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Wisconsin songwriter Nolen R. Chew Jr. is the heart and soul of the band The Star Prairie Project. Wanting to put his original work in the spotlight, Nolen began to unveil his craft with the purpose of packing the right kind of passion and soul into it. Collaborating with various musicians and producers, The Star Prairie Project was born. Now listeners receive consistent fusions of country and rock collections that bring about various ambiances for all kinds of moods. The latest release we've seen from The Star Prairie is the debut album "Panacea," which features a smooth blend of folk, country, rock, and alternative music styles. A real and authentic personality is ingrained into the fifth track on The Star Prairie Project's latest album, "Frantic Mind." Listeners receive all of the major properties to any good rock n' roll single, starting with the slightly raspy but intensifying vocals and progressing into clean guitar strumming. With a catchy hook and melodic vocal style, "Frantic Mind" quickly becomes an original track that offers rejuvenating properties. We're mesmerized by the sheer veritableness presented within The Star Prairie Project in general, but especially when it comes to the productional organization of "Frantic Mind." That in itself will keep our ears peeled for any future music by The Star Prairie Project, as we can't wait to see what collections the band will curate next. Hello Star Prairie Project and thank you for sitting down with us at BuzzMusic. How would you describe the response you've received from your listening base for your album 'Panacea'? Nolen:  I'm absolutely thrilled with the response from our listeners!  We had 100,000 streams on Spotify from the album before it was out a month.  The first release off the album, 'Frantic Mind' charted at #63 on the iTunes UK Top 100 Rock chart. Along with charting, I think my biggest surprise was the radio play 'Panacea' is getting in Europe.  Songs from the album have been playlisted and featured on over a dozen radio stations in the UK, Germany, Spain, Italy, Poland, and more.  It's very exciting hearing your songs on the radio and appearing on charts.  To me, it's all about the music.  I'm glad our listeners are enjoying the product we produce.  For us its a labor of love and it's extremely rewarding to share those vibes with our listeners. Are there any properties to your latest album, and especially within its fourth track "Frantic Mind", that you feel elevated the song(s) authenticity? Nolen:  Ha! It's funny you mention 'Frantic Mind'.  It's the song I'm asked about the most on 'Panacea', Marcello Vieira's vocals and Ricardo Dikk's guitar work on 'Frantic Mind' are incredible!  They totally captured the feel of anxiety and panic and it became manifest in the song.  What makes the authenticity so sublime is the fact that I literally wrote the song in the middle of a COVID era panic attack. People love the song because it is so fricking real and reflects the emotions we are all feeling these days. In the midst of my panic attack I told myself to get a grip and write down the frantic thoughts that had hijacked my mind, during the quarantine. 'Frantic Mind' was born. How would you describe the tactic that goes into making your music come off as genuine as it does? Nolen:  There's four of us that worked together on 'Panacea'.  I was writing the songs and recording rough demo cuts from Star Prairie, Wisconsin, Rudiger was working from his studio in LA, and I think Marcello and Dikk were in Portugal.  It was during the onset of the pandemic when we started the project and we all were glad to immerse ourselves in the creative spirit of the times. There was a genuine urgency to express ourselves.  It's funny when several people are "in the zone" musically there's an energy and a synergy between them even if they are geographically separated like we were. There was such excitement to open the file and see what one of the others had added to the song.  It was so fun to see a song born, co-created, nurtured, and polished.  When it's spontaneous it's usually the most genuine sounding to me.  It makes me feel good you appreciate it as genuine.  To me, that's a big compliment. Were there any challenges you faced creatively once in the writing and recording process of "Frantic Mind"? Nolen:  Actually the creativity aspect was totally seamless.  There were virtually no challenges or obstacles at all.  The whole process was so fluid I wish I could bottle it.  God knows it doesn't always work that way.  Ha!  I wish it did.  The song structure remained solid throughout production.  The instrumentation is where it just took off.  When Ricardo ripped out that lead guitar intro I knew the song was going to be special and Marcello's singing was the icing on the cake. From the time I finished writing the song to the time, it was radio-ready was only about a week.  We were all very happy with how it turned out.  What kind of general theme were you hoping to impose onto listeners with "Panacea" and "Frantic Mind"? Nolen:  The general theme is one of relief or distraction.  Slip away from your troubles for forty-two minutes. Panacea means "a cure-all" or "elixir".  I think its fitting.  The other theme is one of change.  Our lives have changed dramatically in a short period of time.  And there is a prevailing sense that things have changed forever and with some, a longing for what used to be normal.  Routines and norms have vanished and we are all trying to adapt and adjust to new normal. I know that one change in my life has been my listening to music.  When I'm not writing music, I'm listening to music.  It seems I always have music playing and often I slip away for a short while.  What is one goal you'd like to accomplish with your music by the end of 2020? Nolen:  One goal I'd like to accomplish with 'Panacea' is reaching 250,000 streams on Spotify.  I think a quarter-million streams are huge and doable. We're already over halfway there.  Another goal is to release a five-song EP named 'Surreal' by the end of the year.  That looks like it's on track to happen too. We just finished the fifth song and will move into the final mixing and mastering stage now. facebook.com/Star-Prairie-Project instagram.com/spproject2019 #BUZZMUSIC

Based out of Brooklyn, New York, Nenjah Nycist is a rapper, producer, and engineer who seeks to release music that will stand the test of time. As a fresh new artist, he has already rapped, produced, and engineered multiple albums with his own version of the new-age Emcee Hip-Hop genre. Like you would expect from his name, Nenjah Nycist combines a 'ninja-style flow' with hard-hitting beats and instrumental soundscapes. In addition to his mission to produce timeless soundtracks, Nenjah is the type of artist that always keeps fans on their toes. His musical versatility allows him to continuously release something new, bringing a refreshing taste to each song. With Nenjah, it's safe to say we can "expect the unexpected;" the dynamic rapper will never stay in the same place. As he continues to release new records, fans will be pleased to know that as his experiences in the world evolve and develop, so will Nenjah Nycist's music. Read our exclusive interview here. instagram.com/nenjahnycist nenjahnycist.com #BUZZMUSIC

Returning to BuzzMusic with another expressive yet powerful tune, we're heavily impressed with the precision and skill within soyboi's latest single, "Cactus Plant." Known as (or not known as) an anonymous artist who writes music surrounding themes he's hesitant to talk about, hearing a track from soyboi is always a blessing as he brings such vulnerability that reaches out for listeners to hold on tight. His latest single "Cactus Plant" inhibits this Mac DeMarco-type feel with vibrant synth progressions and a sweltering electro-pop sensation. Not to mention his clever and heartfelt lyricism of attempting to forget someone while the last thing they leave behind is their dreaded "Cactus Plant." As the track begins, these celestial and spacey synth progressions take the lead and brighten the song with powerful melodies. As the verse kicks in, the instrumentals settle into a muffled beat and a riveting bassline. soyboi begins serenading someone with distant memories of happier times, yet he stays haunted by them through the succulent they've left behind. With added piano and distant flute, the instrumentals are so broad and never fail to keep the listener's undivided attention. To put it in the simplest of terms, this track delivers a thrilling ambiance through the meticulous production, soyboi's intoxicating vocals, and his deep lyricism. What have you been up to since your previous interview with us? Has quarantine kept you in a musical state of mind? I've been up to a lot! I'm getting ready to do my first live stream performance on Instagram live. So I've been setting up a light show and figuring out how to make it all sound and look good. Quarantine has absolutely kept me in a musical state of mind. I kind of liked staying home and making music anyway, so now I have an excuse. I'm very lucky in that way. How did you come up with the clever lyricism for your single "Cactus Plant"? What inspired you to express such a vulnerable message yet in such a poised way? Well, like most of my songs, it just came from something that actually happened. I was sitting around in quarantine and I kept finding myself looking at that damn plant. Which immediately made me think of the person who left it with me. I then thought about how interesting it would be to write a song about that. I always like literature that on the surface is about one thing, but really if you read into it, it's about something a lot deeper. Why did you choose to fill the instrumentals on "Cactus Plant" with such a powerful celestial groove instead of something more down-tempo and emotional? Well, like most of my songs, it just came from something that actually happened. I was sitting around in quarantine and I kept finding myself looking at that damn plant. Which immediately made me think of the person who left it with me. I then thought about how interesting it would be to write a song about that. I always like literature that on the surface is about one thing, but really if you read into it, it's about something a lot deeper. Seeing as you're recognized by being an anonymous artist, do you plan on staying unknown your entire career? Might you warm up to revealing your identity and standing in your music's power someday? At the moment, yes, I plan on staying anonymous. There's a power in anonymity. I love the ability to write about whatever I want to, even if it's really devastating. I have no fear of people judging me or looking at me sideways. I can say anything and no one will know it's me. That's an amazing thing to be able to do as an artist. I think maybe years down the line I'll reveal who I am. But, I think who I am, misses the point of the music. I don't matter. Being able to express myself and talk about anything - even things people are afraid to talk about - matters to me. What has been keeping you inspired in 2020? 2020 is an interesting time. There are few moments in history where the entire world has a singular shared experience that everyone can relate to. I think that's in a way inspiring. For better or for worse. It's been really cool to see how people have been inspired to create, whether it's short films, poems, TikTok's, youtube videos, paintings, dance, etc. I'm just trying to make the best of it, because, at the end of the day, I can't change the fact that we're in a worldwide epidemic. But I can focus on the things I can affect. I think that focus has been crucial to staying optimistic, realistic, and inspired. instagram.com/imsoyboi #BUZZMUSIC

Do you love coffee? Do you love the vibe of a hole in the wall coffee shop with an acoustic soundtrack? If you said yes to either of those questions – Akshit Dhall has a new song for you. From Pune, India, Akshit Dhall is a Singer and Songwriter with a strong wanderlust and desire to play his music for people worldwide. He is the type of artist who uses his lyrics to tell a story and truly connect with audience members. His debut EP, “30th of February”, ended up being a huge hit, so he has come out with an acoustic version of one of the songs from the EP, “Coffee.” The song addresses the issue that same-sex relationships are still looked at differently within society. Akshit’s recent release, “Coffee,” is a song that will warm your heart and soul. The song connotes big socks, messy buns, crinkled noses, and, of course, romance. Something about this track emits innocence and security, making it one of those songs that can comfortably accompany almost any environment. The background music consists mainly of a piano melody. Playing softly in the background with the pedal held down to draw out the notes, the keys add a romantic quality. For instrumental accents, Akshit Dhall included brief periods of orchestra bells and chimes, which also add a sparkling effect. With delicate and tasteful background instrumentals, Akshit leaves room for his vocals to be truly heard. His voice is effortlessly sturdy and effectively compliments his breezy soundscape. Lyrically, Akshit Dhall is sure to melt the hearts with his powerful message. He sings about a lesbian who dreams of the day where she can love whoever she wants to without judgment. His romantic lyrics will help people to see love for what it really is – love. After listening to the lyrics of “Coffee,” people will be dreaming of having someone to love them that much – no matter who they are – and appreciating that person if they already have them. Hello Akshit and welcome to BuzzMusic. Can you tell us a bit more about the lyrics of “Coffee?” What was your inspiration while you were writing this song? Coffee was the most recent Song from my debut EP, “30th of February” that I wrote in July,2019. I wrote it when I was touring across the country and I stumbled upon the thought that even today same-sex relationships are a taboo in our society, I remember reading about an incident and I instantly thought to write something about it. As an artist who uses their platform to spread awareness about social inequality, you are slowly inspiring the lives of your listeners. Why is advocating same-sex relationships important to you? I guess I’m at that stage in my life where I see a lot of things around me that I know are wrong, and as an artist, I feel it’s my responsibility to make people aware of such things. In my upcoming EP, STORYTELLER I‘ll be talking about a lot of these things that are not usually talked about including mental health. And it’s high time that everyone should know and accept that Love is love and no matter who you are or what sex you belong to, you have every right to love. Which instruments did you use for the song and why did you choose this combination of instruments? This project is really special to me because this is my first DIY project. This lockdown made me buy a home studio setup and do everything on my own.  I loved my track Coffee, from my debut EP and I always wanted to put out an acoustic version for this song. I decided I’ll be doing everything for this track on my own. I kept the production quite minimal cause I really wanted the audience to feel the warmth of the song hence I used my Piano and added a few Strings’ patches along with little bells here and there. Why did you choose this song specifically from your EP to make an acoustic version? How does this song compare to the rest of the songs from the EP? This song is really special cause this was the most recent creation(from the EP) also Coffee was the first song to cross 10k streams on Spotify and 10k views on Youtube and TBH I got a lot of requests to make an acoustic version to this song. Also, the rest of the songs in the EP were written when I was in high school so, one can easily notice how different my songwriting style used to be back in high school. What can we expect to see next from you? I’m working on my second EP, that would be my first ever Hindi release. Hindi is my mother tongue and I’m really excited about that project. instagram.com/akshit_dhall facebook.com/dhall_akshit #BUZZMUSIC

Matt Harlo is not your commonplace, bog-standard Hip-Hop Artist. From the suburbias surrounding Chi-town, and under his Nom De Plume, "OUTTATUNE," this versifier uses profoundly descriptive storytelling utilizing his affecting passion derived from a love for Spoken Word poetry and the experience he's gained throughout his own existential tribulations. On "Dear Sophie," his talent as an Emcee shines radiant and excels, empowered with an ethos that infuses his fleshy songs with an effusion of vulnerable sentiments and a melancholic cipher flow that enchants this genre-amalgamating mix with some melancholic vibes. The opening strums sound warm and soaked by vintage fog, forming the perfect ambiance for this Emcee's militant unbroken flow. His striking picture painting cipher grants remission from the continuance of his minimalistic production—but the words he versifies pull us right back down into the cleverly designed love note he's writing. "Now I see myself in a greater view, I don't beat myself up like paper view," he jokes, before offering up more lines that de-obfuscate the narrative behind his profound letter, "I used to be a mess, but then I met you, you swept up the pieces when you didn't have to, and I thank you for that. Sincerely, Mathew." As Harlo repeats it at the commencement of each stave, the title, "Dear Sophie" represents the gratitude he can't fathom expressing any other way than in an eloquent cipher that divulges effortlessly over a mellow-nostalgic beat. When did you begin your artistic journey as a rapper, and did you have any interest in poetry before endeavoring in a creative career comprised of storytelling and wordplay? Initially, I was exposed to fine arts in elementary school but the connection to hip hop/rap really developed in high school when I joined Spoken Word. The experience provided a greater understanding of poetic forms and helped me overcome being nervous to perform in front of live audiences. What's been the most challenging sentiment or experience to rap about lately, and can we expect a release about the experience of that struggle soon? The most challenging experience that I ever wrote and rapped about was the loss of my friend Jimmy. Jimmy passed away at the age of 22. We were born only one day apart. We shared many common interests and were attending college together at the time of his death. His passing was sudden and unexpected. He was a wonderful person, a talented musician, and a positive influence in my life and I will probably write more about him in the future. His presence in my life continues to impact me in many different ways, some good (like the other friendships I cultivated through him) and others not so good (like knowing I can't collaborate with him musically or just talk about life concerns). Simply put, the answer to the question is yes; expect a release in the near future. How have you been fueling your creative energy, and what could you recommend for someone experiencing a creative block right now amongst the chaos happening worldwide? Recently, I have fueled my creative energy through online collaboration with other emcees and producers. Much of my creative process involves revision. I also take time to reflect on the ever-changing world around us and try to identify topics I can write and rap about with the hope it will connect with my listeners. In 2020, it has definitely been a challenge to stay inspired to create. To those experiencing creative block during this time, I suggest they stay positive, be contemplative, be patient, and try to make sense out of the apparent chaos. The creative spark will appear. Where do you expect to see yourself in 2021, and are you excited to get back in the studio for more sonic cookery? I hope I will be recording myself in 2021! As much as I love going to the studio, I would also like to learn the process on my own. What would you say is a goal that you'd like to achieve with your music, by the end of 2020? My goal is to release a couple more songs by the end of the year. It’s a simple yet achievable goal! In addition to a few new singles, I hope to begin recording songs for a new album centered around environmental topics. instagram.com/outtatune facebook.com/itsouttatune #BUZZMUSIC

The unmistakable, neo-nostalgic character The Vignatis represents is an artistic unity so distinct it eludes the strict categorizations of contemporary music. They've described their sound as landing somewhere in the space between Gypsy Soul music and good-old-fashioned Rockabilly, but ultimately landing on a descriptor they've coined as "Gypsybilly." They take their amalgamating sonic creations from studio to stage and from old regions to new, imparting some of their diverse and vibrant production flares onto fresh and captivated ears with every new record they release. This year, the eccentric Los Angeles-based group's charismatic performances continue to charter profound sentiments as they take us on a flight from the nostalgic past and into the unknown infinity. With a swaying bounce that could only be ascertained in creations masterfully administered by the intrinsically playful band hailing from sunny California, their latest single, "New Direction," embraces a wholesome and festive spirit. The drums clatter with a distinctive punchy tone, while the robust string orchestrations swell on the upswing of the lead duo's synergistic vocal tonalities and textures. The melody is catchy with transitions that open doors to an invigorating sonic abundance of rustic flutes, a rhythmic swing reminiscent of Jazz, and even a Hip-Hop-like refrain near the later half of the track. The track's uplifting and danceable character finds elevation in the chorus. As we grow more and more enthralled by the melodic string solos' trajectory, we suddenly find ourselves settled into a therapeutic and high spirited place amongst the walloping energy and dynamics manifested in this "Gypsybilly" hit. What’s been the most rewarding outcome of the whole writing, recording, and release process for this new album, “Red, White & Blue: Gypsybilly Vol. 4”? Tracy:  Completion, LOL! Seriously though, it is such a great feeling when you see the fruits of your labor come to completion whether you see it online, on streaming sites, or physical product. The writing, recording, and release process is a journey. During the creative time, that’s where I get into that zone that has no time or space. I love that unrestricted freedom of writing purely to create and nothing else. The recording phase is kind of a blend of creativity and technology where I really feel I need to use both halves of my brain, so to speak. It does require creative freedom when creating parts or solos on the spot yet when actually rolling, there are a lot of things to consider technically, especially vocally, like placement, breath control, when to clip consonants, rhythmic patterns of phrases, etc., which I could go on and on about and bore you with technique. As indie artists, the release process is all administration and research for me. There is so much to deal with when you don’t have a label or team to handle various tasks. It is super rewarding knowing that we did it all ourselves. That’s for sure…however, we welcome the right team to be able to do this for us. Fabrice:  Of that question, I would focus on the word "release". Yep from start to finish. More than the other albums, I felt like the whole process was a big release itself from the blank page until the end of the promo. It is a release of creativity, both musically and lyrically, a release of repaying our debt of gratitude, deep feelings, appreciation to society, and to different groups of people I admire like the U.S. Military, Gypsies, and behind the scenes workers. Logistically, it is a release that, of course, is out there in the world contributing to the happiness of people, and lastly, it is a release of knowing that we did the best job we could have done on this Gypsybilly volume. The other word would be "exploring," as we pushed the envelope with new opportunities creatively in the songwriting, for example, including a rap section on the song, “New Direction”. Then there is the technical aspect. I used a lot more amp simulators and impulse responses embracing their power, which I think will I will use more in the future. Where do you source most of your creative inspiration from, and how do you manage to formulate your own unique character/sound from those influences? Fabrice: My first and foremost basic inspiration in life is my life mentor, Daisaku Ikeda. He is a 92-year-old man still alive; a man of exceptional abilities that resulted in him earning over 400 Honorary Doctorates from renowned universities around the world, having never attended a university or continued education. Whatever I do, I draw from his accomplishments and attitude about life. Of course, my daily Nichiren Daishonin Buddhist practice (with the SGI), boosts my creativity while the affairs of society trigger ideas and concepts. The other source of inspiration I use is the fact that I always have a project or more in progress. Staying occupied is powerful, as motion creates motion and result in emotions of excitement and energy. Musically I have many influences that keep inspiring me such as Django Reinhardt, Birélli Lagrène, Jimi Hendrix, B.B. King, Stevie Ray Vaughn, Bob Dylan, Brian Setzer, Cliff Gallup, Scotty Moore, Chet Atkins, Thelonius Monk, Herbie Hancock, Metallica, Snoop, Prince, Mark Knopfler, Frank Zappa, Steve Vai, James Brown, Brad Paisley, and John Jorgenson, being the main ones. I know, the list is long when there are so many greats! You can see that this list contains so many genres, and that's why creating and playing Gypsybilly, which is a mix of Country, Rockabilly, Swing, Jazz, Gypsy, is so much fun! It's that mentality and fearlessness of cross-genre creation, while staying the course in developing and improving our sound. Please, read some of our interviews where we talk about how we created Gypsybilly or a detailed explanation on our website at in detail or the tab https://www.thevignatis.com/what-is-gypsybilly. Tracy: Fabrice and I practice the same Buddhism and share the same mentor in life, Daisaku Ikeda, so there is no need for me to repeat his wonderful material. Inspiration is vast and comes at different times, from different people, from different places with nothing etched in stone. We inspire each other too as a couple, so there is an almost built-in volleying back and forth. I am an extremely vivid dreamer so I write things down from my dreams, so I do get inspiration from my dreams. Maybe that’s weird for some. I find that when my life condition is high, I am most productive and want to accomplish things. We are both seeking spirits so I always want to learn from others, the obvious being other music artists on my “admiration list” like Ella Fitzgerald, Miles Davis, Pink Floyd, Tupac, Luciano Pavarotti, Leontyne Price, Frédéric Chopin, to name a few. The list is far too long! Observing others who are superior in their fields is vital. We both watch a lot of interviews with athletes. There is no one more disciplined than an exceptional athlete. They possess the fearless mindset of winning, tirelessly sacrificing so much to do whatever it takes (RIP, Kobe Bryant). For this alone, anyone in any field should be recognized and rewarded. This kind of mentality has influenced us in the creation of Gypsybilly. What do you think is the best part of a musical collaboration and is yours different as husband and wife? Fabrice: The best part is that you can bounce ideas off of each other to either complement your own ideas, or create new ones, get instant feedback, and feed yourself creatively from one another. Now here's what I find are the three keys of a successful collaboration: 1) open-mindedness; 2) trust; and 3) respect. Without those three elements, you can't move forward and be fully prolific. I enjoy very much writing and recording alone, or in collaboration. It's different and challenging however, there's something about the latter that takes me to new places I never thought I would go. Who can argue with the power of many hearts and lives creatively together?! You can witness that in the greatest musical bands in history. I'm so glad I enjoy and feel at ease both either writing or performing. With Tracy it’s just magical, what can I say! I'm so fortunate, as she's so talented and dedicated to music as much as I am, so the results are always satisfying, whatever we write and perform. We know that we trust and complement each other so well that the underlying understanding happens on its own most of the time. Gypsybilly music is the fusion of Tracy and Fabrice as friends, musical partners, and husband and wife. I don't think it would ever have happened otherwise. Tracy: I believe that couples are stronger than singles. When two minds are put together, that’s double the ideas with each person contributing their strengths, and a built-in way of human exchange. In some ways it’s easier to operate alone in that you have no one else’s thoughts, feelings, judgment, etc. with which to contend. However, no man/woman is an island. Collaborations are more about oneself than the other person. It forces you to check your ego and focus on the end result, and part of that end result is internal growth. I have collaborated in the past with others and when they are not your spouse, you tend to be a bit more reserved in your responses treading a bit more lightly. In other words, fewer boundaries. As husband and wife, there are fewer boundaries. It took me a while to collaborate effectively with Fabrice, and at times we don’t always agree. I will have my flare-up, vent, then it’s back to business. Not all spouses are compatible in the work department so we are very fortunate and have no problem interconnecting our lives both personally and professionally, yet still maintaining individuality. It is an acquired skill I am glad I have nearly mastered. You never know until you try. Love can conquer all! He is an unparalleled BEAST, and I challenge anyone to say that they have a stronger work ethic, stronger determination, or cares more than he. It’s a challenge you will lose, LOL! What challenges have you observed or experienced by creating a new genre in the music market? Fabrice:  My first reaction and observation for the music market based on the feedback we received from radio and/or festivals who tends to have specialized shows, is that Gypsybilly is hard to classify simply because of its mix of many genres, and more importantly, the instrumentation that makes the arrangements. It's not really a pure genre of music. If you take the four genres of music contained in Gypsybilly, it’s not really Rockabilly or Country because of clarinet and more complicated chord progressions, it's not Jazz or Gypsy because of the electric guitar and pedal steel. So, to book us, it takes people who are open-minded, radio stations who have eclectic shows, and venues or festivals that also are eclectic with their line-ups. The same for labels. However, as we continue, more new doors are opening, and our unique sound is attracting radio stations and DJs, so the music market has started to respond positively. It's a slow, snow-balling effect, yet the attraction and just the word Gypsybilly is catching on. How cool is that?! Tracy: Because it is a business, very few want to take chances on something new, outside of the box, or left-of-center, and want the “shoo-in”, trend-following, safe choice. It takes a certain type of open-minded, person to want to take on something original that hasn’t been done or heard before; someone who is fearless or wants the task of breaking something different. Without these risk-takers there would be no Nirvana’s “Never Mind”, Queen’s “Bohemian Rhapsody” or Public Enemy. There are people out there who will take on something new and push it, this I know. It’s an enormous undertaking to do what needs to be done to be original, yet authentic and make a mark. It is difficult to be an indie artist, yet, we do it. It is an undertaking to wear all of the hats that are required from the artist, to the producer, to the publicist, to the filmmaker, yet, we do it. We believe in it. We have submitted this album for the 63rd Grammy Awards for 2021 and hope that our fellow Grammy voting members will recognize our submissions and what we are working toward accomplishing. Nothing worth fighting for is easy. If it were, we would all become complacent. I love a challenge, we both do. I welcome challenges with open arms. We recently took on the challenge of shooting a video for virtual Burning Man this year which will be on the Earth Jam Stage in the Multiverse on Wednesday, September 2, 2020. Go to https://dustymultiverse.com/ to RSVP and to https://kindling.burningman.org/multiverse/ for information on all of the other multiverses. What problems would you like to see solved in this world? Fabrice: One of my Buddhist mentors, Josei Toda, declared this in 1958 regarding nuclear weapons: "Although a movement calling for a ban on the testing of nuclear weapons has arisen around the world, it is my wish to go further, to attack the problem at its root. I want to expose and rip out the claws that lie hidden in the very depths of such weapons".  Even though I have no scientific background at all, I take that statement very seriously! There is no immunity to the aftermath of nuclear weapons. No one is exempt. The closer you are to that type of explosion, the worse the outcome. In our current COVID-19 pandemic circumstances, you can put on a mask, stay home, isolate yourself while science continues the quest for an effective vaccine. The effects of a nuclear blast are devastating. Yes, it is an efficient source of energy with little waste however, the risk from one explosion can have such devastating effects. The use of energy is one thing but for weapons use…forget it! It has but one purpose. The bottom line is that it is the greatest danger for the earth and for all living beings. There is always that chance that a reactor can malfunction and the weapons issues, well that is a no brainer. We do not need another Chernobyl and certainly not the use of arms. On the other hand, thorium (Th) is the greatest substitute for uranium as nuclear fuel. Without getting into too much detail, it works with existing nuclear plants that currently accommodate uranium, with some modifications. Thorium is not fissile which means, no matter how many thorium nuclei you pack together, they will not on their own start splitting apart and exploding like U235. It produces less nuclear waste, it is more abundant on earth than uranium, and most important, it can't penetrate the human skin so it is safer and less dangerous. That's what I would love to solve in this world, the danger of nuclear threat FOREVER. Listen to Th 232 on our “Let’s Hit the Road: Gypsybilly Vol. 3” album where we express this in a poetic yet Electrobilly way. Tracy: First and foremost, to end this pandemic. It has killed our industry thousands of global citizens. It is heartbreaking to see venues closing by the dozen along with the amount of people that are out of work and unable to feed their families and animals. It would also be fantastic for everyone to be accepting of each other and truly embrace differences with respect. No, you are not going to like everyone you meet or break bread with them. I get it. There are people I absolutely have nothing in common with except that we both breathe air. What we can do is come from a place of compassion and respect. And now my soapbox….ZERO tolerance regarding the abuse, neglect, or harm to any animal. Animals deserve to live free and happy lives. They are essential to this web of a Universe. As Gandhi said, “The greatness of a nation and its moral progress can be judged by the way its animals are treated.” Every living being deserves to be happy and live their best life. instagram.com/thevignatis facebook.com/thevignatis #BUZZMUSIC

Popcorn Kid, the persona of Nikhil Narayan, an Indian musician bred in Chennai, based in Bangalore, which came to life in October 2018, is back with an incredible new track, "Flamingo Dance" featuring Katherine HB and Noxigen. It's the follow-up to their highly acclaimed single, "Franklins In Stacks". Popcorn Kid is definitely bringing the 80’s and 90’s music trends back in vogue with their feel-good songs.  Noxigen says, "Flamingo Dance", from the concept album Paradise, is a very important song that sets up a lot of things that are realized in other tracks on the album. The protagonists essentially promise to ride their new wave of hope and success as thieves together, while planning to be more ambitious with their crimes." Noxigen continues, "Katherine HB is featured on this song and brings in a good variation between the softly sung verses and the big powerful choruses. It also has the guitar and saxophone trading solos, and the bassline is particularly catchy. In our opinion, it is one of the most danceable songs from the album." The track was produced by Popcorn Kid and Noxigen. instagram.com/popcornkidmusic facebook.com/PopcornKid90s twitter.com/iampopcornkid #BUZZMUSIC

Arriving off the tail end of the limelight he received during his time cooking up heavy-handed Hip-Hop amalgamating productions under his "HOUliGANZ" collective, DariusThaSagittarius finds further development in his old-school mirroring methods by blended in an innovative, bass-boosted trap character on his newest tracks. Being dedicated to his musical craft since the early age of five, the confident wordsmith has come a long way from making records in friend's houses after school, and this year, his creative intuition brings him closer to the esteemed status he aims for on, "Constellations." Over a mystifying intro that swells off the twinkling of bright-belled wind-chimes, Darius glides in like the silver surfer, elegant and sounding like a rendering of a magnetic voice projecting from the expanses of deep space. The track bounces with a soca-inspired backbeat while the swig and sway of amorphic samples provide this cut with its ambient colorations. There are ominous-sounding hymns that reflect and bounce off the sensually expressive melodies of Darius's topline hook: "You know I stay busy, but for you, I would make time to, you'll never forget me I'll be there to remind you," and as each verse dissolves, we grow more enamored by his unparalleled sound. Here, the candid swagger of the songster's libidinous tones is unforgettable as he sings about being completely enchanted by a woman who glistens like she was made from the space-dust found in our constellations. It's an expressive venture that feels like a journey on DariusThaSagittarius's magic space buss as he conducts us on a trip through a new-age astrologically animated single. The song's main takeaway is how healthy it lands in our head-spaces, releasing all our tension through the addictive topline melodies he presents through his ubiquity. What sparked your infatuation with the constellations and the abundant space hanging over us above in the night sky? I’ve always been fascinated by space. If I ever got the chance I would go to space in a heartbeat. I’ve also always been interested in mythology and ancient religions, most of which heavily emphasizes the importance of the moon & stars. Can you walk us through your writing process? Does your journey start on paper with a pen, your D.A.W, or maybe writing a melody over the piano? Well for this particular song I worked with Magic Rell on the production and a few musicians on a live set. But, I wouldn’t really say I have a set process, it just varies on what I’m feeling. I could be in the studio, in the shower, in my car, whenever the idea hits me is when I build on it because that’s when it’s the most fluid. What's been some of the most significant challenging moments in your musical career, and how have you developed and grown from them? I find my biggest challenge most times is just being patient. You know? Still waiting for that one big break. My team and I work so hard on our projects, sometimes it can be disheartening when they miss the mark, but it’s a humbling experience. It also allows us to grow and get better at what it is we do. Patience has made me mature as a person and an artist. Can we expect to see you featured on any new collaborations in these upcoming months? Or are you hyper-focused in on where your own creative intuitions are leading you as an individual? The primary focus is my own artistry at this point in my career. I’m still trying to solidify myself as a threat to the industry, and I can’t do that until the people know me as an artist. That’s not to say I don’t work with other artists though. I’m with HOUliGANZ so I’m working with different people all the time. You’ll hear a lot from all of us in the coming months. What has been keeping you inspired throughout 2020? 2020 has really inspired me to just make something that’s going to last. Something that transcends the era and speaks to the times we live in but from my perspective, on my frequency. There’s been so much happening this year I feel like people are finally tired of the bullshit, and real art will start to flourish again. instagram.com/dariusthasagittarius twitter.com/thasagittarius #BUZZMUSIC

Are you in need of a vivid instrumental track that shows how divergency can be complemented? Well, POCKiT's latest music is a sound you need. POCKiT isn't your typical instrumental band, as they produce singles that have such authentic and flavourful personalities attached to them. Especially once considering their most recent music, POCKiT proves to have a certain level of conscientious diversity, and with it, listeners receive wide-ranging pieces. POCKiT has released the eccentric single, "Chicle 2.0," which features such a diverse line of instrumentals and synth collections. The manipulation of the saxophone within the song is what allows it to have a jazz-like nature, but the keyboard incorporations are what amplifies the funkiness of "Chicle 2.0". As an instrumental track, POCKiT really knows how to keep the audience stimulated with the vast array of eclectic-sounding instruments. The eclecticism extends itself out with the fusion of all of these instruments together. There's such a vitality that comes from the blend POCKiT was able to produce, and this time, the band is set on manifesting a different design. What kind of collaboration went into "Chicle 2.0" and can you describe the successes that came out of it? Collaborating with talented artists such as Claudio Roncoli and the DeMarco Project is what POCKiT continuously looks to do when merging in creative projects such as this one. We’re excited about the final result of this collaboration, especially because we were able to create new relationships with artists from Argentina and it gave us an opportunity to share our sound with new audiences. When comparing "Chicle 2.0" to the previously released single "Chicle", how do you feel that the two tracks complement each other? Can you describe the contrast between them? “Chicle” includes electronic beats/sounds in combination with voice samples giving a more electronic house feel. In contrast, POCKiT’s approach to record “Chicle 2.0” was centered on giving a more analog sound using real instruments (keys, bass, and drums) based on a strong funk rhythmic foundation while keeping some of the original elements from “Chicle”. The solo recorded by our keyboardist Chip Gardner along with the solid drum & bass groove from Jason Spencer and Moi Linares highlights POCKiT’s original improvisational sound of funk and jazz. Was there a certain sense of ambiance you were hoping to impart onto listeners with “Chicle 2.0”? We look to echo an energetic ambiance with this track. The interlocking grooves and the space between the instrument’s notes are meant to make people wanna dance. What kind of mindfulness would you say goes into the crafting of songs such as “Chicle 2.0?” How does everyone ensure that there’s a certain level of coherency at the end of production? POCKiT is a heavy groove-oriented band. We love to “jam” on certain parts of the songs - particularly on the solo improvisations. We do this type of playing a lot when we perform live (we believe this is where all the magic happens!), so we wanted to record an improvisation section into this new version. For “Chicle 2.0” we kept the original melody along with the different samples adding a few effects (S/O to Brennan Jasso for mixing and mastering the track), but we added a more organic approach to the groove and we used a funky clavinet sound for the melody and solo at the end of the track. To keep consistency throughout the recording process, we took turns to record each of our instruments and then listened to each other’s parts to make sure it grooved in a way that reflected POCKiT’s sound. What has been keeping you inspired throughout 2020? We keep on bouncing ideas among the three of us and challenge each other to keep on producing fresh music. During these COVID-19 times, we’ve been recording different video collaborations with many of our favorite South Florida musicians online (IG jams collaborations that are available on our Instagram). It has become a creative outlet for us, and it has helped us to stay connected with other creative musicians. Most recently, we have also collaborated with Nacho Londono a talented singer/songwriter from Medellin Colombia on his most recent single called “Colores”. We believe music is needed now more than ever to keep positive energy among all people and unite artists from all backgrounds. instagram.com/pockitfunk pockitfunk.com #BUZZMUSIC

From Sweden to the U.S.A., the artist, songwriter, and producer Final Child drops a hypnotic single titled, "Dead Romance." After moving to America in 2008, Final Child's solo career would soon take off, as she carefully blends sounds of the past, present, and future to give the listener something they've never heard before. With her latest single "Dead Romance," Final Child explores the soaring sonics of electro-pop music while sending the listener into the abyss with a variety of captivating synths and pads. Her vocals are as intriguing as a deep set of eyes, pulling you into a profound hypnotic state. "Dead Romance" opens with dark electro-pop synths and a thumping bassline that instills the track with this incredible groove wave. The dark and sultry synths offer this Tyler, the Creator inspired sound, taking us back a few years in hip-hop culture. We can already hear this textured blend of genres that Final Child has been influenced by, as she continues to mesmerize the listener with her deeply haunting and intriguing melodies. The underlying production is truly that track's strong point, as it shakes up the modern-day pop scene with heavy vibes and tremendous heat. The dark-pop inspired beat on "Dead Romance" genuinely defies pop music's boundaries, while Final Child keeps the flame lit with her natural pull and haunting vocal delivery. The overall sound of your single "Dead Romance" is incredibly deep and intriguing. How did you come across this dark and heavy sound, and what made you want to create such a haunting atmosphere? It honestly started with a dream. I have really vivid dreams and sometimes they stay with me for the rest of the day. I like that mysterious feeling of “did that happen or was it just a dream” Writing the song became my way of not letting go of that emotion. So I’m happy you used those words because that’s just what I was trying to capture! What inspired the lyrical storyline within your single "Dead Romance"? What was your songwriting process like, and how did you write lyrics to suit the song's atmosphere? I wanted to present another side of me. The darker side, where I probably haven’t been the best version of myself. I was stuck in a cycle of destructive behavior a few years ago and looking back at that time, its a bit of a haunting, yet enjoyable feeling. A time where I didn't think about the consequences, what tomorrow held and when I thought I'd stay this young forever. Ha, life catches up on you, but the past is always a good place to store lyrics.  Seeing as you've moved from Sweden to America, how has this experience helped your music evolve? Did you see any differences within Sweden's music scene and America’s? Yea I’d say so. Sweden is a very small country so there isn’t as much space to experiment musically, at least in public. I loved coming to LA and America where I could start a rock band without any experience and have people, strangers, come out to support and dance along in the audience. There’s just another energy here and the fact that I got to experiment so much definitely made me into the artist I am today. What made you want to venture off into your solo career after performing with a variety of bands? I knew that I had a lot more in me. Both to share and self-work. Something told me that I needed to step away to find MY sound and what music I actually wanted to do. I was missing that part of myself. Its been a blessing going solo and diving deeper within myself and my emotions.  What is one goal that you're hoping to achieve by the end of 2020? First of all, to survive ha! We’re in such a crazy place with the pandemic, election, global warming, etc. But besides survival, grow my audience, release more music, and connect with more fans! I’m really looking forward to releasing music that I’m proud of. “Monster” my upcoming EP/album has even darker elements to it… From here, the sound gets more aggressive, with lots more guitars, etc. instagram.com/iamfinalchild twitter.com/jjakerman #BUZZMUSIC