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Love might be hard, but life goes on. Heartbreak is such a funny thing. It comes with pain, doubt, misery, and tons of self-reflection, but ultimately, the potential rewards are so great we brave these pitfalls for the chance at true love every time. Love appears in our lives at random times in multiple forms, and no matter what happened in the past, there’s always the possibility of a bright future, at least where Kelsy Karter and The Heroines are concerned. Having captivated audiences everywhere with their ability to capture the emotionally charged, these rising stars always have something exciting in store. Coming off a raucous tour that saw them rock stages along with Billy Idol, Kelsy Karter and The Heroines capped off an amazing 2022 with their viral covers of “Crying” and “Alone.” With their signature heartfelt lyrics and breathtaking melodies, they’ve crafted a sound that’s inherently visceral, but that’s life, love, and heartbreak for you. Sometimes, it’s not about what you think but what you FEEL. As they gear up for the release of their next album, Kelsy Karter and The Heroines show every indication of once again taking the world by storm. “Love Goes On” is a testament to both Kelsy Karter and The Heroines’ exceptional mastery of their sound and their ability to consistently dazzle and impress. Utilizing instrumentals that blur the line between rock and pop, Karter gives a performance that takes your breath away. Their signature heartfelt style is one full display here, and combined with catchy melodies that are vaguely nostalgic, you can practically feel the emotion dripping from your screen. It's another standout release, but where Kelsy Karter and The Heroines are concerned, we’ve come to expect that. Kelsy Karter and The Heroines’ latest release, “Love Goes On,” is an empowering and heartwarming tribute to the resilience of the heart. Whenever you’re ready, tap in and stream “Love Goes On”, out now on all majour streaming platforms. Instagram

Modern romance can be messy, but can he find love in this messed-up world? Born in the land of ten thousand lakes before moving to Texas, Minnesota-born musician Matthew David Renner (better known by his stage name “Renner”) is a country and rock singer/songwriter who’s been making waves with his artistic vision and the ability to execute that vision flawlessly. Born into a family with a rich musical history, this third-generation musician was exposed to music from the moment he was born. Incorporating genres from country, rock, and hip-hop into his sound, you never know which direction Renner will take you, but one thing is always certain: it’s going to be a hell of a ride. Although many things stand out about Renner as an artist, one of the most defining characteristics of his artistic ethos is his unwavering dedication to his artistic vision and process. He’s not satisfied unless he gets it entirely right, and this standard has led to each Renner release being absolute quality. Having made the difficult position to put his music career on hold after high school to support his family, he kept his artistic flame burning. Having returned to the musical world sharper and better than ever, the future continues to look incredibly bright for this talented musician. Renner’s new EP “Happy” is an honest, intimate release that exquisitely blurs the line between rock and country. It’s many things, but perhaps most pertinently, it feels like an emotional journey fueled by Renner’s transparency and emotive lyrical performance. The EP clocks in at around 10 minutes with three songs, but the quality is so good it leaves you wanting more. The base of this project is undoubtedly grounded with Renner’s signature rock-country fusion, but his execution on all three tracks is different, making the release feel well-rounded. On the opening titular track, “Happy,” lyrics like “All that you wanted was, to be happy, you said you’re happy / Then you went and left me I guess / You weren’t happy” set the stage for a slow, emotional burn. On “Drunk Love,” Renner tentatively entertains the thought of new love with lyrics like “Because I'm drunk and in love, tomorrow I don't know what / I’m going to do if I don’t like who you are or who I am,” interestingly considering changes in his partner, but also himself. Finally, on the EP’s closer “Miss You,” with lyrics like “We’re so dysfunctional it's like we’re the same / We treat each other like we don't know the game” and “You say you hate me, baby, kind of makes me want you,” Renner explores a cycle of toxic love. In its totality, “Happy” is an EP that chronicles anything but happiness. Still, Renner’s vocal and lyrical performance is so fascinating that you hold onto every word and lyric. Renner’s new EP “Happy” is a three-song offering that delves into the toxic games we can find ourselves caught in today’s modern romance world. Whenever you’re ready, tap in and stream Renner’s new EP “Happy”, available now on all majour streaming platforms. Instagram Facebook

A huge congratulations on your latest release, “With All That.” Could you tell us about a particular life event or experience that has significantly impacted your music career and lyrics? I am a Pisces, and I love hard even when im not supposed to. So when I was young, I was a simp. I ain't gone cap, but my people broke me from that real quick as I got older and got all in with the streets in Memphis. Turned me cold like Pluto. And for this song "With All That," I’m a dad, a girl dad at that, 4 of them, and all I can say is its journey is always good, but if you let the negativity that comes with it drain you, then you'll be where I was in my early 20s. How did you reflect those emotions into your songs? Straight up, that pain, hurt, and anger reflected from within into the pen. When I tune in when im writing, I make movies you can visualize just from listening, but when I'm there and you see and hear it personally, it's unimaginable. I release the negativity in the only way I know how to control and handle that works while keeping my heart humble and mind in tune. How did working with another artist or producer influence your creative process and the song's outcome? Honestly, with all that wasn’t even in my lineup, you know my producers, slim and Lizgin, but I was on youtube and sent some new gas my boy posted, but the beat is two years old, and it's called "Models," and as you heard that dunna dun dun dunna dun dun and it wasn’t cheap...but when I got it, of course, I had plenty ideas to make with it, but I was tapped in one day and with all that just took place because I just fired this female the day before so I had motivation plain and simple plus my past situations put me in that state of mind while I was writing. Venting to you about my drama and past drama, lol, and my engineer at Union Recording Studio West Hollywood told him we got a part 2 because that’s where I recorded Stunting On A Bitch at. What can we expect for the future? Halloween, we have Like A Ghost dropping. Man, that there is that Memphis Side Of Me Speaking, coming to you live. Its feast drops Thanksgiving, and the feast will be major. This is the reality side of the world speaking from me. I'm a street nigga, but I don’t just rap the simple shit; it’s a feast, that's all I'm going to say. Poseidon took that submarine-like earthlings don’t play with the sea. Pisces said to leave the Titanic alone, my nigga, and let it be. Just being the underdog all the way. Every accomplishment I make when this music is an inspiration is broken into different variables/songs, especially since I go by Stoopid Swagg. When you are the lone wolf on the trail and the outsiders even look at you differently, that makes you realize you need to do something, so in my song Like a Ghost, Are there any unique sources of inspiration that have led to some of your most memorable lyrics or songs? Play with me. I’m like D-day, the nuke who brought death through I'm like Zeus ruling the gods. Nobody steep to Scaple blade duct tape rubber gloves, a hack shaw Whoever tried to conquer Rome wonder who had that thought Those lyrics in “Like a Ghost,” I mean I was finally rolling at 15, me and my people, my cousins to be exact; I was on the run catching charges, and back then, when street cred meant something, my sheet was long like the Oregon Trail along with my cousins during 2005-2018/19 mane we were hot boys, we beat the feds like jeezy with my folk I felt untouchably unstoppable you know like the silent killer, make you wonder who tried Zeus and Succedded during his prime, Who tried Rome and prevailed, and you see what happened with our WW2 entry because of Pearl Habor. Can you share a story about an exciting moment of inspiration in your musical journey? 2007/8 Memphis, I’m Young Okye Glaze see myself fall and outside rimmed up just dropped im getting motion on MySpace and shit so long short of a fake label, a fake Russel Simmons nephew, and a false radio interview lead to me and cousins getting on his ass in the hot107.1 parking lot, but after that buddy hit me with some contacts and I was got up with Richboy and Keri Hilson Manager at the time Richard Morrow, and some other sources so it made me feel like a lil pressure will bring the truth out but my pressure and the next aint the same. The music industry often values authenticity. How do you stay true to yourself and your unique voice as an artist while adapting to changing trends and audience expectations in the rap genre? I listen to other artists, but just as an artist, I got my select few and saw how their sound, craft, and business as an artist and company have changed over the years. Where they are at in the head and life, but I knew this when I was younger, that’s why I was Young Okye Glaze; you gotta change your lane up, switch it up a curveball, then a slider. But staying true to yourself and your image stays with you and yourself. I'm Stoopid Swagg OG. The only thing that will change is the weather and the money. Don’t let it change you. You see what people will do to say they are authentic. I ain't with all that. I remain me, and if the bridge ain't broke, don’t fix it. I don’t care about the trends because trends change, but the messages I'm demonstrating in the songs are like those of the painters during the Masonic Renaissance era; the message is infinite. What message or advice would you offer to help aspiring rap artists who look up to you and your career that could help them navigate the challenges and opportunities in the music industry, especially when trying to find their unique voice? A couple of steps: Keep a budget, I mean a real deal, budget down to the cents from the dollar so you can know where all your money is going, and know honestly what you have to incorporate into your music, and don’t let up. The music industry is literally like trapping, hustling, and jogging; the money you invest will double up triple, but in return, it may not be money; it can be an accomplishment, an opportunity to advance, perform, studio, a feature, beat, but you have to be right with yourself, sound as an artist because evil comes in different forms especially while you're winning. Keep a business plan of the objectives you trying to reach. If you work, payday every two weeks, write out your expenses, bills, personal, and, of course, the music; once the numbers are added, you get paid. All you have to do is put it where it needs to go, and do this for me ascends me to a different level every time. So, from this point, you can do whatever your budget is and what fits it. All I can say is for your sound, don’t let anyone change it as, in the mind of your sound, advance it, open doors with it, but be the same person. Look at the industry now. Once you pave that lane from your sound, it opens doors, but don’t change the lane. How many rappers are left now mainstream from trying to sound like the Migos sound? Your sound is you; that’s what you getting known for. Be original with it. Instagram Twitter

This pop-punk band continues to impress. With their fresh blend of unfiltered, unadulterated pop punk and infectious, electrifying energy, how would you even begin to describe BORT? Straight from somewhere between brilliant nebulas and the murky reaches of deep space, if there’s one thing BORT does, it’s marching to the beat of their drums. Driven by their love of music and each other, this unique band is poised to be one of the most exciting and compelling stories of the musical year. If you haven’t heard of them before, we suggest fixing that ASAP. Made up of the electrifying trio of Jordan McGraw, Zach Merrick, and Jack Lawless, BORT’s origin story is fittingly strange and roundabout, yet heartwarming. After frontman McGraw quit his former band after growing tired of juggling the egos that came with it, his love for collaboration disappeared. After spending some time going solo, jamming, and playing with his friends made, McGraw realized that with the right company, having comrades to share and build your musical legacy with is far more fun than going it alone. He hasn’t looked back since, so BORT’s grand musical journey would begin. With their debut release, “Can You Hear Me,” having racked up more than 100,000 views and counting, it’s fair to say that BORT’s introduction to the world has been a resounding success. Showing another layer to their impressive artistic catalog, BORT has returned with an “unplugged” version of “Can You Hear Me.” Although the initiated would think that taking away the powerful electric guitar would result in a watered-down release, the opposite is true. McGraw’s vocals shine even more, and the altered instrumental performance somehow makes for an even more nostalgic feel than the original version. It’s becoming increasingly clear that BORT are as versatile as they are talented, and if they keep this up, super-stardom is well within their reach. One thing’s for sure: we’ll be following their musical journey with interest every step of the way. Instagram

How can love give so much and take it away after? Hailing from the vast expanses southwest of Western Australia, Veruca Moon’s electric energy at live shows has quickly become a local legend. Growing up in a musical environment rich with folk influences, she’s cultivated a unique blend of country, jazz, and folk that has kept audiences spellbound, holding on to the edge of their seats. Managing to make releases as deep with substance as they are compelling, listening to Moon’s releases feels like she’s transporting you to a different world, lit up by music and tempered by her spirit. Now based in Boorloo/Perth, Moon’s been steadily building a name for herself as one of the most exciting newcomers in the business. Performing along with her eponymous band, she’s quickly become a go-to live performer at venues all across her state. Equally as good in the studio as she is live, it’s clear that this burgeoning star is destined for big things, and when the music is this good, it’s hard not to be too excited. With a smooth yet brooding lyrical style and music that comes straight from the heart, Moon is like a breath of fresh air in the industry, and whichever musical adventure she decides to take us on next, we’ll be there. The gentle guitar melts your heart from the moment “Let Me Go” begins. Moon describes “Let Me Go” as a delicately layered heartache anthem, which rings true. It’s a little bit of a slow burn, but Moon’s soft yet compelling vocals evoke greater and greater emotion as the song continues. As she tenderly sings lines like “How could your love just let me go like that / How could your love just keep me coming back,” emotions swell and burst forth before receding, only to return in a bittersweet ebb and flow. Every part of this release feels in harmony, but Moon’s vocals steal the show, delivering an enchanting performance that feels as intimate as it is. Veruca Moon’s latest release, “Let Me Go,” is a delicate heartbreak anthem that will sweep you up in your feels and melt your heart. Whenever you’re ready, tap in and stream Veruca Moon’s latest release, “Let Me Go,” out now. Instagram Facebook

With over 2 million Spotify streams, Nxsser (Abdel Naser Mohammad A Alhusaini) has emerged as one of the recognizable names in the slap house and dance genre. His groovy sound also dabbles in deep house and tech house. He debuted in the scene in 2021 and has since produced many songs, such as “Alors On Danse,” which has received over 700 thousand streams on Spotify, and “Fall In,” which received over 600 thousand views on YouTube and 200 thousand streams on Spotify. The talented Jordanian producer has also already had a slew of top-notch releases under his belt, as his music has been released through Lithuania HQ, TREMBLE By ATLAST, Street Phonk Records, and Sony Music, among other top-tier EDM labels and other independent releases. Nxsser continues to make global headway as one of the most popular EDM artists in Jordan, with over 10 thousand people listening to his music every month. His music has been supported by Tiesto, Sevenn, Tungevaag, and many more. The next steps for Nxsser are to continue mastering his craft to the maximum perfection as a producer, hone his skills as a DJ, and perform worldwide. Connect with Nxsser on social media.

The Toronto outfit managed to maintain and exceed the impressive standard they set for themselves with 2019’s “Survivor.” Having first made waves with the release of their highly acclaimed self-titled debut album in the summer of 2017, Toronto-based alt-rock and indie pop band Madame Psychosis are no strangers to the spotlight. With a fierce dedication to their craft and true artistic spirit, these talented musicians have appeared on and rocked iconic stages, including multiple performances at Canadian Music Week. After their sophomore album “Survivor” proved that Madame Psychosis’s brilliance wasn’t just a flash in the pan, these electric performers have gone from strength to strength, showing no indication of slowing down. Drawing influence from respected acts like The War on Drugs, Whitney Houston, and Arctic Monkeys, Madame Psychosis has cultivated a spunky yet refined sound, resulting in releases that are easy on the ears and a discography that’s incredibly easy to get into and love. With numerous critics singing their praises since the release of “Survivor” in 2019, the little issue of the global pandemic would put a temporary stop to their burgeoning ascension. Now back and as sharp as ever, this talented band is ready to show that they’re ready to take their music to even higher levels. In their new release, “Concrete Streets,” Madame Psychosis proves that they don’t just still have it; they’ve evolved in the time that’s passed since their last release. What’s not to love? It's a crisp instrumental performance with witty lyrics that make you smile as much as they make you feel. Madame Psychosis has still got it. Dropping lyrics like “You can take the wheel / or sit back and relax/let's rock this old Jeep off-road / Right off of life's tracks” and “I've got a jungle raging in me / I've got a tidal wave tsunami / I've got a magnet pulling me away / from these concrete streets,” it’s hard not to get swept up in Madame Psychosis’s pace. Don’t be surprised if you find yourself singing along. Madame Psychosis’s new release, “Concrete Streets,” is a testament to the band’s continued brilliance, hiatus or no hiatus. Whenever you’re ready, tap in and stream Madame Psychosis’s new single, “Concrete Streets,” watch for more new music from the Toronto natives coming soon. Instagram Facebook

Letchen Grey, the iconic rockers who once ruled the Sunset Strip in LA during the '80s, is back with a vengeance. Their new single, "Dead Man Walking," is a thunderous return to the spotlight, showcasing the band's enduring power and charisma. With a revamped lineup featuring Mark Andersen on guitar, Bradley Mangrum on lead vocals and trumpet, Joshua Taylor on bass, and Matt Jamele on drums, Letchen Grey proves that age is just a number. "Dead Man Walking" was inspired by their 2021 track "Burn," which garnered them a three-page feature in Classic Rock magazine. Mark Andersen explains, "The article's title was 'Dead Men Walking,' which inspired me to write the song." The result is a relentless, guitar-driven anthem that captures the essence of rock 'n' roll rebellion. Produced by the legendary Alan Niven and Chris Catero, "Dead Man Walking" hits hard with its infectious rhythms and Mangrum's powerful vocals. The accompanying video, produced by Luis Segui, adds a visual dimension to the band's resurrection, leaving no doubt that Letchen Grey is here to reclaim their throne. With more songs in the pipeline and live shows on the horizon, Letchen Grey's revival is in full swing. Andersen wisely says, "Who knows where this all will take us?" One thing's for sure: their music is a testament to the enduring spirit of rock, and "Dead Man Walking" is a triumphant declaration that they're here to stay. So, crank up the volume and join the resurgence of Letchen Grey – the rock legend who refuses to be forgotten. Welcome to BuzzMusic, Letchen Grey! This record marks your return after a lengthy hiatus. How does it feel to be back in the spotlight, and what motivated the band's resurgence in 2021? Thanks for having us back. We dig your publication and appreciate your interest in our music. Mark Andersen: During the lengthy hiatus, I continued to play music in bars and churches. Yeah, what a combination. I love the spirituality of playing in church, and my fellow musicians were excellent. At the same time, I played covers in every dive bar in town. I also got a college degree and established a career in the water industry. So, life was good and busy during this time. 2001 Eric Acevo, the original bass player of Letchen Grey, and I were rehearsing to play another dive bar. Before we got on the set list, we always improvised and threw out musical ideas at each other. I remember we just began writing our music. It was perfectly natural to us. So we decided to record a few songs, Burn, Castaway, and Rocks Off. We didn't have a name for the band. Alan Niven, our producer, went on the internet and saw that the fans of Letchen Grey had created web pages, posted YouTube videos of us during our hiatus, and convinced us to use the name again. He also produced the first Letchen Grey EP, "Party Politics," and thought the new songs perfectly extended our previous music. The original band members gave me their blessing to carry the torch. Eric now has his band, and we still keep in contact constantly. I'm very excited about our new EP, "Phoenix," and I think anyone who listens to Deadman Walking, Broken String, and I'm on Fire can connect with the lyrics and rhythm of these tracks. You can listen to "Phoenix" on Amazon Music, Spotify, our website Letchengrey.com, or see our new "Deadman Walking" video on YouTube. Bradley's vocal performances are outstanding. I also can't say enough about how great it is to have Josh Riblett, bass guitar, and Matt Jamele, drums, in the band. They are talented, and I'm excited to have others experience the Fire they bring to the band. So yes, we're all very excited about the future. We were already writing and recording new songs for our next release. "Dead Man Walking" was produced by industry legends Alan Niven and Chris Catero. What was it like working with these renowned figures, and what did they bring to the song's production? Bradley Mangrum: It was a surreal moment, From small conversations of life To a hands-on-deck approach with the recording. Alan and Chris's inspiration and professional demeanor relate to their music industry accomplishments. They brought many directional ideas to help formulate the song to what it has become Today. Rock music has evolved over the decades. How do you see Letchen Grey fitting into the current music landscape, and what do you hope to achieve with your music in Today's world? Bradley Mangrum: Yes, we are the music of yesterday. But we are also the music of Today, and I see us fitting right in with Today's theme. Our lineup is very diverse, with an age range from the late 20s to 50s," allowing us a broad spectrum of ideas and opportunities to catch the attention of many listeners abroad. We want to rock with the best and bring our energy and sound to the masses. Please give us a sneak peek into the direction and themes of your upcoming music and how it might differ from your past work. Bradley Mangrum: The new music we write has the same great guitar riffs as Letchen Grey. What breaks us apart from our days of the 80s and most bands Today has been the addition of our vocalist/ Trumpeter, Bradley Mangrum. He has brought such power and emotion to our songs that we are sure to grab the attention of others and, best of all. It's not only by his strong vocals but also by his trumpet performance. Having the trumpet deliver a treat during melodic sections of our songs has also allowed us to write some enjoyable, upbeat songs that will indeed have the crowd moving. It brings fresh air to the Rock Scene and is excited to show the world our sound. What's next for you? Bradley Mangrum: We are working on our next video release for (Broken String), recorded with Deadman Walking. We have started pre-production for our newest songs written with this lineup. 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Although there are many reasons to love an artist, at the end of the day, the most important skill for a performer is to entertain. Hailing from Cleveland Heights, Ohio, rapper, songwriter, and podcaster Marquis Storm has made a career off of his ability to keep audiences enthralled with his expansive creative vision. An earnest performer whose lyrically conscious flow and punchy metaphors capture the imagination and stimulate the senses, this seasoned veteran has been producing and releasing hits relentlessly. At the highest levels of the music industry, something that separates the artists who’ve each reached the peak of the genre with their creative skills is passion. When everyone’s technical command of their craft has been mastered, passion serves as that little extra something that crosses the divide between listener and artist. Marquis Storm loves what he does, and that love becomes infectious. Having performed and opened for music giants like Bone Thugs N Harmony, Boldly James, and Three 6 Mafia’s DJ Paul, Storm’s talent and ability have been recognized by peers who’ve reached the absolute peak of their genre. Interestingly, “Grateful” feels like both an ending and a beginning. Beginning with an intro that evokes old-school soul and a little lofi, lines like “You know we all grateful for something / Until the dust settles, I won’t take nothing less” feel almost cathartic, but when you’ve been the places Storm has been and reached the heights that he’s reached, it’s hard not be. “Grateful” feels like an acknowledgment of the trials he’s had to overcome to get where he is, but also a celebration that he’s risen above life’s challenges and has set himself up for success for a good while. On Marquis Storm’s newest release, “Grateful,” he manages to skillfully walk the line between being grateful for all he’s been able to accomplish without becoming complacent. Whenever you’re ready, tap in and stream Marquis Storm’s new release, “Grateful”, available on all majour streaming platforms. Instagram

The Hamilton, Ontario-based musician pushes his artistic limits to fantastic effect on this new release. Having started his musical journey young, Hamilton-based musician Father Christmas has long had a deep love and appreciation for music. Combining pleasant, winding grooves that soothe the soul with psychedelic tones that stimulate the brain, Father Christmas has impressively cultivated a sound that straddles the line between whimsical and extraordinary. Not one to be complacent, Father Christmas’s restless pursuit of music’s unexplored boundaries ensures that every release stays fresh and appealing. With his upcoming release, 'Equalizer,' Father Christmas looks to further cement his quickly ascending legacy; dare we say, he’s managed to do that with his latest release. Focusing on a cohesive blend of improvisation, dynamics, and foresight, Father Christmas has found a way to balance catchy melodic hooks with dark, experimental instrumentation. Continuing his penchant for experimentation and evolution, Father Christmas’ latest release, 'Equalizer,' is an EP that embodies his innovative desires. About the EP, he says, “This is by far the most experimental release under FC,” while he’s pushed his boundaries yet again, the result is more than worth it. On your first listen to 'Equalizer,' the first thing that catches your attention is the ambiance. Father Christmas has done an excellent job of creating an immersive world you can get lost in, and by the time the EP winds to a close on “Odyssey,” it feels like you’ve awoken from a shimmering dream. He describes “Equalizer” as a “cohesive exploration of space, time and the complexities of relationships” armed with nebulous synths and vocals that feel mysterious and sometimes just out of reach; this statement rings true. 'Equalizer' feels like a living being in many ways, from the moment of the titular opening to the ending of “Odyssey,” and Father Christmas has outdone himself here. The highs of 'Equalizer' are giddy and exuberant, and he’s also managed to avoid having a single low point on the album. Although 'Equalizer' roots are undoubtedly based on the psych-pop sound Father Christmas has made his name with, on tracks like “Infinite Time,” shoegaze influences are also apparent, perfectly melding with Father Christmas’s production to keep things fresh and extremely interesting. Coming in at roughly sixteen minutes, 'Equalizer' makes for easy listening, and the EP also feels like it has high replay value. It’s a beautiful, cohesive project, and he has put his best creative foot forward here. Father Christmas' new EP, 'Equalizer,' is a blissful, enticing journey of soft psychedelic pop and shoegaze goodness. If you’re ready for fresh new music, tap in and stream Father Christmas’s 'Equalizer.' Instagram