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From Los Angeles, California, Rising Elijah is a hard rock band that brings a modern spin to vintage heavy metal. The band consists of four members; Chase Enriquez on the vocals, Peter Razo on guitar, Ian Shea as bassist, and Chris Blackavar on the drums. Rising Elijah is fresh to the hard rock scene having released their first single “Shoot ‘Em Down” in January, 2020. Since then, they have been featured on the Klos morning show and played at many venues including Lucky Strick Live, the Garage Bar, and the Viper Room. Their next single “Silent Death” was released in April 2020 and brings fans more of their heavy energy sounds. “Silent Death” has a riffy guitar intensity throughout the whole song. Chris pounds on the drums with traditional heavy metal style, captivating fans with the hardcore beat. Chase Enriquez also has a typical rock voice and he shows off his impressive range in “Silent Death.” The modern spin comes from Rising Elijah’s unique vocal trills and the guitar riffs. Both Peter and Ian display their musical talents with impressive riffs and solos. As a group, Rising Elijah effectively holds true to conventional aspects of hard rock while mixing in their own personalities. Discover "Silent Death" here. Welcome to BuzzMusic Rising Elijah! Each of your talents as individuals were optimized in the creation of “Silent Death.” Can you tell us how you worked together as a band during the curative process of this song? Raz (Guitar player) sent out the riff to us. We work on the parts individually and then jammed it out for a few weeks at a rehearsal before gig'n it. We recently got a new bassist, Ian Shea, so when we first recorded it Raz originally played the bass parts on the record, and then last minute before wrapping the album we were able to get Ian in there and redo the parts. He gave it a different feel, really gave it some drive. Can you tell us about the message behind your lyrics in “Silent Death?” It's about not giving in to your vices. Whether it's substances, say gambling, or even hatred. That stuff will slowly chip away at you, quietly, until you're "too far gone." You have played at many notable venues and also been featured on the Klos morning show. You won the stay or go segment of “Frosty, Heidi, and Frank.” How have these experiences helped you grow and evolve as a band? Yeah the FHF thing was really cool. We all listened to KLOS coming up. All these experiences are just the leveling up process. Each one gets us better for the next one. Why did you choose the name Rising Elijah for your band, and what does it mean to you? Originally Raz had an idea of making a comic book-like character called "Elijah," and he would kinda be like a mascot. But we couldn't get the right illustration. It kept coming out more cartoony and less badass. Haha. So we scraped that but kept the name cuz it just kinda had a good feel. A good symmetry written down. Chris (drummer) knocked out the logo. We may circle back to the character idea down the line if we can get the right image. What can we expect to see from you throughout 2020? Heh. Well with all this pandemic shit going on it's kinda hard to say. All our gigs canceled etc, every musician and band is really just caught up in all the uncertainty of it all. Our debut album is wrapped - so we're kinda just in a holding pattern waiting to see how all this shakes down. We'll probably do some live streams from our rehearsal place but hopefully, we can get out there soon and start gig'n again. twitter.com/risingelijahofficial facebook.com/risingelijah instagram.com/risingelijahofficial #BUZZMUSIC

As a new producer of subtle, almost whimsical RnB music, AD22 balances the emotional acuity of his compositions with feelings of mellow embrace and an undertone of darkness. Migration to Canada at an early age and the significant interest he took in music, AD22 has always aimed high when it comes to his aspirations. Now, emerging out of the Toronto Metropolis, he releases "Down For You," a single charting a steady course upwards for this promising artist. The track opens with subtle yet tasteful sounds of an old vinyl record being spun delicately blended with guitar samples and pads washed in reverb. Floating on a tempo cruising below 100 bpm, the bass, and an 808 inspired boom gives the track a mellow but effective pulse. Bursts of vocal callbacks lathered in delays—one pitched up and whispering, the other a trance-like reflection—dance along the edges of this well-shaped canvas. These sorts of sounds would not feel out of place on a B-Side for some of the top RnB operators on the charts right now. There's plenty of skill on display here. Still, the individual components operate at cross purposes, driving the track to oscillate between inventive exploration into lyricism and dark, mellow vibes. AD22's affinity for giving space to his drum sequences helps dull the impact of the ambient pads that glide in and out of the mix. It's as though he wants to deny a reputation for flashy productions and ear candy while demonstrating that he can engage our emotions on a floaty RnB track. It's an expert and daring move in the right direction, and indeed we're excited to hear what comes next for this talented RnB spotlight contender. You can listen to "Down For You" here. Welcome to BussMusic AD22, we're excited to be featuring your first single, "Down For You." Can you describe to us some of the internal challenges you experienced with regards to releasing this track? Down for you is a sentimental song that talks about loyalty and infatuation. To me, this song was a turning point in the genre of music I’ve felt like I needed to pursue. I discovered myself through its sound and felt confident with the ability to portray its message smoothly. The process of attaining that feeling of confidence in the song and separating myself from the different types of music I wrote in the past was the real challenge. But, I’m proud to have discovered myself more and can’t wait for more singles to come out. Coming to Toronto at the age of 12 must have been a big move for you. Can you describe some of the influences you tap into when thinking about your life in Canada in contrast to your original birthplace? How do these influences mesh together? One can never forget where they originally came from, however, Canada is and will always feel like a home to me. I cherish deeply all the memories I made in Egypt since they’ve shaped who I am today, but I owe it to Canada for allowing me to dream big knowing that there are opportunities for people like me to be successful worldwide. There is nothing that I would change about either country since they have both influenced me in a great way. I can’t wait to give back to both of these amazing countries. What comes first for personally when developing an idea for a track? Is it the lyrics, the emotion you're feeling, or a beat that starts the cooking process? Usually it’s the beat. I feed off of the vibe and the emotions that it makes me feel. Writing Down For You wasn’t challenging at all. It all flowed seamlessly. The beat inspired my creative process and allowed for me to create the sentimental record that it is. It's been awesome having you featured here with us! We're eager to hear about what you have planned for the future. Do you have any new releases or lives shows coming up? A song is a journey in itself, but personally, for me, I start with playing the beat and going with its flow. I write whatever comes to mind and edit the lyrics once I have the idea and the components for the entire song. Some cases I keep the beat and style simple, and in other cases I prefer adding more elements and experimenting with the sound as far as my creativity takes me. instagram.com/ad22official twitter.com/ad22official facebook.com/ad22official #BUZZMUSIC

The Bad Hats is a Nashville based Folk / Rock band who works to achieve a redefined take on Folk for the newer generation. Since the formation of the group, the band has released a fan-funded EP where the band had graciously donated a portion of proceeds to the nonprofit organization Room In The Inn. Off of this exciting EP is the tune “The Deal” and it is full of sugar-sweet emotions. As the story and music progresses, we quickly found ourselves closing our eyes, taking a breather, and thinking deeply about every good moment of life. This release is full of the feels with a delicate flair of nostalgia, with a modern spark. “The Deal” starts off as a super tame, laid back tune with a beautiful acoustic guitar, little dashes of electric guitar and drums, and an incredible captivating vocal performance that captures your heart and takes it on a journey. Towards the end of the song, there’s a gear switch and suddenly the page and energy picks up with its radio effected vocals, drums that simply explode with power, and chugging guitar lines. Post this the song tames it back down to conclude with a beautiful tag that leaves you wanting more. This is a fantastic experience that we think everyone should go through. You can listen to "The Deal" here. Welcome to BuzzMusic The Bad Hats! Your release off the EP “The Deal” is a beautiful rollercoaster that is full of emotion. What was it like to write the lyrics and instrumentation of this song? What was the story that was in mind during the writing? This song really came alive in the studio. When we played the song for the first time during the writing process, it really seemed to flow with everyone. It was fairly mellow. The ending really began to take a direction towards intensity when we began the song outlive. The lyrics were written in the studio before tracking as a reflection of the things artists give up to pursue a career in the arts. More so though, the song is about what anyone sacrifices of themself to protect any of their relationships. We are loving every element of this release, it’s like a good comfort food. What was the recording and production process like? Were there any challenges involved during the creation? There were a ton of challenges. We worked with an incredible producer, Andy Wildrick. It was our first time working with a producer. We have always self-produced. The whole process was new to us, and we tried to soak up as much information as we could. We tracked on Whitney Houston’s old recording console, so that was sick, and all of our studio musicians killed it. We couldn’t be happier with how the experience turned out. The musicality between every part is astounding, a clear attention to detail went here. What are typical writing sessions like with the band? How did all the members come to meet? Typically, I (Benny Jenkins) bring a song to the band that I’ve been playing around with, and we begin to shape the structure together. We play through the song without having heard it before. We take our first impressions and try to mold them into interlocking parts. Usually, one of us manages to find a good groove in the first playthrough, and we all work from that. Sometimes, we change the song drastically from the original idea (tempo, style, dynamics). It doesn’t matter what the final song sounds like as long as each one of us is individually committed to having it in our set. This ensures that not only is our style as a band represented, but each of our own music styles will be there as well. This release is the perfect blend of Folk with a hint of modern style to it, in what ways is the band trying to redefine the genre and come up with something new? Are there particular elements that you are trying to redefine? We want to see the themes of storytelling and personal growth from old folk songs represented in a package that is easier for modern society to consume. We believe in community and the value of caring for your neighbor without anterior motives. Our world can feel really self-absorbed, and we wanted an opportunity to present a positive message about investing in relationships. We take great care in writing the music because we want it to be honest, and we respect the art form for its capacity for expression. What can we expect to see from you throughout the rest of 2020? Time will tell. The pandemic has basically shut down the music industry, so touring will be off the table until at least September for us. However, we will be doing a virtual tour later in May, along with regular live-stream concerts from our studio every weekend until we start touting again. We will also be recording and releasing a series of covers that our fans who paid for our album using crowdfunding requested of us. The first one will be out on May 8th! Stay tuned. They sound really great, and we have had a blast making them! instagram.com/the_bad_hats facebook.com/thebadhats twitter.com/The_Bad_Hats #BUZZMUSIC

The Sylmar based artist Ryan Sheerer or otherwise known as RUGGO has been rapping from the young age of 13 years old. Since that point in time, RUGGO has opened for artists like B-Real of Cypress Hill, Snoop Dog, Too Short, SugaFree, and many more while at The Wire Entertainment’s 2018 WestCoast Summerfest. Recently, RUGGO released his exciting new album ‘Gifted’ and the title track featuring theMIND is an absolute bop. As we listened to “Gifted” we couldn’t help but become washed with a wave of nostalgia and good vibes, each little element here works together in a master-crafted way to deliver every lyric with intention and emotion. “Gifted” features an old school hip-hop beat, flavorful sampled vocal harmonies, a sweet smooth muted saxophone, and RUGGO’s ever so flowing rap performance that sets and incredible mood that will easily be able to get a whole crowd moving. RUGGO’s vocals have that perfect amount of class to them where you’ll find yourself wanting to put on your fanciest attire and sip martinis all night at a high-class party. This sweet and expensive taste is something that RUGGO executes perfectly in his release “Gifted” and since listening we will be giving the whole album a listen. You can find “Gifted” here. Welcome to BuzzMusic Ruggo! Your release “Gifted” has such an expensive vibe to it, was this something that you had in mind during the initial songwriting? How did you come to this expensive taste? Throughout the writing process, I wasn’t really too focused on making it have that expensive taste I think it’s just something that’s deeply embedded in the way I write. I felt like as long as I was digging deep and writing from a special place then the overall writing quality would be timeless and have that expensive taste regardless. So I guess it’s just something that came about on its own without me giving much thought into it. The production of this release has a lot of sounds in it that sound tastefully sampled from old records, is this the case? How were the horns and background vocal bits created? Lots and lots of old-sounding samples and vibes were definitely picked in the process of beat selection. I just like how timeless old-sounding samples and instruments sound and feel, and I definitely feel like with a modern twist it just hammers home on the timelessness. As far as how the extra sounds were created I honestly wouldn’t know because most beats were either just like that initially or were sent with them already in the background. Since beginning to rap at just 13 years old, did you ever imagine that your sound would be what it is now? How do you think your sound has grown since you started? Did you have any mentors along the way? I definitely didn’t think my sound would have turned into how it is now, I always thought I’d never get out of the mainstream bubble sound I initially had, but I’d say its something I grew out of. And since I’ve started I can confidently say my sound has matured over the years. I feel like now that I’m trying to reach for something from the soul that hits home my sound needed to adapt to that and grow with me. Which is why most of my songs sound the way they do with that old-timey feel to them. As far as mentors go I haven’t had very many but I’ve had a few like my labelmate “Fubar” and as far as sonic direction goes I have had a lot of other artists give me good advice such as Childish Major, J Stone, JID, Reason, etc. It must have been incredible to perform at WestCoast Summerfest, how did it feel to find out you were performing? What about when you first got on stage? Do you have a favorite moment from that festival? It was definitely a nerve-racking experience as it was my first big stage with major headlining artists but to be completely honest I feel like when I told myself it was just another show I was definitely a bit calmer and collected about the whole thing. When I first got on stage and saw the people that filled up the first couple of rows it was definitely like a “leap of faith” moment but the first couple minutes going in I got in the groove of things and had fun with it. And I think some of my favorite moments of that festival were linking up and connecting with a lot of artists backstage and getting to meet them for the first time, it was a surreal experience. instagram.com/rugged818 instagram.com/oneway818 #BUZZMUSIC

EDM artist JackEL began his music life early on. Hailing from Edmonton, AB, JackEL released his very first single debut at the age of 16, and 10 years later listeners are still receiving his prolific mixes! Already gaining over 9 million streams on Spotify, JackEL has finally manifested the right kind of sound he wants to be remembered by. Although, not to confuse that with JackEL's ability to creatively work with other styles in order to bring about new and novel sounds. Ultimately, JackEL has proven that he's here to stay within the EDM community, and his recent release, "All Alone (I Need Another)" proves it. JackELs "All Alone (I Need Another)" hones in on his personal introspections and desires. The alternative/electronic song meshes together some pretty interesting genre stylings in order to manifest its overall imparted ambiance. "All Alone (I Need Another)" resembles a vocal similarity to that of Twenty One Pilots, and essentially sounds as if Twenty One Pilots suddenly integrated heavy electronic elements within their sound. The production is ultimately intriguing, needless to say. Another element to "All Alone (I Need Another)" that we felt compelled by was its robust energy, and the contrast that had with the vocalism presented in the track. Once that lively production was paired with the vocals, the song excelled in a completely different way. If you're seeking an eclectic alternative performance, "All Alone (I Need Another)" is our best suggestion. Discover JackEL's "All Alone (I Need Another)" here. Hey JackEL! Welcome. How exciting that your single, "All Alone (I Need Another" debuted for listeners! What kind of atmosphere were you hoping to create with this particular track? Would you say that you received the response you were hoping for with the release of this track?! Hey Buzz Music + readers! Stoked my new single All Alone (I Need Another) is debuting with you guys, and the single is finally out! This song took a couple of weeks to finalize, and I created it with my friend (co-producer of the record) in LA D.R.U. . It originally didn’t have vocals, but I’ve been experimenting with my voice lately and I’m happy with how it turned out. I think with this song, I was going for a sad boy summer / EDM banger vibe. A mix between a LIL PEEP song and an ILLENIUM song. I’m very happy with the feedback i’ve received from All Alone thus far, and it’s only just been released! It goes without saying that "All Alone (I Need Another)" encompassed two genre stylings that really enhanced the eclecticism of the track. Would you say that you're more prone to sticking to the EDM scene that incorporates an alternative vocal sound? I let the fans and listeners really decide what genre or sound they would consider is mine. When I’m creating my music I’m focusing on making a good song, a great musical song. Something my parents, grandparents could possibly listen to, as well as a 10 year and or teenager. I love the power of EDM, and mainly create that. I love to use my vocals, and sometimes sad vocals come out that are impactful and hold an emotion. As an artist who has traveled far and wide to perform to listeners alike, what city would you say you feel innately connected to once performing? Are you able to describe your live performances to our readers, specifically touching on the general atmosphere within the venue? https://www.youtube.com/watch?v=HA-CKnav5wo - Sacramento, California was a really good show, I had a blast and met some new long term fans. I always love performing in my home town of EDMonton, AB, Canada https://www.youtube.com/watch?v=oRk8zoXZCJE&t=293s so I had a blast spinning at the notorious venue Y Afterhours in Edmonton recently. Another one while I was in EDMonton was at CHVRCH of John https://www.youtube.com/watch?v=ee2od0KWcuQ&t=5s where they have loads of pro-DJ’s constantly blessing the decks. I had a BLAST performing at EDC LV 2019 https://www.youtube.com/watch?v=iuYGDVpz9U8 AZ always treats me well https://www.youtube.com/watch?v=nUX-fhYt4N0 Las Vegas my current home town shows me so much love I’m thankful for that https://www.youtube.com/watch?v=jQoCKuuE-Sw & https://www.youtube.com/watch?v=1VQIi3EDlWg Now that you're 10 years into the music game, are there any new components that you're planning on blending into your sound for future music, or do you feel that you've honed in on the right kind of sound you produce today? YES YES YES, was just saying this last night. I feel as though now 10 years deep into this production life. I am now creating TRUE music that I love and want to be making. I can use my knowledge and experience to make sounds that are a very pure tone to what I need to be expressing. I’ve got my workflow really down so I can pump out an idea of a song in an hour or 2 and it sounds really nice. What can we expect to see from you throughout 2020? This year I currently have 5+ songs scheduled to drop within the next 3 months, after that, I’ll have more songs scheduled to drop. So make sure your following me on my social media and music stores under JackEL or @officialJackEL to catch the new music first! IDK how many gigs you're going to see but I’ll be doing online tours ;). I love music, so be expecting some nice messages and new sounds from me this year. twitter.com/officialjackEL instagram.com/officialjackEL facebook.com/officialjackEL #BUZZMUSIC

Colorado-based artist/instrumentalist Goth Club releases his sultry single "I Am Going to Catch You”. The sounds of 80s darkwave and early 2000’s dance-punk live inside the solo artist Caleb McFadden. Also being a vocalist/guitarist in the band Chess at Breakfast, Caleb McFadden decided to bring his sensually sculpted sound to new planes through Goth Club. His recent single "I Am Going to Catch You” brings raw and tender emotion through a variety of electro-synth progressions. From light enchanting melodies to vibrating bass lines, Goth Club’s "I Am Going to Catch You” brings you on an intense journey through the decades of darkwave and dance-punk. With deep growling synths, faint background keys, and vigorous kicks and snares, "I Am Going to Catch You" brings a dark and mysterious vibe right from the start. Each transition is met with haunting chimes that enhance Goth Club’s nostalgic dark wave sound. "I Am Going to Catch You" incorporates an excitingly mystifying feel through powerful electro-synth instrumentals and Caleb McFaddens’s profound vocals. As the chorus approaches and Caleb McFadden’s layered vocals belt out a hypnotic harmony, a variety of supporting instrumentals come together to bring Goth Club’s polished vision to life. Goth Club’s "I Am Going to Catch You” takes you on an electro ride with a heavy and indulgent atmosphere, it’s definitely not an experience to miss out on. Vibe out to "I Am Going to Catch You" here. Hey Goth Club, welcome to BuzzMusic! We’re really getting down with the heavy atmosphere on your recent single "I Am Going to Catch You”. Could you share what your recording/creative process was like when laying down the fundamentals for your track "I Am Going to Catch You”? With this song, I began writing the lyrics well before the music. They began as a way for me to justify an irrational fear of being followed by something, which made me realize that my obsession with what's always behind me actually made me naive as to where this thing or person might be leading me. As for the music and technical side, I began laying down melodies and progressions on my keyboard last fall, and then started my favorite process --sound manipulation-- until I had a completed draft to show my close friend and bandmate, Mike Davis. He and I then partnered for beat-making and the final stages of production. We’ve heard that Goth Club’s Caleb McFadden is also a part of the rock band Chess at Breakfast. What made you want to try something new on your own with the creation of Goth Club? Honestly, rock is my favorite music to play and there's no word to describe the adrenaline I get when playing with Chess at Breakfast, but for years I've written songs that I just don't want to compress into that style of music. The songs inGothClubstill have the same dark elements (maybe darker) as Chess at Breakfast, but it's less familiar to me and sometimes I just need a blank canvas to assess all of the possibilities. Speaking on Goth Club’s recent single "I Am Going to Catch You”, there are a variety of compelling electro instrumentals that shape the track’s mysterious and dark vibe. Were there any intentions behind how you wanted the song to impact your audience, and what you wanted them to takeaway? I could sit here all day going more in-depth into my personal meaning as I mentioned earlier, but that's not something I need or want others to feel. This is obviously a sinister song and it's hard to get away from that, but all I hope is that there's something for someone to take away in their own respects-- whether it be realizing the weight of their own fear, or even something simple like encouraging them to think, "this song makes me feel really weird, but I'm gonna tap my toe anyway". Now that you’ve ventured onto your own path of solo music, is there anything that Goth Club wants to say to our readers about yourself as an artist and the sound we should anticipate? Currently, I've been extracting a lot of inspiration from artists in the realms of darkwave, post-punk, and dance-punk.GothClubis still somewhat unregistered in my head, but to put it simply, I just want to make the emo kids dance until they can't tell the difference between vices and virtues. What can we expect to see next from you throughout 2020? have quite a bit of material on hand, so expect to see a few more singles throughout the year. I also have an EP in the works, but that likely won't see daylight until this fall at the earliest. instagram.com/gothclubmusic facebook.com/gothclubmusic gothclub.bandcamp.com #BUZZMUSIC

From Connecticut to California, alternative artist Andrew Ibarra drops his spirited music video to his single “Wasting Our Time”. Andrew Ibarra stated clearly that as a first-generation Chilean-American, he strives for the same liberation from oppression within his music that his ancestors have vigorously fought for. Merging his punk rock roots with modern-day pop and blissful soundscapes, Andrew Ibarra’s recent hit “Wasting Our Time” serves his authentic instrumentation as a whole. Reminiscing on the times we wasted away happily with our loved ones, “Wasting Our Time” surrounds our lives before the pandemic and reflecting on the severity of the situation at hand. Kicking off with a down-tempo electro-synth, moving into a chill and laid-back beat with vibrant yet subtle soundscapes. While the music video for “Wasting Our Time” surrounds friends gathering under a UV light with neon paint peacefully wasting the time away. Once Andrew Ibarra’s vocals take the stage, we get an incredibly modern feel through fresh autotune that doesn’t drown out his natural vocal abilities. While the majority of “Wasting Our Time” runs fairly mellow throughout, we’re hit with a deep electro-house synth that pumps up the energy. As Andrew Ibarra sings messages of those distant memories with friends that we all notably miss today, it’s clear that he’s flawlessly able to tie-in current and relatable imagery that everyone can relate to. Listen to “Wasting Our Time” here. Welcome to BuzzMusic, Andrew Ibarra! We’re reminiscing on the good old days right beside you and your single “Wasting Our Time”. What made you decide to write this relatable song that speaks to everyone? Well, let me start out by saying that the music video was shot in late Fall before the pandemic hit (proper social distancing measures were always observed!). The world has changed a lot since then, but the song's meaning has evolved as well. "Wasting Our Time" has always been about finding pleasure and beauty in the seemingly mundane experiences in life. I decided to put my dog Luna, who passed away in February, on the cover art because she perfectly exemplified this. When she wasn't napping on the couch, she loved going for car rides and meeting new people (and dogs too, but mostly people) with plenty of unconditional love for everyone. Now that we are all in quarantine, we humans have seemingly turned into dogs; we look forward to our daily walks, we can't wait to get out of the house and take a ride in the car, and we get overly excited to see a familiar face. Hopefully, this extended time to ourselves can help us to heal and realize these moments we used to take for granted are actually the moments that we are most experiencing life. In regards to the music video for “Wasting Our Time”, you perfectly capture imagery of sitting back and missing the easy gatherings with friends. Could you elaborate on how Andrew Ibarra went about finding physical imagery that enhances the message of the song? Honestly, the idea for this music video was just to film what a typical weekend hang out looked like with some of my closest friends. My good friend/videographer Drew Maiorino did incredible work of being able to navigate the chaos and capture the best moments from every angle possible. I think the body paint fights and the table smashing were a bit exaggerated for the camera, but Drew was able to bring that fun carelessness out in us. And the fact that it happened to be Louie's birthday was also all the more reason to celebrate. Speaking on Andrew Ibarra’s recent hit “Wasting Our Time”, about a third of the way in we’re hit with a blistering electro synth that really livens the party. What underlying story did you want the song's production to tell? Especially that short yet striking instrumental? "Wasting Our Time" has a lot of rhythmic layers, so I wanted the underlying production to reflect the layered experiences and personalities that we are accustomed to living with. My cousin/engineer Dough Schtephan did a brilliant job contrasting each layer of sound while still complementing the melodies in the mix. I think the electro-synth that gets the party going is really that extra layer of excitement or motivation that keeps us going in our everyday lives. We’ve heard that with your music, Andrew Ibarra strives for the same liberation from oppression through music, which your ancestors have fought hard for. What else would you like to share with our readers about Andrew Ibarra, and what you stand for as an artist? I am very proud to be a first-generation Chilean-American, and I am equally as proud of my Irish roots as well. The thing that Americans, Chileans, and the Irish all have in common is that we aren't afraid to fight against injustice to preserve our identity and our way of life. And so in writing music I try to embody the same fighting spirit against oppression and channel that into my quest for truth and justice. My strife is by no means the same as being socially persecuted by a militaristic regime, but I take comfort in knowing that I have those same fighting bones in my body and in my music. I would like to take a moment to thank my family and friends for their love and support along the way. I'd like to especially shout-out Jess, Jon, Anna, Sam, Ted, Tim, Mike, Ender, Jimmy, and Louie for their help in creating this video. As for my future plans, I hope to reunite with my band FURBS when social distancing regulations are lifted so we can get back to putting on the best and most exciting live shows for our fans. instagram.com/furbs.music twitter.com/el_real_ibarra facebook.com/andrewibarramusic #BUZZMUSIC

Paris-Based alternative pop artist, Tennin is perplexing in the most enticing way. With 2019's HEAL YOU, she captured the transformative nature of alternative music with the mystifying presence of her voice. On this year's freshest release, Tennin is breaking down the four walls surrounding alternative-pop as a genre and is introducing a fresh contemporary approach with "Guys in Tears." Tennin first envelopes us with an ambient, but discernable rumbling sub-synth melded beautifully amongst crisp and distinct electronic percussion. "Tough guy in Tears, tough guy," she sings, echoing vocals spiraling into the air. The warmth and recurrence of her chorus draw us ever deeper into the trance-like state this composition induces and highlights the precise variations found throughout the song. Gradually, this deep listening trance amplifies, and suddenly you're more aware of your surroundings. Even the beat of your own heart is more distinct. Tennin exudes a feeling of ecstasy and tranquillity mixed with fixed but spirited rhythmic motifs. With sprinkles of dubstep inspired rumbles throughout, this song is a vanguard for forward-thinking rebels. Tennin is able to sing deftly and sound sweet, even if it is a cryptic sweetness. Her words entrance a luscious, fleeting impression as they drift away. Listen to "Guys in Tears" here. instagram.com/tenninmusic #BUZZMUSIC

From Los Angeles, California, Greg Amici is a musician, screenwriter, and actor who is about to release a new single called “Cynthia, Come to Me” on May 1st, 2020. The song, which was produced by James Mastro at Magic Door Recording, is to be included in his upcoming EP called 'Tragicomic.' Born and raised in New Jersey, Greg Amici was first exposed to the music of local Jersey Shore clubs including The Stone Pony and the Melody Bar. He began his career as an artist fronting the New York City rock band called “Big Honey.” He has since graduated to begin creating his own music as a solo artist. Showcasing his many cinematic talents, Greg Amici’s “Cynthia, Come to Me” is inspired by Nicholas Cage’s character in the comedy, horror movie “Vampire’s Kiss.” The lighthearted energy of the song encompasses the struggles modern men have in accepting the responsibilities of reality and adulthood. The classic drum and guitar strumming beat gives the song a retro style. Greg Amici sings with bubbly and energetic vocals, making the chorus catchy and vibrant. Near the end of “Cynthia, Come to Me” the melody is whistled for a few verses, giving the song yet another youthful spin. The playful spirit of “Cynthia, Come to Me” could make the song an ideal soundtrack for a movie or musical. It is clear that Greg Amici combines his musical and cinematic talents to create a captivating story and a theme within the song “Cynthia, Come to Me.” gregamici.com facebook.com/GregAmiciMusic #BUZZMUSIC

Nathan Mac is a thoroughly experienced performer who has spent the last two years of his life touring and performing for Dublin's native crowds. With a creative niche, Nathan compels with an innovative live show; however, his music is something to behold on its own. With the active collaboration of his producer, Brain Dwyer, he's been working on releasing a project he calls, "Start of Something Blue." Through this musical endeavor, we happily welcome the newest single from our young authority in indie-pop. "I'ma keeping my tongue-tied down...cause I feel like I'm drowning, do you feel like you're drowning?" Nathan Mac sings in some of the most profound opening lines of "Better Off Without You." However, his sadness has a hopeful twist: The chorus reveals that he's committed to and is still fighting to keep the relationship alive—in the right way. The well balanced Dublin based singer-songwriter's first new single since last year's memorable "Carolina" doesn't change much from his mellow, melancholic style, but it still feels like a revelation. "Better Off Without You" blends his interpretations of indie, pop, and R&B into an understated yet exceptional style that feels increasingly familiar. This song vibrates with classical piano, and swooning reverb washed vocals, both seamlessly blending with the tight low end and airy pads below the surface. Nathan's lyrics happen upon great details, eccentric enough to feel relatable, and his whispery vocals style quiver with just suitable enough emotion to devastate—in the right way, of course. When Nathan confides, "I need more than 100 days, you mean more to me than music...more to me than faith," it's a moment so compelling and convincing that you may notice some of your own emotions trickling down from your eyes. Listen to "Better Off Without You" here. Welcome to BuzzMusic, Nathan! We're excited to be featuring your newest single, "Better Off Without You." Can you tell us more about some of the experiences you've had working on this tune? Was this a relatively new experience you chose to write about or has this been in the works for a long time? That excitement is something we share, thanks for having me. Working on this song was a completely new process. The song itself was written in a weird moment. I had gone through a pretty rough breakup, my Circus/Music show had finished and I left my job at the National Leprechaun Museum (which was an amazing job). This combination of loss and empty space in my life sent me down a dark road. I found this song, amongst others, along the way. The production of this song was completely the opposite mood. Producer Brian Dwyer and I had never worked together. We had met only once, but very quickly we found a brother in one another. The writing helped me mourn the loss in my life, but the production helped me to celebrate it. You're no novice to working the scene and performing live. Can you tell us about some of the most memorable experiences you've had while touring or performing live? The most memorable moment… that’s a tough one. During my Circus/Music show “The Boy Who Learned To Fly” there was a moment. The crowd wouldn’t stop clapping and shouting, and I couldn’t get a word in! So I just stood there, center stage, and let the sounds wash over me. It was a love I had not felt as a performer before and that unconditional support brought me a kind of peace. There was this other amazing moment in London. My friend and guide Ema had told me about a bookshop, on a barge, along the canal. (It’s embarrassing how many of my boxes this ticked.) It was such a wonderful little shop too and on such a sunny day. I stopped outside, dropped my suitcase, guitar case, and struck up a conversation with a man sunbathing on a deck chair. He asked me if I was there to play on the boat… so, of course, I said yes! I took my guitar, stood up on the book-barge, and sang my heart out to about 500 people enjoying the sun by Kings Cross canal. It goes without question that some of the most compelling features of your compositions are your lyrics. Is there a specific inspiration you try to draw from when sitting down to write? Is this a person, a place or a feeling? Lyrics I could talk about for years so I’ll try to be concise. My friend/mentor Trisha O’Keefe told me once that songs can be sexy, sweet, or anything in between, but they have to be intimate. That’s what informs most of my lyrical decisions, but there’s more... You want to acknowledge and confirm someone's life with your music. I want to hear a song and think “they know how I feel”. In ‘Better Off Without You’ there is a line, “I feel ashamed because I broke a smile today.” Countless people have told me that they have lived this moment. That’s the power of lyrics; they are from songwriters, but they are for everyone. One tangible inspiration is Khalil Gibran. An amazing poet and philosopher. Like all good writers, he confronts us with truths that are tough, and real. In this song, I say “nobody told me that boring was easier”. It’s my favorite line because it’s true, even though we don’t want it to be. This song is not about a harsh reality, but a boring one… ‘you’ll be fine.’ One more thing! I think lyrics like mine should be rooted in the physical. When I create metaphors they need to make sense to people, physical sense, or else they just float away and mean nothing. So trying to physically imagine the scene or metaphor really grounds the truth in reality, and that’s what we share. So when I say “your sweaty fingers try to hold my mental state”, this connects our physical world(sweaty fingers) to our concepts of the world(mental state) in a way people understand. Okay, I’ll stop there…. That’s my TED talk. Thank you so much for being here with us, Nathan! It's been a pleasure, and we're excited to feature you again sometime in the future. Can you tell us a little bit more about your forthcoming project, "Start of Something Blue."? Again, thanks for having me. It’s a nice opportunity to air out the ego. There are some things I can tell you, but I can’t go into too much detail. “Start of Something Blue” is a series of singles. My background in Circus has given me a strange freedom to mix and match every form of art and call it a whole. There will be more and more songs of course, but there’s a children’s book in the pipeline, and some collaborations with Musicians, Circus artists, Dancers, Painters, etc…. This project is really my first opportunity to show off everything I’ve learned and I’m going to throw everything I have at it. This project is what I can do when I’m surrounded by supportive, talented, and loving people. What can we expect to see from you throughout 2020? 2020 is definitely a mystery for all of us right now. My Irish and European tours have been essentially canceled, but I can guarantee more music. I can guarantee more amazing collaborations too with artists from all around the world! Every day I’m learning about new ways to connect to people that are listening, and I’ve been learning a lot from listening to those people. A lot of big questions are floating around my mind these days… So if there’s something you can expect from me in 2020, it’s growth. I’m still in the process of coming to terms with who I am, as a person, a man, and as a musician. In that order. instagram.com/nathanmacmusic #BUZZMUSIC