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  • The Vulnerable Sound Of KYTLY Proves She Is “Not The Jealous Type”

    KYTLY has been chasing possibilities since moving from England to Canada at the age of 12. After discovering her love for music and writing songs, one band led to another until she formed The Caraways with ex-Weakerthans bassist and husband John Sutton. The short-lived indie-rock band ultimately split up, but KYTLY dived right into debuting a solo career. The now Hamilton-based vocalist has returned to display her brand of fierceness and fearlessness as she continues demonstrating her willingness to reinvent herself and make hard decisions to find the right path forward. Within the sounds of her edgy and sensual new single, "Not The Jealous Type," we have a bold depiction of KYTLY's unapologetic persona. Her sultry and elusive vocal performance unravels with proceeding anticipation as the record builds in intensity alongside the detailed lyricism KYTLY professes. As we tap into the instrumentation, a simplistic ease slowly burns through each melody as we waver between crunchy guitar riffs and sustaining reverberations that propel this song's lulling mystery and underlying narrative. The rhythmic punch of the drums keeps our fingers and toes tapping as we eagerly await every word KYTLY magnetically performs and draws us into the depths of her heart's findings. "Not The Jealous Type" is a post-breakup anthem that untangles prompts of the lack of control we have over every aspect of life. KYTLY's brilliant lyrics comfort us as she reminds us it's okay not to have that special power and also signs caution to weigh a person's words against their actions carefully and act accordingly. Overall, KYTLY is a wizard setting a sonic tone so bold that we cannot help but latch in for the ride. So if you're looking for a friendly reminder and a song to empower you through the motions of a breakup, KYTLY has you covered with "Not The Jealous Type." Listen to "Not The Jealous Type" on all streaming platforms. Welcome to BuzzMusic, KYTLY! Congratulations on the release of your latest track, "Not The Jealous Type." It's great to hear how you pair this sultry style with vulnerable findings to bring this song to life. Is "Not The Jealous Type" based on a true story? What inspired its creation? Thank you! Yes, this song is based on true events. It’s a personal favorite. A post-breakup song that reminds us that we can’t control everything, and that’s okay. Don’t worry about people who use lines to convince you they’re not ready...even while someone else is in their bed! Do you often find it challenging to tap into such an emotionally raw place when crafting your lyrics? What themes do the majority of your songs convey? Most of my songs on this album cover heartache, new beginnings, and self-discoveries. I don’t find it challenging to tap into these emotions; that part comes naturally, and it is rather vulnerable to share the finished project! We're thrilled to hear you're putting the finishing touches on your new album, which is set to be released later this year. What can you tell us about its vision and the collaborations you embarked on to create it? Yes, thank you! It was such a collaborative and organic album. We took our time. Brian brought in players that suited the style of each song. This was amazing; everyone added sonically a new layer to the song that wasn't there in the demo. There is continuity throughout the album with my style of writing lyrics and vocals, yet each song’s tonality is very unique. Who are you as an artist and as an individual? Do you find these two worlds collide or stay separate? I’m lucky enough to say that I've always worked in the arts. As hard as contractual employment is, I've kept myself employed through the last two decades as a creative. I found my place with the misfits in TV and film, and I've been able to produce, write, research, play, and showcase my projects as an artist over the years. Being a mother and an artist does have its challenges. It hasn't been easy, but the most rewarding of all my creations. What advice do you have for your audience struggling with letting go of the control you speak of in "Not The Jealous Type?" My advice is to do yoga!! Try to acknowledge and not react. It’s your story; it’s their story, and there will be many more opportunities to fall in love. Genuinely. Instagram

  • Transport Your Energy to the 80s With Franck Choppin’s Newly Released Single

    Franck Choppin emanates the 80s as he takes us through a nostalgic kaleidoscope. Originally from the South West of France, Franck Choppin is an Electronic music producer with a wide range of 80s influences, from pop and synth-pop to Italo disco. He composed his first instrumental track at 16 using a Roland D-20 digital synthesizer. His musical style also extends to Deep house and Nu-disco, which he considers the legacy of 80s electronic pop music. The song "Start Believing," produced in 2021, is an excellent example of the combination of vintage sounds and more modern rhythms. Now taking our attention to his most recent release, "Love Of Yesterday," Franck Choppin emanates the 80s as he takes us through a nostalgic kaleidoscope set to an energetic yet dark atmosphere. The rush that sizzles through our speakers as we take in the musical texture of analog synths and robust percussion leaps through the undeniable rhythms present. It's much like travelling back in time and getting a modern dose of the era through the electronic elements emanating a captivating foundation. As effervescence bursts through the seams, we have the elusive croons of the lead female vocals spearheading each lyrical motif magnetically. Ambushed by mystery and promiscuity, it brings ease and intrigue to the upbeat instrumentation and allows the world of Franck Choppin to thrive in an opulent setting. As this record progresses in intensity, no stone goes unturned as Franck Choppin's detailed production ear builds upon synth scales and enthralling pads. Deep within the nature of "Love Of Yesterday," a warmth glistens in the vulnerability conveyed through words like, "Don't wanna be reminded of the pain and the love of yesterday." Incorporating danceability with the worlds he engages as he stays true to his signature sound, "Love Of Yesterday," will transport you to the bright lights and bass-heavy dominance of nightclubs back in the day. Welcome to BuzzMusic, Franck Choppin! Everything about "Love Of Yesterday" immerses us in your skillset as a musician. What's the story behind the creation of this song? Thanks! The song "Love of Yesterday" continues in my previous productions. It confirms my desire to make songs faithful to the sounds and music production techniques of the 80s. Playing with the famous vintage synthesizers and drum machines of the time allows access to this recognizable sound color. Known for your tried and true approaches to your music, you sometimes love to step outside the box. Can you let us into how you approached the creation of "Love Of Yesterday?” I grew up to the sound of the 80s, to the rhythm of the successes of Depeche Mode, New Order, Pet Shop Boys, and the German singer Sandra. The song "Love of Yesterday" features many references to these artists. It's voluntary, and I don't hide it! Moreover, some listeners have already spotted specific elements in the song that can be found in the hits of the time. We can consider this song as a tribute to the artists mentioned above! We adore the female vocals that cascade upon each rhythm instilled. Please highlight who you worked with to achieve this sound and how this collaboration formed. A talented but very discreet singer interprets the female vocals! I spotted her by listening to her performances on the Internet. She works a lot with renowned artists from the Trance music scene. But she contractually wants her name not to be mentioned. So I respect her choice. What message do you hope your audience can take away from this song? Did it teach you anything while creating it? I have received much positive feedback about this song since it was uploaded. The YouTube video is off to a good start! Some listeners ask me questions about the production, and it's always a pleasure to try to answer them. Others offer positive and encouraging reviews that will be useful to me in the future. Thanks to them! What's next for you? I have many projects in mind. There are a few tracks that should keep me busy for this year! Maybe a Synthwave project and a Nu-disco one. I will be sharing this over the next few months. Stay tuned! Instagram Facebook

  • Plunge Into Heartbreak With Juliette Irons’ “Skydive”

    Luminary LA singer-songwriter, multi-instrumentalist, producer, and dancer Juliette Irons has always had a deep love for singing. Originally from Toronto, Canada, she moved to LA at 18 to pursue a career in dance and music. In high school, she began to doubt herself, yet these uncertainties brought her to the passions we see and hear her profess today. Today, deeply metaphorical lyrical messages remain a constant in the cutting wit of JulietteIrons' music, and this is especially true with her latest single, "Skydive." JulietteIrons states, "Skydive was inspired by the confusion that comes from whirlwind heartbreak. I had just come out of a brief rollercoaster situation-ship that ended abruptly without much explanation. I felt like I had been thrown from a moving plane, woke up on the ground, and I was the only one who jumped." With this punch-drunk pop-punk anthem being the voice for all heartbroken individuals out there, "Skydive" tours various glimmers of genres as the inspiration for this unique record leaves no sound untouched. Commencing the record with a lulling sound that isolates Juliette Irons' sweet yet sassy timbres with simplistic guitar riffs, this track builds upon this thought-provoking essence as we start by being fixated on her hard-hitting lyrical motifs. Drenched in truth, she approaches the verses with a hip-hop-Esque approach as the words she sings are spoken and backed by the cold hard honesty of a broken heart. As the prominent percussion rushes into the speakers, the dark nuances cast a shadow that is felt more than heard. Embodying the upbeat trademarks of pop and the amplified angst of rock, "Skydive" is a perfectly blended concoction worth taking in a double dose. Intensely rummaging into the image bank within our minds, Juliette Irons' luscious timbres paint a detailed picture of the treacherous breakup that brought this creation to life. Through every harmonic cascade to pour into the speaker, we admire the vulnerability and shared empowered optimism that Juliette Irons submerges her audience in. Listen to "Skydive" today on all major streaming platforms. Welcome to BuzzMusic, JulietteIrons! Congratulations on the release of your latest single, "Skydive." We admire how vulnerable you are throughout this record. Was it easy for you to tap into this head and heart space to bring this song to life? Thank you! I don’t feel that it was easy. I was very heartbroken and confused at the time, and it took a lot of processing to get to the point where I could put my feelings into words. The song was a form of therapy for me, though, and still is now. Are you always this vulnerable in your songs? What do you aim to make your audience feel when listening to your music? Yes. Being vulnerable and telling the story exactly as it is, is the best way to connect to other people. I want to help my audience feel that they aren’t alone, that someone else Is going through something similar because that’s what gets me through when I hear another artist’s song that I connect to on a deep level. The music video for "Skydive" is the first installation of a two-part story, ending when your single and music video for "The Fear of Flying" premieres. So what can you tell us about how the two feed off one another and what you have in store? The Fear of Flying is everywhere now as of January 17th. Skydive was the angry, angst-filled first part of the story - when you are confused and filled with chaotic emotions about what’s happened. The Fear of Flying was written almost a year later; it’s what I think happens when you are forced to move on finally. I wrote it after I had realized that I needed to accept and let go of what I hoped would come back to me. Together, the two parts form one whole story of heartbreak that I hope listeners can relate to and feel empowered by in their own way. You have created your unique sound from various genres; what musical and non-musical inspirations speak into your music? Musical inspirations are all over the map, as I love many different genres. My biggest inspirations are Halsey, Dermot Kennedy, Justin Bieber, Taylor Swift, Bon Iver, K. Flay, Machine Gun Kelly, and so many more. Non-musical inspirations for songwriting are my experiences with pain, heartbreak, loss, and mental health struggles. What's next for you? I have three more singles on the way, and planning to release my debut album in the fall of 2023! Instagram Facebook

  • The Kitchen Is Hot As Jack Dawkins Show Us Who He’s “Becoming”

    Jack Dawkins hails from Boulder, Colorado, and with his love for stories, he aims to utilize them in any way he can. Whether telling them, writing them, shaping them, or crafting them, Jack gets energized by helping others examine and rewrite their narratives as he taps into his artistry and respective craft. Fully showcasing his musical ability and versatility as he returns with his new, hard-hitting single "Becoming," this record is a true collaboration between himself and production wizard Senz. Combining their perspectives to fuel a soundscape rich in electronic and bass music but also with a hip-hop twist, "Becoming" is an atmospheric record serving this myriad of sounds. The weight of the bass is felt in our chest as soon as we click play on "Becoming." The eclectic nature of the instrumentation powerfully fuses a slow tempo with the bulk of the percussion and dreamy synths. On a vivacious and cognizant tone instilled into this track, Jack Dawkins comes into play with hefty bars and an elite message showcasing his lyricist techniques. You hear the passion ooze from every slick one-liner he graciously offers up, and he sets them up so that we anticipate what's to come and get to take our time digesting the aftermath. Emotionally connected to the words he reiterates, there's another dimension we can't get enough of. That's the texture within the distortion that kicks in just as we thought the tone was set. With "Becoming," Jack Dawkins opens the door to emerging artists to incorporate their own spins on the song. Welcome to BuzzMusic, Jack Dawkins, and congratulations on releasing your latest single, "Becoming." This collaboration between you and Senz has been one that we've thoroughly enjoyed taking in. What was it like blending your sounds to form a new sub-genre? How did this collaboration come to be? Thank you so much for welcoming me to share my story! The whole process was organic, honestly. Senz has a much deeper background in Bass music than in Hip-Hop, so this soundscape was already familiar territory for him. When it came to writing the lyrics, I connected to the emotions I felt when he played the instrumental. The track definitely has darkness, but I'm not a dark person, so I internalized the darkness as a brooding type of confidence - a bubbling, burning desire to pursue my life. From there, the song mostly wrote itself in one sitting. Let's talk a bit about your musical inspiration growing up. Growing up in New York, a boom-bap sound can be heard in how you approach your craft. What musical and non-musical inspirations have helped you shape your sound? Musically, I grew up in the 90s with many legendary MCs on the radio - B.I.G., Jay-Z, and Craig Mack. A Tribe Called Quest. It was like a soundtrack for going to school and driving. I find myself drawn toward their emphasis on lyricism, on production that makes space for the vocal, and for some of that gritty quality. What I consider my 'pocket' aligns with all of these qualities. Non-musically, I think I'm most influenced by spending a long time as an athlete. I've had a soundtrack to workouts for the past 20 years, which I note because I feel attuned to how music makes me feel in my body, what brings me up, what brings me down, and what pushes me past my comfort zone. When I'm writing, I'm leaning on the former - I'm listening for the soundscape and writing to make an impact. But when I'm doing a car test or listening to my music 'out in the wild,' I focus way more on what I'm feeling when I hear my songs played back to me. I get that from being a gymrat. Who are your Top 5 rappers, dead or alive? Please share any insight you'd like to as well. In no particular order: Kota the Friend - I connect to Kota because the subject matter of his music resonates so deeply with me, but I also love how he has approached his career. He seems so driven by his natural inclinations and impulses rather than trying to follow a rubric or game plan. I think, by his admission, he would say that he could have been way more famous if he had made his choices differently, but instead, he prioritizes his joy and connection to his family. I think that's beautiful. My favorite tracks are Pomegranate, Colorado, BQE, Hollywood, Empty Cup Tobe Nwigwe - I've never seen someone who seems so alive when performing, so connected to doing what he was put on earth to do. And I could see ditto a lot of what I said about Kota. I deeply admire that he approached his career based on his values. What it may have cost him in fame has provided tenfold a loyal following who believes in him so deeply. My favorite tracks are Millions, Juice, Tabernacle, Father Figure, Purple Rain Thing Chance the Rapper - Blessings, his spoken word piece, is my favorite song. When I'm writing or freestyling, I think of it as taking my brain for a walk - letting my thoughts weave and wind where they will as I move along. There's an incredible freedom to it that I find both so satisfying and brings me to really interesting places where I'm not trying to control everything. Chance has been an enormous inspiration for creating in that way - I want my punchlines to hit the way that his do. Favorite Tracks: Blessings, Wraith, One More Cry, 65th and Ingleside, Child of God Black Thought - He does everything so, so, so, so well. His freestyles have more polish than most writtens. His breath control and intonation are always pitch-perfect. He has so much dynamic in how he can perform as the leading man or as a part of a collective with the Roots. I admire him. When I let myself dissolve into delusions of grandeur, I think about what it would feel like to have his co-sign. Favorite Tracks: Belize, Aquamarine, Conception, State Prisoner Yasiin Bey - Black Star is my holy grail album. Talib Kweli also deserves his flowers, but Yasiin Bey has an energetic vibration that I don't get from anyone else. The ease in his delivery combined with lyrics that are so creative and powerful. I think that's it more than anything. His ability to deliver thoughtful, penetrating messages in a soundscape that is so wonderful to listen to is crazy. Something else I aspire to. Favorite Tracks: Respiration, Mathematics, True Magic, Sensei on the Block Through the weight of your powerful words, what message do you hope your audience can take away from this song? The whole song is presented in the first person, and I hope that people wear the words like a new set of clothing, a newfound confidence that they can do anything. So much of my inspiration is believing that ANYONE can do what they truly desire, and I include myself in that category. But Becoming isn't about me becoming a rapper or an artist; it's about the spirit required to pursue any crazy vision. I hope it inspires someone to take a risk, to take their shot at something that doesn't make sense on paper but feels so deeply compelling in their soul. What are you looking forward to in 2023? The word that comes to mind is more—making more music—playing more shows—connecting with more fans. The cliché of "love the process" has never been more overused, but it has never felt more authentic. I want to keep doing what I'm doing and building what I'm building. Candidly, I'm not super worried about where this takes me. If it's this fun to be in the practice of pursuing this art, I can't end up anywhere bad. Instagram TikTok

  • Chechi Sarai's Tears Are Masked In “December Rain”

    Chechi Sarai is a singer, songwriter, and producer whose accolades outnumber her time in the music industry. A Michigan native born to Nigerian immigrants, Chechi's influences are an eclectic mix of several cultures. Equally, at home, working in Afrobeats, R&B, and Soft Rock music, her versatility as a performer and composer is unmatched amongst her peers. "December Rain" is the latest poignant single to grace Chechi Sarai's burgeoning music catalog. With a magical piano composition being the therapeutic foundation upon which to lay her velvety croons, this record sits on a spectrum of daring and courageous themes conquering vulnerability at its finest moments. As soon as we press play on "December Rain," a myriad of emotions come flooding in. You hear Chechi Sarai perform with tenacity as she braves her heart's inner monologue and brings forth poetic and relatable wording. A unique vocalist, we admire how her inflection embraces the course of this song. She brings forth more power to her articulation and control of her vocal runs as the song progresses and introduces angelic harmonies as it tapers toward the end. Chechi Sarai is a magician in painting vivid imagery through the canvas of her lyricism, and as we hear the recurring words, "And it rained, and it rained, and it snowed," we can't help but be transported to this destination. A rising artist with many accomplishments in her career thus far, Chechi Sarai is a multifaceted emerging artist to be on the lookout for. Listen to "December Rain" on all streaming platforms today. Welcome to BuzzMusic, Chechi Sarai! We adore the emotion your showcase in your latest single, "December Rain." With such powerful lyrics, please let us in on the story of the song Thank you! I wrote December Rain when I realized that I may not have truly experienced love yet. This song was a message for anyone who wanted to date me at the time. It was a warning. I was happy and just wanted to be honest. The song came out so serious. You convey brilliance and power as we take in each note sung. What was the vibe like in the studio when bringing this song to life? How did you know when it was complete? When I recorded "December Rain," I was so excited to get the idea out of my head. The session was quick and effortless. I recorded and produced the entire song in my bedroom. The intent for my first recording was to do a good reference and have the song reproduced later. My manager and a few of my good friends insisted the record was amazing and raw with just me on it, so I went ahead and released it! You have such a beautiful voice and immense talent, and this has brought you opportunities like singing live backgrounds for Kanye West, Lucky Daye, Deborah Cox, and more. What can you tell us about these experiences and how these moments helped you in your music career? I have been truly blessed to sing behind legendary acts. I learned so much about the flow of a live show, discipline, and more. Most importantly, my singing background provided me with opportunities to grow vocally. I was either mastering a skill I already had or learning a new one with each performance. Compared to other songs in your music catalog, how does "December Rain" compare? December Rain is the first ballad I wrote, recorded, produced, and mixed. This record is not from the perspective of being in love. All of my other releases were from an "I have or had love" point of view. I was sharing a new emotion I was experiencing in real-time. I'm enjoying being single and the new concepts that come to mind! What's next for you? I have entered a new season of confidently walking into my life as an artist/producer. I love music and will have more to share very soon! Instagram Facebook

  • Ninebay Jakub Has Gone Through The Motions But He “Found Love”

    Coming out hot, the promised child of Dayton Ninebay Jakub fuels hard-won homespun rhymes. This Ohio rapper draws inspiration from fellow Midwesterner Kanye West, with nods to Jack Harlow and Mac Miller. After a tragic fall shattered his wrists and ended a promising football career, the lifetime fighter picked up his pen and pivoted to the cipher. Releasing an anthem for lovers of all kinds, "Found Love" is the latest record to grace Ninebay Jakub's repertoire. This track's heartfelt and loving nature fuels a lulling ambiance that sets fire to never having a love quite like the one he describes. Through a fixed jungle-Esque setting that Ninebay Jakub uses as his raw canvas to profess pure emotion, we see him passionately displaying his aura with slick lyricism as he takes on an animated performance. Although the composition falls over dark instrumentation that's riddled with hazy samples, Ninebay Jakub shows that there can't be light without the dark. As he bigs up the apple of his eye, he changes how his darker days have come over him. The special effects emanated in the post-production has our attention focused on the screen and adds further depth to the powerful display of sentiment. The quick-cut scenes sculpt an intriguing dynamic, and although Ninebay Jakub stays in one place, you're drawn in at every given moment. Embracing its essence as an elusive track to get you in your mind and heart, "Found Love" is the perfect song to steer you into your lover's arms. Welcome to BuzzMusic, Ninebay Jakub! Congratulations on releasing your latest song and video for "Found Love." We admire how you approach this song with such an open heart and confidence. Please share what inspired this record. Thank you for having me! The inspiration for my song “Found Love” comes from my life experiences. I’m very well-versed in relationships (good and bad), but going into my latest relationship, it feels to me what I think love should feel like. And that is what inspired me to write “Found Love.” In terms of the music video, what was it like on set, creating from such a place of passion? We love the ambiance you make in a very; your heart is a jungle metaphor. Mogul always makes the set a good atmosphere. The whole area which we recorded was beautiful. And with it being sundown at the time of the shoot, it helped kind of feed into my passion for love. Everything seemed like we were in the right place at the right time. How has the Florida music scene helped you shape your sound as an artist? Have you found any differences since making a move down there? I don’t know if the Florida music scene has helped shape who I am as an artist. The music scene here in Florida is very helpful and welcoming. I’m blessed to have come across the people who I have met and who have helped me out along the way, but, who I am as an artist goes back to my roots in Ohio, and my sound, I feel, comes from that midwestern background I have. What advice do you have for your audience stuck in the hurt love can bring? Love is a lot like life. It has its ups and downs. To anyone stuck in that hurt that you mention... keep your head up as best you can. Focus on loving yourself. You can’t expect someone else to love you if you don’t love yourself. So, that’s what I would tell someone; love yourself, and eventually, that person who is meant for you will come along. We are thrilled to hear you'll release your first full-length project this year! What can you tell us about this forthcoming masterpiece? Yeah! Ninebay, the album, will be dropping later this year, and I can tell you that it’s a lot about love. There are songs about the highs of love and songs about the lows of love. And when I say "love," I don’t JUST mean boyfriend-girlfriend love... yes, there’s that too, but it also means the love you have for your friends and family. It’s not your traditional hip-hop album. I would say it’s more like an alternative pop/ hip-hop album. It has a grungy pop and hip-hop sound, and I’m excited to get it out to the world! Instagram Facebook

  • Get Comfy And Daring With Jasmine Crowe And “The Shirt Song”

    Part of the secret to Jasmine Crowe's success has been her consistency. From the beginning of her career, she's been refining her sound, image, and visual approach. Whether she's extending musical ideas throughout a full-length album or crafting single songs, Jasmine Crowe has a familiarity to her that you can't ignore. "The Shirt Song" is the latest sonic masterpiece to headline Jasmine Crowe's music catalog. This record welcomes us with open arms and cements its acoustic pop nature in such a memorable manner as it dazzles us in warmth and playfulness. Jasmine Crowe is no stranger to performing with a flirtatious nuance that leaves us all awestruck by her captivating persona and, more importantly, her striking timbres. Collaborating with her teammate, video director Jeremy Eichenbaum, to bring forth her latest visual component for this adoring bop, the two excel at capturing Jasmine Crowe's gaiety, mischievousness, and sex appeal through a series of bubbly scenes that place the oversized boyfriend's shirt on the pedestal it deserves. Everything about this music video is comfy, wholesome, and risky. This precious open letter to her lover sings everything we want to say out loud. As Jasmine Crowe tours her partner's household and basks in every memory of him, she has his beloved blue flannel shirt on, which she now claims as her own. Truly taking in the moment and maybe even getting lost in it, she even recreates the scene from Tom Cruise's notorious Risky Business and has us all giggling on the other side of the screen before Jasmine Crowe breaks out into a golden violin solo as she accompanies the whimsical background vocals and rhythmic tempo. We've discovered that this visit may be secretive, and we're here with popcorn, waiting to see how it unfolds. Will she be caught in the act? You'll have to watch for yourself to see how it ends, but know this: you must check out "The Shirt Song" in all its glory. Welcome to BuzzMusic, Jasmine Crowe! We adore everything about your latest sonic and visual components for "The Shirt Song." The concept is so unique and has our eyes glued to the screen. What inspired such a fun music video concept? “The Shirt Song” is about the feeling you get when you borrow your babe’s shirt or jacket - maybe they put it on you one day when you’re chilly on a date, and it makes you feel all warm and fuzzy inside or they leave it at your house, and when you put it on, and it makes you think of them when they aren’t physically there with you. “The Shirt” represents a little souvenir from your relationship. My director Jeremy Eichenbaum has worked with me on most of my music videos - we’ve done eight together so far, and we’ve become really good friends over the years. I love it when you can find someone to work with who becomes an integral part of your team and vision, and you can have fun creating together. For “The Shirt Song,” I had a straightforward performance concept at first, but during planning, Jeremy wanted to add a storyline to it, and the more we brainstormed, the more funny ideas we came up with. Our crew was tight for this music video - it was just Jeremy, Boaz Aquino as camera/director’s assistant, my hair and makeup team Ashley Joy Beck and Rene Cortez, Wolfgang, my dog, and my friend from Hawaii, and my High School drama class Robert Lindbergh who played “the shirt guy.” Jeremy and Boaz had the idea of foreshadowing with the polaroid and creating a twist at the end. I thought it’d be cute to have my puppy in some of the shots, but Wolfgang became an actual character in the video, and he stole the show! This is one of my favorite videos we’ve all made together. We would love for you to share a glimpse into what it was like on set when creating the music video. How long did it take you to film this? Are there any memorable moments you care to share? We shot it all in one day; I think it took about 6-8 hours altogether, starting early in the day into the evening, to get the last shots. Every time you’re on set, it's always a race against the clock, which can be stressful - but this time, I feel like we timed everything nicely, and it was super fun, a pretty chill shoot overall. Kudos to Jeremy, who had to shoot everything with a cast on his arm at the time! Some memorable moments involved my Maltipoo Wolfgang! Ever since he was a little puppy, he’s been my little studio dog and companion while I create music. I brought him on set that day to add some cute shots that would feel homey having a dog around in the house. During the shoot, the more I instructed him, the more he followed directions like a little dog actor. He’s a natural in front of the camera! We decided as the day progressed to make him a little accomplice throughout the video leading up to the twist at the end. What do you love the most about creating music videos? I love every part of creating and expressing myself through music - so making music videos is one of my favorite things about being an artist! You get to bring the story to life visually to go with the songs using another medium and art form - including acting, which I’ve always loved doing since I grew up around musical theater. I also love the styling and different looks we can create for the characters! It’s so fun being on set working with a team you vibe with! How does the essence of "The Shirt Song" compare to other songs you've previously released? Do you feel most comfortable creating music of this style? I feel like I cover a lot of different genres in my music with the different songs I write. “The Shirt Song” has a more acoustic pop, singer-songwriter, almost country vibe to it. Some of my other songs are more electronic, dance-pop / funk, and even rock oriented. This song feels a bit more intimate and goes back to my early folk-pop songwriting influences like ‘Jewel.’ I can definitely say working with different co-writers as well; there’s a certain style you notice that comes up working with certain people. Writing every song is like feeling and catching a living, breathing vibe. I even have a few more unreleased songs in this vein. We're excited to hear that "Lovesick" will drop later this year! What can you tell us about this forthcoming release? I’m so excited to be releasing more music this year! I always say, ‘songs are the symptoms of my life’ and ‘music is therapy.’ My first album ‘Symptoms’ was about some of the mental health struggles I went through after an abusive experience and the coping mechanisms I developed in the aftermath. Keeping with the theme, I’ve been planning this sophomore release for a while, always knowing I wanted to title it ‘Lovesick’ after ‘Symptoms’ - only this time, the topic is more around love and relationships, how they bring out different parts of you and deeper realizations about yourself with the ultimate one being that all you need you to have inside of you - your self is complete and whole. A lot of the singles I’ve been releasing over the past couple of years during and post-Covid now have been leading up to what will be on the album - and I also have an unreleased song called ‘Lovesick’ which will be the opening track. This is just the tip of the iceberg cause I already have two more albums worth of songs and album concepts planned following up ‘Lovesick,’ so get ready! Instagram Facebook

  • Ramone Hamilton Is Vulnerable As He Shows That A Love’s End Can Leave You “Antisocial”

    16-year-old Ramone Hamilton is an actor, voice actor, and singer born into a long line of entertainers. Known best for playing the leading voice of George in the Dreamworks Animated series "Captain Underpants," Coop in Disney Jr.'s "The Chicken Squad," AJ in Nickelodeon's "Blaze and The Monster Machines," and Crash Watkins in Ludacris's animated Netflix series "Karma's World." Ramone Hamilton began his career in the footsteps of uncle and jazz icon Chico Hamilton and grandfather and actor Bernie Hamilton, also known as Captain Dobey from the popular 1970s series "Starsky and Hutch." At age 5, Ramone recorded an anti-bullying CD with jazz icon Patti Austin and, by 7, had performed at the Walt Disney Concert Hall with the Inner City Youth Orchestra of Los Angeles. Quite the accolades for someone at that age. Now, teaming up with NYC artist, producer, and music manager Dax Mpire on the launch of the wistful single "Antisocial," these two work side by side to create a heartfelt and melancholic atmosphere professed in the latest release. Ramone Hamilton's supple croons speak words of vulnerability and truth - in a rather poetic manner through the soothing grooves of the musical arrangement. As he sings, "I'm antisocial, I don't know what to do. It's 3:00 AM. I'm wondering if I should call you," there's a whirlwind of our nostalgia that rushes back from moments of weakness in love. Within the sparse guitar chords that emanate warmth and guidance for Hamilton's poignant timbres to glide upon, the simplicity of this arrangement bursts with an elegance that further propels the heartrending nature of "Antisocial." Singing lulling lyrical motifs that tell a story of Ramone Hamilton questioning his current environment due to the fall out of a once adorned relationship has us feeling the familiarity of the emotions conveyed. It's beautiful to see how both Ramone Hamilton and Dax Mpire conjure up this graceful concept which emphasizes the rich narrative present. Hoping to see more from this dynamic duo in the future, "Antisocial" has just what it takes to get us through the night. Welcome to BuzzMusic, Ramone Hamilton, and congratulations on your latest single release, "Antisocial." We love the depth and emotion you portray in this song as you sing from the heart. Was there a particular moment or story responsible for the creation of this song? Yes. I wrote it at the beginning of 2022. And during that time, I was going to school online, so it wasn’t in person like it is now. And while doing school online, I felt a great sense of isolation because I wasn’t in class with any other kids. So through that isolation and a feeling of loneliness, that came out. I feel that’s pretty relatable to many kids my age who are growing up during this pandemic, where there’s a lot of isolation and even death. I think this is affecting people a lot. Bringing forth such an elegant atmosphere with Dax Mpire shows the chemistry between you two. What was it like working together to bring this song to life? How did this collaboration come to be? It was great working with Dax. I’ve always felt great synergy working with him. This was not the first time working with him. We worked together back in 2019 when I was thirteen. We recorded some music that was never released. But this time, we knew we had something special with “Antisocial.” It was a song that I wrote. I came to the studio with it and already had a plan in mind, and he helped to facilitate my vision. Being a multifaceted entertainer such as yourself, you branch out into many creative expressions. What similarities and differences do you find between the world of acting and music? There are a lot of similarities. One is the preparation aspect of it. With acting, I’m big on preparation and my process and doing character studies. It’s the same when I go into the studio to record music. I go in with an idea, and all my songs are already written because I pay for all my studio time. And time is money. You don’t want to be creating on your dime. You want to be creating on your own time. Also, since I’ve spent so much time in the recording booth doing voiceover work, being in the booth feels very natural for me. The story you dive into can be a familiar topic for many listeners. What message would you like them to take away from "Antisocial" that has hopefully helped you along the way? There’s a quote. “Hard times don’t last; tough people do." You might be going through some trials and tribulations. You might be going through a period where you might not have many friends, or school might be weighing you down. You might have some fears about your future. This is an exciting time for a lot of teenagers growing up. It’s special because this is the only time to experience stuff like this, like the pains of growing up. But it’s important to know that there’s always light at the end of the tunnel. Don’t bog yourself down. While these may be some trying times, especially coming off the pandemic — us being a "quarantine generation" — I’d say to try to find things that you enjoy doing and try to make friends. Just start talking to people. Try to become the person that you want to be. What are you most excited about in 2023? I’m most excited about releasing more music, which will come out later this year. I’m excited about writing and creating some more short films that I’ll be releasing on my YouTube channel Ram One Productions. Also, film school. I’m also going to a cinematic summer program at USC. And I have a big animated project that will be coming out soon. I can’t speak about it now, but it’s something big in the pipeline. Instagram Artist Website

  • Robert Abernathy Is On The Hook For His “Big Bass Problem”

    In 1995, as part of a vocal group from his home state of Alabama, Robert Abernathy won the annual Nashville Starbound Competition at the Grand Old Opry House. The future looked promising for the young singer-songwriter—until his band separated later the following year. Then, life took over, but from time to time, he'd dust off the six-string, play his favorite Eagles tunes, write a song or two and then get back to his commitments. When a friend suggested in 2009 he starts gigging around town and get back to what brought him joy, he humbly accepted and garnered attention which took him to play solo shows and attract the accolade of being named the #1 Country Artist by The Bash (formerly Gigmaster) from 2016-2021 and Alabama Male Country Artist of the Year in 2018. At 48 years young, Robert Abernathy is fulfilling his destiny and bringing forth the country bop, "Bigg Bass Problem," to your speakers. Inspired by a text from his son while on a military assignment in the Mojave Desert, this playful and infectious record celebrates a borderline unhealthy obsession with - you guessed it - fishing. Robert Abernathy pokes fun at himself and adds brilliant glimmers of humor to this record and music video. Kicking off with him asking Siri to send his wife a message that he's gone fishing, you know you're in for a feel-good riot of laughter. Directed and produced by Luis Ernesto Gonzalez Hernandez, Robert Abernathy is up to no good in Mark's Outdoor Sports store in Birmingham, Alabama, as he raids the shelves and acts silly busting a move with his friends and team of avid fishermen. Trying their luck on the lake, making some solid b-roll footage, we love how Robert Abernathy tours us through the various spots of his city while emphasizing his fishing problem. So much so that he runs into trouble back at Mark's Outdoor Sports; the police officers that chase him down have better luck catching Robert than he did catching a fish that day. All in the name of fun and bold country anthems, you can't help but smile and sing the words to "Big Bass Problem" out loud. Robert Abernathy provides excellent entertainment, from a pastime to passion to winding up in therapy over his habits. As the video ends, we're met with the words 'To Be Continued' placed over the screen as the visuals fade to black. We'll see how this pans out as Robert Abernathy lures us in for more. Welcome to BuzzMusic, Robert Abernathy! We're thrilled to have you chatting with us about the release of "Big Bass Problem." Let's start from the beginning! How did a text message from your son ultimately create this wave? I get ideas all the time from people. I’m a teacher too, and I have songs in my catalog that were also born from hooks given to me by students. I received a random text message in May 2022 from my son, Alex, who came up with the idea from a conversation while on Military assignment in the Mojave Desert. It simply read, “Big Bass Problems.” I thought it was a great idea, but we were in the middle of planning to move to Nashville, and it got put on the back burner. Later in the year, while searching through my “hook book” I was reminded of this idea, and the song was born. I envisioned a guy who was helplessly drawn to the lake and needed serious therapy. I reached out to my co-writer, Durand Robinson, and we finished the song in no time. The concept for the music video is so witty and hilarious, and it fits right into the scope of this song perfectly. How did this idea come to life? We tossed around so many ideas. Ultimately, we dialed in the idea that the problem was so severe that he needed to be in a 12-step program. He has a one-track mind and is so consumed with ideas of finding the perfect lake, fixing a tangled spool, and catching every fish down at the bottom, that he doesn't have any desire to work a job or answer his phone. Once we had finished writing, we thought it would be great if we could make the entire song a text message to his wife through “Siri.” Being filmed in several destinations, how long did it take you to put this together? What was it like on set and working with everyone to bring this idea to fruition? On a Sunday, we had a crew of dozens of people that took over Mark’s Outdoors in Birmingham, AL. The store was closed, and they were gracious enough to open the doors and let us have free reign inside the store. The entire cast, which consisted of my band, a few officers, and a former student, Riley White, as the therapist, made the store our playground for much of the video. We had a good idea of what we wanted in the video, but someone once said, “what if you got tased trying to leave the store with a trophy bass off the wall.” It was a unanimous YES, LET’S TRY IT, and we got that entire shot in just two takes. The second part of the video was shot on a lake 30 minutes down the road on a boat supplied by Browns Outboard Marine in Glencoe, AL. We had to find a lake that was in close proximity and could accommodate the cast for this video, and for the second one we shot on that day. With over 300 original songs in your untapped catalog, what can you tell us about the coming music? Interestingly, this video is PART 1 of the second video we shot on the lake that day. PART 2 is a song titled “You Can't Have My Boat,” which will be released sometime in late February. The same character's struggle with "Big Bass Problems" leads to serious marital issues. These two songs are in the same vein of humor. I have a whole album completed, and we will follow these songs up with one light-hearted country song after another for the next several months. How long have you worked on this catalog? This entire project has been a year in the making. I have been waiting for the right opportunity to release it. After signing a record deal with Destiny Records, I felt we were already ahead of the game to get these songs out to the public. Most of the songs featured on this album are a stab at a country way of living with a bit of humor. Have you found that relocating yourself and your family has helped you create more efficiently and towards your goals? While living in Birmingham and finishing up a 25-year teaching career, the move was inevitable. I had been driving back and forth to Nashville playing shows on Broadway, joining in on writers' rounds, and attending various songwriting opportunities. We felt like the move was one step closer to making a run at writing songs and performing at a level I had always dreamt of. We have so much more ahead that we are excited for everyone to hear! Instagram Facebook

  • “The Revolution” Is Vocalized By DOVE-i-

    DOVE-i- is a musical collective that desires to collaborate with as many artists as possible. Aiming to expand their sonic landscape as far as it can go - masterminds Thomas Verovski and Bastide Donny bring their signature and unique ideas to the table with DOVE-i-. Blending contemporary genres with cinematic elements, these inimitable sounds can be found in their latest "The Revolution." This bold and hard-hitting record comes when the world needs to hear its message. Serving up a triumphant roar by recruiting the talents of artist Rioux V, the present dynamism addresses the events of the global BLM movement, all while structured upon this victorious musical foundation. Capturing glimmers of classical music and blending it with an urban sound, the essence of rebirth and empowering life stems from the energy DOVE-i- and Rioux V seamlessly profess. As we're fixated on every word powerfully released, we notice how robust and defined this soundscape is as a composition. The warmth of strings and the airy and eclectic nature of the synths reinforces the punchy cadences. Crafted in France during the first lockdown, a resonant depth unfolds through each second of this song. Capturing the united front by those looking to change this world, "The Revolution" is part of a bigger, more inspiring picture. DOVE-i- is actively contributing to a shift that the world needs to cement. Using their signature sound to ignite a revolution, we're fully on board with their message. Welcome to BuzzMusic, DOVE-i-! We're thrilled to have you here chatting about "The Revolution." We love how such bold and exclusive energy is present in this song. It's a collaboration that makes sense. So what has the experience of working with Rioux V been like? We started by composing and producing the instrumental of the song. The epic side of the band and the energy that came out of it immediately directed us towards a hip-hop color, a bit vintage. We wanted to work with an American rapper. After listening to several demos, our choice fell on Rioux-V, who immediately loved the project and its cinematic side. We were in the middle of the George Floyd affair, which shocked opinion well beyond American borders, and it seemed essential to us to talk about this subject. Now, listeners will be pleased to know that there's also an eye-opening music video for "The Revolution." What can you tell us about the filming process and approach implemented with the visuals? We wanted a very cinematographic video that would tell a story without having either the singer or us on screen. We also wanted to integrate dance that was more contemporary than purely hip-hop inspired. We had spotted a young contemporary dance troupe on the French television show France's Got Talent, which fascinated us right away, and they jumped into the adventure with us. With the director Jon Verleysen, we wanted to give a more universal dimension to the song by going beyond the initial Black Lives Matter message. Jon imagined the video "The Revolution" as a resurrection. The video takes place in a post-apocalyptic atmosphere, a land of concrete, deserted and without color. The few survivors wander around in rags, dying out one after the other. From the ashes of this civilization, hope is reborn in the form of a woman. Through a series of choreographed scenes, hope spreads among the survivors. It is a unifying wind, a breath of revolt, harmony, and unity. Since this song was created when our access to resources was fairly limited, what difficulties arose when approaching this project? A good part of the orchestra sessions (20 strings + 3 horns) was recorded just before the first lockdown. This gave us time to edit and produce the instrumental versions. Then we used the website Sound better to get in touch with different performers. How would you like to see your audience get more involved in their communities and actively work towards a better world? We think it is important to find mutual listening and to put human priorities at the heart of our steps. Music is a wonderful vector of emotions that can make us think and allow us to find a certain harmony with ourselves and with others. What's your mission statement as DOVE-i-? As composers of film music (our main profession), we have always been fascinated by the emotion that comes from the combination of image and music. For us, music should never be a simple dressing. It is a key to reading, an underlying dialogue through a melody, the musical costume of a character, or the testimony of a commitment. As an artist, our role is to tell stories, to bear witness, and to transmit an emotion, but above all, without trying to be moralizing. And if this story resonates with someone by bringing pleasure, emotion, and why not reflection, then we have succeeded. Instagram Artist Website

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