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A distant resonating call beckons you into Christina Rose's hot new track, "Nocturnal." There is a synthetic 80s tinged keyboard, reverberating in the background, you never know what's lurking in the night, or in this case, in "Nocturnal."Christina Rose is an independent pop artist currently based in Auckland, New Zealand. Creating songs infused with electro-pop and elements of R&B combines those traits with reflective lyrics that deliver a captivating musical experience. "Nocturnal" is a story of trying to navigate a relationship in the dark and tiptoeing around one another because you never know when one may pounce. We're relieved the only "tiptoeing" we're doing at night is to get a glass of water and trying to avoid stubbing our toe on the corner of the bed. The electric vibes and sultry lyrics are expertly produced by Auckland Local and co-written by Will Henderson. With a skilled team behind her, Christina brings emotion and control to her performance, understanding the mindset it takes to sing a song like "Nocturnal." There is a very muggy aura "Nocturnal" possess; the heavy rhythmic beats are combined with steamy auras of sound, and Christina's soulful voice is so expertly crafted we have to label "Nocturnal" with an extreme heat warning. Hello Christina, welcome to BuzzMusic. Your latest release "Nocturnal" is a fun track to vibe with. Can you tell us a bit about how this project surface for you? Hi BuzzMusic, thanks for having a chat with me. Nocturnal was a unique process actually, often I’m working on something for a long time before I take it into the studio. Nocturnal was born from one of our completely blank sessions; my producer Will (Henderson) and I sat down together and started the co-write from scratch. I had an energy in mind, I was really inspired by some Brazilian drumming and was vibing this urban and natural drum sound. We listened to few references and Will lay down a beat. The nocturnal concept came shortly after and we just threw ourselves in and wrote Nocturnal. We were so sucked into the track that day, it had a real uniqueness from what we had previously made together that we had to come back to the project a few days later and listen back and we were like hey this is cool! You and your producer and fellow co-writer were able to create a real atmosphere on this track. You really reflected a dark soundscape that resembles the night itself. How were you and your team able to create that? I think it all stemmed from the drums with this one. The rhythm was really fun to write melody lines over. Will had this idea to create a spacious chorus which I think gives this open night sky feel. It contrasts with the verse which is more melodic and wordy, then into this driving pre-chorus then opens up into this catchy but spacious chorus to create a feeling of push and pull. It was fun to decorate with vocal textures and I’m obsessed with the animal sounds Will put in. We threw ourselves into an animalistic energy while creating this one and I’m glad it’s come through. How are you hoping to expand your music career? First and foremost I want to keep creating and sharing music that is authentic to me, hoping that it catches on and that other people love it too. I see myself hitting the festival scene and can’t wait to build up more of a fan base in the US and Europe. The NZ music industry is so special but it can’t stop here for me. Where do you draw from to become inspired enough to follow a thought you might have with a new song? As much as movement, travel, change, and external shifts bring up so much lyrical and musical energy in me, I am such an internalised creator. Ultimately, my daydreams can take me further than any plane or life shift and I really feel like the deeper I dig in to that the more abundantly I create. What's next for you, Christina Rose? I am definitely in what I call a “writing phase” now. It’s exciting as the “execution phase” of One Step (the ep) has finished and I’m deciding what the next release is going to be. There are a few strong contenders! I will tee this up with some more live shows. It looks like NZ festival season is going ahead, despite all the barriers due to Covid. So hopefully that might create some work too... That should see me through until international travel opens back up. Feeling a real pull toward some projects in LA in the near future instagram.com/christinarosesounds facebook.com/christinarosesounds christinarosemusic.com #BUZZMUSIC

Known as a modern African storyteller, El Señor Igor does this meaning justice with his track “Le Ventre” off his album “Même pas peur.” Always channeling his roots, and thriving by blending the syncopated rhythm of calypso with African folk and acoustic reggae. His latest hit “Le Ventre” highlights El Señor Igor’s textured lyricism, giving us deep-running stories that range from urban poetry to questioning societal norms. While vocalizing and almost rapping at some points, El Señor Igor shines a light on how easy it is for people to spend money on material objects, but it will never fulfill their soul’s true desire. Kicking off with brass instrumentals and subtle electric guitar, El Señor Igor wastes no time to wait around and jumps right into “Le Ventre” at full force. His vocals are so pure and melodic, effortlessly displaying his deep-rooted talent and musical abilities. Taking a listen to the lyrics, “Le Ventre,” meaning “The belly,” really has a deeper meaning. El Señor Igor sings about how modern-day marketing strategies and advertisements will easily sway anyone to continuously purchase, leaving customers to believe that shopping is a way to fill the void. Even with El Señor Igor’s administrative belly, he still wants a digestive from time to time. Providing a track that makes us more aware of big corporations and their mindsets, El Señor Igor’s “Le Ventre,” leaves us questioning how we fulfill our desires. Hey El Señor Igor, welcome to BuzzMusic! We’re very excited to feature your recent conceptual track “Le Ventre”. What was the main message that drove you to create the song, and also that you wanted listeners to takeaway? Opulence depends on everything. a criticism of consumer society. I want my fans to remember that we don't have to get so much Speaking on one particular lyric within “Le Ventre”, “It’s true that with my big administrative belly, I still want a digestive”. Is this relating to giving in to societal norms? Could you expand on what you meant by this? These lyrics mean that when I am at the top of opulence, I want more. A little digestive to finish my feast. Within your song “Le Ventre” the instrumentals stand out through incredible melodies and great energy. How did El Señor Igor want to shape the instrumentals in order to help emphasize the theme of the song? The trombones take a solemn march to illustrate the heaviness of a well-established social class. The energy of the melodic guitar highlights the violence of this opulent behavior. Seeing as “Le Ventre” surrounds a very conceptual and deep theme, we’d like to ask how this song fits in with El Señor Igor’s album “Même pas peur”? Was there a storyline in place for the entire album as well? This song would be a painting of our current western society. It is placed in the storyline of the travel theme of the album "Même pas peur" ( even not afraid ). What can fans anticipate next from you El Señor Igor? A new video and a new album instagram.com/elsenorigor facebook.com/ElSenorIgor #BUZZMUSIC

Placing his mark on one of the greatest songs ever written, Darcy Callus memorizes on his take of "God Only Knows." As the piano serenades us with its whisps of classical auras, Darcy Callus puts his impressive tenor vocals on full display. Not typically expressing himself to friends and family, Darcy Callus used the recording as an opportunity to demonstrate his gratitude for the ones in his life that mobilized him during a time of self-doubt and turbulence. "God Only Knows," perfectly encapsulates Darcy Callus's intentions of showing appreciation and thanks through its emotionally constructed lyrics. Memorable lyrics like "I may not always love you, But long as there are stars above you, You never need to doubt it, I'll make you so sure about it God only knows what I'd be without you," embody the true sentiment Callus wants to exhibit to his inner circle. If Darcy Callus 's smooth-flowing vocals sound familiar, you're not imagining things. Callus auditioned and went on to perform on America's Got Talent Season 12 when he performed The Beach Boys song, "God Only Knows." His rendition of the song will also be featured once again on AGT's current Season 15 set to air June 16, 2020. If you haven't yet heard Darcy Callus's version of "God Only Knows," don't delay and listen today. Hello Darcy and welcome to BuzzMusic.  We fell in love with your version of the classic Beach Boys song "God Only Knows." You told us it was an ode to the many people that lifted you up during tough times, what feeling does singing this song give to you? You know it’s just a magic song, there’s only a handful of those that exist in the world, so singing a song like that always has that magic feeling. It’s not just for me and it’s not just personal, it’s for everyone - I’ve had people ask to use this recording for weddings, funerals, other important life events. I’ve had people like recovering addicts say how much it has helped them through tough times. This is incredibly moving and it’s always amazing to see the impact music can have for people and I’m just glad I can be of service to these people. It’s easy to forget how important music can be. And not many people know but musically this song is so unique, to geek out, the harmonies are unlike any other song I know of, they break all the pop music rules yet sound so awesome. Brian Wilson is clearly a genius in this sense. Performing on a stage like America's Got Talent and the sheer magnitude of eyes and ears focussed on you must be nerve-wracking. What was your experience on the show? Haha, I really hope this doesn’t sound big-headed but I didn’t find it wasn’t nerve-wracking. I’ve always had a calm on stage and I don’t know where it comes from, it’s like being in the eye of a storm - suddenly once you’re in it everything is totally still and calm. The first time I sang in public was on national TV and it was the same thing - I’m calm and in the moment. I found some of the work behind the camera challenging and all the interviews were just so intense! I learned a ton from my experience on the show and discovered the importance of the ’story’ you have as an artist. I’ve always just been one of those people who ‘does it’, I’m focused on the music, I keep myself to myself. It’s not like I’m singing about nothing, but I’ve just been one of those people who really care about the music and the message within the music. But the show taught me that the story, image is so important and it lets the listener create a context in their mind. So I’ve realized I have to be like this and have a persona, which is something I’m still working on! What has moving from Australia to Los Angeles done for your creative flow and career in music? Well the music industry in Adelaide, Australia is less than 1% of what it’s like here. Los Angeles really is the capital of the popular music industry and you can feel that everyone is here to create music, film, and content for the world. Everywhere you turn there’s someone who’s way more talented or successful, and you can’t just coast along - you have to have drive and purpose, you have to be unique, you have to be damn good at what you do and you have to have a message. Especially with the price of rent here! So it’s like a sink-or-swim thing. And I haven’t sunk yet, so I must be swimming to some extent! Of course, the network and connections are here, too, and I’ve been so fortunate to meet and work with some incredible songwriters, producers, and artists. And I feel like I’ve only scratched the surface. What themes and messages can we expect to hear from your upcoming original solo project? I’m not going to try to reinvent the wheel there. Love, loss, friendship, vulnerability, passion, pain, struggle with others and struggle with ourselves, all the stuff we experience as humans. But maybe what I can offer is a unique perspective on those themes. I think that’s what any good artist strives to do. Thinking about it now, the underlying message is care. It sounds so cheesy, uncool, weak, or easily dismissible, but I think to care is the coolest thing you can do. It takes strength and resolves to care about something and you don’t look for praise or approval, you just do it because you know it has to be done. It’s kinda badass in a way. And it’s something I think we are in desperate need of right now - I sometimes really do wonder if all of our role models in society and the people who we’ve entrusted to lead us really care. They don’t seem to commit, they don’t take opportunities to unite us, they seem to be ultimately looking out for themselves. They seem to be driven by what people think of them rather than what they can do for people. I’d like to think that they care and I really want them to. But I see their impact and I see how neglectful they are and it’s hard to believe they actually do. It’s just so devastating to watch our society start to lose everything it’s worked so hard and sacrificed for - fairness, freedom, community, health, equality - we are losing these things and it’s only because of a lack of care. So yeah, I suppose ‘to care' is my message. What's next for you? Writing, producing, and performing. Building who I am as an artist; my style and image. Collaborating with the amazing talent here in LA. Ultimately working towards releasing my music and performing it to as many people as I can. I’ve started working with multi-platinum songwriter Pam Sheyne, who is an amazing human being, and the incredible Printz Board, who co-wrote much of the Black Eyed Peas album. instagram.com/darcycallus facebook.com/darcycallus twitter.com/darcycallus #BUZZMUSIC

Pittsburgh's own, artist/rapper j ReY releases his thankful and optimistic single "Positive Affirmations (feat. Noah's Art)". Delivering what's known as 'conscious rap,' j ReY is infinitely inspired to create music that sparks an idea in listeners' minds and helps them see with love and openness. Putting it all into action with his recent single "Positive Affirmations (feat. Noah's Art)", j ReY brings his spiritual side to the table and allows us to gain some clarity and cope with today's stressors. Noah's Art brings a similar approach and widens the track with his unique flow, all to help himself and j ReY emphasize their positive message. Opening at a down-tempo pace with a soft beat underneath fluid electric guitar picking, "Positive Affirmations (feat. Noah's Art)" is met with j ReY's smooth and filtered intro vocals, quietly preaching that we can't use our energy towards negativity. Jumping into the hook, the catchy electric guitar stands out as the core melody. At the same time, j ReY goes into his optimistic flow, recognizing the importance of energetic frequencies and where we put our energy. While Noah's Art begins rapping, his verse lets listeners in on his higher state of self and lets us know that we must speak benefits out in order for them to return. Truly a track full of life, hope, and spirituality, j ReY's "Positive Affirmations (feat. Noah's Art)" is simply food for the soul. Hey j ReY, welcome to BuzzMusic! We truly took something away after listening to your enlightening single “Positive Affirmations (feat. Noah’s Art)”. When did you originally start creating the track, and did you have any sort of inspiration behind the song? I started writing the track at the beginning of April. The flow and message were inspired simply by trying to find a way to radiate something positive during these turbulent times. I was also really excited about this track because anytime you can collab with an artist and there is a mutual respect, it really pushes you to want to give something brilliant. Seeing as j ReY and Noah’s Art both go in with these incredible vibes on “Positive Affirmations (feat. Noah’s Art)”, we’d like to ask what made this collaboration work so well? Did the two of you help write each other’s verses, or was it more of an individual approach? I've known of Noah for a while now, so I knew what kind of vibe I was looking to create whenever I reached out to him. I did my thing and sent it his way, he wrote an incredible verse that is gonna be timeless and enhance the entire vibe of the project. We’ve noticed that over the span of a year, j ReY’s discography has grown wider and incredibly broad. Did you always have this spiritual and optimistic delivery in your music, and have you seen growth since the first few singles? Yeah honestly for a while it made me question myself with rapping and what I was saying, ya know, compared to other artists, until I realized writing the insightful, positive flows is just who I am and I started embracing it fully. The growth has definitely been evident, getting more involved with engineering, and producing, playing instruments, etc. and just trying to put as much of me into the process as possible. And it helps writing too. j ReY is said to be very passionate about creating music that allows listeners to relate on an emotional level, and help them see more than what meets the eye. Could you elaborate on how you put this into action, and how you lyrically approach music with these morals at hand? I just believe that myself as well as many many others in our generation have been brought to earth to help heal it and fix it. I'm just playing my part with music because I didn't want to fall into the system. So that being my outlook I think I'm coming from a very real and relatable place to other people. Everyone feels that somewhere in their soul. If I can offer hope or inspiration to others by just becoming that energy and allowing them to latch onto it, then I've successfully spread my love and positivity.  Lyrically, I just allow my soul to tell me what needs to be said on the beat. I'm consciously digging for the things that are going to resonate deeply based on what I observe in my own experience and then expressing it from a universal perspective. What can fans anticipate next from you, jReY? JUNE 21st !!! The summer solstice. I'm releasing my next project. 12 song mixtape titled "ReAwakening" featuring Eean, Wyatt Erbb (both who were on my last project), first solo collab with a female artist (Christina Romano), and the single I just dropped (Positive Affirmations), with Noah. I couldn't have scripted a better time to release this. We are living through historical times right now with massive changes right on the horizon. There is an awakening happening on earth right now that is visible in literally everything. It's happening around us but mostly inside of us. If you take anything away from this, please stream this project on any platform !! It captures the "ReAwakening" that transformed me + my life, and I hope you can feel the love + soul energy I transfused into this art too. instagram.com/jrey_music #BUZZMUSIC

Mystical beats command "More Than Money," AP Coley's hot new release. AP Coley's rhymes speak of a higher purpose, unburdened with status or territory domination, his verses speak of what truly matters in life. Taking notes on the lesson's life has taught him, AP Coley is creating content that incorporates the principles he holds within to share with his listeners. His desire is for his music to stimulate his listeners. Each project is constructed with the intent that others will be able to correlate with the subject matter. "More Than Money" is a perfect example of AP Coley's ability to deliver material in a clear and meaningful way. His rhymes aren't just rapped, it's as if Coley is reciting vows, to the woman that is worth "More Than Money" to him. Any woman would be blown away if she received a love letter bearing the words AP Coley has written for this track, but to have those words transcended into meaningful rhymes is breathtaking. AP Coley is giving Nicholas Sparks a run for his money with his romanticizing rhymes, and the hypnotizing instrumentals he's set his verses to, making this track a total vibe. Discover "More Than Money" here. Hello AP Coley and thank you for chatting with us at BuzzMusic. First off, what a track. You have created something very special and profound with "More Than Money." We have to ask, how did the woman this song was written for react when she first heard it? To be honest, this was an ode to not just My GG, but all Queens. When I was writing "More Than Money,"  I thought about the value of a woman to the world. But I wanted to capture that same type of intimacy so any woman who listens to it feels like I'm talking to them directly. GG loved it, my infinite muse was blushing and flattered. As you mentioned before you take lessons you have learned in life and transpose them into your art. What made you want to start creating music in the first place? What made me want to start creating music honestly was the pursuit wanting to leave something greater behind after I die, combined with the want to do greater through what I love to do. I love music. I was born during an episode of Soul Train in 91. I'm literally made for this I love to see people smile and being an only child I know how it feels to feel alone. The world feels alone a lot of the time, but we are often too prideful to admit in front of someone in fear of judgment from others. Wanting to make the world feel less alone and trying to inspire people to want to do better daily is why I create music. God is why I create music. So many answers to that question lol There's a lot of hip hop on the market that doesn't have much substance or morality in their rhymes. Why have you chosen to center your rhymes around genuine and enlightening discussions? People talk a lot, but we don't share enough of ourselves truthfully with each other. There are plenty of people that feel like they are in a dungeon living in their own skin in fear of rejection, or judgment from others. I want to be a part of helping people feel more comfortable to want to share their demons being transparent to start the path of divinity. I'm not perfect, but I try to be as transparent and honest with myself and to others as possible. I want to be a part of a growing community and culture who's first reflex is love instead of hate. I want to progress people through a genuine example whether it be good or bad it is still human. But always be a living work in progress. That is the culture of my sound. It's in my DNA. Other than the influences you take from everyday life, are there any particular artists that have influenced you in becoming the artist you are today? Chulo Ramon What can we expect to see from you throughout 2020? Another project will release anyday before the end of the year, join my email list onapcoley.com and stay updated! my supporters will always get spoiled with great positive perspective, knowledge from my experience, music, and a genuine connection. Great vibes coming with every new release, nothing less than truth. instagram.com/apawk apcoley.com #BUZZMUSIC

AyeJay Freez is back on BuzzMusic, taking a detailed look into his recent heated single and video “GOODIE.” After following up on his recent release “Catch22”, AyeJay Freez has already gained well-deserved attention from his flaming video to “GOODIE.” Working around the clock to provide his audience with prime hip-hop entertainment, his music video “GOODIE” evidently displays these themes. Throughout the video, we can see scenes of AyeJay Freez rapping upon his city’s waterfront and contemplating while overlooking the view. He raps deep lyrics of constantly working hard to achieve his goals and speaking his truth through a rhythmic approach. “GOODIE” begins with echoey piano chords turned into a hi-fi hip-hop beat. While the video captures wide shot scenes of nature, we feel the crisp cool air as it seems to be shifting from winter to spring. Lyrically speaking, AyeJay Freez delivers with force and maintains his composure as he touches on topics that grind his gears. As the video displays dancers and friends surrounding AyeJay Freez, he raps about how he’s seen a few tears and moved forward from the doubts and critics while keeping the real ones by his side. Rapping with authentic bars that display his growth as an artist, AyeJay Watch "GOODIE" here. It’s great to chat with you again, AyeJay Freez! Welcome back to BuzzMusic. Speaking on your recent music video “GOODIE”, how did you originally want each scene to reflect your bars and the overall tone of the song? What the word BuzzMusic! Glad to be back so soon! The visual to goodie came together really naturally, I got to work with Zay Films and I had been wanting to do work with him for a while he’s done some pretty dope work around my city and it was kind of overdue. With regards to your music video “GOODIE”, we’ve noticed that AyeJay Freez has gained much well-deserved attention from the release. Why do you personally think the song/video has been so successful in such a short period of time? I just think it was timing, I have a petty nice core back home and they were pressing the issue so we made it happen. I really owe so much to those people who stream me daily and show love, I feel like a lot of people underestimate the power of a strong core fan base, no matter if it’s 20 people, 200 people or 2000 people the ones that really love your work and see the images you’re trying to create are the ones that take artists to the next level. “GOODIE” features AyeJay Freez ’s textured bars full of rhythm and detailed concepts. What underlying message did you want to stand out within your track “GOODIE”? I don’t think this one really had too much of an underlying message, I had some things that I felt I needed to address and goodie ended up being the perfect outlet for that. Often times, when you start to manifest the things you’ve been working towards it, comes with baggage, baggage can be people, situations, or even decisions you face that you weren’t faced before. The instrumentals and production within your single “GOODIE” give off a steady hip-hop beat thoroughly supporting the overall atmosphere of the song. What made AyeJay Freez choose this mid-tempo and mellow beat, rather than something more energetic? Truthfully I’m not a very upbeat person haha I don’t really listen to upbeat vibes so I guess I naturally don’t gravitate to that kind of production. I do have some pop-out records in the vault though so there’s always a chance I’ll get to release one. When I first heard the beat the chorus came to me mad quick, I feel like instrumentals kind of tell you what to put them and that one just had the right wave ya know. We’d also like to mention that AyeJay Freez has taken the unique business venture with Victorious LA, allowing you to receive 10% off your entire order of $50.00 and over with the promo code “AYEJAY$10”. Be sure you don’t miss out on this opportunity. lgcent.com/artists#ayejay-freez instagram.com/ayejayfreez https://www.facebook.com/AyeJayFreez #BUZZMUSIC

Writing from feelings and pure truthfulness, Jindi is an artist who will surround you with sincerity. He has intentions of being completely free when he creates and draws influence from the musical styles he grew up listening to. His new single, “Just a Dream” is a perfect example of this. After waking up with lyrical ideas from an unusual dream, Jindi crafted the melodies and lyrics we now know as his song, “Just a Dream.” Jindi takes inspiration from areas where some other artist may not think to look, and that’s what makes him an artist you’ll want to keep your eye on. After listening to Jindi’s song “Just a Dream,” you’ll be in a trance and taken from reality for the entire duration. Jindi’s imagination is capable of things beyond your average musician. You won’t want to miss it in his new song, “Just a Dream.” Hey Jindi, welcome to BuzzMusic! We’re truly taken on a journey with your passionate single “Just a Dream”. What inspired you to write a track that sings on reminiscing moments with someone, and expressing your desire? Taking it back to June of 2019, I sat down and grabbed my guitar, laid down some chords, and every time I would try to finish up the track, it just wouldn’t come together. I remember this one night I was working on the same track until late, I got tired and went to sleep, I had this dream about someone whom I had never met before, and it felt like we’ve known each for the longest time, everything just started from there. I wrote down what I was feeling and the music came later on. I just find it easier sometimes to sing about somethings rather than explaining everything, I like to leave it to people to interpret what the song makes them feel like, or even make them think about different scenarios. Within Jindi’s recent single “Just a Dream”, we’re able to hear a variety of cultural instruments that really round out the warm atmosphere. What sort of sound were you going for when producing and creating the instrumentals? I feel like sometimes music writes its self, based on how the lyrics or the melodies sound like, you come up with an idea and then you sit down with the producers and it just hits you, for me, it was kind of a straight forward and an instant feeling about what the song is going to sound like, from the percussions to the guitar riff and the melodies, they all blended together nicely and it just felt right for me. Coming from the MENA Region and getting exposed to so many different cultures of music had a big impact on the styles of music I’ve been listening to. Talking about the Warm atmosphere, You know I had given the world a “Summer Anthem”.I just wanted to create the kind of music that connects with the world. Speaking on Jindi's debut EP “1995”, what sort of themes did you lyrically bring to the table, and how did you want the world to perceive you seeing as it was your first project? I wanted to take you all on a little journey, Before starting this project, I had plans to bring out the different kinds of music styles I grew up listening to. My intentions were to be free and create the kind of music that I was feeling.I’ve had the privilege to meet so many incredible musicians from different parts of the world, which has really taught so many things. I wanted to capture some of my personal experiences and write about them, I just wanted to see people from different parts of the world dancing together and having their best time. Now that Jindi has released a few singles and a debut EP last year, do you personally think you’ve defined your sound by now? Or do you still experiment with different genres when creating? I think that consistent work and releases could eventually result in proving that, there is so many different ideas inside my head and I wouldn’t want to put my self in a box and be restricted to a certain genre, I just love the process of creating music and just hearing people’s stories and seek knowledge wherever I can get it. For now, I’m leaning more towards the World Pop sound, Looking at a song like “At times” from my EP, My intentions were to spread some positivity wherever I can, If there was one person that might have heard the track and it made him smile or feel inspired then that’s what I was looking for. I wrote other songs on the album about personal experiences, and I shared a different side of Me in “Running (On My Mind)." That’s the beauty of it for me, whenever I start working on a song, I get so many different ideas. So many times I would just chat around and hear people’s stories instead of having a studio session, that resonates well with me sometimes and It can spark some ideas that lead on to writing a song. What can we expect to see from you throughout 2020? So many things have taken a different direction with the current situation, more on the positive side for me. I felt like this is the right time for self-reflection as an artist, and working more towards my craft. I’ve learned so many things in these past few months and I’m grateful for that.I’m going to be releasing some more singles in the upcoming months, there is a new remix coming out soon, but for now, I just want the world to dance me on this tune. instagram.com/jindiofficial facebook.com/Jindiofficial #BUZZMUSIC

Joshua Flores has spent time playing and creating music all across the country. Each time learning a new skill or sound, he immediately starts experimenting with it. Joshua Flores aims to make music his listeners genuinely enjoy, if you dig it, Joshua Flores knows he's created poignant material. Carefully examining listener feedback, Joshua Flores has been able to understand his sound and where he wants to take it. Having experienced both sides of the coins of the music industry, Joshua Flores is learning how his music is shaped when working with a production company and when he is on his own, creating music as an independent artist. In his constant state of exploration, Joshua Flores has found meaningful collaborations with other producers and songwriters he feels takes him out of his comfort zone and takes risks in creating something new. Joshua Flores really is a musical entrepreneur; his tireless pursuit of continuing to challenge himself with new song ideas keeps him connecting with fans who intern connects with his vibed product of sound. instagram.com/joshuafloresmusic #BUZZMUSIC

Guitarist AM Dandy recently released his track “Piccola Peste,” and it is the perfect representation of what this artist is all about. Mixing elements of rock and cultural aspects from his home country, Italy, we are graced with the artistry and signature sound that we know as AM Dandy. Studying under the wing of some notable guitar players such as Tim Miller, Bobby Stanton, and David Tronzo while attending Berklee College of Music, AM Dandy has gathered knowledge that has carried through into his songwriting. By listening, you can tell musicality and storytelling comes easy to AM Dandy. Speaking through the notes on his guitar, we are captivated by how he’s able to portray feelings and emotions without words. AM Dandy manages to capture his life experiences in a sound so relaxing and mesmerizing. After experiencing, “Piccola Peste,” we are waiting anxiously to see what AM Dandy releases next. instagram.com/amdandymusic #BUZZMUSIC

First, we saw the duo produce "Focus" and "Chica de Tequila" from 2018. These juicy entries unite Mikewave back to his soul-sampling production beginnings as the pair ignite their reintroduction to the world. With 2020 on the horizon, the duo confirmed their R&B/Hip-Hop inspired extended play would be release featuring, "The Hangover," a single carried by familiar trending rappers from the Maryland music scene, Stretch Dynamo and RMS. The well-produced song features a sensual guitar loop that surrounds the track like a muted sunlight. It leaves an impression if you stare long enough, but it's not overwhelmingly needy of attention. It sings and marinates in the backdrop, emphasizing the superiority and accurate precision of RMS and Stretch Dynamo's lyrical eloquence. Each statement lands solidly and with affluence even as the single collapses into a swirl of involved recollections. The duo creates ripe, sonorous moments with space in the verses while boasting with more aggression in the pre-chorus before the defining addictive hook. This song comes and goes with all the usual suspects of contemporary R&B endeavors, tight 808's on the low end, flashy production twinkles during transitions, and tasteful vocal effects for anyone focused in enough to notice. Still, the direction these producers take is refreshing. It's like catching a big glittering fish as it breaks through a frozen lake, to have it resubmerge in the same moment, leaving ripples throughout your consciousness. You are immersed at the moment with fascination, marveling at the delivery of the rhythmic lyrical play. The track is laced with an addictive production and a masterfully written hook that bestows this song with excessive replay potential. With great articulation and a dynamic crew featured on this single, Blasé and Mikewave have made up for the down-time from their past and are making way for big things in the future. You can listen to "The Hangover" here. Welcome to BuzzMusic Mikewave and Blasé! We're totally invested in your sound, thank you for joining us. How would you describe the process that you two typically follow when a new song idea is on the burner? Does it translate from instrument to DAW or vice-versa? Mikewave: For our album writing process, we spent 10 days sending demos back and forth while I was in Tennesse for grad school andblaséwas working in Virginia. Most of the songs started with me making beats in Ableton and then recording guitar over them with the voice memo app on my phone because I had left my interface at home. Blasé: Every time Mike sent me a demo, I would try and write a hook and verse on the same day. I had a microphone ready to go, so I would often record on the spot. A lot of those initial takes actually made into the final cut of our album. How do you think you two have grown as artists and producers since you first started making music together in Highschool? Mikewave: I would say that our efficiency has gotten a lot better over the years. Initially, we would have a tough time taking an idea and translating it into a song. Personally, I became more confident in mixing. I came to really enjoy making each element in my mixes blend while allowing certain instruments to pop. Blasé: I would say our writing/creative process is more meaningful than it used to be. Honestly, I think some of our songs back in the day were some of the best I've ever written, but our newer content definitely has a more polished and mature structure. We still occasionally write about a silly love story, but if you listen carefully, there's always an additional message (sometimes subtle) that listeners can learn from. You two are based out of Montgomery County, Maryland, and have found great success in finding collaborators in your area to work with. What attributes do you look for in a collaborator when you're deciding whether to work with them? Blasé: While I attended the University of Maryland, I was involved in various music-oriented clubs across campus. The majority of the people I've worked with so far have come from those communities. If you listen to our music, we do a good bit of genre-bending. As a result, I'm not too picky when it comes to the genre of a collaborator. Generally, I just try to make sure that it's someone that is enjoyable to work with and that I can trust to bring their best to the table. I always try to put on my friends, especially when they're crazy talented. Mikewave: One of my favorite songs that I've worked on is No Forever because we collaborated with Alex Rapp and Joseph A, the remaining members of our old high school band. Apparently, I am picky about who I work with, but I'm happy with the connections I've made so far and I'm looking forward to making more. It was an awesome featuring you here on BuzzMusic! Are you planning on releasing more new music this year, and are you planning on collaborating with any more original artists in the future? Blasé: I'm always writing, so I will most likely release something again this year, but I don't have a date in mind as of yet. I'm sitting on a few songs that I plan to eventually drop with my friend, KTrek. At this point, it's really all about proper timing. Mikewave: I’m collaborating with people I’ve met on Tinder, which is new! I'm trying to expose myself to different music styles while having fun along the way. I'm releasing something this year for sure, so stay on the lookout. What are you working on now? We can't wait to hear what's next from you! Mikewave: I've been going back to my roots by incorporating real guitar and bass into my music. I've been taking a more relaxed approach and letting my creativity flow without any restrictions. Blasé: I think I'll be doing primarily singles for a while, but there's potential for an EP somewhere down the line. Last year, I registered our label, 3:33AM Multimedia Collective, as an LLC with the state of Maryland. My plan is to invest more time and energy towards cultivating a community that can foster more creative collaboration in the future. facebook.com/therealmikewave instagram.com/therealmikewave twitter.com/therealmikewave #BUZZMUSIC