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Here comes our next eclectic, yet unique and distinct singer/songwriter: Angelala. Originally from Flint, MI, Angelala is currently based in New York City where she curated and collabed with some big names, such as Grammy nominated DJ/Producer Todd Terry. Angelala’s sound is definitely diverse, creating a technological atmosphere you can’t help but allow your body to move along to (we truly couldn’t help but dance along to her music). Angelala’s music is definitely giving us some 90’s house vibes we haven’t heard in quite some time, but this is the kind of throwback that came just at the right time. Angelala’s single “Change” was released in late 2018, and it’s one of those songs you really resonate with. “Change” envelopes a variety of sounds, ultimately pairing techno synths accompanied by sultry and lustrous vocals. This artists vocals in “Change” is what truly made the song stand out to us—she maintains such an enticing intonation throughout the entirety of the song, which is probably why this song was kept on repeat for a while. A combination of the foundational house sound we’re all familiar with, and the unique melody of Angelala makes for a song you definitely want to add to your playlist. Check out "Change" now on Spotify, and don't miss out on Angelala's interview below! Introduce yourselves to our readers! What made you want to become a singer/songwriter? My name is Angelala and I’m an American singer/songwriter originally from Flint, MI, now in NYC. I’ve been writing poetry since high school, but didn’t start incorporating it into music until about 5 years ago. I’ve always loved to sing so joining my love for writing and singing together felt natural. Who are some of your biggest inspirations? Growing up in Flint, MI, my mother listened to Soul and Funk from artists such as Marvin Gaye and Chaka Khan.  My father listened to Rock especially Led Zepplin, Heart and Pink Floyd.  Keeping true to the opposite spectrums I was also heavily influenced by 90s R&B and Grunge.  After going to a Detroit rave, I started listening to Techno.  After going to what is now the Miami Music Week, I started listening to House Music.  I loved Chicago House and would visit often. My songwriting is inspired by the vulnerability and sultry sounds of Fiona Apple and the edginess of Bjork. Where did the inspiration come from when creating “Change”? ‘Change’ was inspired by a break up I was going through. I was sooo done. I think everyone can relate to that moment. The original is with Detroit DJ/Producer DTCHPLNES. Grammy nominated DJ/Producer Todd Terry made a House remix. Both out on Inhouse Records. DJ/Producer Alexander Technique made a Techno remix which is out on Terminator Records. What can your fans except from you in your new music? Because of all the different types of music I listened to while growing up, you’re going to hear a little bit of everything in mine. I always try to tell a story with my songwriting. I love it when people tell me it felt like I was writing about their situation. What are some of your major plans for 2019? I’m working on several songs now.  All with a heavy dance influence. 2 with producers in Europe. I perform a lot in NYC, but am looking forward to performing over seas. Connect with Angelala on social media! Facebook Instagram Twitter #BuzzMusic

Using a devious trap underlay, drawing in co-conspirator Austin Hull, idkanymore reveals pulsing palm tree music meant for rollin’ thru Beverly Hills to West Hollywood AFAIK. Signed to Sony-imprint Higher Reign Music Group, this duo, created by Nicklaus Grassett and Alexander Conway in 2018, is as much a sendup of millennial culture, as a celebration of it. The music seems the residual sands on the beach from a dubstep wave that receded and left mumble rappers in its wake. Glistering in that afterglow, “Consequences” is a creation with shimmering soulfulness. Because idkanymore delivers songs equally indebted to hip-hop, R&B, and pop. On “Consequences” we attempt to posture that you’re immune from their engaging properties. But that bass just keeps your head nodding. Resistance is futile. The modern music machine is fickle. Don’t hate the player. Win the game. This is shaggy tight dreads music. It’s tight ripped pants and a fitted hoodie music. It’s that your boy’s down from Canada to record in LA so you’re scheduled to hit a Sunset Boulevard hip-hop show later music. We must drink our fill. Listen to "Consequences" on Spotify, and discover what idkanymore is all about in our exclusive interview below! What do you like about having a name that is an entire sentence? I (Nick) love our name; it’s length and simplicity. It subtly describes my life in various moments of my musical (and daily) journey. Its short, bittersweet, and to the point. Alexander: It’s pretty dope, not even sure how to answer this one. Tell me the idkanymore origin story: What were the forces of the universe that brought Nicklaus Grassett and Alexander Conway together? Funny story actually. I’ve (Sasha) known Nick for quite a while. Thanks to social media, we came in contact in 2017 through a music group. We talked about collaborating often through messages after seeing each other’s material… A month or two later, we’re deciding on a project name. It was originally a solo endeavor, but we felt that we’d have a lot more fun pulling our strengths together. We work well together, despise the distance! What are your goals for this project? That answer is simple and difficult. Definitely make great music, work with good people. We’ve got a lot in store for everyone and all the songs are really fun and different. Expect some new things from us very soon, we’re currently working on a few new songs. It’s exciting to keep this project moving forward after seeing the amazing response our single has gotten. We would say our main goal is to put out more music for everyone to enjoy. Is there a particular time of day or of the week when you are most productive musically? The answer would be different for both of us. Since we work remotely, we have different schedules as well as a time zone difference. We work at our own pace and don’t rush into things. We’re able to maintain great communication though; keeping each other in the loop. We tend to work on production and writing almost every day. Its rare that I (Nick) don’t do something in my studio, I have no excuse, it’s right in my house! I believe I’m most creative when I first wake up and have my coffee, blaring some new sounds through my monitors. What’s is the best situation to blare “Consequences”? Consequences could mean something different to each person. It doesn’t necessarily represent our future sound, but we are sticking within those elements in our next releases. This debut has been a blast, and is definitely a small taste of what’s to come you’re way. Were grateful to be apart of your situation, whatever it may be.  It hits pretty hard in the car! Connect with idkanymore on their socials: Facebook Instagram Twitter #BuzzMusic

Austin Ward lets the heartache sweep him away to the land of sullen songwriting with "Where Does That Leave Us?" If you want music that reverberates through your chest, taking aim at your heart, then consider the sexy approach of LA’s Austin Ward on his new release “Where Does that Leave Us?” I’m picturing rainy days that aren’t too drenched. It’s perfect for minds that are open to new experiences, but still want to remain within the realm of a cultured understanding. “People change, feelings change too,” he moans, and you can tell he’s given up already. “Where does that leave us?” Who doesn’t love them some sultry male vocals with a seriously emotive basis. The instrumentation is on point, too, thanks to warbly, deep synths and plucked deliciousness. Obviously a relationship is coming to an end, but the infectious tone of the record means you really don’t want it too. You can feel the ache as something valuable shifts, never to be in the same place again. It’s a brokenhearted lullaby. It’s cars racing by while you’re stuck outside. And like I said, it’s raining. If you liked this then you’re in luck, because Austin Ward has singles planned for release every few weeks, culminating in an EP release at the end of the year. Make sure to check out "Where Does That Leave Us" on Spotify. Connect with Austin Ward on social media: Facebook Instagram Twitter #BuzzMusic

Dylan Joshua is an unreleased artist with cultural icon potential. Coming from humbling beginnings, Dylan believed that working through the system, and obtaining financial security through the means of a job was life’s purpose. Through self-taught, he quickly learned the recording process; giving him the ability to manipulate his sound at the production level, while also merging his poetic outlook and lyrics, contributing to his unique style. While still being attached to people on their own path through the regular system, Dylan finds it difficult to appropriate his actions with their supposition, yet he understands their actions and confusions. Giving a unique, yet relatable and honest perspective, he created a project named “Alternate” meant to depict his decision for choosing an alternate path in life, and the trials and tribulations that follows this choice. In addition to being a musician, Dylan Joshua created an aesthetic set in the year 2085 to capture the visual representation of the Alternate project, giving it branding potential ready for the world to soak into. His release of his single “Solo” still stuck with his futuristic approach in life while delivering trendy autotune on an upbeat and charismatic beat. Despite the autotune, you can’t let that fool you due to Dylan having a well rounded and actually solidified vocal resonance that you can clearly hear behind the production of in-depth details. Even with autotune, having a tone that can carry the song  is important but it’s even better when you can make up the voice with special and cool effects that could help fit the aesthetic of the record way better. I noticed a comment my brother made while I was doing this review and that was “Dang I like that, who is that” and it gave me the impression that Dylan Joshua knows how to entertain others and draw people in with his appealing and attractive sound. His fresh style, metaphorical and open minded outlook on life and his perspective filling lyrics will make him a groundbreaking artist whom can creep up slowly up the charts! Check out "Solo" on Spotify now, and keep up to date with Dylan's project 'Alternate' here. Hi Dylan, can you introduce yourself to our readers? Hey my name is Dylan Joshua; I am an artist from Toronto Canada and I just released a mixtape called Alternateº. You have the ability to fabricate vibes for people to enjoy, do you have any musical inspirations or influences? Or is this a specific sound you developed for yourself? Umm, I think any musician/any artist/anybody is definitely inspired and influenced by anything they’ve been exposed to throughout their life even if they’re not necessarily a fan of it, so yeah I’m inspired by a lot of shit. But at the same time it’s definitely something that I believe is in its own lane and I’d like to think it’s almost like a unique innovation on a compilation of influences I’ve had. But that’s any art anyways. How do you think your authentic and unique perspective on life around you helps you create a sound individual to you? It definitely helps in a lot of different ways. One of them being, it creates the stories in all the songs, because all the songs are based on real life stories and feelings. As far as sound goes, right now I’m very much recording alone, very isolated, so I’m not as influenced by other peoples’ opinions or comments so the sound you hear is authentically what I just thought sounded good in my ears, to your ears. Meaning this isn’t some shit that the industry tampered with, or industry plant shit, or to go viral real quick, or cause this is a get rich quick scheme. Its’ authentically shit made in the basement by a guy who likes making shit in his basement. Can you tell us a little bit more about your single “Solo” and the meaning behind it? Solo is about me. When I was trying to get into music and decided that that was the route I wanted in life over anything else, I had to change the way I lived. With that comes a detachment between all the people you were once attached to, who still live regular lives and have bed times and class in the morning, and when you’re driving around solo late at night missing the good girl from the suburbs you had.

Singer-songwriter Sydney Beau grew up in the city of British Columbia where she developed her own style in honor of her city motto “the city in the country”. Her songs carry the excitement and intensity of the city while still containing that small town, heart filled emotion. Her poetic songwriting style has been influenced by artists such as Ed Sheeran, Jason Mraz, and Passenger. Sydney Beau released her single “Utopia” the remix and we were fondly attracted to her appealing songwriting skills in which can possibly be credited to her completion of the singer songwriter course at Langara college. Sydney Beau has this intricate vocal detail where it seems like she sings in italics. The cursive vocalist knows how to charm us with enrapturing melodies and a mainstream backtrack instrumental to match. The beat to “Utopia” is a sound I can hear on the radio. It’s obvious you can vibe out to the music with your friends, at a party or alone in your singular zen, but you can also intune your focus onto the lyrics and that’s what I appreciate a lot about the record. Sydney Beau is a fascinating artist who has a lot going for herself and a long musical journey ahead! Listen to "Utopia" here. Be sure to check out Sydney's website and social media to keep up to date with the artist: Facebook Instagram #BuzzMusic Get to know the real Sydney Beau through our exclusive interview below! How was it growing up in the city of Abbotsford? I absolutely love Abbotsford. It’s so close to Vancouver, which is one of the most beautiful cities in the world, but is far away enough to have farm land. I was able to have a horse and had a lot of fun while also learning responsibility. I ended up moving to Australia for a few years, and as much as I loved it, I couldn’t wait to get back home to Abbotsford. Are any of your songwriting comparisons also some musical influences of yours? Definitely! Anyone who knows me knows I’m a huge Ed Sheeran fan, and a lot of my earlier songs were very influenced by his style. In my more recent songs I feel like I’m starting to find a nice blend of outer inspiration from other artists and inner inspiration of a completely original style. Whenever I wish I could write songs just like another artist, I always have to remind myself “the world doesn’t need another one of ‘them’, it already has one”. That encourages me to write music because if I’m always copying someone else's style, then the world would never see what I have to offer. In what ways has music impacted you? Music is how I express myself. People don’t often just share their feelings and deepest secrets to each other in casual conversation, but through lyrics and melodies you can say anything. Music gives you the opportunity to open up and connect with people in a way that you wouldn’t otherwise. I’ve had people tell me my songs moved them emotionally, and that’s how music impacts me; through the way it impacts others. Do you recall the feeling you felt when you were nominated in the female artist category at the FVMA’s ? I honestly didn’t think I had a chance. There were so many other amazing female artists nominated at the FVMAs. I remember when my name was called I thought it was a mistake. I’ve been told the look on my face was aggressively confused, but once I realized that I had actually won I was so excited. Apparently improvising isn’t a talent of mine because my acceptance speech was “I’m very excited and…that’s all I have!” What has been your favourite song you’ve written so far and why? I don't know if I can pick a favourite! There are ones that I think were written the best, and a few that are my favourite to perform live, but some I’m just emotionally attached to. If I were to pick the top 2 for audience favourites it would have to be “Utopia” from the Hummingbird EP, and “Something Different” that will be the single for my upcoming EP. How would you lyrically summarize and interpret “Utopia” for our readers? Utopia really is the least deep song on the Hummingbird EP. The other songs are about going through rough times and being bullied and self worth whereas Utopia is the lighthearted breath of fresh air! The song is basically about waiting for that flirty guy to finally man up and ask you out! He never did… Is utopia your own original piece? Or considering it’s a remix, is there another copy of the original out there? Both Utopia and the Utopia Remix are originals, but were produced by two different people. When I had the original version produced with Andrew Conroy (Flash Recording Studios), I was able to be a part of building the entire track and was very involved with the outcome. I was then approached by another producer, Robin Cruz, to do a Remix. Although I was also involved with the creation of the remix, I would have to give most the credit to Robin. Both producers are so talented and working with them is an absolute pleasure. They will both be involved in producing the EP that I’ll be releasing later this year. What can we expect from you through 2019? I am currently working on a music video for the original version of Utopia. The premise of the video is a metaphor based around the line “we could be living in utopia” and it contrasts a perfect futuristic society with a dystopian society. Another project in the works is my second EP. The songs are definitely a lot darker than The Hummingbird EP, but there will be a love song or two to lighten the mood. I’m hoping to play a lot of shows this summer and the dates will be posted on my website (sydneybeau.com).

Sean Quincy is a 23 year old solo artist from London, UK now located in LA. Moulding his sound and image from living in the streets of London, he has taken a villain-esque attitude towards his subject matter; pushing self-empowerment and rebellion creating his own blend of Alternative guitar riffs, accompanied by RnB and Pop melodies. It's a rebellious song for the teens, as is the whole EP 'Adorable Sinners’. It’s a fun album, whether it’s played in a car or on stage - you can feel the energy it’s like a mix of styles conjured into a new school way. Checking out the song “Hollywood Undead”. Whoa! This track caught me by surprise. There’s this funky pop rock and roll feel and I love it! It is different and something that takes you on a stroll through his view of "Hollywood Undead". I really love the production of this track with the mixing and mastering of the various tones. Wonderful vocals by Quincy as well. I can hear the RnB and Pop reference in his vocals and lyricism. And because he is versatile in that sound, it gives this song such a range and a beautiful range at that. Definitely a dope top 50’s track with so much surprise throughout its entire 2 minutes and 45 seconds. Remember to check out "Hollywood Undead" on Spotify, and scroll down to get to know Sean a little better! Hey! Would you mind introducing yourself? Sean Quincy. I’m a '95 baby. Born on an island in the Mediterranean called Malta but moved to London around five years ago. I dabble in music, fashion, branding, directing and anything creative which comes my way.. the Sean Quincy material is an unfiltered autobiographical timeline. Your social presence is really solid! Can you tell us why you chose the black and white esthetic opposed to color? Well.. being a Gemini I needed something which was two sided and minimal which cuts out all the bullshit. There’s a battle between good and bad going on and I play with these shades accordingly. Bringing in Hollywood Undead, what is the backstory to this song? On my new EP ‘Adorable Sinners’ I go from vigilante to villain super quick. Hollywood Undead was giving a taste of both sides. In context it’s about a typical girl in LA but the underlying message is super rebellious. What made you pick up and relocate to LA? Life’s a bit crazy at the moment I’m bouncing between Malta, London & LA depending on what I’m working on. Im fortunate to have met some amazing people along the way and nurtured each relationship. Also I can’t stay in one place for too long. LA was always a dream, now Ive been flying here more and more frequently. I’m sure I'll settle down. Can you let us know what you have coming up in the music world? I just released an EP called ‘Adorable Sinners’ on Valentines Day - its hot as fuck check it out! Connect with Sean through his Instagram. #BuzzMusic

Is that a washboard I hear? Do I see bluegrass blowing in the breeze? Mumford and Sons fans take note, because with vocals as sweet as milk and morning air that’s brisk, NYC-based roots-country act The Good Morning Nags are making an impressive foray into Americana music and beyond with “Birmingham.” It’s easy-on-the-year empowerment music. You’re headed where you want to go, hell be damned. The group traces its own history to the University of Evansville in Indiana. It was there in the Midwest where Britt Reagan (guitar), Tim Hassler (fiddle), Titus Tompkins (drums/percussion), and Ben Quinn (mandolin) started to hammer out the formula that would become The Good Morning Nags via scoring theater productions and working on four-part harmony. After reconnecting in New York they added banjo player Mark Spitznagel (Rusty Guns) to the mix. The group recorded a self-titled EP then added bass player Pete O’Neill (Mama Juke, CC & The Boys). They hit Three Crown Studio to record Hard Hope, which includes the song “Birmingham.” You can’t help but wonder how their sounds work together so seamlessly. The instruments feel bright, but there is a rounded, warm quality to them, also. The content of the track is something bands, and wanderers everywhere, can get behind: “Best we best we be getting on the road.” I can’t help but soak up the excitement for heading to this place somewhere in the good ole’ USA. I’m sure it’s a place where you can swing your partner round-and-round. But if this song is anything to go by, I’d guess it’s a place that has evolved towards a more modern-sounding vibe, too. We’ve got crisp organic hand claps, factories of rust, and the aforementioned “Birmingham or bust” ethos. Unlike some of their other songs, like “No Damn Good” with its Cotton-Eyed-Joe twang and prominent fiddle, “Birmingham” is more within the indie-pop territory. I’d even venture to say folks who appreciate the Decemberists and the Rural Alberta Advantage may find some positive strains to enjoy here. Give a listen to "Birmingham," and get to know the band through their interview below! Connect with The Good Morning Nags through their website and socials: Facebook Instagram Twitter #BuzzMusic What is it you find so alluring about Americana imagery? In Americana imagery, and I think still in America itself, there’s always a since of hope, that our best days are yet to come. And maybe it’s a bit contradictory since the music itself has relatively stayed the same over time, but it’s often been the voice of descent and change through the years, and it’s evolved as America has evolved. It’s a celebration of people and community. It’s Walt Whitman saying love yourself and love the people around you. We fight and get drunk and lose things and lose people and change and in the end we’re better for it and we move forward. Even in its most benign forms, I don’t believe the cultural recidivism we’re experiencing today is in any way the spirit of this country or of Americana music. We thrive on celebrating humanity and urging it forward. It sounds like you are heavily rooted in the tradition of roots music before you? Is that so? Absolutely! It’s how we got started, playing bluegrass and folk music—or at least that’s what we called it. There’s such rich storytelling in American roots music. You look at traditional folk tunes, some that go back hundreds of years, and it really makes you think about the human experience and who these people were—and then how it relates to us. Like some of the other guys, I grew up in Georgia, and would hear a lot of old time music and old hymns. And now I can play it and think about it in a newer context. Of course I didn’t really like it then—I wanted rock n roll. But I think everyday we’re finding ways to remember our past while looking forward. What are some of the country and indie/alternative groups that you draw influences from? We’ve each got some country heroes that have shaped the way we write music and work together. Personally I learned how to play the fiddle by listening to Old Crow Medicine Show and repeating what I heard. We play a lot of music by The Band and The Grateful Dead, and we often dip into your classics like Hank and Cash. Each of us would give you a list of artists that are completely different from the others. Ben used to play in a metal band. Titus was a gospel drummer. Britt grew up on his dad’s country icons. Off the top of my head I’m thinking of Dave Rawlings, Hurray for the Riff Raff, Kings of Leon, Sufjan Stevens. It’s kind of a cool thing about us—everyone brings such different points of view and influences, and that really guides our song writing process. Why would you say your music is so firmly pointed towards the positive? After years of busking in the subway and struggling to get by, it feels good to think positively. The world can be a real jerk sometimes. We get enough of that everyday, so we’d usually rather play music that keeps our hearts pumping and looking forward to what’s next. That’s how we got where we are today. We’ll take a win when we can get it!

Originally starting his creative endeavors in Tacoma, Washing, Jordan Mosley started off solely as a rapper, but later found that he was heavily inspired by classic jazz music which was hard for him to admit at the time.Jordan would perform at multiple shows across Seattle such as Columbia City Theatre and Nectar Lounge. As an artist, Jordan was in constant pursuit to implement a jazz influence in his music. Gaining momentum in the hip hop community, Jordan would then land a spot on an artists’ notable mixtape. Though having internal conflicts between rap and singing, Jordan stuck to singing. Jazz is certainly an influence in Jordan’s music but not the genre entirely. His smooth and silky vocals create an ambient sound along with the somewhat orchestral instrumental. "Protector" is a beautiful song showing the relationship between father and child and the role they have as their protector. The chorus is catchy yet soft and has a beautiful transition to the bridge where it comes to a climax where Jordan feels like he cannot protect his daughter the way he wants to as she is growing up quickly. A wholesome and heartfelt song is what Jordan brings to the table in the music industry wonderfully put together in song and visuals. Give "Protector" a listen to, and add the track to your Spotify playlist. Link with Jordan on his social media, and check out some interview questions with the artist below! Facebook Instagram Twitter #BuzzMusic Can you tell us a bit about yourself? I am a singer-songwriter who originates from Tacoma, WA. Music is something that has always been a part of my life. My mother is a Jazz vocalist, her father was a Jazz bassist and both my two older brothers are music makers. The oldest being a composer and the second being a singer/songwriter. The music I make I call Strongman Music: Songs for Strong Lovers. Why did you choose to focus primarily on singing vs rapping? As much as I love rapping and loved it even more-so back then, singing just seemed to come more naturally to me and honestly made me feel so awesome when I did it. When I do it. It elates me in ways rapping didnʼt. I feel like Iʼm in my true element. Once I finally admitted that to myself, then that was that. I just completely love melody. How long did it take you to write “Protector”? Can you tell us a bit about the creation process of it? At the time when this song came about, I was a brand new dad and my heart was feeling heavy. But not in a sad kind of way but more of a “feeling deeply” kind of way. Sometimes overwhelmingly so. My perspective changed to a more protective frame of mind and all the happenings of the world just reenforced that way of thinking more and more. Since writing the song, Iʼve had three more kids, so with more kids and increasingly crazy things in this world that frame of mind has only increased as well. Sadly, there is a growing idea that relationships are second to aspirations: Get a career first- then get your person...or donʼt. I think a big part of that concept has come from absentee fathers and the degradation of family in todayʼs culture. Itʼs a very ME generation. But I think itʼs a reactive attitude to that degradation of family. The video for the song not only shows the power of a strong and present father, but the true power of family. Real projection of love protects. It protects the loved, it protects the lover, and it protects the developments of that love. At all cost. Always. Do the lyrics come first to you or the melody when writing songs? For the most part, I donʼt write songs sitting down at a desk with a pad and pen working out chords, lyrics, and melody. Mostly, I have melodies that live in my head or lyrics that knock around in my head while I carry out other parts of life. I mean, life is what evokes me to write most the time anyway. Has moving to LA given you a different perspective/sound on music? If yes, how? LA is a funny place and much different from where I grew up. I love it though. Itʼs a place of creativity thatʼs for sure. Seeing the quality of what people put out here regarding the sonic aspect of it has made me step it up a few notches. With my sound and perspective on music, Iʼve always had it in my mind since I was young, but I think Iʼm just now being able to successfully transfer that from inside my head to actual music. Iʼve always heard it in my head but it was always hard to bring it to fruition in arrangement. I donʼt think my geographic location would have deterred me from trying to accomplish that. What can we expect from you going through 2019? Iʼm completing an 8 song EP which will include my latest release, “Protector” that Iʼll be releasing late spring. And from there doing shows. Music is made to affect. So when show time starts, please do come out and feel the affection.

Originally from Florence, Alabama, singer-songwriter Bailey White has a knack for authentic sound and soulful style. Her influences come her southern upbringing as well as inspiration from stripped acoustic sounds. Acoustic artists such as Gavin DeGraw and Mare Broussard have also inspired her acoustic and raw sound. Bailey’s debut EP “What To Say” includes the track, “Without A Memory” which is a soft acoustic song aided by guitars and a pulsating rhythm. Her EP was produced by Grammy Award Winner Jimmy Nutt and well-renowned songwriter James LeBlanc. Bailey’s vocals are nice and warm with a cooling melody. Gentle piano counter melodies are heard with the continuation of the guitars. This genre of music is not so much country as it is bluegrass. Bailey White brings a charming take on music with heartfelt lyrics and a homey sound. Like the rest of her album, Bailey keeps the authentic sound going. Each section of the song comes cohesively together providing a sense of longing and nostalgia of someone or something, begging the question of what is without a memory. Listen to Bailey White once, and you will in awe of her beautifully arranged and composed music. Add Bailey's "Without A Memory" to your Spotify playlist, and get introduced to the artist through our interview below! Hey Bailey! Can you tell us a bit about yourself! I am a singer-songwriter based in the historic music town of Muscle Shoals where Aretha Franklin, The Rolling Stones, and many others have recorded. It used to be a previous recording capital of the world, and is what originally got me into music. I come from a family of athletes, my brother plays college football, mom is a personal trainer, and my dad used to play pro football. But, musicians have always said it was something in the air here that inspired the music and I believe that. I definitely caught the music bug. What prompted you to pursue music professionally as a career? I originally started pursing a career professionally in music at 17 as an artist manager. I was missing many days my senior year of high school because I began managing an act I discovered on YouTube and help land him a deal with a local publishing company. After that, I realized that I had the knowledge and experience to pursue my own career in music and began doing just that. I worked on demos in Nashville for a while while attending Belmont University but ultimately felt drawn back to Muscle Shoals to create my record. I wanted to capture the feeling that everyone loved about the music that came from the area but in a fresh way. What was the thought/concept behind your EP, “What To Say”? That’s what led to the concept behind my EP - I discovered all the music I listened to on YouTube because it was a big platform starting out when I was younger and my parents never listened to much music, and I discovered the world of early 2000s live acoustic music. Gavin DeGraw, Marc Broussard, Jason Mraz, Eric Hutchinson, John Mayer, Maroon 5 - all of these guys when playing live really made me feel like I found a “home away from home” with their sound. I felt like it all captured the soul and authenticity I loved so much from Muscle Shoals, and I then wanted to make an EP that was a blend of the early 2000s “new” and the “old” of The Shoals. "Without A Memory" is a great tune. We loved it a lot. Can you tell us a bit about the creation process of this single? This really came together on the track you mentioned “Without A Memory.” I’m so glad you love it! When creating this song, it was one that I wrote by myself and I felt like really showed a personal side of myself that can be a flaw or a strength. I always see the best in people and situations, and that song was kind of me taking a moment and accepting that while it may not always be the best approach when it comes to my heart, I cherish all the memories I make. At that time I didn’t care if I had my heart was broken, I just wanted to be able to look back and be able to smile about a story. When we were recording that song though that’s the moment that truly made my sound come to life. I will never forget when James LeBlanc, my producer and well-renowned songwriter, added his background vocals to the track. Most all of the guys I work with here are much older than I am since the town has an old soul. When we all listened back that was the moment we really felt the mix of old and new had made something special. Which lyric line connects the most with you from the song? The lyric that really connects with me the most would be “Now that I’ve tasted this feeling you could give to me - I can’t carry on without a memory.” When I wrote that, I really was talking about that moment when you realize something has made your heart race a little faster and you have to see what might come from it, no matter if it’s right or wrong. What can we expect to see from you through 2019? I have so many exciting things coming! We just finished recording the acoustic version of my EP “What to Say.” As I mentioned earlier, acoustic will always be something near and dear to my heart, and it has been something I’ve been very excited to do. The songs take on a whole new life when they are acoustic, and really capture an intimacy that I am excited to share. It will be releasing this Spring. Check out Bailey White through her Website and Instagram. #BuzzMusic

Jasper’s Riddle released their record “Grown”, the melancholic and sentimental melody by the acoustic guitar and the comforting smooth-sailing voice by Jasper will mesmerize you to the fullest extent. This is a song we can lie down and listen to whenever we want an escape from my day to day emotions, except I’m not escaping my emotions, rather focusing in on them and letting the sounds of the music vent for me. our favorite moment in this entire song is whenever Jasper sings “Hold me, Hold me close” in his high-pitched falsetto note. The soft resonance he produces showcases the vulnerability and sensitivity in the entire song. Honestly, this record makes us want to become overly emotional and let out a few tears. Which is great because in a world where men is told crying makes them look weak, and women are portrayed as “Emotional” whenever they release a cry, we need moments to ourselves to just become vulnerable. It’s okay to channel in our emotions and release the built up feelings that’s just going to clog our happiness and become congested. “Grown” is the most fitting song for that moment and we can most definitely add this to our playlist. Listen to "Grown" here, and connect with Jasper's Riddle using the links below! Connect with Jasper's Riddle: Instagram Facebook Soundcloud