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Towse is an upcoming folk group hailing from the vibrant state of California. They infuse delightful melodies with theatrical energy, creating a captivating and unique sound. The group comprises three talented individuals: Grace Fellows, pianist and vocalist; Corwin Zekley, fiddler and vocalist; and Mark Gunner, bassist, and vocalist. Towse has graced stages globally, with performances at renowned venues such as The Troubadour in Los Angeles and Old Blue Last in London. They recently had the privilege of playing alongside the widely acclaimed English artist Jon Gumm, a testament to their rising prominence. Towse has made their grand entrance onto the music scene with the release of their debut single, “We’d Start a Garden.” “We’d Start a Garden” is a composition that delves into the heart-wrenching experience of losing someone you love. The opening lines, “Take me away from here, I’m getting tired. Missing your fire, and your fears”, align with the sentiment of yearning for the presence of a cherished companion and capture the bittersweet reminiscence of a past relationship. In the chorus, Grace echoes, "And you told me we'd start a garden," reflecting a couple's shared dreams and aspirations before their separation. These words emphasize the stages often encountered during a breakup: initial longing, subsequent sadness, reminiscence, and eventual anger and resentment. Towse approaches this difficult theme by presenting it in a manner that creates a more palatable and relatable listening experience. They create a tranquil and euphoric soundscape by combining Grace’s delicate piano melodies, Mark’s laid-back, soulful bassline, and Corwin’s harmonious fiddling. Towse effectively conveys that while hardships are inevitable in the human experience, a brighter tomorrow is always on the horizon. “We’d Start a Garden” is available now on all platforms. Welcome to BuzzMusic Towese. Could you share how you created your group’s moniker, “Towse?" Yeah, it came from wanting to have a sort of umbrella that everyone I was collaborating with could come under. I was previously performing under my name, Grace Fellows. Still, about 5 years ago, I was playing with a lovely group of people whose contributions I felt needed to be acknowledged. That's when I searched for a name that would work for me as a solo singer-songwriter when necessary but could also stretch to include the incredible people I work with. The other issue with using my name is if you search it, you'll get a lot of "Grace Fellowship Church," which means our music was often buried on social and streaming platforms. The name Towse is a Scottish-origin surname. I picked it mostly for its use and its sound, but any associated meaning, like that it would have originally been the name of a wool craftsperson or that it's an alternate spelling of "touse" as in "tousled," aligned with my folky roots and the mood I wanted to create with this project. Tell us about the creative process behind your latest single, "We'd Start a Garden." We'd Start a Garden was written in January 2021 as part of the song A Day for a Month challenge (which I highly recommend to any songwriter! Check out their website, it's an amazing community). After some editing, I brought the song to the new iteration of the band I formed in October of that year. Dan Payne and Mark Gunner, the drummer and bassist on the track, were also studying for a master's degree at BIMM London. We had weekly rehearsals where we worked on arranging this one and other songs. Then, in May 2022, we took them to the school's recording studio to track the bass, drums (and a scratch keyboard part). The track was recorded without a click track since there are tempo fluctuations, which makes it a bit difficult to work on (sorry to everyone I work with). Still, after I was happy with my comp of those parts, I recorded my 6-foot grand piano on it back home in California while visiting for my brother's wedding that summer. During that trip, I started working on the violin parts with my partner, Corwin Zekley, and tracking some of the vocals. After many months of mixing, listening back, nudging things, asking for feedback, and rerecording, I sent the track to my friend and mentor, John Baffa, a Grammy-winning sound engineer. He said he felt the mix was very close to finished, offered me some notes, and agreed to master it. Beyond that, there was all the shooting for the music video and cover art, so it's been a long build-up, and I'm so overjoyed that it's finally out there! What has been your biggest source of inspiration when developing your musical style? Some artists I've been influenced by in recent years are Joanna Newsom, Dodie, Phoebe Bridgers, and Fiona Apple. Joanna Newsom largely just for her unapologetic uniqueness and incredible musicianship, Dodie for the tender honesty of her lyrics, Phoebe Bridgers for the insane mood and sonic choices, and Fiona Apple (particularly Fetch the Bolt Cutter) for the production choices. In the past, I listened to many great indie artists like Beirut or Iron & Wine and anyone from Paramore to Lily Allen to The Beatles. I grew up playing classical music and got into experimental classical music (aka "New Music") and world music during my undergrad at CalArts. As a child, I heard a lot of John Prine because my dad liked to play country and folk songs on his guitar. I've also spent many years playing traditional fiddle tunes, and that music and the culture of it have inspired me. I think for me; musical influence has always been a very interpersonal thing. It comes from recommendations, watching friends perform, and the music my community brings forward. Are you currently working on any new projects we can look forward to? Well, of course, I have a few things in the vault, as I hinted at while talking about the recording of We'd Start a Garden, but the next exciting thing is the music video, which will be out on June 9th! Going on dates with plants, that's all I'm gonna say. After that, we're spending the summer touring the West Coast of the US, which I am so stoked for! Look out for us if you're in California, Oregon, or Washington. Of course, you can also expect lots from us in terms of connecting on social media. I love to live stream on TikTok, share tutorials on YouTube, and update fans on my daily shenanigans on Instagram. We also have a Patreon with fun rewards like chord charts, lessons, and commissions. If you could perform at any venue worldwide, which one would it be and why? Some of my favorite performances have been at house shows, and I love that intimate, listening room feeling. For that reason, I'd love to perform with Sofar Sounds; they do a good job of curating that environment. I also really enjoyed seeing Dodie at the Eventim Apollo in London. Even though it's a 5,000-cap venue, her stage presence made it feel like we were all having a little chat. I'd love to share my stories with people like that someday. I also adore a festival environment and look forward to playing more festivals, big and small, in the future. Instagram Facebook

Keyz Vango was an Alabama-born artist who was raised under the holy background of a gospel music background. He attended college for some time but eventually dropped out to pursue his musical ambitions. Beginning as a versatile producer and ghostwriter across various genres, Keyz Vango transitioned into the multi-faceted artist he is today. Over time, he’s developed a unique creative voice that delivers his authentic truth. He has a special way of breaking through an audience and crowd of people with a bonafide persona you can’t help but love! Keyz Vango is geared to release his latest hit single, "Hol It,” and we’re optimistic he will cause waves with this one! The track was written, produced, and engineered by Vango himself and is a passionate slow jam dealing with ideas of love and loyalty. Anticipating the inevitable distance from his success, Vango asks the woman he loves, “Can you hold it down?” in this affectionately catchy hook. One thing we loved about this record was the opening lyric to the song. “Say my name Say my name,” with the opening melody playing homage to the popular classic by Destiny Child! Additionally, this record showed a massive element of timelessness. It’s one of those songs you can listen to years from now and still find the same sensations you felt when you first heard the record. Vango had this smooth, sophisticated appeal to his vocal tone, perfect for serenading the ladies and creating a more attractive image for his artistry. Keyz wants to know, “Can you stand the sunshine, even if it comes with rain?” The song is brilliantly chilled, built around a smooth guitar hook textured with vocal improvisations, and lets Vango’s lyrics come to the forefront. Vango has the riveting vocal quality alongside an emotionally-rich delivery to breathe life into his romantically driven lyrics! “Hol It” was a nice vibe from a killer artist with much to look forward to in his career. You have such a classic and timeless appeal to your music! Who are some of your musical influences and in what ways have they essentially inspired you? Despite the recent controversies involving Michael Jackson, I gotta say Michael was a MAJOR influence in how I perceived a timeless artist should be. He was a hero to me, everybody loved Michael. The way he constantly evolved in music, since he was like 5 years old made me believe I could do the same if I worked really hard like he did. So as a child & getting to witness Michael Jackson at the peak of his fame in the 90s, it really inspired me to want to be one of the greatest one day. Other HUGE influences would include legendary producers/artist double threats like Pharrell, Kanye & Ryan Leslie. Those guys have done it all and someday I will too. Tell us about your record “Hol It”, what was the vision you were aiming to achieve with this song? Put simply, “Hol’ It” is a record about, well, holding it down. Being able to weather the storm even when there is no rain. Being able to love and make sacrifices for someone during the good times, even if those good times don’t necessarily fall in your favor specifically. Can you stand the sunshine even if it comes with rain? It’s a selfish thing to ask, but sometimes the hardest part of a relationship is finding ways to compromise & sacrifice for one another. What emotion did you channel in while writing this single? Do you think it conveyed with the music and translated well? Like all of my songs, I try to channel a combination of things going on in my personal life as well as situations that are happening to those nearest, next to, and around me. These past 4 years I’ve dealt with a lot of personal family issues involving divorce as well as some personal relationship challenges all revolving around the themes of “push & pull”. I feel like a lot of times we get caught up in reacting & trying to 1-up one another instead of trying to find the middle ground and utilizing patience with one another. Sometimes the best thing to do is nothing at all. Just hold it down for a while and allow time to heal wounds and work it out. Based on the reactions I’ve gotten so far, I think it’s the right song for a lot of couples out there going through it, hopefully this song brings them closer in their times of growing distance. What’s next for you Keyz Vango? I have visual I’m working on for “Hol’ It”. I’m teaming up with my homie Tommy Rebel again, he shot my video for “Night” off my LATE, Vol. 1 EP. Go check that out if you haven’t already, Tommy is a beast! Also working on TONS of new music, collabing with some really dope local musicians and producers to help further mold my sound into something unique & innovative to keep you all on your toes. Instagram

Tony Newbury is an independent hip-hop artist from Howell, New Jersey. Since bursting onto the music scene in July 2019 with the release of his debut EP “Lonely In The Summer,” he captivated audiences with his unique blend of haunting samples and smooth drum patterns – a sound synonymous with his music. With accumulating over 500,000 streams across all platforms, Tony is on a steady incline. He’s headlined multiple shows at renowned venues in New York and New Jersey, with one notable event selling out completely. Furthermore, his talents have been acknowledged through his triumph in three esteemed music showcases: Concert Crave, Cherry Bomb, and Major Label Showcase. Rooted in personal experiences and hardships, Tony’s music guides those who feel lost, lonely, or misunderstood in our chaotic world. Tony’s latest release, “Route 9,” has already garnered radio recognition and earned him an award, further cementing his musical and lyrical prowess. “Route 9” takes off with a captivating mellow vocal sample that mysteriously echoes throughout the introduction. The melody shifts into the first chorus, where Newbury’s rich vocals and velvety hormones take center stage, accompanied by a laid-back steady drum pattern. The result is a dark, alluring atmosphere reminiscent of a late-night drive on a highway. In the first verse, Tony’s flow carries the listeners into a story that unveils the reality of his journey as an independent artist. He openly shares his ongoing battle with giving more than he receives, investing his heart and soul into his craft while often feeling overlooked for his talents. However, amidst these challenges, Tony remains steadfast in his aspirations and understands that success isn’t achieved overnight. This inspiring message serves as a beacon of hope for listeners who find themselves on their journey but are facing setbacks or questioning their progress. Tony Newbury uses his music to encourage individuals never to lose faith in themselves and never take no for an answer. Welcome to BuzzMusic, Tony, and a well-deserved congratulations on your latest "Route 9." As an independent artist, were there any influences that led you to pursue a music career? Thanks for having me! My family has been my main source of inspiration. They're a very creative group of people. I've always been pushed to express myself through some form of art. Even before, I had a desire to do it. Some of my favorite artists are J. Cole and Russ. I respect the fanbase both of them have built. Can you walk us through your creative process for producing your latest release, “Route 9?” Sure. I aimed to show my listeners what it's like being on the road while chasing your dream. The hook lays out the scene, and the verses allow the listener to enter the artist's shoes. “Route 9” is about dealing with rejection, obsession, and all that good stuff that comes along with standing for your vision. The day after I wrote the song, I hit Fight Klub Studios in NYC to bring the record to life. How would you describe your sound in 3 words? Passion, joy, and soul. What are your favorite lyrics in “Route 9,” and what do they mean to you? “Every day I give a little more than I find Bank on myself all my moves multiply If your doubt ain’t receding and you think believing is what you will see That’s a reach leave the line” To be creative publicly is not an easy thing. You must constantly put yourself out there, even when nobody cares. I've learned to keep going for those who believe in my message. Not for those who don't understand it. That's what these lyrics mean to me. To keep going for those who find value in my work. If you could create a movie or TV show soundtrack, which genre would it be and why? I aim to create a movie about an underground artist on their come-up. I plan on creating a hip-hop soundtrack for it. I don't know when the film will be made, but it will be based on my story. I have so much to share with the world already. I can only imagine how much more I will learn in years to come. Instagram Facebook

With a niche for producing infectious hooks and ear-worm melodies, pop artist, singer-songwriter, and producer Dominick James releases a catchy and relatable single entitled "You Ruined My Favorite Movie." Getting into music at an early age by way of songwriting and piano playing has catapulted Dominick James into his constantly evolving music career. Influenced by the sounds of Jon Bellion, LANY, and Lauv, Dominick James strives to leave you humming his melodies throughout a day's entirety. Recently releasing his emotional and relatable single, "You Ruined My Favorite Movie," listeners can get a solid idea of the theme and concept that Dominick James delivers merely through the song's title. As Dominick James drenches us in emotional tones and melodies, he also offers this driving sense of relief that leaves any listener feeling refreshed. "You Ruined My Favorite Movie" begins with Dominick James exclaiming the song's title while accompanied by nothing but a synth-like vocal harmony that opens the song on a bright yet highly reflective note. As he drops into the first verse with a punchy kick drum and haunting organ-like synth, Dominick James begins to reminisce on the many heartfelt and passionate moments he shared with someone in the past. As Dominick James continues to drench us in his emotionally charged lyricism, the background sonics slowly begin to develop with a slow pulsating synth that lifts us above this stratosphere and into the celestials. While Dominick James heads towards the outro, he closes the song on an incredibly heartfelt and genuine note of introspection. Feel your heart skip a beat with help from Dominick James' latest relatable single, "You Ruined My Favorite Movie," now available on all digital streaming platforms. We truly admire the heart and emotion you've delivered within your recent single, "You Ruined My Favorite Movie." Was there a specific moment that inspired or compelled you to create this relatable piece? Thank you! I wouldn’t say it was one specific moment but more like a group of moments in previous relationships. I feel like everybody has been there, where they can’t watch the same movie or listen to the same songs they used to love without bringing back that feeling of heartbreak. Could you break down your creative process when formulating the sonic arrangements within "You Ruined My Favorite Movie?" How did you achieve such an emotionally rich sonic atmosphere? Sure! Honestly, this song came to me very fast, I wasn’t even intentionally trying to write it. I was just playing some chords on my synth in G Major, and I loved the way the progression sounded. I had the line “you ruined my favorite movie and you ruined my favorite song” already written down, so I sang it to the chords and that jumpstarted the whole song. Then I basically just added some other layered synths, added some hard-hitting drums and an 808 and here we are! Oh, and I added the vocoder in the beginning as well! I wanted the song to be mellow, but still, make your head bop! If there was one thing that listeners could take away from your retable lyricism within "You Ruined My Favorite Movie," what would you want that to be? I would say, that it’s okay to reminisce about the past and feel those emotions again if you need to. Heartbreaks made you who you are today, and that person is special. How do songs like "You Ruined My Favorite Movie" represent you as an artist? How do tracks like this help listeners get to know you and your brand better? I feel like this is the most “me” song I’ve ever written if that makes sense. It’s true to who I am, I’m a very emotional person and I wear my heart on my sleeve and I’m not afraid to own that. What's next for you? More new music in 2021! Maybe even…an album! Stay tuned to find out! Instagram

Chefboy Tyree is the type of Rap/Hip-Hop artist that persists with embedding thought-provoking lyricism with laidback productions. Artistically, Chefboy Tyree successfully meshes together a variety of motives and emotions into his tracks, usually keeping the themes steady and true to himself. Chefboy Tyree's latest track release, "Old Life," does exactly this, and touches on different levels of growth. The beat within "Old Life" smoothly integrates itself into Chefboy Tyree's performance, and we find that it's similar to many contemporary mixes within the music scene today. The music video for the track follows a day in the life of Chefboy Tyree at the beginning and swiftly progresses into a more psychedelic visual. Chefboy Tyree keeps the general ambiance low-key for the majority of the track, keeping it consistent with the lyricism and direction of the track. The visuals go hand in hand with Chefboy Tyree's truth, and he keeps listeners captivated by consistently switching up the graphics. "Old Life" is comparable and similar to other tracks from Chefboy Tyree, and it only proved that he's able to maintain a certain kind of atmosphere across his singles. He's choosing his ultimate path music-wise and stimulating listeners in a lax sense, and we're definitely looking forward to what he'll be able to come up with next. Hello Chefboy Tyree and welcome back to BuzzMusic. What kind of energy were you hoping to give listeners with your recent release of "Old Life"? I was hoping to give people HOPE. The old them or their "Old Life" doesn't define who they are or have grown into today. Some people grew from trying times in their past and can't see themselves going back to that version of themselves. As an artist who enjoys delving into motivational and empowering messages within your own music, how did you feel "Old Life" lifted up listeners? I feel like old life can keep someone from backtracking in their life and to keep pushing them to create a better version of themselves every day. How did the visions for the visuals come to fruition with "Old Life"? Did the music video end up matching the initial vision you had? The visuals for my old life came from my everyday life. If you watch this video you will see what my daily life is. I get home every day and go to the studio to create a new life for myself. What kind of music can listeners expect in the future? Are more sounds similar to "Old Life"? In the future listeners can expect a wide variety of styles and beats. I'm trying new things and stepping outside of my own comfort zone to create new sounds and new vibes that I hope people can get down with. My uncle "Alabama Nick" and my cousin "Salembound Joshi" who I work with daily in the studio keep me on my toes with different beats and new styles they want to try. All of our styles are different so people can expect a lot of different styles in the future for my music. I have more vibe-heavy tracks like old life in my arsenal! You just have to keep checking my releases because at this point you never know what style I'm coming with! It might be a hype turn up or it might be a deeply emotional track. You just never know! What has been keeping you inspired throughout 2020? In 2020 my main motivation is to play some shows. We all have been quarantined due to COVID-19 and no one is playing shows or going to shows. I want to come out of this with enough content to take on the road and share what I have been cooking up with the world! instagram.com/chefboytyree twitter.com/chefboytyree

UK based power-pop outfit Reno & Rome ride the line between anthemic indie-rock and swaggering 80’s pop. Flaunting stereo-chopped guitars, driving beats, and infectious vocal hooks, they wrap up their energy in an unforgettable live show and sonic performance. The foundation that Reno & Rome’s latest single, “Paralysed,” allows us to thrive in is a push and pull realm fluctuating with emotional tenors. The soothing vibrancy that shimmers through layers of textures redefines the meaning of having your music sit in one genre, as Reno & Rome continue to drive limits and raise the bar with each creation released. Permitting us to transition through the grand scheme of their progressions, we embrace the sonic voyage we embark on as the luscious musicality infiltrates our minds with thoughts robust in nature. Lyrical motifs such as, ‘Come on now let’s roll the dice for paradise,‘ construct the love-based narrative as the instrumentation offers up a triumphant feel to counter the energy provided. With a soundscape so therapeutic in the ‘take a chance on me’ notions of love, we feel that “Paralysed,” acts as a contemporary letter that professes emotion through the stylings of an innovative ballad. Reno & Rome have a knack for making you feel the warmth radiate from their authentic personas, even though you’re separated through sound waves. Lathering us in an expressive force field that ties us to them in ways beyond our imagination, Reno & Rome truly give us an unforgettable journey that exposes us to our true thoughts. Welcome to BuzzMusic, Reno & Rome, and congratulations on the release of “Paralysed.” We love how you take the best parts from various genres and create your own unique lane for a story to flourish. What moment or story inspired the creation of “Paralysed?" Thank you! We’re glad you picked up on that! We have so many influences between us so it’s always a grand feeling when we manage to collate all the genres we love into one song. The story behind Paralysed was an employed character that is besotted with someone to the point of being unhealthy. The verses explain the point of view that you should have the confidence to say something but are too afraid, whereas the chorus conveys the message of just going for it while you have the chance. Could you please share a glimpse into what the creative process entailed when bringing this song to life? It began with the repeating “Damn you got me, paralysed, paralysed, paralysed...” hook-line and evolved from there. We knew we onto something good, as none of us could stop singing it! Then because the chorus is so upbeat we felt the verse needed to lean towards a more audacious/desperate vibe. What happens to be your favorite part of the creative process? Is there a moment that’s more rewarding through the entire release procedure? First comes the voice-note of the basic idea, then the demo, then we bring it to a live situation and become familiar. That’s when the personality of Reno comes into action; adding parts/flourishes to give it energy where needed. I think the released song is version 19 or 20 so it’s a lengthy, yet incredibly fun process. For all of us, it’s finding the quirky sounds that sometimes you miss upon first listen, but they’re the intricate details that make it what it is for us. Fundamentally we’re a rock band that owns a few synthesisers so we try to birth these ambient/brooding sounds with things that we can’t recreate on guitars/drums/vocals etc. But aside from that, it’s initially getting the idea into Logic and out of your head. I’m always scared I’m going to forget what it sounds like until that point haha! The most rewarding part would be the first time you see the visuals, whether it be the promo footage that Gryph (singer) makes or the artwork; something that makes it real and not just an idea in your head. Match those up with the mastered track and it’s an immense feeling of success. What are you hoping that your audience takes away from the messaging in “Paralysed?" Be brave, be bold, be confident and be yourself. Something worth having is something worth fighting for but try not to get misguided / lost in your own head. Oh, and have a dance because it’s a bloody bop in our opinion! Instagram Facebook

Hailing from the outskirts of Rio de Janeiro, the singer-songwriter, pop artist, model, and actor Ra7ael releases a deep and dark groove with his latest introspective single, "ILLegal." Through his constant and perpetual passion for the arts, Ra7ael led himself down various paths from pole-dancing to ballet until he finally found his artistic and creative musical calling. With female influences like Amy Winehouse and Britney Spears, Ra7ael was able to deeply experiment with the realms of pop music while capturing lyrical atmospheres that depict his point of view on society. Now releasing his heavy and reflective single, "ILLegal," Ra7ael and his surrounding sonics groove through the song's dark atmosphere while he touches on thought-provoking and vulnerable lyrics. We can't help but feel similarities to The Neighborhood through Ra7ael's wavy and hazy sonics, as they melt through our speakers with incredible passion and emotion. Hitting play on "ILLegal," the track opens with punchy mid-tempo drum breaks and spacey background keys. Once the hazy and delayed electric guitar melodies begin to pierce the song's background, Ra7ael makes his vocal appearance, and we instantly hear similarities to Lil Wayne, except Ra7ael's delivery is much more melodic and catchy. Reaching the song's hook, Ra7ael continues to groove alongside the song's tender and reflective sonics. We absolutely adore the blend of organic and synthetic sonics, as the reverbed electric guitar accompanied by the electronic synths and drums make for a soothing yet captivating experience. Lose yourself in Ra7ael's latest thought-provoking single, "ILLegal," and find more of the young artist's discography on all digital streaming platforms. We love the deep and hazy vibes within your recent single, "ILLegal." What inspired the lyrical content within this piece? What message did you want to convey? Thank you so much for having me. I remember getting inspired by the lyrics at my friend’s birthday party when there were two police cars in front of her house and I could see the neighbors staring at us in their yards waiting for the cops to do something about it. Nothing actually happened. In the beginning, it was supposed to be just a party song, but it ended up being about taking wrong decisions because of bad influences and how low we can go just to impress someone that might not be even worth it. Did you produce "ILLegal" yourself? What inspired the song's wavy and soothing tones? Not all by myself. I brought the idea and lyrics to my friend who has a studio at home and after a few months, it was produced in another studio. The whole inspiration came from my objective in making a song for the stone heads or even for the party people lol. I was looking for something that would be perfect for these kinds of moments like when you’re in your friend’s car doing hotbox while singing songs playing on the radio or when you just wanna smoke and chill. Did you create the organic instrumentals yourself for "ILLegal,” or did you have any other musicians feature on the single? It was Arson Daylee and another producer from his crew doing the instrumental for me. I remember Arson also helped me with finishing with one of the bars on the bridge. Seeing that you're known as an experimental pop artist, what other genres do you tend to dabble in? Would you say that you lean into sounds like hip-hop, electronic, and r&b as well? In the next few years, I want to get more into hip-hop, R&B, and acoustic. The song form in Pop Music sometimes feels too predictable and repetitive. It would be cool to have some variety. What's next for you? Work really hard in the production of the next singles, promote them and when I’m ready and sure about it I would shoot a music video for each one. Also, I pretend in releasing my next single at the end of June or in the first two weeks of July. It’s a different sound and energy compared with ILLegal. Instagram Twitter

The Alabama-based Hip-Hop artist with roots in Pittsburg, Chefboy Tyree recently released his chart-topping single “Thicky Vicky,” and it is an absolute bop. It is opening up with a mystical bell melody that pulls us into a mysterious world that then hits us in the gut as soon as the verse hits. Currently charting at placement #5 on the Mass Pool Hip-Hop chart, “Thicky Vicky” is a tune that from start to end, is full of energy and drives us to dive deeper into the lyrics. Speaking of the lyrics in “Thicky Vicky,” Chefboy Tyree hides within his tight, masterful flow that message about gaining your own confidence and giving it your all, no matter how you look and how someone may judge you. A lot of listeners may find comfort in these lyrics, and if Chefboy Tyree can change the life of even one person, we’ll count that as a win in our book. Chefboy Tyree can correctly sell his message along with the help of some seriously thundering 808 drums and twinkly synth bells. Breathing on top of the instrumental is, of course, Chefboy Tyree’s silky smooth vocals that dynamically blend in the perfect amount of autotune effects to help each lyric flow into the next. “Thicky Vicky” is a song for people, and anyone will be able to learn something about this tune and aim to become more confident with themselves. You can listen to “Thicky Vicky” here. instagram.com/chefboytyree twitter.com/chefboytyree

Don Ivy’s music combines raw and poetic storytelling with ethereal, sometimes playful, and often haunting dream-pop productions. With comparisons to some of her biggest idols including Lana Del Rey, Mazzy Star, and Alanis Morisette, her influence by alternative singer-songwriters is evidenced heavily. After keeping music locked away inside her through all of these years, it is now effortlessly flowing from Don Ivy through vulnerable and meaningful ways. Upon first listen, the mellow vibes in the instrumentation of her latest single “Hate Sundays,” paints a laid-back soundscape dripping with carefree ease. Then we begin listening to the lyrical content closer and hear just how intricate the words she sprawls through this creation actually are. Don Ivy does an impeccable job of showcasing liberation, all while honing in on the reasons she hates Sunday. There’s a buoyant groove that has you gravitating towards the pocket of immediate vibrancy as you fall into the lush timbres she charismatically radiates. This indie-rock, medley of musicality was a collaborative effort with prolific producer Jim Spencer. Don immerses us in lyrical motifs that brilliantly collide with the edgy melodies heard, and we latch onto verses such as, ‘So I block it out with whatever I can get. Booze, junk and soulless sex, hours on the internet.’ Allowing herself to live freely in the domain of her art, Don Ivy paints vivid imagery as we peek into the lens of her own perspectives, and somewhat relatable experiences. Evolving her songwriting techniques to a level where she fuels the fire inside of us all, Don Ivy’s “Hate Sundays,” remains larger than life in our musical universe. Welcome to BuzzMusic, Don Ivy, and congratulations on the release of “Hate Sundays.” We love the way that this track flows to get your narrative across. Could you please tell us about your vision for "Hate Sundays?" I knew when I wrote Hate Sundays that I wanted it to have an indie rock production, so I waited until a suitable time and then got in touch with Jim. He got my vision and translated it even better than I could have hoped for. The whole experience has taught me how crucial production is in making or breaking a song. Being a decent songwriter is only half of it. Working with a producer at Jim's level has definitely been a learning curve, hopefully, I can continue to create music of this standard. In terms of messaging heard, and emotions felt, what are you hoping that your audience takes away from this track? I figured with the lockdown that now would be a good time to release it, as I imagine it probably echos the feelings of many people right now who are frustrated with the lockdowns and the effect it is having on their quality of life. I wrote this song 2 years ago, I think it was my second attempt at songwriting when I was feeling trapped and fed up with my life in London. Whilst I don't feel this way anymore, I am still proud of the song and I still think it's a very relatable narrative. You’ve mentioned that your musical influences inspire you to express yourself authentically, and allow you to embrace the strange workings of your mind. Have you ever found that there was a time where you were hesitant to do so with your art? I didn't start making music till I was 30, so I guess I spent most of my life hesitant. Now, there is no filter. I'm pretty private in real life but my art is an open book. What is your mission statement as an artist? Make music you truly love, and you will find other people who love it, too. Staying patient in that process is where the work lies. What's next for you? I'm dropping an EP late summer/early autumn, and hopefully, I will be able to get outperforming - Manchester has a great live music scene. then I will probably head to Mexico and Guatemala for the winter (I've spent the last 3 winters in Latin America and it's now my second home) and work on writing new material. Instagram

Welcome to BuzzMusic TIMMS! Your music is a flavourful mouthful that will likely change some perspectives. Can you elaborate on the message behind your lyrics? ‘Pretty Ugly’ I wrote about one of the first parties I went to when I moved out to LA. I spoke with someone I knew from a while back, who basically came up to me and just gave me a list of his achievements, and said ‘great catching up’, and walked off. It was such a robotic experience. I would much rather have known something raw and real about him, something ‘ugly’. It felt so two-dimensional and un-human. I can’t be anything other than my authentic self, and I don’t want to have to apologize for it or curb it for other people. I hope the music and the lyrics bring that across and inspire people to feel comfortable as they are, unpolished - I like you for you, and if you feel like a weirdo, well, then we can be weirdos together.  Compared to most artists, you have a very thinking outside of the box/ignoring the box in the first place attitude that makes your music exciting! How have you come to develop this perspective? I don’t think I’ve ever tried to be out of the box intentionally, I just try to make music I like and I hope someone else out there likes it too. I don’t wanna make something that sounds like the second-rate version of anything else - I’d rather take the risk to do something weird and fail than make something safe and pretty. I also like to experiment with sounds and ideas I haven’t really heard before, just because I get bored easily - lol. ‘Pretty Ugly’ starts with an anvil sample and incorporates sounds from horrors, and I think that’s pretty rad. My main collaborator, Not Famous, is really good at adding stuff like that, so we just basically get experimental and unhinged when we make music together - haha. You mentioned that you make music that sounds like what a hairless cat looks like. Can you describe what you mean by this symbol, and compare it to your music style? I just really like Sphynx cats. I like how polarizing they are - people either love them or hate them; people either find them beautiful or really ugly. I love that about them, and I guess I like that philosophy - it felt like a good representation of the music I wanna make. As a young artist, you have already had many major life experiences including a move to America and a college experience at Berklee. Can you tell us how you have grown and evolved from these experiences? How has this inspired your music? I think moving to the US definitely inspired a new level of independence, both personally and professionally. My family still lives in South Africa- so it’s been a journey of self-discovery I did by myself. I don’t think I would know myself as well as I do now if I hadn’t done this solo. That’s helped me to find confidence. I found out that I’m super flawed and broken, but I’m ok with that, and I’m ok with where I am in the journey as I grow and get better. I like to think that the lyrics and the music reflect that.  What can we expect to see from you next? I have a few more tunes coming out before July which I’m super excited about (definitely 2 maybe 3) - and then my plan is to go back into a writing phase to get even deeper and more personal. Once the world is normal again, I can’t wait to start playing shows. My favorite place to be is with the people to are listening to the music - and I can’t wait to see them and connect with them in person. That's what all of this is about at the end of the day - just a genuine human connection. facebook.com/timmsytimms1 twitter.com/TIMMSYTIMMS1 instagram.com/timmsytimms