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From San Diego, Californa, electronic artist/producer Sunsets captures sonic brilliance on his latest single “Align” Ft. Foreignlocal. Born as Enrique Vega, Sunsets grew up playing in a variety of bands from the young age of 12. However, after experimenting as Sunsets and the electronic production realm with blended guitar, he clearly found what works best. Sunsets’ recent single “Align” Ft. Foreignlocal effortlessly brings warm and bright imagery through its cohesive production. Not to mention Foreignlocals ethereal vocals perfectly enhancing the tracks celestial atmosphere. Through complex production and transcendent melodies, we’re left comparing Sunsets’ hypnotic sound to artists like Flume and RÜFÜS DU SOL. “Align” opens with vibrant electric guitar strumming and haunting ghost vocals alongside Foreignlocal’s heavenly background vocals. At the initial downbeat, the emotionally-rich electric guitar picking shifts into fluttering synths overtop groundbreaking kicks. A third of the way in, Foreignlocal’s bright and inviting vocals effortlessly harmonize with the tracks underlying bass, guitar, and ghost vocals. The track keeps you and your soul moving with its breathtaking electro drum patterns and groovy bass lines. From Foreignlocal’s angelic vocals to Sunsets dreamy and skilled production, the track serves a mesmerizing experience. Sunsets’ “Align” is undeniably two minutes and 57 seconds of pure bliss. Listen to "Align" here. Hey Sunsets, welcome to BuzzMusic! Your latest single “Align” feating Foreignlocal has incredibly well-crafted production. Could you share how Sunsets gravitated towards creating what is now “Align”? Of course! I actually made the instrumental for "Align" back in August of 2019. I was going through a pretty challenging time in my life because I had just started a brand new day job and had the worst imposter syndrome ever! Right after that first week, I got home from work, locked myself in my room and just started playing guitar. I still remember, how my body went from being so tense from all the stress and anxiety that I was dropping on myself to feeling calm and in peace. I just wanted to stop caring about my responsibilities and just feel good again for a moment. That's how the main lead guitar melody was created. I wanted to keep this dreamy and carefree vibe going so I then adding those boom-bap style drums, dreamy sounding synths and a groovy but still fat sounding bass guitar. I love recording real instruments in my music because it adds a type of connection that is very human in a way and it's also very fun! I kept that track to myself for a couple of months and then decided to send it to my friend Kelly (Foreignlocal.) to see if she was down to sing on it. She is so talented, her vocals and lyrics were perfect for this track. Your track “Align” serves skilled production and Foreignlocal’s beautiful vocals. Could you share what the creative process/songwriting process was like, and how you went about laying her vocals down? Foreignlocal: So one of my favorite things is when producers send me tracks with an interesting title, awesome beat, and free reign to write lyrics and melodies that create a story around that title. Originally titled "alignment", my first thought was of the stars and planets and the countless love stories where people's fates are pre-written in the stars. But the track was super upbeat and modern, so I knew it had to have a lyrically sweet and fun vibe to match that. I record everything from home and I had a lot of fun recording and writing this one! Once I finished all the vocals, harmonies, backup vocals and everything, I sent it back off to sunsets to work his magic with it! It was definitely a refreshing break from the more moody stuff I tend to write. Your sound is very well-rounded and brings nothing but pure good vibes. Are there any artists/producers who influenced Sunsets' sound? What impact did they have? A huge sonic influence as far as music style is SG Lewis, Tame Impala and HONNE. I love all music that puts me in a good headspace and these are a few top artists that I enjoy listening to and gain lots of inspiration from right now. However, artist and producer San Holo, has a huge impact on my music-making. I don't think my sound is similar to his style but I identify very much with his music-making process. He adds a lot of emotion and character to his music that you can hear and feel. It's very contagious in a good way because it is a very genuine way of making music. It inspires me to do the same because the process of channeling once emotions through any type of art is one of the most rewarding sensations in life and if I can make people feel good when listening to my music, then I think I did my job right. That's what music is about, spreading love. It’s evident that each song Sunsets creates has a specific mood or atmosphere that’s clearly established. Could you share how you translate thoughts and emotions through electronic production? I've always been a huge fan of music that hits you right in the feels! Therefore, I don't release every track I make. If I can't fully connect with something I am creating, whether it's uplifting or vice-versa, then I will just discard it and start something new. I've noticed that most of the tracks that I end up liking the most are the ones that I make while something doesn't go that well in life. I don't feel that way all the time now but it's still very therapeutic to make music for me so most of the time if I'm feeling down I create something that will make me feel good and end up sounding the opposite of how I felt in the first place but not all the times. That's how the instrumental for "Align" was made, I was locked inside my head by my own demons but as soon as I started putting together the instrumentation, it felt like I was drawing my own peaceful universe in a constant state of flow. Then Foreignlocal. nailed it by writing a beautiful story that connects everything together. instagram.com/iamsunsets facebook.com/iamsunsets instagram.com/_foreignlocal_ #BUZZMUSIC

FREDDY is erupting with the authenticity the music industry has been demanding for years. With her roots being established out of L.A., Freddy is an artist who is not apprehensive about showcasing her vibrant personality and commanding vocal presence. With a well-developed vibe and an innate ability to engage any listener, this California kissed warrior is slashing through regurgitated cliches and emerging as a fascinating musical phenomenon. "Tailgate Holiday," the newest single from FREDDY, is seductive, dynamic, and perfectly polished. This holiday anthem is dripping with sleek lyrical playfulness that supports the authentic country feel of this tune. Almost as if you've been teleported, FREDDY sends us right into the heart of that excitement you feel at your local tailgate in the middle of summer. As the electric guitar sweep high to low, FREDDY's voice enters the spotlight, a rebellious tone is established. Commandeered by her vocal performance, this song is spilling out attitude and emotion. Before she lays it down into the verse, we get our first taste of that familiar southern guitar tone we all adore. As the acoustic guitar chugs the momentum forward, you'll feel invested entirely into the authentic southern vibe of this radio-ready hit. Beautifully saturated and full of attitude is the best way to describe the chorus as the chime of the piano blend beautifully with the powerful electric guitars. Probably the most masterfully assembled part of this single is the wonderfully surprising bridge of the song. Like sliding under a warm blanket, FREDDY's rhythmically spirited vocal solo, accompanied by the alluring beat of the guitar pick strumming, this section feels like absolute bliss. FREDDY's ability to reach the height of the atmosphere with her presence in choruses and dive back down into a toasty sabbatical of a bridge before the final payoff is something newly refreshing. This is an example of how this song really shines. "Tailgate Holiday" blends FREDDY's grandeur, authentic vibe, and tantalizing charm in the most compelling way. With its excellent dynamics and the continuous addition of new musical hooks at every transition, this song is sure to be on rewind in your head. It is our top grade selection for rockin' country-pop vibes, and it's sure to be found in our favorite playlist this week. Listen to "Tailgate Holiday" here. Hey there, FREDDY! Welcome to BuzzMusic! We're incredibly excited to be featuring "Tailgate Holiday"! Tell us about the central motivation behind this song. What were you most excited about conveying to your audience during the making of this song? Thanks for having me back! You know I just wanted to create something that felt fun and light and just like a big old party. I aimed to make it kind of silly, and a little sensual, but mostly big and sassy. I wanted the song to allude to an environment that felt youthful and carefree and messy. Basically just like a real shitshow experience when you are drunk and rowdy having fun with your friends and strangers and then the strangers become friends because ya’ll are just have one giant good time! The goal was to have people turn it on and want to grab a Coors Light, turn the volume way up, and dance around stupidly. My main thing in life is always going to be a connection. I want to connect as closely as I can with as many people as I can. And you’re bound to connect with at least one person at a party! If you were to describe your experience of writing and recording this song in three words, which would you use and why?  Silly! Loud! & Sensual! Some of the lyrics I came up with are so outrageous that you just have to laugh. Like for instance, the second verse I sing: “Pretty drink in one hand. It tastes good when you chase it with butter. We’re getting wilder than a dog gone zoo”. Like realistically no one is looking to chase their alcohol with a stick of butter, but I’m definitely guilty of grabbing like corn on the cob slathered in butter after a long day of day drinking. There’s also this casual nature I wanted to make sure the song had. Like the more specific imagery created, the more boundaries we cross and don’t care, would make it feel authentic and allow the listener to recall their most treasured potentially inappropriate fiesta. You know where everyone’s just like sloppy loving all over each other, and laughing, and just enjoying the moment. You grew up in California and had lots of time to develop your own style and sound in and around the big city of Las Angeles. Can you describe how the local L.A. music scene helped you develop your songwriting abilities, if at all? Hmm, well I wasn’t really immersed in the LA music scene growing up because my mom was very strict on going out. I had a bedtime until I was like 18, was not allowed to go out on school nights, and a really early curfew on the weekends. But when my mom DID let me go to shows, I was always looking for the next reggae stoner festival. I was obsessed with Iration, Slightly Stoopid, The Expendables, Rebelution…for like all of high school. I don’t want to give myself TOO much credit, but maybe I got the bounciness and catchiness to my songs from that reggae-pop style of writing. I do know often times when I bring ideas into the studio, the producers or other writers have sometimes said, “oh that could totally be a reggae song!” So maybe I was subconsciously influenced there! I went to San Francisco State for two years right out of high school, and got crazy into the rave/EDM scene and went out sooooo many nights because my mom couldn’t stop me! I would dream of being a featured vocalist on a dance track, and try to come up with big belty chorus vocals for songs, but I just don’t think it was or is my forte. I had a session with an amazingly talented DJ named Dillon Francis a couple of years back, but I was really nervous and he wasn’t really into my songwriting for his project, so nothing ever came from it, but you never know what the future holds! You demonstrate complete control over your voice, it seems like it comes naturally. Are there any habits you've been able to attribute to your abilities as a confident and mature vocalist? Thank you so much! I still don’t feel like a confident and mature vocalist! I am always wanting to grow and get better. I used to get so frustrated and pissed at myself because I can’t do crazy Mariah Carey runs, then I heard Halsey talk about vocals in an interview and she said how important “your own voice” was and to not compare, and really to just be you and work with the gift you were given. So that’s helped me a lot, like just trusting what I do more, and the voice that comes out of me. Of course, I also have taken voice lessons on and off since I was 10 or 11, and now study with Eric Vetro, the best vocal coach ever! I’m so obsessed with him. He is so hard on me, but it really has helped me grow tremendously. He’s taught me a lot about discipline and caring for your “instrument”. Making sure to warm up before every show and studio session, in addition to just vocalizing every day. He always tells me, “your voice is a muscle, so if you don’t treat it like your other muscles that you work out in the gym, you can’t/won’t be your best”. That resounds in my head every time I want to skip a lesson. What's the next step for FREDDY? Are you planning on collaborating with anyone in the future? I have lots of music coming out this year! And shows to play as soon as the craziness in the country calms down. The Corona Virus has put life on pause right now, so I’m just staying home and recharging and being present and waiting to hear when everything is deemed safe again. Praying for so many right now and sending so much love out into the universe. I definitely want to collaborate with SO many other artists. Looks like you’ll just have to wait and see! instagram.com/iamfreddyxo #BUZZMUSIC

Keeping your speakers booming, and your dance floors active is the artist MIA Chocolate Princess. Beginning her career in Los Angeles, she showed promise and passion with her enthusiastic performances at a young age. Her skills earned her spots on some popular Disney shows, and features on Everybody Hates Chris, and The Bernie Mac Show, giving her confidence to produce and write her music. Recently, MIA Chocolate Princess has come out with a new single called “No Distractions”. With fast-past production, this track is sure to keep your attention. “No Distractions” begins with a super cool sound synth line that is very appealing and catchy. Adding more fun to the party is MIA Chocolate Princess' flow. In “No Distractions”, MIA Chocolate Princess switches from singing to rapping, showing us, she is the whole package with her versatile artistry. Paired with exciting lyrics, the song comes together as a whole. Additionally, the synths set off a rebellious atmosphere the song reflects as a whole. As the 808 and drumline come in, “No Distractions” feels like it turns into a huge party within itself as the song unfolds. The energy the instrumental gives off is outstanding, and there is no way you won’t see yourself doing a couple of dances moves while listening. We wouldn’t be surprised if you heard “No Distractions” at the club the next time you go out. Listen to "No Distractions" here. Hey MIA Chocolate Princess! Welcome to BuzzMusic, we are really happy that you chose us to represent you and your new single “No Distractions”.  When writing this song, what were your initial intentions? I wanted to express my emotions towards clout chasers seeking validation Did you want to make a song that would be able to play in a club, or were you going for more of a care-free feel and did what you wanted to do? This one was too dope NOT to play in the club because the energy was bananas each time we banged it in the studio and we could barely let it play all the way to the end without singing it to each other. When growing up, you mentioned to us that you had some features on some pretty big shows.  I know that is in your past, however, did it help you wrap your head around the business side of the industry, or even musically? The experiences I had as a feature on different projects DEFINITELY prepared me for the business and help me manage my time with new projects to see improvements and better results With a song like “No Distraction”, there is for sure going to be a lot of dancing going around.  However, is there another non-party side of MIA Chocolate Princess we haven’t seen yet? OH YEAH!! I enjoy books at the beach, a good pasta by candlelight or widescreen movies and baked snacks. I'm adventurous so I like to enjoy nature when I can In the future of 2020, do you have any plans for an album coming out?  Or, any singles with some collaborations from some artists? I look forward to a few different collaborations male AND female and many upcoming performances as I plan to continue to drop hot new music singles with some hot new visuals...music videos and TRUE vibes. instagram.com/therealchocolateprincess #BUZZMUSIC

Mixing different sounds and styles is artist Gabbi Nixx. Coming from North Carolina, Gabbi Nixx studies music and theater at Brevard College, while still having time to create her musical projects. Combining many elements from funk, to rock, and R&B, Gabbi Nixxs' music puts the listeners in a different mindset. Continuing to grow her sound, she has come out with a new single “Black & Blue”. Displaying her many skills from her knowledge in different music genres, “Black & Blue” reflects a tough, cool side of Gabbi Nixx. With the distraught feeling of the intro of the song, “Black & Blue” begins with a distant feeling, kind of like you are outside of a raging party. All of a sudden, the volume raises and the hardness of the song begins. The bass is loud, the guitars are distorted, and the drums are grooving. However, the drums kind of sound like they are electronic, showing Gabbi Nixx’s talent for mixing genres. As “Black & Blue” continues, Gabbi Nixx’s voice comes in and completely takes the song to another level. Her vocal range and performance are outstanding. She gives the feeling that she has had a rough time, however she is in control. All in all, “Black and Blue” has a different vibe and really catches the attention of listeners. Listen to "Black and Blue" here. Hey Gabbi Nixx!  Welcome to BuzzMusic, our team is very excited to be representing you and your latest single “Black & Blue”.  With many different types of genres incorporated in your music, you must listen to a lot of different stuff.  What are some music genres and artists that inspire your music? The pleasure is all mine, I’m beyond proud and grateful to be having my first interview for my first single with a group as spicy as BuzzMusic! Y’all are dope and I hope to work more with this team in the future! My playlist is actually pretty small, but it DOES have lots of genres in it. I’m very rooted in the sound of R & B music because it’s what I’ve grown up on, but I’m addicted to the energy of Rock music. I think that’s why I’m so inspired by the principles of funk! Funk music allows you to put on the most wonderful, outrageous getup you can find, roll around the stage like a Rockstar, but keep the soul in your tone. I try my best to keep from trying to emulate other artists because if I ever do show the influence of someone I want it to be pure, genuine, and unintentional. However, some artists that motivate me to exist are Prince: the most fabulous man to ever grace this planet, Freddy Mercury: A self-made superstar who could belt like it was nobody’s business, Rick James: The baddest, lady catching, bass playing kat of his time, Chris Cornell: The rasp god who taught me to sing in the rock genre through his spine chilling music, and Betty Davis: The undeniable Queen of funk who set the bar for every female performer that came after her. Sometimes going to school while trying to create your musical brand is tough to balance.  However, do you find it a bit easier that you are going to an art school?  Or does the blend sometimes get in the way of creativeness? Ahhh you don’t know the half! When I found out that I was stuck in this classical music program, I did nothing but trash classical music and piss everybody off. I forced my creativity to get in the way of everything, singing and playing in unconventional ways just to spite my rigid teachers. It wasn’t until I failed theory, that I started to actually learn classical music and opera techniques, just to prove to everyone that I could be capable if I wanted to. Now, I’m starting to gain an understanding of all the different vocal and instrumental colors that you can create if you start with classical as the root and lemme tell you, it’s gonna be SO helpful in the future! A well-balanced blend of being refined and outrageous is definitely in the works! With doubling in theater as well, does the drama practice help with your music performance when singing in your music?  Do your music skills also blend into your theatrics? YES! I mean because everyone has a stage persona, but I didn’t really understand it until I was adopted by the theatre program. When I’m on stage, I’m a belting crackhead with dope ass shoes! I have no shame, no stamina limit, no rules, and no self-restraint. However, since practicing theatre, I’ve been able to find newer, calmer, stage personas that help when I’m singing slower or more somber grooves. It gives me the versatility that I’d never even thought about before doing theatre. Musical skills have definitely helped me in theatre and they’re the only reason I’ve been cast in musicals. I love the choreography and random outbursts of songs that come with the production of a musical and I especially love all the stage time you get. If being a Rockstar doesn’t work out, I’m packing my bags and pursuing the Broadway dream baby! In the making of “Black & Blue”, did you play some of the instruments or do you band behind you? I wish! When I made Black & Blue, I was so inexperienced. I had nothing under my belt besides creativity, natural lyricism, and amateur vocals. My amazing producer AJ Kemp of Trilogy Productions did all the instrumental work for me! I’ve grown a lot since then, and you’ll definitely hear some of my imperfect bass and key work in some of the newer stuff that I plan to release. What can we expect from you throughout 2020? ALOT! I have so many things already recorded and just sitting around, and there are a pleeethoraaa of other tracks in the works! I’m really just trying to find my sound this year and I plan to incorporate everything that I’m leaning into it. This year is going to be full of new releases, different hair colors, and many many more performances around the Asheville area with and without my featuring bands. instagram.com/gabbi_nixx #BUZZMUSIC

David Bell Jr. of Slimdog Productions is a Colorado-based member of the 'Indie Hip-Hop Block Scholars'. He has been creating music since 2004 when indie artists started using his instrumentals in their songs. After 8 years since his first album 'Slimstrumentals Vol. 1', David Bell Jr. released the instrumental album 'Slimstrumentals Vol. II' and off it is the experimental song "Rainplay". "Rainplay" features an ambient rainy background that soothes your mind, punchy steady organic drum grooves, an almost jazzy dynamic ethereal piano, a gnarly guitar riff, and intricate little synth parts that catch your ears' attention. The background atmosphere of the track is incredibly calming to hear, it has occasional children's voices reminding you of playing on a playground as a kid. "Rainplay" feels organic and fluid, the music simply flows inside you and you'll instantly be feeling good. David's musicality shines through here, every musical element gives space for each to breath but maintains a fancy high-class feel. This is one of those tunes that you will be playing back on your speakers at night. We can't wait to give the rest of this album a listen. Listen to "Rainplay" here. Hey David Bell Jr.! Welcome to BuzzMusic! We are absolutely loving "Rainplay"! What was the songwriting and production process for it like? I’m a sample guy. Love samples and messing with them. I cut, tweak, twist. With “Rainplay”, I was scrolling through samples and if there’s a sample that I like, I will stop and try to figure what to do with it. Build upon it. I just found this sample of a melody that reminded me of dancing in the rain, playing in the rain… Rainplay. Didn’t do anything to it at first. I usually don’t until I have the track pretty much built. I look for samples of other instruments to compliment; guitar, bass guitar and others were added to it. The kids playing in the rain was added last actually. Your album 'Slimstrumentals Vol.II' is focussed on being interesting instrumental backing tracks, what had inspired you to create this? I did “Slimstrumentals Vol. 1” 8 years ago as solely a Hip Hop beats album. Notice the beats and instrumentals are MUCH longer and more Hip Hop oriented than “Slimstrumentals Vol. II”. There’s one song on the first volume that’s over 8 minutes long!!! Hahaha!!! Those tracks were meant to have or had Hip Hop artists that I have collab with spit 8, 16 or 24 bar verses. A few of the tracks on volume 1 were on actual tracks, different name with lyrics. Volume II was geared more towards the LoFi hip Hop/ Chillhop listener. The beats aren’t as aggressive sounding comparatively. More mellow, chill… How would you say this release compares to the 'Slimstrumentals Vol.1'? How do you think you have grown as an artist? What about your sound? I’ve grown more as an artist as in the type of style of beat I am putting out. I still put out Hip Hop style tracks but I am learning more about the LoFi Hip Hop style this time around. There are some particular LoFi artists that I listen to get inspiration from; Nokiaa, Philanthrope, Cheap Monk, B-Side, Jinsang and some new up and coming as well. I had always done jazz type beats since I started making beats but LoFi has a certain style, a certain vibe that is different. I knew I was doing ok when reputable LoFi stations put me on their Spotify playlists like College Music and Indiemono (thank you both). I’m headed in the right direction. What had inspired you initially to be creating the backing tracks for other artists? What has it been like to collaborate with artists in that sense? I started doing beats way back in 2008. I had played drums in grade school and high school, so when I got my first ejay “Hip Hop 4” beatmaker, I was hooked. I met Bennett “Nobull” Baskerville around 2009. He was a beatmaker, a rapper I met through a mutual friend. He is a music/beat-making/studio geek in every sense of the word. Hahaha. We hit it off and started a Hip Hop group called, “Block Scholars”. Later we had Nathan “2mental” Andreas join us. It has been great for us. We have had national accolades independently; Grand Prize winner in Patron XO Café’s national contest, 3rd place Billboard/360 Starmakers songwriting contest and Hollywood Music In Media Song of the Year in Rap/R&B in 2014 to name some. We have had to raise families while doing this in the meantime, that takes priority but music is still in our blood. We have some things in the works with the Hip Hop/Rap aspect but I will keep putting out singles and albums in-between time. Got 2 LoFi/Chillhop/Jazzhop singles, “Stranger” (April 17th) and “Sway” (May 8th) coming to Spotify and major streaming services. instagram.com/SlimdogProductions twitter.com/SlimdogProd facebook.com/BlockScholars #BUZZMUSIC

Singer/songwriter Leah Summer releases her empowering anti-violence single “Don’t Stop”. She’s had quite the impressive industry background being a classically trained singer and getting a sync placement on Sony Picture’s “Easy A” along with other film and television series’. More recently being selected by David Bowie’s producer Mario McNulty to write songs for another artist’s upcoming album. Her self-written single “Don’t Stop” brings Leah Summer’s messages to light, and captures awareness of domestic abuse in all its forms. All while delivering her lyrics with her profound vocal abilities, keeping our ears peeled. Not to mention a powerful music video capturing empowerment at its finest. Her single “Don’t Stop” begins with heartfelt acoustic guitar picking and Leah Summer’s soothing and delicate vocals. She sings messages full of painful emotion, bringing light to dark topics through genuine lyrics like “I’ll give you all you’ll need, ingesting all your damage, if it was meant to be it will be”. Around the halfway mark, “Don’t Stop” incorporates an uplifting drum kick and bass guitar shifting into a heavy downbeat with thunderous electric guitar power chords. All while Leah Summer’s vocals grow incredibly powerful and striking, it’s clear that her single “Don’t Stop” captures the dynamic range of her limitless talent and her ability to shine much-needed light on important topics. Listen to "Don't Stop" here. Hey Leah Summer, welcome to BuzzMusic! We’re very moved by your empowering message on your latest single “Don’t Stop”. Could you share what helped writing from such a vulnerable place? Hey, BuzzMusic!! Thank you so much for taking the time to listen to “Don’t Stop”, and I feel elated and grateful that this song and its message resonate with you! “Don’t Stop” articulates both my fury and faith at a time in life when I was blindly running in and out of abusive relationships that manifested in both physical and verbal abuse, particularly with men. For a while, I was a prisoner of silence, because my voice got lost in the ruckus and control of the insanity I was trapped in as a result of my fractured decision making. I was repeating the abuse cycles I endured in childhood thinking somehow that if I could keep repeating the same patterns, eventually, I could fix my childhood. I know. That sounds plain nuts, but that was my cognitive impairment: I really thought I could fix broken people, but we can never be sick enough to make a sick person well. Finally, when I was sick and tired of being sick and tired, I sought therapy and wrote on flashcards every day “I am a worthwhile human being deserving and worthy of love, peace, and respect.” I started to find my own voice and built mental and spiritual strength. I learned and continue to learn that vulnerability is the key to serenity and authenticity. Even when I am not in the mood to be vulnerable, I lean in and just tell it like it is, because I believe it will help others find their own voice and speak their own truths. We are all battling demons, one way or another. When I finally reached a point of radical acceptance, it occurred to me that I don’t have to approve or like what happened to accept it- I just have to accept it. Once I embrace acceptance, it immediately kickstarts the courage in me to feel my feelings all the way through- I had to learn to not make my story better or worse. In “Don’t Stop”, I tell my story as it was; it was bloody vicious, and, now, I am victorious. The bone and marrow in “Don’t Stop” are in the lyrics I wrote that read, “We say forever; we can build our lives if we build ourselves back up.” In other words, two fractions do not make a whole. I am responsible to create my own wholeness and keeping my side of the street clean. I need to build myself up and know my value before I can expect another person to see my value. As humans, it seems, we are faced with the options to get bitter or better. I hope we all choose better. Your song “Don’t Stop” is incredibly dynamic and brings different aspects of instrumentation throughout the track. Could you share what Leah Summer’s original intentions were for how you wanted the song's instrumentation to sound and enhance your message? Yes! I love the fact that “Don’t Stop” starts out like an acoustic coffeehouse song and then mutates into a hard-hitting rock ballad. “Don’t Stop” started out on an out of tune acoustic guitar. From there, I knew it needed to sound anthemic. There was life and power in it that needed further instrumentation. My writing partner and I were heavily influenced musically by Brand New, Taking Back Sunday, Deftones, Glassjaw, Terror, and Madball, thus making double bass an absolute must in this song! It was clear that the song needed to come out of its shell like a butterfly out of the cocoon. Thus, we started lightly with Cello accents that were added in post-production for color and dynamics by our producer. Chuck Wright of Quiet riot rooted the song beautifully with intricate bass lines, and Coby Linder of Say Anything was a genius on drums and brought the latter part of “Don’t Stop” to life with a hard-hitting double bass that gave the song more power and bite. The guitar work was airy with a punk sensibility in the beginning and evolves into its dropped D distortion from metal guitarist, Dorian Levi. The dynamics in “Don’t Stop” really tie in with the emotions in the storyline. Since its message is about strength, hope, and resilience, it was important that this song had guts musically. It needed to hit hard and be in your face. I want people to walk away from “Don’t Stop” feeling truth and something real. The music reflects and supports the theme that there is light within the darkness. You also have a powerful music video for the single “Don’t Stop”, which features brilliant imagery and scenes. How did Leah Summer plot the concept for the music video, and were there any challenging aspects in the process? Thank you for your kind words. I had the privilege of working with an incredible film director, editor and music video director named Don Cotton. He and I talked for hours regarding a music video treatment for “Don’t Stop”. I shared with Don that I wanted the video to show that the aftermath of domestic violence does not always have to end in flames. I wanted to show empowerment, especially for other women out there going through a similar situation. I thought I needed to be seen trying to be someone I am not- in tight, tight dresses and then in just a plain white tank and jeans. Don felt the opening montage would add value to the message and we incorporated researched statistics surrounding domestic abuse. Don’s direction for the scream that happens right before we cut to the song. He said “Okay, Leah. Now just release.” I screamed from the pits of my soul. I screamed for every woman and human who were and are being mistreated, bullied and kicked around. Talk about being vulnerable- I was sweating furiously afterward! It felt entirely cathartic. It was Don’s idea to feature a male actor, and Devin was an amazing fit. Shooting the montage with Devin got rather emotional and was challenging to film, though. Devin is one of the sweetest and kindest men I have met, and he could not wrap his head around the fact that a man would hit a woman. It made me pause and reflect that, wow, I actually allowed that in my life, and, then I thought of the spirit of “Don’t Stop” and smiled at how far I have come along and grown humanly. Devin not only was the male actor, but he also scouted and found our amazing location. We were playing like kids at recess all day; we got to play (safely) with chainsaws, an axe and, at one point, I was swinging from two ropes and then climbing a random spiral staircase we found in this bizarrely magical warehouse. We shot the entire video in one day, and, while we were fighting for light due to weather, every shot came out exactly the way we wanted. We all agreed there was some Divine intervention that helped our cause. Everyone on set was fully committed to the project and you could feel the passion. I think my most favorite scene is when I am dancing right before the drums and bass hit hard. Don was actually dancing with me as we were shooting that scene, and we really had a blast. To be honest (and vulnerable), I cried the night before we shot the video because I was just feeling so much gratitude. I can actually share my experience, strength and hope with others and survived some really crazy days. The music video for “Don’t Stop” truly embodies my heart, soul, guts, and healing, This is a testament to Don’s incredible film skills, compassion, and the crew’s ceaseless focus and love for the art on set. It’s refreshing to see a young and successful artist like yourself use your platform to speak messages that need a little more attention. Why do you think it’s important for artists to write from a sincere place, and channel negative emotions through music? I so appreciate you seeing the truth in my writing. Man, I think all we have is our truth. If I am not writing from a place of sincerity, then I am not doing my job as an artist. Even when I write pop songs for sync work, I am always approaching the work from a space of authenticity. When I accept life on life’s terms- when I stop trying to engineer outcomes and really let go and accept what all has happened in my life, I have no other choice but to speak my truth, especially into my music. When I sing, I feel that is when I am communicating at my very best. It is a spiritual and cosmic experience for me. I learn from every song I write. “Don’t Stop” saved my life. When I was battling mental health issues, this song I would just play over and over, and it helped me heal. People have reached out to me with messages about their own experiences in abusive situations and how the song has helped them grow. It is amazing. As artists, when we choose courage and when we choose to go boldly into our truths, we are encouraging others to do the same. It is a gift- it is the gift of artists and songwriters that we can channel years of pain and suffer into a 3-minute song that can express, relive and then release that chapter of life, and that song can then help others heal and move on in their lives. The truth is everything, and it is the only thing that can set us free. I think of my song “Don’t Stop” as a melodic and beautiful reminder to keep showing up to life- to keep going, and to never stop; don’t stop, don’t stop yet. Instagram.com/leahsummer1111 facebook.com/lrsummer #BUZZMUSIC

Michael Geary is a singer and songwriter from Austin, Texas who performs through his artistic persona Alex Malave. He is best known for his ability to traverse and absorb aspects from a wide variety of genres including pop, punk rock, soul, hip hop and EDM. After releasing his first single “Tampico” in 2019 Alex Malave has just released another single called “Wasn’t True,” and is planning to release his first EP sometime this year. Alex Malave’s “Wasn’t True” is the type of song I like to classify under the category of deck tanning music. This track simply needs to accompany a strong dose of vitamin D and a pleasant breeze. The relaxing instrumentals will transport you to a chill atmosphere and immediately enhance your state of mind. “Wasn’t True” begins with a soft percussion beat and gentle acoustic strums. Alex Malave then begins to sing with his alluring, laid back vocals. He exhibits his broad range throughout the song; some verses are sung at a high pitch, while others are lower and more mellow. His lyrics speak to the feelings that are experienced through a heartbreak, which allows fans to easily relate to the song. To wrap up “Wasn’t True,” Alex Malave introduces an electric guitar that somehow manages to maintain the chill vibe of the song. With his elegant vocals and unique spin on peaceful instrumentals, Alex Malave has created a polished piece of bedroom pop. Listen to "Wasn't True" here. Welcome to BuzzMusic Alex Malave! We were entranced by the chill vibes of “Wasn’t True!” Can you tell us more about the message behind your lyrics? Hey, thanks for having me! This song was actually written a little while back when I had fallen out with a few people that were really important to me. This song was kind of a way for me to move forward at the time and I decided to release it because I knew it was a feeling that a lot of us could relate to. I wanted it to feel kind of cathartic for whoever listened. We know you are the type artist that is influenced by various genres including pop, rock, soul, hip hop and EDM. How do you incorporate aspects of these genres into your music? Specifically, in your most recent song “Wasn’t True?” Wasn't True was actually breaking some new ground for me in terms of songwriting. A friend of mine had been teaching me how to sample so I knew I wanted to incorporate some lofi the hip-hop drums. I played some jazz chords over the beat and used some gospel-style harmonies on the hook to complement the tone of the lyrics. I had a lot of fun experimenting with some new sounds! You chose to create your music under the name Alex Malave. Can you tell us why you chose this name, and what it means to you? My stage name is actually just my middle name and my mom's maiden name! For me though, its kind of a different mindset for me that I slip into when I perform. It's a different kind of feeling than when I used to be the singer of a post-hardcore band, for example. I feel like its just me writing and playing songs in a new, more mature mentality. It is clear that you appreciate the beauty of instruments in your music. Which instruments do you play, and how do they shape your style as an artist? Thank you for saying that! I've actually played guitar for about 11 years now so I can at least get by on most stringed instruments and piano (more or less). I've actually been trying to use some new instruments like a mandolin and upright bass on upcoming tracks! As a musician, as much as I love synths, there's something really satisfying for me when I can record live instruments. On the other hand, one of my favorite things right now is combining live instruments and synths or sampling my own playing. What can we expect to see from you throughout 2020? My debut EP is almost finished so once we finalize the release plan, you can expect to see that in the coming months! This one is super exciting for me because I was able to experiment with some brand new sounds, as well as explore new places lyrically. I've also got a lot of awesome collaborations with my friends from Quiet coming out soon so keep an eye out for those as well! instagram.com/michaelgeary99 twitter.com/itsmikemydudes #BUZZMUSIC

From St. Louis to Nashville, alt-rock artist Jenny Teator returns with another hard-hitting track “Rise Up”. After performing at notable venues across the United States and accumulating over 100,000+ streams on Spotify, Jenny Teator is constantly growing her talent through each song and performance. Her latest single “Rise Up” captures powerful rocking instrumentation alongside Jenny Teator’s sultry and hypnotic vocals. While creating a bold and invigorating atmosphere, “Rise Up” exhibits power and persistence to come out strong in the end. With shifts in tempo, we’re left with an incredibly exciting and dynamic track ready to get you out of your seat. “Rise Up” begins with seductive electric guitar breaking down an intriguing melody, anticipating Jenny Teator’s riveting vocals sharing empowering and indulgent lyrics like, “A voice in my heart says rise up, even when I’m not quite ready”. “Rise Up” speaks on finding that last boost of power and giving it all you’ve got in dark times like these. With upbeat and layered instrumentation from heavy drum patterns to bold harmonica solo’s, we’re left wanting more of Jenny Teator and her inspiring sound. She’s effortlessly taken groovy alt-rock elements and blended her motivating lyrics, taking inspiration to new and refreshing wavelengths. Listen to "Rise Up" here. instagram.com/jennyteator facebook.com/jennyteator #BUZZMUSIC

Santa Barbara's alternative duo Playyard is back with another playful and heartfelt single “OMM (with Brooke Sierra)”. The duo consisting of Micheal Sack and Henry Morris, Playyard perfectly blends feel-good pop elements with mid-tempo R&B production to create their west coast alternative sound. Accumulating over 350,000 Spotify streams, Playyard has taken their next step into the industry with their exhilarating single “OMM (with Brooke Sierra)”. The track brings aspects of today’s hottest pop acts and their warm delivery, all while personalizing it with catchy mid-tempo R&B production. With bright acoustic guitar patterns to gripping kicks and snaps, we’re intrigued by Playyard’s unique take on modern alternative music. “OMM (with Brooke Sierra)” opens with lush acoustic guitar picking and underlying production gradually growing to a crescendo. Once the textured downbeat drops, we’re met with luminous acoustic guitar strumming and finely-calibrated supporting production incorporating a variety of transcendent kicks, snares, and snaps. Between transition from chorus to verse, the track provides incredibly uplifting acoustic guitar picking, perfectly setting up anticipation for what's to come next. With a genuine message of moving on for the better, Playyard has captured the track's theme through passionate lyrics like “I’ll be out wasting all my time, and get you off my mind”. All in all, their single “OMM (with Brooke Sierra)” is a prime example of effective songwriting, and we’re only excited to see what Playyard conjures up next. Listen to "OMM (with Brooke Sierra)" here. Welcome to BuzzMusic, Playyard! We’re loving your group's vibe and uplifting messages through your single “OMM (with Brooke Sierra)”. Could you share what makes “OMM (with Brooke Sierra)” different from the music Playyard has released in the past? I think the main difference is the level of production that went into making the song. We’ve been experimenting more with the production side of things these days, and I think it’s starting to show in our newer unreleased songs especially. Unlike our previous songs, OMM has a more in-depth and refined sound. What’s incredible about music is that there are so many sounds, genres, and inspirations to draw from and we’ve really just been having a great time exploring them. We hope that we’re able to show those blurred genre lines through the variations in our singles, and the music on our upcoming album Your track “OMM (with Brooke Sierra)” creates beautiful imagery and a positive underlying message. What was Playyard’s creative process like when crafting the refreshing single? We actually started making the track while we were chilling in my living room. I remember I was messing around with some new guitar chords that Henry thought would be a cool vibe for a new song. I think that’s what really sparked the creation of OMM. After he laid down the chords we kinda just started to improvise with it up until we had a demo we were happy with. After that was just a bunch of post-production edits on all the little details until we thought it was perfect. You’ve mentioned that not only are you bandmates but college roommates as well! How do you think this helps you two in regards to creating, recording, and executing music? It’s honestly super convenient! We share a studio at our house in Santa Barbara, which is great because it allows us to share each other’s personal equipment in the same studio. It’s also nice that we’re close friends and share the same social circles up at school in Santa Barbara because it helps keep us on a similar schedule. Like for example, the majority of the time we produce music is after we get home from a night out and somehow end up producing until like 4 am. We’ve heard that after extensive growth as a duo, you’re taking your next steps into the industry with poise. How does Playyard intend to use their platform as artists, and what messages do you want to get across to your listeners? When we started making music, we were freshman roommates in a tiny college dorm room with a very small studio set up. After countless late nights recording music in that small space, we began to view it as our own personal playyard. We were limited with what we had, so it was important to get creative and use our imagination with the tools we had, sorta like how we all were as children when we’d create our own imaginary world while running around screaming in the playgrounds. This ability to tap back into your childish mind and be yourself without fearing what other people think of you is the kind of characteristic we hope to evoke in our audience. What can we expect to see from you throughout 2020? Times are pretty weird right now so it’s hard to tell what’s in store for 2020. We’ve been separated because of the quarantine but we aren’t letting that stop us from making music. We’re definitely missing performing but we know this is only temporary. Luckily we’ve got so much music lined up for you guys and have been working hard on getting them ready for you all to hear. Hopefully, you’ll see an album from us but if not expect to see some more singles to keep your company in isolation. instagram.com/playyarddd #BUZZMUSIC

Ishimwe Manoa was born and raised in the Democratic Republic of Congo. Growing up he was not a stranger to adversity; the family had to spend time in neighboring countries in Africa during the war in Congo. Having grown up singing in church choirs, Ishimwe Manoa took advantage of his natural talents and pursued an education in music once he moved to San Diego in 2008. He then took a risk in 2016 by quitting his day job and building a career in television and music in Los Angeles. It was something he always dreamed of doing, but by actually deciding to make music his life Ishimwe Manoa is an inspiration to aspiring artists everywhere. In the past few years, he has been releasing his original music - including his newest single “Tekawe.” From the second you hear the song, “Tekawe” immediately transports you to a tropical dance floor surrounded by tiki torches somewhere near a beach. “Tekawe” has a faded electric guitar melody paired with tropical percussion instruments creating its playful beat. Music lovers will be intrigued by the instrumental diversity of the song; from trumpets to guitars. “Tekawe” is a song that will make fans want to dance to its tropical, summer vibe. Ishimwe Manoa stands out by bringing his culture and personality to the dance and afrobeat genres. Lyrically, “Tekawe” is a bilingual song that allows for Ishimwe Manoa’s entire fan-base to enjoy his music firsthand. From Congo to San Diego to Los Angeles, Ishimwe Manoa effortlessly blends the best of each of his homes. It’s his natural ear for music, and the ability to bridge various cultures that makes Ishimwe Manoa a rare find among dance artists. Listen to “Tekawe” here. Welcome to BuzzMusic Ishimwe Manoa! Your newest single “Tekawe” had us all dancing! We loved the multiculturalism you represented through writing a bilingual song. Can you explain to fans what your message was in the song “Tekawe?” The message behind Tekawe is that feeling when you are in love with someone and you are just taken away. The beauty, the smile just everything about them leaves you speechless. You went to the San Diego School of Creative and Performing Arts for music and vocal major. How has this education impacted the artist you are today? San Diego School of Creative and Performing Arts helped me feel like for the first time.. I belong. You know... I always say if anyone has watched the Nickelodeon show “victorious” it was like that... an environment where you around surrounded by future dancers, singers and actors and you feel comfortable enough to just be you. And that gave me the courage and motivation to keep working on my art.. since 2013. By writing your music in two different languages you are able to connect with audiences from both of your home countries. Do you always write bilingual music for your Congo fans? Can you elaborate on how you have incorporated both Congo and western music styles into your songs? Well, I was born and raised in Congo mostly the Eastern region of the country. So growing up I would You told us that you were shot at age six and that your family survived the gatumba massacre in 2004. You clearly experienced real hardship at a young age. How have these experiences shaped you to become the person and artist you are today? Do they inspire your music style? My family moved to the USA when I was just 12 years old. So singing along to music helped me learn English fast And kept my spirit up at the same time. But at the same time, I kept listening to East African Swahili music to stay in touch with my culture. I struggled at first because I had To choose to either go pop or African music... but as time passed and I got Into print modeling. I realized I’m an artist and I don't have to be the next someone else... I JUST HAVE TO BE THE FIRST ME and what’s a better way to do that than combine both styles since they both are part of me... and that’s helping me connect with my western world fans and my people back home. Honestly growing up I felt Like the world was out to get me. You know from a young age my family and my people faced discrimination daily... and it was just way life was... it used to have much hatred... but when I moved here in the USA and you get to meet people from all over the world and have friends from different culture, race, and background.... it made me WAnt to give the WOLRD the love that I wanted The world to give me as a child and WHATS best way to do that than expressing myself than music... that how I am able to communicate... spiritually and emotionally... and I love Being emotional... it helps me stay grounded and humble and grateful to where I am And where life is taking me. instagram.com/ishimwemanoa #BUZZMUSIC