Search this site

Pamela Hopkins, the multi-talented, Singer-Songwriter is sure to draw a crowd with her new foot-tapping single "Somebody Here is Walkin." Making her debut as a breakout artist with Off The Row Studio, Pamela and her band have delivered a variety of country and classic rock tunes some of which being her original songs and others being classic well-known tunes. This Arkansas artist has the instrumental ability to back up her unique vocal sound. This country track opens with a darker more storming sound that becomes lightened through the background guitar strumming. As the beat drops and the band joins in, the vibrato in Hopkins' voice is able to transcend this song into a full country swing. “Somebody Here is Walkin” offers listeners a moving sound and storyline in which the classic countrywoman is powerfully sending a man off while of course wearing her cowboy boots. Moving through the immediate anger, to motivation, to slow down, and finalizing with Hopkin’s driven voice the vocalized acoustics will entice and spur listeners. Hopkin’s band truly makes this song a tune for dancing and transforms this piece into a confident musical send off to a man she once knew. “Somebody Here is Walkin” is sure to spark listeners to get up and dance as Pamela Hopkins transforms this piece with her engaging vocals. Welcome to Buzz Music! We are loving your new track “Somebody here is Walkin”, and are interested in your inspiration for this motivating country track? When I met with the writer of this song, Jim Femino, he pitched this one to me after we talked about my style, and after he heard my voice. I fell in love with this song because I thought the groove was great and I thought that it was something that people could relate to. I have some friends who have caught their spouse cheating on them, and it made me want to sing this song as more of an empowerment tool to let them know that it's okay to walk away from a toxic relationship. Your song has a really fun swing nature to it, do you think your background in dueling pianos and various other instruments influenced how you generated this sound with your band? I actually did not write this song or come up with the original groove/arrangement. The single that I released prior to "Somebody Here is Walkin'," called "Little Rock Famous," was very much influenced by my job as a dueling piano player. If you listen to the lyrics that I wrote, it very much describes my life in a smaller city and the fact that I am pretty well known for my singing, and that I am okay if this is all I ever do. Of course, I would love to grow musically and would love to grow my fan base, as music is my passion, but fame is not my main goal. My main goal is to pursue my music career making people happy and writing from the heart. Maybe between the two, people can connect with my message. This song mentions sending away a man who doesn't deserve you, how do you think this idea fits in with other songs you have released? I wrote a song called, "The Me You Could've Had" and it was released in August 2020. This particular song talks about walking away from someone (or someone walking away from you) and realizing that it was them that was holding you back from your own potential and holding you down from being the beautiful person you are. Relationships can sometimes be toxic, many times hurtful things are said and we start to believe those things about ourselves. "The Me You Could've Had" is another empowering song that lets the listener know that they are better off without a toxic, abusive person in their lives... and without them, we can find our own strength and independence. You and your band seem to have such a connection with your sound, how do you think this has impacted your songs and vocal ability? I generally co-write with other songwriters, and with each idea I have for a song, I have a certain sound in mind--which is displayed in the work tape. My producer, P.T. Houston, and the studio musicians help complete the vision. Being a dueling piano player has allowed me to play around in almost every genre. Some of my songs fit into different types of feels because my influences are all over the place. When I first started recording, most of my songs were songs that I chose because of the message and the sound came second (these were written by other writers). So I had a song that was a country-rock ("Friends Like You"), another that was more in the blues style ("Not Another sad Love Song"), and others that were a more traditional country, etc... I'm really drawn to the country-rock style though ("Little Rock Famous" and my upcoming single "Givin' a Damn") and also more to a sultry sounding vibe for my current writes. More recently, I began co-writing or writing all of my own music. 2020 has been a very challenging year for everyone. What has been keeping you inspired to create music? What advice can you give another artist who's finding it difficult to do so? 2020 has been very difficult for musicians, especially musicians who play live as a way to earn a living, like me. I've been lucky in that our venue hasn't had to close too many times due to Covid 19. We were initially closed for about 6 weeks back in March/April/May and then opened back up... then the riots started so we had curfews and shut down a couple more weeks. We opened back up and have only shut down a few more times here and there or had our hours restricted like they are now. When we have been open, I save as much money as I can/could and have already set aside some money for my new project. Regardless of what is going on in the world around me, I have tried to connect with other songwriters and bust out as many completed songs as I could. The world is going crazy and I find solace in singing and writing. Most musicians that I know get creative in emotional times. When things were getting really tough financially, I had to just make a schedule and keep to it and not let my personal world crash and burn around me...I just turned off the news and kept myself busy with things that would hopefully advance my career, not make it stall. I am still working daily to keep myself moving forward. It's really easy to slip out of habits that keep momentum if you let the world around you fall apart. Things will be okay and things tend to work themselves out in time...press forward for there's nothing that can halt you but yourself and your attitude. instagram.com/pamelahopkinsmusic facebook.com/SingerPamelaHopkins twitter.com/phopkinsmusic

Toobs gives grunge and wild child expressions in the new hit “Worms.” Written by singer-songwriter Robert Dakota Bragg, this Maryland-based heavy rock band continues to write and record numerous garage rock style tracks. Having their tracks released on various music platforms like Spotify and SoundCloud has allowed this band’s media presence to rise significantly as they continue to release new music. “Worms" is a garage rock band style track sure to get listeners motivated and pumped up. The fast-moving beat and instrumental within “Worms,” engages listeners and brings a true rock tempo. The immense guitar presence keeps the song moving quickly and artistically while the moderate vocals do not overbear listeners and allow them to entirely focus on the band and sounds. Toobs edgy vocals and lyrics like “Just take a brick to my head I think I'll be alright” truly encompass the garage rock band style and give this track some edge on other related pieces. Toobs is able to express authentic rock music through their instrumentals, edgy vocals, and fast-moving sounds. Set to release their debut album “CULTS,” in 2021, Toobs is definitely a rock band to keep on your radar to get your fix of some rock music. Hey! Welcome to BuzzMusic, we love your new single “Worms”! What would you say your intentions were as an artist with this track? Musically, the writing of the song was completed before I cast any meaning or intentions. But later after writing the lyrics, the intentions were to break down the concept of life being precious in the form of intelligent design. Also coming to terms with the sporadic thoughts and day-to-day manic behavior of every-day people. I wanted the song to express that even though we're just worms living in the dirt in this ongoing battle of birds vs worms it doesn't matter because we get to share it with other worms. Worms are happy with no intentions or purpose and that's okay. To expect anything more creates room for disappointment. Plus it's cool to think about the evolution process from worm to human. Your band has a “wild child” type of sound, do you consider this before putting together a song or does this type of tempo and expression come naturally for your band? The "wild child" aspect of the project was intended to express it being my solo work. With TOOBS there is a difference in rawness and grit compared to my other active project Robot Jurassic. Making TOOBS as a whole, my "wild 2nd child". The expression and tempo definitely came naturally because it is just me controlling the process without the limitations of a group effort. It has its pros and cons but the outcome of your solo work can feel much more personal and open to true expression. So yes, it is natural in the sense that I did and can do anything I want to musically which is fulfilling. We are super excited for the new release of your debut album “CULTS”, how did the pandemic and the difficult year of 2020 impact the creation of your songs and recording process? This year has definitely been difficult socially and financially but one good thing to come out of it was that I had plenty of time to get back into the garage and produce more music. Without the time-consuming hustle of booking and playing shows, I had the opportunity to create, practice, and record our new record (COVID safe, of course) Although your group is typically a rock style band, have you ever considered branching out into other genres and the effect it could have on your songs? I have dabbled in a few different genres over the years. This was actually my "branching out" project straying from the heavy psychedelic rock feel of my other work and into a more simplified and raw version of the writing process that many of the bands I admire seem to explore. What can we expect to see next from you? I am releasing one more single sometime next month. Then soon after I will release the EP in its entirety. The 2nd EP is in the works. The writing is already completed, I just have to get into the studio which I will do very soon after releasing "CULTS" facebook.com/toobsmusic instagram.com/toobsmusic twitter.com/toobsmusic

From Las Vegas to N.Y.C., the Pop Artist and Singer/Songwriter Joey Miceli return with his fourth album, striking a chord close to the listener's heart with the ten tracks on "Serendipity." With over half a million total streams on Spotify, over 100K on Apple Music and YouTube, Joey Miceli has been making his way around the industry since his first conceptual and gripping album release in 2016. A powerful advocate for the body positive movement, Joey Miceli felt inspired to be the man he wanted to look up to as a boy, to spread a message that men don't have to look or act a certain way to be successful. Placing those emotions into his latest album, "Serendipity," lets dive right in. Jumping into the album with the intro track, "Sunkissed," Joey Miceli opens the album with heightened ambiance through the modern Pop production and blissful orchestration. While his ghost vocals begin to haunt the background, Joey Miceli makes his vocal appearance and livens the foreground with the utmost reflection and emotion. As Joey Miceli begins to vocalize his many emotions that linger in his mind during the darkest of nights, we're genuinely feeling a sense of belonging through his poetic lyricism and heartfelt delivery. Perfectly opening the album with this emotional and gripping single, we love what Joey Miceli has delivered thus far. Moving onto the second track, "Bad Dream," the piece opens with uplifting and airy synths while a groovy bassline heats the low-end. Fueling this track with a vast sense of modernity through the synthetic production that lies within the heart of Electro-Pop, we appreciate the versatility that Joey Miceli has portrayed merely within the album's first two tracks. Moving into the hook, we're met with a variety of powerhouse synths that make for an exhilarating experience, all while Joey Miceli sings his inspirational message of moving forward from the harsh realities we've endured and sought a brighter future to pull us in close with a warm embrace. As we move into track number three, "Liar (feat. Santino Cardinale)," the track opens with more of a Lo-Fi blend of organic Hip-Hop and Pop through the production's natural vibrance that pushes mesmerizing keyboard melodies and a mid-tempo beat. While Joey Miceli begins singing his lyrics of wanting to escape the sadness and turmoil that a relationship seems to offer, he also comes through with a hint of spitefulness towards someone who doesn't seem to tell the truth. Santino Cardinale comes in and takes the track by storm with his warm vocals and rhythmic bars. We love the Hip-Hop influence that Santino Cardinale brought to this track, as it perfectly evens out the vibes that Joey Miceli has placed. Moving into the ambiance that is the next track, "Saturn's Rings," we're met with a serene production arrangement that floats in the background with delicate synth patterns that meet Joey Miceli's warm vocals. We hear Joey Miceli sing more of a confident message on this tune, as he speaks of the love he knows he can provide. Listening to the production around the hook, the sonics completely switch into this heated and modern breakdown that gives us hints of the depths of Billie Eilish and her ominous vibes. This track has to be one of our favorites, as we hear a different side of Joey Miceli through the song's dynamic sonics. Gracing our ears with a passionate ballad through the next tune, "Luna," the song begins with Joey Miceli's tender vocals and soothing background keys that remind us of a 2010 Owl City. Listening to the lyricism that Joey Miceli serenades us with, he sings a passionate message of seeking someone's love and wanting to dive deep into the otherworldly passion they have to offer. As we hear another side to Joey Miceli through this passionate and desirous piece, we're incredibly grateful to hear such an eager and heartfelt single that speaks on the beauty of proper love and the unique feeling it brings us when done right. Another spectacular sonic arrangement opens the next piece, "The Martyr," as we hear a captivating synth pattern liven up the song while an uptempo kick pushes the song's energy to the max. As Joey Miceli begins singing another passionate and introspective message, he touches on themes of knowing his worth, which we highly appreciate hearing in artists, as their words have more influence on listeners than most think. The sonic production maintains its steady pace while pushing the fluttering keys to compliment the tender lyricism that Joey Miceli delivers. We always appreciate an empowering breakup tune, but Joey Miceli has truly made this song his own. A heavily filtered and distorted vocal arrangement opens the seventh track, "Flicker," while Joey Miceli comes through with more of a Hip-Hop approach once again. As he begins delivering his lyricism through more of a rap style, he touches on the spiral that a past relationship has brought. We feel all the emotion, power, and distress that Joey Miceli sings of, not only through his vocals' natural emotion but the poetic and in-your-face lyricism that pulls us closer to relate. The sonics continue to spill this uplifting sense through its synthetic warmth that resides between the genres of Hip-Hop and Pop. Reaching the next track, "R.E.M.," the piece begins with soothing background vocals and breathtaking pads that float in the background. As the organic electric guitar appears alongside the synthetic kick and accompanying drums, we're already feeling a sense of passion and genuineness through the introduction. We are absolutely head over heels for the empowering lyricism that Joey Miceli touches on through words like, "I'm starting to fit my own skin, nowhere finished, but at the beginning, I love feelin' the independence." The blend of sonic production and organic instrumentation is truly sublime, as we feel nothing but lifted after hearing such a positive piece. As we move onto the second last piece of the album with "Beneath Me," the song opens with a downtempo production arrangement through warm keys, snappy drum patterns, and haunting background pads. As Joey Miceli pours his heartfelt vocals over the piece, he begins singing his poetic lyricism once again. Yet, this time around, instead of emphasizing his flaws and what went wrong within a relationship, he switches the theme and pays tribute to the imperfections that make up who he is. Reminding us that everyone comes with a flaw or two, Joey Miceli leads by example and embraces every inch of his being to learn from it and grow. Landing on the last track of the project with the outro piece, "Eden," we're genuinely lifted into pure serenity through the song's heart, emotion, and desire. As the song begins with soft background keys and a mid-tempo drum beat, Joey Miceli comes through to sing his honest and genuine message towards a past lover. While he sings his introspective lyricism regarding the loss of oneself after leaving someone behind, Joey Miceli touches our hearts with his tender lyricism that depicts the dreadful process of moving forward from someone you once thought was yours forever. Ending the project on an emotional note, we can't get enough of the heart that Joey Miceli has captured within this piece. We're nothing but impressed with the depth, emotion, and versatility that Joey Miceli has provided through his fourth studio album, "Serendipity," as he brings the listener into a personal story to allow them to relate and find a space they can feel safe within. Congratulations on the release of your fourth studio album, "Serendipity." What inspired you to create the album? Thank you! And thank you for taking the time to listen. I was really inspired to create ‘Serendipity’ after I released my last record, ‘Talkative.’ I got a bit more personal on that one and touched on some things that I had always wanted to talk about in my music, but never could find the right words. After the response ‘Talkative’ had, I was so relieved because it taught me that I can go there and people can relate and not look at me like some alien for feeling the way I feel. I felt I finally could find those right words after that realization; what was most important was keeping a sense of hope amidst all the other feelings expressed in the record. I don’t have enough hope in my life as it is, especially when I was going into writing this album, but I was able to find hope in some of the most tragic things that have happened to me through this album. What lyrical concepts and messages did you want your audience to learn from and take away within your versatile and emotional album "Serendipity?" That exact thing. I wanted them to feel emotional and reflective. My goal in music is to make people feel understood or to almost give them a hug through their phones. I mean, ‘Saturn’s Rings’ probably isn’t exactly comforting, that’s more of an aggressive statement, but I think records like ‘Luna’, ‘The Martyr,’ ‘Bad Dream,’ and ‘R.E.M’ are more reflective and inclusive to how the listener may be feeling. I find comfort in music, and frankly, I need to find comfort in music. That’s why I feel it’s essential for me to take my music seriously in the sense of whoever decides to listen, I need to take care of them, make them feel joy, guide them through what they’re feeling in their own lives, or just make a good record if it’s not that deep for them. Could you explain what it was like collaborating with Santino Cardinale for the tune "Liar" within "Serendipity"? Would you say that both of you have established chemistry that makes the process easier? Yeah, so ‘Liar’ was actually the first song we wrote and recorded for the album. It was our first time working together in person and I just remember being so nervous. The recording and writing process is when I feel most vulnerable, so we definitely had to write about something we both had gone through in order to feel more comfortable. In this case, it was shady people doing shady shit. I think ‘Serendipity’ is a huge reason Tino and I are so close now and that’s because I had nowhere to hide. He knows me for me. He heard every lyric as it was written, he heard the stories behind every word, and he heard how hard some were to actually put on the record. But I have never felt more comfortable making music with someone and I swear I tell him every day how lucky I feel to create with him. He’s so insanely talented and I’m just super grateful to have had such an experience with him. Did you have any help from other producers, songwriters, or engineers within your album "Serendipity?" Tino and I did it all by ourselves. That’s what really makes it so authentic. I was writing through the lens of a new friendship and how vulnerable it is to open up to someone and let someone get to know you. I think that definitely supported the vulnerability heard throughout the album and it almost feels like a little time capsule. A lot of our friends were present while we were recording and whatnot, and I definitely played the album through its phases for people I love. I remember Santino’s brother, Gianni, and his girlfriend, Brooke was sitting with us while Tino was working through production for ‘Luna’ and I was just writing like crazy because I knew exactly what I wanted to write about. Brooke loved it from the beginning so that gave me confidence in what I was feeling about the song. Then I got stuck on one line in the chorus, “precious like a pearl,” because I thought it sounded awkward, so I turned to G and Brooke and saw what they thought. It was moments like that where I personally feel like the album is what it is because of the people surrounding us and how willing they were to dedicate time to listen to our ideas. We couldn’t have made it without the support around us; it gave us validation. How does your album "Serendipity" contrast your previous three albums? Did you experiment with other approaches or themes within the recent project? I like to think I’ve been authentic in my writing the entire time, I just chose when I wanted to really open up and when to not. I was in a very different place with the first two records. I didn’t know who I was or wanted to be at all, I was lacking true self-awareness, I was in a toxic environment, in a toxic relationship, and I was unhappy. I’m still not happy, but I know what I deserve (most of the time at least). That makes a difference and helps me find that hope I was talking about. ‘Talkative’ was the very beginning of that journey, and ‘Serendipity’ is just the manifestation of realizing my flaws, seeing through evil intentions, learning to be a better man, struggling to be a better man, coping with my grief, and trying to genuinely be myself through it all. ‘Serendipity’ is the most me record I have and I plan to keep putting my life and feelings on display so others can find catharsis in whatever I decide to create. instagram.com/joeymiceli twitter.com/micelijoey

Known for her soulful runs and charismatic lyrics, Ina Bravo has been featured with some of the hottest global DJ’s and has written songs for numerous major recording artists in the genres of R&B and Pop. Born in the Netherlands, Ina Bravo's passion for music started at a very young age. After graduating college with a degree in Music Production, Ina Bravo took a leap of faith and made her way to the US, setting ground in Atlanta, Georgia, where she would follow her dreams and sign a recording deal with State of Mind Muzic. After a year of moving back and forth between the United States and the Netherlands, Ina Bravo made the ultimate decision to settle down in Los Angeles where she continued to hone in on her skills as an artist. Currently signed to dubb Records, her latest single, "Talk To Me," offers an intoxicating ambiance with conspicuous visuals. The vital Pop atmosphere that has us crawling towards her icy vibrations comes down in one fell swoop. “Talk To Me,” has the sultry radiance of Ina Bravo’s vocalization as she pampers us in seductive reverberations that float in a pool of mesmerizing harmonies. The wide vocal range that she teases us with is exuded in a heavenly manner as she graces the mid-tempo instrumentation of this composition. Sending us to a well-rounded new wave of Pop flavor, Ina Bravo has us fully captivated by this single. Pair her undeniable talents with the mind-altering music video she released to accompany a bop of this quality, and we have an unrivaled combination of entertainment. Through neon lighting, slick choreography, and a brilliant concept, Ina Bravo places her best foot forward on an escalator to the top. You automatically get the definitive feel for her consummate spirit as you take in all she has to offer through alluring lyrics and effervescent illustrations. Ina Bravo has us entranced with the flair she offers the genre of Pop as she makes each unique creation superior to her brand. Dousing us in the flames of her passion, she has us placing this record on loop as we wink into the depth of her essence. Welcome to BuzzMusic, Ina Bravo! Congratulations on the release of your single and music video for, “Talk To Me.” What was the inspiration behind this captivating single that you released? Hi BuzzMusic! Thank you so much! I wrote, "Talk To Me" right around when quarantine happened. Being isolated at home in slacks & baggy sweaters made me reminisce the nights we were able to go out & meet people, dance our butts off, feel sexy! So when A-Dubb sent me that hot bass-driven beat, "Talk To Me" basically wrote itself, haha! The music video for, “Talk To Me,” was extremely well executed and entertaining to watch! Was your vision captured just the way you wanted it? What was it like filming the scene in the rain? Thank you! I'm really proud of it, too. When I first talked to Zane (The director), I brought up a concept that I hadn't refined yet. (Especially in these times where things are really hard to execute) so Zane flipped it and came up with this treatment, which I instantly fell in love with. On shoot-day, he made sure everything was perfect and it came out amazing! For the rain scene, I had only rehearsed the choreography (by Marque) once the day before. When I left rehearsal, I kept going over it in my head until the scene. When I arrived at the location the floor was 10x more slippery than I already thought it was gonna be, so I did fall a couple of times, haha. But it was so rewarding to watch it in the end! As an artist, everyone has a different approach to the creative process. What goes into yours? I usually don't even write it down first. I wanna play with melodies & cadence first. I wanna hear what vowels sound good and where. I have my own setup at home, so I always record a max of 3 tracks of melodies, then take a break. Go eat or for a run or something. When I come back, if those melodies stick, the rest of the song is already written in my head. I love this process because it allows me to keep enjoying what I do. I could lock myself away, too. And not being seen by society until the album is done, haha. But being a songwriter who writes from feelings and emotions, I have to handle them with care & keep my well-being with the volume of songs I write daily. We hear that you have a debut album in the works! What are you able to tell us about the creation? I do! I'm super excited about it because I get to show the world what INA wants! It'll be released soon, 2021! The songs will be about my growth as a woman, feeling sexy, confident, and will have some stories I've never told before that will hopefully inspire young girls to feel invincible regardless of their trials! 2020 has been a very challenging year for everyone. What has been keeping you inspired to create music? What advice can you give another artist who's finding it difficult to do so? Man, where do I start.. even though it's been a devastating year, now more than ever the world needs us artists to tell, not only our stories but also the ones for those that can't. If you think too hard, let it go. Try again tomorrow. And the next day. And the next. What keeps me inspired is the NEED for telling stories. My heart is desperate to write it all out. Because this is my outlet, not my way in. instagram.com/inabravomuzik

Hailing from Lawrence, Kansas, the versatile Artist, Singer/Songwriter, and Multi-Instrumentalist Ethan Hall teams up with Jodolin and ICAS for the release of their single, "Wasting Time (feat. ICAS)." Playing violin from the age of three and later being classically trained by various instructors throughout the U.S. has led Ethan Hall to masterful creation. Learning to play through the Suzuki method, Hall later found himself able to learn skills through his instructors and by ear. After singing with his high ranking chamber choir from high school, Ethan Hall felt compelled to tackle the task of songwriting. Now releasing his original music on all streaming platforms, Ethan Hall recently dropped his emotional and honest Hip-Hop track titled "Wasting Time (feat. ICAS)." As Ethan Hall brings a heightened sense of heartbreak through his vulnerable bars and lyricism, Jodolin perfectly supports the song's emotional theme with desirous and sorrowful lyricism on the hook. Taking Ethan Hall's single for a spin, "Wasting Time (feat. ICAS)" begins with a plucky electric guitar that reminds us of a modern MGK. As Ethan Hall opens the track with his bright and melodic vocals, he spits his bars with intensity and honesty, exclaiming his distaste for someone who did him wrong. The supporting production serves the brightest of vibes by merging organic guitar and modern Hip-Hop drum breaks. As we reach the hook, Jodolin comes through with his melodic vocals that resemble the unique stylings of Lil Yachty. As his vocals perfectly contrast those of Ethan Hall's, we genuinely love the dynamic flairs within this piece, primarily through the artists' emotional lyricism and the uplifting production/instrumentation. We highly encourage our readers to check out the dynamic stylings of Ethan Hall and his recent single, "Wasting Time (feat. ICAS)." With help from Jodolin and ICAS on this emotional hit, we're left wanting more of these gripping collaborations. We truly admire the emotion and dynamic elements within your recent single, "Wasting Time (feat. ICAS)." What inspired you to create such a heartfelt single? We decided to make the song about the complications love can bring. You want to be with someone with who you invest a lot of time, but they are only interested in you for what you’re worth rather than for who you are. So that’s why we named the song “Wasting Time,” because in the end all that person doing is wasting your time. The song's lyrics are relatable yet upbeat which is what we were going for. Our main message is just to help people understand that they are worth way more than they might think. So they shouldn’t allow people to make them think that they are worthless than what they are. Your bars and lyrics within "Wasting Time (feat. ICAS)" are incredibly genuine and relatable. What was your songwriting process like when writing such a meaningful message? How did you divide the work between the three of you? This song had a very unique writing process and was incredibly fun to record. We all decided on a topic and wrote our own lines to the song. We decided I would write and sing the chorus, ICAS would write and sing the 1st verse and Jodolin would write and record the last verse. We wrote the whole song in about 15-20 minutes. The craziest part was when we recorded it. Everything went perfect. We made no mistakes while we recording. Everyone was jamming a lot and really feeling the song. Everyone in the studio was trying to hop on the track haha. It’s was a surreal experience for sure as all 3 of us have great creative chemistry. We recorded and wrote the whole song in about 45min in total. These guys are more than just artists I enjoy working with, they have become great friends of mine. This was also the very first project we had all worked on together so we didn’t know what to expect. Then after we recorded it we went to downtown Kansas City and celebrated because of what went down in the studio that day. It’s that moment we all decided the music industry was something we wanted to pursue. Who created the production and instrumentals for your single "Wasting Time (feat. ICAS)"? What sort of vibe were you looking for within the song's production/instrumentation? The beat we used was created by Ross Gossage & JKei. They are insanely talented at what they do. We heard their beat on YouTube and we instantly knew we had to use that beat for our song. It was upbeat, catchy, and easy to write with. It was everything we were looking for and we just had to use it for our song. These producers are amazing at what they do and are even more amazing for allowing starting artists like us to use their beats. What can we expect to see next from you? You can expect to be seeing a lot more high-quality music coming from me and these other artists. Since we made this song we have recorded many others. We work so well together why would we stop. I also have a song with Caleb Hearn and Jodolin coming soon. Lots of big things will be coming, I just gotta keep strategizing and investing in what I love. instagram.com/ethanhallmusic

In addition to the development and Operations of his own company, Jason Dmore is looking to pursue a full-time career as a Singer and Songwriter. He initially declined a contract offer from a major recording label, with a ferocious determination to make a name for himself independently. The Philadelphia based independent artist has just released a single to close off the unprecedented year of 2020 with some good vibes. Jason Dmore’s new release “Shake It” blends the best of Hip-Hop and Electronic Dance music all while incorporating subtle flavours of tropical dance music. The electronic engineering is presented at a high frequency with a repetitive melody, giving “Shake It” its energetic sense of urgency. Jason Dmore shows off his natural production talent by adapting the melody to reflect a tropical dance genre, using syncopation. The beat is layered between offbeats which creates a summative effect, encouraging the listener to stomp their feet and shake their hips in to hit every beat. Jason Dmore does not stop there – he gives “Shake It” supplementary zest by incorporating the occasional percussion flair at the end of certain verses which creates emphasis at all the right moments. When it comes to vocals Jason Dmore will not let you down. He raps with an aggressive flow, comparable to the likes of British rapper Stormzy. Combined with the speed of “Shake It’s” rhythm and electronics, Jason Dmore makes sure he brings his listeners his well-anticipated heat. You told us that you were presented with a contract by a major recording label, and ended up choosing to maintain your independence as an artist. Can you tell us about this decision, and why you made it? This day in age new artists like myself that are offered 360 record deals are taken advantage of by record labels. I did my own research and came to the conclusion to remain independent because, at the end of the day, my goal is to have longevity in the entertainment business. It's very valuable to own the rights to your own masters in order to keep 100% of your earnings and be able to pass down your legacy. We noticed flavors of Hip-Hop, EDM, and Tropical Dance music in “Shake It” Can you tell us about your inspiration for this song? What genres inspired you? I grew up listening to dance hall music and I always enjoy to see people having a great time and dancing. My inspiration for "Shake It" came from my exposure to EDM artists such as Calvin Harris and David Guetta. There's not a lot of artists that look like me in this genre, therefore my goal is to create a unique style and vibe that represents me and for my fans to enjoy. Can you tell us how “Shake It” compares to the rest of your music? How has your music style evolved throughout the years? I feel that "Shake It" has its unique style and different flare when compared to the rest of my music because I chose to fuse Afro beats with EDM vibes for this song. My style has evolved throughout the years by creating a new blend of sounds and beats that have never been fused together in order to keep it distinctive and refreshing. Are there any famous artists that have influenced your music style? How have they inspired you? I have been influenced by EDM artists like Calvin Harris and David Guetta who've created amazing sounds and beats from blending different genres of music into EDM. It's only inspired me to create my own music adding my personal style and vibe. What can we expect to see next from you? Next for me is a live tour in 2021 and internationally promoting my upcoming video for "Shake It" on YouTube. I am also working on another project for a new song so stay tuned! instagram.com/jasondmore

The up-and-coming Rapper, Singer/Songwriter, and Basketball fanatic Lil Mocc teams up with her closest mates to release her debut album, "From Hoops to Holidays." Lil Mocc (Lissa Prudencio) has been getting to know the industry's ins and outs through music publishing and licensing positions, recently leading her to dive deeper into the tech industry with a full-time position at Google. On a more personal note, the basketball lover decided to gather her teammates and close friends to release the passion project, "From Hoops to Holidays." Diving into the album, we're met with the introductory track, "The Rebound (Intro)," playing off of the basketball roots that make the album what it is. A beautiful piano serenade sweeps our speakers, delivering a serene and mellow melody while soft woodwind instrumentals float above with enchantment. As Lil Mocc begins delivering more of a spoken word, she speaks an incredibly encouraging message that anyone can relate with. Speaking on our year and picking ourselves up when we fall, we truly feel moved after listening to Lil Mocc's relatable message, and we're ready to hop into the next piece. Jumping into the second track, "Issa Snowman (feat. Ronnie B)," a fiery a bouncy Hip-Hop beat graces our speakers with all the vibes we need to get us out of our seats. As Lil Mocc begins rapping her honest and genuine message of believing in love, joy, and peace, she later gets personal and tells a story of a life-changing childhood experience that led her to gain the strength and knowledge she obtains today. We also hear a melodic and dynamic feature from Ronnie B; he gives the song an incredible range through his bright falsetto on the hook, rhythmic bars, and playful ad-libs. Moving onto the next piece, "Presents in the Paint (Interlude) [feat. Ronnie B]," we hear an incredibly moving interlude that takes us back a few decades. This track highlights the broad and powerful talent of none other than the underrated Ronnie B. He delivers his astonishing vocals and soulful piano melodies, paying tribute to the prime eras of Soul, Jazz, and Blues. We're genuinely surprised that the media isn't sweeping up the raw and mesmerizing talent that Ronnie B offers, and we're more than appreciative of Lil Mocc for placing his captivating feature within various tracks on this passion project. Onto the calming and harmonious piece, "Mamba Lullaby (feat. Ronnie B)," the song opens with another captivating piano melody that sets the song's emotional tone and atmosphere. The highlight of this piece has to be the passionate lyricism from Lil Mocc and Ronnie B, as Ronnie B opens the song with his emotional vocals while singing of the late, great Kobe Bryant. As Lil Mocc jumps into her flow, she sings of Kobe Bryant's colossal talent and his impact on not only the basketball community but the world itself. Reminding us to keep the memory of Mamba and cherish the effect he's made on countless lives, we're genuinely moved by this emotional and heartfelt piece. Bringing our spirits up with the next track, "D.W.C. (feat. Ronnie B & Magic City)," the beat brings an immediate sense of modernity through the various synths and driving bassline. Magic City takes the track by storm and makes his debut in the album with his playful, charismatic, and rhythmic bars that add a natural sense of heat to the track. Ronnie B makes another appearance in the album and delivers a different side to his talent, rapping with a heightened sense of poise and authenticity, perfectly complimenting the similar talent and authority that Magic City has to offer. Reaching the second last track of the album with "Madam (feat. Queen Beav)," the piece opens with uplifting synths and starts the song with the brightest vibes. While listening to Queen Beav's brilliant feature, she begins singing with the utmost soul and power while reminding us to raise our glass and toast to tomorrow instead of the past. Lil Mocc enters the track with a wild sense of confidence and poise that's truly intoxicating, especially as she delivers her powerful bars while keeping her message personal and real. Not to mention rapping about themes of equality, proper treatment within relationships, families, and government systems, we love the empowering message that Lil Mocc presents. Ending the passion project off with the outro track, "It's Not a Rap (Outro)," we're met with another mesmerizing piano lead. What we love about this album is that Lil Mocc perfectly diversified the sonic contents and delivered completely different atmospheres throughout the project. Primarily through this brilliant, breathtaking, and contemporary piano piece, Lil Mocc has stopped us dead in our tracks with the broad talent she delivers not only on this magnetic instrumental but throughout the entire album. Ending the passion project on a more reflective and festive note with an enchanting piano outro, we're genuinely impressed with Lil Mocc's in-depth debut. Overall, Lil Mocc has positively wowed us with her dynamic debut and the various vibes she's delivered within the passion project, "From Hoops to Holidays." As Lil Mocc touches on many different lyrical concepts that remain nothing but accurate and relatable, we're equally impressed with the project's talented features that bring all the more authenticity and genuineness. Congratulations on the debut of your music career with the passion project, "From Hoops to Holidays." What inspired you to create the album? I love Christmas. I love making people smile. And like many people, a day doesn't go by that I don't listen to music. Knowing how much impact music has on people, I thought 2020 would be a perfect year to create something that could bring joy to an otherwise bizarre, sad, and tumultuous year. On top of that, I knew I'd have extra time on my hands to focus on the project. Being in quarantine gave me extra time to learn the ins and outs of music, both on the creative side as well as the business side. Long story short, making a debut Christmas EP this year simply felt right. Within your album "From Hoops to Holidays," you touch on incredibly real and genuine lyrical concepts. What is your songwriting process like, and have you always shared a passion for writing? My history in songwriting is actually very much on the surface. I've always loved creating things but I never took writing music seriously. In my middle school and high school years, I was really into battle rap, inspired by 106 & Park and all of the classic diss tracks from the 90s and early 2000s. I wrote battle verses on online message boards (I know I'm aging myself by sharing this!). I recorded diss tracks and even participated in a few "Freestyle Friday" rap battles in high school. The only other music I've written since my teenage years has been fun and catchy parody songs. For example, I had a YouTube video called "Clean Wit It, Mop Wit It" go viral in 2006 (a parody of "Lean Wit It, Rock Wit It"). When I started writing From Hoops to Holidays, it started out with a similar vibe. I was thinking about Christmas albums such as Christmas in tha Dogghouse (Snoop Dogg) and A Dipset Christmas (Jim Jones). Then, one of my friends sent me a few piano tracks he wrote for the album and I was immediately like, "THIS IS BEAUTIFUL." At that point, I had already made a few hip hop and trap beats, and didn't want to go in a completely different direction. So that's why you'll notice From Hoops to Holidays is a little bit of a mixed bag. It has some very lyrical parts with beautiful instruments, and it has some bouncy and catchy parts as well. When it all started coming together, the one common theme I kept in mind while writing was to make people feel good. I think both the music and lyrics on the entire album accomplish that. It's all good vibes with a positive message. Speaking on the talented features within your album "From Hoops to Holidays," what was your creative/recording process like working with your friends? At the end of the day, it was extremely FUN! It was a project that kept us all connected during this hectic year in quarantine. I'd be lying if I said it was easy working with a bunch of my homies who don't normally do music. Zoom calls and group texts quickly went off-topic. And getting people to send me music and lyrics was like pulling teeth. We all definitely had a hard time staying on track and on schedule, but it all worked out in the end. I mean, we dropped a Christmas album before Christmas! Did you have any help behind the scenes with the production and instrumentals for your album "From Hoops to Holidays"? The music on "Issa Snowman," "D.W.C." and "Madam" was completely produced by me. The piano on the rest of the tracks was done by my good friend and basketball teammate, Kevin. As I mentioned earlier, his piano tracks were so beautiful that I had no choice but to change the feel of the album. I owe him a lot! He really took this project seriously and contributed in SO many ways, including helping me edit some of the lyrics on my own verses. With your debut album being "From Hoops to Holidays," might you create more music in the future? Or did you want to endure more of a one-and-done situation? I went into this 100% thinking it would be a one-and-done situation. I wanted to release the album, feel accomplished, and then go back to my everyday life, which is busy enough as it is. However... My friends who helped with the project now have the itch. They've talked about doing more music. Knowing me, there's no way I wouldn't be involved. Kevin is already writing new non-Christmas tracks and my friend Ronnie B., who does most of the singing vocals on the album, wants to get back into the studio ASAP. It could very well happen, so don't be surprised if you hear about me releasing more music! Sampling is an area I'm interested in and definitely taking the time to write better flows. I see myself producing R&B and hip-hop tracks. As far as rapping, I'll probably be doing less of that. youtube.com/lilmocc instgram.com/lissaprudencio lilmoccandfriends.com

Hailing from Chattanooga, Tennessee, 24- year old Hip-hop artist, Slendo, offers his listeners his musical expressions in the form of escape and a way to handle trials and tribulations that come his way. This multi-talented artist has taken the initiative to learn the recording and production aspect of the art within the last seven years. While he considers himself an emerging artist, 2020 has been an opportunity for Slendo to keep up the undeniable hustle that comes to him as second nature. Kicking the year off with his vividly energetic single, “What I Need,” which was released the first day his city went into lockdown, Slendo delivers slick cadences while using his emcee-like abilities to illustrate images around a no strings attached type relationship. Delving into the memorable hooks and verses, you can hear the sizzling ambiance as Slendo releases his honest truths to the world. As he decided to explore what he wanted to convey in terms of themes and messages, Slendo presented his artistic talents on a silver platter as he recruited artist, Mercurial on their first collaboration together in, “Copy + Paste.” Submerging us in mesmerizing melodies while giving his listeners a taste of what he had in store for the rest of the year, Slendo managed to captivate fans for the long haul as he won them over with intoxicating verses and a hypnotic hook. Using this time to reflect on the state of the world, Slendo shined a bright and refreshing light on the topical events in, “Quarantine 2020.” At first glance, his comedic nature was not grasped in the eyes of his viewers, but they quickly came to realize that this was Slendo’s way of taking some of the weight off of their shoulders. The appreciation flooded in as they were able to take in the modern wave of Hip-hop with a unique flavor that only Slendo can offer up. Placing Slendo’s most successful song of the year on a pedestal, “Blue Benjis,” had listeners submerged in the vulnerability through an introspective view that was conveyed by the up and coming artist. Dazzling us in captivating resonance through vibrant instrumentation, Slendo reflects on his life up to this point. With a lyrical dexterity glistening upon moments of doubt and uncertainty, Slendo hits it home with, “Blue Benjis.” The heated release of “Sunken Ave,” had Slendo high in the clouds of his own artistic capabilities. Deemed some of his best work to date, the murky timbre of the instrumentation gets down and dirty with gritty like traits as Slendo releases an open letter to his listeners. Depicting images of how life can be beautiful but dark at times, Slendo seamlessly executes his abilities. The final project released this year by this rising Hip-hop artist was the, “Thank You Pack,” EP that was an exclusive release on SoundCloud. By appreciating each moment his listeners tapped in with him, Slendo decided to give them four unreleased tracks of his previous work. As one to know the value of a fan, Slendo caps his year off in true indebted fashion. With the unmatchable work ethic that Slendo puts forth, we see the swift momentum that’s going to break barriers. We can’t wait to see what 2021 has in store for Slendo. Welcome back to BuzzMusic, Slendo! Congratulations on a year full of hard work and success! With your non-stop dedication in 2020, what has been your favorite part of your artistic journey? Thanks for having me again! This year has been hella crazy, but I'm thankful to be where I'm at now. I would say my favorite part of this year artistically was really having to dig deep to find what truly inspires me to make music. What are some ways that you have grown as an artist this year? Really just building more connections, realizing it's more about who you know than what you know. Then just finding my sound with all the extra time I have on my hands now. Then like I said having to dig deeper to get inspired more so than any other year before. Out of each song released, which one resonates with you the most at this point in your journey? I would have to say Blue Benjis at this point and time. I'm still that hungry artist that's on a quest to make it into the game. A close second would be Sunken Ave, as that's also a darker view of where I'm at in my life right now. Every artist is different in how they create. Could you please share a glimpse of your creative process with your listeners? I'm all about the vibes man. I really enjoy recording by myself usually, but if I'm in a session with multiple people I kinda work differently. I Gotta have something rolled up, gotta have me something to drink, and before I actually start recording I have to listen to some good music (major key). I also typically already like to have beats made, cause as an artist and producer I know how it can be on both sides. As an artist, it can feel like forever for a beat to be completely finished, but as a producer, you just want to keep adding things to make the beat better. How do you allow your musical influences of Bob Marley, Juice Wrld, Lil Uzi Vert, and Kanye West, to name a few, to inspire the music that you create? I just love all of those guys' music so much it never fails to inspire me. Also, you forgot Young Thug! Probably one of my biggest influences of all, listening to bro music literally will make me just wanna go get in the studio sometimes. But that's part of the recording process I was just speaking on, I listen to music I'm inspired by and just try to draw inspiration from that and then just put my own "Slendo" spin on things. Do you have a favorite lyric or couple of bars that you wrote this year that resonates with you more than others? I could really just quote the whole "Quarantine 2020" song LOL. But honestly, I'd say from my song Sunken Ave, "Told my mama, one day I'd be big as King Kong, She like yea I hear ya boy just get ya dream on, Mrs. Beverly a shoulder I know I can lean on." That lyric is really personal to me cause through all that's been going on this year my mom has been there with me through thick & thin and I'm just so grateful for that. What would you like your listeners to feel when they hear your music? I want the listener to just feel my vibe/my energy. Whether that be sad, happy, angry, or just kidding around I want them to feel where I'm coming from on each song. Each song is my canvas and I want the listener to be there painting the picture with me on each song or album. twitter.com/doloslendo instagram.com/doloslendo facebook.com/solodoloslendo

With an authentic, unforgettable voice and a natural knack for writing mesmeric top lines and relatable lyrics, Emily Brooks makes music with the hope of igniting something genuinely wonderful inside of everyone. Her fourth and final single in the year 2020 is “Home is Where the Heart is.” A dreamy, feel-good Christmas song for people of all ages. With entirely organic instrumentation, produced by Wes Styles, with Eli Hludzik on drums and percussion, the song embodies 60’s doo-wop meets The Beatles, ‘Rubber Soul’ era production. Dazzling us in the heartfelt Christmas spirit that we yearn for at this time of year, “Home Is Where The Heart Is” dives into our inner nostalgia as we reminisce on visions of sugar plums dancing in our heads. Emily Brooks’ blissful vocals cascade upon the instrumentation seamlessly as she radiates a certain warmth in the hearts of her listeners. Each thriving melody that she sheds has a life as its own through the harmonious utopia she creatively develops with her meaningful lyrics. The wistful evolution of this song holds onto raw and organic elements as she wrote this from a place of loneliness met by comfort when reflecting on memories of the good times. The imagery of people spending the holidays with their loved ones drove home her inhibitions to spread love and joy through the release of “Home Is Where The Heart Is.” Hopeful tones in the delivery of Emily Brooks wash over us as we indulge in this captivating piece moment by moment. The difference between good and great is in the details, and Emily Brooks proves that time and time again with the profound conveyance of “Home Is Where The Heart Is.” Hello Emily, congratulations on the release of, “Home Is Where the Heart Is,” and welcome to BuzzMusic. With the warm embrace of this spirited record, we would love to know; what went into the creative process when bringing this song to life? Thank you Buzz, I’m happy to be here! The evolution of this song was very organic as I muddled through feelings of loneliness, comforted by memories of the good times. From a longing sense of nostalgia and thinking deeply about all of the people spending the holidays without their loved ones this year, I began to sing over different chord progressions. When I found the progression I liked, it all started to flow so naturally, both melodically and lyrically, and the next thing I knew I was moving onto the pre and then the chorus, and it all happened quite fast this time around. I am a very feeling-based writer so as soon as I’m in a feeling, I like to let myself go wherever the moment takes me. The less pressure I put on myself, the longer I stay in flow. The minute I start thinking too much or too hard, it’ll knock me out of it. What are your favorite memories of Christmas that you carry with you? Aunt Jackie and Uncle Tom’s house for Christmas eve dinner. Playing pool in their basement and running around with a sugar high after trying eggnog for the first time. On Christmas we would go to my grandparent’s house, gathered around the table holding hands in prayer, digging into a big pile of turkey and potatoes followed by a gift exchange. Shaking each present trying to guess. I’ll never forget when Grandma got me a karaoke machine. We hooked that thing up right then and there and I didn’t stop singing till it was time to go. Overall, my favorite memories are the ones before loved ones passed on and others moved away. Those are the memories I cherish the most. Could you please take us into what the recording session looked like when “Home Is Where the Heart Is,” was recorded? The song was recorded in Wes Style’s in-home studio. We began with drums and percussion followed by guitar and bass. Vocals came last and Wes sprinkled some electric piano and a celesta in there after the session to complement certain spots. Overall, it was a two-day session and super fun. What would you like your listeners to take away from the music that you create? Hope and love. Truth. I make music to inspire people wherever they’re at in their journey. I want to be an artist that is always right there with you, bringing to life your innermost feelings and painting them onto a canvas of music that you can revisit any time you need to. My music is whatever you need it to be, and it’s here for you whenever you need it. Instagram Facebook #BUZZMUSIC

Shantoi holds hope close to her heart. Living in the Bronx comes with many challenges, and like others before her, Shantoi has had to deal with them each and every day. By throwing herself into the arts, she flourished with her inspirations as she would spend her mornings during the weekends listening to music with her headphones plugged in, nodding her head as the vocals and the tunes did wonder to her insides. As she developed through her musical creations, with rigorous vocal exercise and countless hours spent writing music, she faced a different kind of the challenge; an all too familiar struggle every creative has had to deal with: attention. With a burning hopefulness that the world will be a better place once again. Shantoi places faith that with her music, her voice will be heard all over the globe, fostering an environment for love, peace, unity, and oneness. Divulging her talents within her latest single, “Privacy,” Shantoi tiptoes on the tightrope of R&B and Hip-hop with her melodious establishments. Offering us the mid-tempo dazzle of the instrumentation, we are plunged into the sultry intoxication of Shantoi’s lush vocalization. Thriving in the twinkles and bass-forward beat that makes up the composition of, “Privacy,” Shantoi shines brightly as she performs her beautifully curated tale. Making it known that she doesn’t ask for much, all Shantoi wishes for is the delicate touch of the apple of her eye. Flaunting her independence around like it’s going out of style, Shantoi offers up a piece of herself to her audience that shows the delicate side of her dripping in vulnerability. The nostalgic essence of the reverberations exuded has us under the spell that Shantoi has cast out. We find ourselves completely immersed in the music as we got lost in the winding turns of her glorious vocal range. Using her inventiveness to express her inner sentiments. Shantoi places her emotions on a higher level that has us reaching to be on the same level as her. Mesmerizing us with the depths of, “Privacy,” Shantoi has us singing along to each word presented in this smooth hitting jam. Welcome to BuzzMusic, Shantoi! Congratulations on the release of, “Privacy.” We love the nostalgia that this track brought us as we listened to it. What moment inspired your writing process for this song? The moment that inspired my writing process for this song is one day I was sitting down thinking and I wanted to write a song that independent women can listen to. I feel sometimes society allows people to think that all women want a man to take care of them and in some cases for most it’s true but to an extent. This song represents women who don’t need a man to take care of them financially but who just want TLC. As an artist, do you experience writer’s block? And how do you handle it when it arises? As an artist, I definitely experience writer's block. I can be listening to beats for hours and only come up with one line. How I handle that is I take a break for the day and I come back the next day or two and try again until I get a vibe. Could you please share a glimpse of how your creative process has evolved over time? Over time I would say my creative process has developed because I never really had a set idea on how I wanted to brand myself as an artist as far as image, music, etc but now I know exactly how I want to be viewed overall in all aspects that relate to music. I feel over time I’m becoming more moderate instead of wanting to be looked at as a sex symbol. So most ideas I come up with creative wise will represent the women I am now If you had a magic wand that would help make your journey as an artist easier, what would you change? If I had a magic wand that would help make my journey as an artist easier I would put millions of dollars in my account to cover everything I would need to get me to the next level. 2020 has been a very challenging year for everyone. What has been keeping you inspired to create music? What advice can you give another artist who's finding it difficult to do so? What inspires me to keep creating music is the therapeutic aspect that it gives me and others. When I write songs about myself or songs that are relatable it feeds apart of my soul. It’s a way to let out words that you can’t really say to people. The advice I would give to another artist is don’t stop what makes you happy because you never know who's watching or who you are helping therapeutically. Also, do it for you first because when you create things from your heart people will gravitate to you more on a deeper level. instagram.com/_shantoimusic_