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The enchanting songstress, India Eboneé, will never fail to display great charisma with her personified playlist for the human experience. Growing up from a multi-cultural village, India Eboneé uses her life adolescent journey as fuel for her creative songwriting & storytelling music. She tends to leave her audience fulfilled with their own personal reflective story they can tell. As personal fans of Neo-Soul & R&B, we were greatly impressed by the lavish single “Luxury” released by India Eboneé. The atmosphere of the instrumentation in Luxury combines the sexy, sultry element of R&B with this dreamsicle escape-like vibe of ambient music. With a sprinkle of blues, India Eboneé places her listener into a trance with this hazy but rich elemental vibe. “Luxury” exudes a vibe of romanticism filling the listener's imagination of beds draped in red satin sheets adorned with rose petals and a fine class of Don Pierre on the bedside table. An aspect of “Luxury” that we found to be highly enjoyable was the unpredictable factor in India Eboneé’s vocal delivery. Her soothing, relaxed vocal tone was able to carry a note for a smooth-sailing melodic tune but she shows dimensions to her artistry when she projects a rhythmic rap verse that balances between staccato and legato with tempo, floating beautifully on top of the beat. India Eboneé also plays around with the production of her voice where she uses an intricate robotic effect on her vocals, adding the element of techno into this nomadic single. The lyricism in “Luxury” was very descriptive. Placing the listener into this vivid storyline where every lyric India Eboneé states paint a crystal clear image in your mind. We loved the metaphorical representation of jewels and diamonds, possessions that we all love and long for, and the connection of comfort & love. India Ebonee is a dynamically strategic songwriter who uses her poetic and imaginative artistry to her advantage. Listen to "Luxury" here. Can you share how you make connections with your multicultural background and your detailed music? Where do you draw most of your inspiration from? Thanks for having me! I basically grew up all over the deep south, which is responsible for a lot of pioneering sounds in the soul and hip hop genres. The way I say things comes from that. In the south, we are really witty and have clever ways of telling stories. It comes off as funny, but 9/10 were serious, haha! Most of my inspiration is drawn from the music I began retaining from when I was a little girl. A lot of Lauryn, Fugees, Alicia Keys, classic funk/soul.. but also a lot of gritty, bass-heavy, gangster rap from Memphis, Louisana, and Texas. Depending on where I was at the time, it challenged me to create my own voice. Would you consider the lyricism in “Luxury” to be deeper in metaphorical meaning? What’s the story behind these lyrics? Yes. The lyrics can still be taken at face value, however, when I say things like “ Laws of the world trippin', weight on my back till I’m finished,” I'm referring to not only the government and powers that be in America, but even the unjust doings of people in the middle east, Africa, and in Asian countries making it hard for the everyday person to survive or even have peace of mind. What most people want is to just have peace of mind and happiness, but in 2020 especially that can be considered a luxury! This song for me is just about getting to my perception of success and contentment, being surrounded by people who are hip to the real luxe of life. We loved the multiple elements of different genres being presented in the instrumentation of “Luxury”. Was this a clear intention to mix and blend the production? What was your creative vision? Right! I do agree that this is a song that can blend into different genres. And like I stated before, my overall sound is a reflection of different genres as well because of who I am. So, blurring the lines is always intentional. I also think that it's more forward-thinking to just make the music, eventually, there won’t even be genres! In what ways are you seeking to evolve as an artist? I am definitely still in my development stages as an artist, and I am working to solidify my voice and the way that I deliver my story. I am not looking to be anyone's shadow or replacement. I am just here to outwork myself and be a light. What's next for you? More music, more visuals, and hopefully some live performances. I am an all-around creative so be sure to check out my YouTube channel, India Eboneè for my next creative endeavor! instagram.com/indiaebonee #BUZZMUSIC

Born in Sydney and raised in Australia's largest inbound City—Canberra—Hannah Sands is this year's freshest smooth caroling chanteuse who's minimalistic approach is uprooting what we know as "standard" in the Contemporary Musical panorama of 2020. With an aesthetic that borrows from Neo-soul and R&B, her debut track, "Choices," is a zestful sonic journey through a magnetic production garnished with a narrative that revolves around the freedom one feels when liberated from all things Toxic in a relationship. Opening up, "Choices," swaggers over the sleek harmonic warbles of Hannah's mellifluent voice. There's a punchy drum-set behind her for support, but the fascinating energy that the Brisbane intoner produces out of thin-air is simply magnetic and demands attention. As we're guided along the lacquered corridors of this enchanting mix, a whole-some low-end peak out from the shadows to adorn some saturated textures over the rhythms measure. It's a minimalistic endeavor, with a snug-muted guitar that coordinates off of the elegant backgrounds, intermingling against Sand's enamoring vocal tonality with meticulous efficiency. The most infatuating part of the entire experience is how she fills the spaces of this mix with her entrancing vocal harmonies, wreathing over her main-take with a veteran conviction. It renders like an instrument in of itself, jam-packed with synergizing characters and intonations as we listen-in completely captivated. The type of confidence Hannah exudes when she sings, "you took my love for granted when you tossed me on the floor," is unmistakable. When she continues, "sorry, darling boy, but I don't love you anymore," her words land with an astonishingly quiet, yet devastating blow. Amongst the sleek swinging hum of the entire sonic shuffle, it's clear that Hannah has had enough. She knows she's better off without the toxic residence of her last relationship, and in the after-glow that adorns her through freedom, Hannah emerges; new, and jovial, with a sophisticated elegance about her. Hello Hannah and welcome to BuzzMusic, it's wonderful to have you with us. Can you tell us a little more about your personal experience behind "Choices," and the narrative you were trying to highlight throughout its playback? Choices was written on the back end of a tumultuous relationship. My partner had cheated on me but we were trying to work through it. I was so drained from giving it my all and one day I just woke up and realized he was still a beautiful person but just not right for me and felt happy knowing it was okay to move on. What were some of the emotions you needed to channel in order to capture the stunning vocal performance that you so effortlessly displayed on this debut? This is going to sound so annoying but the main vocals on this track were the first take we did in the studio haha. I’d shown jay, my Producer the track on acoustic and we wanted to try it with a different feel so I just started singing it and that’s what we used! I’d say for this one being totally present was how it got the best sound. Do you feel like Sydney, Canberra, and Brisbane have had some influence on your sound and aesthetic in some form or fashion, or is there something else that stands as your artistic inspiration? Growing up in Canberra definitely contributed to my quirks as a musician. Canberra holds the Australian National Folk Festival each year which is a beautiful event that I frequented with my dad growing up. Since moving to Brisbane I’ve met a wonderful community of up and coming artists and have definitely been inspired in some way however I just say I think my inspiration more so comes from past internal/emotional experiences and growth and the growth of those around me rather than the places that I’m physically in. If you could give your audience a few words that would act as a Prologue before they dive into your Debut track as an independent artist, what would you feel the need to say and why? Choices is about self-empowerment with the decisions we make, not only in relationships but in everyday life. Don’t doubt yourself, trust your intuition, and be proud of your ability to smile and walk away from something that isn’t right for you. What has been keeping you inspired in 2020? Honestly? COVID19 has helped a lot! Being in lockdown in my unit alone for those couple of months, I’ve never felt more inspired to sit with myself and get all the music inside me down on tracks. A good reminder that life as we know it can change at any moment but music will always keep going. It’s timeless! instagram.com/hannahsandsmusic facebook.com/hannahsandsmusic #BUZZMUSIC

Angel Dweh, also going by the nickname Afro-Prince, aims to draw in listeners with his captivating culture and mix of contemporary music. Combining the alluring Afropop genre with other genres such as modern R&B, Angel Dweh creates a sound that will have all ages dancing along. His latest single “Kokona” is the perfect example of how dynamic and feel-good Angel’s music is, with elements that everyone can enjoy. He reminds people to have fun and enjoy the simplicities of music and dancing. The creative beats and groovy rhythms draw in the listener, and Angel’s endearing vocals create the perfect Afropop and modern mix. Angel aims to stay true to his Liberian root and character, surrounding himself with positive energy and people to inspire him. Being a college student, Angel skillfully balances studies and music, showing his determined and hardworking character. With his shining personality and expressive music, Angel Dweh shows much potential as an artist, and will undoubtedly uplift the spirits of those who listen. Check out our recent interview with Angel Dweh here. instagram.com/angeldwehofficial facebook.com/AngeDweh #BUZZMUSIC

Remember viral Alt/Pop artist Cody Randall? His latest hit, "Lost World," was featured on BuzzMusic last week, and the hot summer electronic single had just followed his viral sensation, "Remedy." Los Angeles music artist Cody Randall has always had his sights set on proudly emulating his uplifting sound. That's the best way to describe the feeling that Cody Randall and his music can impart to listeners--he crafts singles that deliver bouncy and feel-good rhythms, all while manifesting playfully mystifying soundscapes. Cody Randall seems to be the L.A. songster to put your focus into this year, as the advancement of his music only appears to persist. Cody establishes vibrant themes within his musical offerings, and such themes are often expressed in a nonchalant manner, which only adds to the easy-breezy aspect of his music. Pouring his own vulnerable experiences and emotions into his music, Cody only strengthens his artistry with the creational wave he seems to be on with how he goes about communicating such life events. From here on out, Cody Randall only plans to hustle it out with his music, making us highly anticipating new work from this mind-driven artist. Discover the music of Cody Randall here. instagram.com/iamcodyrandall twitter.com/iamcodyrandall #BUZZMUSIC

With an aesthetic comparable to The Beatles, Blake Collins is making waves in the melancholic world of Indie-Rock. Staying true to the unmistakable 60's British impression, the rising Singer and Songwriter is a contemporary artist whose music is sure to induce strong nostalgia feelings. With high importance pleased with vibrant instrumentals, Blake Collins is known for his twangy guitars with a rock and roll style percussion rhythm. Collins' melodies are the 'sing-along on the first listen' type of hook that we know and love from the past while incorporating his own new-age flavors. Always inspired to develop as an artist, Blake Collins spends his time creating art in many forms. In addition to songwriting, he cultivates his creativity by writing stories and poetry and designing visual art. Recently expanding his talents into producing videos, Blake Collins is always open to nurturing his skills to become the best artist he can be. Learn more about the music of Blake Collins here. instagram.com/blakecollinsmusic blakecollinsmusic.com #BUZZMUSIC

Hi Codi! Tell us all about your new release coming out this week This release is the biggest thus far in my journey! I’m so excited to share this project and the music I’ve worked so tirelessly to make this the best music I’ve made. It really is a testament to how far I’ve grown and how honest and legit my music is. The album, “CØLLUSIØN” is about breaking the mold of society, and feeling very real and raw emotions on the journey to finding yourself. You go through love, loss, heartbreak, re-discovery, Mental health, etc. And many topics like those are talked about on the album. We have noticed a BIG change in your direction and image as an artist.  What has been the inspiration? I feel like I’m finally becoming the artist I have felt within myself. I have always been super creative and wanted to create out of the box concepts that catch people’s attention. I feel I am just more motivated and confident in myself to create this kind of art I’ve been craving to make. The inspiration is drawn from within and finding the strength and love of myself that I thought I couldn’t find. When I did, I was able to act fearlessly in creating the best work of my career so far. We love the new fashions and photos! Tell us who is your designer and do you style yourself? Thank you! I use a lot of fast fashion and club kid fashion brands. I have been inspired a lot by the Chromatica Era, and have incorporated some of that influence into my style. I have always styled myself and enjoy doing it. I have a very specific and vivid eye when it comes to fashion, and creating a Cohesive look to correspond to the music! Your latest video is extremely eye-popping and provocative!  What was the motivation for this work? The song, “He Like That,” is a very confident and sexy anthem, especially to LGBT youth. It’s sometimes so hard to find love or to be loved in such an outcast community because the needs vary between each person's story. SMLY & I wanted to make a song to lift ourselves up and feel strong and powerful in our bodies. The video also captured how strong our bond is and how close we are as friends. Please tell our readers how to get MORE Codi Dillon!  You can find more CODI DILLON on my site [www.codidillon.com]! And follow me on Insta [@codi.dillon], Facebook, Twitter, & YouTube! Please make sure to listen and stream my music on Spotify & Apple Music. And get ready for CØLLUSIØN out Friday 9/18. ___ Interview by: bsquaredmgmt.com

Hi Francis, it's great to chat with you. Can you please tell us about your road to success as an artist? My journey has always been rocky like everyone else. But it's the journey that builds up as a person. As an International artist, it will always be hard but it keeps us on our feet to strive further and harder. I am pretty much successful where I am, depending on how you define success. But I always strive to be better because I know I can do things better. If you could be in two places at one time, every day, where would those places be? I'd love to be in Baler, Aurora (a quiet surfing spot in my motherland, the Philippines), and NYC. How do you get pumped up before a big event? I always try to keep my energy high and be focused on. As long as the positive vibes are flowing, I let it soak in and focus that energy to channel what I need to do on stage.   What is your mantra? Among the WH-questions, "why" is the hardest to answer. If your "why" is not clear and strong, you can't do the things you are doing in life. Your "why" should be the sole reason why you are doing what you are doing. facebook.com/officialfrancismabborang __ Interview by: bsquaredmgmt.com

Yemily pours her heart into the newly dropped "Goodbye" single. A gorgeous lullaby performed with grace. Feeding off feeling something in the moment, "Goodbye" is a showcase for solo songwriters out there doing their thing on their own. Like laying awake in bed the night before something big, or even life-changing is about to happen, the song gets under your skin and has you thinking a bit more deeply once it's finished. A ballad that can be sad but still with a light at the end of the tunnel, this song seems to be something special and Yemily (songwriter Emily Moreno), is an artist to be looking out for in the coming months. The storyteller will be releasing her Blue Ballerina EP later this year and we hope to be diving into that one once it has arrived. So lay back, and listen to "Goodbye" by Yemily. facebook.com/yemilyoreno instagram.com/yemily_yem_music #BUZZMUSIC

Jay Singh is the Latin and Indian music amalgamating Artist who gathers from the touchstone stones of Afro, Trap, Hip-hop, and Bollywood with an adept and nuanced taste. Performing under the nom de plume, "Indian Trap," the budding independent has had Shakira looking to him for his songwriting talents on tracks like, "Dare La La La," which he co-wrote and produced for her tenth studio album. From there, the song appeared on everything from FIFA games to Movies and even global advertisements. This year, Jay comes swerving off the heels of his previous sonic endeavors with a Trap-hop and Latin-winking cut titled, "Chingona (Bad B$tch)." "I'm far from average," those are the resounding lines that immediately hook us into the variety and versatility of this homogenizing inventor's Contemporary and Global Music blending catalog. There's a blithe jingle from metallic bells cascading over the New-age mix's that produce a sense of wonder almost immediately, but the primary bounce behind the production renders in the form of a punchy Trap-beat that oversees the salacious measure as it grips with complete reign over the dominions of our minds. The top-line hook is simplistic enough to chant along to, and with the warbling voice of Priscilla Gypsxy commanding over the theme like the "Bad B$tch," she says she is, it's almost impossible not to find ourselves subdued by the inebriated sway of this song's crooning kinetics. It's the type of music we'd want to blast out of our car woofers while cruising down the freeway with our clique in-tow, dressed to the nines in the most stylish night-out garbs. "Chingona (Bad B$tch)" stands as Indian Trap's ability to never traverses over the lines of becoming too kitsch for Modern Music, and lands healthy in our chests as the one song we're locking on repeat for weeks to come. Can you tell us about how you conceptualized the idea behind this single, and what it meant for you as a producer? Most of the music I've released under my Indian Trap moniker has leaned toward being more commercial, so with Chingona, I wanted to do something harder and edgier. Also as a producer, I wanted my fans and other artists to know that the Indian Trap sound encompasses many different styles and sub-genres.  What was the narrative behind this banger? Did this song have any personal relation to your life experiences as a DJ and Producer? As a producer, I've been blessed to work and remix many great female artists from Shakira, Beyonce to Lady Gaga to name a few and I wanted to create a badass female anthem.  The song was written by Priscilla Gypsxy, and she wanted to embody and capture that boss B$tch side of herself and something that could really give other women from around the world the confidence to embrace that fearless boss B$tch side to them and feel good about it. She quoted "The true power of a woman is mysterious, but we’re gonna crack Pandora’s box and give y’all a lil taste with this one”.  What made Priscilla Gypsxy the go-to Artist for the top-line feature on "Chingona (Bad B$tch)"? What made her perfect for this role? I've worked with Priscilla Gypsxy on a number of occasions and she has always been on the same page as me, wanting to create a dope female badass anthem. After sending her the track she immediately hit me the next day and told me she had come up with something special called 'Chingona'. For many that don't know 'Chingona' is a Spanish slang term meaning “badass woman”. After listening to what she had written it was a no brainer we had our smash hit single!  When did you know that this song hit every checkmark in your Producer hand-book as being "finished"? Do you ever run into issues finding that distinct line between a piece feeling complete or needing something more? The honest answer is that 'It's never finished'. Producers always have critiques even after the song is done and released. I have a 5 stage listening checkpoint system that I do and as long as all these have been checked off I move to send the finished song to the record label or artist who I produce the song for. 1. The Studio, 2. The Car, 3 My Bose Headphones, 4. Home Stereo and 5. Garage Bass Boom system. After listening to the song on all 5 systems I can hear if the vocals need to come up, are the 808 and kicks hitting right, are other sounds good or sonically right, etc. Each system gives me an overall picture. I usually repeat this process 3-5 times but 'Chingona' was a tough one as I had 2 different mixers take a shot at mixing the song and neither came close to my mix. So I decided to finish the mix and master the single myself and honestly, I'm completely happy how 'Chingona' came out. It translates great across all streaming platforms and music sound systems. What has been keeping you inspired in 2020? It's definitely been a year of change and uncertainty but this has not stopped my creative process. Creating more songs and music has kept me inspired in 2020. I've been experimenting with many different musical cultures and genres. I'm excited to be releasing my next collaboration single with Vivaswan called 'Whatever It cost' with Indian Mantra chants and hard-hitting 808s and banging trap drums. instagram.com/indiantrap facebook.com/indiantrapmusic #BUZZMUSIC

As if it were clandestine fate, Abdo Eleish, an Egyptian-American Artist currently living in Cairo, and Dojo, the Chinese-American Producer based in L.A., link together over their latest Summer-nostalgia jam, "Tang." It's a cut from the budding Duo's catalog that's oozing with moody ambiance and adhesive excitement while still consolidating into their celebrated new-age Hip-hop rhetorics and saturated electronic arrangements. What does it take to make a track? Sometimes it's a narrative and a life experience that manifest into a melody and song structure. But for these two sonic Maestro's, it was as simple as resounding over a single word to manufacture the inspiration behind their intoxicating banger, "Tang." Here, over a rolling measure that cruises buoyantly amongst beefy subs and muted metallic percussion, Dojo and Abdo croon over their respective stanza's, reminding us to keep our wits about us for the upcoming hook. The top-line creeps up level-headed and eventually overwhelms with its moody spell, "drum that always poppin, speakers too loud for em, I don't let em sound for me, they gotta pay twice for me." As if the half-stepping hook was squeezing at our hips, we feel utterly inebriated with the vibes. And as the sounds of heavy breathing festoons, the expanses of this New-wave mix with a shot of solid cadence, the producer Duo's instrumentation induce a primal urge that makes us want to hunch over and swerve our heads to the tempo of the audacious beat. When we think back, it's not unusual to see the type of ingenuity that this Duo produces when putting their creative minds together. And with "Tang" landing on our favorites playlist after the first play, we're already jonesing for more from the masterful sonic catalog of Abdo and Dojo. What were the sentiments and emotions both of you had to channel to get the perfect aesthetic for the performances featured on "Tang"? Dojo: “It all came down to a lot of the conversations we had. We wanted to create a high energy track that felt laid back so that it wouldn’t come off as too aggressive.“ Abdo: Yeah we definitely wanted to make a hype track that makes you want to dance with a smile, so we were chasing that fun happy vibe. We were feeling excited about making music and pushing it out so just, in general, we were hyped and that was what naturally brought out the vibe of “Tang.” When you think about it, did the recording and writing process behind "Tang" teach you anything about yourselves as collaborators, or even as individual Artists? Abdo: For me going into music professionally I set very specific conditions for myself and one of the major conditions is that I will only make clean songs. Coming from a background of freestyling where you say the first thing that comes into your mind this was very new to me because I had to change my entire approach to song-writing to keep the song clean. This was the first song I wrote with this new approach so it took a lot more time than it normally would’ve because we were over-thinking the lyrics and that can easily kill the vibe. There was a lot of back and forth communication about the lyrics but we were finally able to get it down by changing the cadence in multiple parts of the song as well as switching to different rhyme schemes by breaking up syllables within some words. On the recording side of things, since most of my experience in rapping and singing was just free-styling out loud, there was a lot of recording I had to do on my end and throughout this process, I learned a lot about comping vocals. As a team, I think we have pretty good chemistry as we listen to different kinds of music so our collective taste covers many genres which is great and we’re also able to be honest with each other if we think a creative choice doesn’t work because at the end of the day we were both trying to make the best song we could. Dojo: I think the biggest learning curve was trying to figure out a unique structure and cadence to the performance — coming up with ways to transition between verses that offered something fresh. Working with Abdo is always a fun time, but I think I tend to overthink lyrics on my end which makes the writing process sometimes a bit longer. Also, working in different time zones was definitely not easy, but this song helped us figure out a groove as we proceed onto our next songs. Collaboration is all about listening and bouncing off one another, and I think the biggest thing I learned about myself was that there’s never one approach or right way to go about things, as long as everything we write fits the intended vibe of the track. Can you explain some of the backstories behind the conceptualization of this track? We know it started with the word, "Bang" but how did evolve into this magnetizing banger? Abdo: We were working on another track and we hit a creative roadblock and sometimes when I’m stuck creatively I just freestyle random ideas that come to my head because overtime I’ve realized how important it is to not judge rough ideas and let them flow out of you because even though most of the time they’re not good ideas, sometimes that practice leads to great things! This time around I started whispering “bang, bang, bang” rhythmically and Dojo said “oooooh that’s fire” then he went off and made a beat for that. We changed to to “Tang” because “bang” was too aggressive and that title dictated the vibe of the rest of the song because Tang reminded us of our childhoods and the fun times we used to have before the responsibilities of adulthood kicked in. After we had the title and theme down I freestyle about twenty times on the track and went through those freestyles to find the good parts, then worked with Dojo to figure out the structure and change some segments to elevate the track and once that was done I went back into the studio I built with mattresses and recorded “Tang” over and over again until we hit the vibe and vocal texture we felt fit the song well. Dojo: On the production side of things, I felt that if the track started on some intro melody that incorporated humming, the 808s and drum pattern would hit much harder when the beat switched because it would come out of nowhere. We came up with a couple of variations of melodies, and I ended up chopping it up to create the intro, which we also used as a bridge.  Where do you see yourselves moving Artistically after this single? Can we expect to see a Video-feature soon, or maybe another addition to this vibe you've outlined in "Tang?" Abdo: We actually just released a music video for “Tang” that I shot on my phone and a broken tripod. I had a lot of fun doing it because coming from a filmmaking background I’m used to working with big teams, but for this, it was just myself and my cousins with my mom and aunt operating the phone camera as I ran back and forth in front of and behind the camera to make sure I was in the shot while performing. I also edited the video so I was able to match the energy of the cuts with the energy of the song. Dojo: After this single, I think we are going to continue to push out a number of other songs, definitely a variation of vibes and styles. “Tang” is an interesting song for sure, and I think that it is a style we can revisit after we put out some other tracks with different concepts and emotions. As a producer that doesn’t stick to a particular genre, I would love to provide a slate of different songs that incorporate elements from all kinds of music. Abdo: We definitely want to be able to create a diverse body of work and test our abilities as well. I definitely want to make more hype and fun tracks because that’s the energy I tend to lean towards, but each track’s direction will start from the vibe of the production and follow it to where it naturally leads us. Since I am an Arab-American artist, I want to try collaborating with Arab trap artists and possibly create something along the lines of the Arabic version of Reggaetone. If there were a few words you could give your audience as a Prologue to this track and its intended experience, what would you both say and why? Abdo: This is gonna be a different style of rap, don’t expect it to sound like what’s currently on the radio. Also, please listen when you’re in a good mood, are excited, or want to celebrate in some sort of way. If you’re looking for a fun song to sing along to at the top of your voice in your car with a friend this is it. Dojo: Get ready for something different. We are both aspiring artists striving to be different, and incorporate our styles and tastes into the music we make. We’ll never know if it works, or how people will respond, but it’s worth a shot trying to deviate a bit from the trend. instagram.com/abdeleleish instagram.com/dojosuniverse #BUZZMUSIC