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Seth Power hones in on his artistic mastery as he showcases his latest single, "I Do," a tender-hearted love song that melts our insides with a warming embrace. Seth Powers is a contemporary artist with a soulful spark that posts up in a bracket familiarized by an amalgamation of John Mayer and Ed Sheeren reflecting vibes. Here, the Jackson, Mississipi native settles on a tastefully spacious mix with warm acoustic guitars, a crisp drum character, and a softly saturated bass, devising an opening for admiration over the silky smooth croons of Seth's healthy tenor. "I Do," feels like a swaying embrace into the modern musical enterprises of Seth Power; anchored with deep roots in soul and by a timeless intimately dazzling vocal display. Tastefully imagined melodies, a luscious saturation (as if recorded off a tape machine), and a joyous display of articulation are featured here, as Seth tantalizes modish vocal tones with violin accompaniment—instilling them with a dreamy afterglow. The mix elevates this track's delicacy even further, making great work of the dynamics as the energy seems to mature and simmer in the right moments. As we near the end of the intrinsically sung masterful performance on "I Do," Seth chants with a vocal hymn that stews into an increasing crawl before the music fades completely. It's an evocative ballad that provokes a powerful mirror into his passion when his partner inevitably says the anticipating words, "I Do." We're moved by your latest single, "I Do."! This thing is spilling with class and has such a pulling vibe. What inspired the topic of this single for you? So glad to hear that you like the song! I actually wrote this one the week before my wedding! We got married last summer (June 15th), and the weekend before, I drove to Muscle Shoals to write with Walt Aldridge. Walt was inducted into the Nashville Songwriter’s Hall of Fame in 2015, so he’s the real deal. Anyway, we spent the weekend working on a few of my songs, and about 15 minutes before I left his place, I played him the melody for “I Do.” I told him that I’d had the guitar melody in my back pocket for a while but was still trying to figure out what to do with it. He said that it felt like a wedding song to him, and considering it was six days before my wedding, I thought that was a great idea! I spent the whole drive home working on lyrics and I ended up finishing the song the night before our ceremony. Then, after our first dance, I surprised my wife by playing it for her :) What has had the most notable impact on your life musically thus far? Can you describe how it helped develop your character artistically? I would say that the most impactful phase of my music journey occurred while I was in college at Mississippi State University. I walked onto the football team during my freshman year but was unable to continue playing after a severe concussion in the Spring of 2012. In the Fall of that same year, I started gigging A LOT in Starkville and the surrounding area. At the time, I was doing it because it was fun and the money was great, but I had no idea that I was putting in a lot of the preliminary work needed to become a professional performer. There were a lot of nerves that I had to work out of my system, but after a few years of playing gigs almost every weekend, I became very comfortable in that setting. During those years, I mostly played covers with a few originals mixed into the show, but the more I played the more I wanted to share my original music with people. Soon enough, it became a lot more rewarding to hear people cheering after I finished a song of my own, as opposed to a popular cover. This pattern led me to start writing a lot more often and testing my songs on people. It was through this process that I started to figure out what made me unique as a musician and a songwriter. Looking back, it was definitely one of the most important phases of my development as an artist and I wouldn’t trade that time for anything. What is your main goal through the creation of each piece of music you put out? What do you hope to convey? Great question. At this point in my journey, I have found that the most important thing one can convey in a song is true. Truth is what resonates with people the most, regardless of the subject material of the song. I always start with music when I write. I always look for truth in the music first. For me, this typically manifests in the form of chill bumps. If I start playing a new melody and it gives me goosebumps then I know I’m on the right track. From there, I play and play until the melody works its way deeper into my mind and starts eliciting memories. I use those memories to mold and form the identity of the song, and all the while, I try to make sure that what I’m talking about is TRUE and that it resonates with ME first. That’s my aim when I write and that is what I hope to convey in my music. It was excellent having you here on BuzzMusic! We can't hold down our excitement for what you have in store for the rest of the year. Can you give us any words on some of the things you have in the works? Thank you so much for the kind words. One of the things I’m really looking forward to this year is a documentary we’re currently making for the album! It’s a deep dive into what “Souvenir” means and the events in my life that inspired it. I teamed up with a really incredible videographer and director and I think it’s going to be a great body of work. Other than that, I was supposed to be touring college campuses this Fall and playing as a solo act, but because of COVID, those plans are currently on hold. I’ve already started writing and pre-producing my next body of work though and it’s sounding so good! With each new iteration, I get more and more excited about sharing these new songs with people, but I don’t want Souvenir to get left behind. It’s definitely my best body of work so far and I’m really proud of it. I really appreciate you guys for covering it too. instagram.com/sethpowermusic facebook.com/SethPowerMusic #BUZZMUSIC

Dale Fisher is the kind of artist that never fades away. Why is that? His natural character and potent good energy won't let him. Already conquering the local music scene within Los Angeles, as well as recording and performing across the world, Dale Fisher now seeks further clarity with his sound. His current music is densely packed with warmth and spirit. He brings a certain kind of thrill along with his music, which is what makes Dale Fisher feel almost eccentric. With quite a long track record, Dale Fisher continues with his musical enthusiasm with the release of "I Want You". Dale Fisher has his listener's energy skyrocketed right off the bat with "I Want You". The fast-paced energy doesn't compromise itself at all throughout the track's entirety, and the feel-good mood is as bright as ever. Only seconds into the song and it's already quite obvious that Dale Fisher knows exactly how to craft his genre of music. His delivery is flavourful and we don't doubt for a second that Dale Fisher gave his utmost passion for the creation of "I Want You". He really reels in his audience further with the snazzy storyline the song embodies, as well as its natural charisma that almost influences you to appreciate its magnitude. One thing "I Want You" reminded us about is that Dale Fisher is always releasing beams of positivity within his sound, and we appreciate the emotions Dale Fisher is able to make us feel.  "I Want You" fell exquisitely in line with the musical history of Dale Fisher, and only leaves us anticipating the next single. Considering the magnitude of spirit and zest put into your music, how would you describe the initial inspiration you had to create songs such as "I Want You", that have such authentic vigor? This particular song was exciting to write because it was Mellencamp who said to me: "Shit Dale, this could be a hit song with you singing it. I need you to write me a chorus". I was in his Belmont Mall studio, listening to what I thought was a new Mellencamp song when there is a break in the vocal track, and John says"Chorus!" and then the music kept playing. It stopped, the engineer gave a copy to John, and John turned to me (in front of his band, management, and Label people who were all crammed in the control room), and said this. My mouth dropped, and I gathered it together, and we went out on his back porch (Myself, Mellencamp, and Joey Karsten), and began the process of writing him a chorus. My first words were, "Well, let’s write down all the verse words to see where we are". I thought this was an awesome response, because it bought me time, and allowed me to quiz him on what he was talking about. He is a trip to work with. Every other word is a cuss word, yet it flows from him in such a natural way during a conversation. Him being from Indiana, and I being from Iowa was a good fit. That day, from the arrival, to the end of the sessions, would take a whole book to describe. To answer your question more directly, the vigor came from working with an icon, and his unique challenge for me to write him a chorus. "I Want You" feels incredibly natural with all of the properties it emulates, similar to the vast majority of your tracks. Would you say the authentic components of your music come with ease, or is the natural feel of your music routinely crafted? My music comes from solo performances, so whether it is a piano song or a guitar song, it all starts with one instrument, one theme, and then I try to put melody and rhythmic sentences together that tell the story. Hopefully, these lyrics end up shorter than the previous sentence! John taught me it's a numbers game. You have to write a lot of songs. "...and you have to write good songs, 'cause you're up against motherfuckers like me", were his exact words. He also said "do you think Elton thought Crocodile Rock was going to be a hit? Hell no. It’s all about the numbers.” Would you say there were any aspects of "I Want You" during the writing and recording phases that made you feel as if you were stepping out of your comfort zone artistically? I would say being under pressure to produce a chorus that titled the song too, was very out of my comfort zone. Although, Mellencamp's style of the music aligns with mine in some areas, so it was a lot of fun to record this record. With the various experiences you've already gained as an artist, are there any moments you've had that you feel helped propel your career in the right direction? Contrastingly, the wrong direction? There are many many things that propel, or slow you down on this journey, for sure. It is a lifetime of up and down, win and lose, gain, and loss. When I first moved to L.A. from Iowa, I wound up in Westminister, because that was part of the “yellow” Los Angeles on my Atlas map. Moving up to Hollywood I became the main pianist for Mary Parks. She was the caterer to the stars. I did intimate performances for numerous famous or affluent Angelenos. Quincy Jones, Lionel Richie, Carol Burnette, Tim Conway, Harry Winston, Jim Neighbors, Steve Lawrence, and Eydie Gourmet, Gregory Peck, Alex Hailey, Sidney Poitier, to name a few. It was a way for me to make money on the side, and continue with my band making records. Bad band managers come by the dozens, people who want to “get you there”, but really don’t have the juice, are all over L.A. too. Making songs and making records. That’s the key. It’s a numbers game…hahaha, sound familiar? We had a saying when I was just starting out. “Nothing is final until it’s vinyl”. The same holds true today. Finish the record. All of it. Don’t let people tell you what to do. Finish what you started. What can fans anticipate to hear next Dale? My next project is going to be piano oriented. I just bought a grand piano (I have wanted one my whole life), so my plan is to write an Ep of piano songs. Trying to bring back the songwriter, without the painful “folk singer” vibe. A lot of shitty music gave writers a bad name, and also gave the world a lot of bad songs. I am trying to correct that. One song at a time. instagram.com/dalefisher3688 dalefishermusic.com #BUZZMUSIC

Hailing from New York City, Singer/Songwriter Emily Young graces our ears with her sweet-sounding single, "Home." After performing at iconic New York venues, Emily Young has intrigued listeners with her mesmerizing vocals and piano pop style. Surrounded by infinite inspiration in the concrete jungle, she's continuously jotting down notes for her next creative endeavors. With the release of her single "Home," Emily Young takes us on a soulful journey through her captivating piano melodies, dynamic arrangement, and empowering soprano vocals. Singing a passionate story of feeling at "Home" when in someone's presence, Emily Young paints a vivid picture with her crystal clear lyricism. Opening with midtempo piano chord progressions, "Home" begins similar to Miley Cyrus' iconic hit "The Climb." Serving a similar atmosphere as well, Emily Young makes the song her own as she enters with emotional lyricism. Singing about naturally being drawn to someone's energy, around the hook, she switches up the vibe and serves this empowering atmosphere with textured drum patterns and supporting strings. The melodies that Emily Young belts out are incredibly catchy and move the song to different levels through her dynamic delivery. With added background vocals that create this intensely passionate space, Emily Young does a sublime job of keeping our attention locked in with each note she sings. "Home" shines a bright light on love, while Emily Young's vocals and lyrics exude this overpowering emotion which we've all experienced before. Listen to "Home" here. Your single "Home" reaches deep into our hearts, especially through your vocals and lyrics. What does this single mean to you, and where did you find inspiration for it? Thank you so much! This single means a lot to me. It was inspired by the concept that "home" doesn't just refer to a physical place. It can refer to another person; someone who holds the space for you to be seen, heard, and deeply loved, and who, most of all, helps you love yourself completely. We all desire to feel that true sense of belonging. I hope that listeners will take comfort in knowing that "home" comes in all shapes, sizes, and forms, and that we can all find our own version of home, whether that’s in a partner, a friend, or a community. Within your single "Home," you deliver these dynamic pop instrumentals. What sort of atmosphere were you going for, and how did you transfer your emotions into sonic instrumentals? I worked on this track with my amazing producer & friend, Lloyd Kikoler, who's just so talented when it comes to arrangements and soundscapes.  He has the ability to take what I articulate and then work with me tirelessly to translate that exact emotion into an arrangement. Our intention was to create a warm, vulnerable soundscape using lots of layered vocals in combination with percussive pop elements. Then, I worked with Adrian Alvarado on the mix and master, and Adrian so artfully brought those textures to life. Your lyrics are incredibly personal and relatable. What helped you write from such a vulnerable and personal space? Vulnerability is a muscle -- the more we practice, the more open we are capable of being. I find that to be so true when it comes to writing music. The more I write, the more honesty I can bring to the song. Some songs take several revisions before the lyrics feel "complete", but this song was written in one shot. I'm lucky enough to know what finding home in another person truly feels like. That experience helped me to write this one from the heart. After performing at legendary New York venues, and attending NYU and Juilliard, how have your experiences helped your career expand? Were you given any advice that is still relevant to your career today? I’ve loved performing in intimate, classic NY venues like Rockwood, 54/Below, Green Room 42. When you're sharing your heart in the form of music, that's just such a special experience. I've been fortunate to not only study music in undergrad at NYU but also to participate in vocal masterclasses at Juilliard, learning from classically trained professionals in the field. All of these experiences have helped me to evolve as an artist and a creator. My former vocal coach taught me that being creative isn't linear, but rather, it's an ever-changing process. Understanding that there is always more to learn is so important. Above all else, my past experiences have brought to the forefront just how much immense joy I derive from the creative process! Whether it's working on an arrangement with my producer, playing with harmonies, or just scribbling in my notebook - for me, bringing an idea to life is where the magic lies. What has been keeping you inspired this year? 2020 has been an incredibly unique, tough, emotional year. Our country is at a turning point. It's been heartbreaking and lonely at times, but it's also been so uplifting to see that humanity can be good... that if we work together and love each other, we can truly break ground and chart a new path. I've been searching for light in the cracks and turning to my music to articulate some of those thoughts and feelings. Writing music is total comfort for me and I hope that my music can bring some positivity and comfort to someone else, too. instagram.com/emilyyoungneff #BUZZMUSIC

Singer-Songwriter Christie Huff imparts her latest single, "Gold Summer," with an authentic sheen, and captivating presence as it serves as our soundtrack for summertime joyrides in the countryside. Christie Huff, who currently occupies Los Angeles, grew up in rural Arizona, where she attributes finding her love for country music. Her preceding work as a young country artist is deep-rooted in Nashville. The city manifests as a source of inspiration for many of her consistently strong country music revelations like January's "Lovish" and the ever-popular, "Black and White," from her 2019 year of conquest. But Gold Summer is more ethereal and intimate than her previous offerings. "Gold Summer" has a remarkable resemblance to the radiating sway of some of this summer's quickest rising favorites, as her harmonies reverberate across the digital canvas of this piece. Most of the song is built around an intimately positioned Christie Huff—front and center—which fits clad against cloudy synths twinkling in the backdrop as they supply this track with a whimsical temper. The guitars are plenty and rich in nature while being delicate and present—emphasizing the earthy tinge of the pick as it flirts over the neck and body of the guitar. The production adequately serves a fitting atmosphere for Huff to seize as her fleeting surge of harmonies and sentiments breakthrough in this mix. A steadfast drum kit holds the track down, providing a nourishing and well-rounded low-end while the subtle electric picks away on their tenuous path through the sprinkles of delight this summer classic instills. The smooth intensity of Christie Huff's voice and lyrical vulnerability is seldom divided, lending the sing-along chorus a hymn inducing effect: "And it feels like heaven, the road goes on forever, baby here at the end of the rainbow, found a gold summer," Huff sings in the final chorus. She pushes her hyperfocus career in a trajectory that only seems to go higher and higher. As "Gold Summer" comes to its last rumblings, and the song swells inside our heart, we find ourselves on the other end of the rainbow, in arms reach of Christie Huff's game-changing aura. Hello Christie and welcome to BuzzMusic. If you were to describe experience writing and record this song in a few emotions, which would you pick and why? My emotions writing "Gold Summer" were happy and summery! I wanted to write a very laid back happy summer song that makes you smile! The soothing feeling you impart on your audience with your vocals is refined. Have you always had a knack for singing and writing? Or are there special influences in your life you've been able to credit to your vocal confidence and talent? Thank you! I've always loved singing and songwriting and was influenced heavily by Carrie Underwood, Taylor Swift, and Michelle Branch! Are there any specific aspects of an artists' career (from the past of the present) that you strive to resemble in your own path? I think we all have our own unique paths, but one artist whose career I really look towards is Kacey Musgraves and Maren Morris. They are both country but straddle the line of pop and singer/songwriter. I would love to be recognized by both fans and industries! What usually fuels your artistic expression throughout your days, and would you describe Nashville as a cornerstone in that process? Everyday life fuels my artistic expression! Nashville is definitely a cornerstone of that process! The writers and artists in Nashville have taught me how to express myself through music and perfect my songwriting abilities! What has been keeping you inspired throughout 2020? What can we expect to see next from you? It's no secret that 2020 has been a weird year for everyone, but I have definitely been inspired! The switch in routine has been really nice, that alone has inspired me in ways I've never been before. I've spent more time outside than on the road so that has opened up my creative juices! You can expect more music! I've loved the songs I've written during this time and can't wait to share them. instagram.com/christiehuffmusic christiehuff.com #BUZZMUSIC

Hello Kiera Loveless! Tell us all about your new single "Cadillacs" Hello! "Cadillacs" is my fourth song baby that is out as of Friday, July 24th! It's a super special tune to me that is written about the only thing that endures really tough times, and overcomes any material possession-love! It's nostalgic and happy and I hope it makes you want to roll your windows down and belt the chorus! (Don't worry, it's easy to learn). What inspired this song? This song is extra special to me because the lyrics were inspired by my parent's love story. We've never had much, but I always felt so loved by them and saw how much they truly loved each other. That was enough for us. The album artwork features a photo of my parents when they first started dating at 17 years old! Where do you find inspiration for writing new music? Wow, almost anything, but mostly my real-life experiences. I think most songwriters will agree that a good song usually has some truth behind it, whether it's the writer telling their own story through song, or telling someone else's story. This song was written after having a deep talk with my co-writer and good friend, Damian Malnar, about how money really isn't all that important - and how we are totally happy being "young dumb and broke" as TikTok says these days. Tell us what you hope listeners take away after hearing "Cadillacs"? I hope they can feel encouraged to lean on those that they love and to be content with where they are right now. I often end up with $10 to my name before my next paycheck, and I'm happy as a clam. I work really hard to pay my bills and sometimes it stinks to not be able to splurge on a nice dinner, but the things that truly bring me joy are not material. My parents taught me that, and that is at the core of this song. I hope you can also get away from this crazy world for just a moment, and understand that you're not alone. We all struggle, and we're in this life together. We are halfway through 2020 - what do you have planned for the rest of the year? Goodness, if only I knew! To be honest, I take it one song at a time. I'm a completely independent artist (although I never feel alone!) and, as I said, I'm not rolling in dough. However, I hope to create more content for you guys as soon as possible. I have some music I'm really proud of that I hope to share with you soon. As for the rest of 2020, I'm starting my Christmas countdown already.  (I am one of those people and I'm not sorry about it). Do you have plans to release an EP this year? I do not! I would love to release an EP one day, but for now, I'm taking it one song at a time. Where can fans connect with you and hear your new music? My music can be streamed and downloaded anywhere you listen to music! Spotify, Apple Music, Amazon Music, YouTube, and honestly so much more that you'd have stopped reading by now if I listed them all. If you look up "Kiera Loveless", that's me! I have 4 songs out now, including "Cadillacs"! You can connect with me on Instagram and Facebook at @kieralovelessmusic, Twitter at @kieraloveless and Youtube: https://www.youtube.com/channel/UCN2KjFjYMlcF1o_lFCQpWiQ and visit my website at kieraloveless.com. I also have merch available at https://www.bonfire.com/store/kiera-loveless-merch/ if you want a fun T-Shirt, Mug or Sweatshirt! I'll be adding to the collection soon :) Listen to "Cadillacs" here. #BuzzMusic

Welcome, Three Sides! We know you have a new song out "She Don't Mean To" Tell us all about it! “She Don’t Mean To” is basically about a succubus. She’s so cool, so groovy, but she’s out to fool you. The closer you get to her, the deeper she digs your grave. We are loving the new music! Did you write the song as a band, or can you share more of how the song came about? We wrote this one as a group probably about two years ago. We didn’t want to overcomplicate it. At the time we were really into The Doors and how interesting songs like “The End” and “Riders On the Storm” were written. Very droning, very hypnotic. We started jamming to some cool chords and decided to just keep it simple. Let the lyrics, rhythm, and melody become so familiar that you fall into that “succubus” song spell. Eventually, we got in the studio with Christian Lum (producer) and collaborated on some of the most important melodies of this track. It’s all come together really nicely. How did you land on the name Three Sides for the group? We like the open interpretation of the name. We want the listener to interpret their own meaning. The most common one is “three sides to a story” which we like a lot. To make it more confusing, there are five band members. What other musicians inspire you the most? Do those influences play a role in your sound as a band? We’re really influenced by bands like Pink Floyd, The Doors, Caravan, and Santana. We also find a lot of influence on hip-hop and funk music. This melting pot of influences gives us a lot of ingredients to add while we’re writing or just jamming. What is the ultimate goal you would like to achieve in your musical career? Is this being worked on or put into place currently? Our ultimate goal is to continue to write great music and host memorable concerts for our fans. We have and always will keep the music and good times rolling. What's next for you? We’re planning on releasing another song in the next few months which will be our 3rd release this year. Listen to "She Don't Mean To" here.

Remember Philadelphia's Hip-Hop artist D Kirk KV? He's the kind of artist that draws vulnerability and honesty into his lyricism and creates a low-key atmosphere buzzing with cultural influences. There's definitely a uniqueness to the crafting done by D Kirk KV. He takes a variety of styles, stemming from the mainstream Hip-Hop scene, and combines them with potent Caribbean influences. The end product always ends up being a track that listeners can easily vibe to, and packed with his real emotionality, which can easily be deconstructed and understood. That's why with D Kirk KV, you're getting full transparency. He isn't the kind of artist that tries to mask himself behind his music--he's the kind of artist that unveils himself through his music. That's definitely a quality we seek out within artists, and that's most definitively the trait of D Kirk KV that only adds to his versatility. D Kirk KV doesn't stop at working to craft his sound to be better than before, and we're rooting for this artist's continued growth within the industry. Something to look out for: D Kirk KV is set to release his debut album 'Oceans' within 2020. It's quite sufficient to say that we're pumped. Check out D Kirk KV's work here. instagram.com/dkirk_kv #BuzzMusic

From Chi-town to NYC, Rapper KiTTN releases one of the most sincere and honest tracks we've heard to date, titled "Don't Wait." Always having a passion for the written word, KiTTN spent her adolescence conjuring up poems and short stories that would later be transformed into songs. With many genre influences like; jive, hip-hop, funk, and EDM, KiTTN delivers such inspiring messages overtop any sort of beat. With the release of "Don't Wait," KiTTN ties in a very inspirational message that she realized after her mother's unfortunate passing. With an incredibly unique hip-hop beat on the verge of EDM, the production's arrangement creates this deep running groove that's hard to ignore. "Don't Wait" opens with KiTTN's background vocals and a heavy hip-hop kick that's ready to be dropped. Once the entire production sets in, we're met with a dark and tightly-wound beat that delivers unique synth progressions. As KiTTN begins rapping with authority, she blows us away with her natural rhythm while effortlessly riding the beat. As the track continues, we begin to hear KiTTN's message of tackling procrastination and fulfilling our desires today rather than tomorrow. She expands on that feeling of regret when missing an opportunity that stared you down once before while reminding us to go after our dreams. KiTTN's latest single "Don't Wait" captures hi-fi hip-hop production with a twist, while she serves that bittersweet taste of reality that we all know strangely well. Listen to "Don't Wait" here. We're locked right into your genuine single, "Don't Wait." What was the driving force that pushed you to create a song that challenges procrastination and idling? I wrote the first half of this song a few years after my mom passed away. I was devastated, harboring so much guilt and feeling like I didn’t spend enough time with her; no amount of time is enough time when you are close to a parent. Through suffering the biggest loss of my life, I learned the importance of constantly nurturing relationships that are important to us. Time is a commodity that no one has. So many of us are juggling day jobs and other responsibilities, it can feel like a daunting task to then carve out time to work on your passion. But, waiting is not an option if part of your goal is to sustain a livelihood through your passion. I’ve developed a system that helps me stay on task so I can avoid procrastination. It basically involves planning each month in advance: I have a list of songs and when I will release them and have specific days dedicated to songwriting, marketing, and engagement. The production values within "Don't Wait" are incredibly unique in the arrangement. What was your creative process like when molding the beat to deliver this introspective and honest atmosphere? I actually wrote this song without a beat. Once I finished writing it, I knew I didn’t want people to get lost in a sea of hi-hats and loud kicks. I wanted energizing simplicity, to allow space for clear messaging. I stumbled upon the beat for this song on BeatStars; as soon as my ear caught those cymbals and bass guitar I was hooked. The bars expressed within "Don't Wait" are extraordinarily vivid and accurate. How did you get into the minds of the public to describe this relatable feeling of stagnancy? "Don’t Wait" is naturally conversational in its delivery and flow. I wanted people to feel enticed by the lyrics. People appreciate honesty and humility. I speak very candidly about the desire to make your parents (or parental figures) proud. It’s so easy to get caught up in other people’s goals for you, which can make you lose sight of your own dreams and aspirations. If you listen to this song once, you should feel drawn into listening to it again; that was my goal. What should your audience take away after hearing this track? I hope people feel motivated and unafraid to take chances and push themselves past their comfort zones. Put a goal in motion, grow from your mistakes, respect the process, and enjoy the journey. I speak to this in my third verse: Determination, every move Make mistakes and follow-through Stumble then I dust it off Lessons always give me pause Within your music and lyrics, you make it easy for listeners to get to know you. That being said, could you tell us more about what you represent as an artist, and what your brand brings to the modern-day hip-hop table? My brand celebrates lyricism. I’m taking it back to the foundational element of rapping. I write songs that my audience can rap along with me. I want to capture my listeners’ ears by building a connection with you through my music; that is best translated when you can clearly understand the words. I want my music to positively influence and impact your life. What has been keeping you inspired throughout 2020? Watching the world experience a pandemic has been overwhelming for all of us. We have witnessed so much death and disparity, yet we are finding ways to lean on each other and persevere; that’s inspiring to me. I myself have found so much refuge in music; I want people to lean into my music and escape to a happy place. So I’m taking as much time as I can to reflect and create content that soothes your spirit. instagram.com/kittnmusic kittnmusic.com #BUZZMUSIC

'Kill The Lights' by Micah Faulkner is a short, laidback brushstroke of an extended play, but like a hawk in view of its prey, it seizes its vantage point over the contemporary alternative music dominion. Los Angeles artist Micah Faulkner operates in the tradition of mystic, rustic songwriting with a modern twist upholstered by his acoustic guitar. Unlike his more extravagant production-based peers, Micah's intention is to stay in the center view of his pieces. In 'Kill The Lights,' his defining character holds combined stock in melody-forward hooks, a new age-leaning psychedelic feel, and some infectious sense of unwinding and resolve. More than his unnerving dexterity on the guitar, Micah manifests himself most beautifully through subtle contributory details: his guitar solos, the way he places his harmonies in the mixdown, and how each song seems to fade into one another. 'Kill the Lights' supplies some comprehension into the gloom Micah might have encountered in the past; he muses about self-evolution, and profound transformation, with sophisticated melancholy. Through the album's short but satisfying playtime, Micah appears effortless with his tone in the world he has created and the character he has developed: "Woke up today, somewhere on the wrong side of me," he sings strikingly in "Plans," surveying over his future before immersing us into it his intrinsic guitar work. The instrumentals in the songs come with supporting features: the title track "Kill The Lights" with an organic piano, "I can't breath" with earthy drums, and "F*cked Up" near the middle with its celestial electric guitar. Their masterful incorporation into Micah's framework gives the album anecdotal propulsion, and his performances complement the movement of this record in every transition. The quality is authoritative and adventurous, pulsing yet subtle. Hearing Micah Faulkner's work is like the sensation of strolling barefoot in your backyard garden over your dewy lawn. Here, Micah encourages a deeper reflective mindset, granting his pieces a consecrated spirit. When a blazing guitar solo erupts during the crescendo of "Never Too Late," it articulates effortlessly, succeeding one of the album's most introspective stanzas. Micah buzzes with consuming cantors, as the music marches adjacent to the Jackson Mississippi native. Even at their most poignant, his verses aim to soothe as they seldom settle too long-drawn on one hue and thin chords. Between all his soul-searching, Micah uncovers hope and optimism. The adjourning "Kill The Lights," conducts gentle background harmonies, with a sweeping likeness to an angelic hymn: The lyrics turn hopeful, the intimacy of the guitar settles healthy on your ears as the strings shrill against Micah's fingertips. "Kill the lights, can I get one more chance, and do this all over," he resounds. It's a sentiment that might befall you when the trajectory of life feels like it could use some redacting, and it's a seemly nonchalant ending to a record carefully brewed in patience and peace— two things that seem to pass just over our heads each and every day sometimes. Discover "Kill the Lights" here. Hello Micah, welcome to BuzzMusic. When did you know the direction you wanted this record to flow in and the specific textures and themes you wanted to highlight throughout it? I had been writing a bunch of songs since back in October 2019 with a possible Album/EP in mind and started to piece my favorites together at the end of February and then COVID-19 happened and everything shut down. Near the end of March had to leave Los Angeles and be in Nashville for a family emergency. Everything is okay thank god. Flew back to LA middle of April and out of nowhere started writing nonstop. Wrote five new songs over the next few weeks and by the end of May. I had five songs that I think we're meant to work together. And that is the (Kill The Lights) EP. It was crazy they are in the order of when they were written on the EP. Just felt like it flowed the best that way. Where does your songwriting process start? Is it in your D.A.W, on the guitar, or maybe even with a rhythm in mind? Elliott Smith is a big influence and we tried to capture the vibe of his "Either Or" album the way recorded Guitars and Vocals. My friend and great Producer Rhett Fisher produced and engineered the EP. What typically stimulates your creative energy to write so much music? The process always starts with an acoustic guitar. Is there something you can attribute to your love of music from an early age? What can you remember being your first musical moments? I grew up an Elvis and Willie Nelson, my Dad was a huge fan. There was always great music being played or very easy to access. My siblings and I probably scratched up and ruined a lot of records in our day. Thank you for being here with us. What are your plans for the rest of the year to promote yourself? Many independent artists have been working on streaming their live shows recently, has this every been something you have planned on doing? Yes, I would love to stream some live performances. Some solo acoustic shows. And with a band would be amazing. instagram.com/micahmusik #BUZZMUSIC

Building on the success of both 'Feel This Good' & his quarantine DJ sets (Zoom Memes for Self Quaranteens) - which continue to attract large online audiences. It's now the turn of Goldbrg’s latest studio output, ‘How To Dance' - to take up center stage. With its infectious groove & catchy vocal hook - 'How To Dance' embodies much of Goldbrg’s increasingly trademark house sound. Once again Goldbrg delivers a solid cut, bearing the hallmarks of a future sure-fire player & continues to establish himself on the global scene. Check out 'How To Dance' here. Connect with Goldbrg: linktr.ee/goldbrgmusic twitter.com/Goldbrg2 facebook.com/goldbrgmusic soundcloud.com/goldbrg instagram.com/goldbrgmusic