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Emerging artist and singer-songwriter Essa brings a melodious sound to mainstream music. Essa is proudly a Southern girl, found her love for music at the age of 7. Inspired by legendary artists such as Whitney Houston, Beyonce, Mariah Carey, Rihanna, Lauryn Hill to Prince, Chaka Khan, Anita Baker, and Stevie Wonder, she uses music and various forms of art to inspire and impact culture. The harmonious bliss that reigns from the dreamscape resonance of “Many Colors,” has us swooning to the delivery of Essa’s angelic timbres. The instrumentation hones in on the essence of structure as it is constructed on a firm foundation of rhythmic patterns. Essa’s euphonious vocals act as the main driving component for this particular track, and we admire the agility that wide vocal range fills. Through an array of intricately crafted lyrics, we hear Essa propel a narrative of love and the numerous colors that one embodies in their aura. Being a vocalist, Essa is no stranger to showcasing her artistic techniques through a high octane performance filled to the brim with passion. There’s a brilliance that lies in the undertones of her contagious energy as the melismatic hues emitted seamlessly cascade over a soundscape meant for the flourishing artist. Taking in all that she has to offer, we’re thrilled to be grasping the raw emotion of her intrapersonal warmth that flexes a sense of comfort in the heartrending croons portrayed. As she continues to take listeners by the hand, and invite them into her soothing embrace, we appreciate Essa for the sentimental tenors that she graciously allows us to be part of. Welcome to BuzzMusic Essa. The release of “Many Colors,” explores your talents in such an in-depth manner. Could you please share the narrative that is laced into the lyrics we hear you singing? I starting writing the song "Many Colors" back in 2019 and finished it in 2020. The song's lyrics were a combination of people, experiences, and emotions I've encountered over that timeframe. I wanted to use "colors" as a metaphor to describe the character or role of a special person in our lives and how they have positively impacted us. Like so many of us all, 2020 was a rough year. We experienced devastation, sadness, loneliness, and loss. Personally, I felt depressed with all that was going on around us. I felt a flood of emotions of not being good enough and deemed weird from past rejection. The most challenging and awful experience occurred when my father passed away in 2020, like so many others I experienced loss. I was so focused on the negatives, I overlooked the positives. I remember the times I was in need and someone provided me with food or cash. I remembered the smiles and kind words I received from strangers and people that loved me. I remembered the sweet memories I had with my father, even leading up to his death. I remembered bible scriptures I've read about God's unfailing love for us all! I reflected on the good, love, and unity in humanity despite the tragedy! Now, I know angels live on earth. They are people we encounter and live with. They are world changers, amazing lovers, lifesavers, and some of our greatest friends. What did the creative process look like when you brought this song to life? Did anyone assist you in turning this vision into a reality? The creative process was very challenging at first. I kept rewriting the song and even faced some adversity. Being an independent artist has its rewards, but it isn't easy. I first released "Many Colors" in 2020. Later, I felt like the song wasn't finished, I kept envisioning and hearing something else deep in my soul. Lol! I'm a visionary and I love to express myself through different forms of art, so I had this vision for the song and music video. I set my release date and music video for 2021. I wanted it to be a song that captured the heart and feet of my listeners. Something they can kind of move to, something a little different, yet a song they can sing to someone they really care about. We went back to the mixing board. I had some things added and changed. After I heard the final product, I knew it was time to create my first music video. A lot of work, though, time and work went into this project. I'm grateful for the very talented musicians and producers who assisted me with the song production. Shout out to Sauvey, Mr. Sharod Virtuous, Derek Garten, and the team at the Tha Underground Studio. I could not have done it without them! There are some whispers about you currently working on your album; which we can’t wait to hear! What are you able to tell your audience about what’s in store with this body of work? Well, I'm pretty excited. I will always try my best to give my best. However, I don't want to give anything out. Hopefully, it will be a creative piece that they will love, need and listen to years from now. I just hope it positively impacts lives and just live their life. What are you hoping that your listeners take away from a song like “Many Colors?" I hope they realize they are not alone in this world. They are worthy of love, regardless of their imperfections. We're all different and beautiful. It's okay to forgive and heal. Live and love again. What's next for you? After my album release. Honestly, I don't know. I have some hopes for some great opportunities and some things in the working. However, I'm trusting God and focused on living out my purpose and looking to help make a difference in this world. Instagram Facebook

Based in the UK, Reno & Rome is an up-and-coming collective that rides an ever-changing wave between the genres of Indie-Rock and 80’s Pop. Consisting of 4 members, the group appeals to their growing fan base with texturized instrumentation and fashionable production. Each member brings a unique perspective to the table, allowing for a musical versatility that brings fans something new every time. Between releases of their original music, Reno & Rome keeps their fans engaged by releasing covers that showcase their unique sound. The dedicated band aims to share a motivational message of confidence by encouraging listeners to be themselves by seamlessly weaving mantras of self-love into their storytelling lyrics. In a recent interview with BuzzMusic, Reno & Rome describes the inspiration behind their most recent single “Paralysed.” The group explained, “we have so many influences between us so it’s always a grand feeling when we manage to collate all the genres, we love into one song. The story behind Paralysed was an employed character that is besotted with someone to the point of being unhealthy. The verses explain the point of view that you should have the confidence to say something but are too afraid, whereas the chorus conveys the message of just going for it while you have the chance.” Read more with Reno & Rome here. Instagram Facebook

With a home at TOO LOUD Records, the heavy-hitting band, Freakshow, delves into Metal elements as they lace Hip-hop tenors into their in-your-face sound. Planning to bring the best of themselves to their label and the world, they continue to work diligently on producing quality content that’s sure to shake your speakers. Debuting with a song that hits in a weighty manner, we take a deep plunge into their latest single release, “Waste,” a sense of urgency is transmitted through the sustaining essence of the foreboding hues in the musicality. Through a vibrant production quality that allows the emotion-fueled in the lead vocals to collide with chugging guitar riffs and colossal drum patterns, the mind-altering fusion of the amplified rhythm instilled into “Waste,” has us grasping the thunderous peaks and valleys of this arrangement. Freakshow illuminates their talents in the lurking depths of shadowy quintessence. There’s something vastly unique about the way they string together a composition. Honing in on a nostalgic state of the genres that they seamlessly merge together, we hear a creeping passion of the new wave artillery that they have locked and loaded in this high octane performance. With each yearning timbre simmering in a reverberated vessel of rage, the chambered effect has us eager to peek into Freakshow’s lens of authenticity as they drown listeners in the bolstered grooves of their music. Bellowing from the pits of inimitable energy, we admire the vivacious world that Freakshow lures us into the resonance of “Waste.” Welcome to BuzzMusic, Freakshow, and congratulations on the release of your debut single, “Waste.” The entire soundscape gives us an ominous entry into your musical universe, and we love that. Could you please take us into the significance of “Waste?” Hello, yes let’s get to it! WASTE~ well kids today having the online life is mostly spent inside a computer or in their hands on a phone or tablet..they need to live their life not imagine it! What inspired you to bring this creation to life? What are you hoping that your audience takes away from the themes of this song? Inspiration in itself is an offering of the mind.. thought patterns of creation, the world around me, the universe brings gifts that we bring to the listener, it’s a positive message during negative times. Carrying such a unique sound, how long did it take for you to discover the methods that you apply to your music today? What is each member’s role, and how did they contribute to the vision of “Waste?” For myself, it was an easy transition from Melodic Death metal to this type of music I started with the tuning and went from there... well the band works together to bring the best out of the writing. What is your mission statement as a band? we want to bring something a little different to the table so to speak..positive energy and some dark-sided stuff as you know we are not perfect would like to shine a light on every aspect of being human.

Hailing from Finland, ODEONS is comprised of rock/pop producer duo Mikko Jaakkola and Pati. Their sound mixes elements of modern electronic pop with the rawness and sophistication of rock acts like Bush, Muse, and Faith No More. When the duo first met back in 2013, they decided to break through with their signature guitar-based music. Although they have had several bands along the way, the challenge was to find an equally ambitious singer. So, in 2020 they agreed to start a producer duo that will collaborate with driven singers around the globe. Collaborating with Australian vocalist JOEY DJIA on their latest release, “I Can’t Pretend,” the R&B essence of the atmospheric timbres thrives in the 80’s styled rock-infused universe produced by the musical instrumentation. Worlds collide as the narrative flourishes on the themes of toxic love, and the ultimate soundscape offers up a sound that is both intimate and sanctioning. Elusively flowing through lush guitar riffs, ambient synths, and jaunty drum patterns, we can’t help but sway to the vibrancy that surfaces from such a buoyant realm of musicality. JOEY DJIA’s soulful lyrical motifs paint vivid imagery to accompany the thesis of “I Can’t Pretend,” as we dive into the great depths of a tale progressing through the motions of coming to the breaking point in your toxic surroundings. When Grammy award-winning producer Sylvia Massy stated, ‘these guys know how to write guitar-driven music,’ we just had to find out for ourselves; and wow, this statement definitely holds up. There’s something so strikingly beautiful about giving such a negative subject the radiant effervescence that would normally pertain to a feel-good storyline. By doing so, what ODEONS proves is that there is beauty in the moments where life puts a halt to what is no longer meant for you and instead turns you around to be on the path destined for you. Welcome to BuzzMusic, ODEONS. The entire way that “I Can’t Pretend,” is presented, leaves us wanting more! What was it like working with JOEY DJIA in order to bring this vision to life? Thanks for giving us the opportunity to be featured in BuzzMusic! We are very pleased that you like the song and the collaboration with Joey Djia! Working with Joey Djia has been a pleasure through and through. First and foremost she is an amazing, down-to-earth personality with true professionalism shining bright in all aspects of her career. She can do so many things with a sincere passion and vision that working with her elevates your own craft to the next level! When we discovered Joey Djia as an artist it was our dream to collaborate on a song that has a distinct rock vibe. When Joey Djia liked the initial idea, it was very rewarding to get her input on approaching and producing the song. The final result is a song that brings ODEONS fully into the forefront of modern pop music and it features our unique rock and alternative infused sound. Could you please share a glimpse of what the creative process looked like when creating “I Can’t Pretend?" The main guitar riff at the core of the song was created from a few separate parts that we had in our "riff library". As we are true riff enthusiasts, we have a huge riff library! The guitar riff and the beats had a distinct pulse and drive to them that got us thinking about making it into an emotional, yet uplifting song. A song that you can listen to full-on when the sun is hot, or you can listen to it in your bed as the rain drums on the window. Once we had the rough version of the song we approached Joey Djia and were thrilled that she liked the idea for a collaboration. Joey Djia also did the lyrics which fit superbly into the musical landscape! How does the soundscape of this record compare to previously released songs? The whole concept of ODEONS is to collaborate with global music talents and artists to discover exciting new avenues in the realms of pop and rock. "I can't pretend" is the perfect forerunner of the rising trend in pop music where pop sensibilities and hooks are perfectly married to rock and alternative arrangements. In ODEONS that sound is what we are all about! What musical and non-musical influences help to shape the sound you have uniquely created for yourself? Our musical influences are very extensive. Tool is probably our favorite band of all time! Then again we also love A-ha, Billie Eilish, Tash Sultana, Dredg, The National, and Crowded House. The list goes on... So basically when you start mixing Tool and Crowded House with A-ha and Billie Eilish you end up with a very catchy and positively intoxicating concoction. We also draw a lot of inspiration from other aspects of culture and life in general. Literature, art, and nature are very close to our hearts. Since we are from Scandinavia; Sauna, ice swimming, and the four seasons also keep us going! What can listeners anticipate to hear next from you? In June we will put our rock pants on as we will release a song called "Not the One". That song is about self-empowerment and finding your own freedom in life no matter the odds. That song will be the next chapter in our revision of the rock genre and a successor to our first rock single "Allowed to Fall". Jeff Friedl from A Perfect Circle plays the drums on the track. Getting Jeff onboard was amazing! We have many new releases planned for 2021 and onwards! Instagram Facebook

Taking us on a journey through the mountains of Prescott, Arizona, the versatile three-piece band Ponderosa Grove releases a thorough 11-track album entitled 'The Debut.' Comprised of Candace Devine, Drew Hall, and Johan Glidden, the three beating hearts that makeup Ponderosa Grove are eager to push this album and introduce listeners to their versatile and dynamic sounds. Through their combination of unique sounds, voices, and influences, Ponderosa Grove promises to leave listeners captivated with each release. Without further ado, let's dive right into the trio's debut album, 'The Debut.' Opening the album is the exciting introductory track, "Slowing Down in Real Time," which begins with Ponderosa Grove's unique acapella harmonies that encourage listeners to look up from their phones and experience real-life at hand. As the warm instrumentation begins making its sonic appearance, we're met with a groovy bassline, upbeat brass tones, a plucky electric guitar, and lively drum breaks. As Candace Devine brings us to our knees with her powerful and influential vocals, she's accompanied by the savory tones of Drew Hall and Johan Glidden, who later close the song with the utmost excitement and enthusiasm, perfectly starting the album on a powerful note. Taking the album's second track for a spin, "Freedom Ride" opens with Candace Devine's soulful and powerful vocals that take us through a sweet sonic journey alongside Ponderosa Grove's groovy instrumentation. As they begin fueling our speakers with an upbeat brass section that stands out in the foreground, Candace Devine is later met with a plucky bassline that complements her savory and flavorful vocal tones. As she makes her way to the outro alongside Johan Glidden's lively background vocals, the track comes to a sweet and soulful end with help from the dynamic and cinematic instrumentals, as they keep us hooked from beginning to end. Taking a trip down the "Waterline," we can't help but feel a soulful and haunting similarity to Fleetwood Mac through this song's tender, groovy, and hearty instrumentation. As Candace Devine later makes another sweet and memorable vocal appearance, she delves into the song's lyricism that touches on picturesque scenes of taking your time by the waterline and keeping hope for brighter days to grace you on life's dynamic journey. We truly can't get enough of this song's gentle and chilling atmosphere, as Ponderosa Grove truly transports us back to the 70s with this mesmerizing and dreamy tune. With added harmonies from Johan Glidden, the song comes to a gentle and warm end. Gracing our speakers with the next track, "It Never Rains," this track highlights the captivating vocals of Johan Glidden, who opens the song with a lyricism that touches on feeling swamped from life's trials and tribulations while wishing for a sweet downpour. While he's accompanied by tender piano melodies, the instrumentation later transforms into yet another soulful and chilling approach through Ponderosa Grove's haunting harmonies, a thrilling electric guitar, mid-tempo drum breaks, and a powerful piano lead. Four tracks into the album, and we're already swooned by the versatile and talented stylings of Ponderosa Grove. As the song comes to a close, we're left in a sweet trance that keeps us floating above our stratosphere. Reaching the album's fifth track, "Til Tomorrow," this song opens with another haunting electric guitar melody accompanied by Candace Devine and Johan Glidden's stunning vocal compilation as they begin the song on an introspective and reflective note. While continuing their ominous and dreamy venture, Candace Devine later crashes into her powerful vocal stylings alongside the heavy drum breaks and soothing background harmonies. We're truly in awe of Ponderosa Grove's vocals and instrumentation, as they never fail to leave us in a dream-like state while also waking us up with their fiery transitions and instrumental switch-ups that move sonic mountains. Landing on the album's midway point with "Save My Soul," this is where Ponderosa Grove comes to life. As the song opens with the heaviest of downtempo drum breaks accompanied by an eerie and chilling vocal harmony, Candace Devine later makes her way in while leaving us mesmerized with her brilliant raspy vocals that complement the song's grit and power. While she begins yearning for someone to save her soul and get her out of these dreadful nights, Ponderosa Grove later expands their instrumentation with crashing drum breaks and haunting rhythm guitar melodies, leaving us banging our heads and stomping our feet to the fiery beat. Slowing it down with the next piece, "You Got Me," the song gently opens with reverbed electric guitar picking and Candace Devine's calming vocal stylings. While she begins touching on a love that keeps her going through life's ups and downs, she beings mustering all the power and courage to serenade the one she loves alongside Drew Hall and Johan Glidden's soothing vocal harmonies. We absolutely adore the poetic lyricism and dream-like instrumentation that's captured in this ballad, as Ponderosa Grove is constantly proving their unique versatility and musical approaches through various tracks within this incredible project. Haunting our speakers with their intense vocal harmonies on the next track, "One Seat," the song opens with a brilliant vocal introduction that later shifts into Johan Glidden's magnetic stylings. As he begins singing about feeling alone on his journey through life, he touches on themes of finding peace and serenity while seizing the opportunities he's granted with. Although this song is rather delicate and gentle in sound, it truly speakers a loud and powerful message. Especially as the instrumentals begin to expand, Ponderosa Grove leads us down the song's cheerful and uplifting atmosphere while closing it off with the utmost heart and passion. Taking us through a shimmering sonic atmosphere with the next track, "Love," we're met with a tender and nostalgic instrumental introduction through soft drum arrangements and plucky electric guitar melodies. As Candace Devine takes on yet another passionate and soulful ballad, she sweeps us off our feet with her broad vocal range that touches on a love that's done a number on her. With the addition of a sparkling and shimmering organ, we can't help but feel another nostalgic sonic approach that sends us back in time. This track is truly a breath of fresh air, as Ponderosa Grove perfectly captures the essence of sonic and lyrical love. Sending us into sonic bliss with the tenth track, "Holding Me Back," the song begins with a gentle and calming instrumental arrangement accompanied by Candace Devine's mesmerizing vocals. As Ponderosa Grove makes their way to the catchy hook, they fuel our speakers with their chilling harmonies once again while basking in the warmth of their tender and soulful instrumentals. We love the ease and serenity of this song, as it reminds us of prime-time country instrumentals merged with soul and folk-rock. The highlight of this song has to be the soulful and powerful hook, as Ponderosa Grove leaves us in a trance with their relatable lyricism and chilling instrumentals. Closing the album off with the soothing outro track, "Into The Blue," the piece gently opens with peaceful acoustic guitar picking accompanied by a tender piano melody and calming drum breaks. As Candace Devine begins serenading us with her lullaby-like vocals, she later touches on taking accountability for the wrongs she's done while acknowledging the love that's knocking at her door. We adore the major to minor shifts that Ponderosa Grove delivers within this song and the entire album, as they truly bring us into a chilling and passionate cinematic experience. As they close the album with this beautiful and serene outro track, Ponderosa Grove truly leaves us feeling as refreshed and rejuvenated as ever. We haven't been this impressed by a debut album in a while, and we're sure that Ponderosa Grove will continue exceeding our expectations with their future releases. Find the 11-track album, 'The Debut,' on all digital streaming platforms. A warm welcome back to BuzzMusic, Ponderosa Grove. We're heavily entranced by your 11-track album, 'The Debut.' When did you begin writing songs and instrumentals for this album? How long was the project in the making? We started writing during the shutdown of Covid. As musicians, (as everyone will understand) all of our work also shut down. If you're used to playing often as we all are, we found ourselves going a little stir crazy missing the stage and the connection to audiences. So we just dug in and started writing. More for a therapeutic outlet of normalcy than a plan for an album. But we looked up and all of a sudden we had an album + worth of songs and it seemed instantly like a good idea to make an album. When writing your lyrics for the album, 'The Debut,' did you bestow this responsibility upon one sole member? Or did you share the songwriting process collectively? Everything about this band is collaborative. We all kind of rotate who we write within a number of combinations. Each of us and our contributing band members are all also solo artists and in other bands. This grouping is really special because we have all brought our influences and past experiences from different corners of our lives to this project; and it has made a really eclectic and exciting sound with lots of variation and dimension. Regarding the broad instrumentation within your album, 'The Debut,' was it only the three of you that tackled the instrumental creative process? Or were you accompanied by other producers and musicians as well? We have such a wonderful and incredible group of musicians that contributed to this album. Vocally, Candace, Johan, and Drew do the heavy lifting. Musically, Drew and Johan laid down all the guitars (and violin by Johan). We have the Legendary Kenneth Crouch on Organ and Wurlitzer, Bryan Taylor on Drums and Percussion, Shawnee Snaketail on Keys, Steph Griffin on Trumpet, Paul Ruffner on Sax, Vince Porter on Tuba and Trombone, Cosimo Bohrman on bass, and Dylan Ludwig producing in all the extra sparkle! Does your trio have a favorite song within your album, 'The Debut?' What makes this song stand out to you? It sounds completely arrogant and cheese ball at the same time, but it's sincerely our truth; there are so many varied sounds and vibes on this record it's really hard to pick a favorite. We believe it depends on your mood! How does your album, 'The Debut,' allow listeners to get to know you better? What should your audience learn about you and your sound from this debut album? We hope that if there's one takeaway in getting to know us, it's that at the very least we're not boring. We are not afraid to write music we enjoy without the worry about what genre box we fit into! We embrace our different influences. We embrace that some songs are folky while others have a dance flair. Some are more poetic, and some are anthemic. We hope you love the multi-facets as much as we do! Instagram Facebook

Hailing from Vienna, Austria, the multi-instrumentalist and producer Sabolious teams up with the jazzy vocal stylings of Thera P. for their latest single and music video, "The Secret." Exploring a variety of sounds and genres within his music, Sabolious found himself immersed in the vibes of reggae, hip-hop/trap, world music, and electronic. Now establishing his record label Anaves Music, Sabolious is eager to record and promote various artists worldwide. Teaming up with vocalist Thera P. for their latest single and music video, "The Secret," Sabolious soaks us in a mesmerizing and refreshing atmosphere through his dancehall/jazzy approach and Thera P.'s captivating vocal stylings. Through the song's minimalist and conceptual music video, listeners are able to get to know the faces behind the sweet sounds. Diving into the music video for Sabolious' single, "The Secret," we're met with an intro shot of vocalist Thera P. in front of a turquoise backdrop, serenading us with nothing but a microphone. As her red lips and red hair keep us locked on Thera P.'s soulful performance, she continues to leave us in awe of her broad and jazzy vocal stylings that are all the more complemented by the groovy and island-esque production/instrumentals from Sabolious as well as Monsieur Knabberdub and Three Lake Music, who both contributed remixes of Sabolious' original track. There's truly a diverse range of sounds/approaches within this single, as Sabolious and Thera P. leave us bobbing along with the mid-tempo drums and warm sonic feel. With the addition of Sabolious' soulful saxophone grooving its way through the track, we land upon the outro where Thera P. continues serenading us with her warm and flavorful tones. Catch Sabolious' latest collaboration with Thera P. for their single/music video, "The Secret," available on YouTube and all digital streaming platforms. We're feeling nothing but lifted after watching your recent music video for "The Secret." Why did you want to create a music video for this flavorful single? Thank you for the praise. Well, nowadays it is almost impossible to have a successful release without a video. It is very essential to have some visual content. Especially for a young record label like my own, Anaves Music, it is a suitable way to recruit new followers and fans. People just want to see and get to know the respective artists behind the music. If you have catchy videos, they will start to follow you. Besides, I love to be creative with different media, be it music, film, or photography. What was the shooting process like for the music video "The Secret?" Did you need to execute a couple of takes to reach your end goal? It was really fun, but also quite intensive. In collaboration with cinematographer Zoran Beronja, who is a great creative individual within the photo and film sector, some beautiful, as well as intimate shots, have been made. Eventually, we had so many takes that it almost became confusing for me to cut the video. What I like the most is the concept of the medley video. With a medley, you are able to showcase more than one song, an opportunity to even present your release in a more interesting approach for the viewers. And I personally think that we had done a great job by doing so. All versions of “The Secret” (including the two remixes) are illustrated in the clip and the result is very entertaining. What was it like collaborating with Thera P. for your single and music video "The Secret?" Is this your first time working together? Although Thera P. and I once played a live show together back in 2012, “The Secret” is our first official collaboration. Our link has just been re-established in late 2020 when I was looking for a singer for the instrumental of The Secret’s original version, which I produced in 2020. For a long time, I have had Theresa (Thera P.) on my mind and I am glad we managed to come together again. She has such an amazing and unique voice, very soulful with a bit of huskiness. I just love it. Apart from that, she is also an inspiring human being in many ways. How do songs like "The Secret" help listeners get to know your sound and style better? Do you usually create such groovy, dynamic, and island-esque music? On my label, I want to present different genres and styles. In collaboration with exceptional producers, musicians, and engineers, attempts are made to think beyond boundaries and detect an explosive mixture of sounds. The same goes for my approach as a producer and musician. Although mainly influenced by reggae, soul, and bass music, I always try to stay open to new things. What's next, for you? There are quite a few releases in the pipeline, not only under the name of my producer/saxophonist alias Sabolious but also on my record label Anaves Music. Fortunately, there are even two songs with Thera P. in the making. I am already looking forward to presenting these to you. Besides, the video clip of The Secret is the first one of our new series 'Anaves Music Showcase'. There will be more visual content under that name on our Anaves YouTube channel. Just follow our social media accounts and stay updated! Facebook Instagram

Brighton-based Rap artist Milky is keeping it local by releasing his debut single “I Miss You Mum” on We Are Not Saints, a non-profit record label and live music company that solely works with musicians in recovery from alcoholism and addiction. A recovering addict himself, Milky’s progression as a musician was hindered by his addiction, but since his sobriety, this hindrance has transformed into a perpetual fuel that has not only ignited his passion for music but has allowed him to work on a debut album which is now nearing completion. Milky’s past has become a canvas to help him make his music and in turn, his finished art reaches out to people who have been through the same struggles. He has a real passion for helping others and that molds perfectly with We Are Not Saints, together they will be sure to bring music lovers and the recovery and sober communities together. We have to admit that even before pressing play, the anticipation that surges throughout our being is rather heightened as we’re eager to experience the vulnerability that Milky portrays through “I Miss You Mum.” The melancholic instrumentation is focused on major piano chords, sparse drum patterns, and energy so raw and emotionally gripping that you feel the composition more than you hear it. Milky conveys a message that is crucial in today’s day and age, surrounding the themes of addiction, loss, and anyone struggling with mental health. The heartrending lyrical motifs that flood our speakers are a profound tribute that goes out to Milky's mother, who passed away when he was only seven years of age. While openly discussing the personal experience that he has endured in his journey of grief, he hopes to reach an audience out there struggling with similar experiences that he has undergone himself. As he passionately raps his verses and flexes his lyrical dexterity in a way that showcases emotion, and undeniable technique, we admire the clear and present tone that hails from his prevailing vocal delivery. Milky truly outdoes himself in “I Miss You Mum,” as we thrive on the authentically genuine soundscape that implants hope into those listening far and wide. Welcome to BuzzMusic, Milky, and congratulations on the release of this touching single. We appreciate what it took for you to be as honest as you did on “I Miss You Mum.” Tapping into a headspace that is so personal to you, did you find this a fairly easy subject to write about, or did it fall into a more difficult category in terms of getting it onto paper? Well, it just came naturally, as I heard the music the song just came to me. It took years for this song to come to me but as soon as I started writing it that was it, I was away. I was writing it, crying my eyes out and smiling at the same time. It was an emotional song to write, the most emotional song I have ever written, and it was all a bit overwhelming. When Jay sent me the instrumental a different song ‘Through the Rain’ was supposed to go over it but it just didn’t fit and then I just wrote the first verse about my mum and I thought I’ve got something here and then I wrote the chorus, the second verse, the third verse and then I was like wow I did it, a song about my mum. How has it been working with We Are Not Saints? Could you please share a glimpse of how this connection between you came to be? As I came out of rehab, I was literally two or three weeks out one of my friends from recovery sent me the advert of We Are Not Saints about how they help recovering addicts with their music and getting their dreams back. So, I sent them a little taster of my music and they loved it, and then I went for an interview, and it all just fell into place. It’s been amazing ever since and it’s literally helped me grow from strength to strength in my creativity. This is the first time in my life where someone actually believes in me like properly believes in me and that’s helped massively, it’s helped me realize I am good at what I do rather than listen to my addict brain telling me I am not good at what I do and everyone’s laughing at me. Yeah, they’ve lit me up, that’s what they’ve done! From creating “I Miss You Mum,” to this present moment, have you found a shift in your state of mind? Have I found a shift in my state of mind, urrrm YES! It’s helped me grieve a little bit more, especially making the video and to hear the song so many times since releasing it. It all started as an idea in my head, and then it's all been put together and now it’s out there and people are actually listening to it. It helps me grow in different ways, in the music, with my music, and also grow in connection with my mum's spirit I suppose. It’s really helped me to help others, I’ve got people reaching out to me saying about their mums and dads passing away and how the song has helped them. I guess dominantly music is what’s always on my mind but this has really helped me process my grief for my parents, and performing for We Are Not Saints has helped me too, with my confidence and my anxieties. I would say my state of mind is the best it’s ever been. What is the main message that you hope your listeners take away from this release? That we can grow from bad situations and that our loved ones that have passed will always be with us spiritually. Yeah they’ll always be looking down on us and it’s hard but you can keep moving forward making them proud. What are your plans for the rest of 2021? Are there any further releases planned? I’ve got my second single ‘Monkey on my Shoulder’ coming on 19th July and my album ‘The Milky Way’ is out at the end of August. Other than that just keep creating, I’ve already got another album half-written. Live performances are the main thing when we can. More live performances, busking in Brighton, live performances with Deiphos Jay acoustic style and gigs with We Are Not Saints. And yeah, getting back in the studio. Instagram Twitter

Evan Croft is a Canadian-born entertainer, who is all about setting the bar higher and seizing many creative possibilities. He doesn’t go by the usual limitations, and instead of creating barriers for himself, he follows amazing opportunities. Stylistically, his sound blurs the lines between Hip-hop, Electronic, Pop, and R&B, going for a catchy and one-of-a-kind tone. Bringing his debut album to life through carefully crafted soundscapes, Evan Croft has his audience swimming through 16 tracks that explore various themes. “Different” was launched through his independent label Croft Media Productions. With multiple hands in the pot of the production spectrum, listeners can hear the styling of Digital Beatz, CeasarBeats, Jaywan, OGE Beats, and Pink Fader among other producers. Enlisting the skill set of three guest collaborators, including Lexxicon, Multiszn, and Trilla Ace, the ultimate vision of 'Different' is cast into the world for all to hear and relate to. What we love the most about “Different,” is the fact that Evan Croft can bring us a wide range of sounds and messages that strikingly delve into his perspective as an artist. We kick off the album with an upbeat vibration that motions us into the tropical, dance ambiance radiated by Evan Croft as a soothing vocal performance and unceasingly contagious energy sweeps us into the desired oblivion. This reflects the manner that Evan Croft carries out the final, bonus track of this album, “Style.” Where we hear the vivacious themes play into a more Latin-infused environment with the lush Spanish guitar riffs cascading through the unforgettable soundscape. There are various reminders throughout the messaging of this album in general that allows us to tap in with Evan Croft in a way that conveys his profound authenticity as an individual, and his versatility as an artist. The title track “Different (Be Yourself),” brings out themes of loving who you are no matter how different you seem to be; an important topic to cover in today’s day and age where people everywhere can get caught up in comparisons. Accompanying the scale of imaginative themes that emotionally connect with listeners through thought-provoking messaging, we have “Strong,” “By Your Side,” and “Best For Me,” chiming in with intimate narratives circling around finding strength, your inner support circle, and the goals and aspirations that you seek out for yourself. Inclusivity tends to be a running theme throughout the infectious grooves and originality redefined on these 16 tracks. “Party Animals,” immediately caresses us into unleashing our extroverted sides in any setting. We feel the confidence rage from Evan Croft as his sultry vocal conveyance is clear and direct with the intentions gleaming from the melodies performed. Similar to the buoyant atmosphere in “Jam,” which features Dancehall’s very own Lexxicon flexing his quick-witted charisma that pours from the second verse as he accompanies Evan Croft through the bolstered party anthem. Indulging in the distorted pulsation of “Slow Dance,” the track signifies exactly what’s about to happen in the soundscape propelled through the speakers. Still carrying the effervescent tones of certified hit, the easygoing tempo allows us to collect our thoughts and potentially grab that special someone for more intimate dance, or moment together. We find that the following songs on the tracklist, “Rock With Me,” and “Cloud Nine,” perfectly fall in line as the transition doesn’t proceed to be inorganic. Impeccably flowing in a way that allows you to capture the moments within reach, this song’s elaborate tale of “Rock With Me,” hones in on a boy meets girl scenario, while “Cloud Nine,” touches on the uplifting tenors of feeling liberated with the person you love. Dipping into the vulnerable side of a more life reflecting lens that Evan Croft extends, both “Shadow,” and “A Ride Called Life,” go through the intimate realizations that he has when delving into a nostalgic state. Through his recollections, and a set of dark, prevailing instrumentations that vary in slow to vibrant tempos, we hear firsthand what it’s like walking in the shoes of Evan Croft, through moments in life where he felt invisible. Looking to relate to his audience in a way that has the understanding that they aren’t alone, we find that the words released through these masterpieces leave a long-lasting imprint on your mind. One of our personal favorites has to be the sixth single released prior to the album. “Get To Know Me,” indulges us in a prominent dreamscape that is vivid in nature. Evan Croft allows his passion and vigor to alluringly surge through your sound system as he is genuine with the lyrics conveyed. He truly thrives in this soundscape, and gives us an array of illuminating hues like the glowing sounds in “Get To Know Me.” The second song on the album to have featured performances is the lively and unapologetic aura of “Bad Side.” Recruiting Multiszn and Trilla Ace in order to live out the amplified resonance of this track, we dive into a more Hip-hop oriented fusion, as these two artists sprinkle their own flair over Evan Croft’s undeniable croons. Warning those not to take advantage of the nice guy within, Evan Croft shows just how edgy he can be as he flaunts his attitude proudly. That takes us to a polar opposite styling, where a dash of joyous harmonies is sprinkled to the newfound glory of “Together.” A prime example of one of those songs that immediately sparks warmth in the emotions transmitted. The inspiring ballad trickles through your mind with ease as you’re lured in by the piano chords and guitar melody that stir up what you’re holding within. Proving that Evan Croft can truly tackle mass ground in the versatile offerings of sounds heard on 'Different,' we mean it when we say that there’s something for everyone on this album. As he continues to work diligently on the way he portrays beautiful imagery, we’ll take in the body of work known as 'Different,' another time. Hello Evan Croft and welcome to BuzzMusic. The entire album of, ‘Different,’ was very well executed! We love the avenues that you navigate us throughout as you get personal and fun. Where did the concept of this album stem from? I feel like a debut album should introduce who I am, so I wanted to show all sides of me in this album. Out of the 16 songs heard through this body of work, is there anyone in particular that resonates with you more than the others? What’s your reasoning? For me, it’s A Ride Called Life. I felt like I finally got a good grasp on how life works, so this is me describing my ‘ride’. How has your mindset from the time of writing and recording changed to this very moment? Have you noticed a shift in yourself as an artist or individual apart from the music? Before, I used to write lyrics off the top of my head, find a beat, record on the beat and release it without reviewing or getting it radio-ready. Now when I write lyrics, I take my time to make it sound right before I record. Then I send it to get mixed & mastered before I start planning a release date. With so many sounds on this project, there is something for everyone to enjoy! What are you hoping that your audience takes away from the entire theme of ‘Different?’ I hope they see that I’m not afraid to be myself and they shouldn’t be as well. What has been the best piece of advice that you’ve taken with you in your musical career thus far? Be yourself. Don’t worry about trying to sound like or complete with someone else. Instagram Facebook

Hailing from Paris, France, the thrilling rock band Roman Generation encourages listeners to join them on "One Last Ride" with their latest exhilarating single. After forming in 2009, Roman Generation has seen vast success with help from their explorative sonic approaches and relatable lyrical themes. With eight albums under their belt, Roman Generation is more than excited to release their forthcoming ninth album in January 2022, created with help from legendary producers. Seeping into the depths of our emotions with their latest single, "One Last Ride," Roman Generation offers a gritty and powerful instrumental approach while touching on the inner sorrow caused by an unhealthy relationship. Through their blistering instrumentals and powerhouse vocals, Roman Generation truly brings us into an enthralling and stimulating state of reflection. Jumping into the single, "One Last Ride," the song opens with heated acoustic guitar picking accompanied by a midtempo drum beat and the lead vocalist's powerful and deep vocals. Once a gritty rhythm guitar begins piercing our speakers, Roman Generation later leads us towards the blistering hook where they drench us in the heat and energy of melodic rock. We love the punk-rock approach that Roman Generation has taken within this single, as they touch on incredibly relatable and saddening lyricism while leaving us locked into the song like a trance you can't ignore. As they continue punching our speakers with their vibrant and anthemic instrumentals, the lead vocalist later takes us to the outro with boundless hope, passion, and vigor. Take "One Last Ride" with Roman Generation's latest single, available to get down with on all digital streaming platforms. Welcome to BuzzMusic, Roman Generation. We're deeply engaged with the emotional tones and powerful feel of your latest single, "One Last Ride." What inspired your band to create this single? Hi, thanks for having us! This single was written way back in 2005 for the girl who became my wife. The band I played with at the time finally split and I forgot about this song until a friend of mine sent me the lyrics sheet a few months ago. It was thrilling. I picked up the phone and called our music producer, Paul Spade. We recorded this in 3 months, working damn hard to get it the best we can. Could you introduce us to your band members and how you went about creating the instrumental arrangements for "One Last Ride?" How did you want the song to feel to listeners? Roman Generation (RG) is Benoît and I. Benoît is a sound engineer. He mainly manages the technical part in RG. His songs are dark. He’s mostly inspired by the Manchester scene and all the Factory’s great bands. He loves old blues from the Delta too. Originally, I am a punk rocker with classical pianist training. I like to mix different types of music and I’m obsessed with the image that can emerge from a song. For One Last Ride, we were looking for this powerful production that makes you feel invincible. We listened to a lot of bands from the pop-punk revival (Machine Gun Kelly, KennyHoopla, Lil Huddy…). When creating the lyricism for your single, "One Last Ride," what did you want your audience to take away from the song's theme? What sort of message or concept did you aim to deliver? True love is forever. That can’t be gone. It doesn't go away. There’s someone waiting for you somewhere in the dark. Hold on to that person no matter what happens. We've heard that you're releasing your ninth studio album this coming January. How does your forthcoming album contrast your other records? What makes this upcoming record different than your previous projects? There are a lot of people involved in the process right now. As we did for our single "LUV" we’ve been working with Eric Chédeville who wrote "I feel it coming" for The Weeknd. The video was directed by Laurent Bourdoiseau who made Electronic Performers for AIR. Paul Spade has worked with us since that single. The aim of the next album is to work with more very talented people. Some are legendary producers. Musically, we’re at a peak in our careers. Everything is in our hands to make the best album possible. We’re working really hard to get it. Instagram Facebook

Together for four years now, the American-based four-piece band known as Morning Trips have an expansive sound that has been described as ‘influenced by a gumbo of dream pop, shoegaze, R&B, and 80s music,’ by the Northwest Florida Daily News. Morning Trips aim to be for all collections of people as they morph through soundscapes with their diverse approach to creating. Dunking into the founding punk-era nostalgia and saccharine synth mixed in for good measure, the blend of comforting yet pulsating feelings ripple and resonate further with each riff. As we take our attention to the eccentric offering of their latest single, “Assault,” Morning Trips unveils this genre-bending composition with utter confidence. The effortless blend of sustaining guitar riffs, colossal percussion, infectious rhythm designated through the bassline, and of course the smoldering timbres gleaming words that require action, the buoyant quintessence of “Assault,” has Morning Trips gunning for the top. Through a thriving approach that tears through the spectrum of any cookie-cutter sound, the impetuous and unapologetic essence of this compelling track is one that is destined to stay on your mind long after the song comes to a halt. Addressing a narrative that is apparent now more than ever, the band takes their pent-up frustration and unleashes it in a high octane performance that delivers the weighty subject matter of how quickly unjust policies discriminate against everyday people. Propelling through your speakers with a mission of not only showcasing the vitality that runs through Morning Trips artistic agility, but the importance of fortifying a vibrant structure in the resonance conveyed, this record takes its focus to their blatant expressions when it comes down to getting their feeling into the microphone. If you’re ready to leave it all on the table, Morning Trips is the hard-hitting band for you. Welcome back to BuzzMusic, Morning Trips, and congratulations on the release of “Assault.” We love how you put forth such an important message through this musical offering. When it comes down to addressing topics like these in your music, do you find it fairly easy to get onto paper, or is the creative process a bit more difficult for you? Hello. Good to be back. We have the mentality that while expressing yourself, honesty is the easiest thing to do - and having such an honest, carefully deciphered framework to what we believe and who we are bodes well for the music. The topic of police brutality and injustices within our economic and prison systems is really easy for us to digest and produce because we have seen these injustices with our own eyes in broad daylight. We are always talking about how we can push ourselves as individuals, our communities, and really the world forward in a progressive and pragmatic way. Could you please shine a light on the four members of Morning Trips, and how you all diligently work together to provide us with the sound we know and love? Thanks for the kind words - well the band is Logan Clinkingbeard on the Bass and Keys, Noah Townsend on Percussion, James Amos on the Guitar, and I - Brady Lynch the singer who also sometimes plays guitar. We have a pretty unique way to how our band works - I have my fingerprints on every part of the process from engineering, writing, and producing - largely producing a lot of our material in my bedroom. Logan is really good at taking the spirit of these demos and adding a lot of the rawer and organic influences to the band and does a huge amount of engineering for us. Amos is always good for a sick lick or two to add to my sparse ambient arrangements, and compliments the guitar parts I do add very well cause we understand our styles. Noah has the expertise on how the drums need to be performed and produced on our music, while tastefully adding his subtle organic touches. A lot of the productions we sign off on together, but sometimes I will get the song in a spot once all the final tracking is done and having bandmates who are sometimes a little less involved on every single step of the production, but largely familiar with the material helps for fresh ears when we are constantly working on something. How does “Assault,” compare to your previous single release of ‘My Parade’? What are some differences you’ve found in the creative process that sets these two apart from one another? Assault has always been up our sleeve, it was one of the first songs the four of us played in a room together - My Parade we learned a lot more about ourselves in the "studio setting" environments, rather than jamming in a room. They don’t feel too much apart from what we have been trying to accomplish. I feel like My Parade will be for people who need a nice relaxing moment in their day or want to enjoy a long walk on the beach. Assault is for people who want to let out their rage in a healthy way, and I feel both songs are for people who like to dance in their room alone. We definitely really started to trust our instincts tenfold while producing Assault and I think it really paid off for us and taught us a lot about where we can take our sound. What is your mission statement as a band? Our band is made up of a very diverse looking group of people and when you breakdown our personalities we are even more diverse and I think that reflects in the music we make - why we have songs like “Assault” and “My Parade” or “Follow the Blind” - Growing up in 2010s and being a part of the 2020s is a diverse experience - everything is at our fingertips and a soundtrack for these times isn’t going to sound like one or even two themes. It’s impossible, and it’s impossible to build deeply influential and impactful coalitions and create better conditions for the societies of tomorrow without embracing compassion and diversity. We are making music that people of all walks of life can find solace in. Instagram Facebook