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Massachusetts based pop-punk outfit Nice Try Kid has released a 7 track record and it's blistering with absolutely massive sonic tones, alternative backbone, and gusto you can only have where there's something to prove. The album titled 'Attics' thrashes through wonderfully indulgent radio songs like "Fools Gold", and doesn't stop as it runs the gambit of powerhouse tracks like "Poison" and "Vacillate". But the trophy of this record is their single "Gray" which without a doubt belongs to a top 10 hard rock radio station. Giving off the feeling you may have heard the song before somewhere at some point, it's easy to find yourself singing along with the song. "Attics" is a great effort from Nice Try Kid and well worth a listen. You can do that HERE. twitter.com/NiceTryKid_Band instagram.com/nicetrykid_band/ youtube.com/channel/UCmjQqv1SrMhv9F4ISKflxrw

The London singer/songwriter Miranda Lopez gracefully returns to BuzzMusic with her latest celestial single "Bad Dream." Coming in and out of features with us, Miranda Lopez has shown exceptional growth towards her songwriting and continues to wow us with each new release. Speaking on her latest single "Bad Dream," Miranda Lopez mentioned that she wanted to create a full-out journey with this song. As she takes us to the lows of love and touches on the heavy emotions we feel after separation (whether it's anger, sadness, or both), Miranda Lopez does an impeccable job of bringing us through a complex storyline. "Bad Dream" opens as foggy as a bad dream does. Gaining clarity once Miranda Lopez begins vocalizing with an incredibly haunting approach, she sings heavy lyrics of not giving in to someone 'winning' the game of love. She states that her experience with this person was similar to a "Bad Dream," what makes the track all the more haunting are the deep growling synths, and the dreamy atmosphere portrayed by transcendent electric guitars. The outro delivers scorching alt-rock instrumentals with whaling electric guitars that perfectly ends the track on a high note. We're astounded by Miranda Lopez's clear storyline with "Bad Dream," and we think you'll relate to it just as much as we did. instagram.com/mirandalopezmusic facebook.com/MiriLopezMusic #BUZZMUSIC

Complexity and intricacy are just a couple of words to describe the rising hip-hop collective "Sense7th". Co-created by Theo Write, he explains that the number 7 ties in perfectly with the collective's brand, as 7 represents no limits, completion, and spiritual maturity. They are providing us music to enforce one primary mission, being to spiritize the movement. Theo Write stated that he genuinely believes that his sincerity is what landed him amongst a universal family of artists striving for the same goals. Also noting that he's incredibly grateful for his tedious journey in the music industry, mentioning that the difference from past to present is like night and day. Late one evening Theo Write hit a personal wall, which hurt even more due to the unfortunate events that have taken place in his life around that time. He did what his soul called for and prayed to the powers above for guidance, while in return showing them his journey of growth. Ever so suddenly, Theo Write's objective became vividly apparent; he realized that trusting the listener would allow him to take his audience on vastly different, heartfelt, and intricate journeys. Theo Write has been creating for numerous years, and his career surely won't be over anytime soon. Thanks to his new outlook and lucky number 7, Theo Write has fueled his fire to burn for many years to come. Discover more from Theo Write here. Welcome back to BuzzMusic, Theo Write! We're excited to interview you this time around and get to know you a little better. What's a day in the studio like for you, especially with Sense7th? A day In the Studio is almost Like A Graduation... It’s A Reward For The Effort Given to A Song... We have an Unspoken Rule To Never Go In The Booth Not Fully Prepared...  We Record From Home (MissAbyss and I) While Our Producer (Rustibones) does All the Sound and editing from His Location... Something we know will change in the future ... So We Appreciate the Uniqueness It Brings Now!!!  So a Day in the Studio To Us depends on The Project ... We Appreciate We Can Go Wherever We Need To Get The Offering Out... You've mentioned that Theo Write had this sort of wake up call, where you realized that trusting the listener will take your music to new places. How did this realization come about, and what helped you recognize this? My Relationship with The Creator has always been important to me, but it was more from an External Perspective... I wasn’t pleased with The Person I was, Considering how Blessed I was. So I prayed and Asked To Be Shown The Way and In Return, I Would Show In My Way ...Eventually Coming to the name Theo Write (Theophilus Write ) Which Means A Lover Of God Writes ... We've heard mesmerizing singles from Theo Write's co-created hip-hop group, Sense7th. Could you speak more on Sense7th? Who's involved with the collective, and what does the brand strive to represent? Sense7th is Me, MissAbyss (Co MC and Wife and Rustibones (Sound Designer aka Producer)...7 is an Absolute Number (Without Limit) It is the Number of The Seeker and Spirit Maturity ... What We Aspire is to deliver Truth from Our perspectives with The Flavor That is the Essence of Hip Hop... Taking a listen to Sense7th, you all provide these incredibly dynamic pieces of music. What does Theo Write personally bring to the table for Sense7th, and how do the group's differences complement each other? Hmmm, what does Theo Bring? Kinda Dare Devilish (Lol) not the Typical MC...versatility, Able to Boom Bap with The best and next Breath Flow in a manor one Would Swear was Neo Soul or Even Folk ... A More Revealing Question Would Be What has Sense7th the Collective Brought To Theo... Life!!! MissAbyss Brings The Spirit of Woman to any and everything She touches ... The World can’t stop Her ... To The Group She Brings Her Portion Of Balance ... Rustibones, There is Not enough Space to share All He brings ... I’ve been Blessed since I started to work with the Best of Chicago Hip Hop Producers (underground) in a group setting ... This Brother Rusti is A Answer... We met Right on Time! More Than His Immense Musical Talent, He Brings A Real Brotherhood ... His Portion of Balance ... What's next for you? What’s Next...? We have a few Singles about to Drop also gonna Put The Album Together ... Hopefully, start getting the visuals to these Songs ... The idea was to wait till We have The Right Resources to make them Express Exactly Without Limits... and Last But Not Least, Hopefully, Rockin a Stage Near You... even if Streamed ... Stay Tunned7 instagram.com/theowrite7 facebook.com/Theo7Write #BUZZMUSIC

23-year-old singer-songwriter Luverboy has just released a romantic house blend "Obsessed With You." Known for weaving house pop and hip hop into alternative-rock, his original music captures broken hearts. "Obsessed With You" has the most laid back trap-style beat you could imagine, peppered with subtle percussion sounds. Its background melody comes from a raw tab on an acoustic guitar, with squeaks from dragging fingers making the song feel organic and down to earth. For a few verses, electronically produced sounds show us the relaxed, house pop side of "Obsessed With You." Luverboy emits a feeling of floating through the air with his silky vocals. The whole song is a sum of simplistic melodies that are harmonized for an angelic and romantic effect. Luverboy holds true to his stage name with "Obsessed With You's" lustful lyricism. By including terms such as "infectious smile" and "growing old," Luverboy has no trouble making his way into his fans' hearts. The reality of the storyline is the one-sided obsession, of which many broken hearts can empathize with. With "Obsessed With You," Luverboy exemplifies the type of love that some people search their whole lives for. Any listener will easily picture themselves as the recipient of his heart-melting serenade. Discover "Obsessed With You" here. Welcome to BuzzMusic Luverboy! We were entranced by your ability to translate emotion through your music. Can you elaborate on the message behind your lyrics for “Obsessed With You?” Of course! “Obsessed With You” is really a song that deals with desire, and emotionally being unable to move on. I don’t mean to sound crazy but I’m sure everyone at some point in their life has obsessed over one person, whether it be that girl in High School you were in love with or a celebrity you’ve been crushing on since you were a kid. The song expands upon that idea just hanging off of every little thing someone does and it driving you crazy. I didn’t write the song after a breakup or anything like that, but I did become obsessed with one individual and wanted to give the song a message but in the second verse be able to elaborate upon the story behind the song. You set out to create a catchy pop song about obsession but you wind out with sort of a ballad about obsession. Can you describe how you drew inspiration from house, pop, alternative rock, and hip hop genres to create “Obsessed With You?” To be honest, I didn’t set out with any of those things in mind, it just sort of happened. I’m a musician first before anything else so I think my music will always draw from alternative rock and blues as an origin. I’m not the type of artist or person who likes to just listen to one style of music I like to appreciate everything and be able to draw from it. The whole song started with just a kick, and I wanted to make something people could dance to. Alternative rock is my safe zone, and I always want to be a little bit out of my safe zone when I’m writing at times. For me, house and hip hop are areas where I never thought I could thrive in. So I was trying to do something original that still felt true to me.  What was your inspiration for the heartfelt lyrics of “Obsessed With You?” Personal emotional turmoil. I’m a big Anne Sexton fan, and love her poetry, and the way she phrases parables I wanted to try to do that in a similar fashion. My lyrics just come from my heart.  Why did you choose to create your music under the stage name Luverboy? What does the name represent, and what does it mean to you? It’s a funny story behind that name. I was bent up behind this one girl I used to talk to, and one of my friends called me a Luverboy because of how much of a romantic I am, or how much I like to think that I am. I try. But the name stuck because I think it describes me so well and my alter ego. When we think Luverboy the image that comes to mind is a simp guy who chases, and gets the girl, spoils her, and always romances her. That definitely describes me and who I am at my center, but life has a funny way of throwing you into weird situations where you don’t always play the “helpless romantic”. A lot of my songs aren’t even about romance, maybe one day if I chose to get married they will be. But not right now, not in this phase of my life. The purpose of Luverboy isn’t to show you what love is, but instead what love is not, and what love COULD be. instagram.com/luverboyofficial #BUZZMUSIC

For those of you who may not be acquainted with Anna Duboc's music, allow us the pleasure of introducing you to her immaculate, far-reaching voice. Now let us stop you in your tracts- the voice your hearing on "Blamed it on Me," is that of thirteen-year-old Anna Duboc- let us give you a moment to collect your jaw from the floor. Anna's passion for the arts has been flourishing within her since childhood. Since her musical debut at the age of five, Anna has performed as a soloist and singer with Andrea Bocelli, Katy Perry, and Kenny Loggins at many exciting venues including Carnegie Hall and The Dolby Theater. "Blamed it on Me" puts Anna's voice front and center only sharing the soundscape with a blues-tinged guitar playing melodically alongside one another. It also showcases the talent her songwriting skills as "Blamed it on Me" was solely written by Anna. This soulful display of balladry will continue to surprise you as you are shocked by Anna's innate ability to belt out harmonious cries from the whistle register (highest register of the human voice, lying above the modal register and falsetto register). "Blamed it on Me," provides an introspective view of what relationships are like while growing up in an age of social media, zoom calls instead of trips to the mall, and the often fierce and passionate qualities brought on by a young and flickering love. You can listen to "Blamed it on Me" here. Hello Anna and welcome to BuzzMusic. Your voice stopped us in our tracks, you truly amazed us. Can you tell us a bit about your new song "Blamed it on Me." I actually wrote this song for a friend who went through a breakup. I'm really good friends with her and her ex, but this is from her perspective. I originally wrote the song on the piano, but I am learning guitar now and decided I preferred a simple guitar and vocal version to be recorded. When you sing a song, how do you center yourself in that song to reflect emotion and character to your listeners? I am a pretty emotional person and music has always helped me to express these emotions, so I guess you could say the music centers me. My mom says I have always felt the music, and I do feel the most at home when I am singing. I grew up in a recording studio you might say, so I am already pretty comfortable recording and expressing myself that way. So you can hit the whistle register! Can you tell us a bit about the practice you may have done to achieve that? Or is this a natural ability? I have always been able to sing really high I think. We actually recorded the whistle tones a few times before when I was really young, but it never seemed to fit the song so it remains in a closet. Someday maybe we'll put those out for fun throwbacks. Where do you draw your musical influence from? You mentioned your mom was an influential songwriter for giants like Chante Moore and Patti LaBelle, do you go to your mom for music advice? I have been very influenced by Harry Styles, Billie Eilish, Adele, and Amy Winehouse. My mom has also definitely been a big influence and she has helped me with many things like vocal technique and music production.  What's next for you? I am working on an EP. So, I am writing songs for that right now. I would love to get it out by the end of the year. With quarantine and all that has been going on, other things are harder to predict, but I am also hopeful that I can start volunteering and helping others in need. I'd like to do this both with my music and to proceed from my music. facebook.com/annadubocofficial instagram.com/annaduboc #BUZZMUSIC

The Los Angeles 4-piece Tommy Drinkard & the Remedy returns to BuzzMusic with two sweet-sounding singles, "Wastin'" and "Breeze." They are influenced by classic acts such Bob Marley & the Wailers, Bob Dylan, Jimi Hendrix, Stevie Ray Vaughan, and more. During their previous interview with us, Tommy Drinkard & the Remedy mentioned that after Tommy Drinkard's first group disbanded and he was looking for musicians, the band's chemistry was instantly flowing with the help of Eric Lee (bass), Anwar Glenn (guitar), and Ty Key (drums). With the release of their single "Wastin'," Tommy Drinkard mentioned that his friend sent him a text with the first two lines of the song while Tommy was strumming away on his front porch. Trying to capture that fun-loving and free-spirited party energy that we all know and love. Yet taking a look at their next single "Breeze," Tommy Drinkard fell upon this melody in the middle of the night. Escaping to his car to create and write his emotions surrounding a heated debate with a friend, Tommy mentioned that the song is about overcoming these hardships and how time heals all wounds. Tommy Drinkard & the Remedy's single "Wastin'" begins with bright and cheerful acoustic guitar picking from Anwar Glenn. Once the foot-tapping beat kicks in, we can feel the soul that's infused with this single as it exudes an incredibly fun-loving feel and atmosphere. Tommy Drinkard begins singing about happily wasting his time away with someone, while Ty Key's drum patterns keep the track alive along with Eric Lee's deep and steady bassline. Truly a track that brings a ray of light to our days, we're only excited to be "Wastin'" our time away in the heat of the summer. Bringing on more of a mellow approach with their next single "Breeze," the song opens as soft as satin. Anwar Glenn's mesmerizing acoustic guitar picking truly opens the track with nothing but beauty and harmony. Tommy Drinkard begins singing passionate lyrics like "We can ride until we die, as long as we can let things slide," a perfect motto for anyone who seems to hold onto their past too tightly. Meeting the hook, Tommy Drinkard's groovy electric guitar and Eric Lee's soft bassline turns this track into a melodic masterpiece. Not to mention the incredible percussion shifts from Ty Key, he adds brilliant tempo changes that introduce different dynamic levels. We love the message that Drinkard provided with "Breeze," and we're excited to see how Tommy Drinkard & the Remedy's will top this. facebook.com/drinkardremedy instagram.com/drinkardremedy tommydrinkard.com #BUZZMUSIC

Residing in Uganda, Africa is alluring artist Alifchief. Artistically, Alifchief primarily focuses on versatility. His music screams it, and his character emulates it effortlessly. Giving one listen to the product of Alifchief's sound, you may find yourself ultimately intrigued by his ability to draw in many contrasting elements of music, and still make it seem cohesive and whole. Alifchief's new single displays this ability quite well, and really does well at imparting a certain type of calm feeling onto its listeners. Alifchief has released his anticipated single "Borrowed Time," which features a very lax and tranquil listening environment. Alifchief incorporates a variety of eclectic instrumentals into "Borrowed Time," allowing the track to perfuse an almost eccentric tone. "Borrowed Time" definitely follows indie inspirations, as well as an immersive afro-fusion blend. Beyond "Borrowed Time," Alifchief has proven to show in previous singles that his guitar stylings immediately bring a bluesy and almost rock environment to the table. "Borrowed Time" faintly incorporated this, but it's notable that the single still maintained an incredible light element, similar to a bluesy-type feel. All in all, "Borrowed Time" felt extremely vivid as a result of the instrumental coalescence. It's the right kind of single for any listener seeking expressive soundscapes with many dimensions. Discover "Borrowed Time" by Alifchief here. Welcome, Alifchief! Congratulations on releasing "Borrowed Time". Considering how immersive and vivid the production of the track was, how would you describe the way you synthesized that exact kind of creativity for the track? Thank you! I wouldn't say I came up with the exact amount of creativity needed for the track instantly. It was a long process of agonizing over what vibes to go for, along with adding and retracting parts for the greater good of the song. I was listening to music from West Africa, particularly Fatoumata Diawarra and Ali Farka Touré, and transcribing what I heard into the song without being too derivative. What do you think your primary goal was going into the writing and recording of "Borrowed Time"? Was there a certain emotion you intended your listeners to feel while listening to the track? My main goal was to express myself musically in a way that reflects my experiences of living in East Africa over the last four years; meeting and jamming with musicians such as Leo Mkanyia, Mad Ice, and Msafiri Zawose in the region has been part of that experience. If there is one specific emotion that was intended for listeners to feel, it would be the fleetingness of time and how precious it is. How would you describe the way the music scene in Brunei helps to accelerate your creativity and ultimate artistry? To be honest, being physically away from the music scene in Brunei has actually accelerated my development as an artist, creatively speaking. The scene itself is very small, so there's only so much you can do and learn until you realize that the only way to take your craft to the next level is to venture out. This is the main reason why I left Brunei in the first place and coming to Africa is probably the best decision I've made for my music. Where do you feel that you're ready to take your career next as a music artist? Are there any goals you've set for you and your music throughout the rest of 2020? Career-wise, I would like to continue writing songs for myself as a means to develop my craft and repertoire. Playing more live shows and festivals in Africa and Europe is also another thing that I'd like to do more, in the long run, to get my name out there. For now, 2020 is the year that I'd like to focus on releasing as many original materials as possible, and my upcoming debut EP album this August will be the starting point. instagram.com/alifchief facebook.com/alifchief #BUZZMUSIC

COATS has been making melancholic indie-pop music for quite some time, with much of his work reaching the chart's top 10 consistently. Most recently, he has been sought after by publishers and labels alike, with his entire previously released catalog being signed over to The Orchard (a Sony Music conglomerate). With 2020 becoming a notorious year in more ways than one, COATS is on the trajectory to shine some light on our Quarantine playlists with his most recently released single titled, "Just Anxiety." On its surface, "Just Anxiety" is a gently whimsical and easy listening. The muted synths are weightless and create a hypnotic atmosphere; the lifting tonality that COATS brings with his voice is like a wave of fresh air tenderly guiding our sailboat along on this journey. With inquisitive use of robotic vocal effects and luscious steel-plated reverbs and delays that make this song feel like an incantation of profound meaning. The song offers a sort of utilitarian take on indie-pop, with echoes of denounced emotions, coddled in recognition of deeper meaning feelings and inner discoveries, all while being supported by a minimalistic production. There's a refined kind of grace in the way COATS' topline melodies trickle down the scale, and something stoic in the timbre of his voice, which floats, ever so elegantly, against the bright mantras reflected back at us during the chorus. With a unique sense of space and air, "Just Anxiety," pays homage to the doubt we all feel within ourselves. The lyrics are meant to form an internal revelation; they're a slide reel of self-reflection and blurry snapshots of afflictive emotions caused by anxiety. These inspirations anchor together to create fleeting impressions and give substance to what might have been a lightweight mood piece; they put a brave face on what sounds like a sad song at first and turns them into a bittersweet anthem of self-support. "That just doesn't define me, that's just my anxiety," he sings, and unsurprisingly, COATS turns out to have remarkable healing powers through this tone. We're excited for you to hear it for yourself. You can listen to "Just Anxiety" here. instagram.com/coats_music #BUZZMUSIC

With an itch for music that could never be satisfied with a disc jockey jaunt in college, Matthew James —now a cornerstone name in the New Jersey nightlife —is en route to attaining some well-deserved notoriety through his musical undertaking. With a command over the dynamics of any room he's in, this visionary adapts to his surroundings while never compromising his unique soundscapes. Now, with the release of "Space Agency," the newest offering in this year's summer singles, Matthew James is on the trajectory of up, up, and away. This song is the amalgamation of Lo-Fi Synth Wave, and a vintage Sci-Fi themed Tech house. Starting with a strong kick and hi-hat for support, "Space Agency" erupts into an intoxicating bounce magnified by the added low-end we experience as the hyperdrive throttle on this space ship starts to elevate. A robotic yet archaic sounding voice—like it's calling out over a radio—is a motif that cowers over the edges of this expanse into Matthew James' single, giving the whole song a futuristic atmosphere. The lead synth oscillates and starts purposefully weaving in and out of the rhythmic cornerstones of each section. As we reach the end of what feels like an ever-evolving joyride, a nostalgic tone creeps up on you before the climax of the final breakdown. With fluttering imploding effect and a thump that crashes down on us as the song resurfaces from its dive, we feel a deep rush of dopamine wash over. As we orbit around this astronomically themed single one last time, we feel a sense of invigoration and wonder. With this audible manifestation of his expertise in producing drive and energy through his music, Matthew James' "Space Agency" is a taste of the sorts of high visceral and dynamic imagery you can expect from the veteran disc jockey's catalog of vibing electronic music. Listen to "Space Agency" here. Hey there, Matthew James! Welcome to BuzzMusic, we're thrilled to have you here featuring "Space Agency"! This thing is bumping and has a unique vibe. What inspired the theme of this song? Thanks for having me & I appreciate the kind words! Glad you guys enjoyed it! The inspiration for this track really just comes from my love of just about everything sci-fi, particularly the 1950s & 60s sci-fi. Lost in Space, The Twilight Zone, all that. I was cleaning out my samples folder one day and stumbled across the sample you hear in the song and it really just came together after that. Do you always endeavor to infuse each song you produce with a new character? How do you nurture this process? I guess in a round-a-bout way. Whenever I start a new song I go into it with no goal as to what I want it to sound like but focus more on making sure I produce it better than my last record. I try new techniques or try to improve on the ones I used previously. I never go in with a goal of making the track sound like some other song or some other producer. I feel just sitting down and letting the ideas flow is the best way to create something that in the end you’ll truly love. You mention college as somewhere you began DJing often, but when did you know you wanted to take your career as a DJ further? When I locked down my first residency in New York City is when I started to really take music seriously. Long before I even thought about producing my own music my life goal was to DJ in New York & was something a lot of people thought I had no shot at. I ended up holding on to the residency for 7 years along with some other shorter residencies throughout NYC which opened the door for me to play in Boston and in Miami a bunch of times. Thank you so much for being here with us at BuzzMusic Matthew James! What's next for you musically? Is there you're especially excited about in 2020? Thanks again for having me! This year I’m really focused on learning and getting some more label signings. 2020 has been an interesting year, to say the least, but it’s also given a lot of us artists a lot more time to hone in on the craft. I have a lot to learn still & I’m really just excited about that. It’s a journey that’s never-ending so every completed record is just a stepping stone to another record being started. instagram.com/matthewjforreal twitter.com/matthewjforreal matthewjforreal.com #BUZZMUSIC

Canadian rap prodigy Profound Artist is here on BuzzMusic to highlight some of his recent progressions within the music industry. Think of everything you know about your typical rap artists, and throw it all away. Profound Artist extends outward from the everyday rap content currently surfacing, as he really takes the time and energy to construct tracks filled with emotionality, as well as verses that might make you think in a way you never yet have. Profound Artist's recent single release, "Spiritual Warfare," completely holds up to our expected expectations, and we can easily say that the single itself will probably be replayed by most listeners, especially if you don't have your ears peeled the first time around. Right from the start, "Spiritual Warfare" begins with a real surge of intensity. Profound Artist doesn't hold back at getting right into his hypnotic delivery, keeping listeners on their toes for the majority of the track. One thing about his delivery you definitely won't miss out on catching is the rate at which Profound Artist is able to deliver his keen wordplay. It's impressive, to say the least, especially considering the magnitude of the track's message. "Spiritual Warfare" proved to be Profound Artist's opportunity to exploit an intriguing perspective, and he really didn't miss a single chance at showcasing his inert talent. Check out Profound Artist's recent track, "Spiritual Warfare" here. Welcome, Profound Artist! Thanks for chatting about your latest single, "Spiritual Warfare". What kind of energy were you hoping listeners would primarily extract from listening to this particular single of yours? Honestly, I want them to get the energy to stand up for what is right and I don't necessarily mean it in a violent way. Just stand up to the injustices of the world or else they'll never stop. We never stopped the people in power when we had the chance so we gotta stand up for what's right and keep fighting the good fight. Was there anything specific you were hoping "Spiritual Warfare" listeners would understand differently after listening to your track? Do you feel that the message of your tracks is generally understood by your listening base? Not necessarily, I just want to peak their curiosity. I wanted it to be like a starting point into questioning things and not taking things at face value anymore. I do believe so. I often get feedback from the people who listen to my music and they always tell me how they love what I say and to me that means the world. As an artist who has a unique style of vocal delivery, do you ever find yourself encountering challenges when attempting to record? Yeah definitely. My breath is not what it used to be. Sometimes it's hard to record some songs like spiritual warfare but I don't stop until it sounds perfect in my ears. A little fun fact about Spiritual Warfare, I almost lost my voice recording the song. How would you say that the current music scene in Montreal, Canada is propelling the current way your music comes about? Honestly, and I do not mean it with any form of disrespect, but the Montreal hip hop scene does not influence. Let me elaborate. In Montreal, most of the hip hop artists all make music in french so already there it makes it different. There are anglophone rappers don't get me wrong but we don't get the same exposure as the french ones do. But I do have to say, the anglophone rappers are dope and if I say so myself, the other rappers in my crew who are anglophone are really extremely dope. What's next for you? Next song is gonna come out by the end of July about. Its gonna be called Temporary. And I'm about 90% done with the recording stage of my album so be on the look out for that. instagram.com/profoundartist facebook.com/therealprofoundartist #BUZZMUSIC