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Hailing from Vermont, Two Towns is a young band to watch who is beginning to make waves in New England’s music scene. The group consists of lead singer Zac Young from Milton, Vermont, who is enrolled in Business at Southern New Hampshire University. Music engineer Hunter Myers is from Westford Vermont and attends Northern Vermont University for Music Business. The pair’s unique talents compliment each other and are what give their band its ability to grow and evolve. The duo has two singles that are currently available on Spotify and Apple Music “Overdue,” and “Should’ve Been Me.” Both of these songs are sneak peek of Two Town’s debut album “Shell City” that is set to be released soon. With flavors of smooth Jazz, light Pop, and Indie, “Should’ve Been Me” is a soundtrack for any moment of lighthearted lounging around. Lyrically, Two Towns sings about the common circumstance of being on the outside looking in at the one that got away. Although the songwriting could bring the emotion of feeling left behind, the production of the song allows it to maintain its feel-good energy. “Should’ve Been Me” has a playful acoustic guitar strum; two down strums, then a stop of the strings. The guitar is enough of a beat for the lighthearted track, but Two Towns adds some extra spice with a light maraca and well-spaced finger snaps. instagram.com/twotowns_band facebook.com/TwoTownsBand #BUZZMUSIC

For a long time now, Grant Kilpatrick—the Scottish Indie-rock songster quickly becoming a house-hold name in the Western Rock scene—has been dialing in the perfect amount of gain for his distinctive rawboned sound and aesthetic. With feverish ambition, he seldom comes out of the gates without securing a team of renowned talents to help chaperone his heavy-handed vibes from mind to record; and on his latest sonic endeavor reaching us this year titled, "Close to You," that stratagem is no different. For this track, Kilpatrick looked to Bruce Rintoul, the mastermind behind Twin Atlantic and We Were Promised Jetpacks, for his talent in production, and Ed Woods, the Mastering Engineer behind The Who and Reuben, for his magical way around the faders and EQ curves of his masterpiece. But probably the most vital aspect of this cut has to be the West-Lothian band bashing at their string and drum heads with constant vigor for the entirety of this Anthemic classic. Here, over the scintillating riffage of Richard Fish's guitar, and the bombastic industrial rumblings being produced behind Euan Sked's drumset, Grant Kilpatrick commands attention from the first moments his emboldened voice slaps against your eardrums. Over the opening line, "I'm seeing every little line laid out before me, just feeling my way, don't believe it's gonna take the time enough to show me, just breath in it's okay," and out of his turbulence and dismay, Kilpatrick finds a way to uplift and unravel amongst the tight-knit harmonics dissolving into the prismatic backdrops of this hot-blooded track. When he arrives at the chorus, it's almost impossible not to lose track of time and space as you find yourself humming along to the infatuation topline melodies that dissolve from Kilpatrick's exercised vocal cords. Here, over the uproar and resounding of our Scottish intoner's captivating voice, the atmosphere super-charges with magnetized particles that aim at attracting all your senses over to his impervious love-torn narrative, where he decries over the hooking lines: "I'm screaming out, Holy Mother, it's secrets to be discovered, and I'll let no other lover come close to you." As if all sounds melted into unison, the cruising band supporting Kilpatrick marries into their cohesive gear and cog relationship for the entirety of "Close to You," defining this track as an opus magnum created under this home-bodied songwriter's genius talent. And it doesn't come as a surprise, since Grant Kilpatrick has been dropping these sorts of indie-rock heavy-hitters on his listeners since 2019. Hello Grant, thanks for being with us at BuzzMusic to discuss your latest release "Close to You" Can you run us through the conceptualization behind this track's narrative, and some of the challenges you've faced putting this song together? To be honest I don’t often write with a narrative in mind. When I go down that route I often feel boxed in lyrical. So I just like to go with my instincts and fit the lyrics around the emotion of the track. It seems to have worked well for me so far but I wouldn’t rule out building a narrative around a song. I’m sure it’ll happen in time. In terms of challenges, the song came together quite quickly so that was great. I do always find it challenging to sing though, there’s plenty long soaring notes. What sorts of emotions did you need to sharpen in on to get the kind of vocal performance you've established over "Close to You"? In the studio I’m just concentrating on delivery and performance. Once you’ve practiced the song to death it’s all about putting over the emotion. To me that’s the most important thing, you’ve got to make everybody believe in what you’re singing about. What was it like working with Euan Sked, Richard Fish, and Bruce Rintoul on this record? Aw it’s great. These people are some of my best friends and I can’t emphasise enough how good it is to work on music together with them. I just want to get out and play live now! Bruce is a stunning producer who’s clearly really passionate about his work and has the client list to prove it. I really value his opinion along with the other guys too, it’s good for me to have other voices weighing in when putting together a track. If you could preface this song's experience with a few words that would act as the Prologue for your listeners, what would you say and why? I’m not sure, that’s a hard question. I think it’s up to the listener to feel however they want about the track but if you like an anthemic chorus then you’ll like this. I’m always trying to write the kind of music that people can sing back at me. If I can imagine a crowd of people singing it back then it passes the test. What has been keeping you inspired in 2020? That’s easy but cheesy. My family, girlfriend, friends, my wee dug and of course good music. It’s as simple as that. I’m really enthusiastic about writing at the moment and that only seems to have ramped up since this coronavirus pandemic. I know right now isn’t the best time for a lot of people, but I’m just trying to grab on to anything positive and writing music ticks that box every time. Instagram Facebook #BUZZMUSIC

Tess, could you tell us more about your upcoming single? My new song is called "Take me There" and I wrote it about the feeling of wanting to reinvent everything after feeling stuck. During this period in 2020 where we are all literally stuck inside for months, it makes us question everything from the ground up and rethink how we are in the world. I wrote it during quarantine and recorded it in my bedroom home studio and collaborated with my awesome producer Arthur Pingrey. Who or what inspires you to make good music? I love writing music that's about expressing things authentically - beyond what society tries to tell us to be or act like. Sometimes that involves going to dark places and difficult emotions to explore things that are usually hidden, but that provides healing and catharsis. I started writing songs from journaling and exploring my own depths, and finding a sense of freedom in that process. I love being able to share that with others and explore different sounds and textures to express new ideas and deep feelings. We noticed you love playing your guitar and piano, how long have you been into playing instruments? I started playing the piano around 12 years old and have been playing on and off since then. I've recently taken up learning acoustic guitar which was been really fun. But my favorite new instrument is my new Korg Minilogue synthesizer, I am obsessed. What is your favorite part of making music? Just getting completely lost in the creation process of writing songs and performing. It's this blissful flow state that feels like it always has something new to offer. What advice would you give to your fellow artists who are struggling right now? It's a tough time with so many interruptions with live music and the way we're used to connecting with people and bringing in income. We all have to find new ways to creativity work during this time, whether it's live streaming or outdoor concerts. I think artists are creative and often entrepreneurial, and we can apply those skill sets to adapt and evolve the way we operate. This will end, but it might take awhile, so how can we create new ways of doing things in the meantime? The world needs music more than ever, don't stop. instagram.com/tessposnermusic facebook.com/tessposnermusic

Nice to have you today! Tell us about your road to success Thank you for having me! Wow, that’s a big question. First of all, success to me is what you define it to be. I want to grow as an artist so when I do that, that’s success to me! And I am learning and practicing to see the small successes and acknowledge them when I get there. Otherwise I would feel like I’m standing still, and that won’t help me move forward. If I celebrate the wins along the way, it makes me more brave and it inspires me to keep going! And besides that, I have put a lot of time into my performance and my voice too feels in control and confident in what I do. If you could be in two places at one time, everyday...where would those places be? Easy question! Stockholm and New York City. I have so many loved ones in Stockholm, but my heart is in NYC as well. I feel home in both places in different ways. How do you get pumped up before a big event? Well, I don’t know if this counts for getting pumped up, haha! But before a performance or big event, I try to have a routine. It can be getting ready, warming up, getting my mind and focus in the right spot. Usually just before going on stage, I like to listen to the crowd and zoom in on being present and in the moment. What is your mantra? Well I guess part of my voice warm up routine is a kind of a mantra. It’s an exercise very focused on feeling the resonance moving and connecting the voice with the body and mind. It’s like a mini meditation. And I sometimes do a version of that just before going on stage too. Haha, maybe it sounds a bit woo-woo but it works! The voice will thank you as well :) Now that I think about it, I should also really define a few mantra lead phrases in my life. I try to live my life in a way that gives good karma and that empowers me, not holding on to. Interview by: bsquaredmgmt.com

Nice to have you today!  Tell us about your road to success Thank you for having me! My road to success has certainly been a winding road haha. I started off my journey thinking that I was pursuing a career in entertainment journalism and soon shifted into being a conscious media journalist and spiritual counselor, which is more certainly a different world. But I ended up here by trusting my intuition and knowing that success would find me as long as I was honoring my soul's calling. If you could be in two places at one time, every day...where would those places be? I love this question! I think I would be on the beach and in the forest. I'm drawn to both kinds of environments yet it's difficult to find yourself close to both at the same time! Gotta start practicing my astral projection I guess, haha. How do you get pumped up before a big event? It definitely depends on the event! If it's work centered, I love meditating and grounding myself in the present moment so that I can be fully engaged by whatever follows. If it's an event where the only objective is to have fun, then I'm definitely working out to Beyonce. What is your mantra? It shifts given the circumstance, but currently, it's: I am building a life I love while living a life I love. facebook.com/jazminkylene Interview by: bsquaredmgmt.com

Nice to have you today!  Tell us about your road to success I’m still on that road! Maybe I will be my entire life... success to me means setting goals and working towards achieving them, so there’s never an end destination, that we keep ourselves motivated for our entire lives. For me, my current circumstances are a product of lots of time, experience, self-reflection, self-awareness and healing. I’ve been performing and creating my entire life. I’ve done so many things in so many places. It took me until I was 30 to really know myself. Now I’m liberated from previous constraints of trying to mold myself by other people's standards and expectations. It’s been hard and painful but so rewarding. I love the things I’m making now and am very proud of them. If you could be in two places at one time, everyday...where would those places be? On a remote tropical beach somewhere and also in the homes of my loved ones. I’m constantly torn between wanting to be alone and escape and adventure... and wanting to connect. I crave extremes. I need a lot of stimulation and a lot of alone time. How do you get pumped up before a big event? I pamper the hell out of myself. Take a couple hours to get ready. Luxuriate in showering, hair and makeup, feeling myself like crazy. Mediate or stretch. Speak lovingly to myself and pump myself up. What is your mantra? The only control I have is over my actions and choices. Also: we are only love. I strive to make every action a manifestation of love. Facebook.com/phoebesilvamusic Interview by: bsquaredmgmt.com

Tell us about your road to success It’s a long and winding road. Lots of hills. Lots of paths on the side that look like fun but just get me stuck in the bushes or mud. There are quite a few thorn bushes, most of the lights are burned out. There’s a glowing city at the end of the road but it stays poised just beyond the horizon. I walk forth, eyes fixated on the biggest tower I can see. If you could be in two places at one time, every day...where would those places be? At home AND on the road! So like, I could be on tour and really loving it, and then as soon as load-out is done I can just BOOM, be in my bed with my weighted blanket and Minecraft. That way I’ll be really well-rested but still touring. Has Elon Musk invented this gadget? If so, have him call me because I’m trying to make this happen. How do you get pumped up before a big event? I like to do quiet and simple things beforehand. The day of a big show, if I’m in LA and playing locally, I’ll wake up and have a cup of coffee, maybe get breakfast by myself, go for a quiet walk, exercise, stuff like that. The more relaxed I am, the easier time I’ll have communicating with everyone later on. What is your mantra? I don’t really have one, but I’ve used “one day at a time” quite a bit. I’ve been known to say all sorts of odd mantras though. I love to say random things to people and act like it’s a common catchphrase just to see the reaction. It’s easier if you’re sober and everyone around you is under the influence. Saying stuff like “ehhh, you know what they always say. Don’t put a dog in the fire lane, am I right?” You’d be surprised by how often it goes right over their head. Makes no sense but if you say it with enough confidence, people don’t question it. Interview by: bsquaredmgmt.com

Growing up in Michigan, Vega-Genesis had a tight relationship with his iPod nano which stemmed from his overwhelming passion for music. He went from recording voice memos on his iPod as a child to hit #11 on an iTunes Best Hip-Hop/Rap chart just 60 days after he moved to California. Vega-Genesis has collaborated with talented Hip-Hop artist nicky ros for his recent release “B.I.U.” As a short form for “back it up,” “B.I.U.” has a youthful beat and contagious energy that will hype Vega-Genesis’ audience after one listen. As an almost comical introduction, “B. I. U.” holds true to its title by kicking off with the common beeping of a truck reversing – this sound makes a few more appearances throughout the song. At a brisk 2 minutes and 50 seconds, Vega-Genesis is able to give us a quick sneak peek into his intriguing lifestyle. The production brings a sense of urgency with its lightweight and rapid beat. A catchy three-note melody is played in the background to compliment the electronic soundscape. Both Vega-Genesis and Nicky Ros showcase their rapping talent with their alluring vocals. “B.I.U.” is an energy-enhancing, confidence-boosting track that almost guarantees a good time with just one listen. With quite a few pieces in the works, including another short album, Vega-Genesis is leaving fans on the edge of their seats as we await more Hip-Hop/Pop fusions. Listen to "B.I.U." here. Hello nicky, thank you for sitting down with us at BuzzMusic to discuss your latest collaboration with Vega-Genesis. We loved the contagious momentum and energy you both gave us in “B.I.U.” Can you tell us about the inspiration for this song? Vega and I heard the beat and we started freestyling to it jokingly. Vega didn’t know I had the mic on and his verse came out so fire that we decided to finish the song and put it out. Could you describe your collaboration with Vega for “B.I.U.” Did you write the entire song? Or, did you both collaborate at every step of the way? Releasing all the music and collaborations I’ve worked on this year. I’m spending a lot more time on the marketing side of things and focusing on each song’s potential to reach more fans as possible. “Orlando” with Jeane Marie & Zacc P has been soaring and I want to carry that momentum into the rest of the music that I’m releasing this year. I have an acoustic EP that I’ll be dropping in October and an album coming 1st quarter of next year. keeps our songs interesting all the way through. We push each other in a friendly competition to see who can come up with the most clever punchlines. I’m also grateful that he’s become such a close friend in the time I’ve known him and that camaraderie comes through on the records. What are your next goals for your career as an artist? Releasing all the music and collaborations I’ve worked on this year. I’m spending a lot more time on the marketing side of things and focusing on each song’s potential to reach more fans as possible. “Orlando” with Jeane Marie & Zacc P has been soaring and I want to carry that momentum into the rest of the music that I’m releasing this year. I have an acoustic EP that I’ll be dropping in October and an album coming 1st quarter of next year. What has been keeping you inspired in 2020? Releasing all the music and collaborations I’ve worked on this year. I’m spending a lot more time on the marketing side of things and focusing on each song’s potential to reach more fans as possible. “Orlando” with Jeane Marie & Zacc P has been soaring and I want to carry that momentum into the rest of the music that I’m releasing this year. I have an acoustic EP that I’ll be dropping in October and an album coming 1st quarter of next year. So much of the energy surrounding 2020 has been negative and I believe it’s our job as artists to remind people of the beauty in the world, even at times when it might be difficult to find. I’ve learned so much this year and have been blessed with the opportunity to channel my experiences into music that will touch people emotionally and inspire them. instagram.com/vega.genesis #BUZZMUSIC

The deep chasm of emanating vibe that drips out from every echo and quiver of HIRIE's striking new single, "Bonfire," shouldn't be unfamiliar with fans by now. Her most recent meanderings within the Music Industry involve joining forces with Paul Couture—the notary producer with credits behind French Montana and Max B's 2019 collaborative LP, 'Coke Wave 4'—to help her facilitate trying something different with her sound. So naturally, when the two budding creatives amalgamated their hitmaker juices together over Facetime, the buzzing island-inspired platform for HIRIE's profound and uplifting messages was settled. She's described her narrative behind this collaborative track as, "quieting your inner chatter - or rather, burning it so that the truth can find its way out," and that's the same attitude it exudes when we dive into the Reggaeton-motivated vibrations spilling over the edges of this new-age Classic. Here, HIRIE is whirring with a scintillating character that could buckle any knees at the first notion of an audible sensation. The production plays off the infectious vibe that the Filipina-intoner evaporates with every salacious echo that falls gets sucked into the Island Void. There's a riffing guitar that glides across the playback's expanses with Ska-reminiscent downstrokes, and as the nostalgic pad samples raise the heat level through every transition, the beat renders up with a punchy, modern thump. While it might like there might be a lot going on within the interweaving filters and attention-grabbing slap-back reverberations found on "Bonfire," the fact is: it's the well immersed cut we anticipated from the two original Talents. Over an even balance, everything between the captivating narrative HIRIE exposes; to how her voice sits in the mix, was automatically assumed when Patricia's name showed up next Paul Coutures'. With a Top-line as catchy as, "burn it like a rum-bum fire, take like a boom, make you higher," stuck in our heads, it's no wonder everyone has been taking notice of our newly adorned after-glow as we strut with "Bonfire," booming as our soundtrack. Hello HIRIE and welcome to BuzzMusic. Can you walk us through what the process of creating "Bonfire" together was like? Where did the idea for the song come from? And how did you manage to do it over Facetime? I was introduced to producer Paul Couture by my good friend and fellow artist, Shwayze. Paul and I hit it off instantly and so I found myself with a folder of really great tracks he had made specifically for me to catch a vibe. When I heard the instrumentation that is now “Bonfire” I lost it! I knew I had to write to it and did so instantly. The lyrics for Bonfire flowed through me before I even knew what I was singing about. I just recorded line by line until I listened back and started piecing the puzzle together. I realized I was writing a song about believing in myself again. Sometimes writing music is like an open diary that you don’t even feel responsible for writing. The beauty of this sort of artistry is allowing yourself to be vulnerable and spit words out without thinking about them first. So once the lyrics were finished and I had a demo, Paul and I jumped on FaceTime to get to know each other and how we would like to work on the tune over the phone, essentially. Because of COVID and the mandated “stay at home” order, I invested in a little home studio with a mic I felt confident about delivering vocals through. I recorded my vocals, sent them to Paul and he did his magic! We both went back and forth until we were happy with the finished product. What were the emotions you had to channel into for the performance you've captured over "Bonfire"? I had to channel my inner strength and confidence for Bonfire because I want everyone who also hears the song to feel their inner strength and confidence.  We may not always feel those things but the importance of music is to help us shift our moods when we need a little help getting through an emotional slump. When you think back to working with Paul, what strikes you as the most valuable experience behind his collaboration on this track? One thing I really appreciate about Paul (and that makes me want to work with him again), is his ability to let me shine and make decisions based on my own style. He agreed with a lot of my ideas and brought them to another level by giving me creative freedom of expression. He’s an extremely talented and patient person. I can’t wait to do more together! Could you give us a few words that would act as Prologue to the emotions your listeners can come to expect from Bonfire, as well as the rest of your Music coming-out later this year? Bonfire should leave you feeling exhilarated. You can do anything. You can start over and hit reset anytime and with anything. Don’t let anyone hold you down, including yourself!!! I have a lot more music in the works and its all the same underlying theme - we are stronger than we know. We are powerful in our tenderness, but we are not to be taken advantage of. What has been keeping you inspired in 2020? The strength I see in my fans and those around me is what keeps me inspired this year. It's obviously not a year we foresaw - but it will for sure make us stronger and hopefully wiser for 2021. Instagram Website #BUZZMUSIC

Nostalgia never sounded so sweet with BILETSKA's recent electro-pop single, "Fallen." Infusing electronic basslines with the vibrancy of pop music, not to mention a flair of 70s disco and 90s club pop, BILETSKA's recent single is full of life, confidence, and a sound message. She mentioned that "Fallen" surrounds the themes of yearning to cry on a friend's shoulder, yet realizing that when there isn't much loyalty around, empowerment resurfaces once taking time to reflect by oneself. With gripping basslines and a hi-fi electro-pop atmosphere, BILETSKA and her fiery vocals stand firm in her inner-power and deliver an authoritative unbothered demeanor. "Fallen" opens with BILETSKA's sweet acapella vocals layered and delivering a melodic masterpiece. Once a deep drum kick appears, there's no turning back as BILETSKA sets sail into her element. Singing a tale of overcoming childish high school issues and the countless rumors she's encountered, BILETSKA gives this intriguing Madonna-Esque delivery while crashing the track with this overall sense of empowerment. The electronic production and pop influence give the song this nostalgic edge while BILETSKA soars over in an incredibly modern and fresh manner. The electrifying hook takes the listener on a bright yet introspective adventure through realizations of unhealthy relationships, romantic or platonic. We love the natural empowerment that BILETSKA delivers with "Fallen," and it goes without saying that any listener can get down with her sound, vibe, and knowledgeable message. Hello BILETSKA and welcome to BuzzMusic. When did you realize that you needed to create a song that speaks on empowerment and overcoming issues with "Fallen?” I've witnessed kids and teenagers mistreating each other, and I’ve felt powerless to do anything about it. I hate when things seem unfair and I’m ready to fight/stand my ground even if it’s against everyone. You can't change other people, but you can change yourself and be sympathetic to others going through hard times and be a friend when they need you. One day you may also need a friend. This topic inspired me to write Fallen. Also, I do believe in karma and that you get what you deserve. How did you craft the instrumentals to deliver the same empowering feeling that the lyrics give on "Falle?" I think that the song's dynamic, along with the vocal delivery, plays a crucial role in the empowerment of it. My producers @handmade_nashville and I were on the same page, so it didn't take long to create the right instrumental that sounded inspiring and complemented vocals. Seeing as "Fallen" is your debut single, how did you want listeners to perceive you and your music? Why did you choose this track to lead the way of your career? I chose this song because it was stuck in my head for so long, I needed to get it out there. I didn't think this one would be the first single because I have many other songs that I love, but I guess this intuitively needed to get out first. I want listeners to perceive me as a strong independent woman who isn't afraid to speak up for herself and what she cares about. Since you're still somewhat new to the industry, what can you tell our readers about who you are, your brand, and what your music stands for? I'm just a simple girl who loves to do what she's passionate about. I don't have a particular brand yet, I'm still figuring it all out. When I'm on stage, I discover the most about the music and myself. Currently, my style is pop/electronic. I also love glam rock, which I know I'll add to the mix later on. Right now, I'm experimenting. The more you hear, the more you will discover What's next for you? I'm planning on releasing a second single in a month or two after Fallen. I'd love to do a music video as well. But first I need to figure out which song I'll pick for that. Then I plan to record, 5-6 more tracks and put a band together to go on tour. Hopefully, by that time, things will be better with the coronavirus and all the restrictions Instagram Website #BUZZMUSIC