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From Southern California, the pop-rock and reggae-funk band Shytown release their easy-breezy single, "Peace," just in time for summer. Comprised of Eric "EJ" Johnson, Danny Jay, Dan Reynolds, Joe Kashul, and Dave Blanco, Shytown recently scored a residency at the Chicago House of Blues and hope to pick up where they left off when venues are up and running. As of now, Shytown is excited to take their stylings down to Southern Florida this June for their "Beach Hop Party" mini-tour. Bringing us upbeat tunes when we need it most, Shytown's latest single, "Peace," serves all the summer vibes we've been craving as we head into the upcoming season. With help from a smooth and catchy reggae beat alongside scorching alt-rock instrumentals, Shytown brings us deep into the picturesque nights of summer. Jumping into "Peace," Shytown graces our speakers with an upbeat reggae guitar and smooth beats alongside EJ's bright vocal portrayal. Jumping into Danny's lush and lively bars, he expands on scenes of being over all the games and taking time to smell the roses. We must mention the brilliant instrumental transitions that Shytown offers, as they take on a groovy reggae-inspired verse while hitting our speakers with a punk-rock approach on the heated hook. We adore the percussive transitions that Dan Reynolds pierces our speakers with, especially while accompanied by Dave Blanco's thick bassline and Joe Kashul's beaming electric guitar. As the song begins to end, Shytown leaves us with nothing but passion and excitement to bask in all of summer's glory. Find "Peace" of mind with Shytown's latest upbeat single, now available to bump all summer long on all digital streaming platforms. We're feeling lifted and excited for the summer season with help from your latest single, "Peace." What inspired you to create a single that gears us up for the forthcoming season? We actually wrote the song late last year when all the political arguments and pandemic debates were at their peak. It was getting to be too much and we wanted to make something that was totally unrelated and fun. That's what Shytown is about. We needed to "find our peace" and get away from it all. Did EJ and Danny handle the songwriting aspect of your single, "Peace?" Or was this a collective process? The two of us wrote the lyrics for "Peace" but our guitarist, Joe, actually came up with the chords for the song. They were initially different before but once we got to the studio, they were changed and everyone agreed that made it better. Being that there are five members within your group, how did you tackle the creative/recording process for the instrumentals within "Peace?" How did you navigate this process? Everyone had some input on the song involving their instruments. Usually, EJ and I have an idea of how we want something to sound but within that realm, the guys can have fun and experiment. That's what Joe did to come up with the new chords. We already had a bass line arranged for the song but when Dave [our bass player] got there, he switched some notes around and created a new one that worked even better. Finally, for drums, we like to mix programmed drums with live ones and for this, it was no different. Dan [drummer] came in and really listened to the loop we made for the drum sounds and added to it live. Drums are the hardest to record but Matt at the studio made them sound clean and crispy and Dan did a great job adding some texture and flavor to the track. We call that "sauce". Should listeners expect to hear "Peace" during your forthcoming mini-tour this June? What should your audience expect from this tour? The tour is gonna be hella fun. "Peace" will definitely be played -- albeit more acoustically. Three of us are heading down to South Florida on June 5th and will be there the rest of the month. We have a handful of shows in the books already in a few different cities and working on more dates. We'll also be recording for our upcoming EP/album "Forever Land," which is a follow-up to last summer's "Never Land." If all goes as planned, our video guy will be flown there shooting content. During downtime, we'll be live streaming on Facebook so fans can see what we're up to. We just want to get there and play by the beach, make some new friends and have fun. That's the Shytown way! Instagram

Renowned singer-songwriter and music collaborator Emily Zuzik, best known for her work with Moby, Tim Lefebvre (David Bowie), and as a solo artist, announced the second single and video from her project Woves' forthcoming album, ‘Chaos Mesa.’ The project includes producer and composer Josh Ricchio (Freak Owls, Will Pharaoh) and drummer Kolby Wade (Will Pharoah). Woves unite their respective influences to create thematic indie-electronic songs, reminiscent of a drive through the neon lights of nostalgic nights. As we take in all that is “So Used to Heartbreak,” we zone in on the syncopated ambiguity that lures us into its underworld. Intriguingly elusive as the fluttering synths, opulent guitar riffs and tight drum patterns courtesy of an analog drum machine take full control, the various layers to this composition are uncanny. Emily Zuzik’s sultry timbres pull us into the ethereal realm of laced emotion that immerses us in the sonic experience of a lifetime as avid music listeners. You can’t help but to be drawn towards the mesmerizing hues that provoke thought and weave together an essence so rich in its texture that you’re blanketed by your own absorption. Fixating upon the luxurious harmonies contrasting to bring the ultimate release of therapeutic tenors, Josh Ricchio can be heard lending his delicate croons through a series of backing and lead vocals that have each artist feeding into their virtuoso talents. In “So Used to Heartbreak,” Josh Ricchio explains that the singer is so used to being heartbroken, that feeling of wanting to die every time, that they might as well die in the person's arms while it happens again, while Emily Zuzik chimes in with stating that the singer is telling their lover that they're trapped by ghosts of love past and can't show up for what's in front of them in that very moment. Not only do we have a sonic escapade that has us hooked on its resonance, but the narrative depicted touches on familiar themes that cater to their expanding fan base in a major way. Hello Woves, welcome to BuzzMusic, and congratulations on the release of your second single “So Used to Heartbreak.” We love the intricate soundscape that truly has us hooked for every moment of its evolution. With such a descriptive narrative that speaks to the various angles of heartbreak, was there a specific moment or story that inspired the songwriting? Josh: In So Used to Heartbreak, the singer is so used to being heartbroken, that feeling of wanting to die every time, that they might as well die in the person's arms while it happens again. Emily: Or, the singer is telling their lover that they're trapped by ghosts of love past and can't show up for what's in front of them now. I think that duality in the lyrics makes this song really cool. It can go a lot of ways with its meaning Could you please share a glimpse into what the creative process looked like when bringing this song to life? Are there any differences in the process you take on now that differ from when you went by Will Pharaoh? Emily: We work as a team. Usually, Josh creates the song structure and vibe and I go in with the story and melody. Then we get together and get that down. From there, we find areas for harmony and try lots of vocal textures. Josh then takes all we have and weaves it into a sonic tapestry. I’m not involved with the initial song spark and Josh doesn’t usually weigh in much on lyrics. This song, So Used to Heartbreak, is all his words though. I think he initially wanted me to sing the lead, but I insisted that his voice was perfect for it and since we’re a band, he should sing at least one lead. I then came in with harmonic ideas on the chorus and textures like the whisper chant “Heart” at the top of the song. Will Pharoah songs worked similarly. I’m more the top line and lyrics gal. Josh creates the bed that inspires it. Sometimes we hash over my words, but not always. Josh: The biggest similarities that Will Pharaoh and Woves share are that we write and record everything basically separated from one another, usually by coasts, and also (yes) it's the same three artists involved in both projects. The aesthetics of both are completely different, though. WP was a duo of producers writing songs for specific artists and vocalists to collaborate with, and Emily featured on a good number of those. Woves is, specifically, built around a 'synth wave' motif with darker, more intimate sensories and lyrics. We write in multiple genres, so I would get in a groove in my studio where I would create batches of instrumentals and send them to Emily to write her vox. Sometimes, as in 'So Used To Heartbreak', I would lay down vocals on a verse or chorus and we'd just keep it...our voices seem to match up pretty well, so it seemed natural. Kolby would usually do the same, and send me some beats or instrumentals and they'd fit the mold we were going for, so I'd just continue the process of fiddling around and working out the tracks before sending them off to Emily. We'd record all the vocals at my studio, Sing Engine Records, here in LA, where everything is also produced and mixed. The only other person who touched the music was Tom Ruff out of Asbury Park Media in Jersey, who mastered the album. How does this song compare to the previous single released from the forthcoming project ‘Chaos Mesa’? Josh: The majority of 'Chaos Mesa' is sung by Emily, so we wanted our first single, 'Release', to mainly featuring her. But, there are moments on the album where I do my thing, so it only seemed natural to release a track introducing a new voice people could expect to start hearing on any given track. 'Release' is also a pretty straightforward song, with basically only a bass synth, beat, and voice in the mix. We wanted something direct and to-the-point to introduce the band, then continue on to the more complex sounds on later releases. 'So Used To Heartbreak' also gets to the point without becoming derivative, but definitely progresses the overall sound forward. We have some really interesting and disparate things that happen varyingly throughout the album, but it's good to listen to it as a whole to see how each separate track fits into the story. The videos we have for each single also follow that dark wave path, with creeping, hallucinatory visuals that ebb and flow, triggered by the lyrics and sounds, but where the 'Release' video follows the choreography and path of two characters, the video for 'So Used To Heartbreak' is more abstract and visceral. What can you tell us about ‘Chaos Mesa'? What do we have in store in terms of themes and messaging portrayed? Emily: The album is somewhere in that synthwave/synth-pop vein. We don’t subscribe to the total ‘80s aesthetic though. We create with oscillating analog synths and beats. Sometimes the songs drag New Wave references into the lyrics, but not always. Release, our first single, was always a very retro tune for me. I imagined someone like Laura Branigan singing it in that big chorus kind of way. It’s anthemic as a stop change/run with the times/ burn it to the ground kind of message. But it’s not all retro sentiments, for instance, one song off the album, Nova, was inspired by a Brian Eno documentary I had watched. I tried to imagine being a woman on the sidelines in the moment of his rise from Roxy Music onward. It’s totally imagined and that is fun for me as a songwriter. On the flip side, another song off Chaos Mesa, The Kill, draws from Grace Jones and dark early Duran Duran, so that’s about as 80s as it gets. As far as Chaos Mesa’s title is concerned, I discovered it from a documentary on Mars that I saw at the Science Center. It sounded mysterious and sciencey all at once. Plus, I liked the nerdy definition of it too. As far as lyrical themes, I’m sure one will find the usual love and longing and loss that permeates most of what I tend to write about. Some of the songs are more rooted in moments in time. I think Heartbreak is like that. There are a couple of others on the record that also come to mind. I feel like there’s some kind of journey in each song. You just sit back and figure out where it takes you. What's next for you? Emily: It would be great to do these songs live. I don’t know when that will be though. Josh and I are both in LA but our drummer Kolby lives up north. Rehearsals would be a pretty far commute. We are definitely looking into getting these songs to TV and film because they are so cinematic in feel. Josh: Releasing the album! Maybe end-of-summer... Instagram Artist Website

Terrence Benard, professionally known as T Litty, is like a fish to water when music is involved. Singing with every fiber of his being, the Plano, Texas, native continues to remind fans that his love of the arts is all-encompassing, as he began his journey through acting. Always willing to fight against the grain, T Litty states, ‘I’ve got to remember the importance of the lyrics to deliver them correctly.’ Each and every song is a testament to his yearning for something more. The latest melodic release from T Litty has us submerged in meaningful lyrics that pull on your heartstrings in a unique way. “All About You,” thrives in its realm of contemporary R&B as the origin of the words stems from love so profound and beautiful. Honing in on that poignant type of love that hovers over you every waking minute, T Litty is a master at conveying his intricately crafted lyrics to have you absorbed in the vivid imagery he casts out to pair with the series of words. The slow to mid-tempo instrumentation compliments the subject matter and the soul-infused nature of his luxurious timbres. You will immediately find yourself swaying to the beat of this unalloyed ballad as you take in the quintessence of T Litty and directly incorporate it to yourself in a relatable manner. T Litty does something that not many can ultimately produce in one fell swoop, and that’s having you gulp down emotion on cue. Through opulent soundscapes that delicately trickle into your cognizant thoughts and full heart, there’s no better way to take in “All About You.” Be prepared to feel this piece more than you hear it, and be sure to envision that special someone when you hear lyrical motifs such as, ‘Everything is about. It’s about you.’ Welcome to BuzzMusic, T Litty, and congratulations on the release of “All About You.” This song is truly beautiful and makes for the ultimate ode to love! Was there a particular moment or story that inspired the creation of this song? Honestly, this single ties back into the overarching idea of my upcoming EP entitled, “For Your Musical Consumption”. When I decided to sit down and write this final song of the EP (the anticipated single), I really wanted to tap into the heart of what a relationship can do to a person. We spend so much time talking about our partners and fears of not being enough, that we forget to wonder if we’re enough for ourselves. Furthermore, we’re always weird about whether or not our partners are pleased with what we’re doing when they’re not around. I’ve known a lot of people to say that asking a partner whether or not they like what you’re doing is respectful. I beg to differ. In some of those moments, it can be controlled, so much so, that you nearly lose yourself. With this in mind, the song needed to be heart-spoken, vibrate with soulfulness and speak the truth. In acting, we are taught that the other person is the main objective in the room. I suppose you could say, “as on stage, so in life.” What are you hoping that your audience takes away from the themes and messages heard? I hope the song reminds others that love is never easy. When you find something that’s right for you, love shouldn’t stand in the way. Love should fight back the dragons outside your door. Love should make you want to conquer galaxies. If you’re lucky enough to find that love, being All About YALL is the real ticket. Is there a particular subject that you find easier to write about than others? Where does “All About You,” fit into this spectrum? Most of the time, when I sit down to write, I request honesty from myself. I want audiences to feel like they connect with the words. Even more so, I want them to connect to me. All About You is born off as much honesty as I could muster. I mean, love is hard! If I was forced to place my songwriting into a category, I’d call it Life Music. All About you would be featured on the top of the Life Music chart. What has been the best piece of advice you’ve taken into your music career thus far? “Prepare to be awake. Prepare to be discouraged. Prepare to be ridiculed. Prepare to be told no. Prepare to be great. Prepare to be humble. Prepare to lose. Prepare to win. Anything beyond that is a blessing “ What is your mission as an artist? As an artist, I strive to make music that reaches the soul. My upcoming EP is crafted with the idea that we all can not agree on love. In many respects, a love life mirrors who we are as people; relationships are as individualistic as a fingerprint. Yes, we all have some swirls, but we each ink the paper with a personalized stamp. My music is my musical stamp. I’m speaking the truth with instrumental accompaniment. I intend for my audience to vibe, get turnt, and take in a life lesson or two. Class is now in session! Instagram

From Pennsylvania to Brooklyn, the electronic-psych duo Corbu brings listeners into a serene adventure with a psychedelic music video for their latest single, "Lost & Found." Consisting of Amanda Scott and Johnathan Graves, the couple-turned musical duo prides themself on their sturdy foundation of beats, sounds, and textures. Always capturing a mysterious and celestial quality with their sound and music videos, Corbu is excited to muster new fans with their imaginatively designed music. Now releasing a music video for their recent hit, "Lost & Found," the single itself was an exciting collaboration with Manchester's Jimi Goodwin, who fueled the song with his distinct astral groove. Expanding on the video, viewers can catch Corbu in their home roots of Western Pennsylvania, basking in the spirit of nature with in-depth edits and psychedelic effects. Hitting play on the music video for "Lost & Found," the scenes open with Amanda Scott and Johnathan Graves swaying in the forest's greenery abound the most vibrant and fresh wildlife. While they continue grooving to the song's psychedelic and celestial tones, Corbu hits the viewer with intense and trippy edits that make for a refreshing and exciting experience. It's almost as if Corbu has transported us back to simpler times with this music video, as they share scenes that depict this Adam and Eve type of story that's set in the 60s. Also enjoying the pleasure of togetherness, the couple brings us into the harmony of love through their romantic and picturesque scenes that are all the more enhanced by nature's beauty. Catch Corbu's recent picturesque music video for their single, "Lost & Found," on YouTube, and prepare your ears for their forthcoming 'Lost & Found' EP on June 4th. Welcome to BuzzMusic, Corbu. We truly admire the in-depth edits and psychedelic feel of your recent music video for "Lost & Found." What inspired the scenes of nature and forestry for your recent music video? Thanks for the kind words about the video! From my understanding, the woods and animals have always been used to represent the unconscious, in myths, stories, and dreams. It's all messy, beautiful, and beyond your control. A lot of our music deals with going inside yourself to figure things out, and "Lost & Found" was based on my experience of being adopted at four months old, and how those four months affected me later in life. There can be internal forces controlling your behavior that you don't understand unless you go off into the woods and confront whatever you find. So it made sense to create the video as a Grimm's fairy tale/mushroom trip, with predators and prey, and symbols of beauty and death in the forest. Regarding the single itself, what was it like working with Manchester's Jimi Goodwin for "Lost & Found?" How did he help bring your ideas and visions to life? Jimi changed the song completely. It was originally an experiment, where we tried to record the song as a full, live "band" in one take in the studio. And it sounded good! Like a totally valid, competent indie rock song. But it wasn't Corbu, and we never want to release something that we don't love. We had an opportunity for Jimi to re-work it and produce it as he heard it, and what he did was so much more "us" than what we had done alone. The core song remained, but the performances you hear in the finished track are over 90% Jimi. It's been a dream for us since I've been a huge Doves fan my entire life and turned Amanda onto them early in our relationship. I used to work out covers of their songs in my room, and wait outside their shows to try and meet the band. Getting to actually hang out with Jimi, work with him and have his name next to ours is an unrealistic, rip-in-the-universe kind of thing for us. What was your recording and shooting process like for the music video, "Lost & Found?" Did a director accompany you during the shoot? Or did you direct the video yourself? It's actually the first music video that we've ever shot, directed, and edited start-to-finish by ourselves. We filmed it at a campground in Pennsylvania, outside of Pittsburgh. It’s a weird little slice of middle America, somewhere between a summer vacation spot and a trailer park. The place is pretty conservative, with American flags everywhere, but everyone covers their trailers in tons of tchotchkes - animals, dinosaur skeletons, etc. We spend time there in the summers with our families, and we always feel like the bad kids, which is mostly fun. We’re sneaking off and getting stoned, sampling the weird sound the sanitizing equipment makes, etc. So we thought it would be good to abstract all of it, and show something very normal through our lens to communicate the song. Now everyone can see the place the way we do. We slowed the song down to half-speed and filmed ourselves dancing and singing it that way. Then we doubled the speed of the footage later, so it all has a jittery feel to match the vibe of Jimi’s production. It was a lot of me and Amanda stepping away from family time, setting up the camera and doing our thing, and hurrying off before anyone got too annoyed with us. Only the kids at the campground knew what we were up to, which was funny. I'm still kind of shocked that it worked. Why did you want to capture this psychedelic feel through the video's in-depth edits? It's just who we are and how we see the world. If it's not psychedelic or dreamlike in some way, it's not really us. Amanda is mostly responsible for that side of the video; I got an edit together of the actual "performance," and she kept piling the other footage on top of it to give it color and motion, and bring it to life. A real limitation of doing this ourselves was having a stationary camera, but all the shaky b-roll footage used as overlays obscures that nicely. We also felt like we’d been hiding behind our artwork in previous releases, and we wanted to put ourselves out there more without sacrificing the aesthetic. I love knowing how Jimi put the track together as a collage from a million different layers, and how the video mirrors that. We put as much work and love into this video as we do in all of our songs. What's next for you? We have a video podcast coming out this summer called Bad Trip Reports, which has been bubbling up for years. We're really excited about it. Each episode has us reading someone's experience with various substances, with Amanda providing color commentary. Then we discuss it at the end, with melting op-art behind us the whole time. People can submit their experiences to us, so it has a communal aspect, and it lives in that free-wheeling, Hunter S. Thompson kind of headspace. It's just fun, and it gives us a chance to fully step into the "psychedelic" conversation, rather than just using that word as window-dressing. I love that it swings back and forth between pure, absurdist comedy, and really emotional moments where people are processing loss, meaning, and their place in the world. It's just a topic that we really believe in, so it feels right. We'll also be releasing a full soundtrack to it because we've always wanted to make an ambient record. It's our chance to do a lot of things that we've always wanted to do. Instagram Artist Website

Being the son of a retired record producer, Saint has taken his unique background and used it to create his own art. He has utilized his experience working with other artists and producers over the past seven years in his own personal artistic development. Hailing from South East London, of Afro/Native St. Lucian and Irish descent. His wide vocal range and melodically driven songwriting style were inspired by the golden era of R&B/Hip-hop and have him in his own musical lane. Floating into the buoyancy of his most recent single, “I Got It,” we get the pleasure of being submerged in a vibrant soundscape that is true to the artistic nature of Saint on various levels. The lavish timbres that he radiates speak to us on a personal level as we feel a sense of intimacy crawling into our headphones. Cascading with an instrumentation that is animated in its production of upbeat intensification, “I Got It,” comes off as the perfect club hit to grace us in time for the simmering summer weather upon us. As the song evolves, we get to experience Saint’s expressions from diverse angles as his textured croons sway us in and out of lively cadences. With the extensive range of depth that trickles from the musical layers presented, this sonic voyage wraps around you before drawing you into its gravitational pull. Creating a blissful utopia that resonates with audience members far and wide, Saint doesn’t compromise his integrity to fashion a brilliant canvas that transports us to newfound dimensions. Lacing us into an anthem so effervescent and alluring, we can’t help but run it back in order to pick up on the overall quintessence oozing from “I Got It.” Welcome to BuzzMusic, Saint, and congratulations on the release of “I Got It.” The entire vibe of this song just sets a playful tone for listeners to fall back on. What was your inspiration behind this song? Thank you, I was quite excited about this single coming out! In the past, I’ve stayed mainly in the vein of contemporary R&B with some Pop influences when I write but this was the first dance track to be heard from me. It’s very fun, positive messages all the way. A few years ago I was writing demos in the house/dance genre and I wrote a track called ‘In The Light’ which was sent to me by DJ Zowie; who had big chart success at the time. His second project never actually came out, then a cousin of mine (Kenwin Blades) sent me the music for ‘I Got It’ a year later & it gave me the same lifted vibes. It talks about being in love and wanting to be the best for that person and also for yourself, but since life is so short you end up just trusting the light inside and moving forward in confidence instead of worrying. In your own words, what does “I Got It,” mean to you? What are you hoping that your fan base grasps from this release? For me "I Got It" is a self-affirming line but also, I think it's good for others to hear it being said too. We can’t ever know what’s around the corner; especially in relationships. So hearing it being said; even if you don’t have that confidence can perhaps inspire you to keep going. To be honest, I hope my listeners just have fun playing this one as it’s definitely got a - ready for Summer 2021, care-free feeling to it. We had the official video shot in London, and I decided to not focus the M/V on me and instead we shot a short visual starring a diverse group of best friends trying to make the most of everything, seeking happiness and finding love on the way. We were excited to hear that earlier this year you announced your first mainstream project in the form of a re-mastered compilation album. Could you please share a glimpse of what we can expect from this body of work? Yes that’s right! ’Saint Remastered’ is a new full-length LP comprised of songs I’ve written and sung from as early as 2013 onwards. I had the opportunity to pick a bunch of faves and they were remastered with a whole new Dolby Sound. In the end, 12 tracks ended up on the release with the new single "I Got It" also featured on the album as the lead single. My re-mastered LP is out to stream & buy everywhere now, so make sure you guys have a listen and let me know which is your fave song. Being in the industry for a lengthy period of time, what have you noticed about your growth as an artist from your first release to now? Yes, quite lengthy now I stop to think about it! Growth for me as an artist, I now know is a gradual learning process. Finding your voice, learning to love your tone, your sound, and what you want to write about can take time. I wrote and recorded my first demo accidentally when I was 17 in Rotterdam, Holland. My Uncle & a producer of mine then just suggested it as fun. It clicked for me, and I knew straight away this was my thing. My father was also a producer when I was younger and my family has a few talents scattered around it, so it was almost inevitable I guess. I just didn’t know that I had a talent for what I already found as fun. Since then, I’ve had live promotional tours with the likes of Jar Music, Absent Kelly, and RCA. I’ve released mixtapes and EP’s but now as a fully indie artist, I’m ready to take that growth, move forward, and have a rebirth. The remastered LP is a good transition and I hope to start work on my next full body of work towards the end of 2021. Instagram Facebook

Hailing from Louisiana, Baton Rouge, currently based in Pomona, CA, the artistic realm of Juice-Z’s creative universe was fashioned through the backlash faced in their community and from her father due to her sexual orientation. The California legend in the making didn’t allow that to stunt her progress and the success she would continue to face. Juice-Z has been one to take her trials and tribulations and turn them into relatable melodies that fans can comprehend in a personal manner. Ramping up for the release of her buoyantly infectious hit, “Cheeks,” Juice-Z channels their nostalgic 2000’s Hip-hop inspiration as her chorus is influenced by the Ying Yang Twins’ well-known ‘The Whisper Song.’ If that doesn’t have you immediately hooked on the idea that Juice-Z is here to sprinkle a modern meets old school vibe on the music industry through hard-hitting energy and a persona that should not be overlooked, we know what will. You know how we were all robbed of a hot girl summer due to the COVID-19 pandemic? Well, Juice-Z is here to ensure that “Cheeks,” makes up for that in copious ways. Juice-Z states, ‘As a woman loving woman, I am a fan of the female form; however, I believe all bodies are beautiful and ‘Cheeks’ is a track that everybody can dance to and enjoy.’ Always one to bring inclusivity to the party, aside from being a top-selling performing artist, Juice-Z has created the hottest new record label that welcomes emerging artists from the LGBTQI+ community where they could feel safe and express themselves freely with no judgment. We’re here for all that, and more. Be sure to check out “Cheeks,” available on all streaming platforms on June 4th. Instagram

Born in San Francisco, CEDBEAST is an unapologetic California native with attitude. Idolizing the likes of Ice Cube, 50 Cent, Eminem, and Machine Gun Kelly, CEDBEAST began rapping at the age of 19 under the alias Blackstall10n. Although releasing music never came to fruition, CEDBEAST never stopped putting pen to paper so he could exercise his knack for punch lines and trash talk while drawing inspiration from his life. As he represents the 223 until the day he dies, CEDBEAST brings us his most recent single, “B.O.T.M.” Exuding larger life energy that stems from the roots of old school Hip-hop, the intoxicating confidence that sheds from instrumentation focused on the scratching of turntables has us immediately hooked to what CEDBEAST has in store for us. Additional emphasis is placed on the hunger seeping from his vocal tone as the multiple layers of his blatant verses have a wide-sounding vigor. Taking us into the depths of his braggadocious mentality, we hear the wordplay flowing effortlessly as the punchy rhyme schemes follow suit. “B.O.T.M” gives us all that extra dose of confidence that we yearn for. With CEDBEAST feeding us a lyrical feast that is true to his nature as an emcee, we admire the dedication and perseverance that we hear spun into each word he puts forth. Known for being a well-rounded entertainer that people can’t take their senses off of, you hear traits of the poetic skill set that CEDBEAST embodies trickle into his talents as a wordsmith in the realm of authentic Hip-hop. CEDBEAST is a multifaceted enigma on the rise, and we’re keen to see him at the top. Welcome to BuzzMusic, CEDBEAST, and congratulations on the release of “B.O.T.M.” When channeling such an intense wave of energy, what sources of inspiration did you use to drive that forward? Thanks for having me. I've been reading a lot of your articles over the past few months so I'm excited to be here. And thank you for keeping my name in all caps. I usually have to make that a note. But to answer your question it's just something that's in me that I can turn on and off. I grew up in an era where hip-hop music was always intense. And that just stuck with me in my style and flow. Two albums stick out in my mind when it comes to inspiration and that's The Marshall Mathers LP and Straight Outta Compton. Any time I throw one of those on I start to get in my bag. Could you please share a glimpse of what the creative process looked like when bringing this to life? Did anyone help you bring this vision to the surface? Well, I have to give credit to Anno Domini Beats for producing the track. It was sent to me in a producer pack. From the moment I heard it, I pretty much had an out-of-body experience and immediately started writing to it. I sat down in front of my computer opened pro tools and that's where I stayed for the entire weekend freestyling, writing, and rewriting this song until it was, for a lack of a better term, perfect. And once I had it recorded I sat with it for days and I mean DAYS just having it on repeat on every speaker in my house and in my car looking for every imperfection. Listening to see if any words got slurred or lost in translation. And really I do this for every song. It's a little OCD but in the end, it's worth it. What are you hoping that your audience takes away from the themes and messaging in “B.O.T.M.?" I'm hoping they see that I'm not just some internet rapper. I'm passionate about my music. I'm passionate about music in general. Have been my whole life. I hope they see that I don't need to dye my hair all the colors of the rainbow, scream into a mic, and paint my nails to stand out. I'll do it will skill. I'll do it by simply being CEDBEAST. No gimmicks needed. And you can hashtag that. What is your mission statement as an artist? That's a good question. Mainly to be yourself and go after what others say is unattainable in life. Never stop dreaming. Never quit because someone is laughing at you or telling you it'll never happen. Never look back and say "what if" because that's a question you'll never have answered. What's next for you? I'm always working. I'm always on the mic recording. I have two new songs ready to go. Vibe With Me is next up and it's Produced by Anno Domini Beats as well. I have to give a shout-out to my Mom for inspiring that song. I go in-depth on how she inspired that song on my vlog series called Long Live CEDBEAST on YouTube. Another song called Somewhere Safe featuring Alonda Rich Produced by Wyshmaster Beats. Both those are on the dock to be released next. So stay tuned to my Instagram which you can follow me @cedbeast. All my up-to-date news always goes to the gram first. Make sure you ALL are tuned in and watching because you definitely don't want to miss when it's my time to blow up. And as always, Long Live CEDBEAST! Instagram Twitter

Tyke James is a singer-songwriter hailing from Laie, Hawaii. He was born in Arizona in the year 2000 and was living in Montana before finding himself in Oahu at the age of 12. The island sparked his love for music and performing, as it forged his lifestyle and beliefs. In 2018, Tyke became friends with Adam Levine during his time on season 15 of The Voice. He reached the top 12 of his season before being eliminated. In January of the following year is when Tyke moved into his van Craig, in Salt Lake City, and released his first solo EP titled, ‘Alaska.’ Going strong with the momentum that he has formed for himself, Tyke James presents his 2021 release of the single, “saw u in a dream.” Honing in on the melodic essence of his soul-infused timbres, we hear Tyke James over eclectic instrumentation, as he pours his heart into intricately crafted lyrics. The syncopated grooves have us swaying to acoustic and electronic elements as this sonic hybrid gives us life. Before hearing “saw u in a dream,” we didn't know that this was the type of energy we craved. The abstract canvas of it all has us fully immersed in soothing croons that have us basking in lyrical motifs such as, ‘in a world, extraordinarily bright. like you’re always on a high. hazy from marijuana.’ What we admire the most about “saw u in a dream,” has to be the way the infectious rhythm has you moving to each note as you get lost in the music. Sneaking through the textures of Tyke James’ vocal delivery is an overwhelming amount of passion. Refreshing in the way it’s conveyed, we appreciate how the full-bodied composition allows us to feast on each element that shines through a charismatic wave of talent. Welcome to BuzzMusic, Tyke James, and congratulations on the release of, “saw u in a dream.” With such abstract lyrics pulling us into this arrangement, we would love to know; what inspired the creation of this song? I actually wrote this song about a dream I had. It was such a visual dream, I was just so impressed at my brain for coming up with it. I wrote it down when I woke up and wrote a song about it. If your audience takes away one thing from this piece, whether that be an emotion or message, what would you want it to be? The theme of this song and the next few I’ll be putting out is dreams. I’ve recently become so fascinated with dreams and their meanings and the effect they have on a person, whether they’re aware of it or not. How have you found yourself growing in your craft from your 2018 release of ‘Alaska,’ to this moment now? This song in particular is a really big jump for me. Up until now, my songs have really lived in the folk-rock/singer-songwriter realm, but with this song, I am trying out more of a bedroom-pop /Lorem/ Indie style and I’m really excited to see how my audience responds to it. What's next for you? This is the first of many singles that I’ve been working on for the past year. I’m doing all of the recording & production myself and it’s been a really fun growing experience creatively! My plan is to continue releasing my music this way, probably about a single a month, until at least the end of the year! Instagram Facebook

Heartfelt, charismatic, and unique are three words used by listeners to describe Demi Michelle’s music. She turns her life experiences into songs that touch the hearts of her fan base through captivating storytelling in her lyrics. Her creativity and love for both Pop and Country music drive her passion for writing meaningful songs with melodies that wrap each song’s message in the warmest hug. She greatly looks up to Julia Michaels, Kelsea Ballerini, and Taylor Swift, three incredible songwriters who share their stories in raw and truthful ways. Demi strives to remain honest and authentic as a songwriter in her own music and during her collaborations with other songwriters and artists. Taking in the mesmerizing styling of her angelic croons, Demi Michelle eagerly shares her most recent single, “Will I Ever?” with the public. Through delicate instrumentation that bounces through the speakers in an eloquent manner, we get exposed to a heartrending story illuminated with bright musicality in order to propel its quintessence forward. “Will I Ever,?” delves into strikingly crafted lyrics that Demi Michelle alluringly brings to life. With an array of heartfelt tendencies, the words spoken leap into our minds through the lyrical motifs she elusively sprawls across her artistic canvas. ‘A spark so bright. A kiss so sweet. The moment when two hearts find their special beat,’ has us wrapped up in the precious moments that love contains, however the remaining question in this thought-provoking soundscape is, ‘Will I ever know how it feels to fall in love? To fall in love?’ There is beauty in the uncertainty as Demi Michelle addresses it. What vibrantly speaks to us is the manner in which Demi Michelle can take such a personal moment for herself and share that vulnerability with her listeners. She allows everyone out there to know that they aren’t alone, as they take in the luxurious progressions that seep through “Will I Ever?” Welcome to BuzzMusic, Demi Michelle! We absolutely love your latest single, “Will I Ever.” Was there a particular moment or story that sparked the creation of this song? First, hi! Thanks for the opportunity to share “Will I Ever” with you. The song is definitely very personal and close to my heart. Usually, when I’m writing songs, there’s a specific moment that sparks inspiration. “Will I Ever” was a little different. I’ve been trying to write a song with “Will I Ever’s” message for a very long time. For a while, I didn’t have the strength to do it. Every time I tried, I got extremely emotional and had to stop. Still, I kept trying because songwriting is my way of processing the dark moments of my life. In September of 2020, I finally wrote “Will I Ever,” and even though it was difficult emotionally, I feel like getting all my thoughts and feelings out into the song helped a lot. So, rather than a single moment that sparked the creation of the song, it happened over a period of time. After finally writing it, I held on to it for months because I was scared to record it. In March, I found the courage to do so, and after making final revisions to the lyrics, I went to the studio. In your own words, what does this track mean to you? What are you hoping that your audience takes away from it? “Will I Ever” means everything to me. I struggle a lot with wondering if I’ll ever know how it feels to fall in love. In a way, this song is a mirror that reflects my thoughts and feelings back at me. Instead of being lost in my mind, I have a song that says it all. That’s the most beautiful thing about songwriting. My songs speak to me and share my story in a way nothing else in the world can. I hope my listeners find comfort in this song. We all struggle with questions that don’t have easy answers, and we all wonder things about our lives that are beyond our control. For me, the question I grasp for an answer to is “Will I ever know how it feels to fall in love?” Whether listeners have that same question or a different one, I hope they know they’re not alone on their journey. I wrote “Will I Ever” because I was overwhelmed by the question I ask in the chorus, and now that the song is out, I hope it can bring a sense of comfort to my listeners, too. Could you please share a glimpse into the creative process that brought “Will I Ever” to life? How do you feel now that this song is released? I loved the whole process of creating “Will I Ever.” I usually start with lyrics while songwriting, but for this one, the chorus melody appeared in my mind one day and the lyrics fell right into place. Writing the verses was fun because I love imagery and metaphors. I tried to really paint a picture of my own feelings and also my perception of love. I actually rewrote the second verse about a week before recording it, and I’m glad I did because the lyrics, “I fall for dreams, trust butterflies, keep counting my clouds, but they don’t add to nine,” are my favorite in the song. Also, everyone knows I love bridges, and I really wanted to write a strong bridge that captures the heart of the song. The way the beginning of it is stripped down and intimate takes the song to a deep level. Then, the build-up to the final chorus creates a sense of desperation in the way that I repeat, “Will I ever know how it feels? Will I ever fall in love?” multiple times. Also, the overlap of the lines and the echoes add to the overwhelming sense of confusion and illustrate how this is something I ask myself over and over again. I really enjoyed the recording process as well. When I initially wrote the song, it was acoustic, but I really wanted it to capture my favorite style of contemporary pop music. My producer and I had a lot of fun producing the song, and I think the contemporary pop vibe and fun instrumentation balance out the vulnerable message of the song. That all being said, I love “Will I Ever” acoustic, and there will be an acoustic version as a bonus track on my upcoming album, Dear Diary. I want listeners to get a glimpse into the raw emotion I felt while writing “Will I Ever,” so sharing the acoustic version is my way of doing that. The days leading up to release day were rough. I kept second-guessing my choice to release “Will I Ever.” I stayed up until midnight to hear it when it dropped, and honestly, that first listen on Spotify made me feel so free and calm. I’ve bottled up these emotions for so long. I’m not a very open person, which sounds unbelievable coming from a songwriter, but it’s true. The things I write about are things I don’t typically talk about with others. My songs are my way of communication when it comes to my story. I couldn’t be happier “Will I Ever” is out because I don’t have to hide anymore. It took a lot to take this first leap, but now that I did, I’m ready to share all the other songs I have in the works. With “Will I Ever’s” release day behind me, I feel much more confident moving forward. What has been the best piece of advice that you’ve been given that you wish to share with your audience? It’s quite simple, but “be authentic,” is a piece of advice I’ve received from a handful of people in the music industry. I realized a long time ago how important this is. When I started songwriting, I wasn’t authentic. I was imaginative and told stories instead of sharing my story. I couldn’t connect to any of those songs because they weren’t from my heart. Being authentic is very difficult. Releasing a song like “Will I Ever” takes a lot of strength, but at the same time, no one will connect to a song if the songwriter doesn’t. Listeners want to listen to a song and know the artist singing it believes every word they’re saying. I remind myself every day to be authentic because I want to share my story and touch the hearts of people all around the world. So, for any aspiring songwriters reading this, “be authentic,” and the rest will follow. What’s next for you? Next is my debut pop album, Dear Diary. I can’t wait to share the full story with everyone. The album is anticipated to release in October. Also, I’m working on a lot of new country music. I’m hoping to release another single or two at the end of the year, if not, early next year. I can’t wait for all of this music to be out. I poured my heart into every song. Thank you so much for taking time out of your day to read the story of “Will I Ever.” It means the world. Sending all my love to you. Instagram Twitter

Coming to us from Illinois, the self-taught alt-r&b artist, producer, and singer-songwriter Timmes expands on the depths of an emotional mind with his latest single, "don't be mad at me." With a goal to explore the fear of emotional intimacy and the importance of asking others for help when the time is right, Timmes is never one to shy away from vulnerable and personal concepts. Through inspirations like Joji, Jack Stauber, bülow, blackbear, Cavetown, and Billie Eilish, Timmes has firmly planted himself in the heart of alternative meets lush r&b. Elaborating on his recent single, "don't be mad at me," Timmes reaches out to listeners with hopes that they will realize when to pick themselves up and leave a relationship that's left in the past. "It won't be easy, but those who understand will work things out with you; others will say you didn't try hard enough," states Timmes. Listening to the mysteriously-sounding single, "don't be mad at me," the venture opens with light and floating synth melodies alongside Timmes' low and gentle vocal stylings. While expanding on a downhill relationship and realizing when it's time to leave, the sonics begin pouring through our speakers with vast alt-pop/r&b tones, primarily through the haunting 808 kicks and punchy sub-bass. We're truly in awe of Timmes' haunting vocal layering within this track, as his vocals pan from left to right in a quick transition towards the powerful hook, drenching us in the weight of a relationship that's gone south. Leading us towards the outro with the utmost reflection, Timmes and his accompanying downtempo sonics bring incredible lyrical and sonic dexterity that's bound to sweep any listener off their feet. Feel the sonic and lyrical weight of Timmes' latest single, "don't be mad at me," available on all digital streaming platforms. Welcome to BuzzMusic, Timmes. We're genuinely impressed with the sonic and lyrical depth within your recent single, "don't be mad at me." What inspired you to create this emotionally heavy single? I’ve had people in my life display contempt with me due to major life changes and not having as much time to be with them. It was my way of trying to tell myself that I wasn’t trying to neglect anyone. That it wasn’t my fault. Why did you choose to create the sonics for "don't be mad at me" to be so modern, powerful, and haunting? Why did you decide to create this ominous atmosphere? The atmosphere is meant to be contemplative, cathartic, yet hesitant. I wanted this song to explore an internal conflict. It’s never easy realizing that things aren’t the way they used to be and accepting that. Was it challenging to sit down and write about such personal topics for your single "don't be mad at me," or are you familiar with this writing style? Most of the songs I write are meant to be an emotional outlet. A lot of the time I find myself writing about sad and depressing topics but that’s only because those are real emotions that I can’t ignore. Though I do have the capability to write about more lighthearted themes. In terms of “don’t be mad at me” as soon I started writing the lyrics for this song, they came to me naturally. What do you hope your audience takes away from your lyricism within the single, "don't be mad at me"? Friendships, relationships, and partnerships should never feel one-sided. I want people who are feeling unheard to consider the fact that anyone who is willing to take the time to listen and understand you will know that change (regarding relationship dynamics or just general life) will happen sooner or later. There’s not a lot that we can do about it, so why try to stop it? Instagram