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From Jamshedpur, India, the alt-pop artist and singer-songwriter Andi Star releases a brilliant and conceptual sophomore single entitled "Home." Performing around India since she was ten years old led Andi Star to hone in her craft and navigate her true art form. Capturing audiences across Brazil, UAE, USA, and the UK, Andi Star's music career has truly taken off with the release of her heartbreaking orchestral debut, "Beside Me." Now releasing her vibrant electro-pop hit, "Home," Andi Star mentioned that the song offers a positive flair that encourages listeners to break free from their old selves and follow their dreams. What's even more interesting about this piece is the fact that it's the first electronic-pop song released by a solo alternative female artist from India. Diving into "Home," the song takes off with a soothing piano melody that opens the song like a daydream. As Andi Star makes her bright and brilliant vocal appearance, she begins to elaborate on the many people she had to leave behind in order to reach her dreams and desires. As Andi Star continues her passionate performance, she takes us to the glimmering and fiery hook, where we're met with an intense beat drop that shakes our speakers. We love the melodic tones of the synths that pierce our speakers within the hook, as it takes us back to those sweltering festival nights we miss dearly. As Andi Star continues to drench us in confidence and self-love, she closes the song on a bright note of determination and enthusiasm. Allow Andi Star's latest single, "Home," to remind you of self-love and determination. Find "Home" on all digital streaming platforms. Welcome to BuzzMusic Andi Star, and congratulations on the release of your vibrant sophomore single, "Home." What inspired you to write a single about breaking free from negative habits and chasing your dreams? The inspiration for the lyrics came after I got a message from an old acquaintance, trying to reconnect after a while. That person wasn’t really a friend, and not one I can remember was around to support me when I used to perform music. And it happened a few times more, with lots of people who weren’t really supportive of my music suddenly messaging me “What's Up?” out of nowhere. So I wrote the song to kind of let everyone know, that if you want to go far in life, you have to let go of these people who don’t support you, and those who pull you down. As I sing, “And Their gravity always pulled me down, never let me go high”. I’m at the part of my life where I’m so sure of what I want and I want to chase my dreams, and I truly think nothing is impossible. So I definitely don’t need bad vibes around me! Seeing that you initially wrote "Home" as a passionate piano ballad, why did you choose to transform the song into this blazing electro-pop feel? I love playing the piano, and no matter how a song turns out, it usually always starts off as a piano ballad haha! I actually have the voice note of how this song sounded initially, it’s so crazy how it’s turned out to be so upbeat when that version was acoustic and low tempo. I was actually super fascinated by this song called “For You” by Why Don’t We, which has incredible production, with amazing synths and harmonies. I was listening to it 50 times a day, I’m not kidding. So I knew my next song had to be an Electro Pop track that was also vocally beautiful, and that’s how the current version of Home was born. Hopefully, when I meet Why Don’t We one day I’m gonna let them know how they’ve inspired me! Who produced the energetic sonics for "Home?" How did you want the sonic atmosphere to make listeners feel? I worked with three incredible people from around the world on this track. The first producer I worked with is from Algeria, and I actually sent him the vocal melody and he then produced the track. I definitely wanted the Vocal drop to have a low part and then a High part for added effect! He did a fantastic job creating the track that fit my vision. I worked with an awesome producer from the US who did the vocal processing, and lastly, I worked with a producer from Germany who mixed and mastered my song and made it even better than it was! I’m so grateful I got to work with such talented people and also happy to live in these times where you can get so much done online, no matter which part of the world you’re from! Sonically I wanted Coachella vibes, so anybody listening to Home should feel like they’re just vibing, I want them to let go of any negativity and just dance! Especially with the pandemic, I think now more than ever music has united us all and is keeping us happy. How can listeners get to know you better and more personally through your two released singles, "Beside Me" and "Home?" How do these songs introduce us to who you are and the type of music you create? I want everyone to know that I like to experiment and try out new styles. It’s quite evident even right now -- Beside Me is an orchestral ballad about heartbreak, and Home is an Electronic Pop Dance anthem, sonically quite the opposite of Beside Me. Also, ever since I was born, to now, to eternity, I will always love music. And that includes all kinds of music. Growing up, I have been influenced by Hindustani Classical Music, Bollywood, Latin, Reggae, Pop, Electronic, and right now too, I’m constantly listening to Indian Indie, Acoustic, Pop Punk, and Ballads. So when I have been around such incredible music, it’s natural that I too would love to create music in all these incredible genres, taking influence from artists all around the world. What's next for you Andi? AAAAAH! I’m gonna say incredible things! I’m doing what I love doing and although no one knows what's gonna happen tomorrow, I believe we are the creators of our future! So that being said, I definitely see myself touring the world performing for people in different countries, making music with my idols, and living in Hollywood. Yes, the world better be ready for an Indian Pop Star! Instagram Twitter

Hailing from Toronto, Canada, the fiery 4-piece rock band Harm & Ease takes us through a scorching hot listening experience with their latest single, "Cut Me Loose." Comprised of Rylan Whalen on vocals, Danny Lopez on guitar, John Goodblood on bass and guitar, and Alex Hamnett on drums, Harm & Ease is truly leaving their blazing mark on the independent rock scene. After being discovered Gianni Luminati of Multi-Platinum and JUNO Award-winning group Walk Off The Earth, Gianni was left enthralled by the band and hopped on board as their manager. Channeling rock n' roll giants of the 60s and 70s with their latest swinging single, "Cut Me Loose," Harm & Ease offers a modern blues-rock approach that came naturally to the ever-evolving band. When asked about the single, bassist/guitarist John Goodblood said this, "We've all been through relationships in which our significant other treated us in a cold fashion. Whether that was our fault or not can be debated!" Produced and mixed by Juno and SOCAN award-winning producer Tawgs Salter and Tokyo Speirs, "Cut Me Loose" opens with a blazing guitar riff that drops into Harm & Ease's entire ground-breaking instrumental. As we move into the first verse, lead vocalist Rylan Whalen leaves us in awe of his vocal similarities to Ozzy Osbourne that scorches us like a wildfire. As Harm & Ease continues stomping through the song with their blazing instrumentals, we can't help but nod our heads with each swift transition and heavy breakdown. Not to mention the rollicking bassline by John Goodblood merged with the intricate drum breaks by Alex Hamnett and Danny Lopez's enthralling guitar riffs, the track truly blows us out of the water. Douse yourself in the flames of Harm & Ease's latest single, "Cut Me Loose," now available on all digital streaming platforms. Thank you for joining us at BuzzMusic Harm & Ease, we honestly got the chills when listening to your flaming single, "Cut Me Loose." Where did the song's inspiration come from? Was it a collective inspiration, or did one member bring the song's concept to the table? First of all, thanks so much!! I wrote, “Cut Me Loose” earlier this year in our band house. The riff just kind of hit me one day when I picked up the guitar. Then the melody and lyrics came. The whole thing seemed to be very blues-inspired, the sound of it and the lyrical concept of love as a battlefield. Once the rest of the band got their ears and input on it, it turned into this beast of a modern rock song with this universal theme of love gone wrong. I honestly got the chills too when we got the first master sent back. Could you break down how your band divided your instrumental arrangements during your creative process for "Cut Me Loose?” What's your creative chemistry like behind the scenes? Instrumentally, Alex performed a killer drum part with funky ghost notes hits that inspired me to accompany it with the rolling bassline you hear in the verse. Once Danny laid down the rhythm guitars, it started to sound really strong and cohesive. All I really had to do after guitar-wise was just record the intro riff with as much attitude as I could and find something special for the guitar solo. I wanted to portray the emotion of the song in the solo. I hope I got close. Since we moved to Toronto, our recording headquarters have been Cosmo Cat Recording Studio and we arranged and recorded a lot of “Cut Me Loose” out of that room. Danny and Alex are great engineers and have really strong ears when it comes to shooting production ideas around and Rylan’s mind is always going to interesting places lyrically and melodically. There are really no rules, but we know what we like. That’s kind of how I feel about our chemistry. How did producers Tawgs Salter and Tokyo Speirs help sharpen the track and bring it to life? What was it like working with them for "Cut Me Loose?” We had gotten the chance to do a handful of sessions with Tokyo before we did “Cut Me Loose”, and it was always a blast. He knows how to get the best out of the artists he’s recording, and beyond his technical skill as an engineer, his ear goes to all sorts of interesting places, especially when it comes to building vocal harmonies. It was our first time working with Tawgs on the other hand, and he brought his whole unique thing to the sound of the song. I’d never heard a track of ours come back sounding like that after just a few hours of work. It seems like Tawgs heard our band and just got it. It would be amazing to continue to work on music with him. Since being discovered by Gianni Luminati, has your band been able to catch the attention of a broader fanbase? How has he impacted your group since hopping on board as a manager? It seems like Harm & Ease’s audience has always been broadening, and since we signed with Cosmo Cat Records and began working with Gianni, doors have begun to open in Canada. He’s also showed me a lot about becoming a better songwriter, on how to get certain points across lyrically and melodically. Ultimately, I think Gianni’s guidance along with our hard work is turning us into a bigger band, the kind of band we want to be. What is your mission statement as a band? We’re going to make honest Rock & Roll music for today's time together and take it as far as it can possibly go. That’s our mission statement. When Danny and Rylan first started this band, there were forces out there trying to keep them from playing together. It took 5 years in Argentina, getting on stage at 2 in the morning in all its smoke-filled clubs to get back to Canada. These guys are my family, and I’d gladly step out into battle with them. Instagram Artist Website

Hailing from Oakland, California, the members of Calling the Skies grew up in the vibrant and diverse Bay Area music scene. Taking influence from a myriad of genres, Calling the Skies have crafted their own unique sound mixing the aggression of metal, the speed of punk, and hooks that echo pop hits and classic rock. With the release of their debut EP 'Delirium,' the band is eager to embrace their bright and shining future as musical creators. Taking in the boisterous sounds of ‘Delirium,’ tracks like the introductory, “Days Long Gone,” have us hearing weighty synths that play into the speakers as the intensity is amplified with chugging guitar riffs, and a deep sense of urgency. Following suit with the EP’s fourth record “Mortal,” the musical elements that form these tracks have us transported to a mind-altering state that has us peaking our head into a newfound dimension of polished grunge. There’s a brilliance that lies within the formation of musical components, as the amalgamation has us thriving on what Calling the Skies has to offer. From yearning timbres that perform words of passion, the manner in which we’re easily transported from chaotic bliss to laidback anticipation is truly remarkable. “Get Through This,” comes in second on the tracklist, and we’re immediately grooving along to the resonated bassline that resides in this composition. Complemented by the rhythmic essence of the colossal drum patterns, we find that this particular song falls into a deeper state of pop-punk vibrancy with the heavy-hitting elements encompassing a polished finish that has us eager to explore the progressions before us. Although the somber spirit of “Endless Nights,” carries a protruding melancholy, we hear this track follow in the footsteps of “Get Through This.” Dousing us in dynamic instrumentation that makes you want to two-step where you’re standing, the lyrical content performed through the speakers allows us to latch onto the depth that the storytelling holds within itself. As the fervently professed croons emphasize the emotion that’s dispersed throughout this record, “Endless Nights,” has us in the thick of what Calling the Skies stands for all while “In Your Eyes,” has us falling right into the middle of what Calling the Skies conveys as a band. Defying genres, and bringing you the quintessence of eclectic rage, we’re delivered directly into the up-tempo liveliness that has you aligning perseverance and determination. Finishing ‘Delirium,’ off with a thought-provoking rock ballad that invites us into a slower tempo exposed by Calling the Skies, we admire how the outro stands out from the collection of songs in a way that ultimately ties them all together in the end. Welcoming us into the authenticity that remains in the reverberated chambers of final words, this impression of Calling the Skies has us feasting on ingeniousness that is placed into the smoldering vocals riddled with a deep message. Listen to Calling the Skies EP, ‘Delirium,’ on all major streaming platforms today. Welcome to BuzzMusic Calling the Skies. A huge congratulations on the release of ‘Delirium.’ We love how you managed to showcase all flavors of your artistry in the sounds you convey on this project. Do you happen to take a different approach to songwriting when it comes down to genre, or does the process generally remain the same? The songwriting process does vary from song to song, but not necessarily by genre. Sometimes one of us will have a part of a song, such as a riff or a chorus, and then write around that. Some of the best songs come together when we take the best parts individually and bring them together to make one good song. For those about to tune into the body of work, what are the main themes that you cover in this EP’s overall concepts? What inspired the title ‘Delirium?' A major concept and theme throughout ‘Delirium’ is personal growth. A lot of the songs are about looking at the parts of yourself or actions that you’re ashamed of and identifying how you can become a more empathetic person going forward. As for the title, the process of growth is a tiring one, hence ‘Delirium’ as the name. Furthermore, the song that the word comes from “Endless Nights” is inspired by the work of Neil Gaiman, writer of “The Sandman” graphic novel. One of the characters in that work is named Delirium with rainbow hair and the colors of the crow on the album artwork reflect that. Is there a particular song that resonates with each member more than the others? Why? Eric (vocals/guitar): For me, it’s Endless Nights. As I said before it’s inspired by my favorite graphic novel “The Sandman” and it has the most themes that I personally relate to. I think the chorus is fun for a crowd to sing along to with the gang vocals. Anthony (drums): Favorite song is probably Deeper Waters. I think that it's the drum part that I'm the proudest of. I love how it builds on itself, and calls back to itself in the last double chorus. I also like it because I feel like more than the other songs, it gives us a chance to display our musicianship. It also grooves. Chris (guitar): It's Mortal for me. The hard, driving feel brings me back to the thrash metal I grew up on, and the whole song is so much fun to play. The breakdown is one of our most brutal, hitting the very lowest note I can play on my 9-string. It's devastating. Aaron (bass): It’s Get Through This for me. Maybe it’s gauche to pick the one with the bass intro, but of the songs on the EP, it’s the truest to how we sound live, and I find it playing in my head almost as much as Deeper Waters. How long did it take for the creation and release process to happen? How does it feel now that this project is out? The overall process was rather arduous. Production began way back in January 2019. We recorded at a couple of different places with different producers, then because of scheduling conflicts recording wasn’t completed until March 2020, just before the lockdown due to covid-19. We ended up hiring another producer to finish it but then faced more delays. There were many times where we as a band just wanted to give up on the EP and not even release it, but once we finally got it back, released it, and heard the positive feedback, we were feeling pretty proud. Are there any major takeaways from releasing your debut EP? Anything that you would change or like to try for the next time? Centralize our production, and be a lot more deliberate in describing what we’d like the end result to sound like. We’re already about to start production on our follow-up EP to be released this October, and we’re already in talks about the specifics of what we’re looking to get put to record. We’re still trying to nail down a specific sound, so you’ll be hearing plenty of genre-bending material from us going forward. Instagram Facebook

The notable collective MONARCH3 has been making waves with the consecutive single releases to come from each artist. Known to blend their styles and collaborate with one another in the union they have carefully crafted, they are truly putting the scorching vibrations into the summer heat. This time around, the sad, Pop-Rap techniques of Suavesculture have him tagging along with the dynamic duo of Pop-Rap artist Young God Blow and melancholic, Pop-Rap artist DAM3 to deliver the dark, gritty, lyrical phenomenon known as “SLIDE.” Enhancing your speakers with a shadowy instrumentation courtesy of RP MADE IT, the convoluted components that are played upon have the ominous yet buoyant hues of, “SLIDE” introducing you to a cognizant universe of intricately sculpted verses that pulsate through your speakers. What we admire the most about this single has to be the fact that each artist has their own moment to illuminate in a way that engages their audience into the energetic cadences and icy rhyme schemes that form the basis of “SLIDE.” Appealing to the realm of new wave Hip-hop, there’s a remarkably smooth balance of melodic elements that cast a shadow upon what everyone else tends to be doing. Carving out a lane that is specific to what MONARCH3 has to showcase, the effortlessly infectious grooves that come hailing from the 808 filled production, has the delicately unnerving embodiment of this structure is one to remember. Complementing each other’s skills in a way that has Suavesculture approach to the effervescent hook gently easing you into an amplified serving of bars in Young God Blow and DAM3’s verses, the entire world of “SLIDE,” has us grasping the unmatched character of these MONARCH3 artists in an unforgettable way. We always love chatting it up with the artists from MONARCH3, welcome to BuzzMusic, and congratulations on the release of “SLIDE.” Bringing forth a unique sound to this particular record, could you please take us into the meaning of “SLIDE?" I believe the biggest thing that we all wanted from this track was leaving an impression on the masses, letting it be known that when it comes down to it MONARCH3 can get gritty and really spit some hard bars. We’re all confident in our own way and we just let that cockiness shine through. What was it like working with one another to bring the artistic vision to life? Do you remember how this initial concept took flight? The vibes are always amazing, we all work really cohesively so everything comes effortlessly. We were just vibing in the studio, Suave pulled upon us showing all his unreleased joints. I think after an hour of that he suggested we make a song right then andthere, of course, we were with it. After cycling through a few beats we had in the vault we came across this horror movie vibes trap beat and all looked at each other like (yeah this hard as f*ck). Finished THAT SAME NIGHT and knew we had something special on our hands. What has to be the proudest moment for each of you as members of the MONARCH3 collective? Honestly starting up the studio itself and being able to consistently work with each other had to be the highlight. We all basically came from nothing so to be able to build something from the ground up and constantly work is a blessing on its own. We’re only going up from here! In terms of the theme and message that is propelled through “SLIDE,” what would you like your listeners to take away from this release? We want listeners to know that we’re here to stay and our time is coming. We have no plan B, we have no doubts, no looking back. What's next for you? We have more documentaries on MONARCH3’s YouTube coming soon to get a deep dive into the process of the artists. Of course with other visual masterpieces and amazing music! Instagram Twitter

Kansas City, Missouri artist, producer, and songwriter Pierre Giovanni is taking on the music scene with raging confidence, and why shouldn't he with how his recent song release turned out? Pierre Giovanni has been working on a project, titled "Twilight Zone", which features two tracks, titled "LOSE YOURSELF" and "LOSE YOURSELF NIGHT MODE." Together, the two tracks are meant to inspire, intrigue and help encourage reflection. Most importantly, Pierre Giovanni constructs his sound so that others can ultimately feel good and have a great time. Curiosity peaks at the beginning of "LOSE YOURSELF" with an almost mystic-like melody filling the air. Soon, the harmonious vocal delivery from Pierre Giovanni is elicited, and we're sent into a hypnotized rush with the infectious energy that results. Pierre Giovanni's delivery is quite calm, yet precise. He's targeted with his tone and knows how to create a certain level of attraction with his inflections. "LOSE YOURSELF" also has an echoing effect that is exploited throughout the production, and it brings in energy similar to that of Travis Scott's productions. "LOSE YOURSELF" was intended to give off euphoric, robust energy, which was definitely a target Pierre Giovanni acquired with ease. Various elements in "LOSE YOURSELF" reflect some common trends seen within the contemporary Hip/Hop music scene, and they are intricately combined with the original sound of Pierre Giovanni. He's able to take on many attitudes and intonations within his music, blends them with grace, all while still making it an impressionable product. With Pierre Giovanni's sensual, deep and soft vocals, any listener has the potential to be compelled to lose themselves in his songs. As an emerging artist, Pierre Giovanni leaves us in pure anticipation for what he will put together creatively next for listeners. "LOSE YOURSELF" is now available on streaming platforms. Listen in today. Thank you for joining us at BuzzMusic Pierre Giovanni. "LOSE YOURSELF" was a recent single release of yours, and it was definitely an authentic, original track. What does this particular single release mean for you personally? Personally, I was going through a moment where I wanted to quit music because I wasn’t really motivated and inspired. Basically, me just losing inspiration. But making this song was a challenge to me because I tapped into a new sound that I usually don’t create and it opened my mind up for the possibilities of what I can’t make in the future. What was the main objective of creating "LOSE YOURSELF?" It’s a feeling when it comes to losing something or someone you love and feeling like it’s was your fault that things ended. When at the end it was you because you did everything possibly right. It was them. That, someone, wasn’t the same person you met at first. You start to see patterns of change when it comes to them. It’s like you lost that person that you once loved. Hence the title “Lose Yourself. We had noticed that there was an additional track off of your project, "Twilight Zone", called "LOSE YOURSELF NIGHT MODE." How did the two songs compare in your opinion? Twilight Zone is the project that I’m releasing soon and I wanted to create a Euphoric sound for each song. With the “Night Mode” I got the idea from my engineer who slowed and reverb the track and we thought it was a fire. Plus I’m really into slow and reverb/chop and screwed sound. Both to me gives off a different emotion depending on which version the listener feels. But it’s cohesive. If that makes sense. Both give you a nighttime car ride vibe. A track you want to listen to if you going through a breakup, depression, or anything. As an artist who is still emerging into the music scene, how has your experience been with cultivating and crafting your own original sound? It’s been difficult at first because I didn’t know which direction I wanted to go. One moment I wanted to be a conscious rapper, the next moment I wanted to be an R&B artist but later one down the line I realized that I can incorporate what I want into something more creative than both. I wanted to use my writing skills and creativity to another level. That’s when I used my influences in music to help me create my sound. I learn a few elements but I made them my own and tried to keep them as original as possible. Even though nothing is really original when learning from your influences. Instagram Twitter

RiZ is an upcoming artist born and raised in West Philadelphia, PA. Beginning his artistic journey by rapping throughout his high school years, it wasn’t until he was accepted into Penn State University where he would decide to take his childhood hobby and make it a solo career. Honing in on his brand iKonBy25, RiZ has aimed to continuously put on shows for upcoming artists that are breaking into the music industry. Taking this opportunity to showcase his talents alongside theirs, RiZ is focused on organically delivering his versatility. Eager to introduce a collection of five tracks that are sure to get stuck in your mind, RiZ presents the enticing sounds of his latest project, 'iKon. Beginning with the braggadocious introductory single, “Rollin (Ooh),” we immediately get to tap into the surplus of confidence that runs through the veins of his artistic being. Through an atmospheric instrumental that places great emphasis on the enticing hi-hats and mechanical drum patterns, RiZ conveys an array of cadences that are slicker than the former. Using this initial moment to bring listeners into his unmatched swagger, and introduce them to everything he embodies as a creative, we’re hooked on the irrefutable vigor that he serves to us on a silver platter. Second, on the tracklist, we have the Hip-hop driven resonance of “Back In My Bag.” Continuing the upbeat vibrations that strike a sense of urgency through the speakers, RiZ applies a different type of pressure in the way he showcases the hunger in his vocalization. Playing upon the buoyant wave of the musical canvas, the punchy rhyme schemes and effervescent swing of his lyrical dexterity take the helm and steer us into a high octane performance that’s memorability sits at the top of our radar. As we take the full plunge into RiZ’s artistic lane of creativity, we notice just how well-rounded he is at navigating his way around the new wave of Hip-hop. The lead single from 'iKon' is titled “Faucet,” and although the darker sounds that are etched into the instrumentation take a drill-inspired turn, we still hear the prominence of the style RiZ is known for. Switching up the vibe and delivering us something that we wouldn’t expect with the way the project is advancing, we’re grateful for the awestruck moment that comes from listening to “Faucet.” “Know My Name,” sets the tempo to a more cognizant representation of what RiZ provides as an artist. Getting to know him on a more personal level through the storytelling motifs that immerse us in relatability, RiZ gets vulnerable with the verses he delivers. Accentuating the importance of the passion he holds within, anyone who is tapped into this record will be able to better understand RiZ as an individual away from the music. Like any good project, the difference between good and great is in the details, and with a song of this caliber, we’re exposed to what that means to RiZ. Taking us to the final song that resides on 'iKon,' RiZ has us leaving on a high note with “Who Gon Ride.” The instrumentation mirrors the specific elements that compose the nature of reminiscent Hip-hop tenors. Adding his flair to give us a more modern representation, we admire the melodic hook that takes us into RiZ’ impeccably time verses. Combining the best of both worlds with a slower outro that weighs heavily on the words performed, the drive that RiZ embodies is remarkable. Managing to transport us to five separate states of mind throughout the unraveling of 'iKon,' we deem this a sonic expedition worth embarking on. Listen to 'iKon,' today on all major streaming platforms. Congratulations on the release of your latest project, “iKon.” With such an interesting array of concepts found in each song you present to us, what is the overall concept that you wanted to bring across the body of work as a whole? Thank you. I appreciate that. I believe the overall concept here is really just me wanting to show the many sides of who I am and my character. A lot of times off of a first impression people feel like they may have you figured out but we as people are way more complex than that so that is what comes out in my music. Not just having one dimension. All of that encapsulates itself into "iKon", showing my intention in representing that. How long did it take for you to create “iKon”? Did anyone assist you with bringing this vision to life? I think it took me about two months from March to May to write this EP. It wasn't really intentional though. I'm always writing down "loose bars" I call them where I just write down witty one-liners that come to my mind throughout the days and will either expand on it there or wait until I'm in a writing mood and have a beat I like. Then I'll just pick a line I like and figure out a way to place it within a pocket often starting a new flow for the song. Beats were kind of popping up that I liked, I would write the song usually that night and move on until the next moment. Then I got a 10-hour studio session at Milkboy and hooked up with my engineer Automattic and we knocked out these 5 tracks in pretty much 6 hours. Just made added some creative sauces and that was it. There were 2 other songs but they're not ready yet lol, so I used the rest of the time to finish my Studio footage behind-the-scenes jawn for YouTube. But I will say too I felt pushed by those around me, there are enough stories for days but overall I'll say I could tell my music was like but it wasn't creating the reaction I wanted so I knew I had to come with some real heat this time around. Vocally and Writing though it's all me. With “Faucet,” being the lead single of this project, what inspired you to let this song introduce what follows? The faucet had to be the lead single for me because my last time out releasing music there were a lot of bops and female-related tracks. I was playing into the idea that girl records are my strong suit but had to remember I'm a rapper at the end of the day and let me just do what I do best and that's just rap. Faucet instrumental-wise is the most abrasive record on the project so I just wanted to hit listeners with something in the opposite direction of the girl records they were used to, to be like "yeah I can do this too". And overall I think it sets a tone for the tape with that point that on this I'm actually rapping but the songs don't sound similar. Just good energy and real energy. Trying to be authentic to me really. With every artist being different, when did you know that “iKon” was ready for release? The moment I was done recording the songs I knew, really. I never invite people to my studio sessions, usually 1 or 2 people but this time I invited about 10 people to create a vibe. No one got there until maybe 3 hours into recording then by the time most of the 5 songs were done everyone arrived. When there were only a few "Rollin (Ooh)" was done and they had a wow I'm impressed reaction. It was like a step-up reaction from what I usually receive. Then as the songs we're playing getting mixed everyone seemed like they were really enjoying it. So I decided to have Matt (Automattic) master them 5 right now and I'll see if I want to do the other records. As the songs played the energy in the studio soared and everyone was kinda like "yeah bro you're doing something with these." I knew right there I gotta put these records out, it was just a matter of creating a rollout at that point. My DJ, DJ Mr. Geek'd who also does my cover art started thinking of how he can mix it into his set and getting cover art ideas and we pretty much worked out the concept right there. What would you like your audience to take away from the themes and messaging delivered in this release? I just want listeners to get a hold of the "iKonBy25" energy I'm trying to put into the world. It's not just about me but also my family, close friends, and helping out my community and giving back once I'm in that position. I want them to feel the fun, feel the real, and just walk away entertained. Then come back to listen again lol. My main goal is to just get people to listen. I feel like if they give it a fair shot there has to be something they like on here if they're Hip-Hop fans. Then if they want to go share it or go check out my Instagram or Twitter to get a feel for where the music comes from or whatever they want as long as it can grow from there. That's the dream, right? Instagram Twitter

Back and better than ever, RecoBandz is pulling through with his latest single, “The 6.” Tapping into his creativity in a whole new light, this track can be found on his recently released 16 track album, ‘Writing On The Wall.’ To him, this new piece of music is a groundbreaking example of the sheer amount of imagination and focus that goes into his music and allows him to exude a drive that shows no signs of letting up. With heavy-hitting energy that seamlessly pours from the powerful, yet laidback structure of instrumentation, we’re exposed to the steering sounds of 808’s and a weighty low end to have you feeling this record in your chest. Playing upon his musical influences of JUICE WRLD, Lil Uzi Vert, Lil Wayne, and Future, you hear how RecoBandz approaches his artistic versatility in a way that encompasses influence from these notable names, all while solidifying a lane of his own in the genre. Flexing his lyrical dexterity by the use of his carefree swagger, there’s effortless agility that has RecoBandz floating through “The 6,” with slick cadences, and memorable rhyme schemes. Known to smudge the borders of any genre-defining boxes, the braggadocious hues that are breezily offered up have us thriving in the various dimensions of this soundscape. Providing the entire track with an infectious vigor that you can’t deny, there’s a snowball effect of amplified liveliness that takes you until the final moments of “The 6.” RecoBandz makes it so you want to run the trackback, and immerse yourself in the liberated persona that he unapologetically brings forth. Living out his best life, RecoBandz has us swimming the depths of everything he has to offer as an artist. Welcome to BuzzMusic, RecoBandz, and congratulations on the release of your latest single, “The 6.” We love the way you navigate through various peaks of your energy in this song. What inspired the energy brought, and the lyrics that we take in on this song? Writing on the wall inspired “the 6.” It was the sixth song that I recorded in the studio. The lyrics came from the lifestyle I had when I lived in my childhood neighborhood. What is the concept behind your album ‘Writing On The Wall?' How does “The 6,” fit into this theme? The concept of writing on the wall serves a larger purpose than some may think. Comes from experiences, seeing things through my childhood, and working as hard as I did when I was just a child. Writing on the wall tells a story. Something like a musical storybook. “The 6” fits into the theme of writing on the wall because it describes the neighborhood I grew up in. 68th Quimby in Cleveland, Ohio near 70th in Hough. In terms of the creative process that you typically embark on when creating music, did you find that “The 6,” fit into that organic flow? Could you please shine a glimpse of what this process entails? I used the common creative process method. I prepared the album by coming up with the identity of the project. (Album name) Also, I try thinking of how many tracks the album should have. I rarely listen to other artists, I listen to my own music so that I know what to talk about so it won’t be repetitive. What is the main message that you’re hoping to get across with the music that you create? The main message I’m hoping to get across is hard work pays off if you stick to what you love! “Staying in tune with your star player” To know me is to love me. Been doing music since I was 6. Talent shows, freestyling for family, and doing small music videos with friends from the neighborhood. Instagram Twitter

Eager to share her incredibly personal story with the release of her new album, ‘In This Moment,’ the multifaceted Emily Rose Martin hails from South Lyon, MI., on a mission to connect with her audience. Collaborating with the extraordinary essence of producer and engineer Chuck Alkazian from Pearl Sound Studios, this personal offering of sounds was inspired by the past two years of Emily Rose Martin’s life. Through an almost ethereal soundscape that basks in the love letter to what those past two years meant to her as an individual navigating through this world, we take our focus to the album's introductory single, “Someday.” Performing from a deep place of emotion, we take in the powerhouse vocals that she casts into the inner workings of our conscious mind. Her captivating timbres cascade with the poignant instrumentation to set the tone of this piano forward ballad. Dipping into the realm of folk and pop-inspired music, Emily Rose Martin has a well-defined lane carved out for herself as far as her artistry goes. Allowing ourselves to be taken into the gravitational pull that is her artistic talents, we adore the vulnerability that she shares with us when exposing the intimate thoughts and emotions that mirror her lived-out experiences. As we highly anticipate the lyrical motifs that will be reflected on ‘In This Moment,’ we thrive in the conveyance that trickles in the speakers before us. Telling your personal story is something that many in this life are afraid to do, but it seems that you have been more than willing to convey this side of yourself. Does something like that come naturally for you in the process of creation? Thank you so much! I’ve never considered my personal story something extraordinary, but it’s still mine. At the end of the day, if even one person can relate to any of the messages in this album, then I’ll have achieved what I set out to do with this project. These stories and emotions definitely came naturally because they were at the front of my mind when I was writing. It’s still incredibly difficult for me to be so vulnerable. It’s hard not to be worried about the reaction to something I created that’s so personal, but it also feels extremely satisfying to have the opportunity to get it out of my head and into the music. With a deep concept that’s laced into this project, what encouraged you to make “Someday,” the lead single to speak into that? I wrote “Someday” in the fall of 2019, not knowing the pandemic was coming. It was my senior year and I was already feeling nostalgic because I knew graduation was coming and I’d soon be separated from my friends. When the pandemic came and I had the opportunity to release a single, this song was so perfect, I thought, how could I not? If your audience could reflect on a specific theme or message that you carry forth on this album, what would you want it to be? At first, I didn’t plan for the album to have such a strong message of home, but when I started putting all the songs together, I realized that was what they all had in common. So because of that, the main thesis of this album became about the idea of home, how you can create it, what it means when you find it, and what it can potentially feel like when you lose it. The whole process of that looks different for everyone because I believe that home comes in so many shapes and forms. Overall growth and change are natural, even if it’s uncomfortable, so make sure you surround yourself with home - people who help you build a strong foundation for the moment you’re in and the moments you’ll have. What has been your proudest moment through this artistic journey you’ve taken? That I’m not the same person now than I was when I started making this album. My core values have remained the same, but I’m able to look back and truly realize what a journey it’s been. It took way longer than I expected to create this, but through that time, I got to experience so many things, and my growth throughout the good and the bad is what I’m most proud of. What's next for you? Music will always be a part of my life. My degree is in Theatre Studies from Ithaca College, so I’d love to be able to pursue opportunities as an actor and a director. Right now I have my sights set on New York City. instagram.com/emily_rose.martin

Hailing from Norfolk, Virginia, the dynamic Hip-Hop artist, producer, and rapper I.K.P. highlights a deeply atmospheric single, "Boiler Room," off his recent 15-track album, '11:11 | eleven eleven.' After serving for five years in the U.S.A Marine Corps, I.K.P. found his passion and skill for music creation. Graduating with a bachelor's degree in Music Business from Full Sail University, I.K.P. went on to receive various nominations and vast recognition through his refreshing approach to hip-hop. Getting us in the groove with his recent banger, "Boiler Room," I.K.P. serves an incredibly reflective and dominant performance while riding the down-tempo blues-like beat with nothing but poise. While the production offers an unconventional approach to hip-hop, it maintains this steady and hearty groove for any listener to nod their heads to. Hitting play on "Boiler Room," the track opens with a plucky electric guitar that sweetens the sonic atmosphere with this overall alternative/blues sound while I.K.P. makes his way in and surprises listeners with his innate dominance and power. As he continues rapping about his continuous elevation, he stops us dead in our tracks with his unique vocal tones and charismatic delivery. Diving deeper into the track, we must mention the vocal similarities between I.K.P., A$AP Ferg, and more nostalgic acts like Del the Funky Homosapien. While continuing to leave his mark on any listener who graces this track, I.K.P. leads us towards the hefty outro with help from his organic and soulful instrumentation that pierces our speakers with incredible soul and rhythm. Watch as I.K.P. sets a fire within the "Boiler Room" on his scorching single, now available on all digital streaming platforms. Welcome to BuzzMusic I.K.P.. We truly admire the unique approach you've taken with your recent single, "Boiler Room." What inspired you to create this downtempo and soulful track? This song is really all about facing the world with your head held high and your faith guiding the way when your back is against the wall and the chips are down. I had gone through a tough time when I felt like I was rock bottom. I was going through a very painful breakup, dealing with drug abuse, my mental health wasn't being addressed and I didn't know how to come to terms with all of it. So I was writing an album a lot about feeling hurt and abandoned. But then my main man EarthTone, who is the co-producer on this track, did this loop that called on all my anger and fighting spirit to bubble to the surface and really helped me remember who I am. So I made this record for all those that every night and day they put their best foot forward believing in themselves and keeping the fire in them alive. Did you have any artistic influences in mind when creating "Boiler Room?" Did you have a specific vision of the sound or vibe you were going for? My artistic influences for this track are very much baked into my style. Biggie pretty guided me to start it out. Lil' Kim is another of my favorite rappers and in the opening of the 2nd verse, I borrow a bit from her 1st album Hard Core with the line "to my hittas that trick a little, to my hoes that suck dick a little..." I used a little of her opening bars of Verse 2 of "Drugs", but I flipped the words a bit like an homage. She is an absolute legend and wholly influential to me. Then of course there are influences from Jay-Z to Project Pat, to Kanye West and Timbaland, Ronny J, and Juicy J in the hook and in the production as well. My whole goal was to bridge the classic and timeless aspects of traditional hip-hop to modern tones and techniques. I had added some production elements to the loop EarthTone sent me. From there, my ancestors took over. It all felt right. What was your personal songwriting process like for "Boiler Room?" What message or concept did you want to get across to your audience? At the time I wrote Boiler Room, I was searching for a new approach to the project that became 11:11 but that title hadn't even crossed my mind yet. I was messing with different ideas for songs while at the same time really healing. I use songwriting just to help me find my way through things. It was a tough time and I wasn't sure what was gonna happen with the overall project. Boiler Room however marked a shift. Before that song, I was very hurt and dwelling on the raw emotions of realizing how people use you, walk all over you then blame you when things go left. People you think care about you just shitting on you and leave you for dead. I had never felt so betrayed in my life. Then, I went to record Boiler Room and it made me turn a corner. I started to recognize my own value. That's what I want to get across. Once you know your worth, you can start manifesting all that you deserve because you'll just be walking in the path towards it without a doubt in your mind. You claim it. It comes out in how you speak and carry on. People start respecting you differently. You learn how to set boundaries. Then whatever you go after is bestowed and you might even be surprised with the way the universe delivers it to you. Something like peace of mind. It does take work. Taking accountability. A hard look in the mirror. Self-love eventually becomes an everyday thing like muscle memory. These are ideas I started believing in. "Elevation be a constant." How does "Boiler Room" fit into the overall vibe and concept of your recent 15-track album, '11:11 | eleven eleven?' I made 11:11 to help me heal from all that turmoil that had been brewing from years and years of denial. I had very strong suicidal ideations at a time and at that point, I had begun to seek treatment. But it wasn't that easy or that simple. I went down a long road of increasing drug abuse and drinking. I was homeless and unemployed for a time. I had unresolved issues with sexual assault that happened to me while I was serving in the Marines. Then I entered a very toxic relationship that had done more damage. So navigating through all that was what inspired what eventually came to be 11:11 and Boiler Room was a turning point creatively and personally. It was a years-long process. So the album is just filled with all the different ways I coped. All the ways I prayed, the connections I made, and rediscovering my truest self. Boiler Room might have been the crack of sunshine in a long, dark, damp tunnel. It's a song made up of real-life experiences that couldn't exist for me at any point before. What's next for you? My album 11:11 is finally here and I'm looking for more opportunities to get it out there to different people. In addition to that, I think by now the debut full-length album with my group The AlliYance is out. I was doing that album while finishing 11:11. More from my group coming down the line. I also have The Herbal Tea Podcast with EarthTone. It's a bimonthly platform we dedicate to reviewing music from Q+ artists (LGBTQ+), and music from allies as well as sharing news from our local community and information on cannabis culture. Facebook

Pop singer Matthew Thomas from East Tennessee is a college student by day, and a singer at night. Being inspired by his passion to perform and change people’s lives with the beauty of music, he ventures out to release original creations that relate to those needing his message. In a bass-heavy world that seizes the captivating spirit of Matthew Thomas, we’re introduced to his alluring new single, “Be Okay.” Over minimalistic instrumentation that takes nods from both Pop and Electronic music, Matthew Thomas turns this upbeat foundation into a canvas of charisma. There’s a spellbinding manner that he takes into his songwriting structure as we latch onto the various cadences he explores through his verses. His wording is relatable in a way that has the influence of his lyrics clicking into our minds upon impact. Delving into a storyline that many know all too well, we’re intrigued by how Matthew Thomas pushes his pride aside in order to move on from a love that no longer serves him. Leading us into his anthemic chorus that has the overall concept of “Be Okay,” bursting at the seams, we quickly become infatuated with how Matthew Thomas carries himself as an artist. Through a vocal range that’s prevailing in how it draws you towards its power, “Be Okay” has us rejoicing with Matthew Thomas through the entire progression of this beguiling record. In the brilliance that hangs from his approach to the lyrical motifs before us, he proves that it’s never too late to walk away and focus on yourself. Thank you for joining us at BuzzMusic Matthew Thomas. We love the sound that you showcase on your latest track, “Be Okay.” With such a powerful story that you unravel, what was the moment that inspired this song’s creation? First off thank you for having me today I really appreciate it! This song is very special to me it brought out a lot of emotions that I never knew I had for myself I never truly loved myself until after I realized I was putting so much love into other people I forgot to love myself in the process. What musical and non-musical influences do you tend to let speak into the music that you create? Has it always been like this since you’ve begun to create music? I personally used a lot of Charlie Puth's influence in this song he has always been someone I've looked up to! I usually try to think of a song I really connect to and then try to get inspired by that whether it’s melodically or lyrically! Did you find that writing and releasing this song helped you with the healing process or mentioned events? Yes, I did. I have since been able to find the love for myself I always needed and I couldn’t be happier than I am right now! If your audience could reflect on one message from this song, what would you want it to be? Self-care life is short and you are important you need to love yourself so you have room to love other people after that! What's next for you? I am currently recording an EP which will be coming out later this year that’s all I can say right now but it’s gonna put you in your feels so just get ready for all that’s to come! Thank you so much again for having me! Instagram