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Barrett Wilson's music is kaleidoscopic; one could call it cowboy-jazz, especially with the reminiscent vocals reminding us of acts like Norah Jones and Dwight Yoakam. However, his unique, gritty, and rhythmic guitars are the cherries on the cake. Barrett releases a feel-good single, "One More Day," bringing that vibe to your speakers, floating through the summer. This dynamic summer record showcases elements from many genres alongside Barrett's passionate and uplifting performance. "One More Day" kicks off with soft rock instrumentals and Barrett's tender vocals taking us on a smooth journey downtown. Starting us off is his irresistible playful attitude to the record that brightens the room, later taking us toward his glistening hook sharing his moment of when he found what he had been searching for. The bright instrumental expands with different melodies and aspects, maintaining the song's uplifting atmosphere. Adding a jazzy breakdown on the bridge amplifies Barrett's desire for his other half - an exhilarating piece. In Barrett Wilson's recent interview with BuzzMusic, he tells us, "This was a really fun song to write and record. As it's a vampy groove, I put a lot of emphasis on it being very rhythmic and energetic." This is kept to a few chords, so the listener quickly absorbs it. He mentions how blazingly fast the teen years go by; he wanted to capture the nostalgia of all the moments back then. Barrett was asked if he was always open with his songwriting process and being completely honest in his music. He replied, "you kind of have to be that way" - making this statement shows his maturity and experience as an artist, working on the records nitty-gritty and being honest for the true feeling to pierce through. The track! He wanted to put himself out there with this record and confess how he sees himself and the world. Check out the full interview with the vibrant Barrett Wilson here. Instagram Facebook

Canadian pop-folk band, The East Pointers have a message to share. One of love, loss, and hope. We invite you to experience the lush and uplifting sounds of the Canadian band through their latest single, "Stronger Than You Know." The East Pointers were jumping into sessions for a new EP until they faced the untimely death of their beloved band member, Koady Chaisson. They're currently keeping his name and likeness alive through each piece, especially those that Koady helped create. Now, The East Pointers pay tribute to the unstoppable force of love and holding your loved ones close with their latest single, "Stronger Than You Know." The song was initially inspired after an epic winter storm hit Koady's house in PEI. When writing it with Colin Macdonal of The Trews, they spoke about battening down the hatches (Koady literally had to nail a 2x4 across his door). This transferred over to the suddenness of unfortunate events like the pandemic and struggles with mental health. The song was produced by Derek Hoffman and written by Tim Chaisson, Jake Charron, Koady Chaisson, and Colin MacDonald. Expanding on "Stronger Than You Know," the song opens like a radiant pop anthem with bright piano keys, plucky synths, and the lead singer's tender vocals. While singing of feeling slowed down and traveling through life's trials and tribulations, The East Pointers reminds us to hold on tight, as these experiences are "Stronger Than You Know." The song is incredibly lush and easy to listen to; The East Pointers slowly expand the groove with added guitars, tight drums, and a warm background fiddle. We also appreciate the overall uplifting feeling that comes with this spirited single; it's packed with all the heart and emotion we need from a modern pop-folk band. Hold on tight and sail ahead with The East Pointers' latest inspirational single, "Stronger Than You Know," now available on all digital streaming platforms. Welcome to BuzzMusic, The East Pointers. We admire the uplifting and inspirational feel of your new single, "Stronger Than You Know." What inspired you to write about a physical storm of events and encourage people to hold on and stick through it? Thank you for having us! Also, glad you like the new song. It seemed to be a theme in our life at the time! Most of us were just holding on, and while we were writing on those dark, cold, and windy Prince Edward Island winter days - it came out pretty naturally. Our deepest condolences to you regarding the loss of your band member, Koady Chaisson. What parts of "Stronger Than You Know" did he develop, and what kind of musical footprint did he leave on the song? Thank you. I remember this day so well, Koady had the riff and the chord progression. Jake and I started jamming along, I was singing over top. About an hour after that, we hopped on Zoom with our good friend, Colin, and finished the song in about an hour. It all flowed seamlessly. Koad was full of beautiful riffs, progressions, and melodies - it oozed out of him at all times. A talent not many have. "Stronger Than You Know" is a departure from your previous projects. How is this song different, and does it mark the start of something new for your band? I think the production aspect of “Stronger Than You Know” feels a little different than anything we’ve done before. We worked with Derek Hoffman on this EP, he brought out a fresh sound in us that we didn’t know we had! When you take that away, it’s the same acoustic vibes we always had (we think). What core message did you want to share with listeners when experiencing "Stronger Than You Know?” It’s a message we’re constantly reminding ourselves… We all have more strength inside us than we realize - especially in the darkest of times. Instagram Facebook

The emerging producer and recording artist Ricci Bamboo pays homage to fathers everywhere with his recent visualizer for "Papa." Ricci Bamboo has years of dedication to his craft under his belt. He works behind the scenes with various talents to help them gain their recognition. He creates timeless musical masterpieces with exclusive and rare collaborations to achieve a timeless and borderless musical fusion that can't be pinned down to one genre. More recently, Ricci Bamboo shared one of the most wholesome and heartwarming visual experiences we've seen to date. In his music video and visualizer for "Papa," he highlights the importance of fathers while empowering men to embrace masculine and fatherly traits, taking pride in their own identity and roles. Produced by Selena Ayube and directed by Thomas Obewu, the visualizer for "Papa" opens with three shirtless male dancers covered in white paint that reads different words like "Brave," "Intelligent," and "Powerful." As we transition into scenes of a father tucking his child into bed, David Meli's melodic vocals pour through our speakers alongside harmonious, cinematic production and fluttering instrumentals. The video continues with scenes of the father caring for what looks like his only son. As he's flooded with work calls and has to take them outside, he realizes the importance of connecting with his son when he needs it most, prompting him to put down the phone and head outside with his son. From the three dancers to the deeply wholesome scenes, we're sure this video will leave its mark on you. The experience ends with a quote, "PAPA, one who loves, supports, guides, encourages, and inspires his child." It's never too late to wish your dad a Happy Father's Day. Allow Ricci Bamboo and his team to remind you of that special bond with his latest visualizer for "Papa," now available on YouTube. Welcome to BuzzMusic, Ricci Bamboo. We're so pleased with the wholesome visual experience you've provided with your music video for "Papa." What inspired you to create an homage to the fatherly role? Growing up in a generation and demographic that’s immune to a Fathers absence really opened my eyes as a late teenager growing up in Miami, Florida. It made me appreciate my own biological Father and other men that played a major role in my life as Spiritual Fathers & Brothers. Furthermore, I’m a proud Father myself. What was it like creating the music video for "Papa"? Who helped bring your ideas and visions to life? The vision was originally birthed with me after a meeting with Thomas Obewu (TomX Film). I immediately called him up and flooded his inbox with ideas about the song concept. After brainstorming together with the entire “Team X,” we had a very strong mood board and sense of direction for visuals and imagery. Ideas came and developed over a few months, and Fathers Day helped us firm up a completion date. This experience was amazing and inspiring and built a level of trust amongst our crew. Did you face any personal or emotional obstacles when creating the song and video for "Papa"? What was the toughest part of this process? I think the entire process had a bit of an emotional heaviness due to how sensitive the objective and Topic was. The hardest part, in my opinion, was to bring all the pieces together musically and to ensure the “impact” and “WOW FACTOR” was consistent thorough-out the audio and visual experience. Thomas Obewu and the entire team had a lot on their plate to balance a “clear storyline” and “wow factor” in a duration time of 1:34 seconds. I feel we hit a home run on this one! Shout out to Chantel Taki for the amazing makeup art on the cast. What was your goal in terms of the viewer's reaction when watching the visualizer for "Papa"? What did you want them to experience? The goal was to have the viewers feel a sense of urgency to embrace our men who strive to fill the shoes of what it means to be a Father. Ultimately, we wanted Fathers and father figures watching to feel empowered and valued. Hopefully, it encourages men to take pride in Fatherhood and bridge the gap with the generation after us. What's the message behind "Papa"? The message for "Papa" was to emphasize on the value a Father's role holds. There’s a whole generation that is desensitized to the struggles men have with Fatherhood and the false perception of what manhood really is all about in our Modern Western Society. However, meaningful and quality time spent with our kids can relocate what’s “Lost,” and a true bond can be “found” again. What's next for Ricci Bamboo? The goal for myself is to use my art form to inspire others. I take pride in originality and authenticity. I’m excited to create a body of music and visuals that truly are an extension of myself and inspiring to others. There’s a “new wave” coming. Instagram

The Denver, Colorado-based duo consists of Nathan Jamiel (Vocals, Electric Guitar, Keyboards) and Daniel Watts (Drums, Keys). The band originally formed in 2012. The Drood returns to the airwaves with their otherworldly air and dark post-rock panache. Gary Numan-Esque vocals, psychedelically oscillating textures that weave around shoegaze dream-like layers. The Drood headlined a weekend show at Ophelia's Electric Soapbox, one of Denver's most sought-after live venues, and released two singles with accompanying music videos for their songs Psychosphere and Charles Mangrove. As we start off the listen into "Psychic Institute," they bring forth a balance of pop with major aspects of indie-rock, with the instrumental easing us into the next part of the record, it has us feeling like we're walking down the runaway in the most fashionable thing we own! And as their voice enters, we can hear it filled with emotion and passion, he talks about being empty inside and how all the patterns in his life are so mysterious and so unexpected. "Psychic Institute" gathers up all our feelings and either takes us on a happy, fun-filled dance party or a moment filled with emotion while the record bleeds through the earphones. The Drood talks about the message and says, "The lyrical message is a cautionary tale about the emptiness and transparency of mindless sentimentality." We see how their instrumental and choice of placement is impeccable as it has its own class and pulls us toward the story as a whole. Let's just say The Drood will be around much longer than you think as they show the full star quality included with formulated concepts. Welcome to BuzzMusic The Drood. We are so happy you could join us today! As we entered into your world with "Psychic Institute," we could sense it was really well thought out. How long did it take to complete this song, and how was it like creating it? NATHAN: Thanks for having us! I started writing this song way back in February of 2021, so over a year? It changed a lot along the way. It started as a dance song, but as I added bass and guitar, more and more I wanted to “take the piss” out of it a little. Once in Daniel’s hands, it totally transformed into something else as he re-engineered it and added drums and more textures. We performed it live (pre-release) on a local Colorado radio station KGNU, which went great! But after that show, I realized it needed more gritty harmonics on the guitar. In fact, we had it mastered twice due to wanting to flesh it out further. The song "Psychic Institute" is so versatile and so unique, you mentioned that it's a cautionary tale. Could you elaborate on that statement? NATHAN: I had a couple of people close to me die during the time this song was created. I was trying to console myself by writing a self-indulgent dance song and thought “I can write something upbeat and positive!” which ultimately led to an emotional spiral as I was not being honest like I was participating in some sort of toxic positivity. I was forcing some false sentimental narrative to comfort myself. That then organically became the message of the song. If you force a positive narrative rooted in sentimentality, you’re most likely not facing the truth and also projecting a superficiality that is easily seen through. Gotta be miserable sometimes to get to a better place. Don’t fake it. As a collective, what advice would you give to the younger artist wanting to form a successful yet confident band? NATHAN: DON’T STOP. Respectively, Daniel and I have been making music since we were teenagers. Played with lots of people and lots of bands, most of whom no longer make music or art. Stay in touch with those people because inevitably they will sell you their gear on the cheap as it is just “taking up space”. Also, abandon ideas of fame. Make EXACTLY what YOU want to hear. If you catch yourself making music or art with the intent of appealing to a specific audience it might be time to re-evaluate why you’re making music. Be selfish, make the music that appeals to you, and if you mean it other people will sense that and maybe appreciate it. But the goal shouldn’t be for them to appreciate it. As "Psychic Institute" flows through our speakers, we would like to know your future plans for the song and how you plan to show it off to the rest of the world? NATHAN: We are VERY excited for the next few releases which will be coming out over the course of 2022 as singles. We’ve been filming some strange stuff to accompany the songs. Also, we have a very special show upcoming in November which we’ll be announcing soon! Facebook Instagram

Hailing from the SFV of Los Angeles is a hip-hop recording artist, producer, and rapper Joey Supratta, who adds a touch of zest to the hip-hop scene with his flaming verse in "Cribbo (Freestyle)." The Italian-American recording artist created his team at Supratta Records back in 2013 with the goal of becoming one of the greats. Having performed at venues like the Viper Room and The Roxy Theater, not to mention ample radio airplay, Joey Supratta and his crew are constantly proving that they're here to stay. Joey Supratta has become well known for his smart, business-like work ethic, skilled lyricist, and undeniable confidence. He can turn every single head when he enters a room. It's easier to understand this when hearing the creative get to work on freestyles like his recent "Cribbo." With nothing but a production setup, a fellow producer, and a mic, we get to see Supratta grinding it out in the studio within the track's accompanying visual clip. Hitting play on "Cribbo (Freestyle)," this 43-second spitfire kicks off with Joey Supratta's hard-hitting bars, posted at the cribbo, perhaps with a few substances lying around. He quickly makes it known that he's no stranger to living the hip-hop star lifestyle. We admire Joey Supratta's dominance and authority that grabs our attention with each rhythmic and articulated bar. But don't get it twisted; once he's done getting down and dirty, it's back to the album. The grind is real, whatever that might mean to you. It's truly impressive how Supratta showcased such talent within a mere 43 seconds. Need a little heat in your life? Spark a flame with Joey Supratta's hard-hitting track, "Cribbo (Freestyle)," off his new album, 'Far From Over,' now available on all digital streaming platforms. Welcome to BuzzMusic, Joey Supratta. You've truly left your mark with your recent powerhouse freestyle, "Cribbo (Freestyle)." Did you record this track all in one take? How did these bars flow so easily to you? Thank you for having me. With most of my records, I try to track my entire verse in 1 take. I like to think of my music from a "Live Performance" standpoint. If I can't perform my verse in 1 take, I shouldn't be recording it at all. Of course, with studio records, we want it to be perfect so the occasional "punch" in can happen, but I try to avoid that whenever I can. Sometimes with records like "Cribbo," you just let the beat take your mind wherever it wants to. Whatever comes to my mind first is usually what I run with. To me, that's the most natural approach when doing an "off the top" record. Do you have a history of freestyling? Would you say "Cribbo (Freestyle)" is one of your most evolved freestyles to date? I do. Growing up, friends would always ask me to freestyle and would put me on the spot at parties. All I would hear is, "ay, you have to hear Joey freestyle," and the next thing I know, a beat from YouTube would be playing, and everyone's eyes would be on me. You kinda just choose to go for it at that point, and over time your off-the-top freestyles become better and more advanced. "Cribbo" is definitely a fun, top record. It differs from your typical cipher freestyle vibe and has more of a melodic approach, which is something new to me. But it quickly became a fan favorite, especially when the visuals came out for it. How does "Cribbo (Freestyle)" fit into your new album, 'Far From Over?' How does the song match the album's vibe or concept? In all honesty, my album has a lot of deeper, more emotional records. I felt it needed a couple of upbeat records to counterbalance the others. At the end of the day tho, I feel my album has a great mixture of emotions throughout the entire project. How long was the album Far From Over in the making? What should listeners expect when hitting play on the new project? Three months. I decided to lock myself in my studio and just work. I gave myself a deadline and just went for it. The phrase "album mode" is a serious thing. Once you're locked in, you're LOCKED in. Listeners can expect melodic, emotional, relatable records from this project. As well as some raw hip-hop lyrical records we all love. It has a little bit of everything. What can listeners anticipate to see next from you? I'll continue to just do what I do best. Record more music and create more visuals. I'll always be working on something. Once I finished "Far From Over," I instantly was ready to work on my next project. As a creative person, you never want to stop. Instagram Facebook

From Brazil to New Jersey, singer-songwriter and versatile pop artist Luciano Santos has released his most personal song to date, "Glimpses." After Luciano Santos moved to New Jersey at the mere age of 10, he was introduced to iconic pop acts like Maroon 5, Hilary Duff, Jesse McCartney, Ashlee Simpson, Ryan Cabrera, and All American Rejects, Green Day, and Switchfoot. Fast forward to today, he's become an evolved and versatile pop artist that dabbles in pop-rock, alternative, and electro-pop. The new, deep single from Luciano Santos is perhaps one of the most vulnerable he's released yet. "Glimpses" is a wildly relatable tune that discusses the "what ifs" in life. What if you stayed in a relationship, school, a certain career, anything that we decided to move on from. "Part of you is ready for the new, but part of you doesn't want to let go," says Santos. Diving headfirst into "Glimpses," this cathartic tune bursts open with smooth keyboard melodies that take us into Luciano Santos's tender first verse. While singing of the blurred places and faces in his mind, he explains those sensations that come with a yearning to head back in time and change the past for a better future. However, he acknowledges that these moments are nothing but "a glimpse of what could have been," understanding that some things are better left alone. He flies through the song's second half with bold and cinematic pop-rock instrumentals that send us to the outro with nothing but reflection, passion, and hope that he made the right decision. Take a trip to the past with Luciano Santos's reflective and honest new single, "Glimpses," now available on all digital streaming platforms. Welcome to BuzzMusic, Luciano Santos. We genuinely appreciate such a relatable and personal single like your latest, "Glimpses." What inspired you to write a song about life's many "what ifs?" Hello BuzzMusic, thanks for having me. "Glimpses" is a song that I wrote after completing a semester of music school. It was the first time I was living away from home. Before that, I never had the full college experience. I found a community of friends there, and the experience was all very new to me. In the middle of the semester, I was going through some heavy anxiety, and I decided that I wasn't going to come back the next semester. At the time, it felt like the right thing to do, but I wasn't really thinking about what I was leaving behind the friends, faculty, and so on. So I got home for winter break, and I started songwriting, and that's when it hit me that I wasn't going to come back next semester. So I just kept thinking about what my life would have been like If I had stayed, and that's where the idea came from. What was your songwriting process like for "Glimpses?" Was it easy to throw yourself into such an emotional process and write your vulnerable words? The songwriting process was very therapeutic for me. It literally pulled me out of the depression that I was experiencing. First, I was playing with melodies, and then I recorded them on my phone. I found a melody that I thought I could turn into a song, then the lyrics "Don't wanna let you go...'' started flowing out of my lips. Almost the whole song was finished in 20 minutes. It's like the song was inside of me, just waiting to come out. Why did you decide to give the instrumentals for "Glimpses" this cinematic pop-rock edge? Do you feel these instrumentals help convey the urgency of your message? I knew from the start how I wanted it to sound, that pop-rock feel of maybe like a Shawn Mendes or Niall Horan song. But I gotta give props to my producer Bhauraw for creating that cinematic feel. I'm a big fan of what he did to incorporate the strings and the other instruments in a way that makes it feel like it belongs to a soundtrack of a movie or a show on TV. And I do think the instrumental is telling a story in itself and enhances the lyrics and overall message of the song. What sort of experience did you want to give listeners with "Glimpses?" Did you hope to help them make any realizations or come to conclusions about their personal decisions? I want the listeners of this song to know that they're not alone. We all, at some point in our lives, had to let go of something that we regretted afterward. Sometimes making the right decision is painful and comes at a cost. But I also want to let them know that they shouldn't be stuck in the past either. Every day is a chance to create new and beautiful memories and stories. What's next for you? I have one more single that I want to release before the summer ends, which is very different from this one. I also want to put out an EP by the end of this year and go on tour sometime in the future. Instagram Facebook

Sweetening our speakers from Vancouver, British Columbia, is a singer-songwriter, actor, and producer Josh Bogert with his whimsical new single, "Dreams." You might know Josh Bogert from his lead role as Miles Lennox on the Disney/Netflix/Family Channel series Backstage. At a mere 21 years old, Bogert has amassed over 7.7 million streams and over 1 million YouTube views. He's performed at legendary venues like Toronto's Budweiser Stage, the Scotiabank Center in Halifax, and Commonwealth Stadium in Edmonton. Now releasing his warmhearted and passionate new single, "Dreams," Josh Bogert takes listeners into an uplifting pop track with catchy melodies, relatable themes, and an overall groovy feel. The song was written and produced himself; it's the perfect introduction for new listeners to familiarize themselves with Bogert's personal songwriting and lush production. Diving headfirst into "Dreams," the tune brightly opens with samples of birds chirping alongside lighthearted piano melodies that drop into a warm electro-pop drum arrangement. Josh Bogert wastes no time tugging on our heartstrings with compelling lyrics that touch on how the sunrise feels colder, and those solo drives home are dreadful without someone special by his side. We can't help but hear some vocal similarities to a few pop icons, almost like Bogert is Canada's Ed Sheeran. He brings the perfect balance of organic instrumentals and vibrant electro-pop synths that bump through our speakers with incredible energy, playfulness, and passion. There's so much to hear in this track, but Josh Bogert keeps our attention hooked on his charming vocals and loving lyrics that relish the memories with someone dear. Lose yourself in your "Dreams" with some passionate and relatable help from Josh Bogert's new single, now available on all digital streaming platforms. Welcome to BuzzMusic, Josh Bogert. We adore the passionate and fun energy you brought to your new single, "Dreams." How did this playful pop song come about? My goal with this song was definitely to create an upbeat summer song. I wrote it near the beginning of the pandemic, and to me, the song is really about finding fun and joy in difficult situations. The song sounds fun and happy, but the lyrics have a deeper meaning. It’s about finding a happy moment within a more tragic story. What was your songwriting process like for "Dreams"? Was it easy to convey your thoughts and emotions through lyrics? “Dreams” came to me very quickly and easily. I usually like to collaborate and co-write my songs, but this is one of the few songs that I wrote alone. I find it hard to remember the writing process, it’s like the lyrics flowed through me, and all of a sudden the song was done! I loved it immediately and when I started sharing it with my friends and family, everyone was really into it. How do you hope to make listeners feel when hearing "Dreams?” What do you want them to experience? I want this song to make listeners feel good, and I hope it’s the soundtrack to many good times! I also want listeners to be able to connect to the song through their own stories and experiences. Along with the single release, there is also a stunning music video out now for “Dreams!” Tell us a bit about the inspiration behind the new video. I wanted this music video to look like an actual dream and provide a unique perspective on the story in the lyrics. I took a road trip to Tofino on the west coast of Vancouver Island with a few of my best friends, and we shot the video in two days while having an absolute blast! What's next for you? I have so many new songs to share with the world, and now that things are ramping up again I’m pumped to be getting back on the live stage! Instagram Facebook

Scratching beneath the surface of what might appear to be your average concert film, Scott Howard's trailblazing experience, the World Ascension Tour (A Lightworker's Journey), marks a significant milestone in the age of virtual live performances. Recorded live at Village Studios, not only is it the first concert film shot in 432 Hz, but it takes a deep dive into the realm of the unknown to keep viewers on the edge of their seats. Alongside Howard is his band, which presents a stimulating audio experience that spurs a drive for higher knowledge and wisdom. As Howard and co. bang out two of the artist's landmark albums; viewers can also catch rare behind-the-scenes footage of him during an exclusive interview. Besides Howard's familiar tunes, the most exhilarating part of this audio/visual experience is the footage and evidence of otherwordly events happening right before our eyes. Such occurrences encourage us to tap into our spiritual selves and ask some mind-boggling questions about the essence of our existence. There's much to experience with the World Ascension Tour (A Lightworker's Journey), taking place at the staple Los Angeles venue that hosted other notable acts like Bob Dylan, Fleetwood Mac, Dr. Dre, Lady Gaga, and more. After losing his son, Maxx, Howard turned to music as a needed outlet, tracking his peaks and valleys while dedicating the rest of his endeavors to helping others in difficult times. "The music I write hopefully awakens people to the fact that we are all priceless. Our souls, our spirits are all irreplaceable," he explains in an interview. Click here to watch Scott Howard's World Ascension Tour (A Lightworker's Journey), and for more information, visit his website. Welcome to BuzzMusic, Scott Howard. You've truly moved us with your trailblazing concert film, the World Ascension Tour (A Lightworker's Journey). When did you begin feeling inspired to create this multi-dimensional experience? In 2017, I went through and Awakening where Source or the Game of Life Masters felt I had enough time playing around and I was going to be needed in my Soul Mission to help raise the vibration with Music from Source in 432Hz. This literal Awakening was like a DMT Trip (without the drugs). I have researched it and I believe my Hypothalamus became active which with threw me into a higher vibration. I was shown beyond the Veil. To say, I was freaked out was an understatement. It was like “Lord of the Ring …Middle-Earth”, The veil was pulled back for my “minds eye” to see. I was changing…as was the world around me... EVERTHING was and is Alive, down to the wind, Rocks, water, and sky. A year later, my son Maxx was Taken at 29…. Because of an accidental drug overdose. The visions I saw alerted me to a coming time when Touring was not going to be an option for this reality. In 2019, I actually tried recording a rehearsal but it just didn’t work out….research was needed. I knew, there was a lot of people out there seeing and feeling things they could not explain. NOTHING was making sense anymore.. what was up was down, what & Who we thought was good was bad… People were coming out of a FOG that had lasted for literally a thousand years and had no idea WTF was going on, and who had answers. Censorship was coming like WW2, we were the Frog on the Hotplate and the heat was becoming uncomfortable. Thus, I knew I had to find a way to perform and get it out there but try to hide the intent of the content… I was Censored by numerous platforms, and was not allowed to use a description of what the film was about, only the name and year… and IF you did NOT type the name of the Concert Film “World Ascension Tour…(A LightWorkers Journey)…LIVE at Village Studios in 432Hz” you got a TRUCK RALLY!!! LOL. https://open.spotify.com/artist/1QWRzTJyoNrzO0V2ken2oy?si=cYum27nLRw266BnxsuCxIw https://open.spotify.com/playlist/1BUQHMVA6pdgStdaN3DfDf?si=a5268fc9aa8e48a9 In addition, the Soundtrack “World Ascension Tour LIVE at Village Studios in 432Hz” is the first Concert Film available in VINYL and recorded/broadcasted in 432Hz…(to help raise the listeners frequency) so the Sound is amazing… Not to mention the Vinylphiles now have a great gift for Father’s Day or Easter…😉 The Turntables are great these days and not that expensive. When I got my first draft of the record, I was so excited…but then I realized, I didn’t have a Turntable!! LOL .. (I got a Music Hall turntable starting at about $299). Tell us why you chose "A Lightworker's Journey" as the title? The actual Title is “A World Ascension Tour…LIVE at Village Studios in 432Hz” (A LIghtWorkers Journey actually is going to be my upcoming 300 page Ebook, which chronicles my Awakening, WITH photos that will rethink the way your view this world. I seem to know the names of my albums beforehand. The synchronistic experiences initially frightened me but as time went on, I became used to it and understood, I as well as all the Awakened soul sparks (as there is only ONE SOUL IN THE UNIVERSE and we are but a fractal of the one Source, hence Soul Spark). All beings in this holographic matrix are Lightworkers and have a mission to Awaken those still asleep & SHINE… help Mother Earth with her Ascension to 5D and raise our vibration with hers so we don’t end up being shaken off like a dog with Fleas (WE are the Fleas)… THIS is not going to happen, as the Light-Workers have Awakened many and “those waking” now understand the façade perpetrated upon us by the Deep State. Our history, our Education, medicine, all the Wars, supporting news propaganda to cull humankind. I do prey hopefully the music that has been written, has resonated with as many as possible and grows organically. As “ The journey that we all must take, ends up on….up on higher ground”….(The Queen of Hearts - The Language of Clouds EP available in CD, or downloads on all platforms). Hence, the journey begins with the Awakening of us all in the “here and now”…..and merging with the only truth in this galactic soul school matrix…”OUR HIGHER SELF”. Why did you want to deliver footage and evidence of otherworldly occurrences within the World Ascension Tour (A Lightworker's Journey)? Why was this of interest to you? The Subject matter of the Concert music in 432Hz is to enlighten and pull back the veil of our hidden World that we do not see. I am finishing an eBook called "A LightWorker Journey”… We have been MIS-EDUCATED on EVERYTHING (perhaps UN/DE-Educated is a better way of putting things), including our World, our Maps, all our Math & Science books are not acurate, not one book on this planet is right(formulas are wrong), history books ALL LIES, which are not 95% physical and 5% spiritual but are actually 95% spiritual and 5% physical…. Magic is REAL…Time travel, Stargates, the Star trek universe is all REAL… as are the hidden beings we do not see…. And who we really are….we are Source… What we are seeing is our normal World. With Timelines constantly changing, our World is moving up to 5D; thus, the music mirrors this hidden World and the journey that WE as a species must Awaken to. this Concert Film is the first broadcast at 432Hz. This OTHER-WORLDLY content in the Concert, is all the multiverse of our Worlds… hence, hopefully, the whole family will enjoy the music and content designed to begin their JOURNEYS to 5D… Why did you choose to shoot the World Ascension Tour (A Lightworker's Journey) in 432 Hz? What significance does 432 Hz hold? “THE PEACE OF ALL…OUTWAY WARS THAT BENEFIT THE FEW”….IF I MAY, A BIT OF A HIS-STORY, during WW2 the Nazi’s who have never left this world and have kept us in a slowly darkening reality, knew EVERTHING is frequency… EVERTHING… you can walk through walls if your vibration is higher than the frequency of the walls … so right now, Mother earth has been for thousands of years, holding its frequency in a low vibration because of the DEEP STATE has been using Humans, so that we could continue to be an “Energy Source” for them (Just like the Matrix, so movies are NOT fantasy but ways of telling us partial truths so the Dark ones can say, we told you, and you paid for the ticket so now we can abuse you forever... Not a happy thought, but a harsh reality.… SOOOOOO…..Stop watching TV!! The Propaganda networks are designed to build fear…which is a food staple for them, called “Lushe”(spelling might be off). The Nazi’s which the worse onces are where??? UKRAINE… Even the Nazis were afraid of the Nazis in Ukraine!! So, the frequencies of all broadcasting, movies, TV, radio, musical instruments were recalibrated to 440Hz.. to lower our resonance. The music and frequency in the ancient past was higher, and we as beings were higher vibration and used more of our mental power. The World was different then, Oxygen was much denser/higher, and Gravity was less…THUS, things grew to immense sizes. By raising the frequency to 432Hz, which is where ALL music and broadcasting SHOULD BE BROADCASTED will help us all with our Journey of Ascension or Awakening and become more of a Light-bearing Chrystal being…. . What do you hope to make the viewer realize and think when watching the mind-boggling footage? We are not in Kansas anymore…. I don't know if we ever were… the World is an AMAZING place… and in 2012, we went off script, like in a “West-World” reality… The Timeline since then, we have pretty much been winging it… hence, the reality is IN NO WAY WHAT you believe to be true.. History and Bible is all FAKE NEWS(a propaganda if you will), books have been removed to make the-story/”his-story”(AGAIN, Words are important as are Lyrics, HIS – STORY…. Hence, this word means the fictional account written by HIM or HIS STORY…… just that…. The Account of HIS STORY). The true account is more STAR WARS MEETS STAR TREK…and their HIS-STORY was to create religion(s) that places all against each other. The goal of the silent power to keep us all separated and living in a fog & fear & Hate, we are not designed for these emotions…. Just LOVE. The real story is about Dimensional beings that have manipulated our Genes, our World, history, archaic medicine technology and archeology. The truth of world politics are lies(duh), and the governments of the World are about to be changed in a big way…The money system IS crumbling and about to be replaced by “Rainbow Currency” backed by Gold, and everything in Movies, pretty much is real…. Many feel…because it was in a movie, it can't be real….sorry, but there is life on every planet in this solar system, Jupiter, the moon of Ganymede, the Sun is a travel portal, and the Elite or TOMORROW LAND POPULATION, is real….. The movie Midnight Special is real… I have the photos to prove that there is a “higher frequency reality” cloaked attached to our own buildings. These photos will be in my eBook," A LightWorkers Journey" .its time to AWAKEN or begin your journey; hopefully, the thought-provoking images and the music will joggle the mind enough to Wake people; up out of their self-imposed slumber… The music I have has brought people to realize we all have a soul mission and have a job to do. I do hope I am doing mine and will continue to resonate with as many as possible. My next album is called "Angel Numbers," and I hope to get in the studio very soon to record. I think it will be an amazing story to continue to tell.. as all my albums are but real stories of past lives and the” Life of all humankind”… I have also just added 4 songs to my story on Spotify “Mother Earth, Past Life Lovers., Mad Man & Regrets” which can be heard (https://open.spotify.com/artist/1QWRzTJyoNrzO0V2ken2oy?si=cYum27nLRw266BnxsuCxIw). Last, The music business that hurts a Musician’s Art, but it must be said… It is impossible to record music let alone, tour as an individual artist or Indie in my case a NEW GENRE OF MUSIC ENTIRELY….SOURCE MUSIC in 432Hz …. based on how they are now watering down royalties, then choosing what Royalty Streams, they choose to pay. I am thinking of setting up gofundme.com account to help raise funds and cover expenses for Studio and musicians as the current environment with distributors and social platforms have been taking quite the liberty with what they will pay royalties on and what the platforms” will” pay for(sobering). I don’t see how a musician can make a living with less than a penny a stream, then they Censor you, and then the distributors end up paying out about 10% of the watered down Royalties, they actually owe you. The only way to survive is to Tour, record Albums and market directly without the middle -person but again, they have all the existing platforms. It is a chicken and Egg (Which actually is the name of another song, that is on this album!!!! LOL…The NEXT after Angel Numbers will be “The Tree of Life”…. But they want the music dead and neutered as Music can create revolutions….we need one about now.. For a copy of the artwork for Angel Numbers go to my website and leave a request. The first 5 people that go to scotthowardmusic.com, and fill out the Contact form with all info, will receive a Vinyl Record . The Next 20 will receive tickets to the Concert Film “World Ascension Tour LIVE at Village Studios in 432” on Vimeo (Free download) and the last 18 will receive a free download of “The Language of Clouds in 432Hz”. The Following is the list of Songs on “ANGEL NUMBERS” the Next Album, Angel Numbers A Godless Land Broken Peace The Name A Sound Never Heard Before We are Forever The Lost Art of Truth Last Lifetime Timelines in Our Minds This Feeling Called Love Please keep an eye out on www.gofundme.com for the raising of funds for: ”Angel Numbers…in 432Hz”. WEBSITE: scotthowardmusic.com Spotify: https://open.spotify.com/playlist/1BUQHMVA6pdgStdaN3DfDf?si=a5268fc9aa8e48a9 Instagram : https://www.instagram.com/scotthowardmusic/ WEBSITE

While Alabama's artist JeremY Caesar was gifted in more than one field and played football, he felt that music was his favorite form of self-expression. JeremY is known for his blend of Hip-Hop, Punk Rock, and Punk, incorporating them all into his unique style, creating music that's therapeutic for both the listener and himself. Kanye West and Jimi Hendrix are among JeremY's biggest influences. He finds peace in nature as well, which can also serve as an inspiration. Since 2015 he has been working on his individual sound, perfecting his musical personality with drive and talent. Aiming for the Grammys in the near future, JeremY Caesar is an artist to keep an eye on. JeremY's electric vocals are the heart of his new, energetic, mind-boggling record, "Bleed." The raw lyrics and vivid pictures take you on a journey into the mind of JeremY Caesar, keeping you moving from the jump. We instantly receive and intake the energy brought across in "Bleed," as if we were experiencing the raw emotions first-hand. JeremY ignited this record with his electrifying verses and raw vocals, creating anticipation and an epic atmosphere to experience. The production on "Bleed" help drive this record's energy off the charts with its heavy, addictive bassline keeping you glued to the sound. Stay tuned for the full article and interview with the jaw-dropping and electrifying, JeremY Caesar soon. Instagram

Hailing from Giessen, Germany, is singer-songwriters and producers So Soon with their latest ethereal and introspective single, "Rest." So Soon is multi-instrumentalists and producers David Stöbener and Marco Braun. Together, they create multi-layered music with a touch of personal lyricism. Their songs are incredibly honest and reflect on the idea of growing up through temporary emotional states, spontaneous impulses, and themes of despair, hope, and joy. Now, So Soon brings those themes to life in one compact and chilling single, "Rest." They also released a psychedelic lyric video for the piece, helping listeners sing along to this cathartic and emotional piece. Both Stöbener and Braun bring such mesmerizing sounds and vocals to this piece, and we're sure it will take their careers to new peaks. Diving headfirst into "Rest," the song smoothly opens with pulsating synth arrangements that glitter and gleam into the first verse. As Stöbener's bright and emotional vocals pour through our speakers, he sets the scene with lyrics about knowing how the story goes, even though it might not go your way from time to time. But at the end of the day, "Rest" is necessary. So Soon later blasts the speakers with a wailing electric guitar solo that ramps up the energy and alternative feel. It's safe to say that So Soon's sound is dynamic and versatile, as they perfectly present that within this catchy and euphoric piece. It offers hints of Tame Impala meets Oliver Tree, but with So Soon's authentic and chilling twist. Do yourself a favor and catch some needed "Rest" with help from the sweet sonics in So Soon's latest single, now available on all digital streaming platforms. Welcome to BuzzMusic, So Soon. We're very impressed with the diverse and unique sounds in your new single, "Rest." What inspired the song's theme and concept? Marco: Hello from our side! First of all, thank you so much for these kind words and for having us on BuzzMusic. We are super excited that we get such amazing feedback and that an awesome music magazine from the US wants to write about us. David: The song “Rest“ basically is a mantra to ourselves or to anyone who is willing to listen. It’s about being caught in prescribed life models in a world where there are so many possibilities that one feels overwhelmed by everything. The world moves so fast that our bodies and especially minds are constantly in motion and we forget to take care of ourselves. The song is a reminder to do exactly that: take care of yourself and rest. Could you expand on what the Giessen music scene is like? How does your duo stand out amid all the talented acts in your city? David: I would say we are not exclusively located in Giessen. We are mostly rehearsing in Wiesbaden and often produce at different places, for example in our childhood hometown in the South of Germany or at our friend’s studio in Cologne. Nonetheless, Giessen has a lot of music-related things going on. The university where we both studied, a bunch of festivals and concerts, some techno clubs and a lot of nice bands and musicians that are well known like OK KID or L‘aupaire. Marco: Due to covid-19 we didn’t really have the chance to actively participate in the local music scene as So Soon. But we will be playing a really nice festival in the city in June alongside some other phenomenal German acts. A thing that sets us apart from other acts is that we have known each other for such a long time. We went to high school together; we studied together; we lived together and we’re just very good friends. Both of us play multiple instruments so we can basically do all the production on our own. Also, the overall sound and texture hopefully make our music unique and stand out. What was your creative process like for "Rest?" How did your duo go about creating your production, instrumentals, and lyrics? Marco: It started with this textural drone that can be heard in the intro of the song. Right away, there was a certain forward motion and we kind of knew that this was going somewhere. Then I grabbed my guitar and the first thing I played was these 3 chords. They are arranged in a 3 bar phrase which is rather unusual, but somehow it’s not really obvious or distracting...and I didn’t write it that way on purpose...it just happened. Next, we added the drums and improvised some possible melody lines over the chords. We just looped what we already had and I came up with this little solo guitar part. The song kind of created its own momentum and we knew how it had to be structured and what it should sound like. We added a lot of sound layers with synthesizers, additional guitars, and other textural sounds. Most of that is just recording a lot of different stuff and then trying to find out what sounds cool and fits the mood of the song. After finishing the production, we had a friend from Cologne mix our already premixed version of the song. For the lyrics, I had some lines and ideas sketched up in my notebook and brought them to the session when we wanted to record David’s lead vocal parts. Together with our drummer Jonathan, we tweaked the lines to fit the melody and added some other parts. Did you want listeners to think or feel anything after hearing "Rest?" What did you want them to experience? David: We ourselves got so much out of other people’s music that we just want to create similar moments and capture different things in the framework of a song. It’s very cool when people can connect to our music and the stuff that is being said in the lyrics. But “Rest“ was first of all a reminder to ourselves, something that we realized we should do more often. If anyone can identify with that and profit from what we have to say, that is awesome, but we don’t see ourselves as some kind of preachers that discovered a certain truth. It’s almost like we try to put things we experience into songs so we can understand them better ourselves. As far as the listening experience goes, we really try to create our songs in a way so you can discover new stuff after listening to them multiple times. We’re sometimes a little obsessed with details. So overall a nice reaction to the song “Rest“ would be something like, "What was that? I want to listen to it again!" What's next for you? The next thing coming up is the release of our third single and our EP in June. We are also playing some shows and festivals in Germany during the summer which is super exciting. The biggest thing coming up will probably be the recording session for our album. We already have the songs but kind of need to shape them and re-record a lot of stuff that doesn’t sound as good as we want it to sound. We are really looking forward to the next few months and are very excited about where this journey leads us. Instagram