Search this site

Sarah Stark’s powerhouse vocals and soulful songs are not to be missed. Her lyrics are heartbreakingly candid, and her melodies are hard to keep out of your head. In the footprints of Adele, Billie Eilish, and Amy Winehouse, she showcases the same lyrical vulnerability and confidence that the women who inspire her to embody. Being influenced by not only their musicality, but general badass personas, Sarah Stark has now embraced the spunk and sass that she used to get put down for. The bedroom Pop essence of her most recent single “Ghost,” has us intrigued by the versatility that she eagerly professes. Lining each word with a harmony that allows her wide vocal range to be showcased at every occasion, the way Sarah Stark’s sultry timbres infiltrate your mind is uncanny. The instrumentation of “Ghost,” carries a minimalistic approach as the fortified elements exposed allow her unmatched vocal performance to be centered in the mix with a spotlight beaming down on her techniques. As we indulge ourselves in the seamless progression of this single, the dark hues simmer in a shadowy avenue of unapologetic traits that seem to be natural for the bold Sarah Stark. Dipping into the way that the mesmerizing chorus comes to the surface, lyrical motifs such as ‘you’re a ghost love, you creep around at night,’ have us falling over backward for this double entendre that sends a sense of confidence through our veins as we know someone just got caught in the act of lying. Floating layers of distortion upon the spirited croons she gleams, we adore the texture that is dispersed through “Ghost,” as we get to see various angles of the emerging Pop artist illuminate. Using her daring persona as her superpower, Sarah Stark has us humming along to “Ghost,” long after the song comes to halt. Congratulations on the release of “Ghost.” We love the dark tones that come to light in this single! Could you please take us into where you drew your inspiration for this track? Thank you so much! I definitely drew a lot of inspiration from Billie Eilish for this track in terms of the dark tone and production. At the time, I had just been ‘ghosted’ by 3 different people in the span of 2 weeks, and I was feeling pretty down on my dating life. I wanted to write a song that played off of the idea of ‘ghosting’ and had a sorta spooky feeling to it. I really wanted to turn the sort of unfortunate situation I had found myself in and make something fun and a little cheeky out of it. Did you find it any easier or more difficult creative process to dive into when crafting this song? How does that compare to other projects released? This song actually came pretty easily when I was writing. One of my closest friends, Maddie King, had come over to talk about my recent dating troubles, and being a fellow songwriter, we naturally just decided to write about our feelings. She laid down some really cool chords, and we started riffing on this spooky theme I had come up with. I find when I am writing on my own, I can sometimes get caught up in my own head and get stuck on my words, but when I am co-writing I tend to lose my ego and really focus on what serves the song best. Every song is different though. Some are a labor of love, and others just seem to flow. I definitely find it easier though when I have a clear concept, and the feelings are fresh. What are you hoping that your audience takes away from the themes explored in “Ghost?" I honestly would love my audience to walk away from this song feeling like a badass who doesn’t need anyone but themselves. The song was written when I was feeling really sorry for myself, but the process of writing it helped me discover that it’s the ‘ghost’ who’s losing out, and not me. I want my audience to know that they are all worth being given a chance, and if someone wants to ‘ghost’ them and leave without a trace, then that’s the ‘ghosts’ loss, not theirs. You are on a mission to inspire others to be their truest selves. Do you find that this comes forth in both the music you release and your brand as an artist? Growing up, I was always a quirky and weird kid. When I hit my teens, I became hyper-aware that I was different, and that b being different was NOT cool. This set me on a path of desperately wanting to fit in, and in the process making myself miserable. A couple of years ago, when I started taking my music career seriously, I also decided to work on being as authentic to myself as possible and not care what others thought. That was a really hard process, and I was uncomfortable at so many stages, but I am the happiest I have ever been because I know that I am now living to be my truest self. I hope my audience can hear that in my music and see it in my brand. Everything I put out needs to be something I can absolutely stand behind with no doubt, and I am really proud of that. What's next for you? Hopefully big things! Right now I am just focusing on pushing ‘Ghost’ as far as it can go, but I would love to go on tour once everything has settled and lived shows start opening up more too. I have made so many fantastic connections online over this past year, and I can’t wait to meet everyone in person! I also have plans to release my follow-up single to ‘Ghost’ toward the end of Summer 2021, so be on the lookout for that! Instagram Facebook

Rising up from the Long Island Music Scene, A Place To Hide is comprised of Nick Rigali, Nick Valero, and Ryan Mastrelli. The three met in 2014 at a local music shop, where they fulfilled their craving to play in a band, and they’re now known for bringing the energy to the stage; from syncopated rhythms, exciting choruses, and an authentic live feel. The music of A Place To Hide combines all the problematic issues, hardships, and journeys the members went through to find their place to hide; where you know you’re not alone in your struggles. Through an amplified essence of passion, the Post Hardcore soundscapes of A Place To Hide are electrifyingly illuminated in “So Wrong.” Being a trio, there’s a certain connection that allows the musicality of each instrument to shine in its own environment as the band is seamlessly glued together in syncopation. Delivering a surge of hard-hitting relief in an impactful universe of belonging, the words that are passionately performed collide with the tightly knit drum patterns, resonated bassline, and propelling guitar riffs that drive this composition forward. Carrying dark connotations in the melodic spirits lurking, everything about “So Wrong,” is intensified with the edge factor being elevated to a newfound dimension. Capturing the stand-out moment glistening in the spotlight, we digest the entirety of unique self-reflection that dangles from the songwriting techniques as it is backed with empowerment from the bolstering percussion hits. Transitioning through time signatures as we reach the final moments of “So Wrong,” A Place To Hide gently eases us into the culmination of the arrangement. Tiptoeing in realms that spark a sense of intriguing creativity, A Place To Hide continues to deliver the cutting-edge atmospheres that we gratifyingly thrive in. We love the rollercoaster of intensity that you tour us through in “So Wrong.” Could you please share the inspiration behind this song? The inspiration behind "So Wrong" was to create a high-energy song that would be fun for us to play live and for fans at shows to move to We set out to write the best APTH song that we have written so far. What does this song mean to you as a band? Does it hold the same meaning to everyone across the board or do you find its meaning can shift in an authentic way? For the band, "So Wrong" has a shared meaning. We see it as the acclimation of our struggles, going away to college, and being in different places physically and mentally while maintaining a commitment to the band. For others that are listening to the song, we feel the meaning can morph based on the situation that person is in. We would love for you to share a glimpse of the creative process that brought this track to life. What did that process look like? Was there anyone to help you achieve the desired sound we hear and love? "So Wrong" started with the intro guitar/bass riff written by Nick Valero. He then brought it to the guitarist, Nick Rigiali and they collaborated to bring it to the next level. The two kept developing the song, recording it into Rigali’s computer in his bedroom eventually turning it into a demo with computer drums and rough vocals. They brought it to Ryan and he finalized the drum part, giving it high energy with a touch of pop-punk influence. Once the band rehearsed the song, the group reached out to their producer Ryan Schumer, who helped them shape the song in the studio harnessing the staple APTH sound. The band recorded at VuDu studios in January 2021 and "So Wrong" has a scheduled release date of April 30th, 2021. How do you find “So Wrong,” compares to other songs heard in your music catalog? "So Wrong" is the next step in A Place To Hide's sound. We bring our signature sound from our past, but it is an indicator of how our sound is to evolve in the future. We’ve really found our voice with this new track but it is always changing as our musical tastes and influences evolve. We don’t know where we’ll go but we know we are going to keep improving. Instagram Website

The Nashville-based singer-songwriter and inspirational country artist Kimberly Dawn releases an emotionally rich single in honor of Mental Health Awareness Month entitled "The Bottle." Constantly using her music to express messages of perseverance, humility, courage, and resilience, Kimberly Dawn recently partnered with the National Alliance on Mental Health for their 'You Are Not Alone' campaign. The Canadian-born musician never fails to shine a needed light on topics like mental health, as she states, "If my songs give someone else strength to get through the day, then I've done what I set out to do." Rolling into Mental Health Awareness Month, Kimberly Dawn felt compelled to share her personal struggles through her latest single, "The Bottle." Alongside an introspective and reflective music video, Kimberly Dawn pushes an incredibly relatable and heartbreaking message while raising awareness for the National Alliance on Mental Illness and their 'You Are Not Alone' campaign. Co-written with multi-award-winning songwriter Jeff Cohen, "The Bottle" opens with soothing country instrumentation through soft shakers, fluid piano melodies, and lush acoustic guitar strums. As Kimberly Dawn begins vocalizing her inner trials and tribulations while reaching for the bottle once again, she paints incredibly delicate and fragile images of wishing to get through these tough times with ease and comfort. Highlight lyrics like, "We all live alone with our mistakes, hanging onto hope, it ain't too late," Kimberly Dawn continues to share a warm embrace with her audience while reminding them of grief, depression, anxiety, and their normality. Emphasizing the song's saddening themes throughout its music video, viewers can catch a reflective Kimberly Dawn as she reminds us to hold onto faith for a brighter and better day. Find Kimberly Dawn's relatable single, "The Bottle," on all streaming platforms, and watch the inspirational artist in the song's pensive music video available on YouTube. Thank you for emphasizing the importance of mental health with your latest single, "The Bottle." What inspired you to share personal struggles surrounding mental illness with this single? I have had my own struggles over the years and I think a lot of times I have felt too embarrassed to talk about them. One being that I started drinking at a very young age. I was 12 when I first tried alcohol. Throughout my teenage years and early adulthood alcohol is what helped me cope with anxiety, stress and depression. Obviously it was a band-aide. I want people to know that they’re not alone and it’s OK to ask for help and there’s nothing to be embarrassed about. Today, I don’t drink and I live a life focused on wellness, and I have never been happier, but it’s important to ask for help. What drew you to collaborate with multi-award-winning songwriter Jeff Cohen for your single, "The Bottle?” What was your collaborative experience like? Jeff and I were introduced by a mutual friend. He graciously agreed to write with me, to both of our surprise, this song “The Bottle” was born. We wrote this song in about an hour and a half! I remember after we wrote the song we both looked at each other and were like this is a special song. Did you work with any directors, producers, or videographers when shooting your music video for "The Bottle?” How do the scenes in the music video emphasize the song's delicate theme? Yes I had such a great production team and they saw the vision that I had for this video. They literally transformed it into something I never could have imagined. I think each scene tells a story throughout the video. In “The Bottle” video it shows a woman struggling with addiction but then you see at the end, the climax, her being able to overcome the demons that we all have inside. Could you tell us more about your partnership with the National Alliance on Mental Health and the 'You Are Not Alone' campaign? May is Mental Health Month and NAMI has asked me to participate in their ‘#YouAreNotAlone’ campaign. You can see on my Instagram @OfficialKimberlyDawn I’ve shared a photo of who or what makes me feel #NotAlone in my mental health journey and I challenged two friends to do the same. NAMI is also highlighting those who have gone through struggles, and bringing mental health awareness to the forefront. I will do all I can to raise awareness for this cause, even offered them a place at the end of “The Bottle” music video so people know they can call NAMI for help. Instagram Facebook

With a focus on real-life experiences and punk melodies, Gun Boi Kaz keeps his fan base on their toes in his latest release “Drove You Away”. Touching on his inner thoughts that remained after a difficult breakup, Gun Boi Kaz uses this single to let it all out and encourage listeners to find release. Combining soothing yet enticing melodies with spellbinding hooks, Gun Boi Kaz showcases heartfelt tenors as he overcomes the feeling of what could have been. Due to the fact these experiences are surrounded by feelings of negativity, listeners can feel that they are not alone in their struggles as Gun Boi Kaz pushes them to become open about these feelings in order to move forward. With spots of bubble and blissful melodies, “Drove You Away” adds a glimmer of hopefulness to these feelings of despair. This emo-rap artist not only has created melodic hues of discerning and love but also vulnerability. Instagram Twitter

The Los Angeles-based genre-bending artist, singer-songwriter, and producer Eddie Cohn highlight our uncanny similarities to wild "Animals" with a thorough and conceptual music video. Also a podcaster, DJ, yoga teacher, and dreamer, Eddie Cohn is best known for his devotion to the business of illumination. Constantly revealing layers and aspects of himself through each and every endeavor, musical or not, Eddie Cohn is always one dissect essential and important themes throughout his artistic journey. On track to release his forthcoming album 'Dystopian Days' later this year, Eddie Cohn recently dropped the album's second single and music video entitled "Animals." Directed by Leslie Andrew Ridings, viewers can catch Eddie Cohn delivering his passionate performance amid a post-industrial landscape. The song itself was written as a response to the city's tension during the George Floyd protests, and the music video is said to capture the same sense of destabilization. Hitting play on the music video for "Animals," the visuals open with a shot of a serene woman floating in the water while transitioning over to Eddie Cohn in the back alleys of LA and strolling through the train tracks. While he begins delivering his magnetic and passionate performance, we later see scenes of the woman in the water fully submerge herself below, as she's said to represent the city's spirit during turmoil. As Eddie Cohn continues his powerful performance while the blurred and backlit city stands behind him, the woman later peaks her head above the water in a state of shock. While Eddie Cohn continues to emphasize human begins and their violent actions, he also recognizes our innate similarities to wild animals, as these tragic occurrences should only be witnessed in the heat of mother nature. Watch Eddie Cohn's conceptual music video for "Animals" on YouTube, and stay up to date with the versatile artist as he prepares to drop his forthcoming album, 'Dystopian Days,' later this year. We truly appreciate the in-depth concept you've delivered within your recent music video for "Animals." What inspired you to create a music video that emphasizes our similarities to the violent acts of wild animals? Well first off, thanks so much for asking me to be a part of BuzzMusic and for premiering the video. I think the song was inspired by the riots, protests, and ensuing chaos that enveloped 2020. And throughout it all, we have the media analyzing us and trying to make sense of such nonsensical behavior, but maybe our behavior is incomprehensible sometimes. Our carnal, raw, and violent tendencies have been a cornerstone for centuries but at this point, should we be surprised by the violence and gross nature of humans? Have human beings always acted this way or is it getting worse? I think watching the violence unfold coupled with the media's attempt to "explain" it all was confusing and challenging to come to terms with. Sure, human beings have the potential to create magic and true wonder but we often don't look much different than a wild animal. The propulsion towards violence, our need to be liked, or the way we follow the crowd certainly mirrors wild animals. It's complicated but I thought a lot about these themes while writing the song. What was your shooting process like when working with producer Leslie Andrew Ridings for your music video, "Animals"? How did he help navigate/execute your vision? Leslie has been a friend of mine for over ten years and I've truly resonated with his style as a producer and filmmaker. We try to make videos that feel like little movies where it feels like the viewer is "in the movie" right there next to me. We typically go into each project with a "Guerrilla" mindset. We sort of have an idea but we never like to be too locked in on a specific direction. We like to allow spontaneity to be a defining part of the process. First off, Leslie found an incredible location and it's obviously crucial to have good lighting and pick a good time of day to shoot, but once we arrived at the locale and set up, we try to live in the moment and feel what the area is giving us energy-wise. The beauty of the sun and the skyline of the city we felt would be an eye-catching and thought-provoking juxtaposition to the sort of gritty area where we were shooting. Why did you want to add the various scenes of a woman in the water within your music video for "Animals? How does she represent the spirit of the city? I don't like to get too deep into the meaning and symbolism of imagery because I do believe a lot of the fun is allowing the viewer to come up with their own point of view. I think, today especially, we look for answers to "everything." There's less mystery and curiosity with so many people wanting explanations which ironically was another theme of the song. Sometimes, human beings can't be understood. With all of that said, I do feel she added a valuable contrast to the grittiness of the city and the images of me. She may also represent the angel who is looking out over us all. I sing the lyrics, "They've got eyes on you." That line was sort of meant to mean, be careful what you do or think before you act because maybe there is a higher power who is watching over us all. Why did you choose to release the single and music video for "Animals" prior to your forthcoming album, 'Dystopian Days'? Does the song/video get listeners ready for more in-depth themes and concepts within the project? The record has been finished for about a month but knowing we live in a musically "single" and ADHD world, I'm opting to release a couple of singles before I release the record at the end of the summer. FREEDOM was the first single and with ANIMALS, there's a combination of strings and percussion, which is used on much of the record so I felt it was an appropriate song to release next. It also felt like a nice shift from the previous single and since the record is thematically about the dystopian look of the 2020 world, I felt ANIMALS made sense to release next. What has been your personal favorite release of 2020? Music-wise, the new ZHU record just came out today and I'm a huge fan of his. I'm digging it so far. Masego released a bunch of new music in 2020 and he's always at the top of my list. Book-wise, I went back and read a few classics in 2020. Catcher in the Rye, Animal Farm, Lord of the Flies, and 1984. It's sort of startling and eye-opening to see how the themes of those novels are so relevant today. What can fans anticipate next? I can't wait to release the full record later this year. It's entitled Dystopian Days and it should come out towards the end of the summer. I'm recording some remixes right now for some of the songs which should come out in the coming months and I'm also planning to release an ambient EP with more acoustic/piano-driven music catered towards yoga and meditation. I'm also a yoga teacher and I think after a year like 2020, we can all use a little downtime and a space to relax. iamEddieCohn.com Instagram.com/eddiecohn Facebook.com/eddie.cohn Twitter.com/eddiecohn

Coming at us from Chicago, Illinois, Chise Up is the sprightly duo that Hip-Hop fans didn’t know they were missing. The sonic partnership officially began at Southern Illinois University at Carbondale when the two cousins Daws Lotto and Cognac Classic first realized that their individual musical talents were enhanced when they collaborated. Since then, Chise Up has never ceased their production and in addition to dropping countless singles they have just released their fifth studio album ‘Heavy Drugs 3.’ Never taking a moment to rest since the start of their creation, Chise Up seeks to improve their music with each release. Having collaborated with the dynamic producers Dolomane CKP, Ill Brown, and S7NLEE, Chise Up is able to showcase their musical versatility when it comes to lyricism and flow. The pair looks at their music as if it is an audio movie, using hard-hitting verses, thumping bass lines, and radiating synths to tell a story. Instagram Facebook

The Montreal-based versatile rock band and trio Lost Tourists highlight the need for freedom and release with their groovy debut single, "Break Thru (Demo)." Comprised of Saro Hartounian, Kevork Boyadjian, and Noah Cohen-Wanis, Lost Tourists began their venture jamming out in an underground rehearsal space, where they felt instant creative chemistry. Now creating fluid-rock music that borders the sounds of funk, jazz, blues, post-punk, and hard-rock, Lost Tourists are building a unique path for themselves while formulating the music they would want to hear. Recently releasing their groovy debut single, "Break Thru (Demo)," Lost Tourists bring us deep into a dynamic atmosphere through their nostalgic tones and intoxicating melodies. As Saro Hartounian's low and magnetic vocals leave listeners charmed and swooned, Kevork Boyadjian's bright guitar riffs and Noah Cohen-Wanis' punchy drums amplify the song's texture and vibrance. Hitting play on the single, "Break Thru (Demo)," the track begins with Kevork Boyadjian's bright and beaming electric guitar melodies that swiftly drop into Saro Hartounian's RHCP-like bassline and Noah Cohen-Wanis' steady mid-tempo drum breaks. While the instrumentals set the song's groovy and dancy tone, Saro Hartounian touches on the need to be freed from inner turmoil through his low and charming vocal portrayal. Through Lost Tourists' lyricism complemented by their intricate and textured instrumentals, the song truly makes for a unique and irresistible listening experience. We adore the dynamic range within this scorching groove, as Lost Tourists come together to paint the utmost relatable images while leaving us tapping our feet to each and every beat. Don't miss out on Lost Tourists' debut single, "Break Thru (Demo)," and introduce yourself to the rocking trio on all digital streaming platforms. Welcome to BuzzMusic Lost Tourists, and congratulations on the release of your debut single, "Break Thru." When did your group begin creating this single? How long was the single in the making? Thank you, we’re very excited! I came up with the main bassline on March 18th, 2020. So, more than a year ago! I know the exact date because I had posted a clip of it on Instagram. I came back to the idea a little while later and presented a draft recording of it with bass, guitar, and drums to the guys. This was back in September. Finally, I wrote the lyrics in December and we started recording the demo in February. Overall, the entire process took around half a year, and “Break Thru” is very much a “quarantine jam!” What inspired your lyrical theme and concept within "Break Thru?" Did your group write the lyrics collectively, or did one member tackle the songwriting? The lyrics speak about our daily struggles with anxiety and the need to get out of our own heads. For most of us, these feelings were amplified during the lockdown. I wanted to manifest positivity and let people know that they’re not alone in their struggles. I took on the songwriting duties for this one and feel that the serious subject matter pairs up pretty well with the upbeat tempo. This tune truly does represent hope! What sort of feel and vibe were you going for when creating the groovy instrumentals for "BreakThru?" Did any of your artistic influences further inspire the song's instrumentals? I wanted the song to have a funky and catchy feel. You know, something that people could move to in their cars in the summertime. To give people a small break from groovin’ so hard during the verses, I wanted the chorus to have a dreamy/jazzy vibe where the bass is toned down but still remains very melodic. This is where I introduced some flanged jazzy guitar chords and a phased-out stereo organ on top. My artistic influences really came through during the final chorus and outro. The keys during the last chorus were heavily inspired by Nick Rhodes’s performance on a live version of Duran Duran’s “Girls on Film”. And the “glide-y” Moog section in the outro was inspired by the immortal Bernie Worrell of Parliament-Funkadelic fame. Seeing as "Break Thru" is your band's first release, could you expand on what listeners should expect from you moving forward? What do you promise to serve listeners with each release? Moving forward, our listeners can expect melodic songs that pack a punch and that’s a “Lost Tourists Promise”. Saro and I love experimenting with different synth sounds and textures. We will continue to experiment and implement these sounds into our tunes. We’re looking to release one more demo before we start recording our first EP over the summer. Noah, Saro, and I are very excited for what’s ahead and we can’t wait to hit the Montreal stages and share these songs with you all in a live setting! Instagram

24-year old Slendo is an emerging Hip-hop artist and rapper from Chattanooga, TN. He has been engaged in the production elements of his artistry as well as beat making for the past seven years and taking his talents to the microphone for three. Heavily influenced by artists and sounds from the past and present, Slendo can often be heard utilizing his inspiration from staple creatives like Bob Marley, Jay-Z, Kanye West, to newer rappers like Lil Uzi Vert, Juice Wrld, Future, Young Thug, and more. With a number of singles and project releases that have been out for the past two years, Slendo can be heard using music as a form of expression and escape from personal struggles and world issues. Giving his fan base a taste of his flourishing skill set, Slendo is fresh off the release of his second solo album, 'All Roads Lead to Hollywood.' Taking listeners through his trials, tribulations, and highs on his long road to success in the music industry, aka his journey to Hollywood, Slendo can be heard collaborating with producers Mercurial, BamBam, WeCallEmDre, and MarcoFlowlo to deliver the desired sound the eleven-track album deserves. Kicking off the project with the introductory single “Road 2 Hollywood,” Slendo can be heard exercising his techniques over ominous instrumentation that features beguiling Trap-inspired drums to set the punchy tone of 'All Roads Lead to Hollywood.' Expressing the various obstacles he encounters on the road to Hollywood, the lyrical dexterity radiated by Slendo breaks the scale of wordplay. The pop-culture references, especially regarding Lebron James, have us immediately hooked on the various sides of Slendo we’ll be introduced to on this project as he raps with a hunger in his voice, ready to be launched to newfound dimensions of the genre. As we take the tempo down and immerse ourselves in a more melodic escape of Slendo’s lyrical soundscapes, “Sunken Ave,” has us swaying to an almost dark and ethereal atmosphere locked into the musical components heard. As Slendo writes this open letter to his audience, each word brought to the surface reflects how he balanced all the ache, disturbance, and dramatics in his life before making it to Hollywood. ‘I get high as hell, ‘cause I don't like lows,’ is the lyrical motif that has us deep in our thoughts as Slendo speaks about numbing the pain with vices. Racking in a medley of thoughts, the emotive expressions allow us to feel for him as an individual separate from the music. “Who to Blame?” is the third song featured on 'All Roads Lead to Hollywood,' and it follows suit after “Sunken Ave.” With the vocal performance falling into a more blatant delivery that is structured with textured distortion through the copious layers in the record, Slendo is clearly searching for answers for the culprit of his consequences in “Who to Blame?.” Allowing himself to get intimate with the words he shares in his rich exploration of retorts, Slendo shares the vulnerable spectrum of his artistry that makes us relate to him as a human being at the end of the day. As we begin to enter a more vibrant and upbeat countenance of heavy-hitting energy, “Scarred (Razr Sharp),” actually plays off of the outro in “Who to Blame?” as the seamless execution allows us to commit to the energetic essence of this track that much more. Dipping into the narrative of betrayal, dishonesty, and being scarred by those around him on his road to success, Slendo passionately raps about keeping his eye on the prize with a razor-sharp focus. Pouring everything he has left in him into this single track, we hear the versatility thriving as the impact leaves us with a message we can all relate to. The only song with a feature sits at number five on the tracklist, and that song is “Rancho Cucamonga.” Buoyant instrumentation nods to a futuristic universe that still relies heavily on the bass, however, the contrast of mid-high to high-frequency elements gives this record a certain stand-out feel. Enlisting the talents of LilBrian1K, you can expect to be captivated by the unmatched dynamism these two artists emit in this song. Swimming in the sea of new wave Hip-hop, we’re ready to plunge into that optimistic vibrations as this dynamic duo tackles the beat in a chronicle of living it up and having a good time in Hollywood. As we fade off the high of “Rancho Cucamonga,” we enter another dark realm of mid-tempo instrumentation that pulls us into the sounds of “Venice.” Laidback with spellbinding descants yet remaining unmatched in swagger, you can’t help but pick up on the West Coast embodiment that lies in the aura of “Venice.” As Slendo raps about his desires to escape to Hollywood for superstardom, listeners can transport themselves to the spirit of bolstering comfort that reigns from the beachy vibrations produced in this record. The lead single to be released off of 'All Roads Lead to Hollywood,' remains in the unforgettable melodies of “100 Roundz.” Although slower in tempo with a beat that plays upon lush guitar ruffs and timely percussion, that doesn’t mean that this track doesn’t go hard. Mesmerizing with the tonal distinction that Slendo uses to articulate his carefully crafted verses, we get taken into a hook that is near impossible to get off your mind. Capturing the ultimate hit with the signature trademarks used to craft such a bop, we suggest listening to this track with the windows down as you hit the freeway. Approaching the mystery that is weaved into the cognizant resonance of “Lately,” we are exposed to Slendo looking back at his life from a shifted perspective than the one that was offered up earlier in 'All Roads Lead to Hollywood.' Gripping onto the emotion he holds with himself, you hear the emotive hues of Slendo peek through each word powerfully executed. Flowing his outlook to themes of positivity backed an illuminating essence, Slendo hints towards wanting to grow from what no longer serves him, so he can make room for what does. “Side Feelings,” is a striking combination of distorted piano keys accompanying reverberated guitar riffs for an all-out ballad that delves into the multiple problems Slendo has encountered with women throughout his lifetime. Learning how to put a reserve on the feelings in him that arise, we hear the implementation of an intimate performance pressed with melodic timbres that are matched with perfectly timed delay throws. Filling the spatial ratios of this piece, Slendo gets up close and personal with his vocal talents as he dominates the superlative narrative of love and loss through adoration. Communicating the journey of his life through a perspective lens, “Broke N*gga Dreams,” depicts a vivid showcase of just how far Slendo has made it through his own perseverance. Though reflecting on his success the lyrics reflect the continuous expedition it takes to get to the top and with a set of goals and ambitions as large as Slendo, we have no doubt that he will conquer all to get there. Doing so in a manner that echoes his virtuoso with an effervescent framework to structure the themes heard, we feel a sense of full-circle accomplishment as we near the end of 'All Roads Lead to Hollywood.' Taking us to the final song on this album, the suitably titled “Outro,” unravels each of Slendo’s talents in a triumphant way that establishes his name. Heavy on his lyrical dexterity as he sweeps cadences under the rug, this final puzzle piece of a song acts as a thank you to his bourgeoning tale. Rich in experience and the lessons learned through his voyage thus far, Slendo confesses the lengths he’ll go to elevate. Thriving on his road to success, we feel the extent that we know Slendo as an artist and individual speaks wonders. Hello Slendo, thank you for joining us at BuzzMusic, and congratulations on the release of 'All Roads Lead to Hollywood.' We love the various perspectives you deliver through the eleven tracks featured! Could you please take us into the creative process that brought this piece to life? Thank you! Really I've always been fascinated with the West Coast and Hollywood life/vibe/atmosphere whatever you wanna call it, honestly for as long as I can remember. So, with this album, I really wanted to kinda put together a soundtrack for what I think Hollywood sounds like if that makes sense. Out of the eleven songs offered up, do you have a specific one that resonates with you more than the others at this point in time of your life? It's probably a tie between Who To Blame?, and Side Feelings right now just because of the personal aspect to both of those songs. Those tracks find me in a vulnerable state that I feel like the listener isn't really used to hearing me in and that's what makes them so special. What was it like working with Mercurial, BamBam, and WeCallEmDre along with yourself on the production elements of this album? Man, it was an awesome experience! This was something I'd never done before considering I make my own beats...so to have an album where I only produced one track on it was so dope. Each producer really brought their own unique style and sound and it all came together so beautifully. What has been the proudest moment in your artistic career to date? Hmmm, tough question. I think my proudest moment so far is just releasing this album! I put so much time and effort into this shit and to see it doing well and people receiving it and actually rocking with it, it makes me hella proud. If your audience could take anything away from 'All Roads Lead to Hollywood,' what would you want it to be? Literally the title man, All Roads Lead To Hollywood, no matter what road you take no matter how long, how far, how rough, if you stay focused on the ultimate goal you'll get to your dreams (mine happen to be Hollywood). I want this album to show people that I'm serious about this and that I'm here to stay for a long time! Instagram Facebook

Hip-hop artist $helta was introduced to music at a young age. Swarming in various genres, including playing the piano, it wasn’t until the age of 14 where $helta began rapping. $helta’s music exudes waves of emotion with a unique delivery and cadence. Growing up with a single mother and two siblings produced trials and tribulations for $helta and his family as he had to become the man of the house at a young age. Using this situation to fuel his fire of making monumental moves in the underground rap scene, he began recording music around the age of 15 and shaped his craft in the oncoming years. Flaunting his talents on a musical canvas of heavy-hitting Hip-hop trademarks, the energy adapted by $helta in “Crossfaded,” leaves you wanting to run the trackback. Tapping into his spot-on characteristics as an emcee, the entirety of this single is structured from a freestyle, with the majority of the bars being off the top of $helta’s creative mind. Sifting through a narrative that has you in a hypnotic trance, the themes touched on refer to being in a daze from smoking cannabis in copious amounts. Embodying a side of himself that he has yet to explore, $helta takes a dive into mid-tempo cadences, the glide over the K.E On The Track instrumentation as you anticipate each word that $helta is going to impeccably flaunt in his witty rhyme schemes to come. Taking in the artistic finesse of $helta, we’re here for all that he embodies in his lyrical dexterity as he boasts a sense of confidence that has us moving in buoyant ways to the beat of his own drum. Keeping the themes in “Crossfaded,” highly relatable, he doesn’t neglect his skill set as an emcee, as he places emphasis on riding the beat with the intention of letting it sink into his listener's minds. Listen to "Crossfaded" here. Welcome to BuzzMusic, $helta, and congratulations on the release of “Crossfaded.” We love the theme and energy that this single brings! What was it like working with such an established producer like K.E On The Track to give this song the attention it deserves? Thanks for the warm welcome, BuzzMusic! I'm excited to be featured here that's for sure. Yeah so just wanted to thank you for the warm words in regards to releasing "Crossfaded". Definitely appreciate it, for sure. I'm happy to read that the theme and energy are loved, that means a lot. Focusing on the energy in the studio and recording this song, was cray spent a few hours on "Crossfaded" and one other song titled "Life Is Good". Naturally, some energy began to resonate in my mind and soul and manifested properly, that's when we knew we were getting somewhere. That is a great feeling, hands down, no cap! Always need the right energy in the studio, and sometimes the right people to be honest or just nobody just depends on vibes really. During the session, I had one of my best friends in the studio with the engineer, and that's the tip I was on that day anyway. Really felt great having a professional exclusive beat from a well-recognized producer in the game also was litty working directly with a professional engineer with a music degree, the engineer did what he was supposed to do as the song is mixed and mastered wonderfully, he did the spectacular job so did "K.E. On The Track". We all killed it to a degree. Looking forward to working together on the next project. Working with an established producer is lit for sure, I have about +50 more of "K.E. On The Track's" beats mainly all of them exclusive, the ones that aren't exclusive I still got them for a hell of a deal. "K.E. On the Track" is regularly known to sell beats anywhere from $10,000.00-$20,000.00. It's ballin and G. as ever that K.E. made these beats available to individuals, the right individuals I should say. Big shout out again to "K.E. On The Track" and my engineer who is the studio owner, oh, and shouts out to BUZZMUSIC ya'll be killin the game. FACTS. You mentioned that this song is mainly a freestyle, which we love! Could you please take us into the process that you endured when creating and recording “Crossfaded?" Are most of your songs freestyles? Yes, "Crossfaded" was mainly a freestyle, again, thanks for the love and appreciation regarding the song being a freestyle. I am always freestyle-rapping most of my songs are, yes, freestyles. As of right now I have about 100 maybe 110 songs out there finished on the web to find, anyways, I've been practicing since the age of 14. That's a fact, so when it comes a time, I just spit bars and concentrate on getting my rhythm down and my cadence, and from there just go in like a surfer killing it on a big wave, him being on the board is like my freestyling/rapping and the ocean and all its force and the wave are like the beat, I just ride the beat like dat, and I love it! I'll spit and freestyle and go back and remember what I said on the last take while recording and stop and go back when needed to attempt the verse again using some of the material I laid down prior off the top. Seems to work hella, my writing skills are off the chain too don't get me wrong, yes I prefer freestyling but I'm confident in delivering what I need to if and when I need/choose to write versus freestyle. Lots of takes were involved in the recording process, sometimes I'll merk beats and finish a song in one take, that's when I really get the euphoric feeling I'm after it's like a natural high, well for me it is a natural high, frfr. "Crossfaded" was one of those tracks I needed multiple takes on and stopping starting back where I specify and then there are the adlibs, which I love going back and laying down. I know I kill it on the hook and with the adlibs and just the vibe entirely on the hook but yeah so that's 100. I also love the adlibs I dropped throughout the entire track, unable to deny that, I am an adlib type of artist, hands down. When the adlibbing time comes round I'm like aight then let's get it! Being signed with "viprecordings" what was the release process like when bringing this track to the public? Is it a different release rollout than you’re used to? "Viprecordings" is a dope record label lets face it, go check out the website and see what I'm talking about folks!!! Here is the viprecordings website, it's lit. When rolling out "Crossfaded" I was happy as every release is not only distributed to 600+ stores but also is eligible to be distributed into radio stations and magazines. For that, I'm truly grateful. Look in my opinion releasing the music independently would/is more difficult, I've been there done that, and still do release and publish my own music via my record label called "illaFloRecords, here's our website illaFlo Records. Look but don't get me wrong, not impossible not a bit, but having a marketing team and other individuals assisting in the process of releasing the music and getting it in stores and just everything else kicks so much ass it's not even funny, not even a little tiny bit funny, haha just kidding but not seriously I also love the dedication and respect the A&R and COO of the "viprecordings" brings to the table, the A&R and COO I'm referencing are named Sebastian Aguirre and he knows the business when it comes down to this music industry. I trust him and he liked the song "Crossfaded" and basically advised me to release it as he enjoyed the track and thereafter proceeded to push the record and support me along the way. All in all, it is a different process, and tasks are entirely different when releasing myself versus through "viprecordings", I am thrilled to be signed with them and look forward to what's to come next. Believe that, hey! The process is easier as all I have to do is get the song recorded, mixed, and mastered, which I am proficient in those sectors as well like the music that got me noticed or in my demo(s) has been all me, write/freestyle and recording in my home studio or a professional one, also I have to find or make a beat get the licensing situated and the session scheduled and lastly the cover art. When releasing with "viprecordings" it's just simple, send the song over and the right cover art dimension wise and I'm all set I get to pick the date I want the song to roll out, and boom the label takes care of the rest. I was absolutely thrilled and blown away on could say that "viprecordings" has landed a deal with "Sony" and has a partnership type of deal worked out where the music from us at "viprecordings" is published via the "the Orchard" which "Sony" owns and is delivered to wherever it's going, for example, youtube for instance "Crossfaded" was provided from "The Orchard Enterprises". At one point or another I was like wait...."Sony" is distributing my music via "The Orchard Enterprises"? Once I realized that fact, I was like this is horribly ballin, ayyyeee. I feel privileged is all you know what I'm saying? Bet! Lez Go! With each artist varying in their brand and message, what would you say yours says about you as an artist? Hmm, I haven't ever been asked a question like this one, been asked a few in my day but this one is a bit challenging. My brand is "illaDank Street Apparel". Here check out my website as it just recently launched and products are available just not the clothing line yet, but stay tuned as the clothing line will be rolling out here this year for sure, and trust me the clothing line is illaDank, illa. Here is the link to my brand and the website domain I purchased and the store I got online just last week. Looks great actually here is the link illaDank Street Apparel. I think my brand indicates to many that I obviously smoke mary jane, hence the name of the brand being "illaDankStreetApparel". So I feel I put that vibe off that's like okay this is a weed clothing line or brand and that most likely things will be dope and chill versus the alternative whatever that may be. My message well it's like this I am an aspiring 29-year old father & entrepreneur/hip-hop artist/record label owner/and a signed artist all mixed in one. I am currently residing in Minot, North Dakota. I am constantly working on new ways to provide business owners and my artists everything in my arsenal, in hopes to duplicate & automate production as well as ROI (return on investment). My message or basically my personal VISION is to positively change lives for the better of the world and for our kids/our nations kids/ kids around the world through money raised conducting business the right way. Whatever it may be in my case it's music. FACT Only a small portion is silver-spooned coming into this world. Everyone starts somewhere, somehow, someway and that's just how it is everywhere throughout this entire world, period. I want to help you help others in this world. Everyone is going to doubt, stay non-believers, hate, but just know no publicity is bad publicity, technically speaking. Case in point, don't ever pass up a "chance", you never know what could happen or worse what could have happened. Over the last few years, I've been overseeing & introducing the newest ways to BOOST annual sales revenue, allowing for duplication and automation to occur at rapid speeds. Since the inception of 'illaFloRecords' groundbreaking GROWTH has occurred both in the PHYSICAL & BITS world. THE vision is to obliterate what's known as the CURRENT STATUS QUO, causing IRREVERSIBLE damage, while presenting an incredible OPPORTUNITY for AMERICA to come TOGETHER as ONE. We believe with the CURRENT and UPCOMING workforce, ANYTHING, and I mean ANYTHING....is POSSIBLE I know what it's like to STRUGGLE, most people DON'T DO ANYTHING TO MAKE A CHANGE ..take a CHANCE ...become a CHAMPION for the LOVE of life. So something like that is basically my message in a nutshell. I am truly hoping and working towards a better planet essentially as well as unification worldwide and what better way to do just that? MUSIC boom, honestly though music heals, feel no pain when it hits you and so so much more as, most if not all of us, understand the abilities music has and its potential to bring the world closer and together it's the energy released into the Universe that sometimes I think about it and remember energy lasts forever. So let's make music and make our dreams happen guys lets go! What's next for you? I am going to continue releasing music this year and hopefully get some traction going and hype, as well as gain some fans, or I, should say more fans. 10,00 loyal fans are my goal so I'll be working towards that. When finances aren't an issue I want to end up in the pacific northwest, as it's pretty hard to do a whole lot while living in North Dakota as that's where I'm from and located right now. Thank God for the internet though so I can continue to makes plays and move forward to accomplishing my goals and that's to be fully sufficient and financially set from my works in the music industry, however, will have to just see what happens. I have high hopes! I hope what's next is a bigger opportunity and that's not too far out of the picture, so stay tuned in Buzz-Music and those reading this as there are some pretty big things in the works. My first E.P. ever was released and published through "BentleyRecords" here's their website to check out they were/are a great label to work with out of New York City on Wallstreet, no cap, like the 24th floor or something! Here is the site Bentley Records, well anyways this year I'll be releasing more hot singles and my second E.P. through and published by "BentleyRecords" and "viprecordings" so it should be exciting. This year what's next for me also is PR PR PR and more PR learning how to attract people/businesses/and labels also magazines and blogs to feature my work and become affiliated as one's net worth is their network, so ima be busy attempting to do just that grow my network! Also, I haven't released any music video(s) just slideshows of pictures over top of my songs on youtube. This year what is next is a real directed music video so stay tuned in folks please and thank you for your time and for reading this! Peace, love, and happiness until the war ends! Twitter Facebook

The inspirational/Christian artist, singer-songwriter, actress, model, and fifteen-year Air Force veteran K Delore touches our hearts with a personal 5-track EP entitled 'Loved.' With a growing passion for gospel music, K Delore spent her time in the military traveling the world and performing at local church events and talent shows. After her solo career launched in 2018, K Delore quickly amassed a loyal following that's excited to see what's in store for the up-and-coming Christian/inspirational artist. With an innate passion for inspiring and uplifting listeners through song, K Delore's recent 5-track EP, 'Loved,' does precisely that. Throughout the entire project, K Delore grooves and jams with incredible soul while leaving listeners inspired to feel a part of something greater. While paying tribute to her lord and savior above, K Delore delivers a mesmerizing performance that's sure to sweep any listener off their feet. The EP, 'Loved,' opens like a breath of fresh air with K Delore's introductory track, "Hero." While setting the project's tone with her soft r&b/soul keys and mid-tempo percussion breakdowns, K Delore's magnetic performance shatters our speakers with incredible faith, love, and honor. As she begins describing her hero above and relying on Him to guide her through life's peaks and valleys, the soothing instrumentals and production drifts through like a daydream and delivers warm food for the soul. As we move onto the EP's second track, "Better," the sonic and instrumental atmosphere begins to expand into a happier and uplifting space through the upbeat drum breaks, short synth arrangements, and K Delore's thankful lyricism. As she expands on her journey through the darkest of nights, Delore mentions that everything seemed to be coming up roses after turning to her savior when times got tough. Back and "Better" than ever, K Delore has now set sail onto her fruitful journey thanks to the power above. Reaching the project's halfway point with "Safe in His Arms," K Delore delivers a more introspective and emotional ballad. While describing the coldest nights and the storms above, K Delore expands on the feeling of loneliness and waiting for daylight to shine through her windows once again. While the instrumentation offers vast emotion through their down-tempo drums and faint piano melodies, K Delore later reminds herself to leave it all up to her protector, as she feels nothing but "Safe in His Arms." Upping the groove with the EP's fourth track, "Alright Now (VF Remix)," the track opens with a Pharrell-type four-count intro while K Delore and her layered harmonies blast through like the first ray of sun to hit your window on a crisp summer morning. We truly adore the upbeat and groovy feel of this track, especially as the instrumentals offer their jazzy undertones through punchy drum breaks, smooth r&b keys, and bright brass instrumentation. While K Delore sings of feeling alright after holding onto faith during the darkest times, we drift into the EP's final and outro track. Ending off the EP with its last track, "Safe in His Arms (Performance Track)," we're met with an instrumental version of the project's third piece. This time around, the song highlights K Delore's serene background harmonies and the song's tender instrumentation. Truly leaving us with boundless reflection, hope, and passion through this outro instrumental, we feel all the more refreshed to seek guidance from the power above. Let K Delore's recent 5-track EP, 'Loved,' inspire you to get in touch with your spiritual side and reach for guidance from the magnificent powers above. 'Loved' is now available on all streaming platforms. Welcome to BuzzMusic, K Delore. We truly adore the passion, hope, and faith you've delivered on your recent 5-track EP, 'Loved.' When did you begin forming and creating ideas/songs for this EP? How long was the entire project in the making? I started writing for this EP in late 2019, soon after the release of my first singles ALRIGHT NOW and SEASONS in late 2018. But life happened and it took a little longer than expected to finalize this project. In total from start to release, it took about 2 ½ years. What inspired you to pay tribute to your lord, protector, and savior through a 5-track EP, 'Loved?’ I just love God! And I’m so grateful that He gave his son Jesus to die on the cross for me. I didn’t grow up in church. I didn’t start going to church until I was about 14 and that’s when I started to learn about God and developed a love for Gospel music. I know that I would not be where I am today without Him. I’ve been through a lot in my life; struggled a lot mentally and emotionally and it was my faith that got me through life. This EP is me putting some of my heart into a song. Is there a particular song in your EP, 'Loved,' that's the most personal to you and close to your heart? The song that is most personal to me is Safe in His Arms because it talks about the struggles I’ve had with my faith. Life constantly throwing curveballs at me and I’m struggling to believe that my faith can get me through it. I keep reminding myself that I don’t have to do this life in my own strength, I can ask God for help. He is my strength, my comfort, my shelter; in His arms is the safest place in the world. All I have to do is lift Him up, exalt Him and watch Him work on my behalf! Did you work alongside any producers, musicians, or engineers when creating the instrumentals/sonics for your EP, 'Loved?’ I had the BEST team! My husband, Endre Blaq is THE BEST! He is an awesome producer, and he produced this EP. He got together a great team of musicians to follow his lead on SAFE IN HIS ARMS. He also connected with a great producer named Venuz Beats for HERO. Everything else was all him. He’s also a very talented singer and songwriter as well. What did you want your audience to feel and take away from the entirety of your recent project, 'Loved?’ I have a passion to inspire and uplift people through song. I believe music should make people feel good; it should put a smile on someone’s face. After listening to a song, someone should feel better than they did before they pressed play. I want people to listen to this EP to feel inspired, to dance, to worship, to groove, and to keep the faith! Instagram Twitter