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Willy Matéo is an up-and-coming singer and songwriter from Pittsburgh, PA. Specializing in Pop and R&B flavors, Willy Matéo creates songs based solely on his experiences, struggles, and insecurities. Exceedingly blunt with how he feels, he expresses his heart out on his sleeves as he makes you laugh, cry, and catch a vibe to his melodic rhythm and ballads. Placing the spotlight on his single, “iStandalone,” from his recently released album ‘I.D (Internal Disturbance)’ Willy Matéo has his fan base submerged in a heavy resonance that is reflective to the 1980’s Electro-Pop. The primitive synths are a staple in this piece as your attention is fixated upon the numerous layers that hold this creation's integrity to a high standard. Willy Matéo chimes in with a reverberated vocal that cast his heartfelt timbres into a washy pool of emotion. The nostalgic tenors pull you into their embrace as the colossal drum hits provide you with enough bounce to push you through the barriers that Willy Matéo is steadily knocking down with his message. Reiterating that he stands alone and won’t be stopped by the antics of others reigns supreme in this single. Focusing all of his energy on the immense shift that immerses you in a state of cognizant offerings, Willy Matéo is providing an impactful message to his audience. With Willy Matéo musical inspirations varying between old school greats such as Aretha Franklin, Toni Braxton, and Michael Jackson, to today's artist like SZA, Labrinth, Jazmine Sullivan, and Ariana Grande, there are many layers of Willy Matéo to unfold as he continues to serenade us with power ballads such as “iStandalone.” We’re placing it next in the queue on our playlist because we can’t get enough. Welcome to BuzzMusic, WillyMatéo, we love your track “iStandalone.” What inspired the nostalgic wave of sounds that you dive into with this song? Thank you so much, BuzzMusic, for having me. I had to put a lot of my heart into this song. I've always loved 80s music even as a kid and I've wanted to take a chance to experiment a little. The synth bass in the background reminds me of the tv show "Night Rider." I grew up watching older tv shows, which made me love the melody so much. I wanted the whole vibe of the song to ultimately sound like something you would hear in a retro workout video. A song of empowerment. What is the main message that you hope your listeners take away from this song? The message of this song is pretty clear. Don't let anyone change who you are nor your value. You are perfect the way you are. People are scared of "different" so they want you to blend in with the "social norms" when you're supposed to be unique and different, the way God meant for you to be. If you don't take anything else from this song, Take away the fact that NO ONE can afford your value and bring what you bring to the table. Stand up and let them know that you do not need their validation to love yourself and you are strong enough on your own. I've had many experiences like this and I refuse to conform to other's opinions. Could you please share a glimpse into what the creative and recording process looked like for your album, ‘I.D (Internal Disturbance)’? Well, that answer is a little complicated. Only because when I initially wrote the songs, I wasn't thinking of forming them into an album until the very last minute. I had put out a few songs as singles at first, and maybe toyed with the idea here and there about making an album, but I know making an album takes alot of time. And at the time, I just wanted to throw my name out there so at least some people would know who I am by the time I made my first album. So moving on, after I put out those first few songs, I started writing some more, and the more I wrote the more the songs started sounding like an album. A candid album that I feel is telling the story of my life. Like a diary. The name of the album, "I.D. (Internal Disturbance), just popped into my head one day. I feel like it fits because the songs that I sing are of all my fears, insecurities, and all the experiences I've had that have internally disturbed my soul, mentally and emotionally. Sometimes physically. What can listeners expect in terms of sound and emotion felt on the whole project? There's a lot of sadness, anger, happiness, and empowerment. This album was truly like therapy for me so people can definitely expect a lot of raw emotion. What's next for you? Well, of course, I definitely want to look into finding a manager but no rush, lol. And I have been trying to set up some live shows but it has been hard because of Covid-19. So I'm trying to set something up on my social media pages now to see if I can start doing live performances just to get started. I'm still new with all of this so I'm figuring some things out but I do want to shoutout to the people that have been supporting me and that have been listening so far. You guys have been great. More music will be coming. Instagram Facebook

A vibrant and gifted duo out of NYC, New Rock City brings remarkable zest into the spotlight with their phenomenal gift for creating music. With steep waves of excellence from Kick's guitar playing, to Rosanno's exuberant and lively vocals, audiences get a marvelous blend of top-notch talent in the form of high-tempo, spirited intensity. With a timeless brilliance of Rock and Roll sound and a plethora of vicarious energy, New Rock City flaunts their feverish flair in their new single "Nice To Meet Ya." A pulsating guitar riff introduces the song followed by dazzling and seemingly effortless vocals. A riveting chorus demands listeners to full attention with crisp delivery and stout lyricism. It's the words within the writing that provide an undeniable feeling as "give me more" resonates so very suitably, while we just can't seem to get enough of this powerful tune. As the song progresses into the bridge, the sultry and invigorating instrumentals breathe life into a palpable and dynamic atmosphere of smooth sensations. The creative and fascinating passion towards a glorious culmination of sonic intrigue is on full display, while the emotion portrayed simply cannot be denied. This piece is one that reigns true as a fierce example of originality and sentimental greatness. We truly cannot wait to hear more of this extremely charismatic duo. While we shift our gears towards catching more of their great sound, be sure to check out their vividly entertaining official music video for "Nice To Meet Ya" on YouTube. Instagram Facebook

RiotSquadGang is a duo rap group consisting of Lil Swiss and RSG Yoppa, who came up in the Northside of Calgary, Canada. Throughout the years, both members have had troubled upbringings. It wasn’t until meeting one another that they began creating music, changing both of their lives for the better. Fairly new to the scene RiotSquadGang has already seen continued support locally and created connections globally. The versatility in the music to come and the ability of the artists gives them the opportunity to expand into multiple demographics and explore different subgenres of rap. As we pay close attention to the prevailing tendencies they both exude on their most recent single, “IRON,” both Lil Swiss and RSG Yoppa, have listeners sitting on the edge of their seat as they take in their intoxicating melodies portrayed. The instrumentation delves into a mid-tempo environment that is prevalent on striking keys performed. Both artists transition through cognizant cadences that bring forth their intricate lyricism that act as a vessel for the pain that they have endured. By slowing the tempo and allowing the vocals to sit in the foreground of the mix, Lil Swiss and RSG Yoppa play an intriguing role as they both offer up unique talents as their skill sets seamlessly fuse together. Swimming in an enticing pool that drips with gripping emotion, there is no turning your backs on these artists. “IRON,” acts as a solidified foundation where RiotSquadGang can bring emotional tenors to the table as they tap into their vulnerability. With the way that they carry their messaging forward, lyrical motifs such as “I feel it’s close, working so much that I’m tired,” truly resonate with us. Fascinated with the energy that RiotSquadGang emanates, we’re excited to see where the next captivating release takes them artistically. Welcome to BuzzMusic, Lil Swiss, and Rsg Yoppa, and congratulations on the release of “IRON.” What inspired the creation of this track? Thank you! The song is mainly derived from real-life experiences I (Lil Swiss) encountered growing up and still encounter now during my creative process. Both myself and Rsg Yoppa grew up involved in illicit activity, and are familiar with the overbearing pressure that comes with that. This song is through my eyes and is meant to capture the feeling of being calm amidst the chaos, and staying hyperfocused no matter what happens. Could you please take us into what the creative process looked like when bringing this song to life? For a solo track, I (Lil Swiss) will often craft an idea from start to finish in one session, usually including writing, recording, and a basic mix. Having a home studio allows me to bring an idea to life on the spot, and this is normally the way I do things. When I heard the beat for IRON, I immediately felt the emotion behind the song and knew that the lyrics and flow would have to represent that. With Lil Swiss working on solo projects, and RSG working behind the scenes, have you found that this makes you a well-rounded duo when collaborating your talents together? Having two different personalities is what makes our group work so efficiently in our eyes. Both members know their roles and are comfortable with what they do. Whereas Rsg Yoppa is much more methodical with his approach to creating and is comfortable taking the backseat in cases to work behind the scenes, I (Lil swiss) am more of a wild card with what I will create, or ideas I will bring to the table. Rsg Yoppa knows the business very well and also has an extremely good ear for upcoming music. All ideas go through Rsg Yoppa before coming to light, and this helps our product be refined, and our members not to get overwhelmed. What is the proudest moment that you have experienced in your career thus far? We're just proud to have respect from our city. We love Calgary and the people there, and we want to be able to put the city on the map. The support recently from our local hip-hop scene, and locals in the city has been crazy, and honestly, it drives us to push harder. We're so grateful for people like 10at10 Calgary Showcase, Mitch Kutter, YYCHiphopDaily, and many others in our local community doing the most to promote the scene and put independent hard-working artists on. What's next for you? We're planning to set a fast pace, and the music is just getting started. April 2nd we have our first music video dropping, and we will be releasing 2 singles a month for the entire rest of 2021, with multiple music videos throughout the year. The music we plan on releasing is on another level, even from what we've released previously, so we're just excited to get it out there. Stay tuned for what we have in store, we're gonna be dropping some game-changers. Instagram

Coming your way with fiery funk and groovy magnificence, WINACHI is an extremely talented and astonishing band with the technical prowess and creative brilliance that has, and will continue to leave audiences in absolute admiration. Based out of Warrington, England, this group of artistic phenoms has us in pure adrenaline-soaked excitement with the release of their new hit single "F.O.S." With a sound that features a marvelous blend of indie, rock, electro, and soul-infused greatness, it's hard to deny that this band is here with absolute purpose and ambition as they climb their way to the very top. Since WINACHI was formed in 2015, the band has worked with several notable producers such as Howie B, Danny Saber, and John X, to name a few. Additionally, the band has had incredible collaborations with artists such as Scorpio, Alabama 3, Kermit, in addition to many others. While also playing at several major festivals and touring the U.K, Europe, and the U.S, it's no trouble seeing why WINACHI captured 'Best International Band' and 'Best International Video' at the 2020 ISSA awards show in Atlanta, Georgia. Diving head-first into "F.O.S.," listeners are eased into funky effervescence with a deep bassline and punctual percussion. Tenacious vocals follow with an organic feel to the lyricism, igniting an intriguing atmosphere of enigmatic precision. With the addition of an enticing play of digital keys and ambient synchronization, audiences can lean into the tranquillity of the song with invigorating ease and a full, open heart. With the outro bringing the track to a fervent ending, the background vocals carry listeners through an illustrious journey of soothing entrancement. With the upcoming release of a collaborative remix E.P. and furthermore, a full debut album, audiences everywhere can share in on the excitement we revel in as WINACHI explores the pinnacle of musical dominance. Congratulations on the release of "F.O.S." With so much on the table for the near future, what are you most excited to look forward to in 2021? Thanks for having me back...it's been a while. I think the thing I'm looking forward to the most is getting our new music out there. We've got an absolute killer album which has been produced both over here in the U.K and also in the US (L.A) and is finally finished...woohoo!!!. We started the recording of it at our studio over in Warrington, the U.K then took it over to L.A and worked on it with producer John X and then came back to the U.K to get it mixed engineer Joe Hirst in London...we literally took the album around the world and back to get it done...mental. It's been a long road to get to this point but we're finally here. We've got a beauty of an E.P also ready to go so yeah I'm really excited about people hearing our new music. Also getting back on the road and touring, we accepted pretty early on last year we weren't gonna be playing any shows for a while and just concentrated on finishing the album, but I think now it's done everyone's getting the itch to get back on a stage. Fingers crossed that can happen this year. How did you come to be the collaboration of extreme talent that you presently are today as WINACHI? That's a good question, I'm not sure...it's been a long, hazy, messy journey, with many weird twists and turns but we're here, we've dodged a few bullets but we're here...we somehow all found each other...it must have been fate. How has living in North-West England influenced your musical journey thus far? Living in North West England was a huge influence on me growing up, our town Warrington is located bang in-between two major city's...Liverpool & Manchester which both of course have a huge musical heritage. Manchester bands The Stone Roses, Happy Mondays, and Oasis were a big influence on me as a teenager, I could relate to them, not just musically but as people, they looked and sounded like me and my mates. There's a certain attitude, belief, and swagger you have come from this part of the world, no matter where you go it's just there, it's in your blood. What do you think separates your formidable, diversely talented group most from other bands? We're not following any trends or fads, we don't sound like anyone and nobody sounds like us...we're on our own tip, we're not trying to fit in, we're just doing our own thing...we're WINACHI. Instagram Facebook

As a fusion pianist with a spontaneous musical style, Desarae Dee electrifies the musical scene with her new single “Change is Good." This Toronto native has created a jazz single that delivers electrifying synths and captivating lyrics in each unconventional melody. With the collaboration with Becca Toft, this new trumpet sound will uplift listeners and encourage them to embrace all the changes that happen within life. The vibrance within this track instills an inner hopefulness as each euphoric note practically leaps out of the music as it comes to life. Compared to other spontaneous artists like Robert Glasper, she is able to combine various styles to create unique chord structures. Desarae Dee is known to capture the hearts of anyone who has the gift of listening to her music and with a purely instrumental canvas to build her lyrics off of, she is able to illuminate a lyrical fire that provokes thoughts of anyone seeking change. Discover more about Desarae Dee, and her new single, "Change Is Good," here. Instagram #BUZZMUSIC

Gaining a passion for music in the sixth grade, passionate pop artist Hannah Ureste has used her angelic voice to grab the attention of large audiences around the world. Coming from a very loving and supportive family, Ureste’s passion and drive to achieve her musical goals were only heightened with each piece of support. Her newest single “You and I,” is an infectious piece that will have listeners feeling self-assured as Ureste uses her personal expression to connect with listeners on an emotional level. Writing about the power of love and the excitement it can bring, Ureste explains that each time she put pen to paper she was reminded of all the positivity within her life and this single is a fantastic expression of that. With each golden trumpet instrumental, Ureste embodies a bold persona and when paired with her radiating melodies it is clear this woman has strong confidence within herself. Discover more about Hannah Ureste, and her new single, "You and I," here. Instagram

Multi-instrumentalist and songwriter Justin Chamberlain, frontman for The Very Reverend, is a west-coast alternative artist. Blending elements of Pop, Rock, and Electronic music to create gloomy, nocturnal songs and visual metaphors about love, sex, and the human condition, The Very Reverend inscribes Pop hooks and authentic lyrics, delivered in a charming, falsetto-heavy snarl. Delving into the depths of a slow-tempo thunder, The Very Reverend puts forth, “BELLADONNA.” This single sways in and out of a conscious state as we submit ourselves to a universe that is dressed in syncopated components of Alternative-Pop fusion. The ominous soundscape pulls you into a lyrically encrypted venom that encourages you to take another sip of the mystic concoction before you. Revolving around the appeal that humans tend to take in toxic lovers, Justin Chamberlain’s lyrical offering sweeps you into the highs and lows of a dizzying cycle of love that consumes you whole. Attacking the narrative with conviction, the sway of temperaments that we are introduced and are purposefully placed for the theatrical swing of vehement influences to accompany the striking visuals to pair with the single. “BELLADONNA” oozes with the quintessence of sparkling horror show synths, rumbling bass and tolling, forlorn guitars over a heartbeat of drum machines, all handled by Justin Chamberlain himself. With the mesmerizing vocalization displayed by Justin Chamberlain, the rich harmonies heard throughout are courtesy of Autumn Sky. If you’re already on the hook of The Very Reverend, we should let you know that the “BELLADONNA” music video will have you fully engulfed in furtive, DIY creativity at its finest. Illustrating the spectrum of erotic to neurotic, be prepared for The Very Reverend to live rent-free in your mind for time to come. Welcome to BuzzMusic, The Very Reverend! We’re obsessed with the vivid imagery you paint in, “BELLADONNA.” What moment or story inspired you to write a song about toxic lovers and the cycle of tension it put us in? Thank you so much! It's a song ABOUT obsession so I'm glad to hear that. Imagery is really important to me. I wanted this song to feel like a dreamy slow-dance at a prom in hell. It's a love song, gone wrong. I've lived this story, seen it with friends, read it in books, and watched it in films my whole life. That addiction and submission to someone bad for us who comes and goes in a cycle, it's really powerful as a true story and as a metaphor. It's a bit beautiful, in this sick sort of way. It's part of the human condition. The beauty in that toxicity is where the name comes from; this is a song about beautiful poison. What was it like filming the music video for, “BELLADONNA?" Was this always your creative vision when it came to the visuals? It felt like...filming Glenn Danzig's B-movie vampire erotica horror film, which is everything I could ever hope for. The concept was to make the process simple and DIY, and yet to create these beautiful, creepy, striking visual metaphors I saw in my head. This was my first time directing and editing a video and I loved it. The actors are a real couple and I asked them to be very vulnerable and affectionate on camera. It taught me a lot about respecting and protecting that process and allowed me to be vulnerable in my own performance. We only used two lights, an LED and a blacklight, and shot it in 4K on my iPhone and I feel like you'd never know - maybe I should have kept that a secret! I love sci-fi and horror films and was bingeing Twin Peaks during lockdown while creating the song and video, all of which definitely shows. I found all these weird-ass thrift store props and mixed up some fake blood, some glitter goo, and some UV paint to pour all over myself and the actors - the aftermath looked like the set of The Exorcist or a vampire's OnlyFans or something. Could you please take us into what it was like working with producer and recording engineer Jesse Mancillas at Rosa Mortem Studios, as well as mix engineer Jonathan Wyman and mastering engineer Adam Ayan? Did they take your vision and soar with it? I met Jesse and Ashley (of Rosa Mortem), and they were just starting this studio up and forming this artist management / collaborative team/production house all falling under the Rosa Mortem title. They do so much. They're even the actors in the video. The studio is intimate and feels like such a creative space (and kind of a second home at this point). Jesse and I have a lot of common ground and a lot of influences unique to ourselves. He did a great job at refining the sound I'm chasing while keeping me grounded in what I come from. I brought all my synth and drum tracks, most of which we cleaned up and kept for the finished track. I performed the instruments and vocals at the studio, Jesse played bass on the track, and an artist named Autumn Sky - who's out in Nashville now - recorded some vocals on the track remotely. Passing it off to the team of Jonathan Wyman and Adam Ayan back on the east coast - who respectively produced/mixed and then mastered all my previous work - felt like the right move. They're both beyond talented and have some big names between the two of them, and I feel really blessed to have this team that takes my sound to that level. Falling into such a unique category artistically, have you always had the sound that we know and love? How has it developed over time? This song is a stylistic statement for me and definitely signals a change in some ways. I started this project really heavily influenced by alt-rock bands, but I was never really satisfied in leaving it at that. Parts of me have always felt missing. I took the move to California as a chance to really establish myself as a solo artist and build on all the things this sound could be. So many of my influences are pop artists, electronic artists, film and tv composers; I wanted to bend some rules and bend genres, to change my own expectations of what "rock" can be, to keep that attitude and those elements but live in my own world. There's so much happening in alternative music and I'm just trying to carve out my own space in that. What's next for you? Got a whole string of singles, and visuals to go with, coming this year. This is just the beginning. I'm really active on Instagram, Twitter, and Tiktok and there's tons of content there. I'm working as a solo artist with a great team, taking a very indie / DIY approach, finding my place and my audience. I'm excited for my music to reach people who vibe with me, who connect with the songs. Cannot wait to safely play shows again and get back to touring, but for now, I'm here saying "this is me, this is us, you're a misfit and so am I, let's be friends." Instagram Facebook #BUZZMUSIC

Westchester, Los Angeles artist Pharaoh Santana has been on a steady ascent to the top since their debut EP dropped in 2014. The personality he brings to his custom blend of Hip-hop, Rap, R&B, and Neo-soul is just as connectable as the lyrics that reach out with a personal touch. Inspired by artists such as Thugga, K Camp, Andre 3000, and Capital Steez, Pharaoh Santana’s style is designed for internationally eager ears. Tapping into this emerging artist’s lyrical dexterity and unapologetic swagger in his most recent hit, “Playboy,” Pharaoh Santana manages to combine a balanced concoction of Hip-hop and Neo-soul as he douses listeners in a sizzling flame of musicality. It’s hard to pinpoint the era that Pharaoh Santana embodies because of the numerous pieces he takes from Hip-hop culture as he intertwines it with his unique creations. A retro soundscape has the bass pulsating through this beat at an all-time high. Focusing our attention on the mind-altering universe that takes us on a roller-coaster of the witty quips divulged by Pharaoh Santana, “Playboy” exemplifies a message that goes beyond your average braggadocious anthem. Mesmerizing tenors that spill from the clear and present tonal distinction of Pharaoh Santana sits in the foreground of your mind as you allow yourself to take in the snapshot of a misrepresented culture that a variety of artists are desperate to present as tactless. Using his unmatched confidence, Pharaoh Santana applies a fusion of charisma and passion to this record as we lean back into the soul-infused performance. On the route that Pharaoh Santana is headed, certainly, he isn’t just another “Playboy.” Instagram Facebook #BUZZMUSIC

Auggie Velarde is an avant-garde artist from the new era of contemporary music. Blurring the lines between genres and what it means to be an artist, Auggie Verlade incorporates technology, experimentation, futuristic aesthetics, and highly addictive melodies into his mysterious project. By design, he keeps an anonymous identity - a true portrait of the digital age we live in, a world of bits and strings of code that flow through a network of entities that can hardly be described as humans anymore. Recruiting the talents of blackwinterwells in his most recent release of “Flare,” we’re exposed to a revolutionary take on the mind-altering genres that Auggie Velarde seamlessly meshes together. Using a thorough combination of high and low frequencies to portray his digital aged imaging of unique offerings, we’re enthralled with the manner that Auggie Velarde brings to life to numerous soundscapes on a single track. Taking control of the intensity that is depicted in the delivery conveyed, we’re hooked on the transitioning that happens as triumphant sounds simmer in the rare hybrid of EDM meets Pop tenors. It’s hard to box Auggie Velarde in as he checks numerous boxes in multiple sounds achieved. “Flare” truly exposes you to a wide range of his artistic styles as you find yourself falling into an imaginative wave of craftiness that piques your interest in the overall process that runs rampage in the mind of the creator. Auggie Velarde has us clicking replay on this song as he delves into subject matter, reflecting abstract lyricism that touches on others telling him to slow his roll while he stands his ground. “Flare” acts as a tour guide through the intricately weaved thoughts of Auggie Velarde making their way to brilliant creations. Welcome to BuzzMusic, Auggie Velarde, we love the sounds explored in your most recent single, “Flare.” What was it like working with blackwinterwells in order to bring forth the desired sound? Hi, thanks for having me and for the support. Shoutout to blackwinterwells. I had the wonderful opportunity of working with wells on our song “Flare” and the creative process was magical to me. It was such a smooth and effortless collaboration experience. The music, melody, everything just kind of fell into place every time something was added to the track. To me, it almost felt like the music took over and was the one instructing what had to be done, instead of the other way around. The experience keeps me inspired and motivated to this day. I wrote the lyrics of that track when I was in a really dark place and every time I hear that song now it helps me reflect and look back on how far we have come. We’ll all get through this, like “light through the smoke”. In your own words, what does the messaging of this song mean to you? Flare is about hope, even in the darkest of times. I used to be very closed up emotionally, bottling up my feelings, and exploding in depression – when I was alone. It really almost feels like you are drowning or succumbing to the darkness. Lately, I’ve been trying to open up more and it’s been helping me deal with this. A lot of times, it can really feel like there is no way out but in reality, a lot of these mental issues can come from a place of perspective (at least from my experience). Hope keeps us motivated and feeling alive. Hope is that light that can save us. Hope is like a flare that can guide us when we are lost or can let others know we need help. How did you get started with such a creative genre of music that you can call your own? Honestly, I just make what my soul wants in that very moment. I try not to limit myself to genres. I’d probably describe my music as eclectic (maybe others could consider it versatile if they want to share a compliment haha). My influences come from a variety of different places and I care more about making what I’m feeling than chasing a particular sound. I get inspired and I create - the music styles and moods fluctuate quite a lot but at the same time, you may notice there may be some attributes that tie all my work together (perhaps because they were created by the same person). I started by playing around with music. It’s something I always love doing and always will. Once you leave expectations out, you can free yourself and make what you really feel. Everyone is already unique after all. What are you hoping that listeners take away from your main messaging as an artist? When I was a kid, I always wanted to be like someone else. Why did “they” have this, and I didn’t. Why could I not do such and such when others had the liberty to do so. Growing up, honestly, this persisted in a subtler way and I came to realize this was common behavior. We compare ourselves. We compete in a never-ending competition where nobody really ever wins – we just all lose. I’ve gone through a good deal of both negative and positive experiences in my life. I’m very fortunate because, in my quest for a purpose, I realized that appreciating the journey is really what matters the most and I feel like not everyone gets a chance to notice this. As life flies by, I try to enjoy what I have and who I am. To put it simply, I’m just a human that found love in music and hope in technology. I try to be true to myself and I hope listeners of my music can join me in this journey. I’m not sure where it will take me but I am excited about the future. What's next for you? I’m really excited to create more music and for my upcoming Livestream show. I have a lot of new content I’ve been working on and it’s been keeping me sane. I’ve been living the life of a hermit lately (because of the pandemic) but I’ve been using this time to work on my art and be productive. If anyone wants to keep up with what I’m up to, feel free to check out my website or follow me on any platform: https://auggievelarde.com/links Instagram #BUZZMUSIC

Originally from a different solar system, otherwise known as the backwoods of Michigan, Annathyst has never followed a traditional music approach. Untamed by the structure of traditional music teaching, her interest in music often coincided with singing around the campfire with her acoustic guitar. In late 2019 she began working with producer/artist Julian Peterson of Wolf Den Records out of Colorado. The result was a set of songs or transmissions that expanded upon her raw sound into more interstellar places, though still retaining the faint scent of campfire. Fresh off the release of her latest single, "All Night," Annathyst pairs deep messaging with gallant and high-spirited lyrical content in this intimate record about not settling and finding the strength to break free from limitations and live your dreams. Co-written with Julian Peterson, the rustic approach that fuels emotionally gripping soundscapes allow listeners to be cordially invited into a universe that simmers in the starry-eyed resonance of Annathyst. The striking timbres that weigh heavily in your headspace have you searching your soul in a profound manner that transitions hazy moments to suddenly clear. As Annathyst struts the lyrical keynotes of 'don't hold me back now, 'cause your dark cloud hides the light that I seek in the night,' you can't help but to hold onto her words ever so tightly. With the instrumentation tackling an ethereal realm of airy synths and compelling guitar chords strummed, the traditional folk components that are the backbone of "All Night" allows you to sway towards the customary motions in a fluent fashion. Annathyst has a knack for taking a blank canvas and vividly pouring out her thoughts in a colorful scheme of observation. With luscious singles such as "All Night" taking the wheel, you can't help but gravitate towards her every move and sound. Congratulations on the release of, “All Night.” What was it like writing this song with Julian Peterson in order to expand the artistic horizon of its desired sound? Thank you, this has been such a fun release! As far as writing this song with Julian, I’ve actually never co-written a song with anyone so this was a brand new experience for me. I describe the way I write music as “instantaneous transmissions” since there is not a lot of conscious control that goes into writing my songs. I feel them and hear them and they flow right through me. During a studio session, this song started to come in and Julian tuned right in with me and together we were in that space of allowing the song to drop in. “All Night” expanded my sound since Julian helped it lift off to more interstellar and electronic places which have always been a dream of mine. Could you please take us into what the studio session was like when fashioning “All Night?” Julian was working on some producer end stuff and I was sitting there feeling kind of bored. I picked up one of his electric guitars and sat down with it just fiddling around while he was working. The next thing I knew I was singing the first verse and I shared it with him. He loved the sound of it and right away started to record me on the mic. He came up with the chorus which I loved and we just kept flowing with it. By the end of the session “All Night” was born. What musical and non-musical influences do you take into your artistic creations with you? I would say I am most influenced by nature. I spend a lot of time outside and I work in the wilderness. It’s often when I get that space and time to be with the earth, music begins to flow through me. Another big influence in my heart and what love or loss I am experiencing at the time. Music has always been the best way for me to process both joyful and devastating times in my life. And musically I tend to be tuned into whatever lo-fi, indie/folk, electro-pop vibe I can get my ears on, and obviously that influences what I create as well. How important is it for you to touch on vulnerability in the music that you create? This is an interesting question since I’m not sure how to create music without vulnerability. Being open enough to channel music takes a ton of vulnerability on my part. Channeling is a profound experience but I often face a comedown after it where I’ve been lifted to such beautiful places and then I drop back into my body and have to remember to eat, sleep, and take care of myself. The best songs I write bring me to tears because of the magnitude of emotions and energy flowing through me. I think that’s the blessing and curse of being an artist - you can’t hide your vulnerability, at least not from your art. What would you like listeners to know about you and the music that you create? As I have spoken to channeling, I often feel like a vessel of these songs. These songs first come through me and often relate to things in my own life. I experience profound healing through writing these songs and as I have released them on a smaller scale throughout my life, I have watched them work magic on other’s hearts. These songs are an offering from my heart to whoever needs them. May they find you exactly where you are and bring to you exactly what you need for the healing of your heart and the healing of humanity. Instagram #BUZZMUSIC