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Known for his energetic performances and witty, yet conscious lyrics, Young Cisto remains steady establishing his name in the music industry. As an Oslo-based Hip-hop artist who grew up in Italy with a Ghanaian background. He has amassed hundreds of thousands of streams from listeners worldwide. With his great success in 2020, Young Cisto has managed to have three of his songs listed on Spotify’s New Music Friday and Norsk Rap playlists. ‘Sky Red,’ ‘Afrika Sauce,’ and ‘Unstoppable,’ have created plenty of victories for this emerging Hip-hop artist, including his music video for ‘Moses Sesom,’ achieving over 60, 000 views on YouTube Showcasing his music in venues such as Rockefeller Oslo, John Dee Oslo, Nordic Black Theatre, Cosmopolitan, and many different local and international venues, Young Cisto cements his place as an expert performer. Placing the focus on his 2020 release of the victorious, “Afrika Sauce,” Young Cisto takes an intoxicating melody that has you dancing in moments, and sends the pulsating characteristics through your speakers. The smooth reverberations of Young Cisco's vocals have you swooning over his voice that floats effortlessly on this body of work. With a lush presentation, Young Cisto has you gravitating towards each word that you remain hung upon. Giving this anthem a lively bounce that has you reconnecting with your roots, you’re offered a mesmerizing composition that has you getting lost in the music while letting loose. With plenty more achievements to come in the year 2021, Young Cisto stays busy to create content that you can connect with on an intrapersonal level. Through the dynamic vibrations that are carried forth in his musical creations. Young Cisto holds his place as a top tier artist serving up mind-altering foundations for your mind to transport to. Welcome back to BuzzMusic, Young Cisto, and congratulations on a successful year. Through the chaos of 2020, how have you found yourself growing as an artist? Thanks, BuzzMusic! This year has been very different and chaotic for a lot of artists, I have personally been focusing more on my craft this year than ever. We got so much “free time”(from work) so I decided to take a singing class, learn more bout mixing & mastering, and further develop my dance moves. I am getting ready for 2021 and possible upcoming shows & concerts. How has your creative process developed through the course of the year? I have been really pushing myself this year. I wanted to be productive and don`t let this free time go to waste. I issued a challenge to myself & friends called the 100dayschallenge. The challenge consists of recording 100 new songs in 100 days plus some extra grueling physical activity. I uploaded the whole journey here. I also explored new platforms like tik tok & thriller. Could you please take us into the creative process of, “Afrika Sauce?” What were the vibes like when making a melody so captivating? It was a Friday night and I was in the studio vibing, I had two friends that came over and one just started playing some Burna boy & Wizkid music. I guess after all the chit chat and music I got inspired: by the end of the night I had the song figured out. I freestyle a lot so the hook came to me naturally and the day after I sat down and wrote the verses for the track. I immediately felt this song had potential and worked on it for several months before release. What are some ways that you were able to remain inspired in 2020? The 100dayschallenge kept me inspired and forced me to keep it moving. I also read this book by Robert Green named “Mastery” which pushed me to keep going and staying creative. What themes and messages would you like your listeners to take away from the music that you create? My main objective is to inspire and entertain with my music. My themes are kind of philosophical(life, unknown, relationships, decisions, etc..) at the same time I do have a couple of song which is just fun, dancing style with no particular message behind it which are more focused on creating a vibe & atmosphere. How do your musical influences speak into the music that you create? It come in different ways, I have influences from gospel music to heavy gangsta rap. I listen to everything and do not hold myself to one particular genre. That`s why I also make very diversified music from trap to Afro, to country I hold myself mainly to rap and bring in other genres but I am not afraid to try something new and always love to experiment. What can we expect from you in 2021 in terms of projects and releases? In 2021 I will be releasing more Afro-trap music and a Japanese-anime Ep called “Konoha”. I will also be releasing more visuals than ever, you guys should stay tuned cuz it`s gonna be a bang. Instagram #BUZZMUSIC

Hailing from New Jersey, R&B/Trap singer, Ravyyyy waves her talents around in the most luxurious manner. Being a singer her entire life, Ravyyyy is only just tapping into her artistic side, as an emerging artist on the scene. Since her decision of sharing her talents with the world, Ravyyyy has been making major waves as she turns heads globally. Consistently keeping fans entertained through the disordered year of 2020, Ravyyyy has been releasing intoxicating melodies that remain timeless in the industry. Beginning the year with an intense ambiance, “Waiting For You,” is a SoundCloud exclusive that has listeners enthralled in the lavish vibrations of Ravyyyy. With the sultry vocal delivery, we hear her tell a tale of patiently waiting for the apple of her eye to make the first move so they can commence the alluring motions of where the evening is headed. Dipped in glistening poise, Ravyyyy sets the tone for her year as she has her audience hanging on to each word shed. Keeping the pace on track with another SoundCloud exclusive, Ravyyyy elevates the atmospheric soundscape to a dreamy cloud nine bops, “Come Get Me,” which has you feeling opulent as you take in the mid-tempo bliss of confidence and self-assurance. Heavenly vocals are performed as they emphasize the importance of knowing your worth. Caught in the nostalgic mindset of wanting your crush to pick you as their person, this track emits sparkling flaunt it if you got it a liveliness. As we dip into the spellbinding melodies that you can hear on any streaming platform of your choice, April serves us sensations of temptation in, “Study You.” Delving into the curiosity sector that the mind produces, Ravyyyy takes the relaxed and delicate wave of this masterpiece to shine a light on wanting to know everything about her significant other; in fact, the title says it all, she wants to study them. Using metaphors in her wordplay to dance upon the topic, Ravyyyy shows us the sensual side of her spirit as she stays steady releasing harmonious ecstasy. As Ravyyyy takes us deep into the quintessence of, “Pull Up,” we’re entranced with the enticing instrumentation that builds a fortified foundation for Ravyyyy to lay her magic upon. Illustrating images of vibing, smoking, and ultimately falling into the dynamism of someone that you’re feeling, we are swept away in this elusive soundscape that taps on our minds as deeply as the reverberation emitted from Ravyyyy herself. Ravyyyy has a captivating essence about her that has us drawn into her warm embrace. Opening up a vulnerable sector within her to share pieces of herself with the listener, Ravyyyy has us mesmerized by her talents. She has been working away on her debut EP to be released in 2021, and all we want to know is; when is the release date?! Through the openness she puts forth, we’re ready for anything and everything Ravyyyy has to offer up. Welcome back to BuzzMusic, Ravyyyy, it’s always a great time when we get to chat with you about your work. Congrats on a successful 2020. How have you managed to stay inspired in your craft this year? Thank you so much! I’ve managed to stay inspired because of the people that I surrounded myself with and always trying to set small goals so that I always stay busy. Even if it’s the smallest things. My family has also kept me inspired tremendously by being away from home. It’s hard but they make everything worth it. You have been steadily releasing content for your listeners and for that, we thank you! Out of all of your releases, do you happen to have a specific one that resonates with you more than the others? OYO-( on my SoundCloud) is probably one of my fav songs. It’s hard for me to be vulnerable but that’s why I love music. I’m allowed to be just that. It’s about one of my relationships and the words still resonate with me to this day. What is the proudest moment in your career to this date? My proudest moment in 2021 was being able to complete a record and put two songs in one dope visual along with it. The hard work paid off with the views. It made me feel like I could really do anything I put my mind to. You’re gearing up to release an EP in 2021! What can you tell us about this forthcoming release? Yes, I do plan on releasing an EP and I can’t wait to share it with the world. This EP will be different because every song has a different vibe and my sound doesn’t sound the same. I chose these particular songs purposely because I want to see what sound listeners will flock to the most. How have you found yourself developing as an artist from the beginning of this year to now? Compared to the beginning of the year to now my work ethic and my desire for music to grow more and more every day. It’s time. I find myself using my time more wisely. As a creative, everyone has a different process for building their creations. Could you please take us into what your creative process looks like? My creative process is pretty simple. I let the beat tell me how I feel and then I start writing. I’m a writer so I need to visually see what I’m saying to understand it & then sing it. I also like to work and collab with other songwriters. I believe that generates better ideas! What words of wisdom would you like to leave your listeners with to end off 2020? My listeners (especially women) need to know that they only need themselves. You are enough. You are beautiful and go after everything you want. DREAM bigger because if you can envision it you can literally make anything happen. Leave the boys alone. Once they show you who they are believe them. Stop wasting time. My music will one day empower women all around the world to be their authentic selves unapologetically. Instagram #BUZZMUSIC

Fusing together roots the line the border of Pop, Funk, R&B, and Soul, singing sensation and guitarist Dylan Chambers has journeyed from Arlington, Texas to Los Angeles in 2011 to dive into his talents. The powerhouse vocalist has dug his heels into the industry, coming a long way since the singer-songwriter act of his debut EP, while expanding his oeuvre to meet the crest of a fuller, more soul-rooted, robust sound. Spinning up a string of new singles with long-time producer, Stefan Litrownik, who has accomplishments under his belts that range from Boyz II Men and Andy Grammer, Dylan Chambers is enthusiastic to garner the charm of timeless classics, having no scruples about citing modern stalwarts such as Vulfpeck, Jacob Collier, Devon Gilfillan and all who are focused with preserving the sanctity of soul. Amongst the chaos offered up in 2020, Dylan Chambers utilized the second half of the year to release three critically acclaimed singles that shared an intrapersonal light on who he is as an artist and individual. Lively instrumentation filled with a Funk fortified foundation has us grooving to the upbeat jive of, “I Can Do It Myself.” Inspired by the coming of age realization that all the things Dylan Chambers had been waiting for others to help him with, he could in fact start on his own. He placed the fear of making the wrong move to the side and proceeded to skyrocket with his artistic endeavors. Creating a meaningful path for others to follow upon, Dylan Chambers raises the bar as he urges others to take that leap of faith. “Ya Feelin’ Good?” has us swimming in a pool of nostalgia with the powerful vocal range shed in the mesmerizing feels of the lyrical content Dylan Chambers graces us with. A conversation with friend and producer Stefan Litrownik influenced the blissful ambiance of Dylan Chambers encouraging us to party like it’s 1991. Reminding us that even though it’s easier to sink under the pressures and uncertainties caused by this year, we always have the power to make the most out of a bad situation no matter how bad it gets. Made famous by the late Jackie Wilson, “(Your Love Keeps Lifting Me) Higher and Higher,” is a favorite soul-infused classic from the late ’60s for Dylan Chambers. Performing his lush new age rendition, Dylan Chambers places his capabilities into this utopia of grooves that producer, Stefan Litrownik, urged the emerging artist to cut and make his own. Taking him back to an era that he wishes he was able to experience, the duo pays homage to the original while putting their unique flair on the creation. With Dylan Chambers still residing in Los Angeles, he continues to hustle through his list of accomplishments while cementing his place in the industry. With plenty more to come, Dylan Chambers is just launching a voyage of R&B/Funk that we all want to witness. Hello Dylan, welcome back to BuzzMusic, it's always a pleasure when we chat with you. Congratulations on your successful journey through 2020. With everything that has gone on this year, how have you managed to stay inspired and creative during 2020? Thank you! It’s always a pleasure to talk with BuzzMusic as well. I appreciate all the support this year. Even though 2020 felt like hell on Earth, it provided me with a lot of creative inspiration. My lifestyle before COVID was go, go, go for years so to have everything up and stop back in March was a real shock to the system. However, not being able to travel and play in person gigs created an opportunity for me to be still and look inwards. I’ve been writing a lot more than usual because of the time I’ve had alone. I’ve also managed to flood my brain with all the podcasts, books, and music I could handle which has kept my inspiration tank full. Do you happen to have a favorite piece of your own music that resonates with you more than others? What's your reasoning? Not necessarily. My favorite song is always the one I’ve most recently finished, but then that fades when I start working on the next one. As a whole, I’m proud of all the music I write. I try not to get choosy with it. We can only imagine great times all around, but how has it been collaborating with your producer and friend Stefan Litrownik? As a songwriter, do you only write music for yourself or have you embarked on a journey of writing music for others as well? Working with Stefan has been a wonderful experience. We’ve known each other and been friends for almost 10 years now. During that time, we were on the road playing for another artist which ultimately strengthened our musical bond. Coming together in the way that we have was only natural. As a songwriter, I’ve enjoyed (and still enjoy) writing for other artists when the opportunity presents itself. I co-wrote Brett Young’s “Kiss by Kiss”, Herb Alpert’s “Skinny Dip”, Tiffany Houghton’s “Love Like That” and more. I’ve also enjoyed playing guitar on other artist’s records. On the track “Slow Down Turbo” off of Rich Brian’s 2019 album The Searcher, the ethereal outro is a chopped up sample of my guitar. What can we expect from you in terms of new music in 2021? Any collaborations that we should keep our eyes peeled for? My goal is to put out a new single every other month. The first one, Breakdown, will be coming out on January 28th which features some incredibly funky bass playing by Brandon Brown (Brandon Brown Collective/Musical Director and bassist for The Jacksons). I have one song I did that features an epic sax solo by Dave Koz and was mixed by Josh Gudwin (Dua Lipa, Justin Bieber, etc.) I’m not sure of the release date on that one yet though. Hopefully summer. My good friends, Alexander Jean, (Mark Ballas/BC Jean), and I have plans to get in the studio together at the top of the year as well. Do you have any other dream collaborations that you would like to cross off of your bucket list? I think it would be really awesome to do something with Daryl Hall and John Oates sometime. I’ve loved them for a while and I feel we could really come up with something cool together. Also, John Mayer and Chromeo would be fun to do something with. Which artists, songs and playlist have you been listening to during 2020? Too many to count! James Brown, Eagles, Beatles, Bruno Mars, Grateful Dead, Donna Summer, Marvin Gaye, The Dip, Rolling Stones, BB King, Charles Bradley, The True Loves, ZZ Top, Paul Simon, John Mayer, Theo Katzman, etc. I listened to Paul McCartney’s new album twice on a long drive to Austin, TX a few days ago and loved it. He’s still got it, man. Of course, he does though, ya know? It’s Paul McCartney. I really enjoyed Ryan Adams new album Wednesdays as well even though it ripped my heart out and threw it on the floor. As far as playlists go, I’ve been enjoying “Retro Drive” and “Nu-Funk”. My song “Ya Feelin’ Good?” got added to “Nu Funk” a month ago so I’ve been listening through to hear the other artists featured on there. Really good stuff. I’m honored to be in such good company. What words of wisdom would you like to leave for your listeners to cap off 2020? We don’t know what’s coming but things are about to get turned back around. It’s a natural law that the pendulum swings back to the other side. We’ve been living far too long in a time of chaos, greed, sickness, corruption, power trips, etc that it’s all gonna bloom into something beautiful here soon. It has to. I have faith that once we’re out of this craziness, it’s gonna be the roaring 20’s all over again. Music and art will be thriving. We’re not gonna take each other, our freedom, or our health for granted anymore. Instagram Facebook #BUZZMUSIC

Raised by a single mother of three in the rural area of Capitol Heights, Maryland, Daquon, “95Q” Price grew up being influenced by the great talents of Notorious BIG, Ludacris, and Jay-Z. As he expanded his ear to the deep lyricism that Hip-hop offers, he allowed the styles of Kendrick Lamar and J. Cole to assist in his style development as an adolescent. Listening to his mother’s words of wisdom, he carries the words, “you can be the voice for those who don’t have one,” with him through his endeavors. Placing faith in using his gifts to one day support his family, provide for his son, and give back to his hometown of Capitol Heights, 95Q spreads his essence through the records he creates. Focusing our attention on the depths of, “Numb,” 95Q takes a swift approach to the booming era of Hip-hop that is turning heads all over the world. By adding inspiration from his muses in order to serve up a unique twist on a fusion between the nostalgic traits that the genre offers, he adds a mass appeal in the messaging and tonal distinction that has, “Numb,” catering to a larger audience. The method in which his flows transition seamlessly on the spellbinding pulses through the instrumentation have us locked into the piece and message at hand. By laying out a story of using vices to cope with the day to day struggles that life produces, 95Q remains to swarm our minds with relatable content that shakes us to our core. As he floats his lyrical abilities over alluring instrumentation, we become fixated on his witty one-liners dripping in hard-hitting lyricism that utter cold hard facts in the composition. 95Q makes it so we can sink into our chairs a little deeper while taking in his music created for every occasion. Taking over one catchy song at a time, we place 95Q on loop as we eagerly await his next release in the substantial realm of Hip-hop. Welcome to BuzzMusic, 95Q! Congratulations on the release of your latest single, “Numb.” What moment inspired the story and meaning behind this track? The song was honestly written a year ago. the last 2 years have been very challenging for me. It got to the point where I just didn’t want to stress or feel pain, anger, anything. Once the pandemic hit and everything started changing I felt it was the right time to release the track because everyone is going through something and I’m sure they’re tired of it. How has your experience been as an artist creating in 2020? Have there been any challenges that you’ve faced and overcome? Creating in 2020 hasn’t really been different it’s just about catching the engineer to go record in the studio. I gotta lit “beat man” he sends me content if I vibe with it I write to it or see what I got in the vault. The only challenge is finding time to record honestly. How does your creative process differ when approaching a more conscious record versus a club banger? My process doesn’t change, the beats speak to me in a sense. Whatever the beat makes me feel, that’s what I write about. In your ideal world, who would you pick to feature on a remixed version of, “Numb”? What’s your reasoning behind this pick? Ideally, J. Cole, the song is one of those songs you can relate to. And the way he tells stories on some of his work is unmatched. 2020 has been a very challenging year for everyone. What has been keeping you inspired to create music? What advice can you give another artist who's finding it difficult to do so? Oh, that’s easy, my family, my team 95gmapclan ( g is silent ), my close friends, and just the drive to give my family a better life. To any artist who might be having trouble or is having “writer's block” just remember why we do this, this isn’t for fame it’s for the love of the music. instagram.com/9five

Soulful Pop artist Alexis Corey has been making strong waves with her recently released sound. As a singer/songwriter from New York City, Alexis Corey is on an empowering journey, and she's wanting to share all of what she's learned with her listeners; thus, the birth of her EP, 'I'll Sing' arose. Alexis Corey has endured a ton of life lessons and has cultivated an EP that poignantly expresses each one with grace. After surpassing many difficult obstacles, Alexis Corey decided to put all of her wisdom and energy into her music career, which was ultimately a pure outlet for her. With motives of lifting up the spirits of listeners, all while proclaiming her own truth, Alexis Corey proves that the power of music is all-too present and can be used to one's own advantage in finding themselves. The EP begins with "Just Breathe", a powerful and impactful ballad, with Alexis Corey reclaiming her truth and expressing absolute gentility within each and every lyric as a result. "Just Breathe" follows along with the storyline of pain, as well as the tribulations surrounding the manifestation and remedy of such pain. With an integral message with tons of value to extract from, "Just Breathe" reminds listeners to be freer and more open with themselves in a variety of ways. With such a moving theme, inevitably the production follows suit with the poignant style, introducing dynamic collections of abundant instrumentals. With a heavy piano presence, "Just Breathe" is rooted in uplifting listeners, despite the reality of some of its memorandums. The second track of the EP consists of the song, "Waiting", which immediately unravels a calm sensation across listening ears with a soft piano melody. "Waiting" slows things down quite a bit, and brings the focus onto the power of adoration. Alexis Corey's impressionable vocalism takes over (surprise, surprise), which only works to further empower the thought-provoking record. Alexis Corey goes on a journey with listeners in "Waiting", exploring the themes of self-love, projected love, and the intricacies involved in recognizing painful love. All in all, "Waiting" takes a microscopic look at the heart of Alexis Corey, offering true moments of reflective introspection, and allowing her audience to understand the blunt realities of adoration itself. "Time to Fly" follows "Waiting", and offers a beautiful transition into the essence of the track, where the directive of self-exploration and emergence into one's true character gets easily translated once again. "Time to Fly" focuses on bringing out the reality of hardship, and how to mindfully mitigate the obstacles that can arise within one's own soul. Alexis Corey sings, 'Been running for so long, away from home and all I know' Time has passed me by, now it is my time to fly", which ignites a sense of power in conquering deeply rooted adversity in certain calamities within the own mind. A compelling melody remains consistent throughout "Time to Fly", but it's really the voice of Alexis Corey that'll keep one fixated on the track. The EP's fourth track, "Tonight", shakes things up a bit with the chosen melody, as the song hones into a beautiful combination of delicate guitar chords with a more contemporary, persistent beat. "Tonight" is similar to its previous three tracks, and yet, contains a narrative that's a bit disparate from the others. The song ventures into the complications of external influence, especially when that influence can cause perplexing emotions that result in self-reflection. "Tonight" has a faster tempo, and ultimately leaves us feeling empowered, simply from the melody alone. But, as you know, the vocal sound of Alexis Corey takes over the song, as her powerful dynamics provide a true sense of allurement. The fifth and final track of the EP, "Sing" perfectly ties into the potent theme of the EP. Alexis Corey begins off by expressing dreams, memories, and emotions that surround her life. Even further, "Sing" vocalizes the true intention of Alexis Corey's music, and her soulful purpose in creating such inspiring music. "Sing" outlines the effect that music can truly take in one's life, and the strong influence it contains. The track is all about purity, freedom, opportunity, and the overall power of oneself. Inevitably, the production contains an upbeat rhythm that naturally ties into the track's projected message, allowing the inspirational effect to double itself. All in all, Alexis Corey's EP proved to be meticulously strung together with emotionally expressive truths and heartrending narratives; such aspects only leave us wanting more of Alexis Corey's anecdotal wisdom. Hello Alexis and thank you for joining us at BuzzMusic. It's no surprise to any listener that your latest EP is packed full with eloquently articulated personal collections of your own truths. Out of each and every track on the EP, which track do you feel was the most affecting for you? It most definitely is and that’s something I pride myself on when doing my writing. I am as open, vulnerable, and transparent with my writings so that I can reach people’s hearts at their core. It is so hard to choose, quite honestly, as each and every song holds a special place in my heart. I wrote Breathe about how I felt overcoming my past, trauma, and all of the emotions that were coming up during lockdown as it was quite a revealing time for me as I’m sure it was for many. Waiting is the song that I wrote to my wife after being able to come out as a gay woman this year. I had repressed myself and my desire for love and for women for so long that I felt I was hiding in someone else’s skin. It was such a painful process to come out as I feared judgment and a loss of love and approval from friends and family. However, it has been such a beautiful experience getting to find and execute the courage and dedication to self required to be me despite what I think others will say or if they will approve. I love my wife and I’m so grateful I took the opportunity to get to know her and more so myself and who I truly am inside. I spent a long time in really toxic and abusive relationships and so to be in a relationship where there is mutual love and respect is quite a gift! I stand with those who have been through domestic violence and who are suffering. There is a way out. I wrote Time to Fly about my transformative journey of becoming an awakened being ready to use my gifts and talents to inspire the world. This one really speaks to how much we try to hide and are truly afraid of our light and gifts which are truly sent to set us free. I believe we all have the capability to do anything we desire in this life and that it is very much possible and quite frankly probable if we are willing to face ourselves, ready to do the work, and have faith in the process. I’m developing events for other artists for just this at the moment as art, music, and creativity are, in my personal opinion, the highest form of expression one can have in this life. I want people to transmute their pain into art in order to set themselves free and change the world. You could say it’s my mission in life! Tonight is about how I always felt lost navigating my internal landscape and was really resistant to receiving love from anyone else. Deep down I didn’t feel worthy of it. So when I met my wife, for the first time in my life I understood why nothing else worked. They say that when you fall in love, you’ll know. I never believed that. Now I most definitely do. The last song “I’ll Sing” encapsulates why I feel I am here on this Earth. I sing for those who are still suffering who do not believe in themselves, feel oppressed in some way, are looking for the light inside of them and who desire something different. I hope to inspire millions with my experience and to touch their hearts through the sound and sentiment of my music. So much love for us humans! So the answer is, I can’t choose one as I love them all! Each one comes from the heart to touch the heart! As the EP follows a passionate and revealing storyline, how were you hoping your listeners would interpret the overall narrative? I hope that when people hear this album it takes them on a journey through their own transformation as I am sharing just that. I have transformed so much pain and grief and I know that each and every single human being can do it too. I want people to listen to the songs when they need the inspiration to get through the day, to motivate themselves, to change their frequency into one that provides inspiration to go on and to be the best version of themselves they can possibly be. I want to show others that they too can overcome any obstacle in their lives and live happily in their own skin. We all deserve to be happy and free! It is our birthright! From start to finish, your EP focused on beautiful harmonies that paired extremely well with their respective tracks. Let's delve a bit deeper into the way the production was chosen for each track; how do you go about deciding which track should be paired with each melody presented? I absolutely love piano and voice but am a sucker for a trap beat. Guess it’s the New York in me! I’ve also recently fallen in love with dance music as it is so expansive. I would love the opportunities to do festivals in the future and the song “I’ll Sing” struck me as a song that would farewell at a huge festival! I can just see people laughing and dancing as I bounce across the stage! I do miss live music and can’t wait to entertain people more frequently again when restrictions lift from the world due to Covid. My hearts and prayers are with all human beings across the world as we go through this turbulent time together! As far as harmonies go, I love playing with them on the tracks because they give music a much fuller and expansive sound. When I create music I think of it as a meal I can deliver to people’s souls. After listening to the track I want them to feel full. Harmonies create that sound and experience for people. Music is so damn beautiful! With your own tribulations and battles at the forefront of this EP, how did you feel constructing the tracks knowing such vulnerable sides of yourself as an artist would be showcased? I really do enjoy being vulnerable and sharing my heart with others. My entire life all I ever truly wanted, looking back, was to be loved and appreciated. When I am able to be vulnerable I allow people to see into my heart and mind it not only allows them to see me but to see themselves in me. We all share common trials and joys as human beings. The more we share about these things with each other, the more we get an opportunity to feel our oneness with each other. Art and music give us a more palatable way to share ourselves as we are able to transcend traditional methods of sharing, be creative, and outside of the box. I may not be able to go up to someone and tell them that living a conscious life would benefit them. I can, however, sing and write a song about it. If a person connects with that, it challenges them to think or feel a different way, I’d say as a songwriter, my mission would then be accomplished. As an artist, I want to create experiences for people to feel their emotions, connect and have a healthy form of relief, and escape from their everyday life and things they are going through. Music has been and continues to be a healing vehicle for me as I hope it is for others as they listen to my songs and the song of their favorite artists! Now that your EP has been successfully released, what's the next direction for yourself and your music? I am on a musical journey as I always have been! I go where it takes me. Some of my intentions moving forward are to record a full-length EP, which I am currently working on, to tour doing festivals and gigs once things open up, and travel to multiple countries performing. I was able to perform a few gigs in London, prior to things opening up. I’m an NYC girl so for me, that was epic! I am also currently seeking more opportunities to write and pitch my music for TV and Film as there is something that THRILLS me about seeing the storyline and visuals come to life with music. Without it, all of our favorite movies would be missing the magic that they actually have. I find music and how we use it in every capacity so interesting. It heals, it entertains, it inspires, it frees, it connects, it transcends and it brings us somewhere that not many other things in this life can. I love writing music and would also love to be on a songwriting team at a record label as well as getting a record deal myself for my own music! I love all things creativity and music and am open to multiple avenues and outlets for using my musical gifts and talents. I’ve recently developed an online program for artists to connect them with their heart and creativity to create at a fuller and more profound capacity which is lighting me up and so fills my heart with joy! I will be holding in-person events here in London as soon as humanly possible. I do miss seeing and connecting with others in person so I’m really excited to get that started. I have a never settle, driven attitude and will not stop until all of the aforementioned events actually manifest in my reality. I believe in myself, I believe in music and I believe in human beings and the Power we have to persevere and transcend. Thank you for taking the time to interview me and I cannot wait to see in six months, one year, three years from now just how many of those things actually do manifest. So to anyone reading this, if you believe you can you will! Show up every day as the best version of yourself you can be, do the work, face yourself, find your joy and creativity, and just do it, relentlessly. Facebook Website #BUZZMUSIC

Cold Engines is a retro-wave band that hails from Boston, NY. As a band, Cold Engines sets out to deliver a wide range of experiences to their audience with emotionally-affecting performances. Consisting of artists David Drouin, Aaron Zaroulis, Geoff Pilkington, and Eric Reingold, Cold Engines have been cohesively working together since 2015 in order to obtain their ultimate artistic goals, as well as to entertain their listeners with honest collections of stories that easily create an immersive listening environment. Cold Engines recently debuted their highly anticipated album release, "The Last Resort", which worked to exhibit an array of heartfelt stories, ultimately inspired by the infamous "Total Recall" production by Paul Verhoeven's in 1990. The album kickstarts with "Kuato Lives", an instrumental track that offers a natural groove and rejuvenating power via striking guitar riffs that capture the majority of the attention within this track. "Kuato Lives" offers a mood that feels uplifting in every sense - as we're listening, we quite literally feel as if we're on a mission to success. Soon enough, the melody becomes locked into your listening memory, and you can so easily find yourself humming along to the vibrant rhythm. "Kuato Lives" was an intriguing choice for the first track of this album, as the production contrasts brightly from the rest of the presented narrative, which will become very clear as one listens on. "You're Not in Love" follows "Kuato Lives", and brings back the familiar rush imparted by the old-school pop/rock era. "You're Not in Love" follows along with the exact kind of narrative one would innately believe, considering the title, but the band really goes into depth on the intricacies of lasting love. With a catchy melody and vibrant instrumentals, "You're Not in Love" creates a certain quality of contrast between production and storyline, ultimately reeling listeners in for a good time. Cold Engines immediately takes it down a notch with the following instrumental track, "Dreaming", in which listeners receive a soft and sweet piano ballad that encompasses more soothing energy than previous tracks within the album. As a 45-second track, "Dreaming" quickly but efficiently balances the purpose of the album. That characterizable mellow rhythm is kept persistent within the album's fourth track, "The Darkest Part". If you're in need of some music therapy, "The Darkest Part" is the exact kind of melody that works to soothe the soul. The track focuses on tribulations, specifically those that intertwine with patience, acceptance, and understanding. It's this track that displays the versatility of Cold Engines - their sound ultimately is able to combine various genres that feel so intrinsic to what their sound is all about, and yet, sometimes so expanded from what we would expect. "The Darkest Part" falls perfectly into that description. With a similar narrative and effect, Cold Engines continue on the heartfelt storylines with "She Looks A Lot Like You". By now, the chronicle of the album becomes crystal clear. "She Looks A Lot Like You" explains the adversity of heartbreak and all of the thoughts that surface as a result of it. Bringing in more retro instrumentals, the track is able to feel quite reminiscent of the '90s pop/rock era, bringing back that exquisite rush of familiarity. Yet, that old-school approach gets slightly shifted with the albums following track, "Get Your Ass to Mars". The instrumental track feels incredibly similar to the opening of the album and establishes an unsaid narrative yet again. The tempo is fast-paced and offers revitalization, so be prepared to have your listening taste buds completely ignited. Again, the riveting guitar presence allows for a robustly resilient sensation to wash over its audience, which in essence, creates an empowering environment. The melody gets shaken up with the album's seventh instrumental track, "Remember". Haunting piano stylings take over, and a mesh of various soundings get combined in order to source out extreme eclecticism. As an intermittent mid-way track, "Remember" brings about collections of soundings that are completely separate from the ones already established, and that works to offer new perspectives from the band's intention. With bright contrast, "Remember" serves an integral purpose on "The Last Resort". Remember that bustling, feel-good energy that's innate to Cold Engines' overall sound? Well, it's back with the following track, "Livin' for the Weekend". Focusing their energy on a familiar narrative we can all anecdotally relate to, "Livin' for the Weekend" offers prompt and good-spirited energy that can be effortlessly soaked up. A unique collection of instruments gets strung together, ultimately crafting another diverse tune by Cold Engines - a tune that becomes incredibly inherent to their overall sound as a band. But, the melody quickly dissipates, and things get slowed down for a second time with the following track, "Bad Part of Town". "Bad Part of Town" showcases a collection of thoughts surrounding savory and bittersweet memories. The one component of the song that can be easily appreciated is the band's approach to the performance, and more specifically the authenticity of the performance. Each and every lyric is sung with purpose and true effect, which only works to amplify the narrative of the track. "Bad Part of Town" follows along with an impactful storyline of past experiences and the true significance that they can impart onto one's life. "The Last Resort" continues the emotional effect delivered by "Bad Part of Town". "The Last Resort" is purely an instrumental track, and brings in a fusion of synths that provide instantaneous relief. The melody is reassuring and calming in its own essence, and yet, halfway through the track, we feel bouts of contemplation ensue with the liberal rhythm. "Anything But Me" picks the energy back up slightly, and introduces itself via aggregations of soft-strumming guitars. Although the melody has slightly uplifted itself, the narrative remains similar, and expressions of pain, sorrow, and mindfulness get communicated across the song. With "Anything But Me", we find ourselves extending our sympathy and a sincere level of understanding. The song puts things more into perspective, and we genuinely find ourselves being introspective about life, heartbreak, and how the two interplay with one another. Next up is "Send Me Away", the album's twelfth track, which introduces a more contemporary accent, compared to previous tracks. The vocal performance within this particular track raises up the effect, precisely by expelling such truthful emotion. The integrated adlibs provide a stunning effect, and the raspy tone of the vocalist propels the song into a contemporary bout of perfection. Imagery is all too accessible with "Send Me Away", and an instant setting was established for us when listening to the track. If you take a moment to close your eyes and dive into the intricacies the song has to offer, you very well may find yourself drifting off to the melody, all while contemplating the projected message. The level of introspection delivered to listeners continues with "Big Bright Nothing", and it becomes increasingly clear what the band expects from listeners with this song. At the 2-minute mark, tranquillity begins to wash over us. The instrumental choice plays a big role in the success of "Big Bright Nothing", and offers refreshing perspectives, which ultimately occurs via the various interpretations that can arise from such a track. Continuing on, we come to "Are You Leaving?", which only continues to establish the somber elements of the album. Painful recollections of past memories get surfaced, and it becomes incredibly natural to extend bouts of sympathy out. "Are You Leaving?" truly offered many opportunities to be mindful, and to reflect on life itself. The band has a pretty good way of allowing listeners to think beyond the current moment, and to reach certain levels of introspection. "Are You Leaving?" only continued to play into the all-present theme of "album", and concluded the string of songs that mainly focused on one singular entity for inspiration. Finally, "Total Recall" (yes, that's a reference), brings the album to a close, and with that, a showstopping close with the chosen instrumentals. We're left perplexed, soothed, and wanting more all at once. "The Last Resort" brought many varying narratives to light, all of which surrounded one pivotal storyline that offered great moments of understanding, composure, patience, and insight. Cold Engines strategically leaves listeners wanting more, and more, and well, more. "The Last Resort" was a perfectly balanced record from the band, and we're left in some serious anticipation for what they'll be releasing next. Wow! "The Last Resort" was an incredible album, and well worth the anticipation. Now that the album is fully released, what're some learning curves and/or perspectives that were experienced through its creation? We learned so much making our first fully conceptual album. It was very freeing leaning into the narrative of the film Total Recall. We felt very able and willing to take our music in directions we never thought possible. In the spirit of the radical rock operas of the past, we almost felt like we could be any genre we wanted to be and it was easy to shed the expectations of our last records. Being a 15-track album, which tracks ultimately stood out to the band the most? Was there a particular track that the band was hoping listeners would be more drawn to, compared to others? Choosing a favorite song on the album certainly feels like choosing your favorite child! So much thought and work went into each track that I think everyone in the band has a different idea about their favorite track. My favorites to play live are “Kuato Lives”, “She Looks A Lot Like You” and “You’re Not In Love.” In regard to our fans, we hope they listen to the entire record as a singular entity like concept albums of old. The album does tell a story in its entirety. Considering the various experience garnered from each band member, how do you feel such an integration worked towards the success of "The Last Resort", and ultimately, the success of the band? We are truly a band of brothers who care very much about each other and respect the professionalism and musicality each person brings to the table. I think the thousands of shows and dozens of records between us four speak loudly on this album. We always say and feel the band is bigger than the sum of its parts so there does seem to be a mystical component or chemistry with this group of people creating together. What kind of message were you hoping got translated to the majority of your audience with the release of "The Last Resort"? Does the band prefer when the narratives get accurately understood via your listeners or are the band open to various forms of interpretations from listeners? The message was to poetically embrace the story of the 80’s sci-fi masterpiece, Total Recall. It’s a far-out message that can be summed up with regular people coming together to defeat powerful and oligarchic corporate overlords. The songs and lyrical messages within can and will be interpreted differently by every listener and that’s just the way it goes. Some of the songs are a little more literary than others but most are poetic enough to be universally related to. Are there any plans to virtually perform "The Last Resort"? What're the next steps now that the album is fully released? Well, as of now we hope that shows to come back in a safe manner as soon as possible and we can perform the record in its entirety one day. In the meantime, we are doing what we always have done and working on more music. That's what we’ve been doing since we were kids and we hope to keep moving forward and raising the bar along with following our hearts and instincts with what WE want to make rather than placating to any expectations. Instagram Facebook

It's easy to lose yourself amid the earthy and organic tones of the Chamber-Pop Artist and Singer/Songwriter Jessamine Barham. Hailing from San Diego, California, Jessamine Barham took a long look in the mirror to release her touching single, "Chasing a Dream." Embodying a sharp goth aesthetic within her sound and brand, Jessamine Barham sings for those who long for the tenderness of love and often feel ignored by the outside world. A talented young artist on the autistic spectrum, Jessamine Barham's life experiences have led to this moment, releasing symphonic rock-inspired ballads that capture each and every complex emotion. Recently releasing her introspective single "Chasing a Dream," Jessamine Barham serenades us within this sweet two-minute ballad while vocalizing her many thoughts of longing for opportunities that don't seem to surface. Overtop of smooth organic drum patterns and a mesmerizing piano melody, Jessamine Barham perfectly portrays her introverted thoughts to our extroverted world. Listening to the entire single, "Chasing a Dream" softly begins with melancholy piano melodies that set the song's emotional and tender atmosphere. As Jessamine Barham's warm alto vocals make their appearance, she haunts the song with her layered vocals that emphasize its organic and gloomy feel, especially as she begins telling her unique story of chasing dreams. As we dive deeper into Jessamine Barham's lyrical content, we're nothing but moved after hearing the genuineness and sincerity in her saddened yet realistic message. Pulling on heartstrings everywhere with lyrics like, "Everything you knew faded away, now you realize how much you really had." Jessamine Barham is quickly carving her path to success with conceptual and heartfelt singles like "Chasing a Dream," as she pulls listeners in close with each emotional and relatable lyric she sings. We love the genuine emotion and vulnerability you've placed into your single "Chasing a Dream." What inspired you to write this piece? “Chasing a Dream” came to me at a time when I was focusing too much on things I wanted and not enough on what I already had. I became worried about what would happen if I lost someone and didn’t realize how much they meant to me until they were gone. I wanted to express those emotions in this song and thought other people could relate to it as well. The lyrics, “You don’t know what you have until it’s gone. You spent your whole life wanting more,” ties into our consumer culture where people always want more and do not appreciate what they already have like family and friends. Did you record the instrumentals yourself for your single "Chasing a Dream"? What was your recording process like? I recorded “Chasing a Dream” with Alex Arango, one of the teachers at my music school Kalabash. Normally, we record music in the studio, however, due to COVID, we couldn’t meet in person and used GarageBand. “Chasing a Dream” begins with a rich, deep, earthy call, almost a chant to ground the listener in the lyrical journey that is about to begin. This idea came to me after many attempts of trying to start the song with the chorus, “You wanted the world, but then it slipped away.” Later, I added six harmonies where my voice progressively gets higher to symbolize my awakening from my dream. What did you want your listeners to take away from such an emotional and relatable single like "Chasing a Dream"? When people hear “Chasing a Dream,” I hope to take them on a lyrical journey where they sense the desperation of being too focused on their dreams. As I say in the song, “Everything you knew faded away. Now you realize how much you really had.” This is an attempt to awaken people to look around them at what they have before they get too seduced by their dreams. What lyrical themes and concepts do you typically portray within your music? What should listeners associate your brand with? I write pensive, introspective music. Lyrically, I tend to write about personal experiences, times where I have felt lonely, and overcoming hardships. I created songs like “Royalty” and “World of Lies,” to reflect our world now were lies and corruption seem to be the currency of the realm. Listeners should associate my music brand with emotional piano ballads, gentle folk songs, and dark, dramatic songs. As we enter the new year, what are some of the goals you'd like to achieve with your music? I’m releasing my third EP Light in the Darkness in January, as I hope we are entering a new era with many of the troubles of 2020 gradually disappearing. One of my goals is to continue to write songs that reflect my emotions as a young person graduating from San Diego State and hopefully becoming a professional songwriter. Another goal I have is to create music videos that capture the spirit of my songs. First on my list is “World of Lies.” instagram.com/jessybarham twitter.com/JessyBarham

Known for his high intellect, ambition, and extreme work ethic, Joe Berk brings back the meaning to Country music. Painting expressions that shine a light upon the story of our roots and what we grew up on, he believes that lyrics are the fundamental essence in telling a meaningful story with classic Country music components such as banjos and pedal steel. Drawing inspiration from R&B, Motown, Rock, and Hip-hop, Joe Berk has mastered the manner in which he blends elements and bends genres as he delves into traditional country songwriting to develop a unique sound with witty lyrics and catchy modern hooks. In Joe Berk’s most recent single, “A Guy’s Girl,” he hones in on the vibrant and loveable traits that we wholeheartedly adore in the genre of Country music. Through the warm essence of acoustic chords strummed as they take us from start to finish of the mid-tempo pulses of this record, we ride the slick wave of Joe Berk’s, “A Guy’s Girl,” in an effervescent fashion. Using his undeniable talent for bringing imagery to life through his descriptive lyrics, Joe Berk’s depiction of the girl next door has us wanting to know exactly who it is he’s hyping up in the smooth timbres that resonate heavily on our minds. Driving the track like a four-wheeler, Joe Berk takes full control as he uses his captivating grasp to pull us into the composition at hand. Allowing us to feel the energetic vibrations that he exudes, Joe Berk knows the way to our hearts with his heavenly spirit sprinkled through a true Country's heart. Accompanied by vivacious visuals that add in a sense of Joe Berk’s comedic side, the outdoor scenery brings the ambiance to a whole other level as we drown in the imagery he brings with his own version of, “A Guy’s Girl.” As Joe Berk continues to make his mark, be sure you're on the bandwagon before it's too late. Instagram Facebook #BUZZMUSIC

Reigning from Vancouver, Canada, Marcus Moon is a mastermind Composer active in the style and instrumentation of classical music, but with an unmistakable influence on modern-day life. Deeply inspired by the modern-day singers and songwriters that he grew up listening to, there has always been a story at the center of his work. Although his music mostly goes on without lyrics, he paints the most vivid and heartfelt imagery using simple harmonies and very direct melodies, played on classical instruments, such as piano and cello. Fresh off the release of his highly anticipated album, “Letters from the Moon,” Marcus Moon takes us into the third song from the project, “Wedding Waltz.” Prominent keys open this delicate piece that has your mind swaying from side to side in a graceful manner. Bringing out themes of elation and joyfulness through the instrumental progression, we submit to a buoyant universe that has swooped us off our feet in a swift motion. You can appreciate the thought process that hones in on attentive objectives through the crisp pellucidity of each sound performed. The piano forward ballad that “Wedding Waltz,” embodies is quite elegant with plenty of room to allow the bliss in your imagination to travel as the arrangement does. Creating a roller coaster-like effect with the way the composition travels from start to finish, Marcus Moon radiates his talents as we take in all he has to offer as a composer. By creating moods for us to fixate upon, “Wedding Waltz,” has us feeling the highs and genuine depths created in the realm of the emerging artist himself. As we look forward to each tone set in the sonic voyage that is, “Letters from the Moon,” Marcus Moon proves himself time and time again as one to project self-analysis well past 18th century personified classical creations. Welcome to BuzzMusic, Marcus Moon! Congratulations on the release of, “Wedding Waltz,” from your album, “Letters from the Moon.” There is something so uplifting about this composition. What were your intentions with the piece going into it? Well, it is a wedding waltz and I wanted it to reflect the pure joy of a wedding, but not without also reflecting on the challenges of marriage. I made it upbeat, light, and almost a bit goofy in the major key. For the minor key change, I used a bit more drive and attack on the keys. The music video further communicates that feeling of a higher 'cosmic love' that transcends space and time, which I also wanted to express. The video and music together allowed me to do that. What was it like recording “Wedding Waltz”? Do you have any memorable moments from the creative process? Of the tracks on the album Wedding Waltz was the very first one we started working on and I think the last one that we finished. The greatest challenge with recording this song was that I had such a very specific sound and playing technique in mind. It took a lot of discussions and takes to get there, but I am super happy with the final result. It sounds just like what I had in mind when I wrote it. Is this a representation of what we can expect from the entire album, “Letters from the Moon”? My debut album can be described as "classical music for modern times". I think Wedding Waltz is a great representation of that. It is kind of timeless in its composition and performance, but not without the influence of more modern-day songwriting. Do you find the creative process varies for you when you introduce lyrics to your songs? Regardless of having words or not in my music, the creative process always starts with me writing down the story behind the piece. I actually consider myself a storyteller first and a composer second. Without something to say, the music will not be compelling. Sometimes when I write down my thoughts for a new piece of music, I find the words really demand to be sung, and then they may turn into an actual song with lyrics like I did with The Moon Represents My Heart, another track of my debut album. What can we expect to see next from you as we enter 2021? In 2021, I aim to first take a little break and just enjoy some stress-free time of NOT producing an album. It's been a long road to get it recorded and published with many extra challenges during the covid year of 2020. Beyond that, I have a lot of ideas for new music lying around and I hope to finish a bunch of them in 2021 and hopefully see another album out before the end of the year. facebook.com/marcusmoonmusic instagram.com/marcusmoonmusic

Inspired by nostalgic sonic textures and heartfelt melodies that emerge from late-night sessions in his home studio, Andrew Ampaya, professionally known as Munsi is a Los Angeles-based Songwriter, Producer, and Instrumentalist. After over a decade of playing keyboards and collaborating in major label bands, most notably Wildling, Andrew began evolving his personal sound, delving deeper into music production, collaborating with other aspiring musicians, thus crafting his own sonic identity. His debut track, “Kids In Love,” consists of a collection of musical collaborations with longtime friends, Alisa Fidele, better known as Insali amongst others who have been an integral part in keeping the inspiration alive. This debut single is merely a glimpse into the world of Munsi, which has yet to be fully explored. Tumbling into a utopia of mid-tempo eclectic resonance, we have whisked away through the dynamic soundscape brought to life. The inviting instrumentation creates comfort throughout each power-fueled snare hit creating a thunderous sense of victory swaying our minds back and forth in the composition. “Kids In Love,” radiates a euphoric state as the sparse lyrics have us wanting more from the artist featured in this striking masterpiece that proves less is more. Presenting the talents of Insali, “Kids In Love,” is an accumulation of ideas that were dusted off and brought back to life after months of both procrastination and moments of pure inspiration. With a minimalistic approach, Munsi truly shines a light on the process of not overthinking creations but rather to let them flow in the natural state that they thrive in. As we effortlessly sink into our seats and take in the full body of work, we can see the mass appeal surrounding Munsi as he makes his mark in the industry in such a powerful way. Delicately treading on the heavenly words sang by Insali, we announce each word repeatedly as we continue to take in the blissful, “Kids In Love.” Welcome to BuzzMusic, Munsi! Congratulations on the release of your debut single, “Kids In Love,” featuring Insali. As longtime friends, what was it like collaborating with one another to bring this song to life? Thank you! Collaborating with Insali (Alisa Fedele) has always been a really free and inspiring experience. She and I have been playing music together for quite a while but it was only somewhat recently that we started writing and co-producing together. This track is unique in that it was pretty late in the game that I decided I wanted vocals on it. The idea was to add a sort of “sample-sounding”, repeating vocal that could carry the title of the song. I basically just sent her the instrumental track and had her go crazy. She really nailed it and gave me plenty to work with, it was hard to choose which takes to use but it all ended up working out really well. She and I have been chipping away at her debut single and EP for months now and I cannot wait for all of it to be released. What moments or stories inspired the theme behind, “Kids In Love”? There isn’t much of a story aside from the title just popping into my head as I listened back to the early iterations of the song. The beginning intro synth arpeggiator line inspired a feeling of nostalgia and young love which is how the title came to be. Recording and releasing a track is the disarray of 2020, what challenges did you have to overcome to put out a release this year? It’s been a long time coming for me with regards to finally focusing on a goal and figuring out what my next moves would be after having been in bands that didn’t work out. I’ve had so many ideas and skeletons of songs that I’ve always shared with my bandmates but for whatever reason, they never turned into anything. It was definitely challenging to sort through all of the repertoire (whilst writing new material). But the goal was to find my sonic identity. I’m still in the midst of trying to find it but I think after this release, it will show itself as I keep writing and releasing music. In terms of themes and messages, what would you like your listeners to take away from the music that you put forth? I’ve always been drawn to music that can easily create a memorable backdrop. Whether it be just passing the time with friends or being the song that perfectly soundtracks a poignant moment, I have always tried to approach music creation with the intention of providing a meaningful experience for the listener. I hope that the music I put out does that. What goals do you have for your music as we move into the new year? Right now my goal is just to keep writing and releasing material. I’m playing with the idea of collaborating a lot more with various artist friends of mine and releasing a collection of songs, showcasing each singer. We’ll see how it goes but I’m currently working on a handful of collaborations that I’m eager to finish and release real soon. instagram.com/munsimusic