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Mark Fernyhough is ready to show listeners what his new music is all about, and it comes with his recent release of the mystifying track, "Waves (Song for Revolution)." As an Indie/Post-Punk artist, Mark Fernyhough is paving the way for his eclectic genre. Starting with futuristic collections, combined with reminiscent '80's stylings, the music of Mark Fernyhough falls into secrecy and a bit of seclusion. That element of mystery draws our senses to him, and we are ultimately intrigued by his artistic mindset. There's serious contemporary energy that emulates off Mark Fernyhough's latest single, "Waves (Song for Revolution)." The music video captures a sling of white and black imagery, focusing heavily on the actual performance of Mark Fernyhough. The visuals certainly fit the theme of "Waves (Song for Revolution)," and go hand-in-hand with the prescribed mood Mark Fernyhough pulsates onto listeners. There's a point the music video reaches where the projected visuals become hypnotizing, leaving you in complete allurement. The dark and poetic vocalism of Mark Fernyhough shines bright, and it's such poeticism that crafts the melancholic and gloomy atmosphere so potently present within "Waves (Song for Revolution)." Mark Fernyhough knew his audience and manifested a performance worth watching. When it came to the track's narrative, Mark Fernyhough definitely gave listeners a topic to think about, honing in on politics, and historical figures present within those politics. It goes without saying that "Waves (Song for Revolution)" is thought-provoking, and will stimulate your mind in one way or another. The visuals fit perfectly in line with the ambiance of "Waves (Song for Revolution)". What kind of work went into crafting the music video for this track, and did you come across any obstacles during the filming process? It was one of the swiftest to complete music videos I’ve directed which I felt reflected the urgency of the song. The featured models are dressed by Swedish designer Lena Quist and I additionally asked them to wear their corona face masks which denote todays doomy climate. The remainder of the video was completed with myself and drummer Agata D’mon performing along to the track. The only obstacles were joggers bounding into the frame adorned in sportswear which just didn’t jive with our vibe! Can you expand more on the political stance you held within your latest track? Were you at all fearful that the message embedded into "Waves (Song for Revolution)" may not get interpreted the same across every listener? I purposely leave room for personal interpretation in my songs and art as people don’t appreciate being lectured to. However, with the sources I’ve referenced in the song such as feminist Emma Goldman, Alan Moore, and female poet Marina Tsvetaeva, it’s not hard to decipher which side I’m on. Let's delve into your style of music, as it's quite eccentric with its potent fusion of various genre stylings. How would you describe your own sound? How do you feel you're paving the way for the specific kind of genre you work with? As a songwriter with access to modern technology, it’s so easy to experiment and genre hop a little too much when it’s important to have some cohesiveness to your work. Often some self-imposed limitations when recording is a good thing. The upcoming album I’m working on has a blueprint combining electronic-based 80s new wave-inspired tracks with dark indie and post-punk guitar-led sounds. As for paving the way for something I guess I’m combining glamour, politics, art, guitars, literature, and huge unapologetic choruses in way I don’t think others are. What were some of the major benefits of constructing the music video for "Waves (Song for Revolution"? How do you feel this production accelerated your growth as an artist? I have very specific ideas of how, visually, I want to represent myself and my music. Creating a strong visual universe to sit alongside my songs is really important to me, and with my art background, I feel the one best qualified to define that. Also writing songs can be quite a solitary act, so it’s nice to emerge from the bunker and live in a music video for a while. What has been keeping you inspired this year? I’m proud that the lockdown period ended up as a whirlwind of creativity for me. I wrote and recorded several new tracks including Waves. I’ve also finished editing the music video to my next single Automatic Paintings, which is about overlooked female painter Hilma Af Klint who communicated with spirits. So I’ve been mostly inspired by not getting distracted by the various layers of worldly madness that surrounds us and being wildly productive instead. instagram.com/markfernyhough facebook.com/mark.fernyhough #BUZZMUSIC

Australian Hip-Hop artist Acizm is the kind of artist that isn't afraid to use his platform as a means of communicating difficult life lessons. Acizm definitely has confidence when it comes to speaking his truth, and this kind of quality to him as a music artist is something that effortlessly shines through his music. You can feel the authenticity of Acizm pour off of his music, and this mainly stems from how thoughtful he is whilst composing each and every song he releases. Acizm most definitely kept it real with his latest track, "Don't Leave Me Hanging", and showed listeners a sneak peek into his personal mind. "Don't Leave Me Hanging" immediately has a certain kind of innocence to it with the projected vocal performance at the beginning of the track. Once we're about 30 seconds in, Acizm's vocal outflow penetrates the track, but the innocent production is held consistent through the melodic piano rhythm. Acizm keeps the tone light and reminiscent, but the actual narrative of the track is following along themes of betrayal, retraction, and self-realization. It's safe to say that Acizm offers stimulating topics within "Don't Leave Me Hanging", keeping the flow and energy of the track incredibly natural. All in all, "Don't Leave Me Hanging" kept up a light-hearted vibe that amplified itself through the fast-paced wordplay of Acizm. How do you feel that the current music scene in Brisbane is helping to amplify and progress your current sound? The music scene in Brisbane is extremely varied, within the Hip Hop community in particular. This has created a lot of opportunities to be experimental with sound and style and push the boundaries of what people may expect from a typical Brisbane artist. "Don't Leave Me Hanging" felt very moving, and we believed this came from the skillful approach you took to the track. Can you delve further into the strategy behind "Don't Leave Me Hanging”? “Don’t leave Me Hanging” was a close collaboration between myself and producer C-Lance and we created it with the intent of getting Evil from the start, I think this approach is important when working with another Artist and is evident in how well the song came together. Being a fan and regular listener of Evil Ebenezer's music I knew he would be perfect for the project and even with the flight restrictions due to COVID19, we made it work and both the song itself and the video ended up turning out great. What was the ultimate reasoning for creating "Don't Leave Me Hanging”? How were you intending for your listeners to feel after listening to the song? I wanted to capture that feeling of making mistakes at the moment while highlighting that, while we may regret it later we can’t simply make excuses for our actions. We all mess things up but at least own it and accept your part in it, that kind of thing. Your third studio album is set to release soon, and we're wondering what listeners can expect to be different within this album compared to your last? I would say depth and growth as an artist are the two big things this album offers above my previous release. The concepts and topics, the level of self-reflection and in particular the lyrical technique and songwriting in this one, I mean its all Acizm but just refined and more focused. What has been keeping you inspired throughout 2020? This has been such a strange year that simply being creative and staying busy is what's keeping me inspired. I have found that writing and recording and producing has been helping to keep my mind away from the chaos outside and allowed me to work on myself and my art. instagram.com/acizmofficial facebook.com/acizmofficial #BuzzMusic

CDZ! is the budding and smooth cantering Rapper from Marietta, Georgia. His last single, "Jeep," rendered like an auspicious Emcee debut with highlights focusing on the various influences he channels through the musical touchstones he collects with a connoisseurs' ear. He's already displayed a propensity for witty verbiage throughout his catalog, and still, he always endeavors to adorn his Hip-hop productions with a scintillating hook. This is especially true for his latest creative break this year, with the release of "Show Me Love"—his most captivating cut yet. CDZ! soars over "Show Me Love" with an anamorphic sounding vocal texture gives this song an irresistible glow. It feels like a dream-like state where we're in between inebriated and hazed out—reminiscent of how old R & B tunes disarm us with their affecting nature. The measure here operates over a mid-tempo drift that swaggers over a trap-beat with utterances in the language of modern Hip-hop inserted through scattering hi-hats, a deep pounding sub, and a crunchy snare for the backbeat. Probably the most enticing thing about this track is the experienced comfort the Georgian displays over his wordplay while stimulating us with his dominant presence over the clever lyrics he magnifies through his grooving expression. The leading hook buzzes over the sultry bassline, as if they were made for each other, "show me love, or none at all, hit my plug, yeah, that's my dog," he sings here. When his attitude reaches homeostasis in the verses, we find ourselves entirely invested in the narrative CDZ! shows with complete effortless talent on "Show Me Love." What's something or someone you draw your creative inspiration from, and how do you go about incorporating those influences without losing sight of your own aesthetic and individual style? I can draw inspiration from anything. I feel like inspiration is all about perspective. I draw a lot of inspiration from my friends and myself. A good amount of the homies are creative people, not just musically. My main inspirations musically though are KDOT, Toro Y Moi, Pharrell, And Dom Kennedy. Boldy James has been getting a lot of spins from me as of lately too. I think me being comfortable with myself keeps me from completely copying others or sounding too much like them. Where do you go, or what ritual do you confide in when the creative juices just aren't flowing during a writing session? I usually attack any creative blocks with nature and a joint. When I’m outside or driving I get ideas immediately. Sometimes I just relax and choose to do something else creative for a couple of days if I’m exhausted musically. I never force anything. When do you think we'll be seeing a full-length cut from CDZ!, and what do you think your main narrative regarding that project might be? My last project “Strange Fruit” was this year in April but I make music almost every day so another project is bound to hit your ears before the year is over. The title will be “Bad Fruit”. Stream the last album and you’ll understand where I’m going. But before I give my next solo album, I have to drop off these two collab tapes I’ve been working on with Nick Diminico here in the A and another with James Rogers from Boston. Those will hit your ears soon. What are you most excited about for your artistic career in 2021, and what sort of milestones are you aiming to surpass this year to close off 2020? The only milestone I have for this year is vague but It's just to be better at everything. Make better songs than before. Have better content. Become a better person in order to make better music. Next year I aim to reach more fans across the US and run this money up. I’m looking to take over the world next year. Hopefully, festivals are back open. You’ll definitely see me. instagram.com/iloveCDZ #BUZZMUSIC

Canadian Hip-Hop artist EHV is here to show his genuine artistic versatility when it comes to creating and crafting his sound. EHV puts pure effort and hard work into the elevation of his music, and he consciously creates music that is meaningful to his life. Sharing his work with listeners, EHV is unraveling his personal truth in an aim to connect with listeners in a real way. Using the power of manifestation, EHV chooses to think and speak his ultimate motivations into existence. The latest drive EHV speaks into existence is the release of his sonically-fused track "Natural". As a Canadian artist, EHV has always been known to blend various genre styles together in order to create his exclusive sound, and he does this by drawing influence from so many different parts of the music industry. "Natural" has clear properties pertaining to the contemporary Hip/Hop and alternative music scene, and with strong integration of lo-fi beats. The actual theme of "Natural" shouldn't come as a surprise to listeners, as EHV takes us down the storyline of remaining authentic and "natural" during the course of life, especially as a music artist. All in all, EHV leaves us wanting more of his straight-forward, direct approach to the hip-hop scene, and we're keeping ourselves updated with what the music artist will release next. What kind of truth went into the craft of "Natural"? What kind of storyline were you hoping listeners would pick up on throughout the track? The message I was trying to craft in this song was to stay connected to nature. "Stay natural" simply means to stay connected to yourself, because we are nature. The storyline of this song quite literally explains my journey of becoming more confident in the artist I am today. I needed to question myself "asking if I'm able". "Have I really played all the cards right?" to understand the type of person I wanted to be. I had to choose between listening to my ego where I would follow other people and not be true to myself, or listen to my Id where I could be centered on myself, on my thoughts, my ideas, and my ability to create. "Natural" was a duality of both. Thinking of the good from the bad; "the winner's an expert at losing". I had become so accustomed to rejection, nobody listening to my music, but I was always "faithful" throughout the times I'd be "on my ass" and nowhere to be found. You've previously mentioned that "Natural" has been the track that made you step out of your comfort zone. How would you describe the way the track allowed this to happen for you? This track allowed me to step out of my comfort zone because in almost the matter of a month, I completely changed how I scheduled my life, and my creative process, to focus on this single project. I basically learned the intermediate basics of an entire video editing program and recorded an entire music video with almost no prior experience. On top of that, I spent countless hours learning Facebook ads and marketing strategies, as well as sending out hundreds of voice messages on a weekly basis to strangers so they could support me before the song came out. All of this was completely out of the ordinary for me, because for the longest time I was stuck on constantly creating, and not getting my name out there, but I know I have a message to tell now. I know that my voice needs to be heard because I know I can help people. I got the time to focus on my words, and focus on how I want my message to be seen, and make sure it gets seen. I got the chance to "stay natural". As a music artist who enjoys dabbling in various music genres, are there any genres you have yet to work with that you're wanting to in the near future? Honestly, I never think about what genre I'm going to be making as I'm making it. For me, everything happens in the moment, so whatever sounds good, and if I'm vibing, or the person I'm working with is vibing, then I stick with that. I feel like sometimes trying to label where your art is categorized can be a tough thing to know, and all I know that I'll be doing in the near future is making music that sounds like me. Where I grab inspiration from, I grab inspiration from and make it mine. However, I do see myself making some more funky tunes like 'Natural' some time again, stay tuned! Your collection of mixes offers strong sensations for listeners. What kind of process goes behind the production of each track and how do you ensure the production matches the lyrics of the song? Making the production and lyrics come together is probably one of the longest steps in the creation process for me. When I'm working, I don't necessarily think about this though, because at times I'll start writing lyrics before I hear the beat, but then at times I'll get inspired by another song, make the beat, then write lyrics. The golden rule that I follow is that 'if it doesn't feel right, then it ain't right'. When in the studio, you sometimes can get caught up on the small details and to me, if everything doesn't come out smoothly at that time, I take a step back and come back to it another day. This way, on a different day, you could have different energy with the same lyrics you wrote the day before that sound a lot better. It's all about your mood, your energy, and being able to speak the words that truly come to your mind while you hear the frequencies of the beat. What can fans anticipate to hear next from you? I want all of my new and old fans to stay tuned because I've got a lot of content coming to my Instagram and Tiktok as I will be editing a lot more videos. Expect some more music and potentially a new video at the end of September/ beginning of October. Everyone who pre-saved 'Natural' already knows that they'll be getting a preview of my next single, so stay tuned for some new announcements! Be ready for 1-2 singles a month, and some behind the scenes footage of my independent music production program at Seneca York. instagram.com/ehv_official twitter.com/Ehv_official #BUZZMUSIC

L.A. has stabilized as a place where LUJAIN calls home, for now. With an upbringing that saw this young Artist's living circumstances render something more like that of a nomad's; it's never quite certain where she'll end up next. Early in 2020, she released her debut single "Traveller," which saw the Kuwait-born chanteuse manifest the Swedish language for the verses before erupting in the instantly popular hook. This year, with her previous song trajectory's steady pace, LUJAIN collects all her Musical touchstones with a cognoscenti's ear and lands healthy in our hearts once again with, "3."We are never prepared for what we really expect, and with this track, LUJAIN delivers just that - something unexpected. On "3", she digresses over the bordering lines between R&B and Jazz, landing somewhere deep in her own established Musical elemental field. With an opening that immediately gives highlight to the frisky cordial strums of a Spanish-reminiscent acoustic guitar, we can't help but fall deeply in love from merely the first impressions. Here, in the meaty portion of this track, a scintillating electric guitar rumbles with a lower-midrange girth as the backbone of this smooth swaying track takes shape with a punchy kick, and snare that thwacks with the satisfaction of a perfect high-five, it just sparks something magical inside you when it happens. The gladdened heartstring orchestra's final strum that this track produces renders front and center as LUJAIN's intoxicating vocal performance. Her words leave little to be craving, as she fills every desire we could have from a vocal performance, and she manages to do it supporting her brand of singing style she terms "Genreful." It's a vocal venture that could only be led by a classically trained songstress like herself. Don't step into "3," expecting your run-of-the-mill Contemporary vibes, because the method's that this Artist adheres by will leave you with an after-glow that won't wash off. What place or experience has had the most profound and long-lasting influence on the styles, textures, and aesthetics you conceive in your music? I would say my music is a blend of all the places I've lived in. Every part was just as important in shaping it. Although Los Angeles is definitely the place that helped me develop the most. It's such a diverse place that you’re allowed to do what you want and experiment with different fusions. It's all about the vibe, you're not boxed in when it comes to structure or style. How do you go about using all your experiences from around the world to create Music that presents as entirely cohesive, yet assuredly foreign? Well, to be honest, I don't think I know how to do it in any other way. Music for me is what you’re feeling at the moment you're making it. When I was younger I always tried to conform, following the society I was in at the time and sure it was okay but it didn't feel fully true. In LA I learned that your uniqueness and experiences shape your music in such a beautiful way if you know how to apply it. You as well have to do research. Know the rules before breaking them. When you encounter a writer's block, how do you go about giving yourself the required creative energy and fuel you need to break through, with the least amount of stress? Hmm, I don't believe in writer's block. For me the problem isn't writing songs, it's sitting down to do it, focus for long enough. To be able to tap into your creative energy without the pressure of always coming out with a hit is the trick. I don’t force myself to make music when I feel uninspired. I paint or read instead, go out for a walk to relieve myself from any stress I'd be feeling. When can we expect a music video for one of the two singles you've already released this year? As an independent artist, I have to prioritize what I think is important. Is it making a music video or promoting the song? Is it a studio session or is it a cameraman? Nothing in life is free so you have to make decisions. I know there are ways to do it while on a budget but I'm a perfectionist if it's not perfect then I prefer not doing it at all. That being said I do plan on having videos for some songs in the future but on my own terms. What can fans anticipate from you next? Are there any goals that you'd like to achieve by the end of 2020 with your music? A little jazz fusion acoustic 2song project coming out by the end of September and a vocal+keys project in coming out in December. A little mash of genres. Id like to introduce that pretty early in my career. Honestly, 2020 has been kinda crazy for everybody but just making music has been the biggest goal this summer and through the end of the year. instagram.com/im_lujain_ twitter.com/LMsoty #BUZZMUSIC

Canada's melodic music creator and skilled Producer Ceesar is bound to make his way to your speakers one way or another. After taking advantage of the summer's collaborative spirit with his EP "Hustle & Passion" (Co-Produced by Lynx), Ceesar has been reaping the rewards of releasing textured music that defies the boundaries of any one genre. With tracks like "Drunkin Text" that falls towards R&B and "Day 2 Day" that's seeping with bass, Ceesar's music is a truly unique and unforgettable experience. Not to mention giving his music a kick of wise and sound messages, we're sure that Ceesar will be a household name inevitably soon. Ceesar is never one to shy away from samples and the art of mixing the old and the new. It's safe to say that his unique sound brings a fresh wave of authenticity that's genuinely hard to come by, yet Ceesar makes it look incredibly easy. His melodic bars bring a sense of individuality alongside the powerful atmospheres he carefully produces. Each of Ceesar's tracks exudes a different feel where the listener can steadily grasp the meticulous and precise arrangement that never fails to astound us. It's not every day we come across someone with such vast talent, and someone who can immerse themselves within elements of various genres. Ceesar not only inhibits these qualities but is constantly developing his sound to stay as current and fresh as possible. Hi Ceesar! It's great to chat with you on BuzzMusic! What are you most excited about accomplishing at the end of 2020 as it marks only the second year you've been active under the moniker of "Ceesar?" Thank you for having me, it’s great to be here! At the end of 2020, I want to be able to look back over the past year and see how far I’ve come. Seeing the improvements I made as an artist will inspire me, even more, to keep moving forward and constantly grow. Also, the fact that I dropped 'Hustle & Passion' this year makes me excited, after all the hard work it came together. What's been the most exciting part about collaborating with "Lynx" for this record, and what do you think he brings to this selection of music reaching us this year? Apart from seeing someone who is truly passionate about what they do, I would say the critical skills I am learning, which allows me to grow as an artist. Lynx brings a lot to the table! We started working on my second project from the beginning so once that is finished you will truly see all the hard work and the improvements I have been talking about … you 100% have my word on that. What fuels your creative intuitions and the enthusiasm you have behind making your career take flight? I have always been a go-getter in my life, it’s natural for me to want to constantly improve but I enjoy the process as well. I think when someone enjoys the process it allows the creativity and enthusiasm to be that much better, which in the end delivers a better final product. What sorts of things can we expect out of 'Hustle & Passion' as a whole record? Lots! You will hear a few genres, a song for every mood, and most excitingly which I think at least … the fact that this is my first project as an artist. It’s my entrance into music, such a blessed feeling. 2020 has been a challenging year, to say the least. What has been keeping you inspired and what kind of advice would you give to artists who are finding it more challenging to stay creative? It definitely has been a challenging year in many ways. For me, I always look to constantly improve myself, knowing that there is still so much ahead and more to learn, I’m excited and inspired by that. Seeing my progress and going through the hard work motivates me tremendously! I would say to surround yourself with good people who motivate you to be creative or even better, have people around that you trust and can bounce ideas off. Read our recent song review of Ceesar's single, "Day 2 Day" here. ceesarmusic.com #BUZZMUSIC

Canadian artist Sarah Kellysen hails from Calgary, Alberta, and finds themselves dabbling in various areas of the arts, whether that be regarding their acting, singing, or songwriting career. Sarah Kellysen is all about expressing themself in an entertainingly articulate way, and their recent music releases can prove just that. Using their music as a platform, Sarah Kellysen never misses a moment to enlighten and lift up their listeners, and did exactly that with their most recent single debut, "Forbidden Summer." Sarah Kellysen enjoys surprising their listeners with their eccentric and eclectic fusion of Alt/Indie compositions. Sarah Kellysen raises expectations with the groovy electronic production in "Forbidden Summer," which only works to create an immersive and illustrious environment. Striving to manifest various vivid and vibrant imagery within their music, Sarah Kellysen can successfully establish a mystified yet glamorous soundscape that easily inserts itself into any enigmatic ambiance. "Forbidden Summer" portrays a cohesive performance by Sarah Kellysen, making our anticipation only greater for their next release. All in all, Sarah Kellysen has proven to release songs that seethe authenticity and opaque transparency, which drives and stimulates our eagerness for new music by the idiosyncratic music artist. Considering the fluidness presented in the production of "Forbidden Summer", how did you go about constructing the vision for such vivid expressions? Whenever I am working on a new song I am trying to channel a certain mood. Heading into the creative process of this song and album I wanted to capture vibrant energy that will get people to dance and be able to forget their worries. This song lyrically was inspired by the idea of being able to forget the world around you and put that stress behind for 3 minutes to have fun. The biggest inspiration comes from my everyday experience of what is happening around me even when there is nothing there is still waves flowing in the physical or metaphysical realms. What was the major obstacle you'd say you encountered during the writing or recording process of "Forbidden Summer?" I think the biggest challenge heading into this song was the construction of how it was going to be played out in the recording studio. Whenever I create a song I am working from the instrumental with another producer to capture that certain mood I am seeking and then I start creating the lyrics after that process is roughly done. It is now questioning how am I going to express these lyrics using my voice and what key am I going to sing in. The way you sing a song also captures a certain tone. I experiment with what works on best going from verses, pre-chorus, chorus, and bridge, I redo the song about 3-7 different ways until I find a way to put it together to make it just right. For this song, I sang not too low not too high however there are certain parts where I decided to hold a range of super low and high for a while during the chorus. It was my first time experimenting with a crossover of ranges in my voice. I did this on another song off the album called "Cosmic Flame" it worked well there too. The challenges come with experimentation that helps you grow as an artist and it benefits my artistry. Would you say that you experienced the type of response you were looking for with "Forbidden Summer" in regards to your audience? Do you often experience the feedback you're expecting to as a music artist upon releasing new singles? In all honesty, I had no idea what type of response this song would get because pop music has been slightly dead for the second half of the 2010s decade however the revival from artists like Dua Lipa and Lady Gaga inspired me to go for electronic dance style of music. I was slightly nervous because I kept asking myself am I working with outdated sounds that don't age well? or am I taking a risk for glory? I think the feedback from the video slightly shocked a few people though. In the video, I am wearing see-through outfits which you can see a lot of skin. The see-through clothing in the music video represents trying to come through the boundaries and work with limitations. It was not meant to be too sexy. What are some future projects you're currently involved with now? Would you say you're the type of artist to plan for the future, or do you take the music world on as it comes? Currently, I am working on writing, producing, and acting in my own short LGBTQ+ independent films that are currently in their planning stages. As for music I was working on another more spiritual album prior to "Rainbow Rhythm" however COVID decided to happen and that is postponed. I want to release that album when I am able to access studio space again to film the music videos. Usually, I would say I am always thinking of the future as an artist however I do see trends happening and I may adjust to bandwagon at times. But usually, I go to the beat of my own drum. What has been keeping you inspired this year? This year I have been inspired by empowerment through movements, music, and what's been going on in the world. We live in such tumultuous times that I want to create art to build happiness and a better world around us.  We only live once in life so I would want myself and everyone around me to enjoy it the fullest. We may be limited right now but we can still live. We just got to be creative with it. instagram.com/sarahkellysen facebook.com/sarahkellysenofficial #BUZZMUSIC

Nate Rich X is the New-York Pop intoner whose debut single, "Girlfriend" manifests through a dreamy world of empyreal vocals, scintillating synths, and an after-glow affecting top-line hook. His style and sound here are deep-rooted in Synth-pop textures with definitive nods at R&B and Folk influencers from past and present. Still, the touchstones he collects from various genres renders into the captivating life-experiences the young Pop-star endeavors to recreate for us sonically. It is often the most wounded amongst us who inflict pain on others. This is the viewpoint that Nate focuses on when we strip back his texturized Pop production and find the profound, yet playful sentiments in "Girlfriend." It's a track ruminating in the uncomfortable tango between an individual who hasn't expressed their true nature to the rest of the world and instead finds pleasure dragging along Nate Rich X's at the expense of his heart. The production that follows is minimal with just a sub kick leading the measure at first, but it slowly evolves from here, developing this story that captivated us with its enamoring elegist-like character. As the empyreal amalgamations of the New-Yorker's vocal harmonics fill the spaces of the Dream-Pop mix ladened with scintillating synths, we're submerged into the transformative crescendo found near the final moments of "Girlfriend." Here, after being mystified and infatuated by the cascading echos and reverbs reflecting Nate's sultry vocals under a seemingly un-busy production, we arrive at the affecting climax that configures over a fantasia of upswelling synth, scattering drums and an infatuating blend of harmonies that leaves us with an after-glow effect for days. It's wonderful to sit down and discuss your latest release "Girlfriend." How did this song manifest itself into reality? Was this based on a real experience, or was this a metaphor for something more introspective and deep-reaching? It’s based on real experience but embellished through a pop lens. I had a roommate last summer, this gorgeous straight guy with a girlfriend, and we had this amazing connection that seemed like it might go beyond just friendship. I knew it was probably all in my head, but I couldn’t help but imagine that one day he’d just lean over and kiss me. I wrote the song in the first week or two of living with him—when I was reading into every smile and lingering hug. As it turns out, we ended up just being great friends and my crush totally disappeared. But ‘Girlfriend’ lives in those moments where I was overanalyzing everything, wondering if he was feeling what I was. What were the inspirations behind the evolving build-up and eventual releasing crescendo in "Girlfriend?" I have to give credit to my producer Guy John for the song’s amazing build. I originally sent him the two verses and choruses, thinking we’d just keep it short and simple. He sent back an extended instrumental that I ended up writing the bridge over, and that’s where that release into the final chorus came from. He was super careful about building from the soft beginning to the explosive quality of the drums, vocals, and synth solo in the end. I think the steady build in the production really helps tell the story of a crush all the way from a hushed secret to a loud declaration of love. Where have you had to channel yourself creatively to gain some of the courage you harness to express yourself so wholly and sincere throughout your Music? To be honest, I never thought what I was saying was particularly courageous. I’ve always been pretty open about my feelings, but I also feel a little protected by the fact that my songs are just stories told in this pop format. My writing is always based on my own experiences, but I’ll amp up the intensity of a moment if it serves the song; ‘Girlfriend’ is a perfect example of that. I think there’s such an inherent theatricality to pop music—it’s built on the big, exaggerated emotions we poured into our middle school diaries, and I always keep that in mind as I write. When can we expect to see you in a Music Video feature for "Girlfriend," and how soon can we anticipate your upcoming Extended Play? There’s a gorgeous lyric video that will be available very soon! We’re also currently finishing production on two more singles that you can expect over the next two months, and at least one of them will have a proper music video. I don’t have an exact EP release date for you yet, but we’re aiming for January. And I’ll be releasing some collaborations along the way! What has been keeping you inspired in 2020? When I feel down, I always try to create something. Whether it’s writing a song, inventing a new recipe, or repurposing an old denim jacket, making something gets me back on track. I’m also inspired by seeing so many young people become activists, especially artists out protesting and using their platforms to demand justice. On really tough days (during the pandemic and this presidency, they’re common), I escape by listening to some new music or watching an episode of Avatar: The Last Airbender. instagram.com/naterichx #BUZZMUSIC

Los Angeles artist Sealy Troh is the kind of artist who emphasizes making their listeners feel good. With that starts the foundation of Sealy Troh's music, positive and lively energy. Working with artists such as Novel and Casey Veggies, Sealy Troh proves to work well within collaboration and has found even further success within personal track releases. His latest feat includes the single release "Liv Luv," featured in LA Weekly. Now, Sealy Troh is ready to debut a cohesive soundscape with new music. Sealy Troh released his anticipated single "All That." With a tropical fusion of melodic beats, "All That" presents itself to be the perfect kind of feel-good energy, making it the right kind of summer single to vibe along to. Sealy Troh creates a clean atmosphere with "All That" and the consistent flow he possesses. Consisting of a dependably structured hook, "All That" remains monotonous and straightforward in its delivery, which leads us to believe that Sealy Troh focuses on the uniformity of his sound. All in all, "All That" really did allow us to feel lost in the moment's fun, which is precisely what we're craving when listening to a pop-driven Hip/Hop single. There was definitely feel-good energy emulating from "All That". As an artist who is avid to release tracks that contain that authentic and positive vibe, how would you say your visions for your songs ultimately come about? Hype you caught the vibe. For any of the tracks, I select or build with producers I have to feel some sort of energy from it. Some tracks can sound good but if I don't feel anything for it then I prefer to write on songs where I feel a natural melody or rhythm. I try to express a range of emotions from situations I've been in or around and let my voice have fun with the rest. How did you feel inspired to create "All That"? What was the main purpose of this particular track? The group Provision beats had been sending me beats and to be honest, they got lost in the shuffle but I got to open one of the packs they sent and it had a few that I really enjoyed, but this track just made me want to write to it first. Being into anime and the 90s and thinking about pre-COVID times really drove the look and ideas behind "All That". Those times where you and a person make eye contact and you both give off good energy. Can you describe how you personally feel living in LA, and how you feel it helps you progress with your own sound? I would say living in LA is definitely an interesting scene. There are so many different sounds coming from different areas so it's hard to not be surrounded by music or hear about shows going on. I feel like LA gives artists plenty of opportunities to enjoy themselves and shows ways you can push yourself further. Having support really is what means the most so when you see people coming to your events and shows or are wearing your merch it fuels you through the harder moments. It's also very competitive so it can feel like everyone says they do something and that can definitely make you feel like you're floating in an ocean, but with that being said I wouldn't trade it. Now that "All That" has released, are you planning on debuting any more new music for listeners? Yes! I have another track following "All That". The next one should be called "Mallrat". I didn't intend for them to rhyme, but hey weirder things have happened... That one should be following later in September or October. Beyond that, I would definitely invite people to check out my other recent releases like "Lil Luv" or "She Don't Mind". What is one goal that you're hoping to achieve by the end of 2020? I keep saying I need to get an air fryer. instagram.com/SealyTroh Facebook.com/SealyTroh #BUZZMUSIC

SLiM D is a DMV Metro-born, New Jersey-based newcomer who scintillates over his proficient wordplay with a veteran Emcee's creative affluence. The sound and aesthetic he presents on his Hip-Hop cuts have been branded as "extraordinary" and described as "a breath of fresh air," compared to the shapeless music making its way throughout the industry. This distinguishing factor makes the budding rapper a lyrical architect to keep a close eye on. Debuting in 2018, the rap intoner finds his niche through inventive wordplay and an intoxicating sense of measure over the nostalgic beats he coalesces. With a well-received Extended Play—'Positively Jiggy'—already under his belt after seemingly bursting into the music scene, SLiM D endeavors to resume his relentless trajectory upward, with his latest nostalgia rousing hip-hop single, "Everyday Hustle." A life of ease is a difficult pursuit. That's precisely the viewpoint that SLIiM D surmises on "Everday Hustle." Here, the DMV-hailing Emcee taps into his clandestine ancestors of hip-hop and emulsifies all the best parts of the Golden Era of the '90s into a concise and captivating laid-back classic, describing the everyday hustle SLiM abides by. He doesn't brag or boast about it, not entirely at least. As the track drives on, the introspective Emcee reveals his approach over his call-back inducing hook, "It's just another day, same old hustle, I'm tryna find a way grow a new muscle, only going hard for the ones who love me, and only God above me." He understands his purpose and the fervency he has to maintain in his hustle, as he looks above for reassurance, and all around him for a collective likeness of hard-working individuals to include into his clique. SLiM D finds a salacious way of incorporating a production beat that draws influence from the minimalistic, but alluring nature of past hip-hop stardom, and on "Everday Hustle," he completely transforms that influence into something of his own solution—and we simply can't get enough of it. Can you tell us about some of the Milestones in your career you're proud of having accomplished, and what is next to conquer on your achievements list this year? I’d say a few milestones I’ve had are having one of my songs “Velocity” played on one of the biggest radio stations in the DMV 93.9wkys was a surreal feeling but it only made me want to go that much harder. Another little milestone was discovering my international fan base in Canada, London, and Germany, and connecting with them. Because that’s what it’s really about, it kind of lets you know you’re on the right path when people from other countries & national elites enjoy respect & really resonate with your music. What sparked your migration for Washington to New York, and do you think this move has helped influence the style and aesthetic you present in your music? I moved from the DMV to New Jersey for various reasons. Honestly, it was time for a fresh start. I went to high school and college out there and felt my music wasn’t going to be appreciated as much out there because my sound wasn’t the typical DMV sound. Also on Spotify and Apple Music, it showed me the top city spinning my music faithfully every day was New York. So I moved here to find that fan base & also expand it with adding New Jersey to the list. I don’t think my style of music has been influenced by the move because I don’t base my sound on my surroundings it’s literally, however, I’m feeling at the moment which ultimately creates my sound, I pride myself on being unique and a fresh of breath air for the music industry. How do you get over a writer's block, and what sorts of rituals do you abide by to get into your creative zone when hunkering down for a recording session? So with writer's block, it’s funny because I believe that’s a myth we come up with when we don’t want to think hard enough. But that inspirational spark is a real thing also, it comes and goes, so when you get that spark you got to go with it ASAP, it doesn’t last long when I get that spark I sort of zone out, seems like someone else writing for me! But honestly, before all that I just relax sometimes meditate and throw a beat on & just think of the first thing that comes to my head when I hear it, like how did the beat make me feel what was the vibe, or if I had a specific topic in mind already I’d expand on that. I don’t have a specific ritual per se going to the studio. But definitely have to be well-rested & energized along with having eaten well before because everything is from the diaphragm can’t make classics on an empty stomach. What can we expect from you for the end of 2020, and what are you most excited about for 2021 concerning your artistic career? What can you expect from me in for the rest of the year? Shit a whole lot more music & visuals to cap the year off along with a possible tape coming since it’s been almost 2 years since I dropped my first tape and most excited for in 2021? Hopefully, we get back to regular shows/performances! I was on a roll for a bit with the shows so I’d love to get back out there and also opportunities I feel like 20201 will be the year we all thought 2020 would be. Great things in store. What has been keeping you inspired throughout 2020? What’s kept me inspired this year is actually all the craziness going on, it’s like you never know when it’ll be over or when your time will be, so why not go as hard as possible while you can. Because when it’s all said you wanna have no regrets or what if moments, you wanna leave your mark on this world. That’s why makes me go hard every day. instagram.com/slim__d #BUZZMUSIC