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The alternative rock band Minaxi has just released a new LP and are prepared to give listeners something to appreciate from all aspects of music. Shrenik Ganatra, Liam Christian, and Steve Carlin come together as a band to document their views on life, love, freedom, and more. Also drawing inspiration from Hindustani pop and Pakistani rock, Minaxi blends cultures and tones for one unique sound. “Stargazer” by Minaxi gives you a glimpse into the band’s recent LP 'Khwab', and is the first single off the album. The song starts with a bang, introducing a spirited guitar instrumental reminiscent of 90s rock, which reappears several times throughout the song and keeps you engaged. This track is driven by rich instrumental melodies, rather than lyrics, leaving lots of time to appreciate the musicality behind the song. “Stargazer” quiets down as the lyrics emerge to draw attention to the vocals, painting a picture of someone wanting to break free from a mold. The strong, vibrant lyrics complement the solid drum beat and guitar, leaving you feeling empowered and ready to dance. They sing of forgetting about the world around you long enough to learn to be true to yourself, and then the song fades with intense sounds of guitar feedback. Check out “Stargazer” by Minaxi, here. Welcome to BuzzMusic, Minaxi! Congratulations on the release of your new record, how long has “Khwab” been in the works? What does this album mean to you? Thank you very much! Shrenik: We formed the band in June 2018 and began working on material for Khwab. However, several songs were written well before the idea of this band became a reality. September 23, 2017 is when I wrote the demo for "Saturnine", and it was my first forays into incorporating the blend of shoegaze and psychedelia into the music. We ended up with 27 songs by mid-2019 out of which 10 strongest ones that fit the narrative of the LP were picked as A-sides. We have planned several B-side releases throughout the year as well. Liam: When I first joined Minaxi, I hadn’t been in a band in New York before, and it meant, for me, a sense of community and collaboration that I was really craving at the time. The release of the album and the album itself is for me a symbol of friendship and collaboration and a reminder of why I love to do this. Steve: I joined Minaxi last June after Khwab was recorded, so for me the album is a blueprint for future songwriting. Shrenik: To me, it's a symbol of friendship, collaboration, accomplishment and evolution as an artist. In the two years that we had been working towards the album, we have evolved as people and artists. Listening to the final mixes and then going back to our rehearsal recordings from 2018, proves so! We also set the bar high on our collective performance. For instance, we recorded all the drums, bass and scratch tracks without a click track and in a single take. You may already have noticed this but if you didn't, the next time you listen to the album, you'll probably have renewed respect for our former drummer Andrew Coral, who did takes upon takes to get the drums right. How do you structure your blends between Hindi and English? When you write music, are you more focused on one language rather than the other? Shrenik: I approach songwriting from an emotional standpoint. Each song has an inherent emotional quotient, and the lyrics just happen to flow with the said emotion. Therefore, I don't approach a song thinking that it's going to be set in Hindi or English. It all happens in the moment; sometimes the words come out of your mouth in Hindi, some other times they're in English. It's something I have little control over, to be honest. I let my instincts guide me. What is a unique aspect that each of you brings to the band? How long hasMinaxibeen working together, and what does “Minaxi” mean? Steve: Hearing a song in a different drummer’s context helps me think about ways I can improve a song’s structure or incorporate a new fill or backbeat into my repertoire. Minaxi’s sound relies on lots of big, sweeping effects, so I enjoy figuring out how I can be the anchor that locks it into place. Liam: While I play the bass, I am first and foremost a writer and guitarist. I think that allows me to see things from Shrenik’s perspective and contribute with more than just my own instrument in mind. Shrenik: I bring the songs. It's all I got, haha! I come into our rehearsals with the song and a blueprint for the sound. We then work it out collaboratively where each band member adds their own personality to the music. Playing a song to the band for the first time, to me is equivalent to the feeling of falling in love. The band playing it back together is the love that's being reciprocated. It's a weird analogy but it works in my head. We've been together since June 2018. Steve joined in June 2019.Minaxi(me-naak-she) is a feminine name of Indian origin. It translates to a woman with beautiful, fish-like eyes; or a goddess who never stops watching over her devotees. What challenges have you come across from putting out an album for the very first time? What is the advice you would give to musicians in a similar situation? Shrenik: We're still figuring out the best way to approach the business side of things, you know, as the game is changing rapidly and a lot of what you discover is dictated by algorithms. Getting the masses to listen is a challenge but the solution to the same is the endless promotion and reaching out to independent blogs, music folks, etc. for features. We have been fortunate to have received support from our friends, local blogs such as bands do Brooklyn,Left Bank Magazine,The Deli and international press such as Rolling Stone (India)and rock Street Journal. However, we have been proactive on our social channels by populating them with content/visuals on a regular basis. It has helped attract a wider audience to our music. I'd say in addition to writing good music, keep pushing out content. It will help in the long run. Thank you once again for having us and supporting our music. instagram.com/minaxitheband #Buzzz

Welcome back to BuzzMusic Samson Crowe. We are happy to chat about your new EP 'Strange Animals'. How are you doing in this crazy time right now and how are you using your music to cope with everything going on in the world right now? The beauty of music is that there is always something to work on. I think this point in time for everyone is “Okay, everything is now completely off track. Tours are canceled, albums are delayed, even full band rehearsals are on hold. Now what?”. I am embracing it as a creative starting point. I think it’s really important as musicians to stay open-minded and look for new things to try. Everybody is looking for a way to stay connected and we can be involved in that in a big way. The other exciting part is there is a subtle reset button that’s been pressed, and I feel like I have the opportunity to rethink and refine everything I wanna do after the outbreak recedes. There are endless possibilities and I think people will be itching to celebrate. Let’s talk about your latest EP release, “Strange Animals”. What were your goals with this EP and how did you successfully execute? My goals for this EP were to explore some of the more complex emotions involved in looking at the future. I think it conveys a certain level and uncertainty, but also a certain level of gratitude for life as it is. One of the things I really wanted to convey was curiosity. It was released on New Years Eve, and me and all my friend are quite young so we’d only seen the decade turn over once when we were children, and once before we could talk. It was new, and nine of us really knew what that meant. Which song from “Strange Animals” do you believe best represents the theme of the EP and why? How would you describe your songwriting approach towards it? The song “Strange Animals” opens the EP, and I think it’s lyrics establish the intrigue and fun of uncertainty, which is a big theme of the EP, but “The Last Stop Before the Future!” really tries everything together. It’s a take on “Auld Lang Syne”, meant to really reign in a quiet warmth and unity as we move forward as individuals and as communities. It was a New Years song, but it’s still one of my most requested pieces, and I guess it’s because people feel that way often. My approach to writing it was quite hectic. I had the idea quite late into November, so it was a matter of just getting it together in time for New Years. Usually rushed songs don’t turn out that good, but that song was really lead by its fairly simple structure. I felt like l could’ve written 20 good verses for that song without breaking a sweat. What can we expect from your anticipated release of “High & Wild”? ”High & Wild” is an album I’ve wanted to make for years. In the early stages, it was a rock ‘n’ roll album in every sense, and in some ways it still is but as I’ve developed as an artist so has the concept. It’s a high energy album, but it’s also got a heavy lean towards poetry, with each song trying its best to represent something human. It follows the struggle of relationships and community and some of the innate conflicts with individuality and personal maturity. I think it flourishes production-wise too. I mean I’m not gonna oversell it because it is a “spare room” album, but I think it does a good job of utilizing the versatility of vintage sounds (which is much more accessible for home productions), while not being a vintage record, it’s something entirely new. That’s why at this point I hesitate to outright call it a rock ‘n’ roll album. It’s evolved a lot since then. I had to wait for the material to come to me. I knew what I wanted but the songs weren’t quite there yet. I’m quite happy with it now, it’s just a matter of finding a good time to release it since the music industry is still finding its footing again. Thank you for talking with us Samson. What do you hope your fans and listeners take away from "Strange Animals"? I hope they feel at home with it. It draws from inspirations that remind me of sitting in the sun on the porch or just being surrounded by friends and I think I would want people to feel some of the comfort in that. Listen to "Strange Animals", here. Instagram #BUZZMUSIC

Malexes is a Germany based music producer who creates exciting, forward-thinking Future House / Pop Music. Since starting his career, Malexes has had his music played on international radio and had a music placement on the Netflix original "Club de Cuervos". Malexes recently released his upbeat grooving new album 'High And Low' and we are loving it. The album opens up with the title track "High And Low" and this record features a beautiful female vocal performance that teases in out enchanting vocoder effects, a dancing piano and drums that provide the perfect groove that supports the rest of the parts. The chorus of "High And Low" is the clear highlight, with the explosive characteristics of the instrumentation it will send any dance floor into a frenzy. The following tune "Never Felt This Way" brings up the tempo with a modern piano rhythm that then perfectly leads into an ever so smooth male vocal that grabs your heart. The climax of "Never Felt This Way" shows off Malexes' creative effects with the distorted but clean vocal chops that pop in and out of your ears overtop of a satisfying drum rhythm. The ending perfectly leads into another high energy release "Pieces of Paper", this one introduces more ambient synth elements that life into an ethereal wave that washes through you. The classic Malexes vocal effects shine through again in the chorus with the evolving vocoder effects that keep you humming along to the hook. "Way To The Moon" has to be the most dynamic song of the album, the vocals switch between a male and female performance that feels like a beautiful duet that has little flairs of ethereal magic in them. The chorus here brings in a deep bass that will be sure to make the dance floor shake. The following tune "And I Know' brings the tempo down a hair with a more emotional raw feeling to it. The vocal performance here has a very honest feeling with a lovely modern vibe to it that feels right in your face as you listen. The build-up in "And I Know" feels as if it's bringing the speed up a bit before letting it all go with an ever so groovy drop. "No Feelings Involved" definitely brings the feels. The song introduces an incredibly emotional rap performance and a floating subtle violin that slowly morphs into an exciting synth pluck. Although this one has a slower tempo to it, it has an interesting ballad movement to it - a dancing ballad, it works quite well. The next record "There For Me" brings the tempo and energy back up with its punchy synth plucks that instantly get you grooving. The vocals bring an elegant attitude to this record that feels like the cherry on top. The melodic and rhythmic elements cause an intricate push and pull feeling that will keep you bobbing your head. This leads perfectly into the closing record "Thinking It Over", and this brings an interesting flair to the chorus that stands out from the album. Instead of the classic Malexes vocoded vocals this chorus brings the vocal energy way up and hits you with a memorable lyrical chant that quickly gets you singing along to. There's a subtle cinematic spark in this one that makes it the perfect conclusion to the "High And Low" album. Overall every song brings something new to the table but each delivers Malexes' promise of keeping it exciting and making you dance.

The band Life Like Water consists of founder David Matters, and bandmates Megan Drollinger and Charles Furtado. David grew his music from days of living in a van, with just his banjo for company. Now he creates unique, trance-inducing music alongside his band with the hopes of speaking their truth to the world. “Looks Like Rain” is a delicate and soothing folk track by Life Like Water, with a simple, traditional feeling to it. Musical effects are absent from this track, and yet the variety of instruments and melodies help the song speak volumes. One of the most prominent instruments you hear in “Looks Like Rain” is the violin, which adds a gentle melodic touch, as well as other string instruments. They add beautiful vocal harmonies that flow well with the soft, comforting lyrics. All aspects of the song parallel elements of nature and flowing water, which matches Life Like Water’s connection to the physical world. They sing “I think we’ll brave the storm” after the anticipation of rain, and this short but happy line is enough to leave a smile on your face. The Middle East and African influences are apparent with the intricate plucking melodies present throughout the song and add another unique element for listeners to appreciate. Listen to “Looks Like Rain” by Life Like Water, here. Welcome to BuzzMusic Life Like Water! Your song “Looks Like Rain” was so compelling and unique, what was the recording process like for this track? Our process in the studio is pretty simple. We like to try and approach each song like we do in a live setting, which for us means we build them like a tree coming out of the earth. A lot of our songs begin at the root, with either the guitar or a simple percussion part. Since most of the songs are based off the melody line, the guitar often takes the lead. From there, we just follow the branches as they reach out through the song. They steadily grow as the percussion takes control and the layers of texture build. The violin is most often used as an accent for the melody. It’s like the peach blossom in early spring. It’s beautiful and delicate but only lasts for a short while. In this way, it is very much appreciated when it arrives. The vocals and solo sections are like the leaves-they are often the thing that stand out the most but they are really just a small part of the whole.  What is the most important aspect of songwriting to you? How do you stay true to your message? My approach to writing these songs has always been based on the feel of a haiku. I try and keep them simple and direct but packed full of meaning. The most important aspect of songwriting for me is authenticity and a natural flow. I try and stay true to my own voice, regardless of my perceived limitations. My life is a process, not a single event or even a collection of moments-and so to is creativity. It’s a constant unfolding. Like a hardy perennial that goes from unremarkable to dazzling and right back to unremarkable again, I try and work with the seasons and to use my place in the world as a point of reference for expression.  What did you learn from your time hitchhiking and traveling with just a van? How does this experience weave itself into your music? I think what I learned most from my years of wandering was the joy of simplicity and the importance of non-attachment. After letting go of most of my material possessions and making the decision to keep only what I could store in a pack, I realized how little I really needed to survive-or to find happiness. We tend to place so much importance on things and stuff in our culture but at the end of the day, they really only tie us down and distract us from what’s important. That’s where non-attachment comes into play. When we aren’t so afraid of losing things or going without, we are much more capable of enjoying them when they are present. We can appreciate them fully and then just as fully, let them go. In this way, I have learned the real value of life itself. When I remember these things, I am much less neurotic and self-conscious. I am able to do things for the simple joy of doing them..But honestly, it was so much easier to do all this when I lived a life with very few responsibilities and no one else to take care of lol. Now, as a parent and a partner, it’s much more complicated. But I always try to remember what I learned in those care-free days and to apply them however I can. I doubt I would even be aware of this way of being had I not spent those years traveling.  From what we’ve heard with “Looks Like Rain”, Life Like Water enjoys experimenting with instruments and sounds. What can we expect from you in the future? Will you stick with a familiar folksy sound, or branch into something new? I am always trying to evolve my style of writing and the way I approach music. My real goal is to create a new sound, something that comes straight from the heart but which incorporates all my influences. I don’t exactly know how we will get to this place but I feel that the possibilities are endless...I am also very fortunate to have such talented bandmates who are helping me develop this music. Their influence has certainly contributed to where we are. As I said before, creativity seems ever flowing and I don’t believe it has a finish line. I am quite happy with our current sound but I am definitely open to new possibilities. facebook.com/LifeLikeWater instagram.com/lifelikewaterband #BUZZMUSIC

SAIGE is easily this year's freshest and most exciting addition to the music scene in Ireland. Emerging as a talented writer and vocalist at a young age, she quickly established herself as a regular performing amongst Dublin's favorite music venues. With undeniable influences from some of the most prominent indie-pop and alternative artists of this decade, Saige moves forward where others have left off. "Soothe Me" was written and produced by Dublin's very own. It perfectly establishes itself in the Alt-Pop and Indie genre, while also offering a fresh spin on some of the staples of modern music. The balanced guitar ques, well-cemented rhythm section, and the feeling of air and space within the chorus all highlight Saige's ingenuity in bringing the right elements together for this song. Right off the bat, we're surrounded by an ambient collaboration of whimsical synth pads and a dark and captivatingly rich voice. "When you move me... stirs something gone from me," Paige sings, as the guitars and synth join in on the downbeat to beautifully transition into the lul and warmth of the mantra in the chorus. As the tight and snappy drums chaperone us forward, a bed of guitar chords floats atop, flourishing amongst sultry vocals. A whisper of reverb keeps the vocals close and personal. At the same time, synthesizers fly freely around the rumble of the drums below. As the final lines are sung, and the song comes to an end, Paige's "Soothe Me" reminds us why we listen to alternative pop in the first place. Listen to "Soothe Me" here. Welcome to BuzzMusic Saige! We're deeply mesmerized by your sound--you have such a rich and warming presence throughout your voice. Can you tell us more about your intentions when you first began to put together your recent single, "Soothe Me"? Thanks for having me! You're so kind.. As a first release, I'm blown away with the positive energy my music is getting. 'Soothe Me' was actually late to the game and wasn't meant to be on this upcoming EP - it was something I quickly penned on the bus! But when I took it to the band to develop it became a frontrunner. The premise of the song is mental health, and in this specific case - mine. It's about finding someone that is a balm to your anxious soul essentially.. that person who can calm your mind. How do you think you have grown as a musician and songwriter since you first started making music? What has stayed the same about your process? When thinking about growth lyrically, I would say 'Soothe Me' was perhaps a turning point for me becoming comfortable enough to express something a bit more delicate to me. Alongside the song premise, the lyrics focus on a water theme - growing up by the sea it's another love of mine to chill and escape. A lot of the water scenes used in the video are actually filmed in my hometown as a subtle nod. To answer your second question about what's stayed the same... that would be our creative development of a track with the amazing backbone of Saige - the band. They're actually my best friends I grew up with, and I'm grateful for the process to flow so naturally with them - generally over a pizza. Initially, I write the songs without an instrument (just vocals), and generally tend to send over a load of voice notes to them in the middle of the night - I'm sure they love me for that!! I'm a total night-owl. You have terrific vocal control on your debut song and such an expressive voice in general. Do you have any ritual practices as far as keeping it in shape? Thank you so much! The one thing I try to do is sing, and sing often. I'd be afraid of going rusty otherwise. Also, those herbal throat comfort teas are the nicest thing ever I'm hooked. You come from Dublin and have spent time playing there, how do you think the music scene in your hometown has influenced the kind of music that you make? If not, why? I would say it partially has and has molded in with other influences. I'm from the countryside originally and grew up loving a lot of 80's Synth and as a teen, Emo/Alt-Pop. When I moved up to Dublin to study music (where I met the rest of the band) I was blown away with all of the independent Indie music coming out of the city. Indie and all of its sub-genres quickly became a love of mine and I think they've all melted into our releases in one way or another. When do you plan on releasing more new music and are you playing any shows soon to promote "Soothe Me"? Our next single will be released this May and we're really excited about it. It's a different vibe from 'Soothe Me' but still very much us -there'll be more news on that soon. Both tracks are from our upcoming EP release 'This Is Saige' with more to follow. And with gigging - it's currently up in the air with the current World situation but our launch will be this Summer - keep an eye on our socials for announcements. instagram.com/thisissaige facebook.com/IAmSaige #BUZZMUSIC

MESSIMER is is a rock band that consists of decades of screw-ups, lies, self-reflection, alcoholism, hard life lessons, and the ability to try again through the support of friends and family. MESSIMER has recently released their emotional single "I Don't Need You - Yes I Do" and it is the perfect hybrid of styles and storytelling. "I Don't Need You - Yes I Do" features elemental flairs from various genres that include folk, rock, blues, and alternative. From a storytelling perspective, this record will take you on an emotional rollercoaster that will make you feel reminiscent, sad, happy, hopeful and regretful all at once. It is a very colorful picture that gets painted throughout the record. "I Don't Need You - Yes I Do" also features Queen-like vocal harmonies, a memorable edgy guitar riff, a punchy melodic bass, an explosive musical drum kit, and storytelling melodic vocals that soar throughout the song. The highlighting theme is contrast and both storytelling wise and musically this happens, whether it's the contrasting lyrical message of the song to have a generally dark moody feeling than suddenly lift to something upbeat and almost happy at the ending. This is a lovely record that you will not want to miss out on. Listen to "I Don't Need You - Yes I Do" here. Hey there MESSIMER! We are absolutely loving your emotional release "I Don't Need You - Yes I Do"! What was the songwriting and production process like for it? The songwriting and production for this whole record has been something that wasn't planned, nor was it something I even put much thought into. It was born out of necessity in order to sort out my feelings over my father's illness and death. When you're going through something like that, you grasp at whatever vice you have to help you get through it. I don't partake in any drugs and I quit drinking over 3 years ago, so music has kind of become my vice. All of the songs were stream of consciousness. This one in particular. We heard that you record the music yourself, that's awesome! What was that process like for this release? Did you face any challenges? The planned record in my mind was finished. I had all the songs ready to go and was a day away from sending it off to mastering when the opening line, "I don't need you...", popped into my head. The entire thing was written, recorded, and mixed that day. It took me maybe 6 hours from beginning to end. It's crazy how when that happens, you often find those become your best songs. I obviously had more to say and it all came out in this one. What would your influences and inspiration be for the music that's being created? What about them makes them an influence? A year or so ago, I knew I wanted to write something more complex with a bit less of a commercial feel than my previous releases. I by no means think my previous songs were overtly poppy or had much mass appeal, but I still had those ideas in my head when written them. For whatever was next, I knew it needed to be more for me. Knowing that, it only made sense to me to dive straight into The Beatles' "White Album" and The Beach Boys' "Pet Sounds". Those two albums might be the most inspired records in history, spanning multiple genres and even creating some. I also spent a good amount of time listening to "Little Criminals" and "Trouble in Paradise" by Randy Newman. His style of writing is maybe the most unique in popular music. Blend those four records together, shake it up with some huge personal life changes, and I guess this is what you get. We heard that your music is the very honest raw version of you, how has your writing changed from since you have started? Actually I've kind of come full circle. I started writing my own songs when I was 13 or 14. At that age you're so emotional and introspective, you almost have no choice other than write out your every feeling to avoid screaming at everyone and losing your mind. Around 20 years old I really started to jump into heavy drinking and that messed up, among other things, the clarity that I used to put into my lyrics. When you're drunk 80% of the time, it's hard to know what you're really even feeling. Since sobering up, that clarity has come back. I'm now writing the way I did when I first started, which is to wear it all on my sleeve and not hide anything to avoid screaming at everyone and losing my mind. instagram.com/messimermusic facebook.com/messimermusic twitter.com/messimermusic #BuzzMusic

What kind of artist is Myles Em, and what does he stand for artistically? Myles Em is the kind of artist you may find yourself connecting with if you're the type of listener to go for music that contains deep reflection and offer a sense of exploration. Born and raised in New Orleans, LA, Myles Em always found himself compelled by the idea of music and creating his personable sound. Myles Em brings about themes, stories, and meanings within his tracks that are refreshing. His prominent style follows more of dynamic design, and you may find that his overall arrangement is potent. We can confidently say that Myles Em proves to be a confident, compelling, and collected artist that's here to make an impression with his music. Myles Em released his track "Callin", which we found focused on the story of the rap artist's life. Myles Em hones in on an aggressive execution with "Callin", where the outflow of content comes off as very forward and authentic. The song further follows similar soundings to old-school rap tracks, mixed with modern stylings regarding the mixing of the track. The lyrical content of "Callin" has substance, and as you listen along, you'll feel as if you're on a complete journey with Myles Em, which personally made us feel a deeper connection with the artist and his story. Myles Em is all about diving deep into the personal aspects of himself, which is a characteristic we've always been drawn to regarding his artistry. He's conscious of everything he constructs, and we found this trait of Myles Em to be easily proved within "Callin". All in all, "Callin" was assertively delivered in an introspective manner by Myles Em, and we're looking forward to more projects by the rap artist in the future. Discover Myles Em and his track "Callin" here. Hey, Myles Em! Thanks for taking the time to chat about your recent single release, "Callin". When you were first writing this track of yours, what kind of major elements and themes did you intend to communicate across to your listeners? I wanted to give people an idea of where I was at the time emotionally and mentally. Doing my best to paint a vivid story for you to hang on to word from word. Is there a certain kind of energy you wanted to emulate onto listeners with "Callin"? Can you explain the kind of intentions that went into the construction of the track's beat? To me as soon as the piano keys came into play, and ambient chords swinging back and forth struck, you can tell this was a personal track. I wanted to bring that energy of "yea I beat the odds and overcame hardtimes" when the drums would make its presence known. Also giving a sense of vulnerability by bringing you into my personal life". You've always been an artist to really hone in on the lyrical content of your tracks, always making sure that you're being 100% real with your audience. Let's delve into the history of this trait intrinsic to you and your artistry. What do you think really urged you to construct your music with these kinds of intentions in mind? I'll say this, any time before I start my songwriting process, I'll ask myself is this concept or what I'm thinking about relatable? As an artist, I feel tho it is my job to give the listener all of me where it may be personal, relatable or anything to make you vibe and think too. Besides coming from a listener's point of view, if I can make a connection with the artist, I'm sold. Do you feel that you derive inspiration for your own content from your musical inspirations? What kind of artists do you feel match the essence of your sound? Of course, I've always been one to grab inspiration from any place actually. It could be a simple painting, an author of a book, a music producer or a music artist. Such influences as Timbaland, Kanye West, Lauryn Hill, J.cole, Zaytoven and etc. What can we expect to see next from you? Well as far as future plans go, building a bigger music production platform. Launching more digital outlets for multiple streams of online revenue. From products such as Drumkits, Instrumental Sales, Production Tutorial videos etc. Grow my "NolaBeSafe" Brand bigger within my community inside and out. Drop more music this year, and build a bigger catalog from the songwriting to collaborations, and music production. instagram.com/myles.em facebook.com/tmmyles3 #BuzzMusic

Eric Schaffer is a multi-instrumentalist from LA whose music ranges from a vast majority of styles. Eric's music predominately features the singer Samantha Coiner otherwise known as "She". Since writing music at the age of 13 Eric's influence of Nine Inch Nails inspired him to create his own productions. Recently Eric released his single "35mm" with She and it is a lovely experimental experience that takes you on an otherworldly journey. "35mm" features a mellowed out moody electric piano, trip-hop like evolving drum textures, ethereal ambient synths, a deep flowing bass, and an almost eerie beautiful vocal performance from She. This record enchantingly evolves and builds as soon as it starts which leads to an ambient masterpiece towards the end. There are subtle hints of jazz in the electric piano that perfectly compliments the vocal performance of She. She's performance has a very honest laid back approach to it that beautifully goes with the rest of the instrumentation. Her harmonies have a very clear but slightly ethereal quality to them that evolves throughout the song. This is a record that provides a blank canvas and hands the brush over to the listener and lets them transform their imagination as the song progressed. Listen to "35mm" here. Hey Eric! Welcome to BuzzMusic! We are loving your experimental experience "35mm"! What was the songwriting and production process like? I made most of the instrumental part and recorded Samantha’s vocals at a friend's place in Santa Cruz. I locked myself in a room for about 4 days and basically wrote this song with Sam at that time. It’s mostly a live performance, at least the drum machine, electric piano, and bass synth were live. Later I recorded the guitars at my place. All the instruments are played live and there is no midi. I later mixed it at Moosecat Studios in mid-city Los Angeles. We love the synths in this release! How did you come to the experimental synth sounds that were used? That bass synth sound is a nice little patch I made on my Arturia minibrute. It’s a Nice and powerful little synth. We love the vocals She gave in this! What is the recording process with her? What is the workflow like between you two to create the parts? Recording with Samantha is interesting, sometimes it can be a little contentious but I usually give her the benefit of the doubt Because she’s so talented. While I was chipping away at the instruments she was in and out listening and writing lyrics. Right before we were done she laid those awesome vocals tracks.  How do your influences leave a mark on your music? How has your music evolved since the first song you have created? Well, I originally tried to emulate Trent Reznor/Nine Inch Nails some darker post-punk bands. A lot has changed since I was 13 so I listen to most things these days I’d say. These days I listen to a lot of soul music, some classical, some jazz and I have a huge love for bands like Radiohead, Deerhunter, Modest Mouse, and Nirvana. What can we expect to see from you throughout 2020? I am currently working on an instrumental, heavily piano and synth-driven e.p because I’m trying to break into the more film score side of things and I’m going to be releasing a single from my solo project (where I do the vocals) Del Vertigo called “Views” in the next few months. instagram.com/Looming.Schaff instagram.com/Thisis_She_ #BuzzMusic

Jess Smyth, popularly known under the moniker Biig Piig – a name she saw on a pizza menu – has garnered a lot of attention since her emergence in 2017 with her short and sweet single ‘Crush’n’ on Spotify. An article by The Guardian highlighted that the 22-year-old performer spent much of her childhood between Spain and Ireland, before ending up in West London where she became a member of Nine8, a collaborative group composed of 15 musicians, artists, and creatives with a DIY-or-die approach to music. Before becoming a full-fledged musician, Biig Piig actually worked as a poker dealer to earn her keep, and Metropolis Music's profile on her claims that this experience as a poker dealer is probably the reason why her music has that right mix of maturity and youthful naivety that makes it unique. Biig Piig explains how the social nature of the game could make it a “big ball of emotion,” depending on the current winners and losers at the table. CardPlayer's review of PPPoker explains that the game has evolved to include differing rules, structures, guarantees, and jackpots, and being a dealer requires a lot of mental clarity. In her experience, “You have to be like the mum of the table – take everything on, take everyone else’s problems on and hold it together.” Ever since she joined the music company founded by her friend Ava Laurel (aka Lava La Rue), Biig Piig has been releasing tracks that incorporate soulful and silky vocals with gentle hip-hop beats. Her music appeals to a wide audience because they speak of the usual subjects that people her age usually ponder on such as escapism, romance, work, and friendships. For instance, her EP Big Fan of Sesh Vol 1 tells the story of Fran who recently got past a doomed relationship and is now partying hard and finding herself lost in a city that’s always moving and ever-changing. Dazed and Confused's review of the EP mentioned that each song represents the various stages of an intense relationship, starting from the nerves of speaking to the person for the first time in ‘Flirt’, to completely losing the whole relationship in ‘You Know Better’, and thinking about everything in the aftermath in ‘Perdida’. The second installation to Biig Piig’s trilogy of EPs is 'A World Without Snooze Vol 2' that follows Mira who is going through her teens. DIY Magazine's review of the EP emphasized how the featured songs tackle self-reflection and the various stages of maturity that one experiences as they approach adulthood. Aside from the rush of responsibility and loneliness that adolescence usually brings, the EP also dealt with the realization that there is nothing wrong about cutting toxic things out of your life. Mira, after going through some difficult times, chaos and experiences, eventually figured out what she wants and came to a conclusion that was symbolized through a signed letter at the end of the film for the EP. The London-based acclaimed artist finished off her EP trilogy by releasing 'No Place For Patience Vol. 3' which she explained is a self-reflective project that talks about facing hard truths and taking all the good and the bad from them. Biig Piig further emphasized that her latest EP is like a resolve that allows her to face a side of herself that she used to hate so much without self-pity and finally let go of it. In contrast to the laid-back nature of the songs, Ones To Watch's review of her third EP pointed out that her maturity can be felt through her more confrontative method of songwriting. If you loved Biig Piig’s latest EP, do check out our post 'Stone Fruit Intricate Sound Moves You into New Dimensions with “Defy the Time', which features an emotionally moving song that will give you peace and relaxation through its soothing yet augmented presentation of vocals and well-written lyrics. facebook.com/biiggpiigg instagram.com/biig_piig twitter.com/BiigPiigMusic

Owensboro, Kentucky’s Gerry Smoot is a dedicated, jazz musician. Since the age of 2, he has been adding a multitude of instruments to his repertoire including piano, drums, guitar, and organ. His skill was soon noticed and he ended up accompanying jazz saxophonist Rob White on the keyboard internationally. Since then, Gerry Smoot has been working to release new music for his fans at his own company “Key of Smooth Productions” in Evansville, Indiana. From his newest album “My Philosophy,” Gerry Smoot’s song “Smooth Talk” is an instrumental rendition of smooth jazz. He immediately transports his listeners to the front door of the New York Jazz Lounge. When listening to “Smooth Talk,” you can almost taste the whiskey and smell the cigars in the jazz and blues environment. The song begins with a blues-style keyboard beat mixed with a finger snap at every bar. High pitch piano riffs join the mix without delay, along with soft taps of a cymbal soon after. Gerry Smoot then takes over on the piano; proving to his audience how instrumentally talented he is. It is clear that Gerry has a natural ear for music with the way he seamlessly blends the instrumentals together to complement his piano playing. “Smooth Talk” should truly be the soundtrack to a fancy, upscale bar scene in a James Bond movie. The song simply makes you want to stop, drop and foxtrot! With elements of blues and jazz, Gerry Smoot delivers a mature taste to all music lovers. Listen to "Smooth Talk" here. facebook.com/gerrysmootofficial twitter.com/GerrySmoot instagram.com/g_smoot #BUZZMUSIC