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Marika Christine, a San Francisco based multi-talented, has been gracing the Bay Area music scene for nearly a decade. With her roots in various bands, she began her solo journey in March 2021 with her first release, Puzzle World. Christine's music is driven by the power of vulnerability and tenderness, often exploring theatrical atmospheres to express the depth of emotions such as heartbreak, loss, longing, friendship, and love. Influenced by artists like Harry Nilsson, Stereolab, Cate Le Bon, and Alice Phoebe Lou, her full-length LP, Soft Like an Apricot, is set to enchant listeners on May 26th, 2023. Marika Christine's latest single, "Music and Heart," released on April 26th, 2023, serves as both a love letter to her hometown and a critique of the struggles faced by artists in big cities. Cozy acoustic guitars, warm jazzy piano, and layered harmonies accentuate the song's beauty. "Music and Heart" was recorded at The Grassy Knoll studio in Oakland, CA, showcasing the talents of Adam Wilson, Maria Donjacrou, Fabrizio Incerti, and Marika Christine. "Music and Heart" transports listeners to a cozy, 70s-inspired soundscape. With organic instruments like marching drums, soothing pianos, and calming guitars, the song exudes a sense of warmth and comfort. As you listen, you can almost feel the golden hour shadows, the charming Victorian houses, and the passion of the people who make San Francisco unique. The lyrics of "Music and Heart" capture the challenges of being a young artist in a city like San Francisco. Christine's words resonate with listeners, from the physical toll of long days on their feet to the difficulty of affording a decent place to live. Yet, the song also highlights the love and appreciation for the city, music, and heart, with the chorus emphatically declaring, "But we lah-lah-lah-love you, San Francisco." With its chill vibes and nostalgic atmosphere, "Music and Heart" is a testament to Marika Christine's ability to craft meaningful music that connects with listeners profoundly. This song is the perfect appetizer for the main course: her upcoming album, Soft Like An Apricot, is eagerly awaited by fans and newcomers alike. So, mark your calendars for May 26th and prepare to be swept away by the enchanting sounds of Marika Christine. Cozy up with this one today, available on all platforms. Welcome to BuzzMusic MarikaChristine kudos to finding warmth with your latest single, "Music and Heart," where you've seamlessly blended several organic instruments to create a cozy, 70s-like atmosphere. Can you share more about the creative process behind selecting and combining these instruments to achieve such a unique and warm sound? The song started with acoustic guitar and vocals and blossomed when I brought it to my band. We have known each other for almost 8 years, so collaboration comes very organically. I think each member of the band shines on this track! It features Adam Wilson (piano), Maria Donjacour (bass), and Fabrizio Incerti (drums, percussion). We recorded with our good friend Spencer Owings who also played a big role in producing and arranging. He helped us get the best takes possible and added ideas for harmonies. There is a lead guitar moment in the choruses written by Fabrizio, Adam, and Spencer that I remember being excited about during the recording process. So, while each instrumental choice is very intentional, it wasn't overthought but felt right at the moment. Can you elaborate on how your personal experiences have shaped your perspective on the city and influenced the song's message? I live the story of "Music and Heart" every day! I was lucky to grow up in San Francisco and found a beautiful group of friends and artists, so I've never wanted to leave. Unfortunately, in the Bay Area, we are surrounded by the wealthiest people in the country and the poorest. Seeing the huge wage gap and facing income disparity can be very frustrating. Making ends meet is a constant battle for artists in my community. Many of us spend half our income on rent; whatever pennies are saved goes to costs such as recording and funding equipment to make more art. I also want to acknowledge that as a white person in this environment, I still have a lot of privilege in this situation, and the economic struggle is alot harder for people of colour. Even though the cost of living in San Francisco can be discouraging, I truly love this city's community, beautiful parks, museums, public transportation, and history. "Music and Heart" features a very distinct retro sound from the drums to the keys. What led you to incorporate these elements into the song, and how do you feel they contribute to the overall emotion and narrative of the vibe? Honestly, I don't remember if there was much of a discussion about this. Each band member contributed their part, and it all seemed to fit together! When writing this song, I listened to alot of 70's bands like the Carpenters, Mama's and Papa's, Buffalo Springfield, and the Byrds. Maybe there were some subconscious inspirations there. I think the retro feel pays homage to San Francisco's famous summer of love and hippie history in a nice way. Can you share any specific moments or experiences that inspired this sentiment and how they have helped shape your connection to the city? I wrote this song about a year into the Covid-19 pandemic, which played a big role in my relationship with the city. I was frustrated because I had to work in a public space, risking my health and safety, for barely enough money to cover living costs while other folks got to work from home. It was also right around the time of the vaccines rolling out, and I was falling in love with San Francisco again. I got to come out of hiding and start seeing friends again. Now that "Music and Heart" have been released and your upcoming album, Soft Like An Apricot, is just around the corner, what can fans expect from your future projects? Do you want to explore any new themes or musical styles in your upcoming work? I'm excited to keep playing with my style and develop my voice as a songwriter and musician. I'm very in love with 70's rock and Laurel Canyon so that those elements will stick around, but I'm also exploring more angular sounds and rhythms inspired by David Bern, Cate Le Bon and Stereolab. I'm also hoping to develop my audio engineering and production skills, so I'm eager to see how that will inspire my music in the future. Instagram

Pop, R&B, and Soul singer-songwriter Darienne Savoy have a voice that sticks with you. Born and raised in Waldorf, Maryland, but now lighting up the Los Angeles scene, she's been scribbling lyrics and humming melodies since she was nine. Her music? Picture a diary that's sprung to life, each song a snapshot of her heart's deepest corners. She's got a tone as sweet as honey, layered harmonies that take you to another universe, and a love for instrumentation that digs deep. Her goal? To give her listeners a cozy nook to snuggle into, a place where they can let their authenticity, power, love, and light shine. "Good In The World," her latest tune, is like stepping into a warm hug. It's a piano ballad that twinkles with magic, her voice gliding over the chords like a figure skater on ice. And let's talk about her falsetto—seriously, it's like something from a dream. It draws you in and holds you tight, completely spellbinding from the first note to the last. The lyrics of this song? Get ready for a rollercoaster of emotions. Darienne opens the door to her world, inviting us to explore the landscape of her insecurities, anxieties, and the healing power of love. The chorus beams with hope, a beacon reminding us of the spark of goodness still flickering in the world, even when the night seems endless. Her words weave a beautiful tapestry of hope, vulnerability, and the strength found in love. The melody of "Good In The World" is like the sweetest lullaby, the piano forming a gentle tide that carries Darienne's soulful voice. The melody sways and dances, creating a soundscape that is as mesmerizing as a starry night. It perfectly showcases how Darienne skillfully marries her heart-on-her-sleeve lyrics with enchanting tunes, crafting a sound like a warm blanket on a cold night. "Good In The World" is Darienne Savoy through and through—raw, heartfelt, and beautifully crafted. Her enchanting voice, deeply personal lyrics, and captivating melodies create a sanctuary for listeners, a place to find comfort, inspiration, and a reminder of the world's beauty. As we eagerly await what's next from Darienne, one thing's for sure—she'll continue to light up our world with her authentic, soulful tunes. Sail away with this one today, available on all platforms. Welcome to BuzzMusic Darienne Savoy. A warm congrats for your latest heartfelt release, "Good In The World," which reflects deep emotional journeys and personal transformation. Can you share the inspiration or the pivotal moment that led to the creation of this song? Thank you so much. I’m honoured to be here! “Good In The World” is the most special song I’ve written to my heart—much of that concern how I grew with and through the record. I started writing it after a very dark and traumatic time. I, unfortunately, struggled through a lot of trauma in my childhood years, which led me to face anxiety and PTSD growing up. When I started to heal, I almost felt like I needed to go into hiding until I was “healed all the way.” I thought that I was too anxious or too broken to be lovable at that time. But I met some of the most beautiful and genuine people I’ve ever known, who showed me the purest form of love and friendship I had ever experienced. So many times in getting to know them, I thought, “Oh, there is good within this world.” It felt so surreal to be loved in the midst of the roller coaster that is healing. Everything about me that I considered a work in progress or was conditioned to see as wrong, my friends embraced and appreciated. I wanted to put that beautiful feeling into music, so I sat down one day in 2018 and wrote the chorus. After that, I continued to work on it throughout the years until it became the finished product. It truly feels like a transformative song, especially because I wrote the bridge about a month before it was released. It almost felt like the present-day version of me sealing the envelope on that chapter, which I love, and am so happy that it’s being received in that way. Your falsetto in "Good In The World" is truly alluring. Can you talk about the vocal techniques you used to achieve this and why you felt it was important to incorporate this element into the song? I wanted to incorporate falsetto to capture the essence of leaning into vulnerability. I’ve had friends tell me the song feels like a warm hug or the key to their safe spaces, and that’s exactly how I want it to feel! Singing in falsetto and hearing it back in the studio, I felt that type of vocal resonated best with exactly how I felt during that time, overwhelmed with love in the best way. I also wanted to give the song a sense of hope that I felt connected to most when singing in falsetto. While I wrote the song about a very specific situation in my life, my desire is for it to resonate with whoever is listening in their own way and for it to give them peace and light in such a chaotic time. Funny enough, my voice almost naturally sits in falsetto or a head voice unless in a deep alto register, so overall, it felt best to convey the emotion in my vocal “safe space.” "Good In The World" is a piano-led ballad that beautifully complements your voice. Can you discuss the process of creating this melody and how you decided on the piano as the primary instrument? “Good In The World” definitely went through many instrumental phases before it became the version it is now. There is a version with just acoustic guitar that I worked on with a friend years ago and a version with guitar, bass, and piano only in certain parts. When I started working with Noriko Olling, a genius producer I was blessed to meet at the college I graduated from (AMDA Los Angeles), she really brought it to life in a new way. I came to her with the versions I had previously created, and we experimented with different directions to take the song. I am obsessed with Michael Jackson’s ballads, and I told Noriko about how I envisioned an intro similar to those in his songs. That’s when she created the orchestral introduction with strings, flute, and the harp. We started to follow up with the guitar after the strings to see how it would feel. But ultimately, the piano was the missing puzzle piece. It gave the song a similar melody to its other versions but opened a door for the chords to flow with the emotions of each lyric. The lyrics of "Good In The World" are full of hope and positivity, even in the face of vulnerabilities. Can you share how you balance these contrasting themes in your songwriting? For me, it’s imperative to remember that vulnerability is power. Putting the most vulnerable parts of me to pen and paper and then taking them to the booth and streaming platforms was nerve-wracking, especially for my second single. But for this song and any song I write, I want to give it my all, including vulnerability. Since I started writing at 9, I have found the beauty of any obstacle in life through music. I think even the darkest songs have a sense of hope and beauty. Because regardless, someone will be able to listen and think, “Oh wow, I’m not alone in that.” I think I balance those themes by writing with the thought in mind to take my vulnerability and embrace it instead of being ashamed of it. And I must constantly remind myself to embrace it, especially in a world of social media where vulnerability is so rare. But deep down, no one is alone in how they feel, and I think music is a gorgeous way to prove that. As you continue to evolve as an artist, how do you envision the themes of your future music? Do you see songs like "Good In The World" as stepping stones on your journey, or do you anticipate exploring new territories in your upcoming works? I think of songs like “Good In The World” and my debut single “Step Down” as chapters of the story I want to tell with my debut project. I’d love to tell my story chronologically through an EP or an album in separate parts; both songs are part of that story. I want to experiment with different styles for sure. I do that consistently in the studio and in each song I release. But as far as themes go, I’m revealing pieces of a story with each song that I couldn’t be more excited to share. Instagram TikTok

We live in a time where external pressures and unrealistic expectations are pertinent in our society; thus, the search for a beacon of light has become more crucial than ever. Enter Lexie Martin – a radiant, inspirational powerhouse known for her bright vocals and music that ablaze spirits. Her latest single, “Superpower,” is nothing less than a celebration of self-love whilst serving as a testament to her talents as an emerging pop singer-songwriter. “Superpower” begins with a captivating piano melody establishing the song's tone. The introduction becomes even more enticing with the addition of Lexie’s vocals, which echo “Superpower.” This dynamic layer intrigues the overall sound within the first few seconds. In the first verse, Lexie fearlessly shares the familiar feeling of carrying the world's weight on her shoulders, a sentiment that will resonate with countless listeners. Her lyrics act as a reminder that imperfections are part of the human experience and should be embraced. She explores these ideas as the pre-chorus unfolds, paving the way for an explosive chorus that can be described as a vibrant, memorable anthem that will undoubtedly compel listeners to nod their heads or dance along. As the radiant energy of the chorus decrescendos into the second verse, Lexie delves into introspection, reflecting on experiences related to mental health, including anxiety and depression. Despite the stigmatization and shame often associated with these topics, Lexie remains unapologetically authentic in expressing herself. She delivers this message with her soothing and velvety vocals, instilling a feeling of comfort, stability and reassurance. We are reminded that hope and strength will always remain, even in the most challenging circumstances. Lexie Martin aims to enlighten and empower individuals from all walks of life and invites everyone to unleash their own “Superpower." A warm welcome to BuzzMusic Lexie Martin, and congratulations on your latest release, "Superpower." Can you start off by telling our readers what inspired you to pursue music? Creating, performing and singing makes me feel; I cannot imagine doing anything else. I feel fulfilled, and it gives my life purpose. I can connect with people this way in a medium that transcends many boundaries. I remember my first singing competition at 9 years old. I sang "Reflection" from Mulan, and the overwhelming feeling of joy that performance brought me. When I sing, I feel connected with the song's story and the audience. I know we're on this journey together. I've always known from a very young age that music would be my pursuit. Can you provide insight into the creative process behind your latest release, “Superpower?" "SUPERPOWER" came to fruition during the height of the pandemic in 2020. It was a very difficult time for many, physically, emotionally, and mentally. With "SUPERPOWER," I really honed in on the mental health aspect with the lyrics. I was battling anxiety and depression for years, and the pandemic only exacerbated my condition. I knew I was not alone and wanted to share my experience so that others going through the same thing knew that they also were not alone. I collaborated with my incredible co-writer, Juliet Piper, who also co-wrote "Extra" from my debut self-titled EP. Together, we crafted a beautiful story with a message of hope and self-love. Even on what you feel is your worst day, you are still worthy of love, especially self-love. I also worked with the talented producer Ryan Lallier, who made "SUPERPOWER" sounds exactly the way it needed to. He was so patient with my requests, and I am eternally grateful for his talents. Then, I went to work with Well Actually Productions to breathe new life into this anthem with a music video featuring a plus-size superhero and curvy dancers. I wanted representation for mental health awareness as well as plus-size bodies. When I create, I want the messaging to be consistent and clear, and the message of "SUPERPOWER" is that you are worthy of love and have the power to get up and face the day. I believe in you. I am rooting for you. Your vibrant energy is infectious, and we’d love to know; when do you feel the most joy and happiness in your life? I feel the most joy and happiness in my life when I see people smile, especially if I or my music made them feel that way. It gives me the deepest sense of fulfillment and makes me feel like I'm doing my part to help make the world a better place, even if it may be on a smaller scale. I love making people feel good about themselves. I love seeing people be happy. I love spreading joy. I especially want to spread the joy that comes from loving yourself because the world is so much better when we are kind to ourselves and love ourselves. The way you embody confidence and self-love in “Superpower” is inspirational. Was confidence a trait you’ve always carried? Confidence was not a trait I always carried. It had to be taught. It had to be built. As Lizzo aptly said, "It's hard to love yourself in a world that doesn't love you back." When she said that on What Out for the Big Grrrls season 1, I felt that in my soul. It is difficult to gain confidence as a plus-size woman when the beauty standard has told you that you are less than others for so many years. I was put on my first diet when I was just 12 years old. Even recently, my OBGYN made fatphobic remarks at my last appointment, and I cried all the way home. Society can be mean. Whether it's your weight, your skin colour, your gender identity, your ethnicity, your religion, your sexual orientation, etc., there will be people who will have their judgements. Confidence for me has been a journey, not a destination. And it's still ongoing. There are days I do not feel confident at all. There are also days I feel stunning. I remember that the only opinion that matters is mine. It's my body. I see that we are making strides in the beauty industry as far as what constitutes that standard of beauty these days, and I am grateful, but there's still more work to do. And I will do whatever I can to normalize that what makes you uniquely you is beautiful. What’s one piece of advice you’d give to someone who feels like the weight of the world burdens them? The only thing constant is change. That weight of the world does not last forever. And we have the power to make it pass a little quicker. Have a plan in place for when those clouds come rolling in. I know this will sound like the most difficult thing when the weight crushes you, and you're sinking into your bed, but you must get up. I promise it will be worth it. Brush your teeth, wash your face and make tea or get a glass of water. Change location. If you were in your bed, head to the couch. Do you like to journal? A gratitude journal can be a wonderful way to ground you. Text or call a friend to say "Hi." Remember, some people love you and are rooting for you to succeed. If you need rest, listen to your body and rest. It is more than ok to rest and recharge. And then, when you're ready, I know you will conquer what lies ahead. Instagram TikTok

Sicily Jordan, a celebrated singer-songwriter, has garnered praise from industry heavyweights for her remarkable musical abilities. As she ventures into new territory with her latest single, "Hit and Run," she unveils a side of her artistry that delves deep into human emotion and connection complexities. Working alongside the proficient production team Chapters, Sicily presents a musical dream that melds evocative, sentimental ballads with cutting-edge contemporary flair. "Hit and Run" encapsulates the torment of willingly surrendering to a love that remains unreturned, striking a chord with anyone who has ever yearned for resolution when it seems impossible to attain. The song's bewitching nature is accentuated by mesmerizing piano accompaniments and otherworldly drum beats. Through "Hit and Run," Sicily conveys a narrative of a complex relationship scarred by the blame game and all that comes with it, in which she willingly endures as the one who remains in love trenches. Her extraordinary vocals encompass a wide array of harmonies and falsettos, demonstrating the vastness of her emotional and vocal scope. "Hit and Run" is a melancholic ode that captivates listeners with its profound exploration of love, loss, and the human spirit's resilience. The melody and moving story will undoubtedly leave a lasting impact on anyone who has faced the trials of love and the yearning for closure. As Sicily Jordan's star continues to rise in the music landscape, "Hit and Run" is a testament to her immense talent and will leave an unforgettable impression on all who experience it. Fall into “Hit And Run” out on all platforms. Welcome to BuzzMusic Sicily Jordan! Cheers to coming out strong on "Hit and Run," The theme of shared responsibility in "Hit and Run" is a powerful narrative that many listeners can relate to. What led you to explore this concept in your music, and how do you think it helps to challenge conventional perspectives on love and relationships? Thank you, and thanks for having me! People often ask me why I write so many sad love songs, and I think one of the reasons is that sadness or pain in love is not only one of the universal experiences, but it’s also the experience where people are most in need of connection. Music is such a powerful way to find a connection. For ‘Hit and Run’ specifically, that connection could be feeling less alone knowing someone else has experienced a hit-and-run relationship or connecting to and understanding your feelings through the lyrics. Your vocal performance in "Hit and Run" showcases an impressive range, with smooth harmonies and falsettos. How did you approach the vocal arrangement for this track, and were there any particular challenges or breakthroughs during the recording process? When writing ‘Hit and Run,’ I wanted the melody to work with the lyrics to mirror the emotional build-up and letdown in this love relationship. If you listen closely to the verses, you can feel that journey. The held notes and falsettos in the chorus are significant because, vocally, that’s such a fragile space to be in, but as a singer, you must commit to those notes to deliver them well. Again, the arrangement mirrors the emotions of the song. But my favourite part of the song is the harmonies in the bridge. My producers, Justin Tinucci and Simon Jay, came up with them while we recorded. The contrast those harmonies provide against the sound of the siren perfectly captures the conflict of a ‘Hit and Run’ relationship. Your vocal prowess in "Hit and Run" leaves a lasting impression on listeners. Can you share some insights into your vocal training or any practices that have been instrumental in shaping your unique singing style? I haven’t had much formal vocal training. I’m more of a research and teach-myself kind of person. I’ll watch videos about vocal technique, singing tips and tricks, and live performances, then experiment with what my voice can do, sometimes for hours on end. The most important thing to me when it comes to singing is expressing the song's emotion truthfully and in a way that enhances the storytelling. "Hit and Run" delves into the vulnerability of love and the universal longing for closure. How do you hope your listeners will connect with this theme, and what impact do you wish to leave on those who have faced similar struggles in their relationships? One of the reasons I think songs are so powerful is the unique way they can communicate a shared experience to make someone feel less alone while at the same time being so intensely personal to that listener that it gives them precisely what they need to express their emotions. I think that sadness or pain someone feels can be challenging to manage internally, particularly with sad love songs. If you find a song you can resonate with within that time of sadness, that song becomes a way to give meaning to the emotion outside of yourself and consequently provide a way to understand what you’re experiencing. Following the release of "Hit and Run," what can fans expect from your future projects? Are there any new themes or musical styles you're eager to explore as you develop as an artist and share your journey with the world? There are more songs to come that I produced with Chapters, and I plan to continue writing and recording many more! I’m so grateful that I can pursue my passion as an artist, and you better believe that I will never stop exploring ways to tell honest, meaningful stories through music. Instagram Facebook TikTok

Leo Sawikin can only be described as a multi-faceted, undeniably talented artist emerging from New York. The singer-songwriter debuted in 2021 with an acclaimed album that received radio recognition in both the U.S. and the U.K. His latest single, “Hold On,” delves into an aesthetic he describes as a “sort of indie folk-pop with a dreamy shimmer." The song starts with a nostalgic acoustic guitar solo performed by Leo himself, reminiscent of a warm, carefree summer’s day. The consonant melody is uplifting, welcoming and hopeful, instantly setting the vibe and drawing the listener in. The guitar drives into the first verse, where Leo says, “Someday I’ll be somewhere where I need to be.” This opening statement will resonate with listeners, for within all of us resides dreams and aspirations waiting to become a reality, but we may wonder how we’ll achieve them. It’s his way of reminding us that where you stand today will not be where you stand tomorrow, and he brings this idea to light with his ethereal reverberant vocals. Leading into the second half of the verse, the song completely transforms by adding drums and a rhythmic bassline into an infectious sound you can’t resist bopping your head to. This uplifting energy is carried throughout the song, making it an infectious tune. Coming into the chorus, the melody switches into a new chord progression that is even more captivating in the last. Leo’s rich entrancing voice pairs beautifully with the melodic sequence and will effortlessly captivate listeners throughout the entirety of the track. He pushes the boundaries of the typical male vocal range by showcasing his register, hitting an impressive C4. With each resounding note, he exudes emotion, passion and soulfulness, and it’s nothing short of an inspiring and dynamic listening experience. In an era where uplifting songs run few and far between, Leo stands out as a voice for those who feel alone in their journey by conveying a straightforward yet powerful in its execution. He is committed to his personal growth and continuous improvement, and “Hold On” demonstrates his remarkable development as a musician, singer and songwriter. “Hold On” is available now on all platforms. Welcome to BuzzMusic, Leo Sawikinm, and congratulations on your latest release, "Hold On." The “Hold On” message will undoubtedly resonate with many listeners as a beacon of hope and inspiration. Was there a specific event in your life that influenced you to write this song? Thank you, I certainly hope so! I did not write the bulk of the lyrics for Hold On. I wrote the song with a very gifted singer-songwriter named Lucy Isabel. When I came to her with the music for this song, the only lyric I had was “Hold On,” and she took it from there! The only other lyrics I wrote in this song were for the bridge, which was about not shutting people in your life out while chasing success/happiness, which is a habit I fall into from time to time. What has influenced your style of music? A lot of different things, but I think the fact that I grew up listening to alot of 90s indie folk had a big impact on this round of material. That, combined with many of the 70s and late 60s folk, defined this album. Walk us through your songwriting process. What comes first to you – Melodies? Lyrics? I usually start with chord progressions, but not always. I’ll write a chord progression, start playing through it repeatedly, and do my best to sing through it with various melodies. After going through it a few times, I put down my guitar and go about my business, and if there’s anything to the chord progression or melodies, I’ll get one stuck in my head. As I’m singing it/thinking about it, I subconsciously simplify the melody. Each time I sing through it, it gets whittled down and simpler. Once I only hear one melody, I know I have something worth turning into a song. After that, I usually make sure the structure and flow work, and once that is all squared away, I’ll work on lyrics which can take a few months. How would you say you’ve grown as an artist from your debut in 2021 to now with your release of “Hold On?' I know what I want stylistically now, and I’ve figured out my sonic identity. My songs are less about trying to pull off impressive musical feats, and I focus on writing simple but unique-sounding songs that I enjoy playing and listening to. Your guitar skills in “Hold On” are remarkable, to say the least, and a true highlight of the song. If you could play another instrument, which one would you choose? Thank you! Piano/keys. It would open up a whole new world of possibilities regarding textures and arrangements. The guitar can be a little limiting sometimes in terms of choices for inversions since you can only hold down four notes at a time (5 if you have a big thumb.) I’d love to write more on piano since I could execute almost any chord progression I could imagine. That being said, I discover many interesting guitar harmonies that I might not think of otherwise if I was writing on piano. Instagram Artist Website

From Colombia's colourful, rhythm-infused streets to the vibrant core of Los Angeles' music scene, Beto Vargas has proven himself to be a maestro of multiple dimensions. His Colombian roots have painted his passion for music, which began at an early age, and propelled him onto an international stage where he now shines as a multifaceted talent. Beto's career has been a beautifully orchestrated symphony of success as a musician, producer, songwriter, and sound engineer. His transcontinental journey, starting in Colombia and taking root in the United States, has been marked by triumphs. His alma mater, Berklee College of Music, honed his talent, and his trek to LA was the prelude to his industry breakthrough. Having collaborated with icons like John Legend and Jane's Addiction and receiving a Latin Grammy nomination, Beto’s star is undoubtedly rising. His newest creation, "I'm Taking Over," is an auditory anthem, blending classic rock and country music elements into a harmonious fusion. Beto’s intriguing and distinctive voice melds seamlessly with the raw instruments that propel the song forward. The lyrics speak to a universal theme - stepping up and taking control when circumstances call for it. The guitar leads the charge in this musical narrative, culminating in a fiery solo that sets the song ablaze. Beto’s mastery lies in his ability to freeze unique moments in time, crafting them into aural masterpieces for the world to relish. This was seen in his debut album, Hellas, and will be showcased in his upcoming English album. Beto’s knack for production is evident in each track, crafting a modern, authentic sound that is unmistakably his. Beyond his personal artistry, Beto is a champion of collaboration and a beacon for emerging talents. His contributions to The Record House and BV Music Productions have amplified the voices of a new generation of musicians. He’s driving a musical revolution in Los Angeles, blending Latin beats with rock n' roll, pop, and a contemporary American sound. With a deep commitment to mentoring new talent and sharing his love for music, Beto’s influence reaches far beyond the recording studio. Beto's journey with The Recording Academy, the Association of Music Producers, and Berklee College of Music are some shining examples of his dedication to helping build the music industry's future. "I'm Taking Over" echoes Beto's conviction that music is a transformative force. It’s an anthem for empowerment, a call to action to seize control and make a difference. Each note, each guitar strum, is a reminder of the power of music to inspire change. Press play on this one today available on all platforms. Welcome to BuzzMusic Beto Vargas! Congrats on taking over with your latest single, "I'm Taking Over," a vibrant fusion of rock and country vibes, which is quite the unique combination. What inspired you to blend these two genres together for this particular song? Thank you for having me back! I’ve always been very inspired by these two genres. Funny enough, the countryside of things was never my intention. But ever since I started writing this new album, I have listened to several influences with some country elements. So naturally, my music started leaning a bit toward that as well. And once I realized this blend was happening, I began exploring the two genres, sounds, and tendencies and having fun with them. I listened to many James Bay at the time, which blends these two genres beautifully. This song is inspired a lot by his first and second albums, as well as artists like Rag n Bone, One Republic and Train, who also have these blends. You've got a fiery guitar solo toward the end of "I'm Taking Over." Can you share the creative process behind this decision and how you feel it contributes to the song's overall message? I have been a guitar player my whole life, and my music has always been very guitar-driven. I also feel that guitar solos were lost in the Pop scene for a while, but we are strongly bringing them back. But the truth is, the song asked for it. I tried to listen to what the song and production needed, and this song was yearning for a guitar solo. How could I say no?! The lyrics of "I'm Taking Over" revolve around grabbing the bull by the horns. Could you elaborate on personal experiences or moments that inspired these powerful lyrics? Many of us have been in that relationship where you know it is not “good for you.” Where you know the other person is playing coy, teasing you, messing with your emotions, but you still can’t help it; because, in a way, you like it. This song talks about wanting to flip the situation around and grab the bull by its horns. About that point in the game where you realize you are being played with, and you’ve just had enough. I recall one specific relationship where I felt this woman was the mastermind behind knowing how much and little to give to keep me on the verge of madness and desire. She knew where all the buttons were and in what sequence they would cause the most despair and craving. So when I wrote this song, I thought about that moment, and the words just poured out. Not in a vengeful way, because a long time had passed so I could see things with a different perspective, but in an almost admirable way and how I could get even! I’m sure many of you will relate. Your voice has an intriguing quality in "I'm Taking Over," enhancing the raw beat of the song. How did you approach the vocal element to ensure it complemented the overall sound and mood of the song? From the writing stage of this song, I knew it had to have a punch-in-the-face groove and production. It is a statement. So vocally, it had to sell this. We pushed my vocal range's limits and ensured the chorus had all the energy possible. The chorus starts with the words, “I got both feet on the floor. It’s about time you let me take control”. As to say, “I’m putting my foot down.” So, when we recorded vocals and filled my lungs with confidence and sang my heart out. Funny enough, the chorus continues to say, “I Hope it’s alright with you,” which is funny because it is simultaneously asking for permission. As we look towards the future, can you hint at how "I'm Taking Over" might influence or align with the direction you envision for your upcoming projects? It’s hard to say, as I always expand on my sound and try new inspirations. But I will say that this song has inspired a bolder Beto, a more confident Beto. I’m trying to expand on the writing and the stories I discuss. Lyrically I love the way we were playful with words and associations. Also, performing this song is incredibly fun as I can rock out much harder than with other songs, and I want more of that! So you can expect what comes next to be something to enjoy in life! Instagram Facebook

In the idyllic dream space of Hawaii, where the air itself seems to hum with the rhythm of life, a pair of musicians have become masters of their craft. Jordan and Erika, who make up the Pop Duo HOFFEY, create an intoxicating blend of melody and rhythm that feels as natural and refreshing as a tropical breeze. They first met while studying songwriting and music composition in Australia, a meeting that would not only lead to a thrilling musical collaboration but also an enduring love story. After years of evolving their sound and exploring their mutual passion for music, they took a brief hiatus in 2021 to rediscover their creative essence. Now, they're back, and their latest offering is truly special. In a testament to the global nature of music, HOFFEY teamed up with their long-time internet friend, Kelland, from Vancouver, Canada, to create their latest song, "Sick in Love." This unique collaboration began in a Hollywood studio and continued on the sun-drenched beaches of Oahu as Kelland, seeking a much-deserved vacation, joined HOFFEY in their Hawaiian paradise. The resulting synergy of these diverse musical backgrounds and the infusion of the tropical environment produced a song that stands out in the pop and electronic genre. "Sick in Love" is a pulsating dance anthem that immediately captivates with a retro riser synth, a clever nod to the sounds of yesteryears. Jordan's silky smooth vocals drift in, creating an atmospheric soundscape that pulls the listener into the world of HOFFEY. Erika's voice, combined with the evocative lyrics, "I've been feeling under the weather, there's no better for me, I've been waiting up for your text, some would say I'm obsessed," capture the heart-tugging ambiguity of love that's equally exhilarating and exhausting. The skipping drum line is a literal rhythmic heartbeat that induces an irresistible urge to move, a testament to HOFFEY's talent for creating music that connects to the primal joy of dance. With its bubbly personality, the bass weaves in and out, providing the perfect bounce that complements the dynamic rhythm. The moment the chorus hits after the beat drop feels like an exhilarating plunge down a roller coaster, a thrilling musical journey that mirrors the tumultuous ride of being 'sick in love.' "Sick in Love," with its elements of UK dance, garage, and dance-pop, along with subtle R&B influences, is a vast summer bop that captures the spirit of both HOFFEY and Kelland. This song, crafted by friends who could finally meet and create in person, represents a new era for these artists. Their continued evolution within the electronic genre, infused with the vibrant energy of summer and the tranquillity of the beach, heralds an exciting future for both HOFFEY and Kelland. Get your festival vibe on with this one today, available on all platforms. Welcome to BuzzMusic HOFFEY! Congratulations on your summer smash "Sick in Love"; it's one of our favourites this year! The development of "Sick in Love" started in a studio in LA and finished on the shores of Oahu. How did these distinct environments impact the creative process and, ultimately, the song's end result? Great question! The environment from the travelling to LA, recording in new places, with people we haven’t met in person before, really added a lot of excitement & uncertainty. The excitement of something new is tied with the nervousness of the unknown, with how everything will go. Allot like how love and new relationships are. Once we familiarized ourselves with the direction we are going, we ended up back at home on Oahu, Hawaii, which gave that twist of knowing and certainty; now that we knew what was and what is, allot like when love matures and grows, it and you have the clear understanding with each other and reciprocate one’s feelings for another! This added to the emotion of the opening synth into the rhythm and lyrics, finishing the hook and futuristic sound of the song. "Sick in Love" marks a new era and sound for you while staying true to your roots. Can you expand on what this new era signifies for you as an artist and how "Sick in Love" encapsulates this transition? This new era, well, first let me start by saying at the core of everything, our roots as you put it, we are truly singer-songwriters. We finished our label deal and feel like some music we put out wasn’t us. I think many different hands are in our music and sound with little support; we lost touch with ourselves, our music and our why. We’re independent now, and we can write & release whatever, whenever, with whoever we want. It’s so refreshing, and we’re excited for this new season and era of music. Since then, it’s been an amazing journey back in, and our music feels and sounds more genuine than ever. As the duo who found love organically through fate and music, how does your relationship influence your music creation process, specifically for songs like "Sick in Love?" Our relationship influences our music greatly; we have a very fun & healthy relationship, just like everyone; we have those bad days that don’t have anything to do with our other person but just feeling low or days where we rub each other the wrong way! Which, if we’re writing.. it can add some heat!! It can be a great way to vent on those bad days, and on those days where maybe we argued, we have a rule where we always have to communicate and talk it through, which brings a lot of love and energy to the music before we start writing. For us, when writing, we always seem to be on the same page naturally; maybe we’ll pick up a guitar, find something chords or loop a chord progression that resonates with something our subconscious wants to get out, and from there, we sit humming/singing Melodie’s finding those few lyrical bloodlines that begin to flow the story of the song, when we’re in this zone usually we feed off each others energy and ideas and go back and forth until the song has been created and finished. The dance, pop, and electronic realms are well represented in "Sick in Love." Can you share your thoughts on the role of genre in your music? Do you see yourself exploring other genres in your future works? Yes, we have a lot of energy that we put out in our music; pairing up with our friend Kelland on this song specifically, as he experiments with a lot of different styles and sounds, especially with futuristic electronic pop/dance/EDM allowed creation of this cool garage beat mixed with a house/dance-pop feel of a song. We’d like to explore other sounds and dive more into everything for us and the future. I can’t say there’s a specific direction we want to go. However, we love components of all genres and are excited to show that in more of our music. Given the journey of self-discovery and evolution that led to "Sick in Love," what does this song mean for you personally, and what do you hope listeners take away from it? How do you envision your music and artistry evolving as you look to the future? We hope this song brings fun and good vibes throughout people's day & inspires some to take it up a notch and find that deeper connection with a good person & shying away from shallow relationships. The twist on the lyric “sick in love” is because when you find that infatuation so deep with someone, you feel lovesick, it’s tough to be away for them too long, you think about them throughout your day, it can feel unpleasant yet beautiful. We envision more music, collaborations, and continuing down this new genuine, free-spirited sound. HOFFEY Instagram Kelland Instagram

Basil Panagop, a Canadian lo-fi rapper with an undeniable creative flair, has been making waves in the music scene with his compelling fusion of genres and multifaceted talents. Born to Greek parents in Halifax, Nova Scotia, and having lived in London, Glasgow, and now Berlin, Basil has absorbed many cultural influences shaping his musical style. As a writer, producer, artist, and fashion designer, Basil's artistic prowess knows no bounds. Enter "Plantain," the enchanting new single that precedes BasilPanagop's highly anticipated debut album, 6 AM. This mesmerizing track featuring Feux transports listeners into a dreamy realm of love, effortlessly weaving a poetic and relatable story. Drawing comparisons to the likes of Frank Ocean, Brent Faiyaz, and Brockhampton, "Plantain" is a testament to Basil's ability to create a distinct sonic atmosphere. The song is a metaphorical masterpiece, depicting love as sweet and satisfying as plantains. The music envelops the listener with its heavenly harp, atmospheric synths, and hypnotic drums. Each element of "Plantain" comes together in perfect harmony, creating a rich tapestry of sound that invites you to lose yourself in Basil's world of melodic rap and poignant lyricism. Already boasting over 1.8 million streams and garnering praise from Ladygunn, Eat This Music and Tenement TV, Basil Panagop is quickly becoming a force to be reckoned with. His captivating live performances at international festivals such as Endless Summer, The Great Western, and Future Echoes have left audiences eager for more of his genre-defying sound. With "Plantain" setting the stage for Basil Panagop's forthcoming debut album, 6 AM, anticipation is at an all-time high. As Basil continues to push further into the vibes and music, there's no doubt that his name will continue to rise, enchanting listeners and defying expectations every step of the way. Vibe out to this one today, available on all platforms. Instagram Facebook

Ryan Anthony Reed, a.k.a. RIZZY® SIXX has made a name for himself in the creative world for his versatility and innovation. This American actor, musician, and producer stand out among the rest, carefully crafting a unique blend of alternative rap and pop-punk throughout his tracks. RIZZY® SIXX began creating music in high school, initially inspired by artists such as Tyler, The Creator, Lil Wayne, and Kid Cudi. Adapting and navigating many hardships throughout his life, RIZZY® SIXX has persevered and come out stronger, perfectly demonstrated on his latest album 'RIZZOW (Deluxe).' As noted by RIZZY® SIXX himself, this album is heavily inspired by the artist WILLOW, with multiple references to her and her music throughout the project. Now, let’s dive into RIZZY® SIXX's nostalgic love song, “W I L L O W." This track opens with twinkly guitars and a prominent bass line, followed closely by his hard-hitting pop-punk vocals that effortlessly punch through the track. A driving beat accompanies him, helping propel the song's energy forward. You can’t help but want to get up and dance around to this track while singing along. Despite the track's high energy, RIZZY® SIXX is extremely vulnerable in his lyrics, yearning for the protagonist in the song while exclaiming to them why their love is so strong. We applaud his ability to deliver such an upbeat, well-crafted track while maintaining such vulnerability within his lyrics. RIZZY® SIXX has crafted a beautifully smooth blend of nostalgic and timeless rock and pop-punk with his single “W I L L O W,” and we are living for it. We can’t wait to hear what RIZZY® SIXX brings to the table in the future. Check out “W I L L O W," off RIZZY® SIXX's latest album, 'RIZZOW (Deluxe)' today. Welcome to BuzzMusic, RIZZY® SIXX, and congratulations on your new single, “W I L L O W,” and your album, 'RIZZOW (Deluxe).' How are you hoping that this track connects with audiences? When writing it, did you have an idea of what you hoped they would take away from the song? Thank you so much. I truly appreciate that. I hope audiences can connect with my sheer emotion, to be honest. "W I L L O W" is a love letter. It took me less than three minutes to write. I just wanted to take listeners on a ride. Along with my heartache, on my lonely road to oblivion. While writing "W I L L O W," I wanted listeners to feel a sense of self-love, inspiration, hope, and confidence. "Fly with me," I say to the audience before I'd perform "W I L L O W." This is my absolute favourite song I've ever made. It brings the emotion out of me, and I hope it does the same for listeners. You’ve mentioned that you are heavily inspired by the artist WILLOW. Can you shed more light on your inspiration behind the track “W I L L O W" and how this artist helped to inspire the song and your music in general? Yes, WILLOW is the whole reason I'm doing any of this. Her music inspired me and helped me so much with getting through life. I went to one of her shows last year and got the chance to meet her. One thing led to another, and I felt like I had to dedicate my rock album to her completely. The only rule is that whatever I create consists only of love and positivity. My new album RIZZOW (Deluxe), is a love story about the events that took place after I met WILLOW. The production behind the track fills us with nostalgia and longing. When recording/creating “W I L L O W,” did you know how you wanted the production to pair with your vocals and lyrics? I want listeners to get lost in the music and forget about me. I'm your guardian angel in your subconscious, suggesting where you should go from here. I wanted all the instruments to pop. The heartbeat-like pouncing of the kicks. The electric guitar crying as my vocals imitate the sensational riffs. The drums fade out at the end. Totally "Lipstick" by WILLOW inspired. In the 2nd verse, I adore the echoes and reverb placement. The echoes start before the vocals, giving an emotionally chaotic yet heartfelt listening experience. Did you face any challenges along the way while writing and recording this song or the album as a whole? Well, while writing "W I L L O W" I could only bring myself to write 16 bars for the entire song. With added freestyle, my lyrics were heart-wrenching and straight from my soul. I got so emotional and sad; I had to stop writing. Earlier, I stated, "W I L L O W" is a love letter, hence me singing "L-O-V-E, R-I-Z-Z-Y" towards the end. The hook is the "P.S" of the letter, "I love you 'til I die. Thank you for teaching me to fly. The butterfly effect." I had an absolute blast recording RIZZOW. I will never forget this experience: the passion, the dedication, the fun, the pain. I was very emotional creating this song and album. That was the biggest challenge for me. The music and vocals may sound very upbeat and vibe, but the lyrics are vivid, mystique memoirs of a lost boy in love with his dream woman, who seems just out of his reach. But feels like he should reach out more. What's next for you? RIZZOW will go down in history forever. I will be releasing music videos for the new album over the course of 2022. The "W I L L O W" music video is coming soon. I will be diving deeper into the rock genre. My current musical influences are Deftones, System of a Down, Jaden, and WILLOW. I am currently working on my next album. I'm doing live shows this upcoming Spring. I am collaborating with other artists/bands. I just launched my brand, "ASTRLVisionRLM"—a Revolution dedicated to love, change & positivity. 2022 for lul RIZZY will be a year of innovation, versatility, expression, and shifting gears to the next level. And, of course, love. Hopefully. Instagram Twitter

The LA-based artist returns with an introspective and thought-provoking new release. What do you get when you return to the basics? When you strip away the mundane and the banality of modern life and music? Isaac Watters’ new release, “All I Need,” explores this concept with a mesmerizingly trippy and sonic sound. An anthem for those who feel overstimulated and overwhelmed by the material world, “All I Need” sees Watters continue to build on an impressive body of work and legacy. The music video for “All I Need,” directed by Aaron Eisenberg, completely encapsulates the deeper meaning and purpose of the song. It sees Watters pilgrimage in the California Desert in search of something elusive. It illustrates how we can find joy in the simple things, as Watters is anchored in his journey by something as simple as a cup of coffee. The message of both the song and music video is clear; once we strip away our material urges, happiness is easy to find in the world around us. Over sonic and slightly psychedelic instrumentals, Watters vocals are rhythmic and hypnotic. They sound like an internal monologue, introspective yet powerful and unwavering. As Watters drops lyrics like “I'm still here up on the mountain / been trying for years to come down” and even “This is all I need / A cup of coffee on the mountaintop,” the listener gets the sense that although a profound journey has taken place, Watts has found a path he’s satisfied with. Isaac Watters’ “All I Need” is a captivating anthem for those who reject the materialism pervading modern society in favour of something simpler. Whenever you’re ready, tap in and stream “All I Need,” available now on all major streaming platforms. Welcome to BuzzMusic, Isaac Watters! We loved “All I Need.” Can you take us through your creative process for this song? Where did the inspiration come from? Thanks for listening! I started writing “All I Need” when I was staying at a little cabin out by Joshua Tree, just taking time to sit on top of a mountain in the desert and think. Wasn't too much of a process other than sitting there for a while with a guitar and singing; the chorus came out all at once as part of a long stream of writing. I think the inspiration came partially from the landscape I was in and partially from the vast reaches of outer space. Then I came into the studio with producer and co-writer Matt Linesch, and we reworked and refined it... Then we recorded it with Josh Adams (drums) and Gabe Noel (bass). It really all came together as the version you hear now with that first drum fill. What does music mean to you? That is infinitely easy and impossible to answer at the same time. It’s hard to imagine life without it. When I'm making music, I feel the most present at the moment. If your fans could only take one thing away from your music, what would you want it to be? Rather than taking something, I’d like people to feel that some of their sadness and suffering has been lifted off their backs into the music and carried away from them. What is your favourite musical memory? Some of my favourite artists I've been lucky to see perform are Leonard Cohen, Nick Cave, Bill Callahan and Nas. I love performing live, and the most recent show I've had usually becomes my favourite musical memory. I can't wait to perform these songs again. We are playing with a great band at Club TeeGee on the 22nd. What’s next for Isaac Watters? Can we expect to hear more new music soon? Lots more coming soon... I will release more singles and an album soon, playing more shows and making more music videos. Instagram Facebook