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London-based, Pop artist LIIYO made their official debut in June 2020 after spending five years in KPOP-inspired Pop groups. Under their new moniker, LIIYO fostered and conveyed their authentic sound, that expresses various elements through a darker, more grounded, and humanistic edge. LIIYO, released their third single titled, “Overwhelmed,” after taking a moment to connect with their fans during the lockdown and finding out exactly what it was that they needed to hear from them. As a result, an aptly irresistible, compassionate Pop ballad was born. Through a slow tempo of radical fusion that takes on the essence of Soul and Electro-Pop, “Overwhelmed,” delivers listeners the ease of comfort and suitably relatable content in the depth of storytelling that LIIYO conveys. Teaming up with mastermind producer, Will Henderson, you can’t help but hear the instrumentation take nods from 90’s R&B and 80’s Electronic music as it has you swaying from side to side. Balancing on the tightrope of modern wave synthesis that shares resonant tones with nostalgia, the delicate and raw vocal talents of LIIYO submerge your speakers in a sonic delicacy. Offering up the most authentic version of LIIYO, “Overwhelmed,” navigates through themes of validity as LIIYO carries forth the realness he glistens from within. LIIYO affirms that the feelings that left you feeling so alone in the preceding anxiety-soaked months were felt collectively as he opens his arms and pulls you into a warm embrace. Guiding around the heavenly preservation of vocals that are sent from above, we feel the moral compass inside of LIIYO finding its way as the direction and path created will be a fortified foundation for others to follow. As we sink into our seats and appreciate the true artistic talents of LIIYO, we find solace in knowing that they are lighting a dark path for others to find a light. Welcome to BuzzMusic, LIIYO! Congratulations on the release of, “Overwhelmed.” Could you please share the wholesome experience of connecting with your fans to gain inspiration for this record? It's great to be here and thank you for the support on the release of my song "Overwhelmed". I am so happy with the track and it's great to be able to talk about it! It's quite an interesting story on how the track came about. I had been working with a super talented New Zealand based producer called Will Henderson and he approached me with a ballad track that I absolutely loved but decided to take some time on before I released it. I'd reached a point where I had been releasing upbeat tracks one after the other and happened to ask my Instagram followers what kind of song they would like to hear next. I didn't expect them to choose a ballad and all of a sudden, the pressure was on because it was then time to show some vulnerability. That's when I went back to the track that Will Henderson had given me and that was when I knew I had my next release on my hands! I sat down with the song and started writing and I will be honest, I expected it to take a while as ballads are not something I have done often in the past but the lyrics just flowed and the melody stuck like glue. It was a weird experience for me because it usually takes me at least a few days to cement down something that I am happy with but it just came all in one go. Writing about a topic that is really close to home for me allowed me to hone in on the elements that made the song special! It was actually quite enlightening and to think it all came from a random Instagram Story! We found that your vocals radiated on this track! How is the creative process different in the new path that you have found versus when tackling KPOP creations? Thank you so much! That actually makes me really happy to hear! I tried really hard to showcase a different side to my vocals on this track as I've been known to sing more upbeat songs but I wanted to really draw out some emotion in this one. With it being a topic that I, along with millions of others, have experienced in the year 2020, I wanted to convey a feeling that people would understand. I have always tried to have a semblance of emotion in all of my previous tracks but they were always more focussed on being catchy and that's probably due to me being so heavily influenced by KPOP which is all about those hooks and melodies that get stuck in your head. To be quite honest, it was difficult working on something that is so far removed from what I usually do as it was completely forcing me to work outside of my comfort zone. It did take me a little longer in the recording studio to nail down what sounds I liked as I was working with harmonies that I usually wouldn't consider but I work better under a challenge! I had to learn to adapt to new melodies but it definitely taught me some tough lessons on how to be a better songwriter. I will absolutely return to a place that is musically a little closer to the sound of KPOP, which is what I usually do, but I will absolutely always bear in mind that it is a good thing to branch out now and then and work on something a little off branch. Could you please share a glimpse of what the recording session looked like when bringing, “Overwhelmed,” to life? So the recording session was done with my Sound Engineer Junaid and it started as a simple recording session. I worked first on the verses, recording the verses and pre-choruses, and then moved onto the chorus. I recorded the main bulk of the song in one recording session because I just found that the melody worked so well with my vocals. The problem was that I, and Junaid, felt like something was missing and he basically threw me out of the fryer and into the flames by telling me that he wanted me to do one full take and to improvise harmonies and ad-libs without stopping. As someone that tends to overthink such things, this terrified me as I hate making mistakes and hitting notes that don't sound right but I took him up on his challenge and sang all of the ad-libs that are heard in the final version of the song. I don't know what came over me, some strong emotions I guess, and I just let loose. It was such a freeing feeling just letting out my emotions by just singing and not thinking about things. We agreed that it sounded really good and I was so happy with it. It was probably one of my favorite studio sessions that I have ever had! Where do you find the majority of your inspiration for the melodies that you create? I usually try to listen to as many songs as possible to broaden my understanding of melodies. I would say that 98% of the time, the music that I listen to is KPOP but when I do listen to Western Music, it is a wide range of genres that I put on my playlists. I have been raised with a mixture of pop, rock, RnB, soul, reggae, soca, and many other genres and so I try to think about melodies often found in those genres when writing my own melodies. I record myself singing something onto my phone if a melody pops into my head and return to it when I am sat down with a coffee and writing a potential future song and if the recorded melody suits then I begin to develop it further. I wouldn't say that I have a surefire one-track method for every single song that I write but I definitely do try to mix up different methods as often as I can. 2020 has been a very challenging year for everyone. What has been keeping you inspired to create music? What advice can you give another artist who's finding it difficult to do so? I became a solo artist in 2020 after previously being in two pop groups. That in itself was particularly challenging but it was the sense of freedom that has filled me with inspiration to write and release what I want without limitations. It has been an incredibly tough year in our personal lives, but in terms of my music career, finding the courage to hone in on my branding as an artist gave me something to work on and focus all of my attention on. To be quite honest, I was just excited to show people a more mature, confident version of myself and it pushed me to keep writing and keep releasing the best possible music that I can. It's sometimes very hard to maintain that momentum and it's easy to wonder whether the degree of success that can be achieved is worth the grind that is required but it is about recognizing that this is something that you love and cannot live without. I go through phases where I doubt myself or wonder just how successful I can be but I have to tell myself that I cannot imagine doing anything else and that success is only earned through hard work. I would always advise my fellow artists to always follow their judgement. If they hear a melody in their head that just will not leave their minds, then record it and write it. If they begin to doubt themselves then they need to remind themselves that there is always going to be someone who loves what they do. If they know that they love what they do then find an avenue that truly harnesses what helps them to manifest their creativity and focus on it. I love what I do and i want to see others achieve success and see what they release and to do that, I need them to be working on new material too! It's all about supporting one another and I would encourage anyone to reach out to me, or another artist or producer, and talk about stuff! Collaborate, feature or even just pick their brains on things. It's a tough world but its the community spirit that pulls us further up the ladder in this industry and I truly believe that. instagram.com/liiyo_music

Hailing from Oslo, Norway, the Artist, and Singer/Songwriter Hazel teams up with Producer Dunisco for their mind-blowing rendition of Britney Spears' iconic hit, "Baby One More Time." The two creators started making this track merely for the fun of it, but it quickly transformed into a heated banger that anyone could get down with. Hazel found herself discovering the vast talent she holds while studying music in Bergen, where she wrote many songs, performed at countless venues, and truly perfected her craft as a versatile and engaging performer. Striving to invoke many different feelings and emotions in her audience, Hazel has not only established herself as an artist to watch, but she's continuing to gather attention through each individual project. Speaking on her recent musical endeavor, "Baby One More Time," Hazel underwent quite the Britney Spears and Usher phase when she began creating music with Producer Dunisco, which led the two into the unique rendition of the legendary single. What's interesting about this cover is that Dunisco places the utmost modern and upbeat electronic production, giving the track a flair of lively House Music. Hazel and Dunisco's cover of "Baby One More Time" begins with the classic and powerful piano chords, yet at a slightly quicker tempo. We can also hear a whopping drum kick and various electronic drum breaks pound through with the energy and life of House Music. As Hazel makes her vocal appearance, she indeed does Ms. Spears and the single justice with her powerhouse vocals that exclaim the same desire and passion as Britney herself. We must also note the vibrance that Producer Dunisco has brought to the table, as he's fueled the single with incredible energy that gets our blood pumping. Especially at the exhilarating beat drop, Dunisco places a stunning synth arrangement, slight use of keys, and ghostly vocal chops for added texture and depth. Ending the song off on a bright and exuberant note, we absolutely love what Hazel and Dunisco have created with their lively rendition of Britney Spears' classic hit, "Baby One More Time." We always appreciate a solid cover, but your rendition of "Baby One More Time" is genuinely exhilarating. Could you describe the moment you realized that you wanted to create a Britney Spears cover? This song was a product of many long nights in the studio with Dunisco. He lives pretty close to me, and during the Covid-19 lockdown, we hung out in the studio almost every day for two months, mars-may. I remember we had written and recorded songs all day long, it had gotten late and we were just chilling and listening to music. We came over a playlist and there were a lot of remixes and covers there. I was deep inside a Britney and Usher phase where those were the only two artists I listened to at the time - so I suggested: why don’t we do a cover? I also thought the lyrics of the song was relevant now with the global pandemic, and I drew a parallel to the time we are in now. That I sing about a guy I want to "hit me one more time", with a text or a like on Instagram. "My loneliness is killing me" because I have to quarantine all alone. I have always loved Britney Spears, and especially this song, so I'm just so honored to be able to breathe new life into this pop-classic! What was your vocal recording process like for your cover of "Baby One More Time"? Was it easy to channel your inner Britney and pay tribute to the iconic artist? It was so fun recording the vocals for this song! When I like a song and feel the lyrics and vibe, it's easy for me to get in the right mood and deliver a good vocal take with feelings. This song also fits my voice very well, and I guess every girl in the world has an inner Britney Spears hidden somewhere, whether they know it or not. I liked how fun the whole process was, we recorded the final vocal-takes the same night we decided to do the cover - sometimes everything just falls into place. Seeing as Dunisco handled the production for your cover of Britney Spears' "Baby One More Time," why did he choose to bring this modern flair of Electronic Music within the sonics? Hazel: Dunisco is a really good producer and an amazing DJ. He has his own sound and although he is very versatile, he usually makes magic when it comes to electronic music. Since we're both suckers for electronic and DJ-friendly music, it was a natural way to go. We wanted to modernize the sound and bring new life into the song, and also draw a parallel to 2020 with social media, how we communicate, and the global pandemic. Dunisco: I chose the path of the song basically on what I felt was right. When we started the project I was listening to a bunch of productions I've done in the same style. And also some artists that have influenced my sound selection, going in this direction. And it sounded like something that could fit the track. Now even though it turned out as it did. It was a cool and different approach to the song. That hadn't been done before. So it was fun to test it out! And I would continue to develop this style into something even cooler in the future. So it's a strong and fun starting point. Do you plan on releasing more tunes with Dunisco in the future? Do the two of you have any original collaborations up your sleeves? We do have some original collaborations up our sleeves! We have good musical chemistry and always make good music when we have sessions together. I'm pretty sure 2021 will be the year they see the light of day! 2020 has been a very challenging year for everyone. What has been keeping you inspired to create music? What advice can you give another artist who's finding it difficult to do so? 2020 has been a super weird year, it feels like nothing, and everything has happened at the same time. It's easy for people to say that when you're in quarantine you have all the time in the world to make music. But the problem is, I'm that kind of person who needs something to happen to be creative. It's hard for me to feel inspired when I'm just doing the same thing every day and not getting any new input from anywhere. What I've learned helps me is to call my friends, old and new, all over the world and just talk. Friends you don't necessarily talk to every day because "life gets in the way." Talking to those people reminds you of and brings life to the person you are in their eyes, and not only the person you see yourself as when you're home alone in your room. I also found it helpful to challenge myself musically. The piano is my main instrument, so I decided to learn the guitar on a deeper level. This opened up my creativity and gave me new inspiration to write songs and make music that's a little bit different from what I usually write. instagram.com/hazelmusiq

BexX defines their own sound as a theatrical mix of meaningful songwriting, classical and baroque-pop, electro-pop, and world flavors, with a mission to challenge stereotypes and expectations, attempting to break down the boxes and limitations of society. In an expression to create their own lane, BexX comes equipped with a genre of music titled, ‘Genre Non-Conforming’, or ‘Genrefluid,’ which acts as a parallel to Genderfluidity which is their main area of artistic focus. In a year of unprecedented firsts, BexX has recruited LadyNade, to bring life to the single, “All That You Dream.” These two Bristol singer-songwriters have come together for an exciting collaboration that thrives as a product of the pandemic, social distancing, and two lockdowns. “All That You Dream,” is a celebration of hope that better times lie ahead. As proud Bristol natives, the synergy between BexX and LadyNade extends beyond a postcode, and this dynamic duo proves that to us in the melodic adventure of this single. In the luxurious feel of robust instrumentation, you find yourself instantly floating in the realm of BexX and LadyNade in the captivating pull of, “All That You Dream.” The elegant spark of hopefulness shines brightly through the soothing embrace that BexX seamlessly offers its listeners. Dancing upon each note through swift cadences and opulent harmonies, we can’t help but zone in on each element of this production as it jumps out at you in decadent descants. “All That You Dream,” dazzles us in expressions of encouraging words that BexX is delivering to a younger version of themselves. Opening up a vulnerable sector of intimate lyrics, BexX also encourages its listeners to take that leap of faith towards the aspirations they may be afraid to tackle in wanting to be something else. The dynamism between BexX and Lady Nade playoff in such an effortless manner as you take in their musical creations. As Lady Nade, presents a lavish addition of oozing originality, you recognize the strength that having her on this record brings to the table. As BexX and Lady Nade continue to reach into the prolific stars that are placed in their universe, we sit back and take each extravagant moment in as they offer us a piece of themselves in, “All That You Dream.” Welcome to BuzzMusic, BexX! Congratulations on the release of, “All That You Dream,” featuring LadyNade. We truly admire the composition at hand with this single and we would love to know; how did the striking collaboration of yourself and LadyNade come to be? What was it like working with one another? Is this the first time you have collaborated, or have you worked with any other artists previously? LadyNade and I have been great friends for over a decade. We kept meeting at open mic nights, sharing our love for music and performance. Over time we developed a unique relationship. We’ve both individually devoted our lives to music and it was only a matter of time before we would eventually work together. I’ve worked with many artists and songwriters and I enjoy collaborating which has always been part of my artistry. I love helping others develop creative ideas, whether that's with recording, production, or vocal technique. What I particularly love about the co-write with LadyNade, is that it was a combination of her songwriting craft and my music composition and production. We absolutely love how you and LadyNade define your genres of music as ‘Genre Non-Conforming’ or ‘Genrefluid.’ At what moment did this description come to life? Do you think this is a good way for new fans to better understand who you both are as artists? LadyNade has often been told that black females only sing soul R&B or Jazz. This has always quietly been playing on her mind, however, during her creative process, the one thing that is always at the center is staying true to her art regardless of the genre. 

My stance is that of a parallel with Gender-fluidity. I’ve worked hard to come to terms with my own identity. And, I realized that by being Non-Binary, I have a need to express my music in a similar way. It doesn’t help creativity to pigeonhole music into categories. I want to cross genres and express myself truly in the way that I want to, rather than conform to the norms that the outside world expects. It's not so much about the sound or style of an individual song though, more about the philosophy of what we do as artists. Through the twists and turns of 2020, you mentioned that there were some fears to overcome with a release of this caliber. Could you please take us into what the creative process looked like when bringing “All That You Dream” to life? With the pandemic, we’ve all had to work out new ways of working remotely. Lockdown has meant I’ve had more time in isolation to write, create, arrange, and produce. I feel it was important to release ‘All That You Dream’ right now, as it shows that we can still get things done, regardless of all the set-backs that life throws in the way. Also, it’s a song that I hope will resonate with a lot of people during the winter lockdown and help to raise spirits and bring people together at a time that many need it the most. We made the video together in between lockdowns. We had big ideas for the video but we realized we had to do it ourselves and keep it simple, to save money, and because the people we needed weren’t so available. Regardless, we had great fun making our own lyric video with pens, paper, and stars! What was the most memorable moment you had when creating “All That You Dream”? Was there anything you wish you could have done in the creation of the track that wasn't possible because of 2020? When the chorus came together, that was a magical moment. Prior to that, the song didn’t even have a chorus. We wanted to take what was initially an Experimental Ballad and turn it into something that would universally be a positive tool for helping others pursue their dreams. In the creation of the track, I wish I could have recorded the whole thing with a live band and live backing choir using analog and tape, a technique I enjoy because of its rawness and authenticity. What does 2021 hold for you both? Is there a follow-up from "All That You Dream" already in the pipeline? My EP. ‘On To Bigger Things’. A journey of the pursuit of passion will be released in 2021. It's a transformative sequence of four songs, starting with self-realization, then fear, acceptance, and finally growth. It’s a concept I’ve had for many years that is finally coming to fruition. In 2019, I began coming out as nonbinary and the EP is a reflection of the process. It was a pivotal moment when I realized that I needed to release my music in conjunction with my identity, as they are one and the same thing. The way I wanted to express my music was waiting for me inside all along, I was just blocking it by not being true to myself. I hid my art. I wrote the first song on the EP, at that pivotal moment when I decided I had to reinvent myself. It’s called ‘Freedom Doesn’t Mean A Thing, (If There’s No Peace Within)’, to which ‘All That You Dream’ has been an apt pre-cursor. In 2021, LadyNade has a third mini Album and tour in the pipeline, and has recently been nominated for the ‘UK Song of the Year’ at the UK Americana Awards, and has become a Patron for The Music Venue Trust supporting Grassroots Music Venues across the country that have been fundamental to our careers. instagram.com/bexx.me facebook.com/bexx.me

Growing up in the ’90s, Singer-Songwriter Alex Kreid fell in love with Electronic Pop music. This love is what drove him to cover “Mysterious Times” by Sash! Featuring Tina Cousins. Alex Kreid's production enhances the depth within the lyrics through new sounds and heightened melodic expression. The original track peaked at number 2 in the UK in 1998 and number 11 on the Billboard Dance Club chart in the US. “I’ve always loved this track. So when I decided to cover a track this year, I wanted to create a different take on what was a truly great song. I feel that my version places more focus on the depth of the lyrics. It always surprises me that when you actually listen to the lyrics within dance songs they are pretty lyrically deep.” - Alex Kreid The heightened intensity of the base and various instrumental layers enhances the mysterious sound and motivating energy found within this musical piece. The clean, yet grunge production of mellow sounds strengthens the listener's feeling of danger and unrest, however, creates motivating energy through the mood of uncertainty. The contrast between Kreids lyrics and vocal harmonies acknowledges the uneasiness of said mysterious times while providing motivation to continue forward. Despite being slowed down and heavily intensified, this track resembles the techno nature of the original piece and sound while creating more feelings of unrest and mystery. "Mysterious Times" by Alex Kried is truly a unique and layered sound that incites motivation through the uncertainty created in the music and is sure to captivate listeners through its melodic lyrical expression. Welcome to BuzzMusic! We love your version of “Mysterious Times”. Tell us about your intentions as an artist when you started working on your cover of this song. It was something I decided to do within the first lockdown. The lockdown gave me lots of free time on my own to listen to music, music that I hadn’t listened to in a long time, and revisit 90’s songs. When I listened to "Mysterious Times," it took me by surprise that the song was so relevant to the current times. I also noticed that no other artist had ever attempted a version of the song so I wanted to have a challenge and create something worthwhile within lockdown. 2. You mentioned growing up in and to this day your continued love of 90’s music, Do you think that "Mysterious Times" attempts to duplicate a 90’s sound or rather put your own unique spin on it? My main aim with "Mysterious Times" was not to replace the original. I wanted to create a different spin on what is already a great song. Stripping the song back, making the meaning of the lyrics more prominent and giving it a fresh new sound. With the original tracks you have released previously, would you say that you incorporate other genres into your music, or is writing deep-rooted in the '90s too? I would say that I am influenced by 90’s music within what I do however, as an artist I can only create what is within me to create within that moment. I listen to a lot of music from many eras and genres. The ’90s usually come into the influence due to that the era was what made me grow a passion for music. Do you feel that depending on the mental state you are in that your music and sound are influenced by it? How do you manage to incorporate these feelings into your music? 100%, music gives a lifeline to an artist to say how they are feeling, what is on their mind and to release the emotion away from them to an audience. This is why my style of original songs changes so much however, makes it exciting for me and the audience that we don’t know what will come next. 2020 has been a very challenging year for everyone. What has been keeping you inspired to create music? What advice can you give another artist who is finding it difficult to do so? Listening to music and finding artists that I have never listened to before keeps me inspired whilst always remembering to keep writing, keep writing, and keep writing. I write every single feeling or moment within my songbook as they happen, use my voice memo every time a melody comes into my head. Use the times that we are within to be creative, ready for when the moment comes that you can put all of that stored creativity into releasing something amazing. facebook.com/alexkreidofficial instagram.com/alexkreid twitter.com/alexkreid

The talented Chanteuse Green, professionally known as Eva Constance, has always had a burning passion for music. Reigning from Hartford, Connecticut, Eva Constance began her musical journey while singing in the church choir at the young age of six years old. Gathering the knowledge that she retained from her experience in the choir, Eva Constance wrote her first song when she was 12 years old. It wasn't until 2018 that she had begun to construct a sound unique to her. When she released her first single in late 2018, she immediately took a step back because she deemed herself not quite ready for the music industry. Taking the time off to reflect and learn new techniques to make her presence even more concrete, Eva Constance is back, and coming in hot with her debut single, “Selfish,” giving her listeners a taste of what’s in store for the up and coming artist. The enticing production quality of “Selfish,” weighs heavy in your mind as you fully immerse yourself in the enormous sound that takes control of your speakers. Dabbling in the realms of Contemporary R&B and Pop, Eva Constance conveys a sultry vocal presentation as she dives into the deep desires that encourage her to be selfish towards the apple of her eye. Tiptoeing around lively mid-tempo instrumentation, you’re instantly transported to a blissful utopia that has you floating upon cloud nine. The delicate essence that the passion emits has her emotion filled harmonies splashing a luxurious spirit all over the composition. As her symphonic melodies cascade upon the divine energy that comes to Eva Constance in an effortless fashion, “Selfish,” has us submerged in the undeniable talents of this emerging artist. Eva Constance has undoubtedly made a statement with her re-introduction into the music industry as she flaunts her talents like the latest fashion that they are. Diving into a resonance that has charisma written all over it, Eva Constance is an emerging talent that you need to be on the lookout for. With her flame for music being bigger than ever, we can’t wait to hear what she has in store for us next. Welcome to BuzzMusic, Eva Constance! Congratulations on the release of your debut single, “Selfish.” With this being your re-introduction to the music industry, how do you feel being back and better than ever? Hello! Thank you so much for having me. Thank you very much. I worked so hard to bring “Selfish” to life and make it sound the way I wanted to. My engineer and I gave everything we had to this track and I am happy people are actually enjoying it! As for being back in the music industry from a long break, I feel so grateful to be back! I had a lot of things I had to tighten up and work on. As an artist sometimes we forget that it is not just about the pretty videos, photos, etc. There is a lot of hard work that goes into being an artist and I felt that I had to rediscover that. Truly, I am so happy to be back though. I have lots of music to share and I cannot wait! What moments or stories inspired the creation of, “Selfish?" This song was created because I not only had a relationship that embodied this in the past, but I see there are other avenues in this song that inspired it. There are relationships that can be toxic to you because all you want is that person to yourself. Sometimes you do not do this intentionally and then there are some who do it intentionally. There can be thin lines between what is right and what is wrong sometimes in relationships and some cannot tell when that line has been crossed. On the other hand, there are instances where all that person wants is more attention from you. You may be giving your extra attention to other things and or people making the significant other not so significant, you know. It is all about balance. This song tells what it's like to engulf yourself a little too much into someone that all you want is them all the time, creating ripples in their other relationships so all they have is you left. What musical and non-musical inspirations do you allow to influence your music? Usually, for my inspirations, I grab them from my own experiences. I think that life made me go through certain things because I would have a platform to tell my story and inspire other people. I believe that no one goes through anything without a reason for it. What was it like to record a single through the chaos of 2020? Were there any challenges that you had to overcome? For me, I felt like through all the chaos it made me take a second to really chill and focus on what I wanted to say this year with my music, I am always on the go and never stop to really take a break. My parents told me during my early school years that I would run myself into the ground because of how many things I wanted to get involved in. As of today, I am still very busy, but I have learned to take breaks and this chaos this year really gave me the time and outlet to let out what I wanted to express. As for the challenges, I would say trying to maintain my money situation while attending school full-time and progressing on my music. This year has brought so many money issues for people, including myself, and it really has been hard but I take it one day at a time. 2020 has been a very challenging year for everyone. What has been keeping you inspired to create music? What advice can you give another artist who's finding it difficult to do so? Goals have been the motivation for me. I have been up and down with music ever since I was young and now that I am on a platform that is strategic and strong, I can achieve my goals to the fullest without it seeming like it is impossible, as it was in the past. I take every day as a new day to create something better than I did yesterday. I want to achieve my dreams and past that using my goals, motivation, and belief that I can achieve them with or without a team! For those who are still struggling to find motivation and keep making art through their music during these tough times, I would say use these hard times that you are going through now to tell a story of your triumph and strength. Give the people something true that they can easily relate to so not only do you not feel alone, but they do not feel alone either. EvaConstanceMusic.com instagram.com/evaconstancemusic

Hailing from Phoenix, Arizona, Bayymack displays his talents as a multifaceted artist, singer, rapper, and songwriter. Using his poised presence to make tsunami-like waves in the scene, he tailors his unparalleled sound and style, through his emotion-filled vocal performances. Shifting the focus to his latest single release of, “Goldfish,” Bayymack fuses together mesmerizing melodies in a Hip-hop dripped production. Setting sail on this Alternative Rock fused Hip-hop anthem, the infectious grooves that pulsate through the speaker dazzle a reverberated essence that is powerful enough to illuminate a room. Focusing our attention on the intoxicating instrumentation, electric guitar riffs timbre through the composition as they pull you into each chord presented. As you bounce along to the vibrant essence of the beat, you get lost in the emotion-filled zest exuded by Bayymack in a larger than life vocal performance. Creating an entirely elevated atmosphere, Bayymack has the ability to shed his lyrical dexterity through meaningful stanzas that have the listeners matching his level in the most relatable manner. By cementing his place in the modern wave of Hip-hop, Bayymack offers up a nostalgic spirit as he utilizes old school elements to shape his styles as unmatched. With “Goldfish,” clocking in at under two minutes, you can’t help but click repeat as you look to capture something new each time you listen to this piece. As Bayymack continues to emanate the raw power that his sentimental sound thrusts, we quickly realize how he is earning his spot on the top of the totem pole for years to come. Welcome to BuzzMusic, Bayymack! Congratulations on the latest release of your single, “Goldfish.” With the amount of emotion that you placed into this record, we would love to know; what moment shaped the message behind this particular track? This song was inspired by my last relationship. You know the trials and tribulations of a toxic ex! Haha. How did you come to establish such a unique sound of Hip-hop, Pop, Rock, and everything in between? I was very inspired by a lot of different music growing up. My mom played me everything from Michael Jackson, Guns N Roses, Mary J Blige, Biggie Smalls, Nirvana, and more. I’ve always wanted to combine the styles I enjoyed growing up! Could you please share a glimpse of what the creative process looked like when bringing, “Goldfish,” to life? Goldfish was actually my favorite song to make all year. First I wrote the hook in my room as a poem, after a dream I had. That definitely sparked the initial influence. After that I went to a friend's house and started to write the structure to it, recording iPhone videos of us playing guitar. Then I traveled to LA to record with my engineer at Melrose Sound. I ended up recording right next Murda Beatz that night too so it was a very very cool experience to me. In terms of themes and messages, what would you like your listeners to take away from your music? I would love listeners to connect with my music on an emotional level. I like to focus on making each song genuine and raw. I hope to grow a following through a pure connection to the song. From lyrics to production, I always want to spark emotion. I want people to remember the first time they hear my songs. 2020 has been a very challenging year for everyone. What has been keeping you inspired to create music? What advice can you give another artist who's finding it difficult to do so? Truthfully I’ve been keeping inspired by not forcing anything. This year has been very hard on all of us. But the biggest thing I’ve learned is patience. Patience in my recording, writing, and the entire process. That’s helped me write better records and not be as stressed about the year. I've learned the importance of trusting your own ideas and sticking to them. instagram.com/bayymack

Born in Toronto and raised in Calgary, the Canadian Trap/R&B Artist and Singer/Songwriter Harm Franklin pitch camp in our hearts with his sultry and sensual single, "Teacher (feat. Ye Ali)." If you're not familiar with the stylings of Harm Franklin, you might recognize some of his recent works with Curtis Waters and their hit single "Stunnin' (feat Harm Franklin)," which blew up on TikTok and garnered over 123M streams on Spotify alone. When describing Harm Franklin's sound, he stated, "Think Drake mixed with Lil Uzi Vert, a melodic trap sound mixed with a sweet melody of drums." Recently releasing a fresh R&B bop with "Teacher (feat. Ye Ali)," we're able to hear the authentic stylings of Harm Franklin while he pushes sensual lyricism alongside the sweet and groovy production. Not to mention the addition of Ye Ali, who delivers a similar vibe with his descriptive bars and melodic vocals, we're ready to dive deep into this sultry single. Listening to the irresistible single, "Teacher (feat. Ye Ali)," the track begins with an organ-like synth that drones in the background, while various other synths heat the foreground alongside the down-tempo R&B drum breaks. As Harm Franklin begins delivering his sweet vocals, he starts singing a sensual message of teaching someone the ways of physical touch and passion. The song captures this natural sense of lust that heavily exudes through each sonic element, especially with help from Harm Franklin and his descriptive lyricism. As Ye Ali makes his way in, he sings a similar sultry message yet at a more relaxed pace, offering the song an incredibly rhythmic feel through his vocal delivery. Reaching the end of the track, we find ourselves drawn to the heat and passion of Harm Franklin's single "Teacher (feat. Ye Ali)," especially with the brilliant feature from Ye Ali and the song's natural warmth. Hello, Harm and thank you for being with us at BuzzMusic. We're heavily impressed with the depth and passion you've brought with your single "Teacher (feat. Ye Ali)." What inspired you to create this sultry and sensual single? Blue Mountain Dew was actually inspired by a breakup. I was really really going through the pain of losing someone I really cherished and felt intensely for. She got back with her ex, like right away and I was just depressed sipping so much lean and doing Xanax and it was just a really dark time in my life. A lot of great music came from it though and I'm in a way better place now and can look back at that difficult time and learn from it. It's to show people how to turn their pain into power, and that we all cope with things differently. Did you produce your single "Teacher (feat. Ye Ali)?" What was the song's creative process like when formulating the warm grooves and passion within the sonics? Curtis produced the song and it's crazy because it's actually around 4 years old. It's from the original pack he sent me, I made this, outta my league and another song that will be out soon in one session and that's when I knew I had something special together. Amongst people here and my friends/their friends, it sort of became like a cult classic before even coming out because people love it so much. I just didn't want it to fall on deaf ears so I held onto it for a while. Why did you want to feature the likes of Ye Ali for your single "Teacher (feat. Ye Ali)?" What does he bring to the table that other artists lack? Stunnin' really changed everything. This year felt like the first year of the rest of my life. Now it actually feels like I have a few people who actually care about my music and can't wait to hear what I give them next which is all I ever wanted and for people to feel my shit and connect to it. That's why this song means so much to me, not just because of what it got me through, but it speaks to how timeless music he and I always create. Stunnin' took over the world this year so I wanted to show that it wasn't a fluke and where it all began. This is what he and I do with our natural chemistry.. make beautiful timeless music to help you get what you're going through. Speaking on your most renowned feature yet, being Curtis Waters' "Stunnin' (feat. Harm Franklin)," how has the single's success helped your personal career flourish? I feel like with my song blowing up, it really wasn't hard for me to be inspired. A lot of dreams came true this year so that just fueled me to go even harder and push on, cus now I don't doubt myself or the quality anymore because I know what I have and I know stunnin' wasn't even close to the best song I've made. I guess the advice I can say is; Your work ethic is what will separate you from your peers. Instagram #BUZZMUSIC

Combining elements of soul-infused Jazz with Urban Rap intensity, The MookMann radiates a unique genre of Trap Jazz. When you syndicate the sounds together you get an exclusive taste of pure originality. With a love for telling stories based on the lives of others, The MookMann offers up solutions to modern troubles that in turn make you shake and groove. Fusing his talents with Lo-fi producer extraordinaire, Jake Jurant, both creatives bring forth, “Stalking Shadows.” Through the enticing instrumentation that has you anticipating what is next to come, the lively components dabble in the realm of mid-tempo to upbeat as you capture the essence emanated in, “Stalking Shadows.” The fresh radiance of the vocalized nimbleness washes over you as you take in each reverberated quip. Dangling his lyrical abilities in front of us, The MookMann offers up expressions of an everyday casual lifestyle taking a turn for the worse. The vivid imagery that The MookMann illustrates has us sinking in our seats as we wrap our minds around lyrics like, “Phone won’t ring if you’re waiting for the call. Shadows are bound to get caught in the spotlight.” Our thoughts simmer on the sizzling aspect of reality that is brought forth in the tales that he tells from his heart. “Stalking Shadows,” has us recognizing the sparkling energy behind the Trap Jazz artist that continues to make his mark where it counts. Conveying a deep meaning behind each word carefully written, it is no wonder that The MookMann is building up his rapidly growing fan base with each genius creation at a time. Welcome to BuzzMusic, The MookMann, and congratulations on the release of your abstract single, “Stalking Shadows.” Where did the inspiration for a song of this caliber come from? My friend Jake and I really like jazz and Lofi in addition to my “trap jazz” style we thought it would be very unique to blend together the two styles and give the public a new sound. What moments get you into your most artistic phases when you create your music? I usually feel creative when I’m in a bad or depressed mood I never feel complete when I’m happy because I know sadness is around the corner so I look forward to those moments so I can express how I truly feel. You truly have a great dynamic with Jake Jurant. How did you come to collaborate with him and what was the experience like? I was listening to music on Spotify and came across one of his masterpieces and looked him up on Instagram to tell him how wonderful his music is and he checked out my sound and understood from the very start, where I was going with “trap jazz” and working with him to make this track has been a wonderful experience we both knew it has to be unique and stands out so I told him where I was going with the track and he liked it and that’s when we made this hit. How important is it for you to bring in your own personal life experiences into the music that you put forth? The experiences have taught me to listen and learn from people who already went through it and I tend to express and explain the answers through my songs so hopefully, others won’t make the same mistakes 2020 has been a very challenging year for everyone. What has been keeping you inspired to create music? What advice can you give another artist who's finding it difficult to do so? What has kept me inspired in 2020 is not quitting usually when the tough gets going people just bail but I say it’s going to get hard regardless of why not keep going and get a reward out of it. The best advice to give is don’t listen to other artists' music if you get unmotivated fast instead enjoy what you’re creating and keep having fun eventually a door will open you to the correct path in the meantime enjoy yourself don’t stress about what you can’t control. Instagram #BUZZMUISC

The Australian LA-based Pop/Folk Artist and Singer/Songwriter Emily Coupe channels all the emotion we feel this time of year, yet through our contemporary twist with "Quarantine Christmas." Emily Coupe is the type of artist who wears her heart on her sleeve for listeners to connect with, all while consistently delivering themes of romance and self-reflection. Fueling her music with organic tones and her voice's earthy feel, Emily Coupe stops at nothing until her tunes spark a revelation within the listener. With her latest seasonal release, "Quarantine Christmas," Emily Coupe sings of our present-day struggles amid the long-running pandemic. When speaking about the single, Emily Coupe stated, "May 'Quarantine Christmas' be some kind of solace, emotional release, or a cathartic way to navigate through this difficult yet happy time." Speaking on the single "Quarantine Christmas," the piece opens with jazzy electric guitar melodies, faint jingle bells, and Emily Coupe's mesmerizing vocal abilities. She begins singing of watching the snowfall outside and describes this imaginary lock, keeping her and everyone else from seeing their loved ones. We're entirely submerged into the organic feel of this holiday single, especially as the mellow cello begins haunting up the sonic foreground while Emily Coupe comes forward with her soulful acoustic guitar melodies. We also feel this magnetic pull towards the vibrance of Emily Coupe's broad vocal range, as she offers prime melodies that portray intense universal emotion. We're more than appreciative of the modern-day holiday tune "Quarantine Christmas," primarily through the serene stylings of Emily Coupe, as she lets the listener feel connected although we're miles apart. What inspired you to create such a relatable, modern, and in-depth holiday tune with "Quarantine Christmas"? Honestly, my friend Johan Carpenter and I wrote this song over 6 months ago as a spoof/joke song, and unfortunately for many places around the world (including LA and Sydney/Australia), it has come true. It was inspired as a 'what if' type of scenario, imagining what it would be like if we were still experiencing Covid lockdowns during Xmas. And here we are! Was it challenging to write the lyrics for "Quarantine Christmas," seeing as your lyricism is rather emotional and reflective? The process of writing lyrics for me is usually pretty fast, as I let the first thing that pops into my head - inspired by the music - flow out onto the page. We started off this song with the idea of a Christmas song, Johan started playing guitar, I came up with some 'dummy' lyrics, and we went from there! I believe I ended up keeping most of the original lyrics actually! So I guess it is pretty emotional because it was the first thing that came to me, and I kept it. We truly admire the ode to past holiday songs within the instrumentals on "Quarantine Christmas." Did you have any help when creating the sonic atmosphere and melodies? Yes, Johan is really talented and helped set the scene with his original chord, rhythm, and playing choices, and my music manager Patrick Bojanic actually suggested changing the chorus lyrics to match Jingle Bells. Partially because it becomes more recognizable, and also because Jingle Bells is a publically owned song so don't need to pay any royalties. And Patrick ended up producing it with communal used Xmas song instruments aka bells, strings, upright bass, etc - so it was a team effort for sure. Why did you want to create a one-shot music video/performance for your single "Quarantine Christmas"? Did you release the video to give listeners more to connect with? Absolutely. I think it's really important to release at least once video with every song release, whether high or low budget, and since this song was produced on fairly short notice, plus we had entered another lockdown, we thought that this was the fastest and most effective way to create a high-quality video quickly. It also captures the theme of the song too - which is that we are all stuck inside this Xmas in our living rooms, wearing masks, and remembering that the most important thing that we have is each other, etc. What goals do you have with your music heading into the new year? My goals next year are that I want to complete recording, as well as release all of the new songs on my second album and a few other random singles too. I would also love to play more shows and tour if possible, and continue to build and expand my presence on Instagram, Facebook, Spotify, Youtube, and to connect with as many new people as possible. instagram.com/emilycoupe emilycoupe.com/music facebook.com/emilymeicoupe twitter.com/emily_coupe

Diving into the raucous depths of a Classic/Hard Rock fusion, Fallout Kings has been established for over five years hailing from Folsom, California. Consisting of the rambunctious talents of Xander Roberts as the main songwriter, vocalist, and guitarist, James Leu shedding rhythm on the bass, and Uriah Stivers producing drums and backing vocals, the hard-hitting trio has played alongside ambitious bands such as Dokken, L.A. Guns, Enuff Z'Nuff, Adelitas Way, and Michale Graves of the Misfits. Through the positive acclamations they have received from audiences and venues alike, they shed their original heartfelt music through passionate and relatable concepts influenced by Classic Rock legends. With their latest album, ‘The Neverending Trail,’ they serve up all that they embody in musical vessels. “Fireball,” is no exception and shows listeners exactly why they’re garnering the attention that they are. Electrifying instrumentation surges through your mind and speakers as “Fireball,” has a mind of their own. Dipping into the boisterous essence of sizzling rhythms taking over in an up-beat tempo, Fallout Kings have you headbanging to the rowdy concoction that they’re serving up like fruit punch. As each member takes a spotlight throughout the edgy piece, they individually offer up confidence like no other. Touching on the passion-fueled lyrics written by Xander Roberts, allows us to reminisce on times when we would be able to gather with all of our friends for a night on the town. With the vivid imagery and high impact rush of each word performed, Fallout King’s has us out of our seats and indulge in the finer blend of Classic tones washed with a hardcore quintessence. The dynamism between all members of Fallout King has you trying to wrap your head around what a live performance of this caliber would entail, because we know one thing for sure, we would want to be front row. Showcasing their talents through a simmering, intransigent soundscape, Fallout King remains top tier in the world of everything high-spirited. Congratulations on the release of your track, “Fireball,” off of your album, ‘The Neverending Trail.” With the weighty punch that this track holds, what made you decide to make this the single off of your album? We decided to release "Fireball" as a single because it really showcases our sound as a band (musically and vocally). "Fireball" is also a song we really liked right away when we were jamming it out at our rehearsal space and decided that this would be a great single to put out as this stands out the most to us and hopefully to everyone else as well! What moment or story inspired the creative process behind, “Fireball”? "Fireball" was inspired by our love for AC/DC and they have been one of our biggest musical influences since we formed this band. The story behind this song is that it's about people who love to party on a Friday night or weekend and they feel like they're on top of the world, they feel good about themselves, and that nothing can stop them. The song can be interpreted as a rock singer who feels great after playing a kickass show as well. Whenever Xander writes lyrics to an original song, he wants to make the song something that the audience can relate to and have a headbanging riff to compliment it as well (for most songs). What challenges have you faced in 2020 as a band and how have you worked to overcome them? Like pretty much every music artist and rock band, we have had shows get canceled or rescheduled to next year. Even though Livestream shows are better than nothing, we really miss performing in front of people and feeding off of their energy. Playing shows also helps us promote our new material and we win people over even if they have never seen us play before by the end of our set. We have conquered these challenges through releasing two albums this year, selling merchandise online, and hanging out together as a band (socially distanced of course). What is the band's favorite part of the creative process as a collective? Our favorite part of the creative process is hearing our ideas come together in terms of going from a riff or lyrics to a full song. We also really enjoy self-producing our own albums because it's easier for us to manage and we learn more about the producing side of music and it helps us become better producers later on. What goals do you have going into the new year with your music? Our goals for the new year are to promote as much as we can and get airplay, play as many live shows as we can once it's safe to do so, get signed to a record label, make more new music together, and continue to establish ourselves as one of the best and hardest working bands in the Sacramento area. We also hope once shows return that people pack out the smaller venues because they need the most support they can get when they reopen. falloutkingsofficial facebook.com/falloutkingsofficial twitter.com/fallout_kings