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Revered French artist, AstroVoyager (real name Philippe Fagnoni) touches back down with his highly anticipated release - ‘We Can Change Our Way’. Channeling a deep fascination with the space & time continuum - his sound is heavily influenced by the electro explosion of the 80s. Continuing the theme on trend, he once again invites us aboard his spatiotemporal capsule on a journey – exploring the infinite soundscapes of his electro-symphonic music universe. Nominated at the 16th Independent Music Awards in New York for his previous Architect EP, this new extended player also signals a fitting conclusion to AstroVoyager's Big Bang artist album - a crossover project between himself & the Prague Concert Philharmonic and released on his own CosmXPloreR imprint. ‘We Can Change Our Way’ is a euphoric yet rhythmic track & one that is full of hope – during these challenging times. With an EDM/Trance rhythm bringing together the voices of French singers Taïga & Jean-Paul Florès, fused seamlessly with strings of the orchestra & lead piano performed by AstroVoyager - the record invites us to communicate & share, as we transform into a new future. On remix duties, AstroVoyager welcomes Charlie Atom - a multi-instrumentalist & electronic dance music producer from Mexico. Charlie traverses across multiple genres & creates his own unique blend of electronica. Internationally renowned for his catchy melodies & captivating melodic structures, Charlie Atom delivers his own narrative on ‘We Can Change Our Way’ – whilst still staying true to the original. Set for a host of support in the weeks ahead, join AstroVoyager on his latest cosmic journey. Listen to 'We Can Change Our Way' here. Connect with AstroVoyager: www.astrovoyager.com www.facebook.com/astrovoyager www.soundcloud.com/astrovoyager www.twitter.com/astrovoyager_cx www.instagram.com/astrovoyager_cx #BUZZMUSIC

Straight from the valley in California, Dobbsthagr8t is a hip-hop artist who melds in elements of R&B and old-school rap to his style. With releases like “8 1 8 8 1 8”, Dobbsthagr8t creates a medium for fans to appreciate the music on a deeper, much more personal level. Being based out of the west coast, Dobbsthagr8t puts his own personal story within his music that infuses it with various experiences and cultures that Dobbsthagr8t experienced while hustling out of the mud to make a name for himself. The messages that Dobbsthagr8t speaks of in his music push for self-growth of others, that their own choices define who they are and what they will do. Especially in his release, “8 1 8 8 1 8”, Dobbsthagr8t points to people to feel the perspective that they won’t be around forever so they should be the best person they can. The personal story being told about his cousin passing just before getting out of prison was something that Dobbsthagr8t accepted was due to his actions and not the way he was raised was a clear sign of self-growth and "8 1 8 8 1 8" is a testament to people that they should always strive to be the best version of themselves. Dobbsthagr8tis preparing to deliver more music in 2020 and our souls cannot be more excited. Listen to “8 1 8 8 1 8” by Dobbsthagr8t here. #BUZZMUSIC

The DMV artist DvffleBvg Ruggv is someone who constantly keeps pushing to ignite new trends in musical styles. This becomes evidently true in his release “PAID”, the combination of being able to adapt to different listening moods, and DvffleBvg Ruggv’s bold and relatable lyricism make for an unforgettable experience. Pulling in influences from different styles like trap and rap, DvffleBvg Ruggv will be able to keep you on the edge of your seat as you listen to his music. Being based out of DMV allows for DvffleBvg Ruggv to express himself freely, with every artist there having their own unique sound DvffleBvg Ruggv is able to make his own footprint in the community that will be remembered time and time again. Especially in his songwriting,  DvffleBvg Ruggv keeps a very honest relatable approach, in “PAID” the underlining story of people taking advantage of others happens far too often in the world and he is here to shine a light and inspire people to be better. From "PAID" initially being something that would be a part of DvffleBvg Ruggv's 'Facing Death' mixtape to suddenly becoming its own single, it was clear upon listening that this release would be the next chapter in DvffleBvg Ruggv's career. DvffleBvg Ruggv is ready for 2020 with new releases to come soon and we are ready to listen. You can discover "PAID" here. instagram.com/dvfflebvg twitter.com/DvffleBvgRuggv facebook.com/DvfflebvgRuggv #BUZZMUSIC

The New Jersey-based hard rock artist Anthony Lee Erik uses the guitar as his instrument of choice for storytelling. Anthony Lee Erik is able to break free from always sticking to one sound by constantly listening to and becoming influenced by other genres and styles of music, whatever the mood is he’ll write. Recently Anthony Lee Erik released his thought-provoking single “Thankless Dogs” and this already feels like a classic within the first minute of listening. “Thankless Dogs” is one of those tunes where after you initially listen for the first time you won’t quite tell if you’ve heard it before, the nostalgia is high here, but don’t feel afraid, Anthony Lee Erik takes a completely modern approach as well. The vocal, for example, is incredibly intimate, it’s right up in your face like a modern pop tune, combined with the edgy guitars and sparkly drums, “Thankless Dogs” makes for an unforgettable experience. With lyrics like “mad dogs running, chasing shadows” we couldn’t help but feel about the storytelling about someone who has completely lost their sanity and chases after something that does not exist. “Thankless Dogs” is one wild ride that is full of energy and we cannot wait to hear what will be coming next with the new vocalist. Listen to “Thankless Dogs” here. anthony-lee-erik.com instagram.com/anthony.lee.erik #BUZZMUSIC

Hey Erin B, welcome to BuzzMusic! We’re loving the soft and sultry sound on your latest hit “Being Bad Works”. What helped you write such a heartfelt song, could you share with our readers what your songwriting/creative process is like? Well, most of my songs are written from personal experience or sometimes even from a third person’s perspective whereas I see someone go through a certain situation I create a scenario in my head, put myself in that person's shoes, and then write how I’d respond to it. “Being Bad Works” captures sincere and compelling lyricism, grasping real issues in relationships. Could Erin B expand on the meaning behind lyrics like “I never listened to myself, till I found out that being bad works”? The lyrics “ I never listen to myself till I found that being bad works “ comes from me having self-conflicting views about my love-interest, most of us will tell ourselves this is what’s actually going on or this is the right thing but we refuse to wake up until we learn a lesson or get hurt. The lesson is this case is that if you are doing your best for someone and deep down you truly don’t feel they are reciprocating that energy, you have to listen to your heart. Some people are going to take you for granted in life and not see your worth and even go for the person that doesn’t treat them right ( being ‘bad’ ) but you have to look into yourself and ask yourself are you going to go with the flow of “being bad” to keep a woman’s interest or stay true to yourself and wait for the right one to come but get hurt along the journey? We've heard that one of your major musical inspirations is Chris Brown, because of his artistic versatility. Not only does Erin B record and songwriter, but you’re a passionate dancer as well. What can you say about your own versatility, and how has it helped Erin B define himself as an artist? I’d say my versatility not only defines me as an artist but who I am as a person. I believe I can accomplish anything I put my mind too and I also like to be good at everything I do. I do not like feeling limited and my ability to rap, sing, and even create dancehall tracks gives me the upper hand over some artists that are only able to do one. My versatility allows me to come up with content simply based on my vibe or mood at the time and pull off tracks other artists may need a feature to pull off. My versatility is definitely one of my strongest assets and is what makes Erin B, Erin B. Your hit “Being Bad Works” serves as the perfect leading track to your EP “In The Meantime”. Could Erin B share how the track ties in with the rest of the EP’s storyline? In The Meantime is my first ever released project. It is an R&B project that as the name suggests something for my supporters to enjoy while I prepare my other projects. It is an introduction to how Erin B is towards his love interests and contains some of my experiences which I believe many people can relate too. Every song has a different mood where “ Being Bad Works “ track number 2 ties into the EP’s storyline as the ‘heartbreak’ track. What can we expect to see from you throughout 2020? We all know with the global pandemic of COVID -19 going on it has slowed down and halted production in many industries. It has affected the music industry as artists' only way of reaching our audience is through social media, money can only be made through streaming platforms and we can no longer network through social events and performances. Nevertheless, where there is a will there is a way and you can expect to see nothing but process and growth for the rest of the year. As my management team and I are determined to consistently deliver authentic high-quality music to my supporters and listeners. 2020 was started on a strong foot and the plan is to finish even stronger with Gods grace and with the help of those that support me in this musical journey. Thank You. Discover "Being Bad Works" here. #BUZZMUSIC

Hailing from Philadelphia, PA, writing/producing duo Rubber highlights their intro track “Someone Else” off their recent EP 'Buggy Bumpers'. The duo is known for creating cerebral and stimulating soundscapes that merge the likes of R&B, funk, soul, and modern-day pop while fuelling their music with deep bass lines that take groovy turns. Rubber’s latest hit “Someone Else” features the mesmerizing vocal runs of Andrew Loper, and both Andrew Loper’s and John Della Franco’s incredibly innovative and funky production stylings. As well as modern R&B elements, “Someone Else” carries heavy electronic production while still incorporating the soulful human touch of a piano. With vast instrumentation and intriguing vocals, Rubber has our full undivided attention. “Someone Else” opens with faint and subtle synths that drone in the background, all to be interrupted by an exciting bongo beat and textured rim hits. As the production progressively grows wider, Andrew Loper’s vocals take the stage in such clarity that’s hard to find today. His natural vocals overtop of invigorating production creates pictures that have yet to be painted in the industry. As Rubber’s keyboard synths take an exciting turn to a nostalgic and funky sound, we’re left with an upbeat instrumental through groovy synth melodies and unique electronic drum patterns. It’s clear that “Someone Else” exceptionally displays Rubber’s exuding and fresh talent, and will most definitely leave a mark on the industry. Listen to "Someone Else" here. Hey Rubber, welcome to BuzzMusic! From mesmerizing vocals to complex production, your single “Someone Else” serves pure quality. Could you take us through Rubber’s creative process when putting pieces together for “Someone Else”? It started off with an unfinished beat and some lyrics. Once we started to play it live, that's where the form of the song really took shape. In the studio, we tried a million different things out on it. It took 3 different live drummers laying down tracks before we finally settled on using programmed drum samples. The intro violin-ish sound, which is really distinctive and became the centerpiece of the song, was a random experiment while tracking ad-libs, it's actually warped vocal tracks. It all came together in the last two or three sessions after almost a year of bouncing around production ideas. Within your single “Someone Else”, Rubber serves a whole sound with intriguing instrumentals and timeless vocal arrangements. Why did you want “Someone Else” to lead the way as an intro track to Rubber’s EP 'Buggy Bumpers'? We wanted that really unique and ear-catching intro sound to be the first thing people heard on the record. Also, the track is upbeat, fun, and definitely danceable so we decided that's the vibe we wanted to lead with. Speaking on your track “Someone Else”, Rubber brings together nostalgic and modern production elements that serve nothing but authenticity. Could you expand on some of Rubber’s musical influences, and how they might have impacted your careers as artists? John: I'd have to say my influences for this track were 70's Funk, Dancehall Reggaeton, and 90's Hip-Hop, no specific artist comes to mind though. Andrew: For this song, I definitely channeled Toro y Moi, Frank Ocean and Zack Villere for lyrical flow inspiration but the initial beat reminded me of the type of music that was playing at this one birthday party I had recently gone to at an underground venue in West Philly, so the song became a story about that night. Rubber’s recent EP 'Buggy Bumpers' is said to surround themes of post-adolescent life in modern America. How does Rubber find a happy medium between nostalgic instrumentation and modern-day imagery? The instrumentation is, in a sense, nostalgic but nostalgia is also, in a sense, modern. We live in perpetual nostalgia, an era of remakes and sequels, it's a part of our everyday lives. We just take the sounds we love, find new ways of arranging them, and create new, modern stories with them. What can we expect to see from you throughout 2020? Obviously, COVID-19 has bought our touring schedule to a complete halt and no one really knows when we’ll be able to get back on stage again. We’re working on a couple of things- new music, some really cool collaborations, a couple of brand partnerships, but nothing is quite public yet so you'll just have to follow us on socials to find out, Instagram (@rubberofficial) is definitely our favorite but we’re on all of ‘em… even TikTok. instagram.com/rubberofficial twitter.com/rubbermusic facebook.com/rubberofficial #BUZZMUSIC

Consisting of two members, Sal and Pete, Sound of Kalima is known for their disrespect for the boundaries of genres. They effortlessly bridge the gaps between electronic, hip hop, soul, and dance music. From Vancouver, British Columbia, Sound of Kalima has the unique ability to maintain a human connection with their electronic, head-bopping music through their meaningful lyrics and message. With their new single “Wild Trash”, Sound of Kalima represents environmental warriors. “Wild Trash” may seem like a futuristic song with catchy melodies, but it is so much more than that. The entire song symbolizes the back and forth struggles between humankind and nature; it’s like the yin and yang of our environment. Sound of Kalima’s main focus for the song was a battle between two extremes - trash and nature - as they grow side by side. There are two beats throughout “Wild Trash” to emulate these themes. A hard-hitting beat mixed with gritty and intense vocals represent the trash that continues to take over nature. Sound of Kalima then switches to softer vocals with a lighthearted melody to represent the elegance and vulnerability of nature. “Wild Trash” is a wake-up call for humankind to remind us of the very real possibility of the near future – that we have the ability to control. You can discover "Wild Trash" here. Welcome to BuzzMusic Sound of Kalima! The important message behind “Wild Trash” is one that should be spread to as many people as possible! Can you elaborate on the symbolism of “Wild Trash,” and the message of your lyrics? S: The symbolism behind Wild Trash is a scenario that I made up in my head. It’s a look at the world a thousand years into the future when trash, metal, and nature have become one. It is a future in which all the things we used to destroy Mother Earth with has actually become a living breathing being with her and the world has no place for us anymore. It’s a future populated by smog goblins and plastic snakes. We try not to be too preachy so I don’t know if there’s a concrete message besides we should take into consideration how the human species might be complicit in its own extinction by pissing all over nature. You could say it’s about severing the hand that feeds. P: Sal said it best. We’re definitely not the type to preach though. There’s a message in the song, but it’s purposefully left open to interpretation. We would love it if YOU (the reader) told us what the lyrics mean to you. As musicians, you have the unique ability to touch many people with your message. Why did you choose to bring awareness to environmental issues? Why is that important to you? S: How the current younger generations, including our own, deal with environmental issues is what will decide the lifespan of our species for hundreds, thousands, millions or billions of years to come. The lyrical inspiration behind this song is actually Feels Like Summer by Childish Gambino. It’s a beautiful song and the message was so powerful to me, it would give me a lump in my throat and my eyes would tear up. I think the fear and sadness I felt manifested itself into some nihilistic angry humor which we thought was a good angle of attack for the song. P: For me, I’m not incredibly driven to write about one particular issue. As I pass through life, different issues, ideas, and feelings occupy my headspace and I write about them as they present themselves. Art is a powerful way to get people to see things in a new light, or learn about something that’s new to them, so I hope that our songs challenge people to consider their perspective, whether we’re singing about environmental issues, political corruption, heartache… whatever. You told us that Sal came up with the beat and concept of “Wild Trash,” and Pete helped deliver the intense second verse. Can you elaborate on how your band worked together during the curative process of “Wild Trash?” S: Sure, so Pete and I just like to jam random ideas with no labels or boxes to confine us. We put down a percussion loop and Pete came through with the filthy, ugly bassline which you hear at the start of the song. We laid down the rest of the instrumental in about an hour or so. Then I took the feeling in and wrote about the fantasy I had in my head. Then Pete wrote the second verse once I told him what it’s about and it was brilliant. I don’t know if I’d really say I came up with the beat on my own but the concept was initially in my head before I uploaded it to Pete’s brain. P: Really?? I came up with that bassline? That’s so lit! I have such a terrible memory for these kinds of things. I do remember writing the verse though, vividly. Like Sal said, he uploaded the idea to my brain and I spent maybe 10 minutes scribbling down some ideas. We laid them down on the spot and they ended up being the vocal takes that made the cut. After meeting at the University of British Columbia residences, you have been creating music together for 7 years! How has your musical style evolved since the beginning? S: The spirit of the music has remained pretty much the same but the execution and sound have evolved. We started as a more punky outfit that stuck to the gospel of guitars, bass, drums, and vocals but since we loved all kinds of music we committed ourselves to making music which encompasses everything we like from punk rock to space-age music from the 60s. We just grew our skills as musicians and the palette of sounds we work with. P: Yeah, like he said. The palette has evolved greatly as we’ve grown as musicians and people. We started out as a punk band named after a vegetable so naturally we moved on quickly from that, although we had some fun chunes. When we learned to produce, the breadth and depth of sounds at our disposal expanded so rapidly, it’s only natural that the output of our jams evolved as well. What can we expect to see from you throughout 2020? S: More songs with a message. I think we understand now how to say what we want to say and the music feels vital to us. Currently, Sound of Kalima is slated to release three other songs which are complete but we’re always writing and recording so who knows. P: Agreed. We’ll be putting out more music that’s true to us. The next couple of releases will continue with the punky vibe of Wild Trash, but from there, it’s an open slate. The songs will be distinctly unique, catchy, and most importantly, honest. instagram.com/soundofkalima twitter.com/soundofkalima facebook.com/soundofkalima #BUZZMUSIC

Dan Cross has been traveling and making music since the 1980s, first performing in-band Perfect Disaster with Glass & later on Fire Records. Born in Hertfordshire, England, he learned guitar at the young age of 14 and has been following his passion for music ever since. His latest album “Atheist Anthems” is his first public solo album that was in the works for three years until it’s debut in 2019. One of the tracks on Dan Cross’s latest solo album is “Vampyre Blues”, a haunting alternative track that uses slow and eerie melodies to draw in the listener. The song stands out with its memorable and eccentric lyrics, taking you on a tour of Dan’s inner thoughts and dreams. His deep, poetic voice, that in some points is almost spoken, adds an element of mystery to the song, and the minor progressions tie together the air of mystification. The whole song and backing track of guitar and other instrumentation slowly builds in a crescendo and ends with a certain intensity. The layers and harmonies added to his voice furthers the atmosphere of the song and gives an echo effect. “Vampyre Blues” is one that will give you chills during a first listen and will leave a lasting impression. Listen to “Vampyre Blues” by Dan Cross here. Welcome to BuzzMusic Dan Cross, and thanks for chatting with us today! What sparked your creativity and inspired you to write “Vampyre Blues”? I always get accused of talking too much so I better come straight to your first question!! I was inspired to write ‘Vampyre blues’ by feeling jaded after a long winter. When I’m not making music I’m a gardener by trade but always have mixed feelings about springtime as it’s both a time of rebirth after winter but also the time when my life goes from the dark quiet of January & February to the sudden demands of March, warmer weather, the phone ringing constantly, life bursting back into color & hundreds of things to attend to. That particular year I was kind of yearning to go back into hibernation and slightly dreading having to crank up my professional ( ie nonmusical) life once again & so one day I wrote in my phone notes a little sigh of ennui: “ I’ve got the vampyre blues, you know I grew up too fast now when the Spring comes around I see the leaves falling down..” From there the rest of the song came really quickly with references to Roger Corman's garish movie ‘The Mask of Red Death’ and a few lame jokes that just made me laugh out loud & kept my spirits up while I worked (“When the stakes are high there’s a pain in my heart ..”) I consider it a challenge to get a few gags in my songs & most of mine have one or two hidden somewhere if you can be bothered to look... (incidentally, the spelling of Vampyre is to set my song apart from Neil Young’s much better known ‘Vampire Blues’) What do you hope listeners take away from this track? Just the desire to play it again sometime & perhaps take a little audio dream that makes them feel as though they’ve been somewhere weird. Producer Pete O Brien and I talked a lot about movies & movie soundtracks when we were making the ‘ Atheist Anthem ‘ album & that was something we bonded over as we went along. We would use a reference like ‘Spy chase’ or ‘dream sequence’ to work out a direction. The sound in ‘Vampyre blues’ of a shovel digging heavy earth is a direct interpretation of a scene from Mel Brooks’ masterpiece ‘Young Frankenstein’ when the Baron & Igor are digging up a corpse in the rain! You have many years of experience in the music business, and it is inevitable to go through changes creatively. How has your music taste changed since you began playing electric guitar at 14? I started playing guitar along with my sister's Black Sabbath records when I was a teenager. Songs like ‘Paranoid’ and ‘Sabbath bloody Sabbath’ were actually pretty easy to play on two strings so therefore Sabbath is a great band to learn rudimentary chords from. Another good band would be Joy Division. I was really into hard rock as a kid & learned loads from bands like Led Zeppelin, Sabbath & Thin Lizzy but my favorite player was Paul Kossoff from Free - to this day I’ve not heard a more satisfying guitar solo than on the song ‘Alright now’, it's just got everything I love in electric guitar music. It’s expressive, intense & takes your mind on a trip. What sort of music did you listen to back then? This is is a thought-provoking question- playing in a full-on indie rock band like The Perfect Disaster satisfied the ‘guitar hero’ part of my personality and I for sure enjoyed making sudden changes in the music using distortion & feedback when playing live but I had been composing a lot of the music almost single-handedly towards the end of my time with them & easily felt I could step out & sing my own songs. Coming from the indie school of rock I was never bothered much about singing powerfully and a lot of the best singers from that scene could hardly hold a note anyway (in the best possible way of course!) In fact one of my favorite singers of all is Astrid Gilberto who isn’t a million miles from someone like Bernard Sumner from New Order if you think about it as the voice is tender & small. I´m not sure whether I prefer singing my own songs rather than backing up another singer - both have their own challenges that's for sure but also their unique rewards. I would probably drop everything to work with a really good singer but most of my favorites are no longer around, unfortunately!! What did you find challenging about switching to a solo career after performing in bands for all those years? Which do you prefer? How do you stay motivated when feeling a loss of creativity? What is something that always works to spark your imagination? Good questions!! Truth is you just have to keep at it and trust that the muse will return - be warned though not every muse is going to calm your soul- if you’re in the muse business you better watch out! When my mum died in 2006 I stopped writing and composing music for nearly 10 years & it scared the hell out me - my guitars gathered dust & I almost forgot how to play or remember why I ever wanted to, I didn’t seek out any new artists & I hardly paid attention to the music all around me. I could talk about a transformative experience that happened one day but I’d rather just say this: Even when you think you have given up on the one true love of your life it doesn’t necessarily follow that she’s given up on you... The music eventually came back to me & set me off on a strange but truly essential stage of my life with new faces & places, new experiences, and realities. So pay attention & don’t lose heart I guess. If it means the world to you then it will return. What can we expect to see from you throughout 2020? As usual, I have lots of new material on the go - I’ve been pushing on ahead with a new album that I’m hoping to bring out later this year which I’m co-producing with Donald Ross Skinner (ex of Julian Copes band). It’s hard to say what it’s going to be like at the moment- there are some stylistic similarities with ‘Atheist Anthems’ ( namely the cinematic influences, one song inspired by the ‘Sunset Boulevard’ film & one is kind of a little musical film idea for Donald Trump's funeral !! ) and there is quite a clear 1980s / Talking Heads sound coming out which is proving to be good fun but ultimately my deepest intention on this one is to just let go a bit and put myself into strange new musical worlds! Lyrically it’s the usual sex, obsession, death pain, schizophrenia & suffering that people know and love me for. Perhaps a little more sex this time maybe. I have no deadline, no record company, and no contract with anyone so it’s my intention to just shake up the snow globe a bit !! Thanks for the interest. twitter.com/lfwpromotion facebook.com/lfwpromotions instagram.com/lost.for.words.promotion #BUZZMUSIC

Hip hop artist Dlomickey didn’t begin his career in the most usual way, he grew his love for music out of poetry, and pushed himself to music after the loss of a family member who had a great passion for it. Based in Saint Louis, MO, Dlomickey released his first song in 2019 and has been working hard ever since. His newest song “Amazing” is a passionate hip hop track that starts off slow and melancholy with soft piano, and you hear a phone call overlay the music as he gets a call from his partner. His love goes on to be the inspiration for the song, as he sings about appreciating the things you have while you still have them. His incorporated phone calls give the song a personal touch, and you get a glimpse into the vulnerability and tenderness found in true love. He emphasizes that before falling in love, self-worth had always been a struggle, and along with God, his love is the only thing he will ever need. “Amazing” has a catchy melody and a strong beat, which draws the listener in alongside his captivating lyrics. Dlomickey pours emotion into his vocals, radiating honesty and a true passion for his art. His songs are catching the attention of music lovers in Saint Louis, so keep your eyes peeled for more from this up and coming artist. Check out “Amazing” by Dlomickey here. Thank you for chatting with us at BuzzMusic today, Dlomickey! “Amazing” is such a memorable song, both musically and lyrically, what was the recording process like for this track? Did you come up with lyrics first or the melody? Thank you for this dope opportunity. That's so love. Well like most of my tracks, my lyrics were all at one point a poem. Once I hear the beat I begin to pretty much revise/proofread my poem. Take some words out, add some in etc, all while getting my flow and melody together. The hook actually came on the spur of the moment when I told myself "I have to get a little creative with this one. Something so simple but catchy to catch people's attention. Something that would be the perfect frame for the lyrics. What is your favorite part about sharing your music with fans, and what is one moment that stands out to you of someone truly connecting with you and your music? Well, I always get this butterfly feeling when I drop new music because you putting your heart in your art and you'll never know what people think until they hear it and respond ya know? But I love being able to share a bit of my life and how I feel with people and finding out that they understand and can relate is always the best feeling ever. I think so far my favorite moment has to be when I had a guy come up to me that he heard my track "I Miss You" that was dedicated to my cousin that I lost (Rest In Peace Sammie Sosa) and that he felt every word and it made him tear up a little. Me being the person that I am, I didn't know what to say, I was speechless. All I could say was "Wow" but eventually I was able to produce more thankful words towards him during the conversation lol. But what I did tell him specifically after he asked about reaching out to labels, money, etc. was "Look whoever finds me, thank God what a blessing. But I don't care about any of that AT ALL. There are millions of ways in this world to make solid money, but if I'm able to eventually hit and impact many many others just like I did for you, I'll be the happiest man on this planet. What were your career plans before your big single drop in 2019? How has your family supported you during these career decisions? I'm also an actor that's another passion of mine so nothing necessarily changed, just added. I'm working hard to pursue my dreams in both fields. To be honest to a few it made an immediate impact with instant support from them. But Some are still taking in (At least I hope is the case) that I'm ACTUALLY creating music and they don't really know how to respond to that just yet. What was it like for you to make a transition from a love of writing to a love of creating music? Did you have any trouble in the beginning producing melodies and musical combinations that compliment your lyrics? Man this is my first year EVER creating music and I absolutely love it. Who knew I could bring my writings to life, I mean I think about it every day. My first single "Save Me" was written as a poem in my notebook 2 SUMMERS before it was recorded as a single. Meaning 2 summers before it was recorded in a dorm room (shout out to Obasi Jackson for engineering), "creating music" wasn't even a thought process for me. That's so crazy for me, and now I'm meeting new people, making connections, performing live, networking the whole 9 yards. But What I love the most is the learning process. I'm learning the business aspect of music, and I know now for a fact that getting behind the mic and dropping a track is only about 10% of this music business. As far as in trouble producing the actual music, to be honest being that my lyrics we're once poems at some point, it hasn't been too much trouble just yet to come up with melodies or combinations. Once I feel the beat, whatever I feel just comes out and I run with that. What can we expect to see from you throughout 2020? Growth. I'm still learning so I just want to become a sponge and absorb any advice given from people who've been in this industry for a while (family, friends, or strangers). You'll always see me working hard because I know there are people who have been doing this for years and still working their A**es off and I don't want to disrespect them by not giving it my all either. But at the same time look out people because Dlomickey in this thang' now.......And I'm coming, stay tuned. Thank you to all the people who have been following me on my journey so far. Love yall man. instagram.com/dlomickey twitter.com/dlomickey #BUZZMUSIC

Damon Wall is the singer, songwriter, and producer of electronic music project Epsilon XI. Damon named the project after his and his late father’s constellations; the star Epsilon appears in both the Leo and Aries constellations. The number 11 represents the month that Damon’s late sister was born. Through his hardships, he has channeled his feelings and passion into creating electronic music. He just released his debut album called 'Utopia' which includes the edgy song “Defiance.” Epsilon XI's latest release “Defiance” has a high energy electronic background mix that could easily be a soundtrack to an action film. The futuristic sounds are paired with a traditional drum beat. At its initial moments, “Defiance” is completely electronic with upbeat energy. Epsilon XI then adds vocals into the mix which are sung in with minimal pitches. The similarity in the vocals throughout “Defiance” gives the song its continuity. With relaxed and quieter vocals, Epsilon XI spotlights the computerized instrumental production of “Defiance.” Throughout the track there are many moments that build up to a climax, then cease the music for a moment, and continue after to build its intensity. Lyrically, Epsilon XI sings about defying reality and the confines of what people consider to be normal. In general, “Defiance” is an edgy, futuristic song that will certainly capture the attention of dance music fans. You can listen to "Defiance" here. Welcome to BuzzMusic Epsilon XI! With “Defiance,” you have created an original song like no other for electronic music fans everywhere. Can you tell us more about the message behind your lyrics? I feel my song Defiance can be interpreted in several different ways. When I wrote this song it reminded me of my mother & my attitude towards her most of my life.  I wanted nothing more than to be nothing like her & to defy her whole way of life. I spent a lot of my childhood pretending things were ok at home, there were years of ups & downs. Sometimes I would feel secure & sometimes it felt like it was all falling apart. When I wrote "doubt creeps among the shadows / trustless hope growing shallow" it was referring to all the times I would hope my mother was going to keep her promises to me even though I had lost all faith and trust in her. Speaking about 'twisting normality / seizing all I have ever known" is about how I feel as though my childhood was twisted and was far from normal. Towards the end of the song, I tried to shift to a more positive message of being able to break free of the doubts & misery I had held onto for so long. Unfortunately, I feel like this is a situation a lot of people can relate to. I want them to be able to see that they are stronger than their pasts and they can defy and overcome where they came from. Most of your music is computerized and electronic. How did you come to discover your passion for producing this type of music? I've always loved different types of music and I have wanted to play an instrument & write songs for years. After listing to several different electronic music groups, I found Tom Shear of Assemblage 23. His songs truly inspired me and I wanted to make the same kind of music. I found out most electronic bands are only one person, using multiple different instruments on a computer. I was thrilled when I was told my local music academy offered training in this type of music.  I am physically unable to play any instrument that requires two hands but this method allows me to create any sound I want. It also allows me to work at my own pace, taking my time to work on each song over and over until I am satisfied with it. Having lost both your father and sister and name your project to honor them, they clearly inspire your music. Can you tell us how these experiences have shaped you as an artist and a person, and how they influence your music? Losing my father & sister was extremely hard especially at a young age. I think I turned to music as a kind of therapy to help me deal with those experiences. With music, I was able to express how I felt about my childhood and how far from normal it was, my parents & the loss of my family. My sister, Aja, also turned to writing to express herself. The lyrics for my song Trust are from one of her poems. It made me feel closer to her to be able to use it. “Defiance” is a single song from your debut album “Utopia.” Can you tell your fans what they can expect to hear from the rest of the album and how it compares to “Defiance?” For this album, I tried to have songs that are a mixture of songs that are uplifting & that are about trying to find hope and others that have a downward spiral emotion. I think the songs on the rest of the album follow a similar lyrical pattern to Defiance. It has taken me three years to compile all of these songs into an album. What can we expect to see from you throughout 2020? I am currently in the process of making another album. I am constantly learning new techniques and adding new sounds to my library. facebook.com/EpsilonXIband epsilonxi.bandcamp.com #BUZZMUSIC