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CJ Pitts is a multifaceted hip hop artist from the east coast that is currently based out of sunny Los Angeles, California. After discovering his passion in 2010, CJ Pitts has submersed himself in his education on the roots of music and draws from a wide inspirational pool. CJ’s debut EP, “Lost Identity”, was released in 2016, and he has been riding the momentum of the wave that it has created to grow as an artist. With his most recent releases, “Beautiful”, “Count On Me” and “Rollin ft. DiorDre”, CJ Pitts is taking the music industry by storm. Music is CJ’s ultimate passion and his chosen vehicle to help the world through art. “Super" ft. Cameron Wright is the latest single offering by CJ Pitts. The song begins with a funky guitar riff, and soon after the vocals and beat enter simultaneously. This song has a true feature in Cameron Wright. Too often these features have half a verse with another artist, but Wright is utilized in “Super” to great effect, interacting with CJ Pitts in a truly harmonious way, weaving in and out of his vocals seamlessly. The beat itself is actually quite simple, but the same cannot necessarily be said for the lyrics. There are countless overdubs that add varying degrees of rhythmic interest and backup vocals. Sure, one might call CJ Pitts a hip hop artist, but there is so much more to this song than that. The vocal abilities displayed throughout the song are downright impressive, particularly the improvisations that occur towards the end of the song. CJ Pitts definitely has a lot of talent behind this release; this is not your garden variety hip hop artist. “Super" ft. Cameron Wright comes highly recommended, so why not check him out today here? Keep scrolling for CJ Pitts exclusive interview with our BuzzMusic team! Hey, thank you so much for answering a few questions! Can you start us off by briefly describing a bit about your background and how you first got interested in music? A) Absolutely! I grew up mostly playing sports but I come from a musical family so music was always around me.  My senior year of high school, my family put together an album and asked me to help them out. I recorded some vocals and I fell in love with the process and I had to learn more. I attended a music college in St Paul, Mn and things just took off from there. How would you describe your writing and/or production process? What happens between having an idea and ending up with the finished product? A) I have two processes I’d say. A lot of times, I’ll just hear a melody in my head or some lyrics on repeat and I will just develop that idea in my mind and bring it to some friends who can produce my thoughts basically by bringing them to life.  On the other side, I sometimes have instrumentals that I will sit and write to but I will only pick an instrumental if I feel inspired right away and ideas start flowing. I'll build the song piece by piece between the verses, choruses, and all the background vocals and then once it’s completed, the engineering comes in and then we have a final product. Who would you say your all-time biggest influences are? A) My top three easily are Andy Mineo, Jon Bellion and Chris Brown. I draw so much inspiration from these artist and I’d say they have helped shape my own sound currently. You just released a single called “Super ft. Cameron Wright”. Do you do a lot of collaborations? Does this affect or change your approach at all? A) I love to collaborate because thats how I feel artist can grow the most.  However, for my personal songs I will only ask someone to feature if I see them as a piece to the final puzzle. I’m very specific with my features and do a lot of thinking before I have that person help bring the song to life. What’s on the horizon for you in the future? A) Tons of new content coming your way!! I have a few music videos lined up and also working on creating my merch to really help develop that fan love and connection. Reach out and connect with CJ Pitts for upcoming releases via the artists Instagram! #BuzzMusic

Sean Levine, known as King Soloman, was born and raised on the Southside of Brooklyn, New York and found a deep connection for music at a young age. Sean and long-time friend and producer Tariq Allen began to create catchy beats in the spring of 2012 while recording at their school. Sean Levine grew to be King Soloman after months of dedication and after leaving the “Brooklyn Life” to move to Miami, the King was put on hiatus with unfinished music being left behind. Stumbling upon the local music scene in South Florida during the summer of 2015, King Soloman’s passion for music was put back into overdrive and after years of hard work and reconnecting with Tariq Allen, King Soloman was reborn. Introducing us to his creation of a boy who grew up in Brooklyn and showcasing a past of defying the odds and rising up against challenges is what he strives to show his listeners in his work. “Wish Me Well” has a haunting and eerie keyboard riff to start it off, making it feel like you are being transported to a different scenery and then King Soloman jumps in with catchy and off the hook lyrics. With lyrics like “I don’t really care what they think about me” and “Chillin’ on that good life, always takin’ hits” he connects with his listeners on a real level talking about things that one might encounter on a daily basis and using his lyrics to lift others up and encourage them. “Wish Me Well” has smooth, driving beats that are easy to catch yourself bobbing your head to and has that classic Hip-Hop sound that makes this track unforgettable. King Soloman drops sick beats during the verses and brings it back down during the chorus almost like he is trying to deliver a message that he wants to be heard during these sections – but don’t get me wrong there is a powerful message behind each of his lyrics, and the dope beats compliment and emphasize this. “Wish Me Well” showcases King Soloman’s talents beautifully and you can easily listen to this on repeat as it is just a tough and smooth track. Check out "Wish Me Well" here, and scroll below for King Solomon's exclusive interview. Hey King Soloman! Pleasure catching up with you! Can you tell us a bit about yourself and how you found your passion for creating music? I always had a niche for music. When I was younger I started playing the guitar and then later switched to the drums. I started taking private lessons and went to Edward R. Murrow high school for music. Every now and then professional musicians would come in to give a demonstration and I would be very inspired by their talent. It made me want to learn more about music and it drove me to practice more. I linked up with my friend Tariq Allen who also went to Murrow and we just started making music. Have you found a difference in song-writing from living in Brooklyn to Living in Miami? Definitely. The environment you chose to be in really has a big influence on the songwriting. Everyone is a product of their environment so it makes sense that you think differently in different environments. Each area comes with its own challenges that are unique to the location so once you begin to adapt, you start to learn the differences. I can tell that when I was in New York there was a lot of hate in my lyrics and my music. You could feel the aggression and the effects that the New York grind had on me. In Florida everyone is half baked most of the time, and too relaxed to care about anything. So naturally, it made me more laid back and chill, even though I already was before I moved down here. That’s why when people listen to my music, they like the vibe because it’s a combination of that hard NY style with the laid back Florida style. What inspires you to write deep and catchy beats, and what does the creative process look like when making new music? Inspiration comes from anywhere. The people I meet on a daily basis. The life experiences I go through. The places I travel. Every time I write lyrics, the first thing I do is reflect on my most recent experiences and write down the lessons learned. Then I try to connect them to past experiences and try to see how life comes full circle. The more I do this, the easier it becomes to write lyrics. For the creative process I always meet up with my friends ,Tariq & Paulie, who are also my Producer/Manager & Photographer. Since we live far apart, we usually plan a long weekend to meet up and get work done. Everyone comes prepared and when we meet up we get to work. Making beats, recording, mixing, mastering, and we just repeat the process. What are some of the challenges you want to portray to your listeners, and what are some you have over-come from living the “Brooklyn Life” to living in Miami? I want to show my fans and listeners that they need to be their own number 1 supporter because no one else will do it for you. I want my listeners to understand that self motivation is the key to making success happen. Leaving Brooklyn made me realize that you need to adapt and keep a positive energy otherwise you will become stressed out and do nothing with your life. I want everyone who listens to understand that hard work pays off. Know that you can’t build Rome in one day, but each day you get closer and closer to success. “Brighter Side” teaches you how to be positive even during low moments. “Wish Me Well” teaches how to move on with life and continue to hustle and make money. All of my songs have a message and a lesson. I want my listeners to grow from my music. What’s next for King Soloman in 2019? A lot can be expected. New Music. New Videos. New Lyrics. Performances. Events. Im really going to work hard with my team and get the music out across all platforms. I JUST RELEASED a new single called “I NEED THAT.” You can listen on SoundCloud just search king Soloman “I NEED THAT”. Follow my Instagram & Twitter @Kingsoloman_ for more updates. We have a lot coming out this summer. Connect with King Solomon via the artists socials: www.instagram.com/kingsoloman_ https://twitter.com/KingSoloman_ #BuzzMusic

Rollin Rosatti is a soul artist from Memphis, Tennessee. His inspiration is drawn from the historic sounds of the southern delta, bringing to light a mixture of blues, roots rock and gospel. He is greatly influenced by the vintage sound and feel of his hometown of Memphis, and travelling to where his roots are planted is an important aspect of his creative journey in the creation of his art. “Surrender” is a single and the latest offering from Rollin Rosatti. Old school vibes start this song off to a great start, with a classic sounding organ and piano riff leading us into the first verse. The vocals sound perfectly in their element of blues and roots rock with a mature and seasoned quality to them. The verses progress in a subtle but brilliant way, with the vocals changing and ornamenting their original melody ever so slightly. The chorus is perfectly gratifying, with hooks for days and chord changes that will make your hair stand on end. They also continue to build with each return, culminating in an incredibly soul-lifting chorus to close the song. The bridge breaks up the song in a great way and makes great use of variety by introducing female vocal harmonies. “Surrender” is a song that is truly in touch with its roots; it sounds like it could have been written decades ago. Rollin Rosatti has a truly unique and penetrating voice that you can’t hear anywhere else, so we will definitely recommend you check out “Surrender” today. Listen to "Surrender" here and get to know more about Rollin Rosatti below! Thanks for chatting with us! Can you start us off by giving us a brief insight into your upbringing and how music first entered your world? I was Born and Raised in Memphis TN. Music first entered my life at age 5; when a red Fender Strat was given to me after a show in Memphis TN. This gift immediately intrigued me and motivated me to begin creating music. When visiting family in Clarksdale, MS (the home of the blues) my father and uncle would take me to hear great blues bands in the area. I dove head first into music after this and began listening to old vinyl and other musical hand-me-downs. In high school I started writing and getting my feet wet with performance. But it was playing in a band through college that got me hooked on the satisfaction of performing. Once I graduated, I had a decision to make: to get a full time job with my business degree; or to pursue my passion of making music. It was an easy choice. I turned down all job offers and began recording my debut EP in collaboration with various talented artists in Memphis. Two singles have now been released from our EP. With all the support of late, I look forward to sharing more music very soon. You speak a lot about your roots and your hometown of Memphis, Tennessee. Can you give us some insight into exactly what it is about this place that is so important to you, and what effect it has on your art? Memphis has meant everything to me. A major reason why is because of the rawness that it has cultivated within me. Memphis' rich history of Soul, Blues, and Rock n’ Roll has made me appreciate all that has been created here. Studying Blues and Soul has influenced me greatly; as has the Motown sound, Gospel, Hip Hop, and Southern Rock. You have a truly soulful vibe in your new single, “Surrender”. Can you let us into your process as a songwriter? How do you go about creating your music? The reason why I create music is because I want to make people feelsomething. When I’m writing I tap into how I felt in a certain moment and try to paint that raw emotion into the music. You’re stuck on a desert island, and you can only listen to three artists for the rest of your life. Who would you choose and why? If i was stuck on a desert island and could only listen to three artists I’d choose Bob Marley, The Meters, and Kid Cudi. Very different I know, but you gotta to mix it up. Will we hear more music from you soon? I will be releasing a lot more music this Summer 2019. I am currently writing & recording an LP album that should be out by the end of the year. Connect with Rollin Rosatti on social media www.rosatti.lnk.to/puEtPIN

Born and raised in Toronto, Canada, Lo Lo has become an undeniable gem in the cities pop scene. The singer-songwriter created a striking presence both online and off with her effortlessly cool attitude and alluring ability to captivate her audience. Lo Lo isn’t just your typical pop star--between her witty lyrical style and infectiously catchy production, Lo Lo’s relatable and honest music covers the highs and lows of love and heartbreak while retaining the upbeat danceability of pop. Lo Lo released her single titled “Sweater Collection” and we were completely enticed by her lush and prolific vocals, combined with the flourishing deluxe pop beat that reminds me of a song I'd hear on the radio today. Lo Lo has the full package of a rising pop diva. The image, vocal style, trendy hits, and appealing image to attract a large fanbase.  With songs like “Sweater Collection”, the current generation will have an upbeat hit to dance to and become uplifted by. The rhythm to “Sweater Collection” makes for a great “let loose and dance” vibe, and the energy of her vocals projected the contagious hook and meaningful lyrics effortlessly. LoLo sings in a delicate vocal tone while still powerfully showcasing dynamics in her range by releasing full force belts in a stylistic manner to keep the bubblegum pop creation alive!  “Sweater Collection” is the hit of the generation and if you need a perfect dance groove with romantically compelling lyrics then this record is the song for you! Give a listen to "Sweater Collection" here, and get to know Lo Lo better through her exclusive interview with BuzzMusic below! Hello Lo Lo, welcome to BuzzMusic! Can you tell us a little bit about yourself? How did you get into music? Hey, Thank you! I’m a singer/songwriter from Toronto. Just your average girl who happens to to document her life in song form. Since I was a kid, I’ve always been obsessed with singing, but I got really into it when I was in grade 9 after my guitar teacher encouraged me to try writing songs. Once I started, I just never stopped. It’s pretty addictive. How does “Sweater Collection” differentiate itself from your previous releases? My previous 2 releases were telling a very specific story in each song. Sweater Collection tells a more general story, about an ongoing thing that keeps happening to me in my life. It’s a broader take on heartbreak. I think it really ties all of the songs on my EP together, which is a reason why I decided to name my EP after it. What is the meaning behind “Sweater Collection”? I was cleaning out my closet when I realized that I had gotten myself quite the sweater collection— meaning sweaters that I had gotten from guys I had been seeing in the past. These days, it really seems like a sweater is a deposit for a “relationship”. A guy likes you, he gives you his sweater to take home…But what happens when you are no longer talking to that person? What the hell are you supposed to do with all their shit? That’s what Sweater Collection is about. Is there any specific lyrical arrangements you were going for in “Sweater Collection“? I definitely wanted to get across that I was talking about numerous people in the lyrics. A lot of people ask me who Sweater Collection is about, but I can’t answer that question. It’s about many people, and it’s about the process in general of acquiring someone’s sweater. I also really like when my lyrics are specific and can tell a descriptive story. What can we expect next from you LoLo? I just released my EP, and now I’m here in LA for the next two weeks writing… so hopefully I can return back to Canada with a lot more new songs, and start the song-making process all over again! So you can definitely expect more music soon, and some live shows too. Connect and stay updated with LoLo via the artists socials: Facebook Instagram Twitter #BuzzMusic

KÔSA is a vocalist, songwriter and producer from Toronto, Ontario. She is a storyteller who paints vivid imagery through her lyrics, drawing influence from genres such as operatic and clasical music, alternative electronic synths and afro centric rhythms. KÔSA’s interest in classical music was sparked at an early age. In her adolescence, her passion for music flourished at the Regent Park School of Music (a non profit organization). Later, she majored in Opera at the University of British Columbia, where she had the opportunity to perform in The Cunning Little Vixen in the Czech Republic. Upon her return to Toronto, the girl named Stacy found strength and comfort in experimenting in her own unique style of music. Thus, KÔSA, the unapologetic and sensual artist was born. KÔSA’s latest single offering is called “Toxic”, a cover of the celebrated Britney Spears song. First of all, let’s get this out of the way, this is not a copy of the original. This is a truly unique take on an already well established pop song. The pace is set right off the bat with tight and crisp sounding percussion and backup vocals that prevail throughout the whole song. The verse enters with sultry and sensual vocals. It is clear that KÔSA, along with her originality in choosing this as a cover song, is a well trained vocalist. The simplicity of this arrangement and stripped back elements are a far cry from the original Britney Spears version, but this is one of the qualities of KÔSA’s version that is the most enjoyable as she hides behind nothing. The operatic backup vocals that enter towards the end of the song are definitely genre-breaking. They seem to linger just in the background, providing a mood that is truly haunting. KÔSA should be commended for her bravery and skill in transforming a very popular song into something completely different. Check out KÔSA’s version of “Toxic” here. Keep scrolling for KÔSA’s exclusive interview! Thanks for chatting with us! First of all, can you describe your upbringing and how you first became interested in music? For sure! I was born in Toronto, Canada and grew up in a small tight-knit neighbourhood called Regent Park. Depending on who you asked they’d probably describe it one of Toronto’s notorious ghettos but I knew it being full of colour, vibrant cultures and a place where people had respect for one another. There were a lot of immigrant families there and my big ass family was one of them (there were nine of us crammed it into a 5 bedroom at one point). I would say music was something I was always interested in as a kid, it was pretty much an event in our household whenever The Grammys or Billboard Awards were on. I remember this so clearly: my older sisters during the week would record music videos on VHS off Much Music or BET and then every Saturday afternoon we’d pop it on TV and just jam (and somewhat clean). When it came to showcasing any talent though, I was mute. I was super shy about singing aloud for some reason and if I was ever caught belting Mariah Carey in the shower or in my room, I would switch into this weird Kid Bop kinda voice and play dumb... But one day I noticed my friends and classmates lugging these hefty instruments across our neighbourhood. I was super intrigued and honestly dumbfounded that these kids were learning music and having fun.They seemed like they found something special and I wanted a piece of that too. Fast forward, I signed up for The Regent Park School of Music (my parents went along with it because they saw that my super smart friends were also in the school too) and it became a second home for me where I truly developed my interest (now love) for music. You studied Opera at the University of British Columbia. Do you find that your education influences the way you write and perform your music? Not at first. While I was trying to discover my sound I fought so hard to ditch what I knew. I felt like classical music was too structured and passe for what was trending around me. I later realized I felt this way because I was forcing myself to live up to some false expectation that if my music was not notated in some classical form it wouldn't hold merit (honestly it’s still a lot of unpacking to this day) but as I was playing around and writing (mainly on my smartphone) I would find myself creating with some operatic devices, like recitative, motifs but the operatic voice was my main factor. It really hit me over the head one day when my good friend and creative partner, Andrew Rohoman, suggested that I freestyle the ending of ‘Ember’ (from ‘Garnet’ my debut EP) “in opera”. I looked at him like he was crazy. Here we have this haunting, dark, free speech form, African inspired song and you want me to drop an aria on it? I thought it wouldn’t work, but he helped me let go of my fears, doubts and told me to just try. We were completely alone in a candle lit room with me singing into a Blue Yeti microphone, this random, heartfelt vocalise. I kid you not, it was pure electricity in the room. Everything just clicked, time froze, my heart, soul and mind completely aligned in that small but raw moment. And that’s just it: when you’re singing operatically you’re not just expressing heightened drama but you’re also showcasing the rawest form of singing. Technically (and naturally) you’re not forcing or manipulating your vocal chords in any way when you’re singing opera. It’s so beautiful in its entirety. That moment in ‘Ember’ was honestly a countdown to where we are now. I did a whole lot of chasing and searching for my own unique sound but I realized (like last year) that I’ve had one within me this whole time. I’ve completely embraced the use of the classical sounding voice, I love utilizing it and I appreciate its blend with my Afro-centric rhythms and sounds. It honestly makes me smile just talking about it. Who would you say your biggest artistic influences are? Honestly, everybody and their mama. The list runs from Hugo Wolf to Nina Simone to Mariah Carey to Renaldo Hahn all the way ‘round the back to Giacomo Puccini through to Michael Jackson. You just released “Toxic”, a cover of a famous Britney Spears song, and your version is definitely a refreshing take and not a direct copy. How did you come up with the idea to cover this song, and how did you land on your interpretation and approach? ‘Toxic’ started out as an exercise for my Valentine’s Day challenge, #7KindsOfLove. In the Greek language, they have I think over 30 meanings or words to describe love so I grabbed seven of those words and created the challenge to cover songs that represented these different meanings. Eros describes that raw, sensual, lustful, titaliating kind of love and I immediately thought of ‘Toxic’ to represent it. I was really drawn to the idea of the speaker being a siren or some form of seducter. I started with this really simple, sweet, bird-like progression (the da-da-daas) that serves as the siren’s mesmerizing call. The percussions I banged out on iMaschine (Native Instruments app) which gave support to the hypnotic atmosphere in the song. I wanted ‘Toxic’ to be simple and but layered enough with the percussion, synths and vocals. For the vocals, I knew I wanted to keep a bit of that raspy, speech-like tone that Britney [Spears] brings on the original track, but again that rawness, I knew that an operatic touch was needed to help accent and elevate certain moments in the song. Honestly, ‘Toxic’ did something to me. It was the track that made me go, “Wow sis, you did that?” it definitely fuelled my vibe and direction going into my second EP, “Alt 0212”. What can we hope to see from you in the future? It’s still so early but right now I’m more comfortable with my style and sound than I’ve ever been before. I’ll continue to incorporate that marriage of classical and afrocentric themes within my music. I’m definitely heading into the future more vulnerable yet sure of myself through my artistic practises but also allowing myself to take full ownership as a creator. The universe is limitless, and so am I. Get to know KÔSA better through the artists social media: Facebook Instagram Twitter #BuzzMusic

Huntsvilles own Daniel Yates is a well-respected and highly influential artist within the community. Daniel Yates is truly as authentic as it gets—a singer/songwriter who remains true to himself throughout the entirety of his musical execution. Daniel Yates is an artist who has heavy influences stemming from old troubadours, without a doubt influencing his sound. Yates seems like an artist who is creating a category within the typical country genre. He articulately curates a sound that is both the honky tonk sound we’ve known to love, alongside the more modern sound we hear in pop country lately. Combining two genres can be tricky, and often risky depending on the execution of production, however Yates is no rookie when it comes to the curation of music, which is clearly seen in his latest single. “Tired Of Being Stoned” is the country sound you didn’t think you were missing out on—until now. Daniel shines in his latest single, having that appealing honky tonk aspect we were talking about, combined with the more modern sound we are used to hearing nowadays. Daniel Yates crafts the lyricism well—you can feel his emotions pour off of him throughout the song. If there’s one thing you learn when listening to this track, it’s that Daniel Yates pours his passion, honesty and vulnerability into his music—Yates is far from a fabricated artist, he reveals his true authenticity in his music. “Tired Of Being Stoned” begins with a serene melody, and soon transitions into Yates lyricism. Some country songs we hear out there aren’t able to blend the melody and flow of lyricism well into one another, but “Tired Of Being Stoned” is far from making that mistake! I have nothing but positive comments on this single. When listening to the song, I feel as if I should reminisce alongside the cabin, a fire cackling nearby. Definitely one of those songs that has a melody that gives the listener a warm and reminiscent feeling. At the end of this song, it is clear to me that Yates upholds a mature and rugged sound throughout his music—the tone he has is perfectly crisp and captures the più lento technique incredibly well. Listen to “Tired Of Being Stoned” here and get to know more about Daniel Yates below! Hi there Daniel! Tell our readers something you’d like them to know about you. I started writing songs about 13 years ago. We so clearly hear the honky tonk sound throughout your music—who would you say is your main influence when it comes to the curation of that song within your music? Recent influences would definitely be Luke Combs and Jon Pardi... but I grew up singing along to Garth Brooks and George Straight in the 90’s. How long did it take you to write “Tired Of Being Stoned”? Was the process easy, or fairly difficult? This song came together rather quickly. Both melody and lyrics were complete within an hour of finding the inspiration. Was “Tired Of Being Stoned” produced the way you originally visioned it being? The vision I had for the song really came to life while working with (Adam Rogers/Shaun Bayles) Echo Lounge Sound Studio in Johnson, AR. What will you be up to musically for the rest of 2019? I am super excited about 2019! I have a busy summer booked and I am currently in the studio working on my debut EP set to release summer of 2019. Connect with Daniel Yates on social media Instagram: www.instagram.com/danielyatesmusic Facebook: www.facebook.com/danielyatesmusic

Marc Dub is an Tennessee born, and South Carolina raised MC who combines brash witty lyricism with an unmistakable southern charm resulting in an edgy, stylistic, yet comforting flow set to a vast array of production. Awarded Performer of the Year in the 2019 Atlanta Hip Hop Awards, Marc Dub is widely regarded as one of the most electrifying performer in the independent music circuit today. Marc Dub released his single titled Tattoos & Liquor produced by Mr Hanky and it’s everything that makes a CLUB HIT. From the production, beat, arrangement, auto-tune, bass, and even the flow, “Tattoos & Liquor” was just an all-around fun, and absorbing record. The hook had me singing along and partying with the rapper. “I got tattoos and Liquor, she wants me to lick her”. It’s one of those contagious hooks where you can’t help yourself but love. You began instantly dancing along and feeling the vibe of the song. “Tattoos & Liquor” radiated the energy needed to transform your mood into a whole 360. Although the song is repetitive, it’s radio ready, and after one listen you may find yourself subconsciously knowing the entire song word for word. The lyrics seeps into your brain and marinates in your memory so even when the song isn’t even playing you’re naturally singing the hook due to the mind-hooking melody delivered by Marc Dub. Marc Dub is undoubtedly on his way to the top. With a record like this how could he go wrong? A fun and melodic ode to two favorites of pop culture, he is poised and ready to make his mark in the music industry. Listen to “Tattoos & Liquor” here and get to know more about Marc Dub below! Marc Dub, it's great to chat with you! Who are some of your musical influences and in what ways do they inspire you? I draw influence from so many different artist musically we could be here all day. I would definitely say Jay-Z, Rick Ross, J Cole, & Lil Wayne to name a few. RIP to Chinx & Nipsey Hussle also. They definitely influenced me & my music a great deal as well. Tell us about your record “Tattoos & Liquors”. What motivated you to create this? Two things that I enjoy lol. Honestly speaking its just a fun record & I had a blast during the creative process. What was your favorite moment in creating this single? A few moments stand out but I think the entire process in itself was so dope to be apart of. Working with Super Producer Mr Hanky was a dream come true. Just vibing in the studio with him and the entire journey we embarked on creating this record is something I will never forget. What is the legacy you hope to leave behind you as an artist? I definitely want to be remembered as one of the greats. I work hard at my craft and I enjoy every moment of it. I want people to enjoy what I create and the feelings it gives them. I want them to know that I put my all into my music. What’s next for you, Marc Dub? I have a new album titled Sorry I'm Late releasing very soon. Also more shows to be announced right around the corner so this is definitely an exciting time for me. Stay tuned... Connect with Marc Dub on social media Instagram: www.instagram.com/marcdubmusic Twitter: www.twitter.com/marcdubmusic Facebook: www.facebook.com/marcdubmusic

Hailing from the beautiful twin island country of Trinidad & Tobago, Danii is a Caribbean native who is daring to be different with his artistic style. Since migrating to Canada in 2012, the island prince has been making waves in the music scene with the help of another rising talent, producer Caleb McLean. Albeit from different cultural backgrounds, the two have successfully managed to marry the integrity of the Toronto rap scene with the cadences of Danii’s T&T upbringing- the result being a dynamic and distinct sound. This delightful musical amalgamation is exemplified in his latest trap single “St. James Flow”, which pays homage to his Caribbean roots and effectively showcases his writing prowess. The rock-inspired trap song begins with the ringing of a school bell as if you to notify the listener that class is now in session. Ironically, Danii’s lyrical jars are not for the faint of heart ; despite the ringing of school bells, his content is not child’s play. In the undeniably catchy hook, he asks “Tell me if you really want this war?” not because he is fearful but because he is the one who brings the smoke. And who can really handle all this lyrical smoke? We can! And we are hot for this budding rapper who is destined to follow in the footsteps of fellow T&T native Nicki Minaj and ignite the North American rap scene. Listen to “St. James Flow” here and get to know more about Danii below! Hey Danii, great chatting with you! Tell us a bit about yourself. If it’s anything people around me knows is that I care more about others than I do myself, I’m a hard worker, I don’t ask for handouts, I don’t ask for favours, if one way doesn’t work there is a million other ways to get it done, I’m the type to pray for something then go get it not just wait around for it, Music has been my passion since I discovered I was good at it and then turned into be great at it, spent 17 years of my life growing up in Trinidad, some of the greatest things in my life happened back home, Now I’m in a position where I can go hard for my family and the people that believe in me because for them I’ll do anything and that’s really me. What is your writing process like? Do the lyrics come first or do you hear a beat and then the lyrics flow? My writing process is different id say from most artist in my circle, most artist wait for an instrumental before writing, but for me I create the idea of the song in my head, then I create the title, then I create a rough hook, then I send that to my producer and he creates the beat around that and from there the lyrics just comes naturally too me because I already knew what I wanted to write before getting the beat. What inspired “St. James Flow”? St.James Flow came to me when I realize that I had music out but no music reflecting where I grew up or what it was like living in St. James (hometown) and I wanted to experiment rapping in my Trinidadian accent which I did on the second verse of that song, it was really just a reflection of my environment, the opening of the first verse was really how hostile how area was “I told em n*ggas I ain’t with the sh*ts but if they really wanna it I could give it too em, I was bournes road raise if you get the talking imma have to just stick to ya, in the black tida with the black rims with the black tint and the black tims in the back road we strapped in” We was really fight first talk after sort of bunch and the song reflected that. How would you describe your sound to a prospective fan? What do you believe separates you from the pack? I get ask this question a lot and I always say the same thing, what separates me from other artist is that I’m willing to experiment with new sounds and ideas to evolve and in terms of my sound, my music is so unusual to the listener when you hear my music you’re confused as to how I can even flow on something like this but it captures you and now all of a sudden you know the lyrics to the song, my sound is unique to me and unique to my listeners and they are open to me giving them different vibes with every release which makes it that much better. What’s next for you in 2019? Any upcoming projects that you are excited about? This year has already been such a great experience musically, the next step is giving my listeners music every month into a playlist I created called “More Of Me Less Of Them” i plan to release almost 15 songs this year including a short film & two music videos, and if the world is good too me I’ll be giving them a surprise 5 track EP by the end of the year, they didn’t know that but I give y’all the exclusive inside scoop. YDMForever. Connect with Danii on social media www.instagram.com/ydmofficial

Shadow of Everest was formed in Halifax, Nova Scotia with a fondness for writing bare-knuckle rock songs loaded with big riffs, addictive melodies and unexpected trasitions. The band features members JV with guitar and vocals, Shaun Cowell as bassist, Matt Burton on Drums and Guitarist Andrew Welsmen. Shadow of Everest is all about mean muggin’ to a really tight riff and has an appetite for no-holds-barred rock and roll. Strongly influenced by artists such as Tool, Black Sabbath, Mastodon and Pink Floyd, Shadow of Everest has heavy progressions and syncopated rhythms that are accompanied by dissonant tones and powerful, haunting vocals. Released in June 2017 and garnering listeners internationally was their debut album “IDLE HANDS”. “Castle in the Sky” is giving new meaning to the rock and rock/metal genres with flare and heavy riffs that blow you away. Starting off strong with solid guitar lines that you can tell are heavily influenced by artists like Mastodon and possibly Lamb of God even. A vocal line that is powerful, emotion-filled, and rough around the edges with remnants of Ronnie James Dio and Ozzy Osborne that adds finesse and intensity to this meaningful and full of drive song. I personally love the break down section with a battle of guitars strewn with harmonies that tell a story of their own to complement the one told through the delivery of the lyrics. I’m also a big fan of heavy drum lines which is completely nailed in “Castle in the Sky” and easy to find yourself bopping along with. With lyrics that are extremely relatable to each listener, flowing musical melodies and vocals that are relaxing to listen to, “Castle in the Sky” is a rock metal song I didn’t know I was missing in my life – so add this to your playlist for some amazing listens. Listen to "Castle In The Sky" here and get to know more about Shadow Of Everest below! Hey Shadow of Everest! Pleasure to chat with you all! Can you tell us a bit more about yourselves? [Andrew] We are a hard rock/progressive metal four-piece from Halifax, Nova Scotia (think Trailer Park Boys) and we love a greasy riff our fans can nod along to. We all spent our formative years in the late 90s and early 2000s and lean heavily towards the classic rock revival sensibilities of that time, and love dissonant chords pitted against massive melodies. We grew up with Tool, Black Sabbath, Soundgarden, Metallica, Rush and the like, and are currently influenced by Mastodon, Dream Theatre, Queens of The Stone Age and Ghost (amongst a million others). After forming in 2014, we wrote and recorded our first EP 'Idle Hands', and just released our second titled 'The Hunting Ground' earlier this year. We worship the riff, and nerd out on a regular basis to news about new releases of our biggest heroes. Our future plans are to be seen on as many local stages as possible, and pick up a few happy followers along the way. What draws you as a group to the heavier side of rock and roll/metal music? [Matt] I think it's the raw emotion and energy that comes out while playing hard rock music. I have always been drawn to the darkness in metal music and how it makes me feel while writing or performing. It's something I have always been able to relate to and metal has always been an outlet when times get tough. What does the normal creative process look like for you as a group, and what inspired the name “Shadow of Everest”? [Shaun] Normal is a non-existent term when describing ourselves![laughs] The creative process varies. Sometimes a member will have a whole song idea, or just a riff to start building the song. A lyric could initiate the process too. There is definitely no shortage of ideas in this band. As for the name of the band, that was JV that came up with it. The name Shadow of Everest makes me thing of huge sound and crushing riffs. A band's name almost always take time getting used to, but eventually it will represent the music. What is the meaning behind “Castle in the Sky” and were there any challenges you faced as a group in creating a song for such a misunderstood genre? [JV] We wrote "Castle in the Sky" as a challange to ourselves. We wanted to put together a song that had a very straightforward and relateable verse and chorus but also had some of that signature Shadow of Everest-ness to it. Andrew came to us with this giant, blasting verse riff and soaring chorus and I think the most challenging part is trying not to get too excited and playing it too fast. When I was putting together the lyrics I was mostly writing about how people identify themselves and how contradictory society can be when it comes to individualism. It's like "Always be yourself and be proud of who you are. Not too much though you don't want to make other people uncomfortable." What can we expect from Shadow of Everest in 2019? [JV] We have a few festivals in our area that we're excited to play over the next few months. Fans on the east coast of Canada can expect a tour as well. The booking phase is underway and we'll be making all of the announcements in the next two months. There has been talk of recording a music video which we have never done before. We're also working on some new music between our shows and we already have enough ideas to fill more than another album. If all goes well we may even be in the studio again this fall putting some tracks down. Connect with Shadow of Everest on social media Instagram: www.instagram.com/shadowofeverest Facebook: www.facebook.com/shadoweverestband Twitter: www.twitter.com/shadowofeverest

Bryanne is the second oldest child of her family who began her career acting and dancing. She started voice lessons back in 2014 and performed at various shows, and also on the youth fair competitions, where she’s been awarded first and second place. She recently came out with her 1st Solo title Moonlight on February 8th and a month after her 2nd Solo No Me Voy a Enamorar produced by Doing it records, Inc which premiered April 4th, 2019. Her music videos and singles are available on multiple streaming platforms! Aside from singing, Bryanne is a multi-talented artist who dances on 3 different dance teams in which includes; Salsa, Hip-Hop, and lyrical. We took a listen to Bryanne’s single “No Me Voy A Enamorar” and this spanish hit was a fun pop record with light dancehall monotones floating across the single. In this song, Bryanne channels her inner diva and realizes that despite her being highly favored by the boys, she doesn’t need a guy who doesn’t have a pure goal. She studies their intentions and motives, and knows her worth! In my opinion, this song is perfect for growing girls in today’s generation who usually falls vulnerable and swoons over a crush in high school. It’s a record that aims to deliver a message about self-love, which I find to be highly encouraging in a society like the one we live in today. The visual display was charismatic as it shows Bryanne turning down the gentlemen who has their eyes on her. While having fun, showing good energy, and creating a danceable groove, Bryanne managed to project a meaning behind her music. This important fusion helped “No Me Voy A Enamorar” serve as the next big hit! Listen to "No Me Voy A Enamorar” here and get to know more about Bryanne below! Bryanne you’re a multi-talented artist with significant amount of skills! between acting, dancing, and singing, which is your personal favorite to do and why? I would say this is a tricky question because there’s no specific answer to just one, I love to sing this is how I express my feelings, my talent and my fears, i want the world to hear me and see my talent, I’ve been to various competitions in the Miami area and have gotten 1st and 2nd place, I also love to dance i’ve competed in well known talent competitions like, starpower, believe, inferno, and Nexstar national talent competition, it feels great to be recognized for my talents and the hard work i go through by so many judges around the world, is just amazing.  So definitely Singing and Dancing I love  both of them. What inspired you to write “No Me Voy A Enamorar” ? No me voy a enamorar which stands for (I'm not going to fall in love in English) I wrote it thinking  how today’s youth is all about peer pressure, how we as young girls live our life’s in such accelerated stages. That the youth right now is being influenced in other priorities instead of us making our own decisions like our values, our self love, And respect. What’s the message you hope listeners receive from listening to “No Me Voy A Enamorar” ? The message that I want to give all my listeners about my song No me voy a enamorar, is first-please enjoy it and dance to the beat like I do,  but at the same time I want it to serve mostly all the young girls and boys out there, to never stop being yourself, to always be truthful, to  stop pretending to be someone you’re not,  in life you have to have your own identity your values are always # 1. It Open your eyes to a brighter future. What were some challenges you’ve faced in creating this? Wow lots of them originally I wanted to record the video in school grounds but it required lots of time, people, permits etc so we finally created a new script and am happy with the results. My best friends from school  and my brother were part of it, it was something unique without all the requirements from a big firm.  I also faced being exposed in social media so my listeners could hear me is something new to me, youtube, instagram, Facebook, buzz music, But god willing my message will be heard. What’s next for you? Besides taking things one step at a time I’ve already recorded 2 more hits that we are in the process of creating a music video and a 3rd song that still needs to be recorded. Yes lots of bryanne is yet to be heard,  working hard to accomplish all my dreams and with gods help all my dreams will become a reality.  I wouldn’t be able to do or be who I am without my Mom always there 100 % to support me in all my decision. Connect with Bryanne on social media Facebook: www.facebook.com/bryannemusic