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A Crystal Clear Moment returns with an enchanting new pop single, “We Come Around (Pray For Serenity),” signaling a new chapter for the project with the addition of singer Emmy Apetrea. Emmy’s voice imbues the music with an undeniable soulful and emotional resonance. This new offering continues the project’s tradition of well-produced, melodious pop while elevating the sound to a more mature and luxurious level. The arrangement is ambitious and intricate, blending semi-electronic soundscapes with a mix of programmed 80s synths and live instrumentation. They’ve melded the essence of the 80s with modern electronic elements, crafting a rich tapestry of pop production. The result is an evocative and captivating track that showcases the group’s growth and expanding sonic horizons. Tobbe Fall’s electric guitar and grand piano work complement Emmy’s ethereal vocals, creating a dynamic interplay that enhances the listening experience. With music and lyrics penned by Fredrik and Rickard Abrahamsson, and Gary Fleming, “We Come Around” showcases this talented collective's creative synergy. The universe has a way of creating these perfect alignments, and Rickard Abrahamsson discovered Emmy at Benny Andersson’s studio was indeed A Crystal Clear Moment. The combined forces of Tobbe Fall’s electric guitar and grand piano intertwine with Emmy’s vocals, creating this beautiful, danceable, feel-good song that feels like summer is just around the corner. The creative energy of Fredrik Abrahamsson, Rickard Abrahamsson, and Gary Fleming pulsates through every note, and it’s beautiful. A warm welcome to BuzzMusic Emmy; how does becoming part of this journey with A Crystal Clear Moment feel? How has your presence contributed to the creative energy of the project? I feel lucky, and it’s been such a fun ride to be part of this journey with A Crystal ClearMoment. I think the whole team, especially Rickard, always had a very Crystal clear vision of what they wanted to do with the song. My role was to listen in, understand the musical language and see the vision to implement that in the vocals and the creative energy, which I think went very well. You guys have tapped into something special with “We Come Around (Pray For Serenity).” Can you speak to the creative direction of the project at this moment? There are no rules or boundaries. We always wanted to be free of external influences, let our own creative minds take the reins, and just run with it. Each project member is encouraged to be brave and rely on their own intuition, and each member is encouraged to be open enough to allow everyone to contribute. Rickard, I dig how you can balance being a CFO and still dive deep into your musical passions. Can you share how you find harmony between these two worlds? ‘ I don’t find it; the harmony finds me. Without the one, I can’t do the other. And my journey as a CFO helps me to be structured enough to focus on my musical passion. Your debut album, “Arms Remain Open,” and its singles resonated with me due to how uplifting and danceable the music is. What’s your vision for the future, and how do you plan to continue sharing your message of love and growth with the world? Stay open-minded, develop as a songwriter and producer, and be true to myself. We're interested in how you guys create together as a collective. Can you give us insights into your creative process in the studio? There is nothing more fantastic and uplifting than working with musicians with much more experience and talent than myself. When we enter the room together, we start building our work; my job is to make sure everyone brings their A-game, and when they do that, the sky is the limit. Instagram Artist Website

Born amidst the idyllic landscapes of Geneva, Switzerland, Chloé Sautereau would always be a raconteur. With a guitar in her hand from the tender age of eight, she embarked on her musical journey, making her first mark with the debut EP 'As I Keep on Dreaming' at just 18. Not merely a passing phase, two songs from this initial offering found their way onto major Swiss radio playlists, solidifying her presence in the music scene. New York City soon beckoned, and Sautereau continued her musical education at the prestigious Clive Davis Institute of Recorded Music. This move led to the release of two singles, 'Conversation Hearts' and 'What If,' further establishing her as a burgeoning talent. Embracing a diverse array of influences, from Amy Allen to FINNEAS and Julia Michaels, Sautereau has refined an authentic pop sound, effortlessly blurring the line between reality and imagination. Her unique background, comprising a past life as a competitive figure skater and a culturally rich upbringing that exposed her to musical styles from Bossa Nova to chanson française, has greatly informed her artistic sensibilities. Self-taught on guitar and piano, she's been singing for as long as her memory serves, painting an intimate world with her melodies and narratives. Emerging from this rich backdrop, Sautereau's latest single, "Get To Know You Game," is a bold step into her true sonic identity. It is the first in a series of stripped-back singles that serve as a canvas for her vivid storytelling. The song is a clever commentary on the laborious game of dating, with a refreshing directness that is both relatable and captivating. Released on May 12, 2023, "Get To Know You Game" represents the artist's commitment to her singer-songwriter roots, unapologetically intimate and honest. The lyrics of "Get To Know You Game" reflect a familiar struggle in the modern dating scene. The song is about the frustration and exhaustion of trying to get to know someone, the challenges of opening up, and the fear of committing. Sautereau's voice, laced with a hint of sass, captures the cyclical nature of these experiences. The stakes are high in the song's narrative and stripped-back arrangement, and Sautereau's grounded guitar playing perfectly complements her candid storytelling. "Get To Know You Game" is a testament to Sautereau's growth as an artist. Her ability to weave her experiences into a universally relatable song is a testament to her songwriting prowess. From the heart of Geneva to the hustle of New York City, Sautereau is carving out a niche for herself with her bare-faced pop sound and authentic storytelling. With a new series of vulnerable singles in the works, Chloé Sautereau continues to bring her unique world to life, one song at a time. Welcome to BuzzMusic Chloé Sautereau! Congratulations on releasing your latest single, "Get To Know You Game," a strong commentary on modern dating. How did your personal experiences shape the narrative and lyrics of this song? It's a song that poured out of me one evening... that's to say, the premise was almost a revelation to myself writing it of what the dating scene felt like. After moving to New York following the height of the pandemic, dating apps were the only vehicle for meeting people, and I feel like trying to normalize that we forget how taxing and surface level it can be. Not to discredit those platforms, I've met great people, and I know they've led to lasting relationships for many... I think I just fell back into a cycle of the same conversations that led nowhere. I'm quick to want to do the right thing and not mess up, and I get in my head about it, replaying things in my head as I know many of us do, leaving me longing for something real. "Get To Know You Game" diverges from your previous songs by giving a more stripped-down, vulnerable style. What prompted you to adopt this minimalistic approach, and how did it influence the overall storytelling in the song? Keeping it stripped back felt true to the song's narrative and myself. Finally, by my full name, I am leaning into the singer-songwriter in me. I feel like I went as "pop" as I would with my previous release, "What If," and this new one is me embracing an even purer kind of storytelling. I produced it myself, with particular attention to the vocal arrangement hoping to illustrate that sense of inner dialogue we have with ourselves and the voices in our heads. Considering the strong emotional undertones in "Get To Know You Game," what emotional response do you hope to evoke in your listeners? How do you want them to feel after listening to this single? I think all music seeks to be relatable. Still, I feel strongly about that for this one in particular just because it's, again, that self-questioning voice in your head about something you might not want to admit to yourself or even realize at all, just from the nature of that cyclical whirlwind we find ourselves in today's world. It's also got something intimately fierce to it, with a dash of humor, and I hope that transpires and makes the song feel free. "Get To Know You Game" communicates a sense of frustration and exhaustion with the dating scene. Can you share how this song might reflect your perspective on relationships in general, beyond just the initial 'getting to know you' phase? I think that sometimes the norms we've set for dating and getting to know someone, at least at the very early stages, especially in our digital world, aren't always conducive to truly connecting & can let you feel like you need to hold back... I find we lose some of the magic and surprise and excitement of meeting with someone in real life first, building a relationship that feels organic and natural. "Get to Know You Game" touches upon this eternal search for that someone special in a way that's human, real, and worth everything. After the release of "Get To Know You Game," what direction do you foresee your music taking in the future? Can we expect more stripped-back singles that delve into other aspects of human complexities and relationships, or do you plan on exploring new themes and sounds? "Get to Know You Game" is the first of a stripped-back series indeed... I have several songs I've been holding on to that lend themselves to this sound – introspective, focusing on our personal relationship with the world and people around us and inner battles with our feelings. That said, I don't mean to limit myself sonically, and I think I'm always looking for what serves the song best and what feels the most honest. I'm playing a few acoustic live sets around NYC this summer. Instagram

Dead Cassette, an Ohio-based metalcore band, is a force of pure fire, roaring out of the Rust Belt with a ferocity that could melt steel. Their music is an intricate web of power and raw emotion. They are composed of lead vocalist Justin Karallus, rhythm guitarist and vocalist Corbin Wandling, lead guitarist Arthur Lawrence, and bassist Joe Hoover. This dynamic quartet has already released a full-length album, "Revive," and two singles, "After All" and "Burn The Lights Out." The last single notably marks the swan song for former drummer Kollin Manuel. The band is a testament to the resilience of the human spirit, a theme that threads through their musical fabric. Their latest single, "Burn The Lights Out," showcases Dead Cassette's ability to push metalcore to new heights. The thundering experience pulls listeners deep into a maelstrom of explosive riffs, banging drums, and vocals that could command a storm. "Burn The Lights Out" is the musical equivalent of a high-speed roller coaster ride, a relentless torrent of sound. The opening line, "Rise and fall, we're in an endless cycle," immediately sets the stage for the raw, visceral journey. Justin Karallus' vocals claw through the whirlwind of sound, evoking a powerful sense of resilience and defiance. The instrumental prowess of Dead Cassette is also on full display in "Burn The Lights Out." Arthur Lawrence's guitar work is akin to a firestorm, shredding with intensity as captivating as brutal. Meanwhile, the drums, courtesy of Kollin Manuel, are a sonic punch that propels the song forward with relentless energy. When the higher notes of the guitar riff kick in, it's akin to an adrenaline-fueled flight through the stratosphere. "Burn The Lights Out" is a testament to the power of Dead Cassette's musical craftsmanship. It's a song that grabs you by the collar, shakes you awake, and then sends you on a sonic journey that's as exhilarating as it is intense. With this single, Dead Cassette has not just burned the lights out; they've set the entire music scene ablaze. Tear your heart out with this one today, available on all platforms. Welcome to BuzzMusic DeadCassette! Cheers to your latest offering with "Burn The Lights Out," a fiery epic that keeps the listener hooked from start to finish. Could you shed some light on the inspiration behind this high-octane song and how it came to fruition? Corbin: We wanted to follow up After All with something different. I was messing around with it for a while, and when we returned to the studio, we wanted something fast and more experimental. So it just felt right to record this one. The lyrics of "Burn The Lights Out" are profoundly impactful. Could you delve into the symbolism and philosophy encapsulated within these powerful words? Justin: I decided to get a little metaphysical with it. I think a few people will get it, but many probably won't, which is OK. We always encourage our listeners to find their own meaning within our songs. I wanted to write about how life is neverending and infinite. Even death gives birth to new life, and the cycle repeats. Everything always comes back around, such as Karma and the scales balance. The second verse is a bit different. I wrote about how people can be the villain of their story without even realizing it. It's scary to look inward, but once you do… you can make the appropriate changes to lead a better life. The musical complexity in "Burn The Lights Out" is remarkable, particularly the guitar work. Could you discuss how you developed the guitar riffs and how they contribute to the song's overall feel? Corbin: I wanted to write a faster, more riffier song than the last one we released. I wrote punchy open notes to revolve the riff around and be the center spot of each changing riff. We wanted to stay fast for the chorus, so I sent it to Arthur, who wrote the leads overtop. "Burn The Lights Out" marked the last performance of your former drummer, Kollin Manuel. How did his presence influence the energy and dynamics of the song, and how do you anticipate this shift in the lineup to shape the band's sound going forward? Joe: We went into it like any other song, with the drums being the driving force. Moving forward with Sam, there will be a lot of dynamic changes and shifts, all while staying true to our normal sound. As "Burn The Lights Out" creates such a memorable impact, what can we expect from Dead Cassette in the future? How will this song's themes and musical styles influence your upcoming works? Justin: We wanna start pushing some boundaries, and this song allowed us to try something a little different while still staying within the realm of what our fans are used to. Corbin wrote some faster, more progressive riffs, and I got to show off some new vocal styles. That's only the tip of the iceberg for us, though. We have a bunch of songs in the works that all sound completely different. I think the constants moving forward are going to be a huge 3 part harmony choruses and the shreddy, tappy leads that Arthur creates. The last two singles were the first to introduce those elements, and I think they're here to stay now that we're writing together as a band. Otherwise, I'd say you should never know what to expect from us. Instagram Facebook

Meet Doll Riot – A punk-rock sensation from Northern San Diego taking the world by storm. With 50 shows under their belt, 4 upcoming gigs, and an appearance at the renowned Punk Rock Bowling Festival in the heart of Las Vegas, they’re quickly establishing themselves as the future of the punk-rock genre. The quartet’s latest release, “Those Days,” is nothing short of an electrifying performance that would only become more exhilarating when experienced live. The song takes off with an energetic guitar riff played by Ella and a rich bassline played by London. Once Lillee enters on drums, the track explodes into a dynamic and lively melody, instantly transporting the listener back to the nostalgic underground scene of the 90s. Elaine's captivating vocals cascade through the music, creating an entrancing angst-ridden atmosphere that will undoubtedly make you dance. The lyrics paint the portrait of a restless mind on overdrive, grappling with the struggle of getting out of bed, insomnia or an overcrowded mind. These emotions are universally experienced and will resonate deeply with listeners. As the song crescendos, building up to its climax, Elaine echoes the words “Let me free”, evoking a sense of feeling trapped within one’s body. The track drives forward with an invigorating shift in the drums’ beat and the guitar melody, creating a fresh twist to an already enthralling main melody. The group embraces various dynamics that perfectly align with the theme of ever-changing emotions, continuously adding complexity to the composition. “Those Days” is a listening experience that will keep you hooked from start to finish. Welcome to BuzzMusic, Doll Riot, and congratulations on your latest release, "Those Days." Could you share how Doll Riot came and what inspired the name? Me (Elena) and Ella started playing together through a mutual guitar teacher, and we found London off of Craig's List ad that we put out, and when our original drummer moved to college, we met Lillee through playing shows and asked her to join. Our original bassist came up with the name, and we all thought it fit our vibe. Out of the remarkable 50 shows you’ve already performed, with a few more on the way, is there one performance that stands out as your favorite so far? Ella came up with a riff that she brought to practice, London wrote her bass part off of that, and Lillee wrote her drum part. I (Elena) started singing random melodies and scatting, and the words fell into place. We love our local scene in San Diego, so playing shows locally is always so much fun. We have a great local band community. We also loved playing Shabang Festival in San Luis Obispo at the beginning of May. We got to meet many great bands from up North. Describe your sound in 3 words. Antagonistic, Impassioned, and Socio-political What can fans expect from your music in the future? Are there any upcoming projects in the works? We have been doing a lot of writing lately, so expect new music in the near future. Instagram

Meet Jakey, the artist behind your new summer vibe on loop "Headphones," he's no ordinary musician, though. He's a true sonic chameleon, able to adapt and morph his style easily. Straddling the diverse worlds of pop and soul, he seamlessly blends influences, creating soundscapes that are simultaneously familiar and fresh. His latest offering, "Headphones," is a testament to his versatility, echoing the upbeat charm of Justin Bieber while infusing a dose of Frank Ocean's soulful depth. The breezy guitar riffs in "Headphones" are like those beautiful Californian afternoons, making a perfect backdrop to his soothing vocals. His lyrical prowess is apparent in lines like "love songs playing in my head all day, I don't really wanna love you back," a sentiment that resonates with anyone who's experienced the whirlwind of one-sided love. "Headphones" is a song that nestles comfortably into your consciousness, gradually becoming a part of your emotional landscape. The song is a bittersweet symphony - a testament to the human capacity to love and endure heartache. It's a tune that drips with the pain of unrequited love and the struggle of feeling unheard. Yet Jakey's lyrics aren't just words and vibes; they're symbols of patience and knowing what the self wants, a call to reclaim one's independence. Jakey's "Headphones" has the uncanny ability to transform personal pain into a universal experience. It's a powerful anthem that echoes the sentiment of those trapped walking down a one-way street, offering a therapeutic tone. With lines like "I saw how this ends before it even started" and "I don't wanna front my love, so I think I should let you go," Jakey invites listeners to take a step back, reevaluate jumping into things too fast, and perhaps, move on to brighter futures. To summarize, Jakey's "Headphones" is a sonically calm therapy session, an emotionally resonant piece that serves as an anthem for disillusioned lovers. With its summer sunset vibes and soul-stirring lyrics, it's a song that echoes long after it's played. Get lost with this one today, available on all platforms. Welcome to BuzzMusic, Jakey! Kudos to saying how you feel on "Headphones," which combines pop energy and soulful depth. Can you dive into the process of creating this fusion and how you arrived at such a distinctive sound for the song? Thanks for having me, Buzz! My friend Maddi and I played in her bedroom studio in the early stages of developing my sound. When she started strumming those guitar chords, they spoke to me instantly. What’s super important to me in my music is allowing enough room for my vocals to live. I find that a lot of music today is so production heavy that the voice of the artist tends to get lost in the mix. I wanted to keep the production super simple. Less is more. My lyrics and melodies can then become the main focus and shine through. I am forever inspired by old-school 90s records and early 2000s hip hop and wanted to incorporate those vibes into this song and for the rest of my upcoming records! The lyrics in "Headphones" carry a powerful emotional resonance. Can you share the inspiration behind the words and how you channeled your experiences into them? This song came about at an interesting time when I was trying to date for the first time. I was involved in a relationship where I questioned whether it truly fulfilled me. The answer was no. Lol. Going into that relationship, I knew it wouldn’t be it for me. “I saw how this ends before it even started.” Trusting your gut is so important. Feeling something and taking action on your feelings are two very different things. Writing this song allowed me to feel and reflect on my feelings, ultimately leading me to end the relationship. "Headphones" is a raw anthem for those trapped in a black mirror relationship. How do you hope this song might inspire listeners who are navigating similar situations in their own lives? I hope “Headphones” inspires my listeners to be introspective regarding their minds and bodies. It is easy to get lost in the sauce and go against your better judgment, but staying true to yourself is important. Sometimes life gets noisy. You need to rise above and silence the noise. The guitar riffs in "Headphones" got that rose-tinted nostalgia all over them. Could you discuss the role of instrumentation in setting the tone and vibe for your song? Nostalgia is my middle name. The unique thing about my music is that it always makes you feel nostalgic. Almost as though you’ve heard it before. Making music is second nature to me. I don’t even think about the weight of my writing until I listen over and reflect. The simplicity of the chill, wavy guitar and the personal and thought-provoking lyrics will surely get you vibing. Maddi St. John, who produced and co-wrote “Headphones,” and I are effortlessly able to create music that makes you feel. As we look forward, can you give us a glimpse into your future musical plans? How might the success and experience of creating "Headphones" shape or influence your upcoming projects? More Jakey sounds are coming very soon. This is only the beginning. I can confidently say that the music I have been creating will leave listeners wanting more. I will drop a few more records throughout the summer, alongside some visuals! I have taken this past year to perfect my craft, and I cannot wait to share it with the world. JAKEY IS HERE. Instagram

Dear Banshee, an intriguing quintet hailing from the Bay Area, has emerged as a fighting force in independent rock. Their sound, a distinctive fusion of alternative rock and ambient and electronic elements, crafts expansive, emotional sonic landscapes that redefine the traditional boundaries of the genre. Banshee isn't content to tiptoe over the established norms; they dive headfirst into experimentation. Their latest full-length album, 'Wake of Modern Life,' is a testament to their bold pursuit of novel sound aesthetics. One particular song that showcases their innovative spirit is 'Rehoboam.' It's a harmonious blend that evokes the sensation of a Radiohead and UNKLE collab, wrapped in a nursery blanket of nostalgic trip-hop vibes harking back to the late 90s and early 2000s. The beat is simultaneously eerie and chill, setting the stage for a musical journey that invites introspection and challenges complacency. The song's narrative is initiated with the cryptic chant, "We are many, they are few," and this becomes the backbone of 'Rehoboam.' Punctuated with the accompaniment of a ghostly voice reminiscent of Thom Yorke, the song conjures an atmosphere of rebellion against societal injustice. Thematically, it transcends the murky depths of corruption, crafting a captivating call to arms against oppression. The drums, the song's heart, provide a robust, lush rhythm that accentuates and shapes the ambiance. Delicate piano melodies, layered electronic beats, and swirling guitar riffs add depth to the sonic tapestry, leading to a fully realized auditory landscape. This sonic amalgam has a certain hypnotic quality that is hard to resist. Each element is delicately interwoven, creating a harmonious resonance that paints a vivid, atmospheric world. The intricacy behind the strings' incorporation lies in their subtlety; they don't overwhelm but rather enhance, adding another layer to the already rich sonic landscape. They ebb and flow, swelling at moments of intensity and receding into the melody when the focus shifts to other elements. Their interplay with the percussive beats and electronic nuances creates a fascinating aural tapestry that keeps the listener engaged and intrigued. 'Rehoboam' undeniably, positions Dear Banshee as a trailblazer in their field. Invigorating listening leaves us excitedly anticipating the group's future endeavors. Stay tuned. Their music is set to take you on an unforgettable journey. Sail away with this one today, available on all platforms. Welcome to BuzzMusic, Dear Banshee! A round of applause to the uprising with your latest single, 'Rehoboam,' which is quite an unusual name. Could you share the story or inspiration behind choosing this particular name for your song? Thank you! Yeah, sure! I spent a lot of time during the pandemic watching a lot of TV, like many of us, and 'Rehoboam' is taken from the show "Westworld." I liked how the name sounded. The way it was used in the show was a perfect fit considering the song's subject matter. 'Rehoboam' is marked by its unique blend of eerie atmosphere and rhythmic organic instruments. Can you describe your process of crafting these distinct sounds and how you ensured they complimented the overarching theme of 'Rehoboam?' We spent a lot of time during the recording process trying out different sounds. What you hear on Rehoboam is guitar and synth mixed with a string arrangement performed by Karina Garrett. The hardest part was arranging Chelsea's and my vocals, but it came out great. The opening chant of "we are many, they are few" in 'Rehoboam' is a powerful message against oppression. Can you elaborate on the concept behind this lyric and how it shaped the song's direction? The song's first lines are taken from the poem "Masquerade of Anarchy" by Percy Bysshe Shelley. It's about unjust forms of authority. You could say the song's about worldwide political unrest, but I try to be very vague with my lyrics, leaving them open to interpretation. The music video for 'Rehoboam' has an intriguing visual aesthetic that perfectly aligns with the song's mood. Can you walk us through your vision for the video and how it enhances the interpretation of 'Rehoboam'? The artist bDwS made the video. Andy Markantonatos, who did our last animated video for our 2020 single "Plagued," referred me to them. Rehoboam's video was made entirely from repurposed materials and uses practical effects. The video's message is that we must strive to be more sustainable daily. bDwS did an amazing job on the video, and I hope their work gets a lot more recognition now. 'Rehoboam' showcases your innovative and boundary-pushing approach to music. How will the ethos and artistic decisions behind 'Rehoboam' influence your future projects? What direction do you see Dear Banshee moving in the next phase of your musical journey? Our direction is unclear at the moment. We spent the last two years in the studio and played some of these songs live post-pandemic to develop them. After that, our creativity felt drained, but we always enjoy messing around at rehearsals with new ideas. Our main priority is to figure out how to play some of these songs live with various equipment and groups of people. They will come across differently live but still have the same vibe you hear on the album. Instagram

Harry Bodley-Scott, the Indie Pop sensation creating waves in the music scene, is known for his remarkable fusion of musicality and language. With his passion for creating song lyrics that reflect the ups and downs of everyday life, Harry's music has struck a chord with a broad audience base. This artist has an innate knack for understanding and translating the human experience into resonating melodies. The latest from his musical repertoire is the wild night out single 'Bad Dancing.' Like the sunshine heralding the arrival of summer and festivals, this offering from Harry couldn't have come at a better time. It's infused with guitar progressions reminiscent of Circa Waves, adding another charm to Harry's already appealing style. Harry believes authenticity is about letting go, which rings true in 'Bad Dancing.' 'Bad Dancing' is a lively and carefree vibe, perfectly capturing the essence of letting your hair down after a long week. As the opening lyrics go, "It's been a hard week, and it's time for us to get down," the song is a call to cheers, inviting listeners to embrace the moment and have fun. The strong, clear drum beat forms a solid backbone for the song, while the smooth, classic guitar riffs weave their magic, creating a super cozy rhythm. The song's chorus is a delightful proclamation of freedom: "I wanna do some bad dancing, out on the town, don't care about the right moves, we're just fuckin' around." The song's message is a refreshing departure from the norm, encouraging listeners to be themselves, free from the fear of judgment. It's a celebration of authenticity, a tribute to the joy of being unapologetically oneself, a sentiment Harry deeply resonates with. 'Bad Dancing' is a true tale of liberation, a ticket to a wild night out with friends, and a reminder to embrace your true self. HarryBodley-Scott is crafting compositions bound to captivate listeners and stir their hearts. With this latest release, Harry reaffirms his position as a vital and exciting voice in the Indie Pop scene, promising even more thrilling creations in the future. Have a drink to this one today, available on all platforms. Welcome to BuzzMusic, Harry Bodley-Scott. Hearty cheers to your latest single, "Bad Dancing," which has a classic tone and an inviting yet raw message. Can you tell us more about the inspiration behind the 'bad dancing' concept and how it serves as a metaphor in your song? For me, life is about connecting. But connecting with each other is hard. Harder than it should be. I think we are afraid of each other, and so many of us are lost, lonely, and scared to be our authentic selves because it makes us vulnerable. Whatever I write, I always find myself saying this in some way. Bad Dancing is no different. If you risk being authentic and honest, you can connect with others. If you can connect with other people, you can find the only real, concrete meaning in this life – at least as far as I can tell! Bad Dancing is just an exercise in authenticity! But it also celebrates what I believe is important in life. Not just connecting but also embracing the chaotic miracle of human existence. We are alive, awake, a momentary flash in an infinity of sleep and darkness. I am often so preoccupied with the tonnage of the tragedy of living that I often write songs to remind myself to look up and see the magic of life. I need that. The lyrics in 'Bad Dancing' vividly depict a carefree lifestyle. Can you share an anecdote or a specific event that inspired these lines? I've had the same group of friends for nearly 15 years now. And we had a tradition of playing pool in the barn next to the house I grew up in, putting on loud music, and just dancing with 100% enthusiasm and 0% skill. I was always so happy doing that with them; those memories mean a lot to me. Whatever was going on in our lives, it didn't matter because, for that night, we were just happy. 'Bad Dancing' carries a strong message of self-acceptance and liberation from societal judgment. Have there been moments when you personally felt the urge to 'dance badly,' and if so, how has this influenced your work? I feel the urge every day of my life! We're not here for very long. And I find it hard to believe that on the day it ends, any of us will assess the value of our lives in material terms. It will be about all those beautiful moments you shared with others when you weren't pretending or performing but truly being your authentic self when you connected. I will release a lot of music this year, and if you look out for it, you will always hear some reference to this idea, among other things! I always find myself exploring it in my songwriting. 'Bad Dancing' will certainly carve its own niche in the music scene. As you look towards the future, how do you think the success and reception of this song will shape your upcoming artistic endeavors? Well, Bad Dancing is the first single of many coming this year. It was my return to releasing music, as I hadn't done so for a while. The song going down well is so encouraging, and so I'm excited to see what the world thinks of all the other songs I'm getting ready to release! Instagram Facebook

Alexayndra is a dark cinematic pop artist from the mysterious city of Salem, Massachusetts. Drawing inspiration from her clairvoyance and mystical practices, she creates music that weaves together her personal and supernatural experiences through a sound that’s completely unique to her. From a young age, Alexayndra has carried an unwavering passion for music which she discovered through playing the piano and exploring a variety of genres before crafting her distinctive sound. In her latest release, “Premonitions," Alexayndra delves into the depths of her dreams, visions, and inquiries, opening a gateway for those seeking to embark on their spiritual journey. The track begins with a fast-paced, atmospheric synth melody adorned with distorted ethereal pads and a sounding hollow kick drum. As the track progresses, additional musical layers merge into the composition – a soothing guitar line emerges, followed by an ensemble of strings – creating an exhilarating auditory experience that holds your focus from start to finish. Alexayndra’s reverberated vocals entwine with the melody, showcasing her impressive range and refined singing skills. In the chorus, she utters the haunting phrases, “I had a premonition that the world quit spinning around” and “Can’t stop insistent intuition,” contributing to the dark and enigmatic ambiance within the harmonies. Through her lyrics, she confronts the undeniable truth that intuition, though not always aligned with our desires, is never deceptive. Her emotional transparency and authenticity resonate through her words, forging a strong connection between her personal experiences and the message of “Premonitions." Welcome to BuzzMusic, Alexayndra, and congratulations on your latest release, "Premonitions." We’d love to know what has influenced your music style. I was influenced by so many incredible artists growing up, including many emo and electronic bands and pop, rock, jazz, and r&b classics that my parents introduced me to. To say I was music obsessed would be an understatement. My headphones were glued to my head; I listened to everything I could get my hands on. I always gravitated the most towards emotive and experimental singers and bands like Björk, Fiona Apple, Frou Frou, Amy Lee in Evanescence, and Chester Bennington in Linkin Park. These artists made me feel safe to be me and feel everything I was going through, no matter how intense or complicated. They inspired me to create a world that’s entirely my own. When I’m writing now, I listen to the music that’s swirling through and inside of me and try my best to get it out as close as possible to what I hear. My greatest hope is to provide that same safe and free space for someone else with anything I share. I want to keep adding to this weird little wonderland of feeling and honest expression that connects us with our souls. In your latest release, “Premonitions,” you explore your visions and intuition. Has intuition always played a significant role in guiding you throughout life? Yes, for better or for worse! Haha! Since I was a baby, I had these intense lucid dreams, nightmares, and visions I didn’t really understand. It was (and still is) always happening, just an overflow of imagination and feeling that often would later relate to situations around me. I felt like I was living out of time, and maybe who I really was, was somewhere down the road, and I was constantly trying to catch up to that person. These feelings intensified growing up under the pressure of the music industry. I became entirely future-focused and extremely stressed over every decision I made. Feeling and seeing outcomes ahead of time was confusing and sometimes painful for me. I had to learn to let go of believing these were things I could control. I found a lot of comfort in spiritual practices to better understand myself and these experiences. Constantly writing music and creating also helped me reconnect with my emotions, whether they were happening now or later. I often “premonition” write, so I would write something that would be a message to myself from the future or sometimes for someone else entirely. I still freak out a little if I’m having a particularly good week but feel the need to write a specific sad song. What message do you hope listeners will take away from “Premonitions?" Trusting your intuition can feel chaotic and strange, and confusing. But as weird as it may be, there’s a reason you feel this way— follow that and listen to yourself. You’re on your own timeline, and your soul ultimately knows where you are going and want to be. We might not be able to control outcomes, but heeding your inner voice will help you best navigate them. What's next for you? Are there any upcoming projects your listeners can look forward to? Im so excited for all I’m sharing this year! A full EP of more “Premonitions” is coming this summer. Sign up with your email at alexayndra.com to be the first to know about new releases, videos, merch drops, performances, and live streams. If your music was a flavor, what would it taste like? Hmmmm, warm, aromatic, a little spicy, bold, and unexpectedly comforting. I am really hungry right now. Instagram

In the ever-competitive world of music, it’s rare to find bands who can showcase their considerable talent while managing not to take themselves too seriously. However, Trailer Swift walks this line like a seasoned pro, approaching their craft with the energy that makes you feel like they are having fun. With a free and fully unrestrained sound, they’ve been steadily carving out a niche for themselves in the Boston music scene, and with their level of talent, the sky’s the limit. A continuation of their quest to constantly push musical and conceptual boundaries, Trailer Swift's new single "Cross My Heart" is an honest and raw representation of outbursts and breakdowns, skillfully expressed as a slow-burn space rock track. The song, which serves as the lead single for their forthcoming album Variant (out on June 16th via Mint 400 Records), is a testament to the band's ability to craft genuine, powerful, and moving music. Over flawlessly integrated drums and guitars that undulate and mimic the ups and downs of an outburst and lay your soul bare, lead vocalist Michael Crockett drops lines like “I’ll cross my heart, then hope to die in a way that we all can agree on” with the kind of emotion that simply stirs something within you. In “Cross My Heart,” Trailer Swift showed that their music is the real deal even if they may not take themselves too seriously. Trailer Swift’s “Cross My Heart” is a testament to the band’s ability to capture the raw, visceral emotions that move us and masterfully incorporate them into their music. Whenever you’re ready, tap in and stream “Cross My Heart,” available June 16th. Welcome to BuzzMusic! “Cross My Heart” is excellent. It reminds us of a mix of indie rock bands we grew up listening to in the mid-2000s. What music were you listening to when writing it, and what prompted you to choose it as the lead single off your upcoming LP, Variant? Each of us works on these songs together at practice, so many different influences are built into the song, but when I (Crockett) sent my demo to the band, I was listening to Pile and Dinosaur Jr. a lot. It was written during the pandemic, so we had time to work on it repeatedly, crafting it to be the closest to the sound we have been trying to get. It seemed like we finally found out what we sound like. The song feels real and personal, which is probably why it resonates so much. Did you draw inspiration from real-life events? The short answer is yes, but it’s more fiction than fact. The plot is a love song about broken promises, which I must believe is very common—just trying to be as honest as I can in the song. We read it was difficult for you to come up with a band name, and you just sort of landed on Trailer Swift. Do you remember the lightbulb moment when you were all in agreement that it was going to stick? There was no lightbulb moment. It just works, it’s clever, everyone remembers it, it was either that or Cheep Jerokee and every other band is White Lion this, White Lion that. The music video had us cracking up. The "younger/hipper" band and the label guys are perfectly cast. How did the video concept come about? How did you find the actors? And please tell us about the director. All credit goes to David James from DFJ Media, and the concept came quickly to us to make fun of our own music. David James just got it and shot and edited it to perfection in the blink of an eye. The cast were all our friends. Then it took us three months to write 4 lines of dialogue that hopefully didn’t suck. We've seen post-punk, indie rock thrown around to describe your sound, but how would you describe your music to the uninitiated? My friend Pete said we are an Emo band, we have no idea, but we like the idea of progressive past tense. So with your album Variant dropping soon (June 16th), how stoked are you to release the entire project? The period after a long sentence starts with the word pandemic. It’s good to let it out. Is there anyone you want to shout out that deserves credit before we wrap this up? Ethan Dussault from New Alliance, Nick Z from New Alliance East, Neil from Mint400, David James from DFJ Media, Anngelle from Boston Emissions, Anna, Jack, Colman, other Jack, Jason, and Jeff for being so great in the video, The Midway, Tiny Oak Booking, Blowing Smoke with Twisted Rico podcast. Instagram Twitter

Emerging from the vibrant cityscape of Toronto, Ontario, Trizzy Trey, at 29, has already made considerable waves in music. His affinity for a blend of hip-hop, reggae, and R&B fuels his creative prowess, manifesting in dynamic, rhythmic, and unforgettable compositions. Stepping into the world of music as a young enthusiast, Trizzy Trey's evolution as an artist has been nothing short of remarkable. His fondness for music is evident in his artistry, and his ability to express himself through rap is extraordinary. Trizzy Trey's discography boasts two mixtapes, the first of which was "Tr3y the Truth," hosted by DJ Pop Dukes and DJ Bad the Problem, followed by a deluxe edition hosted by DJ Trap A Holics. Both offerings showcase his unique flair and demonstrate his ability to carve out his distinct space in the industry. The mixtapes serve as the prelude to his latest release, "Tr3y the Truth the Third Round," a testament to his artistic growth and passion for pushing boundaries. The offering of "Tr3y the Truth the Third Round" is a unique audio journal featuring a collection of songs that testify to TrizzyTrey's distinctive style. Each composition showcases Trizzy's unique rapping style, a rhythmical repetition of lines that becomes a mantra for the listener. His gritty and raw voice adds depth to the beats, masterfully sampled from classic, iconic songs, creating a blend of the familiar and the novel. The album starts with "Lick the Rapper," a lyrical joyride that sets the tone for the entire album. Trizzy's comedic lyrics shine through in "Champagne Got Me," which balances humour with a hard-hitting beat. "Like What I See on TV" showcases his lyrical prowess, while "Kick Back Messi" and "Carolina Blue Kicks" build on the album's momentum with their engaging narrative and rhythmic consistency. "A Couple Hunnid," "Like LiL Baby," and "Man He Fresh" further elevate the auditory experience, blending humour, rhythm, and Trizzy's unique flow. "No Cap I Am Me," "Money Bag Yo," and "RapSheet" round off the album, each showcasing TrizzyTrey's ability to weave engaging stories with his lyrics while maintaining the energy through his consistent flows and hard-hitting beats. The album, in its entirety, serves as a cohesive narrative that truly showcases Trizzy Trey's talent. With "Tr3y the Truth the Third Round," Trizzy Trey has solidified his place in the game. His bold style, unique flow, and engaging lyrics make for an entertaining and memorable album. As we look forward to more from this dynamic artist, one thing is clear: TrizzyTrey is a force to be reckoned with, a truth echoed throughout this outstanding album. Turn up with this one today, available on all platforms. Welcome to BuzzMusic Trizzy Trey! Congrats on the touchdown dropping your new album, "Tr3y the Truth the Third Round," which is an intriguing title. Could you share the significance of this title and how it encapsulates the overall theme of your album? Thanks for having me here at Buzz Music. & thanks for the congrats. The significance of the title Tr3y the Truth the third round is that It’s the third time I released a mixtape/ album called TR3Y THE THE TRUTH & the artwork's overall theme expresses the title TR3Y The Truth The Third Round because bullets are also known as rounds & on the album cover art there are three bullets, two bullet rounds are standing up & the third bullet round is laying down & says the third round on it to describe that it’s the third round for The TRIZZY TREY TR3Y THE TRUTH THE THIRD ROUND. Considering your songs' unique repetition of lines, what inspired you to adopt this style for "Tr3y the Truth the Third Round?" What inspired me to adopt this particular style for Tr3y the Truth the third round was my knowing that using other styles that had already been written or said, or in other words, samples of other artists in hip hop can get me lots of attention & fan base in the rap game today & it’s easier for listeners to understand & favourite my music. Your album features several classic beat samples. How did you go about selecting these beats for "Tr3y the Truth the Third Round", and how do they contribute to the unique feel of your work? I selected these classic beat samples for the album because the best of me beat sample to where jay z said Carolina blue kicks & I had just got a pair of Carolina blue Jordan 5’s kicks, so I made it a hot hook & a hot song. & The other classic beat I chose was the DMX beat Niggaz Done Started Something Ft. The Lox & Mase for the 11th song called rap sheet because the beat goes hard & the song is sick & Lil Wayne & Swizz beats just released a song on that instrumental called Kant nobody & so I went & used it & went well I loved the feel of it & the style & the classic beat samples contribute to the unique feel of my work because they fit my style of rap that I got perfectly. As you look forward to the future, how do you envision the evolution of your musical style, and in what ways do you think the experience of creating "Tr3y the Truth the Third Round" will influence your upcoming projects? As I look toward the future, I see my musical style set good as it is as I got my own style today in the rap game not unless I grow a huge listener fan base & earn clout in the rap game for my musical style to rise to do more with my musical style & the experience of creating Tr3y the truth the third round will influence my upcoming projects in ways such as gaining fan base because fans might be waiting for more Tr3y the truth rounds to come. Instagram Facebook