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The California-based Folk-Pop duo Faultlines releases an emotional music video for their latest love song, "Cry." Consisting of Ashley Morgan and John Flanagan, the duo is fresh off the release of their album 'Bittersweet Revival.' The project is said to be equal parts optimism and outcry, as Ashley Morgan states: "We feel it is our duty to use music to open minds." Doing precisely this with their recent music video for "Cry," not only can we feel Ashley Morgan's aching emotion through her powerful vocals, but we can vividly see her heart shatter within this conceptual and striking music video. Through Todd McCool's melancholy and melodic acoustic guitar instrumentation and John Flanagan & Jeston Cade's knack for immersive songwriting, Faultlines is truly making a name for themselves. The music video for "Cry" begins with Todd McCool's atmospheric acoustic guitar picking overtop of the video's scenes capturing friends at a party. As Ashley Morgan starts singing to the camera while surrounded by friends having a laugh, we instantly get the chills as she vocalizes a past relationship's pain and missing her other half dearly. What stands out in the music video is the epic and breathtaking cinematography; as the chorus comes around, Ashley Morgan belts her heart's desire while crying in the same room of the party, but this time, alone. Through Ashley Morgan's compelling vocal performance and Todd McCool's heartfelt acoustic instrumentation, Faultlines' music video for "Cry" takes our breath away with each reflective and emotional turn. Why did you feel the need to create and release such an emotional song with your single, "Cry"? How did the single's inspiration come about? John: Cry was a co-write between myself and Jeston Cade in Nashville, TN. We borrowed largely from his personal heartbreak for the emotion of the song. Many songwriters believe the more universal you make a song, the more people will connect with its message, but I’ve learned the opposite. It is in the intimate and personal that we connect with other humans, so to connect - truly connect - with our audiences, I find it best to be as personal as possible in our songs. Speaking on the brilliant and emotional music video for "Cry," how did you develop the video's concept and scenes surrounding the inner-pain one feels after a breakup? Ashley: We had this idea to shoot slow-motion party scenes that cut to clips of me alone and still in my party dress with mascara running down my face. I wanted to capture that feeling of trying to move forward and being surrounded by people having fun at an event, yet still feeling alone. There’s nothing like getting yourself back out there and showing up to a party, only to see your ex walk in with someone else. It was a lot of fun to put together because we just invited all of our friends! What was the shoot like for your video "Cry"? Speaking on Ashley Morgan's part, was it challenging to channel those raw emotions when shooting the video? Ashley: To achieve the slow-motion shots, we had to speed up the track. So I was singing along to a super-fast version of the song while everyone was playing cards and being silly. It was tough to focus on the raw emotion and not laugh at what everyone was doing around me! Between singing the song sped up and the makeup artist putting eye drops in my eye to create streaming “tears”, there was a lot going on! During the solo shots, I got to sing the song at its normal speed. I remember one time, the music accidentally got cut off and I decided to keep going acapella to not lose the take. That was a really special moment! Seeing as "Cry" is off your recent album 'Bittersweet Revival,' do you plan to create more music videos for other tracks on the project? John: We have videos for our songs “Rain” and “Love Is All We Own.” Those can be viewed on our YouTube channel. We love making videos, and our director, John Mediana, is the best there is, but as for Bittersweet Revival, I think we may be shifting our focus away from videos and back towards the studio in the coming months. We can’t wait to release the music we’ve been sitting on while rolling out this LP. What has been keeping you inspired throughout 2020? John: We seek our inspiration everywhere. By dipping our hands into the stream of the cultural conscience, we find a connection to our time, our culture. If the results of the election had been different, our inspiration likely would have continued to be drawn from activism, from the protest, but as I joked with Ashley, I’m just so excited to write breakup songs, love songs, and pop lyrics again! We all get to suspire, to let our guard down, to have some fun in our music again. Instagram

Centered somewhere in-between the converging paths of Pop and R&B, the Toronto-bred artist Kirt Howell, who performs under the cognomen, Mx, has been dissecting and reformulating a unique musical niche of his own since the early age of eight. With an innate interest in all things relating to sonics, whether through a synthesizer, sequencers, guitars, or a beat-making program on the computer, the genuine talent is festering within the self-taught singer-songwriter was inevitably going to manifest into something special. With 2020 being a year that's seen most of the world reaching for their vices as a momentary relief from the chaos, Mx finds solace in assembling and finally releasing the magnum opus of his musical catalog with his debut EP, '1010.' It's an emollient ride through four tracks that cohesively spell out an emotional storyline that twirls like a sinuous drive through the roads of heartbreak, converging on routes through unrequited love and eventual landing in catharsis. With a well-enunciated and redolent R&B aesthetic that dips into its pop-festooned counterparts like a kid at a candy-shop, Mx's voice has a cherubic effect appended to it; with a closer examination, it's obvious his heart-bleeds with regret, some love-sick disposition, and at times frustration, giving the innocent nature behind is productions a more profound weightiness. An opening song like "GBTH," which is an acronym for "go back to hell," Mx inaugurates his harmony-embellished adventure with a kaleidoscopic display of filtering vocal effects that echo from the void like oscillating whispers; revolving around your head and coming back to haunt you as the salubrious intoner sings, "gave my heart to a bitch, that was my mistake, she left with my estate, now I'm left to clean this mess you made." The track feels like one of those introductory minute-long interludes that give the audience a vivid idea of the profound emotions the next pieces are sure to be imbued with. As you slip from the final hooking lines ("Satan must have sent you to take it all from me, go back to hell,") and into the smooth-crooning sections of "Wasted Love," it's easy to see the control Mx has over his curation of prismatic sonics that intertwines the essences of R&B and Pop. The meticulous attention to detail he possesses and the power he's endowed with establishes his narratives through his infatuating vocal presence on this one. The second track comes festooned with the distinctively intoxicating voice of Jazzy, who slips into the minimalistic mix when the top-line hook bends it's way into the more intimate sections of the mind, singing about repudiating love that simply just feels like a childish game: "yea you're beautiful, but you're not worth it, all this energy on wasted love." Over an ingenious instrumental that features a vibing synth-pad, some crispy cross-sticks alongside a percussive back-beat, and a quietly devastating bass-line, Mx and Jazzy unify with their melodies. And like two species of kudzu wrapping around the sinuous branches of a fruit-baring tree, they tease at you with their conducive harmonies that vacillate and redden in the sun, producing a salivation effect as they work in tandem. It's at this point in '1010,' where thing takes a turn into an emotional bent towards bolstering the real love and relationship Mx wants. Singing with an infatuated tone and oozing with distorted vocal effects, he gives "Love You Down" a textural transformation that borders on the edge of sounding alternative and somewhat indie. In this passageway into the next emotion, the love-blind songster buzzes within the shape-shifting walls decorated with skipping back-beats, distorted and unified vocal harmonies, vivid guitars, and the subtle melody of a synth pad. It all works together to facilitate each burning transition from pre-chorus to the chorus, like a well-stocked fire. When Mx lands in the hook ("and I'm gonna love you down, just let me know when I can, I wanna love you down, let me know and I can be there"), it's not far-fetched to assume that he might become responsible for some of the future's most infectious top-line melodies. Though each shift from section to section doesn't present as evident as some of his genre's counterparts, each song still manages to feel conformable and ultimately cohesive in their own right. With the final moments of '1010' reaching you and as the dust settles from the previous tracks surrounding frustration with love, complete rejection, and then utter infatuation, the final emotional sequence in "R2FL" feels like the most potent yet. True to his R&B nature, Mx comes in strong with a tonality that sounds like a hyper-variation of Sam Smith. At the same time, his trademark niche of sonics presents more eclectic and more dynamic in the approach to singing about love. With a bolstering verse from the vehement talent oozing from Jimmi The Dealer, the final cut off '1010' gathers from the touchstones of hip-hop and R&B and unifies the two musical atmospheres under one sonic globe. It presents like a whiff of raw innovation, primarily when the calypso-inspired beat works ion co-operation with the irresistible hook "I'm ready to fall in love, (fall in love, fall in love, fall in love, now you got me ready to jump," or the iridescent nature of the harmonies that hoist this farewell number to the next level. When looking back at the immersive journey that Mx delivers through '1010,' it's undeniable that the Toronto-bred talent is setting himself up for musical reign over the domains of r&b music. This specific variety speaks to the soul. Whether it be through a manifold of infatuating harmonies you can't resist, magnetized top-lines that leave an afterglow, or stunning collaborations that elevate emotion, Kirt Howell presents himself on this debut more compelling than ever—proffering a powerful weight behind his moniker, Mx, whenever it comes up in conversation. What inspired the development of emotion you portray from track to track on '1010?' Are these sentiments that were inspired by real events from your personal life? '1010' is set out to portray the journey of love, or at least my experience with it. Starting my life over after a 10-year relationship, I had to pick myself off the ground and find the strength to move on. Every song has its own thoughts on love/relationships. All songs were inspired by true events. When you think back to some of the emotions that decorate '1010,' which ones had the most power over your vocal performances? Why do you think that is? Wasted love would definitely be my pick for performance, because of how true to my story that song is. I wanted to tell my story without being bias towards my ex’s story. I feel I told the story without any bias. How did you manage to get Jimmi The Dealer and Jazzy involved in '1010,' and what essential parts do you think they represented, or played, in your E.P.'s emotional storyline? So Jazzy and have known each other for a few years. She’s “Rochelle Jordan’s” cousin, and I have been writing and working with her for a while and when I wrote wasted love both parts were by me but I felt it would feel better as a duet, so she came and lent her vocals. Jimmi The Dealer (el paradiso - top 40 pop world) was an artist I’ve been wanting to work with for a while but we never could coordinate the time right. So originally I had another artist who was supposed to be on the song but we didn’t end up finishing for some reason. So when Jimmi hear the empty verse it was history in the making. Were there any impactful lessons you've learned about yourself as an artist during the production of '1010?' Is there anything you've learned about yourself emotionally? I’ve grown so much from 1010, I’ve learned how strong I can be by myself and the importance of having people who want to see you do well around. People have energy and they are either giving it to you or taking it from you. If you could give your listeners a few words that would act as a prologue to the experience you've set-up for them on '1010,' what would you feel the need to say? From love, at first, sight, to never wanting to see them again, follow me on this sonic journey of love! Instagram #BUZZMUSIC

Singer/songwriter Jerard, professionally known as Rice, is all about reflecting his passion and raw wisdom within the essence of his songs. Having a knack for connecting with others through purposeful sound, Rice spends a large majority of his time crafting his music to perfection to obtain such quality within his music. Using his artistry to propel his motivations further, Rice is not afraid to create a platform to speak on matters that have significant value in society today. Rice has recently released a single titled "Big Dreams." Smoothly executed trumpet melodies fill the air upon listening, and then almost immediately, Rice's intensified verse outflow presents itself, establishing his innate flavor. The tempo of "Big Dreams" pretty much remains consistently mellow so that Rice's lyricism can be highlighted appropriately. The focus is undoubtedly on Rice's words and the experiential wisdom he has available for his listeners. There is no dull moment within "Big Dreams" despite the consistent productional styling, and Rice ensures that the energy levels remain elevated so that listeners are persistently stimulated throughout the entirety of "Big Dreams." If there's anything we've taken away from "Big Dreams" regarding the artistry of Rice, it's that he effortlessly flows with any direction pursued, which only further builds our anticipation for his future music. Hello Rice and welcome to BuzzMusic. What initially inspired the creation of "Big Dreams", as well as the purpose of the track? I wanted to make a song, that had a message but a hook that people would sing along with. This for anyone who has been told that they could not do something that they really wanted to do. Today we are truly witnessing what hard work will let you achieve. We are witnessing People from all walks of life, who did not let obstacle dictate their success or limitations. The purpose of this song is to inspire people to chase their “Dreams”. So often we allow obstacles and other’s limitations keep us from reaching our full potential. Were there any components of "Big Dreams" that you were hoping was most definitely interpreted by your audience? “If You Got a Dream then you gotta take a risk” A part of taking a risk, is the possibility of success but if you don’t set goals and try, then you’ll continue to fall victim to your own fears. “Ignorance is a wise woke man’s wish” Although you know with taking a risk comes with great rewards we also realize that the downfall could jeopardize things that we have already worked hard to achieve, and there can even be fear of success because with success comes more expectations and responsibility. ”Ignorantly chasing what you want is our biggest reward.” I am really hoping that this song brings perseverance, and hope to people who face obstacles they may feel so insurmountable that they cannot conquer. Today we can look at the election as a great example of people who did not let other limitations or perceptions of them prevent them from reaching their dreams. How would you describe the intent of "Big Dreams" and all that you were hoping would surface from releasing such a single? Big Dreams is about having the courage to pursue your dreams no matter what others may think. 2020 we have truly witnessed people who have had the courage to pursue their dreams, without allowing the obstacle to stop them from reaching their goals. I hope that this song touches someone who really needs to hear the message “Don’t Give up on Your Dreams.” Your EP is set to release next year! How is the progression of that coming along, and what can listeners get themselves ready for? I first must start with my mission “Quality over Quantity” and my new music does not compare to my old music because I have grown as a writer, producer and artist, and overall person. The tone, vocabulary, and punch lines are more on point. My new music reflects more of my story so people will really get to Know the different vibes of Rice the artist, and the person. My EP “Riding with Blindfolds” which was originally due to release this year will be released next year and it's worth the wait. My project is coming along, and I just need to be patient with myself, to make sure I am giving people the best product. I have been working on this project for a year, and it is moving along. I want to give my listeners music with the craziest transitions from me as I am working hard to give that EP that people cannot stop listening because the songs are that Lit. I would love to have it completed by October 30, 2021, and that would be a birthday present to myself and my fans. I am looking forward to releasing my new music because I have beats from different producers from Massachusetts all the way to the UK. While my listeners are waiting for my Riding With Blindfold EP, M-Ezy and I have 2 singles due to release in the Spring of 21 “Still My Wave” M-Ezy ft Rice and Lorenzo and Pandemic Love M-Ezy ft Rice and Benny Candela of Stolen Chronicles. Look out for this new music coming soon. What has been keeping you inspired throughout 2020? This has been the longest yet the shortest year of my life because it feels like it's flying by but yet the longest year. After all, pandemic forced us to stay at home, studios were closed and we were forced to think of ways to entertain ourselves.” II was met with some personal challenges which honestly threw me for a little bit, and you will hear the emotion in my new music. Writing is usually my out. Now that I have overcome some personal challenges, I am back working on my music and really looking forward to releasing some even better music. Instagram #BUZZMUSIC

Magenta Moody gives her listeners a taste of her vivid new single, "Risk it All," from her debut EP, 'The Midnight Club.' Dream Pop has a new face, and Magenta Moody is the representative. The alluring Magenta Moody is an Indie Dream Pop sensation conceived from the depths of Electronic and R&B influences. Magenta Moody specializes in her singing and songwriting expeditions across various moods she encounters to produce identical experiences through her artistry that she can share with her listeners. Making her debut in July of 2020, Magenta Moody has been garnering attention by exploring the darker attitudes on her emotional spectrum while creating a relatable storyline told through melodic and soul gripping tunes. "Risk it All" carries heavy electronic elements as it opens up with the futuristic sounds of musical bliss. The anticipation created from the opening instrumentation leaves much to the imagination as it can take multiple routes from any artist tackling the project. However, we have the vibrated and elevated sounds from the one and only Magenta Moody's sultry and crisp delivery that fills the speakers the moment they land down. The soothing effect that her performance carries allows us to be tapped into a warm embrace as she lures us into the storyline of a relationship that is a constant tug of war battle. Having the specific person bring out the good and bad in you, but you would "Risk it All" to be with them at the end of the day. Her emotional wording acts as seeds as we turn to the visual component that is paired with this sonic voyage. Magenta Moody teamed up with film mastermind Joe Hendo to present captivating visuals where she is vibrantly staged between hallways dripping in neon lights and a lighting wall that continues to change scenery based on moods and colors. Forestry with bright greens, a late-night town scene, and exploding black and yellow dots seem to be the main focus scenes as Magenta Moody delivers a powerful performance matching the energy that she exudes in this song. Although colors and special effects play a large role in this creative direction, there is something pleasantly easing about the dark elements. Pair all of this with the flowing fashion statements that Magenta Moody rocks so well, and we have a true masterpiece sonically and visually radiating in creativity. Congratulations on the release of “Risk it All.” The eye-catching visuals and theme of the song both fit so hand in hand with one another! Was this always the creative direction for the music video for “Risk it All?” Thank you!!!!! Originally, I was exploring a murderous skit idea for the video. I was going to dress up as Freddy Krueger and have a friend dress as Jason. Together, we would murder the guests that we had invited to a bonfire in the middle of the woods. I changed my mind when I came across SpaceCraft Detroit! They were running a virtually immersive experience and I thought it was super dope and fitting. What does this song mean to you as an artist and an individual? Risk it All, aside from its romantic connotations, is applicable to my day to life. I’d risk everything for the people and aspirations that I’m passionate about. When I’m in, I’m all in. What made you decide to choose “Risk it All,” as the debut single off of your EP, ‘The Midnight Club?’ Risk it All is probably the most relatable song on the Midnight Club EP and that’s why I chose it to be the debut single! Most of us can relate to being in an infatuating or misunderstood relationship. It’s about making sacrifices for the things you want in life even when the world tells you that you’re bat shit for doing so. Could you please take us into the creative process of what it was like crafting ‘The Midnight Club?’ I was in an extra spooky mood since Halloween, my favorite holiday was approaching. The Midnight Club explores the darker sides of relationships and self-reflection. Some themes include obsession, toxicity, corruption, and acceptance. Ironically, I was not in a bad mental/emotional place when I wrote these songs. I’m just lyrically drawn to writing according to these themes. I met some super talented producers, their tracks perfectly aligned with my artistry. From there, the songs basically wrote themselves. I’d hot box in my car in the middle of the night and blast the instrumental tracks. Chorus portions and melodies always come to me first and then I create around that. Once I got three songs in, I realized that they were all thematically similar and decided to put them together for the Midnight Club! What was your inspiration behind creating "Risk it All?" I often find myself writing to the movies and tv shows that I’ve seen. I kind of had the Joker/Harley Quinn relationship dynamic in my mind while writing. You’re toxic, I’m toxic, but we love each other and are unstoppable together so f*ck it. Instagram Facebook #BUZZMUSIC

The one and only Sanjeev Dhanie was born in Trinidad and Tobago; he decided to take the leap into traveling abroad to pursue his post-secondary education. Amidst the chaos of 2020 and the COVID-19 pandemic, Sanjeev Dhanie decided to use music as an outlet for expressing inhibited emotions and finding a source of comfort and happiness during these stagnant times. Nervous about making the initial step, Sanjeev Dhanie put his vulnerability on the line to pursue the burning passion that he held within him since the young age of six. We had the chance to listen to the delightful cover of Noah Cyrus’ “July,” with the heartfelt flavor that only Sanjeev Dhanie can exude. Sanjeev Dhanie’s cover of “July” begins with the earnest embrace of soft chords strummed in a simplistic yet elegant manner on the instrumentation set forth. The composition is reminiscent of the original by Noah Cyrus but dusted with his delicate zest. Sanjeev Dhanie has a striking vocal presentation as he sings the sweet lyrics that Noah Cyrus originally scripted for this wistful piece. The reverberated warmth of Sanjeev Dhanie’s vocals instantly puts you at ease as you sink into your seat to truly listen and feel each harmonious melody he shelters as he gives a wholehearted performance. This emotionally touching record tugs at your heartstrings as a story is painted of heartbreak, longing, and despair. It shines a light on the emotions that you shed when one leaves your life, and you revisit every possible outcome that could have occurred. Sanjeev Dhanie leaves you in a nostalgic headspace as he conveys these words of passion. You can’t help but be left holding onto each memory of that special someone as your speakers fill with the profound evolution of the cover of “July” that Sanjeev Dhanie delivers to us sonically. Congratulations on the release of your cover of “July,” originally composed by Noah Cyrus, and welcome to BuzzMusic. We love your take on this beautiful composition. Could you please tell us, what inspired you to choose this song as your first official release? Thank you for your kind words, I really appreciate the positive feedback I have received so far! Ironically, I discovered the original song in July of 2020, in the midst of the COVID-19 pandemic. The songs I listen to usually have woeful lyrics and this one in particular evoked emotions that could potentially resonate with different people and circumstances. After having Noah Cyrus’ song, “July,” in my head for a while, I made the impulsive decision to record a cover. Could you please take us into what the recording process looked like when recording your cover of “July?” With regards to the recording process of this cover, initially, I was a bit nervous. I worked with a local producer, Jay Baty, and it was my first time recording with him. The COVID-19 pandemic made me extra self-conscious about collaborating with others in general, but we were the only individuals in the recording studio, and we made sure to follow mandated precautions. How was the creative process when covering this record? Have you ever written any originals? If so, what is the difference between the process for you? Well, since I was a bit nervous, I remember that feeling impacted my first take of this song—so it took some time for me to get a decent-sounding take. Eventually—with some help from Jay—we were able to make something I was satisfied with. Otherwise, I have written some originals before—some aren’t 100% completed. With originals, sometimes it is challenging to decide whether I would like to record it, or how I would like to complete it because my emotions and the things I relate to tend to change/evolve into something different. However, I enjoy singing covers because it is a convenient outlet to express ‘spur-of-the-moment’ emotions and to experience certain things vicariously. As an up and coming artist on the scene, what would you like your listeners to take away from the pieces you release? I would like listeners to know that I aspire to release music of different styles/genres, instead of keeping my catalog confined to one sound. This is because I enjoy listening to a variety of artists who may contrast each other’s musical styles. What other songs do you wish to cover in the future? I have a few ideas, so it gets difficult when it comes to narrowing down one particular song to cover, however, I would like to cover a song by either Amy Winehouse or Lana Del Rey. Instagram Facebook #BUZZMUSIC

Hip-hop with a modern twist is exactly what you get from KING Yabba’s “Boss Man.” KING Yabba is a Hip-hop and R&B artist hailing from Philadelphia, Pennsylvania. Using KING to continually remind himself of the greatness he puts forth, KING Yabba’s main intentions with his artistic talents are to influence the youth and contribute to the evolution of the next generation. KING Yabba has been creating music since his freshman year of high school. Starting in a group setting where he would collaborate with a collective of like-minded individuals, KING Yabba branched off into becoming an independent artist embarking on his solo journey as of Spring 2020. Garnering attention from listeners worldwide, KING Yabba continues to share his versatility, all while building his rapidly growing fan base. “Boss Man” kicks off with the delicate playing of light keys and airy synths that create an empowering atmosphere with the instrumentation. KING Yabba has a distinct tonal distinction in that he adds a modern zest to the new wave of Hip-hop that we have become accustomed to. Placing the burning passion that he carries inside of him into how he performs his carefully crafted lyrics, KING Yabba dresses “Boss Man” with a custom sauce that only he is known for. Conveying expressions of diving into life head first while not letting up is the hard-hitting message that KING Yabba puts forth into his abstract storytelling method. Reminding listeners that he is, in fact, the boss of his own journey and experiences, he sends a message of empowerment to all of his listeners to do the same. KING Yabba’s dominant vocalization matches the authoritative control behind his carefully crafted lyrics that he sheds, while the perfectly timed ad-libs add an extra dimension to this piece. If this is what KING Yabba has planned for us in the future, we are on board this Boss Man’s ship. Congratulations on the release of “Boss Man.” With a song that carries this much passion behind it, we would love to know; was there a specific moment that inspired this creation? Theodore Roosevelt once said, “Comparison is the thief of joy” I live every day knowing that I am an anomaly. I know that with supreme confidence, faith, and perseverance anything can be accomplished. I recorded “Boss Man” because sometimes my subconscious confidence slips away. I needed a constant sound to remind me of who I really am. One of my greatest inspirations, Kanye West, said; “some people really don’t want you to remember who you are, where you come from, or who you are destined to be”. How does it feel working as a solo artist versus being in a collective with others? Have you found that your creative process has changed? Working as a solo artist has allowed me to figure out what I believe are the nuances of creating and then putting out quality content at a consistent rate. Being solo allows me to really hone into my passion and talent. I’m also inspired by artists like Partynextdoor & NAV when it comes to being tucked away from the spotlight but; loud, outlandish, & genius when the play button is pressed upon. What message would you like your listeners to take away from “Boss Man?" I want my fans to believe the words within the hook as they do along and hear my pain and light through my verses & adlibs. When the record is over I’d love for the listener to add the song to their favorite playlist then let me know so I can thank them for having faith in THEMSELVES. We need more individuals in society with higher self-confidence. Out of the heartfelt lyrics that you crafted for “Boss Man,” do you have a favorite lyric that resonates with you the most? Fix that attitude are u crazy They used to call me crazy Wanted you to have my baby But u actin different lately Didn’t think that you would play me Didn’t think that I was racing I thought we was on da same team U switched up on me like kd Know that imma level up rise up from da settled dust Imma bouta give no f*cks Oppies gon be scared of us Finna run da baggie up Verified my status Do not steal my captions Yea I know I’m on one I’m in a relationship where in the past I would find myself being very self-conscious regarding my worth & status. I am a BONAFIDE perfectionist to the utmost degree. I believe THAT is God’s Will via KING Yabba. God helped me get myself out of that dark place. I realized that I AM. Simply that. I am whatever I am or aspire to be. This universe shall give back the same energy I give to it, one day. What can listeners anticipate to hear next from you? I am prepared to drop 3 more tapes for the last seconds of 2020. Features range from MTVRAY, NxG, 6ixsidebean, Frazier St.Pablo & 400herbo. Within these projects are tons of singles so I may take the route of letting them all loose selectively. I have been working with artists and producers from all over the world. About 15% of those artists are from other countries, genres, & cultures. Another cool fact; out of that 15%, 10%-13% hit me up randomly as fans and offered to pay me for the feature. I’m not that guy. I rather run up the bag with another creator. We are all kings and queens. I’m excited and hope my fans are ready for one hell of a ride. I just need them to make room on the wave..... just in case we got some stragglers when we pop off. #BUZZMUSIC

Offering ambiance in a fashionable new order, MOTIV takes the listener back with his uplifting and catchy single, "Don't Let Yourself Down." Amid social restrictions from an apartment home studio, MOTIV takes matters into his own hands while creating music to get him through these times. Formulating a sound somewhere between Synth-Pop and Alt-Rock, MOTIV is continually keeping listeners on their toes. His latest single, "Don't Let Yourself Down," offers a wise and sound lyrical message surrounding inner-faith and keeping hope for a brighter future. While the instrumentals deliver a sound similar to 80s Synth-Pop merged with modern Alternative elements, MOTIV makes the track his own through his empowering lyrics and uplifting delivery. "Don't Let Yourself Down" begins with a quick Synth-Pop beat and bright synths and pads floating in the background. As MOTIV makes his vocal appearance while repeatedly singing the track's title, a sweet-sounding electric guitar shines through and adds brilliant texture to the piece. Continuing through the song, MOTIV comes through with his laid-back and relaxed vocals while singing an optimistic message of keeping your eyes on the prize when it all goes south. The song's hook is incredibly anthemic, as the bright mix of organic and electronic instrumentals offers immense space for listeners to take in every lyric MOTIV delivers. With each uplifting twist and turn, MOTIV has presented with his single "Don't Let Yourself Down," listeners are bound to take something positive away from this track, whether it's the sweet stylings of MOTIV or his empowering message. During times like these, what inspired you to create such an optimistic and empowering single with "Don't Let Yourself Down?" Conversations with friends have been the biggest inspiration for the track. Anywhere from discussing songs, we love to drunken advice. Regarding your creative process for "Don't Let Yourself Down," how did you go about merging Synth-Pop elements with uplifting Alt-Rock instrumentals? Is this a typical sound for you? I’ve played in indie rock bands since I was a teenager so that approach has always been conventional to me. Over the lockdown, in Canada, I’ve been listening to a lot of 80s synth-pop like Spandau Ballet and New Order which definitely leaked into the sound. With the state of live music due to the pandemic, it has been a bit discouraging at times. The whole idea of this project is to find new motives and take different approaches from what I’m used to, such as ignoring the idea of performing. How did you write your lyrics for "Don't Let Yourself Down" to be so universally engaging and relatable? How did you place yourself in that low-vibration mentality in order to write more positive lyricism? The lyrics just sort of came to me. As I recorded the track in my apartment, I mostly reminisced on the things I’d do and the feelings I felt at shows I’ve played or attended. I didn’t plan to release any of these tracks until I shared them with friends that really encouraged me to do so. That mentality seems mostly responsible for the style of lyricism. Should listeners anticipate more uplifting and empowering singles like "Don't Let Yourself Down" in the future? Are optimistic songs like this a staple for your brand? Yeah, there are definitely more optimistic songs to come but it’s really all about what feels natural and comfortable for me to continue. I often ask myself “where do I go from here?” Finding new motives, taking a different approach. Do you have any other releases planned before the end of 2020? Yes, I do have one more released planned before the end of the year but what I really look forward to is sharing this album that has been so unorthodox for me. Keep an eye out for next year. Instagram #BUZZMUSIC

With his long history of making music and his wavy demeanor, City P brings a new wave to the game. Paul Lawrence Washington III, affectionately known as City P, is a multi-talented artist and producer. His hype, melodic singles hover over the abstract effects that take over the visuals he releases. With the dedication and work ethic that City P carries with him, he holds a high place on the totem pole with his creations that show his artistry on a business level. As one to garner attention worldwide by masterpieces made solely by himself, City P is not taking his foot off the gas as he shares "No Flash," with the world and proves that the sky's the limit. "No Flash" instantly has an old school Hip-hop flair sprinkled with a unique new age twist from the moment the record begins. The presence in the pronunciation that City P displays pulls you into his emcee abilities and shows you that he is not just another rapper. The vivid and up-tempo structure in the production has built a sturdy foundation that City P lays his carefully crafted verses. He displays his lyricism in a way that expresses a message of building his empire without any handouts. At the end of the day, he knows the moves he makes matter, and what he does now will significantly shape his future success. City P exhibits a certain type of confidence that drips from your headphones. His unmatched cadences pair with his unpredictable rhyme schemes that leave you shaking your head as to how he does it. "No Flash" flaunts the production and artistic elements that City P carries as creative in the industry. He deserves recognition. Through his craft, you are immersed in a surge of energy that ignites upon being exposed to City P. He gleams bright with the music he releases and drives home each word he pens. Congratulations on the release of “No Flash.” You carry such a strong presence in the way you represent yourself. We would love to know; what did the creative process looks like behind this song? When I was making the beat I started writing the hook immediately, IN MY BEDROOM! I knew it was gonna be crazy. What would you like listeners to take away from “No Flash?" I want listeners to be able to physically feel a vibe that's not so familiar, a whole NEW WAVE! Something different but gas. Did you begin your artistic journey as an artist or producer first? If you could only choose one for the rest of your life, which one would it be? I never only did one. I always did both. Being a musician in the church since I was 8, kind of made making beats and rapping easy. Put it like this, the first time I made a beat I was freestyling while making it lol. If I could do one for the rest of my life I know I would be a producer. Could you take us into what the studio session ambiance was like when recording “No Flash?" I recorded it in Atlanta, GA. Took me about 15 minutes to finish it. When I'm in the studio Imma workaholic so we got straight to the music. What has been keeping you inspired throughout 2020? The support hands down! The progress throughout the process being recognized for all my hard work. Instagram #BUZZMUSIC

Coming in hot from Athens, Greece, the Rock band Bad Habits takes the industry by storm with their powerhouse single, "California." Bad Habits merges the infectious power of 70s Proto-Punk with modern-day elements, offering listeners a sound rather familiar but highly authentic and very needed. With members whose musical backgrounds reside in Hardcore Punk, Thrash Metal, Pop Punk, and Active Rock, Bad Habits is here to deliver chills and thrills. Their latest single, "California," takes listeners on a heated venture through California (or Athens) sun with help from Bad Habits' scorching instrumentals and the powerful female lead vocalist's stimulating delivery. With reminiscent lyrical content surrounding the better days we've once seen, it's inevitable for listeners to feel something from this sweltering single. "California" opens with the upbeat and powerful Pop/Active Rock instrumentals and the powerhouse female lead's rath. As the instrumentals begin to paint a blazing atmosphere through punchy rhythm guitar and kicking drum patterns, the lead vocalist powers through and begin displaying her distaste for our present turmoil. While wishing to go back to when times weren't so dreadful, she also describes relatable lyricism where our Saturdays are no different from any other day. The raging instrumentals Bad Habits' provides entirely complements the song's lyricism, as we can feel the anger and pain with each gripping melody. Bad Habits has our heads banging with their recent hit, "California," as they wish to return to the golden state, we're right by their side, hoping that our present-day will have some pizazz once again. We love the energy and power you deliver within your single, "California." Why did you want to create a single that releases your inner angst and anger towards our present-day turmoil? To be honest, we didn't. There's no anger in the song, but yes, there is angst. The lyrics revolve around the theme of over-romanticizing the past and not living in the present. Everyone seems to be eager to sugarcoat memories or make unrealistic plans for their future lives. It's understandable up to a certain point because when problems and difficulties arise and you're buried in routine every-day tasks, it's easier to daydream than sort things out. And especially during a pandemic, it can be the norm. But it's wrong and everybody realizes it and regrets it sooner or later. Regarding the blazing instrumentals within "California," how did you go about creating such vigorous instrumentals that go hand in hand with your lyrical content? What did your band's creative process look like? Funnily enough, the whole song was completed in a rehearsal smoking break. We were playing Ramones/Runaways/Motorhead/L7 covers for fun up til then, and we had just decided to start writing our own music. So I decided to stay in the studio during the break and try to mess out with some riffs, came up with the main riff, and added the all-time classic chord progression for the chorus. The day we were recording "California", our producer suggested we had to change it up a bit for the verses so we also just kind of twisted & inverted the main riff. How did your band split the songwriting within "California"? Do you have a typical method that works best for you, or are you fairly experimental with your songwriting approach? There is no standard method. We approach it in a very simple way, one of us has an idea and we start building on it. The only problem with this procedure is it never really stops since there are always new ideas coming up for each song. For example, I still come up with ideas I'd like to try on "California", but you have to know when to stop and decide that the track is done. Otherwise, you're easily caught in a never-ending spiral. We must ask, since living in Athens, what has your band experienced within the music industry dealing with the global pandemic at hand? How has it affected your creation? The music industry wasn't prepared for this, nobody was. But thankfully we have a small thing called the internet helping us out in these hard times. We can still create music, we can still exchange ideas, we can still put out our music for the world to hear, and we can still connect with people that like our songs. We're kinda lucky in misfortune because 30 years ago we'd have no way of keeping the band alive during the pandemic. What has been keeping you inspired and creative while creating new music this year? Well, life. I feel music and lyrics are the exact reflections of one's experiences in everyday life, both the music we want to listen to and the music we create. Sometimes it's subconscious and ends up expressed through a semi-fictional story, sometimes you write down your thoughts word for word, but if you look through your own lyrics, you always find the reason you wrote them in the first place. The same thing happened with the lyrics to "California", at first I thought it was a made-up sob story about a guy growing up reminiscing of the past, but when I read them again after some time I realized where they'd come from, and why I wrote them. There are constantly thoughts/feelings/experiences you have to let out, and music gives you the perfect stand to talk to people about what's going on inside your head. instagram.com/whatisrocknroll

Singer/Songwriter Sabrina Carmen from LA grew up alongside music lovers and an incredible array of musical influences. She brings her old school style into her music today, keeping her lyrics heartfelt and production style memorable. Sabrina Carmen delivers meaningful and raw vocals that express current issues in a way that resonates with listeners. Her breathy, serine vocals help listeners feel understood and related to. She takes challenges well, and her music is a way to reflect on her thoughts and anxieties. Each song is a new story that she approaches with fresh eyes, usually alongside her piano to help her brainstorm. With her creative mind, she stays driven even through turmoil. Her love of art never fails, and her music video for her new song “Hush” is an example of that. The song was written pre-pandemic, but she was able to spin the meaning in the current circumstances with video submissions of people’s feelings during the lockdown, bringing the song to a whole new level. Even more within the next year, Sabrina Carmen is planning on expanding her music and trying new things. The events in the last year have taught her much about her over-active mind and what makes her happy, so she will continue to work hard at her craft and show the world what she can do. Check out our recent interview with Sabrina Carmen here. sabrinacarmen.hearnow.com instagram.com/iamsabrinacarmen facebook.com/iamsabrinacarmen twitter.com/imsabrinacarmen