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Bay Area Hip Hop (and all music) has always had a bigger sense of honesty, and today that is no different from Juwan Rohan’s new single “How The Day Ends.” This song, “How The Day Ends,” is a poetic expression of the everyday life of the art that bleeds so naturally from Juwan Rohan. This anthemic track opens up lyrically with a glimpse into the daily pressures from the people who support and rely on Juwan Rohan on the daily. From being a father to the pressure of success, you are instantly brought into the mind of the artist. Musically, the song has a lot of amazing elements, including the very musical piano performance that showcases a certain level of artistry. There is also a nicely placed guitar track that is on top of a classic Hip Hop drum beat, which is then accompanied by the sensual healing saxophone performance. Lyrically, again you are given a key to the city of the mind that Juwan deals with on the day today. There is no hiding what the artist is feeling, and that is sometimes the best way to experience music. The song closes up in an average time of 3 minutes and 28 seconds, leaving the listener feeling satisfied. Make sure you check out Juwan Rohan’s amazing & honest new single “How The Day Ends." Listen to “How The Day Ends” here. “How The Day Ends” is an honest look into your mind. Was this song an easy song to pour out of you? Yeah, this song was super easy to pour out. When I find myself writing these types of songs where I can just bounce from topic to topic and still build a story on it, it’s when it’s most easy to write. Also, I wrote this song after not writing for a few months, so it was just a lot built up, and u needed to get it off my chest. How has being from the Bay Area of California influenced your sound? The bay has a unique sound definitely, but I wouldn’t consider that type of style to me at all times. I have moments where I sound hella bay and moments where I don’t sound bay at all. I definitely know how to write a bay song, but I just don’t want to narrow my ability. Who is your producer, and why do you choose to work with them? Legionbeats & Prodbyjozu are two producers I'm working with now, and legion beats I’ve been working with them for years now. He helped develop that professional sound in me. And now I’m finding more Bay tunes with Jozu, and it’s really cool to work with different producers “How The Day Ends” showcases poetry in your lyrics. Is poetry something you write on the side? It all started with poetry. I used to perform in big crowds, graduations, and events. That’s where it all started for me, so it’s kind of in every song I write. I’m poetic in everything I create. Lastly, what do you hope your listeners can take away from your new song, “How The Day Ends”? That I’m really a dope rapper and that you’ll have to listen to the song a couple of times to catch the bars I throw. Twitter Instagram

Juwan Rohan is a rap artist that is focused on using his platform in order to inspire his listeners. We’re here for it completely. We get such a raw and intense element of authenticity in Juwan's music, and we immediately knew we wanted to feature this artist upon listening. Music is Juwan's sense of self-therapy, and we appreciate the truth he puts out in his music. We feel connected to Juwan's music, and we know you guys will, too, once you give it a listen. The introduction to “Movies” is captivating. Immediately when Juwan begins to rap, we get a heavy Kendrick Lamar element from the track. Juwan Rohan invests his raw emotion into this track; you can not only hear this when listening, you can feel it in the beat of your heart. This is the kind of track you need to play on full volume, nothing less. This is the type of track that seriously makes your heart feel like it’s going to beat out with the intensity of the bass. One thing you BuzzMusic listeners will notice right away is the unique vocalism ofJuwan—undoubtedly the most obvious thing to us here at BuzzMusic. If you listen to actually hear the lyricism, you’ll catch how raw this narrative is. Behind the underlying beat and catchy synths, Juwan expresses real and completely raw emotion. We can’t ask for anything more than that—exactly what we want and need from a true rap artist. Feel free to listen to Juwan Rohan’s latest track, “Movies,” here. Feel free to introduce yourself to our readers My name is Juwan Rohan, and Im an artist who tells stories through music. My style is similar to that of J. Cole, Kendrick, and NAS. I give you the real; I explain the struggle and how to overcome it. And of course, I got those party/club records, but most of my catalogue contains Storytelling music that relates to the people. Such songs as Dear School Shooter, Hypocrite, and Cor have become fan favorites and have really shown how deep I’m willing to go into song writing and cover multiple perspectives on many issues. As a hip-hop artist, what underlying element do you believe is always present in your music? I believe truth and pain are always present in my music. I’ll always give you what i believe to be true, and I’ll also express some type of hurt or emotion in my music, and that’s why listeners enjoy my music. We know how involved you are in presenting raw and true emotion in your tracks. Can you explain how you go about applying your most personal experiences to the end product of your music? Music started as a voice for me in the beginning. It was a way for me to vent without opening up to people. Now it’s more than that. It’s a way to vent, but SHARE my emotions and expressions in hopes to find listeners who relate and can share their story and not feel alone. You know that music that makes you feel like you’re not alone... that’s the music I want to make. If you could give one piece of advice to other independent rap/hip-hop artists out there just starting out, what would you say? Don’t follow the trends, but instead learn and master your own craft and turn it into a trend. Be real to yourself because no matter how successful you become, you’ll never be truly happy if what you’re doing isn’t for yourself! Can you tell us about any upcoming tracks in the rest of 2019? Ooh yes! I’m working on a full album right now, and it’s literally based on my emotions. It’s a spectrum of emotions I’ve been experiencing lately, so you may get angry in one track and 100% love in another track. Hate/jealousy in one and resentment in another. This album will be an emotional rollercoaster so I hope you’re down to ride. Instagram

Informed by a life of mental illness and societal falsehoods, Ben Kernion of Sonic Acrylic found freedom in the beautiful flow of existence. His mission is to flow in life and inspire others to do the same. In his latest upbeat single titled "Alternates," Sonic Acrylic has us immersed in the buoyant sounds of nostalgic pop hues. Making this composition well-rounded in its impactful trail of musical bliss, Sonic Acrylic has us taking in the colossal percussion patterns and electric synth arrangements in a way that has us eagerly asking for more. Touring pop-punk moments of edge and grit, there's a myriad of emotions that come rushing in through this genre-defying creation. At times we seep into the psychedelic nature that the opulent guitar riffs amplify, but at others, the amplified tenors in a chaotic universe of boisterous captivation. No moment is taken the same with "Alternates," and no two people taking it in will perceive it in a similar context. That's the beauty of Sonic Acrylic. As we continue to embrace the eclectic quintessence that comes from a record of this calibre, we admire how the buoyant architecture of "Alternates" resides in our heads. Bringing glimmers of wavy funk to the copious sounds visited, the vibrancy of Sonic Acrylic is a feel that is catered by their infectious grooves. Ready for what they have in store for us next, "Alternates" is a bop that we will gladly place on our favorite playlist. Welcome to BuzzMusic, Sonic Acrylic, and congratulations on the release of "Alternates." We love how you defy all genres and bring a refreshing sound to the forefront of the music industry. What inspired the particular sounds heard on this record? Thank you, I was really into the idea of bringing together 2000's progressive music like The Mars Volta and rock music that follows pop structure more traditionally, like Radiohead and the Beatles. There's something about the way getting out there in prog music can disintegrate your conception of what's real, and pop structure reveals a relatable story that makes sense to me in combination with real life and is both surreal and entertaining. What's the meaning that you've placed into "Alternates?" What is the central theme that you'd like your audience to take away from it? It just captures a period of self-discovery in my life where I went from cursing out the pressures of society for its oppressive nature to embracing all forms of nature in general, losing a sense of separateness, etc... It's easy to get caught up in the story of oscillations, makes you forget you're the whole wave, it'll make you sick. Acceptance is medicine. What happens to be your favorite part of the creative process? Do you find this remains relatively consistent through all songs that you create? I love when an album is conceived first as a collection of songs and then in the actual studio. Both times are satisfying and revelatory. I find there's always some unique entry point for each song, so in terms of individual song process, it's finding that thread that I can pull on and unravel the sweater, which usually is signified by what activity I'm enjoying, whether it's playing a certain instrument or thinking about a piece of music/concept. I like to flow and not try to influence things too much other than to say I better put the time in once I'm there making something. I just let it happen. How have you found yourself growing as an artist from the moment you started making music to now? Yeah, for sure. I mean, you either grow up or grow down. The direction is binary, and linear time is movement. I've learned quite a lot since I started making music, through the ups and downs. What can listeners anticipate to hear from you in the new year? In the new year, there will be much new music in the form of singles and a full length or 2, and barring global health considerations, heavy touring next summer. Instagram Facebook

Sonic Acrylic is a Los Angeles-based rock artist who strives to spread the concept of self-knowledge. Sonic Acrylic has worked closely with Ben Kernion; his music is in the same family as Radiohead, Modest Mouse, Eliott Smith, and The Mars Volta, to name a few. Sonic’ Acrylic's latest album touches on current social issues as well as the mysteries of existence. Sonic is described as having strong convictions, and this passion and determination can be felt in his music. "Black Eye’’ is the third song on the Sonic Acrylic 2019 album, ‘Alternates’. It is a rock song that is sure to have your headbanging. The heavy production mixed with deep emotional vocals help bring the feeling and energy of the song to life. The production features hard-hitting drums, electric and bass guitars, along with his often loud, and sometimes soft vocals. These elements provide the perfect balance for the song. There are catchy moments, such as in the bridge where Sonic sings, ‘’out of your body’’ in a balanced, mesmerizing pattern. Be sure to check out Sonic Acrylic’s new album and stay tuned for more from Sonic Acrylic. Instagram

Encouraging listeners everywhere to tune into the musical creations of Kan Boy, this Hip-hop artist is an advocate of the intoxicating vibrations that he releases in the songs he puts forth. In the realm of mixtapes and keeping his audience on their toes, Kan Boy is fresh off the release of his latest project, ‘The Get Back Vol. 1.’ With eight tracks that reflect the most recent creative spurts this emerging artist has had, we get to hone in on the single from the project, “Another One." In the thorough development of a tantalizing sound that rings bells as to the creative panache that drips from Kan Boy, “Another One” dips into a wavy galaxy of the new generation of Hip-hop that listeners are drawn towards. “Another One” sits somewhere on the line of a slow to mid-tempo hypnotization that drowns the speakers in anticipating tendencies. The effortless styles that Kan Boy radiates have us slipping into an unperturbed state of relaxation as we become fixated on the lyrical techniques he uses to get his message across. Adapting to an elusive state of mind with the intention of being a human gravitational pull, “Another One,” takes over in one fell swoop. The prevailing charisma that lingers on your mind has you tapped into an ethereal world ruled by Kan Boy. With no signs of slowing his roll and the manner in which his mesmerizing swagger immerses a room, he is definitely an artist to look out for when shaping your playlists for 2021 Hip-hop with an exclusive zest. It’s always a pleasure when we get to chat with you, KanBoy! Congrats on a successful 2020! This year has been chaotic for a lot of artists trying to find their own path. What have you noticed about your growth from the start of this year to this present moment? 2020 was the year I put out music on all streaming platforms. Three years after I started making music, I didn’t believe in making fans pay. They could listen for free on the Cloud, but once the pandemic hit, I had to adjust. I needed more ears. What has been the biggest challenge that you’ve had to overcome as an artist this year? 2020 - 2021 will be the year to make or break an upcoming artist. Platforms like SoundCloud made accommodations for artists in this crucial time. Releasing two singles this year, do you happen to have one that resonates with you more than the other? Every time I drop, I love it no more than the next, but if we compare the two from this year, Good Day is my go-to.. no Kizzy. Could you please share a glimpse of what moments inspired the creation of both, “Real Life” and “Good Day”? I was feeling a bit uneasy when they had not let Spike Lee in the building. Then I made "Real Life." You’re currently working hard on a self-created mixtape titled “Y.O.T.R.” Could you take us into what themes and messages we can expect from this project? Growing up, I was always around hustlers, they were getting to it by any means, but these people had morals and values. It would always be family first, loyalty, and stand on what you say. Who do you look up to in the realm of music? How does their music speak into your creations? The only time I look up to somebody when it comes to music; whenever I feel like I got to learn something, I like to use them as a template. What words of wisdom got you through 2020? Would you like to leave with your listeners? Never put all your eggs in one basket. Instagram Twitter

Full of dedication and hard work, Kan Boy is a budding rapper and songwriter who has just released his newest single, “Good Day.” Available on any platform, Kan Boy’s new single “Good Day” opens up with a tranquil soundscape that snatches the listener’s attention. Using a mesmerizing electronic flute melody, he shares his production talent with his fans early in the song. As the energy level begins to build, Kan Boy introduces himself as a rapper with a bang. It feels like the backtrack is building up to a mind-shattering bass drop that comes with Kan Boy’s vocals. Soon joined by a trap beat, he takes center stage as he showcases his unique voice. The energy level hits an all-time high and is maintained throughout the rest of “Good Day.” He has a talent for displaying his passion through his vocals by drawing out certain lyrics for effect. During his songwriting process, Kan Boy is motivational with his lyricism and uses his platform to inspire his audience. Through tough times, “Good Day” is here to remind his fans that good days still exist. Always hard at work, Kan Boy is set to release his debut EP “Y.O.T.R,” before the end of 2020. We look forward to hearing what he has to offer us soon. Hello Kan Boy, thank you for sitting down with us at BuzzMusic to chat about your latest release, "Good Day." Can you start by telling us a bit about the production of your recent single “Good Day?” Good Day was in my email for a whole year before I listened to it; once I heard it, I started recording; I made this song about a year ago based on my city and its life cycle. As an artist, you are able to reach many ears with your platform. We love that you have a positive message to share! Can you tell us more about your message with “Good Day?” We need peace in all cities, in all communities, start seeing eye to eye and work as one... and maybe it’ll be a Good Day. You are set to release your new EP 'Y.O.T.R..' How does this song compare to your upcoming EP? How has your music evolved? It all comes down to eliminating what is not righteous based on future actions; what’s done is done. My music continues to evolve through all my life experiences. How do you find inspiration to create your music? What was your inspiration when writing “Good Day?” Going back to what I said early, life experiences help the creative process because ain’t no telling what might be; that’s the best part. I just want more peace for more than one day, turn a Good Day into Good Days. Instagram

From Toronto, Canada, Kan Boy released his most recent tape titled 'Korrupt Town' and the finely-calibrated single “All Ages” has a breathtaking new delivery. We became infatuated with Kan Boy's artistry. “All Ages” is a mesmerizing song due to Kan Boy’s unique cadence and stylistic arrangement. When you hear Kan Boy's projection, you instantly become captivated by the individualistic aesthetic. “All Ages” has a trendy melody with infectious elements that provides a contagious experience for the listener. For fans of artists such as Lil Baby, Gunna and Roddy Ricch, 'Korrupt Town' by Kan Boy is more than just a tape. It is equipped with metaphors and an intricate approach to wordplay by Kan Boy. While some may describe Kan Boy's sound to be rap, Kan Boy simply defines his style to be 'simply music'. He’s more than just a regular artist; he’s an innovator and a unique creator. This is noticeable in the layered components of "All Ages" and the rest of the tape. There is no doubt in our minds that Kan Boy is cultivating a new sound to Hip-Hop and is paving the way to the future of rap music. Listen to “All Ages” by Kan Boy here. Twitter Instagram

We’re captivated by your expressive sound and cleverly-written lyrics! Could you share your inspiration behind the track “Coffee”? Thank you very much! The inspiration behind “Coffee” was surrounding a friendship where there were feelings on one side without really ever addressing or talking about it, and the song essentially developed from that line, “Let’s see what this train wreck is gonna be like” while I was having coffee one morning. Your sound is incredibly raw and well-rounded. Who are some major musical influences in the life of Sheridan Reed? Some major influences would be Stevie Wonder and Motown; more modern though would be Allen Stone and Lianne La Havas. In your single “Coffee,” you have quite a way with words! What did you want your audience to take away from your song? I wanted the audience to take away almost a feeling of empowerment, standing up for yourself and what you deserve and put up with. You clearly have some sort of technique when songwriting, as you effortlessly get your message across. Could you share with us what your creative process is like? My creative process typically starts with a chord progression and then toying around with melody ideas and trying to figure out what the song is about or what I’m feeling. Eventually, through working on that I’ll come up with the general concept of what the song is about and develop how I want to speak to it. Tell us, what are you doing currently to stay creative during this tough time? I’ve been continuing to write a lot of music, but reading and painting have also very much needed creative escape. Listen to the new single "Coffee" by Sheridan Reed, here. instagram.com/sheridanreed

Hailing from Austin, Texas, independent singer/songwriter Sheridan Reed is back with another gripping single “Coffee.” With the release of two prior singles, Sheridan Reed shared his groovy pop melodies with the public after his first major US tour in 2018. All while being asked to perform as an official artist at Austin’s (now canceled) South by Southwest Festival. His latest hit “Coffee” brings powerful vocals supporting his clever lyricism, all while balancing out the song sonically by incorporating a variety of incredibly blended and harmonious instrumentation. Clearly using his platform as an artist to portray his message of independence and self-worth, Sheridan Reed has thoroughly grasped the essence of meaningful songwriting and continues to elevate his sound day by day. The groovy single “Coffee” begins with a tight rhythm guitar melody and Sheridan Reed’s effortless and dynamic vocals. With muffled ghost voices in the background and a hard-hitting kick, he’s added a unique texture to the song and provided concepts to play out in the listeners' mind. As the chorus approaches, a variety of percussion patterns are met with supporting acoustic strings creating a cohesive and incredibly danceable mix of sound. With cleverly-written lyrics like “Is my coffee bitter or my tongue too sweet? My whiskey too strong or am I just too weak?” Sheridan Reed’s single “Coffee” is a well-rounded expressive piece of music, and we’re only excited for his upcoming releases. Listen to the new single "Coffee" by Sheridan Reed here and read our exclusive interview on the making of "Coffee" here, Instagram

Sheridan Reed is an Austin, Texas-based singer/songwriter who made his independent debut in 2018 with his single “We Should Both Be Here.” After his first cross-country tour in the Fall of 2018, Sheridan released a new music video for his debut single, which has amassed over 200k views on Youtube alone. In 2019, Sheridan Reed followed up with his debut single with his brand new 5-track debut EP 'Serendipity' along with a music video for “Money Maker.” Both Sheridan’s music videos have seen nothing but success, as well as “Serendipity." which premiered on Live Nation’s Ones to Watch on May 3rd, 2019. Leading with the delicately intensifying weight and warmth of “Learning to Swim,” Sheridan Reed moves with concepts and the fine art of sound design. Breathy yet increasingly powerful vocals lead into the harder hit of the hook. Meanwhile, the unique soundscape rains down and descends in unison with the chord progression. It’s an easy ambiance to get lost within, familiar yet fresh in content, and a wonderful way to kick off the album. “Serendipity” as a full project is a conceptually thoughtful journey; insomniacs and deep thinkers will likely connect and revel in the sentiments. Minimalism takes over in many cases, letting these precise expressions and fragments of ideas strike out in a softly, powerful way. “Money Maker” is a gorgeously soulful and interesting example, a personal highlight, surprisingly memorable, leaving its catchy hook and melodic development lingering in your mind after listening. The further into the playlist you get, the more the overall story-line of love lost, love betrayed, love found, and the beautiful and mysterious events that lead to each. “Someone To Hold” stands out, the intro creates a sense of drama, and the longer-form melodic verses offer a pop-inspired sentiment with rising anticipation. The hook continues with brightness and pop-inspired accessibility. “Someone To Hold” seems to prove more seductive and juxtaposed, with a free-flowing melody and various layers that intertwine to raise the energy and intensify. Moments that are less poetic and more personal emerge, and these moments allow the listener to feel a sense of understanding and belonging with Sheridan Reed. At this point in the project “Serendipity,” the dreamlike energy and embrace of the set-up have a definite level of identity. All that’s left is to keep on connecting, keep bridging the gap, say things that feel familiar yet new, and find expressive and brilliant ways to say things that are deeply relatable. Fortunately, Sheridan Reed has mastered this art already, and the latter half of the album sees plenty more intimacy and honesty emerge amidst even more of this hypnotic ambiance. “That’s Just Life” is another highlight, a little familiar, a little personal, the perfect balance. This track is melancholic enough to tug at the heartstrings but energizing enough to utilize contrast and lift the air in the room. This brings me to the point that a live performance from Sheridan is undoubtedly where these songs would reach incredibly compelling new peaks. Then the acoustic-led “We Should Both Be Here” pours through and breaks the mould, ending the album in the same way Sheridan Reed kick-started his career. “We Should Both Be Here” is instrumentally pure, partly hopeful, partly tired and broken down. A beautiful piece of music. “Serendipity” in full is a dream to spend time with and absolutely a project I’ll be revisiting. Back in Austin after his first international performance in Paris in August of 2019, Reed continues to play locally while anticipating several new single releases in the coming months. Stay tuned. It’s such a pleasure to feature your debut EP 'Serendipity,' to our readers. How long was this project in the making? Thank you so much for featuring “Serendipity” I’m so glad you enjoyed it!! The project as a whole, from inception to writing, recording, and release all said probably took about two years. All in all, it didn’t take the longest time, and I was working on my next upcoming singles at the time as well, but for those two years, most of my time and energy was poured into it, and I couldn’t be happier with the results. It was a huge leap forward for me as an artist and the direction my music is going, and I can’t wait for you to hear the new stuff. We also loved the 2 music videos you have out for “We Should Both Be Here” and “Money Maker.” Can you dive into the concepts behind both videos? What was the filming process like for you? Awesome!! They were the first music videos I’d ever done and had been a blast to create alongside the cast and crew. The same cinematographer, Cassandra Klepac, directed both videos, and we came up with the concepts in tandem. The first music video for “We Should Both Be Here” we put together with cast, crew, location, and concept in about 24 hours halfway through my US tour, and it was intense. It was my first time really being on video like that, so there was definitely a sense of stepping out of my comfort zone, which I really enjoyed. The concept for that video was essentially a woman getting home from being out with friends to her loft that she shared with an ex or boyfriend that has been gone(me), still feeling his presence all around her and missing him, thinking, “We Should Both Be Here.” In the second video, we focused much more on motion and movement, trying to emphasize and uplift the concept of internal beauty and beauty in the movement and the impact that can make rather than what’s on the outside. Congratulations on your first international performance! What was it like to perform in Paris this summer? Paris was a whirlwind!! I had been travelling for about the previous month leading up to it, so I was definitely road weary but excited. It was a fantastic experience getting to perform abroad, especially in a city I love so much. I’ve had a fascination with Paris for as long as I can remember, and it was a privilege to play there; I can’t wait to go back. You have an incredible list of successes in just over a year after your debut! What accomplishment are you the proudest of? Do you have any advice for fellow up-and-coming artists? Rather than accomplishments, I’m probably most proud of having just such a fantastic team of people that I get to work with. They all believe in me and what we’re doing, and everyone is a positive force uplifting each other. As far as advice for upcoming artists, surround yourself with good people that are more talented and more intelligent than you. Thank you so much for chatting with us! What are you working on next? You mention a few new singles in the coming months, and we can’t wait to hear more! I’ve got a whole batch of singles, somewhere between 5 and 8, that I’m going to be releasing over the next several months in 2020, along with a couple of live performance music videos for two of them, as well as a new video for “Someone to Hold” from the EP, “Serendipity.” I’m really excited about this new stuff to get out there, I think it shows a lot of growth in my music and direction, and I think people are really going to dig it. Thank you for taking the time and featuring me. I appreciate it! Instagram