UK based, Romanian producer Pascal Junior presents something very special indeed, as the Epic Tones label head drops his 'Infinity' LP on promo. Traversing across a mix of soundscapes, from the vocal goodness of 'Feelings', through the to the more bass heavy 'Got You' & beyond, 'Infinity' continues to set out Pascal Junior's production agenda & kicks off Epic Tones year in style. Set to fire up an abundance of global club floors & radio airwaves in the coming weeks, this is 'Infinity'. Stay tuned. Listen to "Infinity" here CONNECT with Pascal Junior: Soundcloud Facebook Instagram

Kevin Edworthy, aka KVNE, is the founding partner of The KillaKollective, an independent label, with the stated goal of bringing community back to the music industry. According to doctors order, his latest song, "On The Low" should be consumed at least once a day (“or as needed”) until the prescription has been exhausted and it's time for a refill. Edworthy enjoys his trap percussion. But this isn’t hard-hitting Atlanta drug-pushing flow with the hats so crisp it sickens and the vocals so warped you wonder if there’s an IV purple drip in your arm you forgot about. Instead, this is firmly within pop territory. Think more of a Post Malone and Tory Lanez concoction, and less of a T.I. or Migos joint. The song starts with some chords that unfold in mystery. It could take a heavy turn, or dissolve into high quality video game soundtrack fare. It isn’t long before the dope rap build-up arrives, and you’re launched into a glistening world of diamond rings and Hennessy, informed by the industrial past of Hamilton. No, not the musical. Rather, I’m talking about the Canadian industrial town struggling to reinvent itself in the era of global manufacturing. There’s something very pressing here. But it’s silky smooth at the same time. Not bad for a 27-year-old from Canada. Listen to "On The Low" here & connect with KVNE on social media: Instagram Facebook Twitter

Maurico is the epitome of a hard worker. This Nashville native began at the age of seven, experimenting with old keyboards and cassette players. Growing up he never had the money to get the proper equipment, but he made things work by being creative. By the time he was in high school, Maurico was writing his own raps and performing in clubs. After spending five years in a collaboration, he decided to branch out on his own. Coordinating a promotions team, release parties, producing and shooting videos, Maurico stopped at nothing to gain notoriety on his own. Not letting his circumstances make him a victim he took what he had and made a way for himself. And with that attitude brought along the connection with Matchbox Twenty member Kyle Cook. This connection was the birth of his five-song EP. And sharing his latest song “Goals”. This is such a heartfelt track. Something that shows adversity. I love that he uses both of his talents of singing and rapping as a really amazing collaboration in this track. It gives the track a double feel almost like it’s several features. I love the beat as well. It is slow and bouncy giving it both that R&B and Hip-hop swag. The lyricism in this track is extremely influential and motivational. There was a lot of work and thought put into this track and its message really gives us an insight to this talented artist. Listen to "Goals" here, and get to know more about Maurico in our interview below! What’s up! Can you introduce yourself to our readers? I’m Maurico a Hiphop and RnB artist from Nashville TN. What about making music do you love the most? I love the creative process. I like to make music that sounds beautiful no matter the style. My whole focus is to create a great vibe embedded with powerful lyrics. I like pushing the limits and aiming for new sounds and moods. I’m most proud when I’ve created something that doesn’t sound like someone else. The freedom to create exactly what I’m feeling at the moment is what’s important to me. There’s nothing like injecting your emotions into a work of art and then stepping back to appreciate what you have made. The best part is sharing it with the world and gaining feedback and appreciation from them as well. Affecting someone positively gives me a sense of fulfillment. That’s my aim. How would you say your hometown influences your music? Nashville is a huge influence to my music because first and foremost it’s home. This is where I became everything I am. So much of my up bringing contributes to the music I create. Nashville is also a musically diverse city, which adds greatly to my different styles. This again helps in freedom of creativity. "Goals" is such a vibe! Can you tell us a bit about the creation process of the track? Did you face any challenges? "Goals" was created from a place of wanting success. Everyone has some sort of idea of personal fulfillment. This fulfillment is the reason we wake up everyday. It gives life its meaning. I wanted to make a song that not only encourages myself to set goals and shoot for the stars, but also encourage others to do the same. I want people to have a sense of fulfillment in life. I think that brings true happiness. I believe everyone deserves to experience that feeling. What is your favorite line in “Goals” and why? My favorite line is: “Even if you working two jobs do what you gotta do to make it out. And they’ll probably never believe In you Gotta show them what you about.“ This line I know hits home for a lot dreamers and visionaries. When you are trying to be someone great you have to work harder then you have ever worked. A lot of times it requires you to step out of your comfort zone and do things differently. When you have a dream or Vision sometimes other people can’t see what you see until you make it reality. This makes it hard for people to believe in you and support you at the beginning. Usually this is one of the most painful realities of chasing your dreams. I wanted to encourage people to keep pushing until it happens. Be great. Never give up. When having a creative block what do you do to unblock? When ever I have a creative block I take some time to rest, recollect my thoughts and experience new things to refuel my imagination and overall knowledge. It’s hard to recall a thought that has never been put inside your brain. You have to consistently fuel and feed your mind with knowledge. I read, listen to inspirational music, inspirational speakers, spend time with family and friends, and overall just aim to experience more of life. Once I’m refueled I’m ready to release it into the music for the world. What can listeners expect from you in the near future? In the near future my fans can expect a continuous effort and push toward better, more fulfilling music. Music that influences a more healthier fulfilled life. My new brand is “Better Music. Better Life.” That is my focus and vision for the future. I’m currently releasing lots of singles and in the process of creating a album entitled “Thanx A lot.” I want my listeners to have a positive listening experience that adds to their life and doesn’t subtract. Connect with Maurico: Instagram Twitter Facebook #BuzzMusic

Arsnk is an upcoming artist that has a unique sound of eerie guitars paired with authentic lyrics that give the listener a nostalgic feel. Currently, Arsnk has five released singles on Spotify which include, “Brother” (her latest single), “Godchild”, “Paralyzed”, “Real Human”, and “Cut Through”. Arsnk’s music somewhat resembles the dark techno pop of Lana Del Rey although Arsnk has a more classic rock sound to her but is highlighted with some dark synths creating her own sound. Her song, “Brother” greets the listener with moody and melancholy guitar scales that are incorporated into the song very melodically. Arsnk’s vocals tell a story of angst and wonder. Her lyrics match with the very moody and dark guitar instrumentals. Arsnk tells her story of what seems to be her family life and all of the loose ends that she has not tied up with them. The slight breaks in her voice give the song a very raw and honest appeal to it. The song has a great buildup that is different from most songs, but makes it even more impactful. Arsnk is sure to be an artist on the rise. Listen to "Brother" here, and get to know Arsnk better in our interview below! When did you start writing music? I started writing music 6 years ago, but I was writing lyrics and poems and short stories since I was 12. Do you plan on releasing an album in the future? Yes, absolutely. I have loved the immediate interaction of singles, because I feel the music stands alone as its own entity as well s in a group, but I am so excited to put out my album later this year! Who are two of your musical influences? Radiohead and PJ Harvey In one word how would YOU describe your music and how do you think OTHERS would describe your music? I would describe it as: raw, others would describe it as ethereal Is your song, “Brother” about your own family life or is it fictional? It is an amalgamation of fact and fiction, about searching for meaning and truth in a family set up and an exploration of us all as brothers and sisters What's next for you? I have a new band! We play April 16th at Iron Triangle and May 1st at The Other Door, plus will be playing in San Francisco and New York later in the year. Connect with Arsnk: Instagram #BuzzMusic

Black Kenn is a rapper who was born and raised in St. Louis, Missouri, a state so racially strained that the NAACP issued an advisory warning people of colour their civil rights could be violated if they travel there. This is the culture Black Kenn was socialized in. And when his basketball dreams fell short, he turned his attention to music. He’s been revelling in his rap development ever since. Back a year ago on “Wintertime Interlude” we have some rudimentary but potent drum machine work, soft vocals drowned out by 80s-horror synths, and the mix comes across a bit repetitive. But what’s most memorable about how cold and distant it sounds. The elements don’t quite work together, but still a depth to it. Meaning behind the shock cheeseball horror reminiscence of the synthetic elements, you know there’s some dank bars to unearth. We start to see that come into being on the Gas & Instrumentals Album from 2018, where a bit more complexity results in harder hitting tracks. The confidence of the assault means you start to suspend your disbelief. You start flowing with the cadence, such as on single like “No Pad No Pencil.” This fits perfectly within the canon of modern gangster rap. You might not be a huge fan of hearing a rapper rhyming “phone” with “phone.” But this is where we are as a society. “Get money” music is in, and Black Kenn has been mastering the sense that the darkness it takes to bring that to life. He manages to drop nicely constructed choruses that are catchy — but, you know, not too catchy. The droning beat goes on and on. And you start to believe there’s no escape. And that’s what we saw with Digital Trappin’. This is sickening shit, and that’s just how you want it. It gets inside your head with brooding, intentionally unpolished hustle flow. With this release beats have becoming more pronounced. The swagger comes into its own. Now with the "Chippi Chippi Freestyle" we get another journey into the heart of darkness. It’s founded on a beat from Miami-based producer Redda, previously used by Sheck Wes in his song Chippi Chippi, on the MUDBOY album. Wes has said that Chippi Chippi is when you’re “leaving a place in a state of anger, with intentions to get high.” It’s obviously a situation Black Kenn understands and wanted to add his own take on. By the way.. the video is definitely worth checking out, since it make it looks like he’s in a video game level in the UK. It’s expertly shot, the VFX are rad, the colours are amazing, and his yellow jacket is awesome. But it’s the content that stands out. “I’m comin’ for your head” he barks. You can’t help but enjoy how he rhymes Chippi with Mississippi, in a way that sounds consequential. While Sheck Wes, thought to use the Mississippi rhyme in his own Chippi Chippi song, he definitely missed the prime opportunity to use the underused gem of the English language “jiffy.” Black Kenn didn’t miss the chance. And now I want to put peanut butter on a banana. Thanks a lot Kenn. While Sheck Wes’s verses reflect more of a high-end international travel vision, and a musician who’s in the mainstream crosshairs, in a way Black Kenn’s is more interesting. That’s because it reflects a street-level grind giant artists crave the chance to embody. In the song Black Kenn revels in having that vantage point. But if he keeps improving at the rate he has been, he might find himself, too, cradling a colourful basketball on a deserted island. Under blue skies by day and beside a fire at night. Listen to "Chippi Chippi Freestyle" here and get to know Black Kenn in out interview below! Great to chat with you! Can you tell us a bit about yourself? What’s the word! It’s Black Kenn checking in an I’m all about dividends. I’m a young entrepreneur out of St. Louis Missouri trying to make the world a better place. How hard was it for you to let go of your dream of being a professional basketball player? Very hard. I’m still low key holding on to it. I haven’t fully let it go but it definitely was a challenge for me. It was something I dedicated everyday of my life to. What was it like growing up in St. Louis, Missouri? For those who might not know, what were some of the challenges and opportunities for the average person there? At first growing up was cool in St. Louis but now the city is a lot different. The vibe just ain’t how it use to be. From my position, opportunities were limited and we have to be different in order to stand out. I guess that’s why I am the way that I am. What do you think was the biggest factor in your recent development as an artist? Trusting myself and not second guessing myself. At the end of the day I had to do me and not care about what others say or think. Sheck Wes said Chippi Chippi is “leaving a place in a state of anger, with intentions to get high.” What does it mean to you? Its exactly the same thing but I am being more particular about the strain which is Cookies. I was smoking cookie at the time, chips ahoy is a cookie, so its basically my twist on Chippi Chippi. Why was it important for you to put your own spin on the Sheck Wes’s Chippi Chippi track? I really wanted to get back to what some of my favorite artist did and that was freestyle and rap over other artists beats. What do you think the best part about being a rapper is so far? I really don’t care for the attention, but the best part for me is that I can have a voice and an influence on the world! What's next for you? More music. More shows. More merch. More businesses. But the sky is the limit so shit who knows. Connect with Black Kenn on social media: Instagram Black Kenn #BuzzMusic

Jeremy Remond released his single “Lord Help”. A vibe single that can be added to all our moody playlists. What was so dope about this song was the vocalist in the beginning. Her comforting voice set the vibe for the song and you can’t help but become intrigued and abducted into the atmospheric singing. Jeremy flow transitions in and it’s seemingly perfectly timed. The impeccable flow and charisma he demonstrated gave us the impression that he’s serious about his artistry and his music. He knows how to deliver bars with emotional conviction while spitting the message of each individual song. From ST.Louis, he undoubtedly represents a new generation in the Midwest. With quick-witted flows, intrinsic story-telling, and musing metaphors, he continues to prove that he belongs. He faced multiple adversities in his life in which makes you think it’s almost inevitable that he needs to be heard by a larger audience. With a story to tell and good music to back it, Jeremy Remond is an unforgettable artist we will hear more about later on down the road. Listen to "Lord Help" here, and get to know Jeremy Remond better in our interview below! How was it growing up in ST. louis? Growing up in STL was what made me who I am today. The culture, the people, and the history gave me grounding that I still hold with me to this very day. I think growing up in STL gives you a unique perspective on various things, in many ways like being known as the underdog, especially in the music scene. Do you think your growing environments impacted your artistry and music? Definitely! Growing up, I saw a lot of what STL had to offer, from violence in the city to racism in the county. This definitely helped cultivate me as a person and also helped to create my story so far. Do you have any music influences? If so who and why? Growing up, I would listen to major artists heavily. At the time it was Wayne (Carter III) Jay, Em, Ye, to name a few, then pops would always play Pac, BoneThugz, and Three6Mafia always, so their sounds all played a part. I would say these artists helped me solely with musicality as far as story telling, all the OG’s knew how to tell a story, didn’t matter what it was about but you felt connected just by being involved in the story, like hearing a movie only by ear. Also people like Wayne gave me the understanding of metaphors and how it affects the listener in a song, definitely a game changer for me as an teen. If you can collaborate with any other rapper today who would it be and why? Hmmmm. That’s a tough one, I’ll name a few for the same reason. Drake, Jay, Kendrick, Cole, Ross and Future. They not only know how to make hits but hits THAT LAST, meaning they have the story telling behind it that transcends time. That’s really the fine line that I want to come in the game with, making great story telling songs but with crazy beats that can move people. What’s your opinion on the current state of hip-hop and rap music? Honestly, I think it’s the strongest it’s ever been, from a business perspective. Meaning it has become the most influential genre and also garnered the most attention throughout the masses, EVERYONE knows major hip hop artists nowadays. On the other hand, I can say that the culture has changed for sure, it’s more of an attention game so now you have the young guys who rap only for attention instead of expression, they can care less about what rap and hip hop is truly about and only want the fame. Self expression is where I believe the true art in this craft is, it’s all about expressing yourself, no matter who’s watching. What’s the most influential part about being a rapper? Similar to my last answer, I would say self expression. Hip hop and rap has always been a release for me and given me the ability to have a voice. I think expressing yourself and telling your story helps the next generation by creating inspiration, people see what you’ve been through and can relate. The world is ever evolving and changing and I think art and self expression is what makes rappers influential. People spend money to see us or hear our voice on a track, that’s the epitome of a rapper. The influential part is how you express yourself and what you put out in your music, that’s the true power. Whats next for you in 2019? Whew, 2019! I’ve worked super hard to get things done last year and now I’m looking forward to releasing a few more of my singles from my upcoming EP “Middle of America” and hopefully gaining some looks for shows or potentially a tour! Also I’ve got some great rap video releases coming out regularly on my YouTube, they will be freestyles to all of your favorite rappers hits on the radio. So be on the look out for that and details on the next releases, but 2019 is all about more music and consistency to put myself in position to gain the attention of the masses. Connect With Jeremy Remond on social media: Instagram Facebook Twitter Youtube #BuzzMusic

Welcome to the world of “Don’t You Feel So Special”, where you’re ushered out of whatever darkness you’re experiencing and into the world of brighter things, courtesy of Boccanegra. You can thank composer Valentino Farias, from Santiago de Chile, for the modern indie experience, as he can expertly tap his artistic well.For this effort, he joined up with a solid gang of musicians, including Andres Aracena, a jazz school classmate, Diego Moreta on bass, Raul Valles on keys and Esteban Isla on drums. Together they made a 5-song EP, funded via an Indiegogo campaign, slated for release this April! Lucky for us “Don’t You Feel So Special” has already been released. I first heard it in a fancy LA hipster coffee shop with people tapping away on laptops. It fit perfectly with the travel and abstract art on the walls. Its warmth is infectious. It makes you feel complete. The elements of the song are as balanced as the mixture in my third-wave Americano — balanced, but not too in-your-face. Yes, Farias has the unique ability to make you long for the kind of hopeful and tragic experiences it takes to inspire this sort of creation. It’s lackadaisical and sunny, but also contains a depth hinting at prior hardships. The guitars have adequate crunch. The song is Top 40 radio-ready and we have no doubt that it should be an instant success with the college crowd. And yet it still seems like it is enjoying the freedom of relative obscurity (at least for now). Tame Impala comparisons are to be expected, but this is somehow less trendy and more rock-oriented. A perfect addition to your playlist! Stream “Don’t You Feel So Special” by Boccanegra here Connect with Boccanegra on social media: www.instagram.com/boccanegramusic www.facebook.com/Boccanegramusic

There’s plenty to find fascinating about Mike Mokotow, who describes himself as “the illegitimate son of musicians fleeing Cold War-torn Poland for the United States.” He shares a moniker with the “cool” neighbourhood in the capital of Poland, Warsaw, where plenty of foreign embassies and corporations are based. He's a guy who can’t help but take big gambles. He was deeply impacted by his father’s death, which happened during his teenage years. And he’s fronted the Butchers of Sky Valley, a blues outfit, which prepared him for his current music trajectory. “Running On All Fours,” his latest release, is bleak, but rich in layers. The syncopated rimshots keep things moving and swaying. The video is lush in its scenery, but blue and black in presentation. We start with a quote from The Odyssey “…Why take me for a god? No, no,/I am that father whom your boyhood lacked/and suffered pain for lack of, I am he." It is a gut punch given the context. On this track, Mokotow did all the vocals, percussion, electric guitar, synthesizer, drum programming, and lead guitar work. And it’s part of a ten-song debut album titled Domino, from Heeled & Heavy records. The song keeps things turning and swerving, like a wet log on the fire. It's always smouldering, but never exultant. The bearded subject in the video drops to his knees and then on his face. He’s by the ocean, but he can’t feel it’s healing power. This song would work real well in a dingy club after a few beers on a night that doesn’t seem to be going anywhere. There is a kind of sadness that men keep hidden inside or do not know how to express. There’s some of that showing through here. Listen to "Running On All Fours" by "Mokotow" here and get to know Mokotow in our interview below! Video directed by David Gross. Edited by Rob Trela. Hi Mokotow! Care to introduce yourself? Hi I’m Mike Mokotow and I like soft things. What is it like to have the same name as a famous neighbourhood in Warsaw? Confusing for most fellow Poles but root of it is inspired by this: www.en.wikipedia.org/wiki/Mokot%C3%B3w_Prison  (#RESIST) What are some of your musical influences? I’ve always gravitated to sensual doom and gloom, music that has a significant emotional undercurrent that can embolden me even if it’s  performed in controlled melancholy. Specific records would say Goldfrapp’s Felt Mountain, Neil Young’s On The Beach, Nick Cave & Warren Ellis’s Assassination of Jesse James By The Coward Robert Ford. Most of what T-Bone Burnett spills out of his creative gourd. I also love me a bossanova beat. How did you enjoy working with Jeff Berner (mixing) and Kim Rosen (mastering)? Both Jeff and Kim are not only master class professionals but such good people. I trusted them with something that meant the world to me. I had taken a significant amount of time finding the right people to work with on these stages of the record, had burned bridges with past mastering engineer I worked with for not actually listening to the record and was lucky to find these humans to bring this record to where it is now. Its a rare thing to find people like that in music, that along the way don’t forget the reason why we got into it in the first place. You played most of the instruments on a lot of your songs on the new album. Do you enjoy having control over the song-creation process, or do you see yourself being more collaborative as you go along? When I first starting writing music many moons  ago it was always a solo effort, and because of that a long learning curve. Over the years I’ve collaborated with people, most recently with my writing partner in Butchers of Sky Valley a few years back. Since putting that band on hold I felt my inner voice slip into place. I knew what I had to say, how I wanted it to sound even though I do not know how to play any of these instruments. I decided to patiently beat them to death in my attic, chasing what I had in my head regardless of any limitations. In truth it’s been very liberating. And now that this has been laid down I can feel myself opening up to collaborating again. Why was it important for you to reference the death of your father in the text in the intro for the “Running On All Fours” video? It is something that has kept with me since I was in my teens and will do so for the entirety of my life. I made this for my son to loosely exemplify what I have felt and gone through all these years, what my sons arrival has meant to me. I hope he doesn’t find it as terrifying in the future as he does now (he’s four year old and did not react well to the scenes of me in distress). What do you hope people will take away from listening to your work? The curiosity to dig into themselves and into me. If you’re still reading this and gave a tune a listen, consider us friends. Connect with Mokotow on social media: Instagram Facebook Twitter #BuzzMusic

UTE released the emotive and vulnerable single titled “I’ll Stand by you”. The sentimental record immediately begins with a soft and dwellsome piano melody with the vocalist mellifluous resonance serenading us alongside the subtle sad aura of the song. UTE released a video visual alongside the hit sound and the depiction of different artistic images in combination with the lyrics on each slide really help conveyed a story that may have been hard to interpret while listening. “I’ll Stand by you” is the perfect ‘venting’ song we can have on our playlist. It’s perfect for becoming intune with your emotions and allowing the lyrics and message to become projected into your mind. Music should have the intention to make us feel something other than just “oh this is a cool song” it should have the capability to let us feel an actual emotion rather it’s happiness, sadness, or simply energized and UTE successfully delivered. Listen to "I'll Stand By You" here, and get to know UTE better in our interview below! How did UTE come together? Ute is my first name. Short and easy “I’ll stand by you” seems to have a deeper meaning behind it, do you mind telling our readers the message behind the music? No matter how dark life seems to be, I am here to help you, my fans, through. There are grey days and blue days. Don‘t give up, believe in your dreams What was your overall artistic vision for the song? It is a song for a movie called Teenage Girl Valeries Holiday. Coming out soon in the United States. I play a teacher in the movie who also sings and her message is the song. I sing the song live on stage in the movie. What does music mean to you? Music was my first love. When I sing I feel alive Any upcoming plans and goals? To be played all over the world through radio stations. Connect with UTE: Instagram Youtube #BuzzMusic

Leave a Message is an Ellie d. song brought to life in square home-movie format by director Charlie Schwan and producer Jack Langlois. This music is stylish, but not overly so. The meaning is clear, and easy to get behind. The sub bass is subtle. And there are some really cool audio trails, but they never overpower the vocals. You almost don’t notice the chillstep chorus production, but when it reaches you’re awareness, you’re glad it’s there. It's pop that's not overproduced. I listened to this up in the San Fernando Valley to the north of LA, feeling disconnected from the ocean while chatting with a friend down in the South Bay. There are a lot of snooty parts to that whole sphere, known for housing NHL players, personal trainers and political donors. But watching Ellie d.’s romp past Venice canals and to the beach, I was instantly reminded of the parts of LA I love the most. You can smell the salt in the air, and the temperature is moderated. I’m definitely going down there tomorrow to look up some homies. The song itself is quite pretty. I like how it could have gone in a super hipster direction, but somehow avoided coming across as that kind of scene track. They definitely need to play this on that local Venice radio station, you know, the one midway through the dial you can only pick up from about El Segundo to Westwood (if you’re lucky). Connect with Ellie d. on social media: Instagram Facebook #BuzzMusic