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Coming fresh off the heels of the success of her love-drunk single, "Lay With You," Iris releases a sun-tanned and up-tempo contemporary cut that buzzes over engaging top-line hooks with a four to the floor dance-hall cadence that festoons the interior dance-floors of "Don't Wait Up," the New Zealand Pop-Intoner's latest cherubic Pop-single donation. "Don't Wait Up" is a Tropica-soaked track about living in the moment and making the best out of every waking second of it. Written amid the suffocating norms of a pandemic, and with the guiding hit-maker twines of Charles Lutman escorting Iris's creative hunches into realization, the duo finished what would be their leading Pop festooned booster for all the down-under mindsets of 2020; and they did it in only one night. Over a punchy mid-chest thumping beat, Iris evokes emotions of wanderlust and sanctifying vibe as her vocal harmonies congregate together in prismatic unison over the hooking lines of the chorus: "don't wait up, don't wait up tonight, glowing up tonight, gotta live it up tonight, up till the sun-rise." Within the island-swaying incantations of her hook, Iris creates a panorama of world-music reflecting aesthetics, and carefully intertwines the most intoxicating touchstones of soca infested drum beats, salacious modern synths, and angelic pads that diffused magnetized steam from the back-drops of this instant classic. When we look back, the gyrating dynamics and dance-inducing vibes spilled from every bordering edge of Iris's "Don't Wait Up" shouldn't come as a surprise. The New-Zealand-bred chanteuse has been turning heads with her uplifting Pop-mantras since her Debut, "Unlocked," dropped earlier this year, and she's got her fans itching for more with every succeeding release. What were the emotions you channeled into for the vocal performance you've captured on "Don't Wait Up?" I recorded Don't Wait Up around 2 am. Usual studio hours for me because this is when I get super hyped up haha. So I was channeling party energy, fun, and bouncy. Where do you picture your audience unboxing the uplifting message behind "Don't Wait Up," and all the upbeat vibes that come attached to it? The song really is about living in the moment, doing things for you. Don't wait on anybody to live your life the way you want it. Make your life a celebration. How did Charles Lutman help facilitate the creative process behind the recording and the overall production of "Don't Wait Up"? Do you feel like this song would be the same without his influence? At this stage in my career, I definitely think my sound has been built around the synergy of when we are both in the studio. We bounce off each other's ideas and I really like the direction my music takes when we work my songs together. I used to write alone a lot and then Charles would build out a track around it but nowadays it's much more collaborative from both ends. I like to be hands-on with the production too and he also helps with lyrics. This album will have much more of a cohesive sound I think because we have done everything in the same room. Have you learned anything new about yourself as an artist after the release of "Don't Wait Up?" Definitely. I feel like in the last few years I have really been discovering more about myself as a person and an artist. I come from New Zealand so what I grew up around shaped my initial style and sound. Now I feel I have had the opportunity to be more cultured - having taught songwriting in Japan and working with various collaborators in Los Angeles. I am always learning more about myself and the world and I try to portray that into my art. Music will always be a representation of my inner growth. Art imitates life / Life imitates art is very much a true analogy for me in my musical career. "Don't Wait Up" is my favorite release so far as it really captures the direction of sound I want to continue to explore. Pop, Dance, High energy with an almost afro-beat rhythm. What can we expect to hear next from you? My next album will be predominantly dance-focused with songs in a similar world to Don't Wait Up. Expect high energy, artsy, dance, POP. Instagram Website #BUZZMUSIC

Brookelyn Rose is the swooning muse that has been infatuating hearts throughout the South-eastern coast ever since arriving in LA five years ago. Interweaving between venues that decorate the coastlines of California, this Pop-rock Intoner has gained notoriety for incorporating upbeat and free-spirited vibes on any dancefloor she festoons with her soul-inspired vocal performances. It's no surprise this Philadelphia-bred chanteuse utilizes that same stratagem to embellish her captivating top-lines featured in her latest single, "Take Me Back." Here, within the thick of a cascading key-scapes, the punching thud of earth-binding drums, and a synthetic bass-line that boils-over with nostalgia, Brookelyn sings about better days from the past with uplifting empowerment behind each and every roar. It's a heavy dance that sweeps between a mid-tempo gait in the verses—with a cadence that sounds like it would be booming from Ryan Gosling's 73 Chevy Malibu in the movie "Drive,"—and choruses that erupt into anthemic orchestrated upswells festooned with riffing electric guitars, and a colorful saturation that super-charges the air around you. It's an experience that oozes infectious vibe, especially when accompanied by a video-feature highlighting our cherubic songstress dancing and singing amongst the most enamoring grass-land backdrops; twirling and diffusing happiness with each close-up shot. By digging deep into her own life experiences, Brookelyn obtains the type of finesse it takes to endow a song with the powerful and honest nostalgic upliftments that ooze from every corner of this Pop-rock anthem's video and arrangement. When looking back at "Take Me Back," and the adjoined Video, it's not hard to assume that there's a reason why dance floors across the Cali-coast have been musing over Brookelyn Rose's music for the past few years. Can you run us through the filming that went down for this Music Video, and how the idea came about in the first place? Yeah, so, this music video was actually recorded on an iPhone! Because of COVID, I was quarantined with my partner who lived up in Antelope Valley, CA, near the poppy reserves. We went there one afternoon when the poppies were in full bloom and I immediately felt inspired to shoot the music video there. I had originally wanted to shoot this video in my hometown of Philadelphia and capture visual elements of my childhood, but because of the pandemic, I wasn’t able to travel there. I wanted the video for “Take Me Back” to feel free-spirited and natural and I think we were able to capture that. This is the first music video that I directed and edited and I’m really happy with how it turned out! What type of emotions did you channel into for the performances you've captured both sonically and visually on "Take Me Back"? I really tapped into my own sense of nostalgia and longing for simpler times as an adolescent. I thought about my friends and how easy things were when we all lived in the same zip code and didn’t have the responsibilities of adulthood on our shoulders. Were there any highlighting messages behind this single that you'd like to clarify for your listeners? What were you trying to translate to them through your visuals and lyrics? I hope people listen to this song and take time to appreciate the people around them and where they are in their lives. Life passes us by so quickly and I think it’s important to stay young at heart and create genuine and authentic bonds with people. Are there any milestones you've set out for yourself in 2020? What kinds of steps have you taken thus far in trying to obtain those goals? I set out to record a music video for “Take Me Back” and release it out into the world and I’m happy that I was able to do that! I’ve also been in the process of learning how to produce music; I put together a home studio and I’ve been working hard to learn the software and equipment. What has been keeping you inspired this year? Honestly, it’s been really challenging to find inspiration and feel motivated to create this year. It’s been a real rollercoaster of emotions. Some days, I feel full of ideas and eager to make art, and then there are other days where I feel completely unmotivated. I try not to be too hard on myself anymore though because these are extremely unique times and I have to remind myself that I’m doing the best I can. Usually, I am able to find inspiration in my relationships with people, nature, and the concept of time. Instagram Facebook #BUZZMUSIC

The story behind Dylan Chamber's creative intuition mirrors those of many dreamers-alike who look to Los Angeles for a shot at breaking through the music industry's ceiling. This R&B and Funk amalgamating soulster traversed from Arlington, Texas, and over the Western Rocky-mountains, to land in the City of Angels under that same determine, in order to dispense some of his timeless soul-centric sounds to the masses. He's come a long way since his debut in 2016, and this year, his newest musical renderings draw unparalleled from the bouncy vibes you wouldn't be hard-pressed to find amongst the gyrating dance floors of a Vulfpeck or Jacob Collier show. With a bombastic drum beat drawing energy from the Funk gods of the past, and a bass-line that burns with an unrelenting modern vibe, Dylan Chamber's "I Can Do It Myself" swoops-in with the grace of a tip-toeing crooner. Here, the Texas-native sings with a buzzing distortion that colors his harmonic textures with a more embellishing vintage-hue, mirroring the earthy crunch behind the riffing guitars that diffuse dopamine from the bumping party-room dance floors of this modern mix. The sense of wanting to sway and jive to the beat of the constant clap-track in the background, which surprisingly never gets tiresome to hear—is inescapable. There's also no shortage of horns and synergizing harmonies that bounce between church-gospel resoundings and those invigorating call and response interludes you'd find at a Night Club. The most enticing aspect behind this track is how Chambers maneuvers over the meticulous articulations behind his swooning vocal melodies as he swings between serenade in the verse and uproar over the hooking chorus. The unwashable after-glow that wreaths your vision after Dylan Chamber's "I Can Do It Myself" shouldn't come as surprising by now. Dylan is already colluding over his new sonic concoctions with notoriety producer Stefan Litrownik. And after this scintillating funk-fussed track, it's exciting to about the next Soul and R&B blending escapades anticipated to come. Where do you draw your inspiration from for the hot-hearted performances you always manage to capture on your records? It’s sort of a two-fold thing. Before I cut the vocals for a song, I do what I need to do to get in the same headspace I was feeling when I wrote it. I feel that every part of my needing to be involved in order for what I’m emoting to come across genuine and truthful. It also comes from studying the history of the artists who’ve inspired me. A common thread with them is that they all fully embodied what they were singing about. I don’t want to be any different. When you think about the narrative behind this track, what do you feel? And was that emotion something you wanted your listeners to grasp? I feel proud that I have this story to share. It’s a coming of age realization that I seriously needed to have in order to move on into this next chapter of my life. I definitely wanted the listeners to feel that I was passionate about what I was saying because I meant every word. It took a lot of experience to get there. I think especially now is a great time for people to understand the power they hold within themselves and that they have the ability to do whatever it is they feel they’ve been sent here to do. What have been the most enjoyable moments behind the recording process of "I Can Do It Myself?" What definitely sticks out in my memory is recording the group background vocals in the chorus. After I had sung all the lead parts, my fellow co-writers, Stefan Litrownik, Sean Fisher and I turned on one mic, spread out into different parts of the studio, and chanted “DO IT MYSELF”, “NEED NOBODY‘S HELP”, out into the open. We did this many times with different pitches and just kept stacking the vocals. At one point, I was laying on the floor, Stefan was under the producer’s desk and Sean was in the kitchen chanting the words while the mic picked it up. We all had a great time giving it our best “macho man” voices to sound like a bunch of really tough guys (which we’re definitely not). There were a few times when we had to take a break because we were laughing so much. After that session, I went home and slept for 14 hours. If you could give us a few words that would act as the Prologue to the experience behind this single, what would you say and why? After years of waiting for the perfect situation or hoping someone would come around and change my life, I realized that I was the only one who was gonna do that and that I could all along. I say this because it’s the absolute truth. What has been keeping you inspired in 2020? My fellow artists have really been keeping me inspired during this time. Since the live music industry has pretty much stopped this year, we’ve all had to discover new ways to be creative and I’m seeing some amazing examples of this out in the world. I’ve also taken a much deeper dive into self-exploration this year. I’ve been learning what it means to truly be vulnerable, to go after what you want, to not be so critical, to be a good ally, and so forth. Even though this has been such a crazy year for everyone, I’ve felt more inspired than I ever have. This is truly a transformative time for all of us on the planet. Instagram Website #BUZZMUSIC

The Jeff Carlson Band gathers their musical touchstones with a connoisseur's ear from the scintillating edges bordering between early Foreigner and Ronnie James Dio. Their 70s and 80s inspired edge shouldn't come as a surprise by now, with the hot-blooded band landing a distribution deal with Sony/Orchard after signing with Potomac Records in 2018. Their sonic escapades would penetrate through the cobwebs of contemporary sound for the next few years to come, with "So Long," drawing notoriety over the Rock group's unrelenting energy. Now, with 2020 adorning them a new label backing under RFL Records, The Jeff Carlson Band comes booming out of the gates with pristine gustation of what's to be expected from their upcoming catalog. A funny thing happens when a band borrows heavily from their heavy-rock inspirators. They can either burry themselves under the nostalgia-reflecting resemblance they exude from their Rock-music ancestors, or they can take those influences and manifest something undividedly stimulating and eath-shattering. In this case, The Jeff Carlson Band does the latter. Over a crunchy and magnetizing orchestration of scintillating guitars, the bombastic cadencies held by industrial drums, and quivering unison vocals, "Screaming Inside" stands as the Rock group's musical stanchion between 80s glam-rock and Alt-post-rock, with an extra dosage of badass rhetorics attached. Here, with a wall-sound dynamism being them, the band puts all their tight-leather and long-haired keystones into an uproaring chorus that would have any Rocker foaming at the mouth. And just before you thought you'd encountered it all, the thunder of the drums and rumbling of the bass melt together and give way for to heated guitar solo which manages to casts a distinguishing after-glow, one you won't want to wash off. There's a point of inspiration and interest for any Rock and Roller on "Screamin Inside." Whether it's the juxtaposition of two contrasting Musical Eras forming into unison under The Jeff Carlson Band, or the way Jeff himself penetrates through the mix with his adhesive Vocals that land straight into the fleshy cores of our heart; it's something you don't want to miss out on. Can you walk us through the writing and recording process of "Screamin Inside"? Where did this hot-blooded Musical escapade begin? I wrote Screamin' Inside in 2002 after I had my second surgery on my stomach. I had almost died from my first surgery-(I was diagnosed with Ulcerative Colitis and later Crohn's disease) and at the time I was only 32, so I was fairly young to be going through such a traumatic time. I came up with the riff at rehearsal and Cory my bass player and I had demoed it with a different drummer at the time. Fast forward to 2019 and we had always thought that it had some great potential so we decided to record it for our Second Chance E. P. What sorts of emotions were you trying to channel through the performances featured on this single, and does it relate to how you'd hope your audience will feel after listening? The emotions I had when I wrote it originally were based on trying to understand why my health was failing me at the time, so I was really struggling with it. I felt pain, anger, resentment, and just plain fear of why this was happening to me at that point in my life. I do know that honesty is really cathartic when I write and usually when you write from the heart then people will relate to it in their own ways, even if it's not the exact same thing they are going through like what I went through. I hope that makes sense. The emotions can be the connection between myself and my audience even if the situations are different, so in that regard, I would like to think that we connect on that part of it, so at the end of the day I always want to create a positive experience out of any negative experiences I've had, so we can have hope. When you think about your influences, does your time in Las Vegas come to mind as crucial in developing your sound and aesthetic as a band? I think being in Las Vegas has exposed us to see a lot of our musical heroes that a smaller town might not have some of those bands play through. I'm originally from Springfield Missouri and I've been very lucky to have seen all of my musical heroes there and Memphis, Tennessee because they are only 3 1/2 hours apart. But on saying that Las Vegas has definitely helped us in keeping visually and musically relevant and not be dated. What are the milestones you've set out for yourselves as a band in 2020, and what steps have you taken thus far in order to achieve those goals? We've set milestones like writing a new full-length record, which we are finalizing the last part of the writing process so we can start tracking the first week of November for a January release, along with signing with a great manager, which is crucial to move forward to get to the next level, as well as signing to a great label who not only believes in us but is willing to do what it takes along with our management to get us to the next level. What has been keeping you inspired in 2020? What keeps us inspired is creating music that we are proud of along with the fans. The fans are really what is important to us because, without them, there would be no us. They are family to us and we are so grateful to them for all the support and love that they give us. We are so ready to get out there and start playing again because nothing compares to the energy that is exchanged at our live shows! Instagram Facebook #BUZZMUSIC

Referring to himself as a "professional misfit" is Hip/Hop and Rap artist Johnny Smoke, who hails from Los Angeles, CA, and is ready to express his imperfectly fitting wisdom. As a chart-topping producer and founder of Dead | END KIDS, Johnny Smoke has already garnered himself the necessary expertise to continue his emergence as a music artist. The latest offering on behalf of Johnny Smoke consists of his 8-track, self-titled album, a collection of emotionally-charged endeavors. Focusing on the importance of mental health and accepting one's own self, Johnny Smoke stimulates listeners with uplifting lyricism to propel the best version of themselves. Johnny Smoke's album begins with "Smoke Up Johnny," a track with a blissful array of lo-fi beats combined with a heavier quality of energy. This instrumental track unravels the essence of Johnny Smoke's album and sets listeners up for the ambiance they can expect to be withheld for most of the album. With a short duration, "Smoke Up Johnny" sets up the next track, "Wonderland," in a complementary way. Johnny Smoke took on a confident approach regarding his performance in "Wonderland," choosing to hone in on hot-blooded verses. With fresh lines and putting his ferocity into the spotlight, "Wonderland" can adhere to a certain aesthetic. The aesthetic switches up slightly with the albums third track, "Picasso." With an unrelenting and assertive tone, Johnny Smoke can arouse listeners with his full display of spirit and determination. Listeners receive an entirely different sound with the following track, "Fade II Black." With a certain kind of resolute, combined with a more mellow melodic production, "Fade II Black" feels like a track dedicated to introspection. Johnny Smoke ensures that its receiver easily picks up the easygoing and flowing tonality of the track and that the atmospheric rhythm establishes a sedative environment. Johnny Smoke only gives listeners a short intermittent break from the more sharply expressive accent, as "How High R U" pierces the balanced air due to its heavy intonation. And the intonation only gets more abundant with the album's sixth track, "Fuck Em," featuring Mr. Sin. Johnny Smoke attempts to lay out his own philosophy in this track, venturing along the actualities of life and the ways to get around them. We can feel our energy levels instantly rising with the raving vitality in "Off the Leash." Featuring artist Bobbi Rich, "Off the Leash" is truly an experience with the raw level of collaboration between the two artists' exploit. There's gushing enthusiasm which provides an authentic rush, and the two artists share their testimonial truth with their listening base. Arriving at the last track of Johnny Smoke's self-titled album, we're quickly delivered a captivating performance by Johnny. Choosing to focus on his nonchalant performing techniques, Johnny Smoke aims to fit an easygoing ambiance to bring listeners back down to a place of composure. Looking back, Johnny Smoke's album release brought many varying aspects of his artistry to light, especially how seasoned he can truly be a music artist. Discover Johnny Smoke's self-titled album here. Hello Johnny Smoke, welcome to BuzzMusic, it's great to have you with us. What kind of influence did you pack into the main narrative/theme presented in your album 'Johnny Smoke'? First, thank you for your time. I think the time is the most precious gift we can give each other. This project, much like my way of life, is about challenging expectations... and ultimately loving yourself. Perfection does not exist anywhere in the universe except in human expectation. I embrace every piece of myself. I’ve been an asshole, a scumbag... I have depression, anxiety, suicidal thoughts, but I accept myself and grow from those moments. I think it’s our imperfections, our flaws that we try so hard to hide that make us Interesting... truly strong, and beautiful. I also wanted to challenge the expectation around an “album.” This project is less a traditional album and more a collection of musical vignettes. After working in the music industry as a producer for several years, I realized that almost everyone approaches music with preconceived expectations that were created not by the listener, but by the commercial industry. That seems insane to me. “Album,” “EP,” “Single,” “genre.” Just using these terms creates in your mind some expectation. I wanted to challenge that. Imagine going into an art gallery and your expectation of EVERY piece of art is that it must be using paint, on a 24”x36” canvas, and must only have the most popular colors and painting style. A landscape of art and it all looks the same with minimal distinctions. Think how disappointed you'd be with everything in there that doesn't fit into your "box". How fucking boring is that? We're probably not even aware of how many times we've let our expectations dictate our experiences in life, in art and completely missed the opportunity for personal growth. Your album saw a collaboration with artists Mr. Sin and Bobbi Rich. How did you feel during the course of these collaborations and do you feel that your next album release will also contain collaboration with other artists? I enjoy working with artists that have depth, that has really lived, felt pain, and struggle. This project was made during the quarantine. So working with other artists was a challenge, and at times impossible. Leaving me to produce, write, perform, engineer every song (with Mix & Mastering by the incredible Platinum mix engineer Eric Racy). So there is very minimal collaboration on this, and I'm incredibly grateful for the features I got. SIN (@convounedited) is one of the sickest artists I know. I've been a fan of his since day 1. His lyrics and delivery are just undeniable. He and I were in a band several years ago called The Basiqs. I couldn't see myself doing a solo project without having a place for him in it. He's in Tampa, FL, so it took us a while to get him set up to be able to record his verse (for the track "f*ck em" ) at his house and get it over to me here in Los Angeles. But once we worked out the logistics, everything just clicked. He's my brother, so I'm sure we'll be doing more in the future. Bobbi (@mamahotdog) is one of the most creative spirits I've ever encountered. The flurry of ideas, and drive to create, the brilliance that comes from her vision is incredible to watch. We collaborated on the track "Off The Leash" where she sings the chorus. The funny thing about that song is that she wrote and sang about a completely different topic than what I had written. She was obviously feeling very deeply about the seeming futility of relationships... "I don't need a man, stray doggie lose off the leash again". It was just so powerful of a statement and moment, the energy felt so right that I left it. Sometimes the emotion or feeling of something is more important than succinct meaning. I don't like to speak too much in the future (couple things in the works with the talented @jwlkrmusic). This being the first release from my label DEAD|END KIDS, I look forward to the opportunity to collaborate more. What kind of attitude did you feel that you needed to focus on in order to craft the bulk of "Johnny Smoke?" I'm not sure what that means... I guess I healthy dose of "f*ck it". Music is therapy for me. I create to maintain my sanity. I talk about suicide so I don't do suicide... I take natural "drugs" like cannabis to allow me to let go of my anxiety and create from my most raw unapologetic place. I don't create for approval or attention. It's like a message in a bottle. I guess my hope is someone will hear it and know they aren’t alone. We’re all some kind of fucked up. Figure, I’ll just own that shit. Our imperfections make us uniquely beautiful. If my art isn't for you... then it's not FOR you. Out of the 8 tracks presented on the album, which track did you feel required you to channel more introspection within yourself in order to write/record it? It's all introspective. Like on the track Picasso I say "I'm a couple grams short of an ounce. Outlook is black like the burns on my couch. Could have been a doctor or a lawyer, something else.. but it's even harder just to be my fuckin self." I feel zero drive to create some socially acceptable vacuous catchy dance tune, or any other kind of thing that may not be sincere. There's no put on. It's just me. Are there any goals that you're establishing for yourself within the rest of 2020? What kind of mindset do you have going into the idea of creating more music? Originally I didn't want to release this project to the public. But, I felt a push from friends and others to put it out. I'm an activist and member of the NAACP and ACLU and I saw this as an opportunity to turn that interest into donations to support the ACLU. So 100% of all proceeds from this project are going to support the fight for equality and ending systemic police brutality. If people connect with the project in some way, and at the same time I can help support a cause that is near to my heart... Win. Win. I'm constantly creating, so there could very likely be more music coming. As a producer I've been lucky enough to have a Billboard #1, I've created music for Nickelodeon, Cartoon Network, Owsla /Atlantic, Universal Pictures, Fortnite, League of legends, and more... So I hope to do more cool shit in the years to come. instagram.com/johnnysmokez #BUZZMUSIC

The best kind of music is the songs that create stories and paint pictures for the listeners. Music is an art form that could represent our inner feelings and thoughts that could be difficult to express. When Artist MachGang discusses his reasoning behind his new single, "Get A Bag," it's empowering enough for you to open your mind to the realities of today's society. MachGang wrote "Get A Bag" to portray his hate for systematic racism. This single explains how somebody can be trapped within this oppressive box, yet striving to secure the financial security they deserve and long for. "Get A Bag" opens the single up with an emotional piano melody & ethereal elements that set the tone for a deep & reflective piece. Once the beat drops, MachGang unleashes his feelings in the catchy but relatable hook. MachGang lyricism is incredibly cultivating; his unique metaphors blended with thought-provoking lyrics create a substantial word piece that falls into the likes of Drake & J Cole. The delivery from MachGang is trendy & flows well with the pace of the song. MachGang has fused together rap with melodies & projected a canorous tune that will get ingrained in the listener's head. MachGang delivery favored the likes of JuiceWorld & Post Malone, yet curated into his own individual sound. "Get A Bag" has a radio-ready aesthetic, but it's digestible for a vast range of different listeners due to its multifaceted hip-hop sound. What we admired about "Get A Bag" was how it portrayed this vulnerable aspect to MachGang artistry. Mach conveyed the ability to deliver an unguarded single that can create a connection between him and his fans, showing them that he too understands the ugly truth of life. "Get A Bag" was a powerfully dynamic single & MachGang's future is looking brighter than ever. Can you start by introducing yourself to our readers? Where are you from and what made you pursue music? Ay, I'm MachGang and I'm a rising artist coming out of Chandler, Arizona. I was born in Harare, Zimbabwe, and moved to America when I was little and I started making music last year with the intent of inspiring and hyping people up at the same time. “Get A Bag” has a strong message behind the delivery. In what ways were you able to personally relate to this single and what was your vision on conveying the meaning behind the lyrics? I'm able to relate to this single in almost every way because I'm talking about myself, for almost every life situation you will be treated differently based on your income and the lower it is the worse you are generally treated. This is crazy to me but that is something that will never change, so my solution is to get a bag, or in other words, get more money so you won't be treated badly. My vision for conveying the meaning of the lyrics was to highlight two different aspects of the problem. The first being my individual experience and how I get treated like a nobody and then the second being the rest of black America in the same hole as me but with a family. The black family provider will get stuck in terrible jobs and can't escape because they are fully dependent on that job to be the main income for the family and their boss/corporation has so much power over them because they will do whatever they need to do so they can provide and there isn't a better option and in the blink of an eye they can lose the job for whatever reason the boss/corporation wants to give and they will be in a very bad hole. So overall my plan is to avoid that by finding a great source of income so I don't fall into that trap. What goals have you achieved with your music this year? The goals I have achieved this year as been on the lower end because of COVID but I'm glad I released a song and plan on releasing two more singles before I get to working on completing my album which I will release 2021. What has been your biggest source of inspiration this year, while creating new music? My biggest source of inspiration this year has easily come from all the chaos this year has provided from all the racial problems to a virus that locked all people away for at least 2 full months. So that can be expected in my next singles. Instagram Twitter #BUZZMUSIC

Raised in Louisiana is Pop/Country artist Laine Lonero. What separates Laine Lonero's music and makes it prevalently stand out? Well, as a youthful artist, Laine Lonero takes pride in having a high level of introspection and driving such introspections into her own lyricism. Laine Lonero's most recent musical offerings have pursued modern-day topics in a reflective way, all while stimulating listeners with encouraging and optimistic harmonies. Laine Lonero's most recent single release, titled "No Sweat", is a pop-driven track that focuses on the perspective of relationships. Laine takes the opportunity to delve into her own understanding of what relationships mean to her and the difficulties that arise in attempting to find a meaningful relationship in this day and age. With a trendy collection of guitar rhythms and sonic infusions of buoyant melodies, "No Sweat" easily classifies itself as a fun and upbeat pop single with the faintest aspect of country stylings. We're ultimately left intrigued with the persona of Laine Lonero after listening to "No Sweat", mainly because she's the kind of artist that leaves you thinking about contemporary concepts, all while leaving an addictingly entertaining melody in your ears. Hello Laine and welcome to BuzzMusic. What kind of influence did you acquire in order to choose the theme of "No Sweat"? Was there a certain inclination you had that inspired you to write it the way you did? I have never been somebody who dates a lot of people or a person who jumps into a relationship easily. I have always felt that if I know it isn’t going to go anywhere, then why should I continue something and possibly hurt that person. I am turning 18 in a couple of weeks and I have really only dated a couple of people. This song is not really about anyone in particular but represents my feelings about dating. It is very frustrating to me the way social media has affected dating and everyone has access to everyone through this. There seems to be a real issue with commitment these days. I am a very loyal person and feel like the person I am with should treat me the same. I want to feel like I am everything to that person. I don’t think that’s too much to ask. What I am trying to say to people is “know your own worth.” Considering the cheerful ambiance that emulates from "No Sweat" in contrast to its projected message, would you say that you're more inclined to maintain a pop-driven melody regardless of the track's intended theme? This song is definitely what you would call “pop-country.” David Spencer did a great job producing and getting that awesome beat to it. I heard it actually was added to an exercise playlist, which makes sense. Yes, it is a breakup song, but I want everyone to realize that it is “No Sweat” because why would you want to be with someone that does not feel the same about you like you about them. They need to feel good about moving on. Find that person that really values you. Do you feel that you have an advantage in creating singles that target younger generations due to your own youthfulness as an artist? I think that considering my age and that I am about to turn 18 now, I am able to capture a wide range and age of viewers in the same type of predicament. If they are not going through this now, they most certainly have had a similar experience in the past. Most everyone has gone through a breakup and will find a way to relate the story to themselves. Where do you plan on taking the essence of your sound from here? Are there any plans on continuing to shape your sound or are you set on the current sound you've crafted? What has been keeping you inspired in 2020? I guess I am pretty comfortable in my own skin now. I have come quite a long way from singing opera as a soprano starting at age 6. I had an amazing teacher who sang opera so beautifully. We still keep in touch on Facebook. My voice changed over the years, got a little more raspy and soulful as they say, and as long as I am still able to play the roles in theater as a Mezzo-Soprano, I am happy. I absolutely love doing musical theater. That being said, there is always room for growth in everything we do. Instagram Facebook #BUZZMUSIC

AD Robinson is the R&B and New-age Hip-hop amalgamating artist who gathers from the cornerstones of his influencing genre's with a connoisseur's taste from his debut album, "Crowd Noise." In this ambient venture where old sonic tricks meet new aesthetics, the Jersey-bred, Rhode Island-based artisan buzzes over his customarily melancholic and heart-broken anecdotes, which unironically come straight from the turbulent encounters of his past relationships. That's not to say it sounds like a sappy, ballad-ridden mood bath; it's quite the opposite thanks to Producer's BDao and HeadTop honing focus over the beats. He's described his debut himself as an "album that brings a long-awaited sigh of relief to those looking for something new and different," and that's the exact liberation you feel after its dimension-traversing playback. Opening up with the introductory cut, "No More,"—a single in its own right—about a once passionate relationship slowly crumbling to ashes until the terminal moments where love feels stagnant; and the 'out of sight, out of mind' mentality that festoons the aftermath of that narrative. Here amongst the love-sick rhetoric's, AD Robinson holds a tight handle over his topline. As Robinson resounds over the kaleidoscopic hook of this Contemporary R&B production, you can't help but think of the Space-race aesthetic dripping off this cut, mirroring someone like The Weekend. He sounds like the audible projection of a clandestine spirit sent from dimensions away to festoon your mind with unspoiled and stimulating sonics from the intoxicating lines, "you don't hit my phone no more, I don't wanna you hear you on the line no more. insecurities don't get a hug no more." The production here features the often noticeable coruscating pads that garnish each hook with a distant muted oscillation, which seemingly evaporate between winking laser beam synths that fire across the air. B Dott Fresh comes in sounding like a cross between Kendrick Lamaar and Jaylen Santoy, with a stifling hit-blooded verse where he traverses between his own cadence and a distinguishing play off the hook, "I just gotta drink the make the days go by, thought you were the one you know that ain't no lie, I've been feeling low but the pain so high, you turned me to a person I hate, so bye." B Dott Fresh comes in sounding like a cross between Kendrick Lamaar and Jaylen Santoy, with a stifling hit-blooded verse where he traverses between his own cadence and a distinguishing play off the hook, "I just gotta drink the make the days go by, thought you were the one you know that ain't no lie, I've been feeling low but the pain so high, you turned me to a person I hate, so bye." We're still floating in the multi-verse that AD Robinson manufactured with the previous stratosphere vaulting R&B banger when we reach "Psychic." And much of the same lamenting about relationships and how earth-shattering they can feel is present here also, this time with more rhetorical sass. Robinson sings out of disappointment in the lack of direction he's experienced, and his hardiness shows in the chorus, "been so many times that I needed some advice, can I see how, what you like, I don't even know what's right, you a psychic, so I mean what's right?" It's intoxicating when Robinson sings out over these upswells of synergizing vocal unisons. His tone diffuses over variations of his harmonics in a lower and higher singing register and begins to buzz as one. It's hard not to lose sight of where you are as you listen-in closely. At a minute and forty seconds in, AD Robinson dissolves back into the sonic voids of his panorama-like mix, decrying, "just let me drive!" Here, everything sinks like in those filmy moments of your favorite space-adventure sci-fi flicks, floating in the gravity-less buoyancy, as Robinson's final resounding's orbit over the chorus one last time. Some songs stand out from the other's as you peek into the multi-verse of this Artist's ever-evolving musical manifestations. Between empyreal-like R & B inflections and Trap-house Rap spit-fires, with all the chirruping vocal dynamics and sass, AD Robinson equally owns each aesthetic. Songs like "Caller ID" and "Keys" paint a picture more deductive of AD Robinson dripping in expensive jewels, tip-toeing over his syllables with a triplet cascading trap-hop-like cadence, as he dispenses threats over tantalizing reverberations between his hefty tone on "Keys," and a penetration croon over "Caller ID." Contrastingly, the new-age sonic joyrides found within "Compatibility" render up like the futuristic melancholy festooned gospel mantras projecting into reality from a galaxy's distance away. "I've been to the sky, into the sky, into the sky," Robinson sings over the lofty spaces of this sonic experience. The track's atmosphere here really makes it feel like you're on a different planet, where the particles buoyant in the air around you are supercharged with R&B nostalgic-inducing energy. As you get closet to the apex summits of the cosmos-reflecting renditions this Rhode Island house-hold name garnishes over his debut, tracks like "What's Up," stand out as a highlight. This is where the Jersey-bred Rapper sounds his best. Surrounded by an atmosphere a more conforming of vintage-tape congested studios, Robinson's vocals resound with a saturated top-end that tails of the softly devastating inflections he diffuses from his lips with every infatuating, "can you tell what's up? can you tell what's up?" This track's production buzzes over bright percussive tinkerings that decorate the adjacent edges of its own atmosphere with an enamoring width, giving our Intoner enough room to croon and swagger over his serenading inquiries. When you look back at the futuristic journey, AD Robinson's "Crowd Noise" renders up like a space-ship that jumps back and forth in time, docking at and borrowing from the touchstones of classic R&B, Trap-house, and Hip-hop, for the purpose of amalgamating them together into a distinguishingly pure and brand-new Musical experience. Can you run us through some of your most memorable experiences behind the writing, planning, and recording of "Crowd Noise?" Most memorable experience: BDao and I would sit down and make tons of beats. We made hundreds of beat but I wrote about 150 songs to all these beats we made during this time and we ended up getting 9 for Crowd Noise. Our plan was to make a bunch of songs and pick the best. We ended up going to Cybersound in Boston, MA to record them all with Rob Whitaker. It was a pretty long process going in and recording them all because we had to come up with funds for studio time. But sure enough, with help from the team, we got it done. There is some history too for a couple of songs. The Gansett Music team was originally formed in 2017 when we used to release songs as a collaborative but since then we've expanded our circle to other artists and producers alike. Songs like Compatibility & Feelings (can be found on YouTube) were originally Gansett songs that we decided to bring to life for Crowd Noise. What was it like working and co-producing alongside BDao and HeadTop for this record? Working with BDao and HeadTop is always great. I've known both these guys for about 6 years now. We always used to get together and make beats and freestyle, but that was when we never put anything out. They both have very unique styles and it's always a pleasure to link up and make something. HeadTop made the beat for "Psychic". BDao made 5 of 9. What were the two most powerful emotions you needed to conjure up for the performances you captured throughout "Crowd Noise"? Most powerful emotions: I have heavy mood swings and I've been learning how to deal with it through meditation but Affection & Anxiety were the main emotions. How did you go about curating the cohesion and flow of this record, especially when walking the line between genres from track to track? We just felt the vibe...There were so many times when myself & CODE (other artists in Gansett Music) just would listen constantly to all the songs I made to make a cohesive project. We just ended up going with what we expected to hear next, what we thought other people would mess with, and our favorites. If you could give your listeners a few words that would act as a Prologue to the experience they can come to expect from "Crowd Noise," what would you say, and why? I would say, "My Life. My Choices. My Mistakes". Crowd Noise is about my relationships with the people I surround myself with. But the "Crowd" is the outside. The Crowd always wants to know your business & the Noise is that constant chatter of people talking about you 24/7, whether you are aware of it or not. So for me, Crowd Noise is an introduction into my mind, my relationships, and my life. Bad news travels faster than good news, but my debut project speaks on how to move through the Crowd Noise. Instagram Facebook #BUZZMUSIC

The Californian lyrical Hip-Hop artist Malek touches on the truth within his lively hit, "Message Over to You Now," off his recent EP 'No Lunch Breaks.' Malek has seen quite the tough past, yet it has beautifully shaped his sound and music to be as raw and genuine as ever. From being kidnapped as a baby from his mother's arms to joining the military service and fighting in combat (not to mention staring homelessness dead in the face), it would be an understatement to say that his music is a testament of his growth. With his recent single "Message Over to You Now," Malek goes hard with his textured bars that deliver a playful atmosphere while touching on facts to heighten a more serious tone. Giving us nostalgic old school vibes through his delivery and the track's groovy instrumentation, we love the energy and power-infused within this single. "Message Over to You Now" begins with this playful and funky vibe through plucky bass lines, a dancey mid-tempo beat, and Malek's crisp vocal delivery. While he starts rapping and riding the beat with dominance, he tells a genuine story of the truths we must face as a society. He adds incredibly honest and straightforward lyrics that we can't help but agree with, especially words like "still waiting on Breonna's killers to stand trial." The supporting instrumentation rains down with lively brass instrumentals, melodic ghost vocals, and crisp drum patterns, ending the track with the utmost energy; we're captivated by every inch of this fiery Hip-Hop tune. "Message Over to You Now" is one of the most stimulating, lyrically dense, and nostalgically sounding tracks we've heard this year. Malek has truly wowed us with his descriptive and raw lyricism, delivering truths we all must accept. We're grooving away with your irresistible single, "Message Over to You Now." Could you take us through what inspired your honest lyrical content? What did you want to get across to listeners? With the first verse, I wanted the listener to get an insight into my childhood, sort of an introduction to my roots, so that by the second verse, the listener can feel comfortable enough and more inclined to receive the real "Message Over to You Now" that's emphasized as it's thesis. I want listeners to reflect on our current climate and to spark the uncomfortable conversation of civil and institutional reform with their loved ones and peers.    Do you always create such nostalgically sounding instrumentals within your songs like you did with "Message Over to You Now?" Do you have any artistic influences that might have inspired this sound of yours? I grew up loving soulful, jazzy, vintage hip hop records. Unlike my debut album: "CAiroglyphic" which is very versatile in genre and sound, I wanted "Message Over to You Now" to embody soul in its very foundation in order to deliver my soulful message with a few soul sounds.  Some of my influences for this sound come from artists like Marvin Gaye, OutKast, Sade, Sly Stone, GoodieMob, Nina Simone, Dead Prez, just to name a few. Seeing as this single falls under your first written and produced EP "No Lunch Breaks," could you take us through your solo creative process, and what it was like creating music solely from yourself that's tweaked to your personal liking? Unlike working with a great producer with a new beat you've never heard before, creating the product and then writing and recording it by myself was a little more challenging. Challenging in the sense that the motivation and the freshness of the track needed to stay ziplocked sealed and consumed within a few day's time in order for it to still be good.  I needed to find ways to motivate myself. To step away from one role and into another.  Could you tell us about the concept and lyrical storyline you've infused into your EP "No Lunch Breaks"? What does this project mean to you? "No Lunch Breaks", It's what happens when your hustle is pushed to the MAX. When your motivation is greater than your comfort. See I'd rather feed my passion than my belly.  As a father, it means that my son's belly has to stay full before mine! My God, my family, and my grind ALL come before my lunches.  What has been keeping you inspired in 2020? Frankly, the sheer will to survive and the fear of leaving this earth without sharing God's gifts with the world for it's the greater good. Everyone has a unique gift for the world, you just have to find it, cultivate it, and share it. Instagram #BUZZMUSIC

The profoundly intriguing Hip-Hop artist and Rapper Midas The Ruler speaks on life's trials and tribulations within his latest single, "I Forgive." Naming himself after his original acronym 'My. Internal. Definite. Attributes. Solidified.," Midas The Ruler mentioned that this is also a metaphor for God-given talent that he's ever so grateful for while continuing to represent God and his strength within his music. Regarding his latest single, "I Forgive," Midas The Ruler goes into his deep lyrical content and delivers relatable themes of growing from past pain and using it as a stepping stool to a future full of greatness. With a subtly haunting Hip-Hop beat and a female's heavenly vocal feature, the track is indeed something we can't keep our ears off of. "I forgive" opens as calmly and smoothly as a mythical movie, with floating keys and a subtle string section. Once the heavy Hip-Hop beat kicks in at a mid-tempo pace, a warm female vocal graces the track and sets the song's intriguing and serious tone. That being said, As Midas, The Ruler begins rapping about his pressing past, he delivers this sense of resilience and optimism towards his future. The brilliant and beautiful back and forth between Midas The Ruler and the warm female vocals add intense depth that pulls us deeper into this compelling track. Midas The Ruler does an incredible job describing an in-depth storyline with his textured bars, gripping the listener's attention with each meticulously placed lyric. "I Forgive" takes us through a melancholy yet optimistic tone while Midas The Ruler brings us back down to earth with his genuine lyricism. The overall track is intoxicating and will undoubtedly have listeners wanting more of Midas The Ruler's deep music. Listen to "I Forgive" here. We can't get enough of your gripping single, "I Forgive." What inspired you to write a track that surrounds life's trials and tribulations you've faced? The back story to this track begins with the instrumental. I heard the instrumental just browsing online for beats one night and I came across this one from krayda and I was like okay, this one is special, This one stands out from all the rest. What intrigued me more was the vocal sample. Where the lady says "Unforgettable". That sample right there had me reminiscing about my childhood and everything that I've been thrown in the past. So it was just a matter of putting 2 & 2 together and it came out pretty dope if you ask me! I'm pleased. Speaking on your single "I Forgive," who is the featured female vocalist warming up your song? Why did you want to add a female's vocals within this piece? The female vocalist featured is a young lady by the name of Justine Garamani. I hit her up knowing that we had each other on Facebook even though I had never met her prior to me contacting her. But we knew the same people so it was all good. As far as me wanting a female vocalist for the track. Again it starts with the instrumental. There are certain beats that have that Smooth Mello and light vocal samples to them that you just like okay a girl would sound better on this then a guy would and the I forgive instrumental was one of those beats. Within "I Forgive," your vocal delivery and bars stand out as the track's focal point. Do you usually create tracks like this, where the beat is subtle yet supports your predominant lyrical message? Actually, no my beats or the beats I choose for that matter are usually up to par with my rapping I just found this particular beat special. And actually, the very first time I heard the beat I never once thought it was subtle I just thought it was special and unique. I know it's not your typical hip hop beat but still, it's great to me. You've mentioned that you aim to represent God and everything he is about within your music career. Could you tell us how you put this into action within your songs? Instead of being a "Christian Rapper" Or a "Gospel Rapper" I just try to either make References Or throw subliminal messages here & there about God in my music. Like for example my latest single called spiritual warfare I start in the beginning by saying 'God bless your soul and you're physical' before I start lyrically going in on other rappers spiritually on the mic. I also try to acknowledge the fact that everything came from God so when you hear me say a line like 'God please save us cause it ain't hard to see that the end is near'  from lost pages. What is one goal with your music that you'd like to reach by the end of the year with your music? Well for one I got signed to a record label by the name of Paul Star Entertainment about 2 months ago so I'm very pleased with that. I Will be releasing the deluxe version of my latest album M.I.D.A.S. in 2 weeks. So the end goal for this year is to sell as many records as possible. #BUZZMUSIC