. Who would you say has been your musical inspirations or individuals who have impacted your personal sounds immensely so far in your career? Originally, when I began my career, I was influenced by rock bands like Evanescence and Within Temptation as well as indie singers like Birdy. However, my influences were different with Light in the Darkness. I had been listening to dark cabaret artists like Emilie Autumn and Aurelio Voltaire lately. Dark cabaret is a music genre that combines gothic rock with 1920’s jazz and cabaret music. The melody in this genre of music is bouncy and jazzy whereas the lyrics are dark. I wanted to write a song in this style and that’s how Price to Pay came about. How would you say you have been able to connect your various musical pieces together so far to create one genre/personality? When I write albums, I like to tell a story of self-discovery, so the songs are all ordered in a story-like manner. I began this album with Ghosts from the Past, which is a spooky song about being haunted by past memories and struggling to let go of them. I then transition into Price to Pay, which is a dark cabaret song about being careful who you trust. Only a Dream is a gentle ballad about remembering a loved one. The first three songs are about painful experiences I had. The last song A New Dawn ties up the album since it is about overcoming darkness and seeking light. This track embodies feelings of being alone and ignored, you mentioned you are someone who struggles to find connections themselves. How would you say being able to create songs like this one have aided you as an individual? Having the ability to create songs has helped me express emotions that otherwise would be pent up inside me. Price to Pay came to me in a time of frustration. I turned that frustration into a song about people being naive and putting their trust in authority figures that don’t have their best interest at heart. “What looks appealing to the eye can be rotten to the core inside,” was me saying that just because someone looks nice, does not always mean they have good intentions. What is your favorite quote to follow when it comes to your music and artistry? My favorite quote is, “Music is the soundtrack of your life.” I think this relates to me as most of my songs are written about things I have experienced or are simply my thoughts turned into songs. instagram.com/jessybarham