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Jason Salazar represents the LGBTQ+ community as a queer singer-songwriter who grew up performing and creating in the Christian megachurch world. After many years of discrimination and abuse, being told exactly who he should be, and not being allowed to believe in anything outside of what he was taught, he made the decision to leave that world behind and seek out his own identity and beliefs. Focused on living a life that has a positive impact on the people he shares his music and story with, Jason Salazar finally feels free. Creating an anthem that resonates with not only his audience, but the depths of himself, Jason Salazar brings forth the recently released single, “Worst Nightmare.” Through major piano chords pulsating as he produces melodic vocals with a pure soul, we admire the lens offered to us as we peek into the mind and heart of Jason Salazar. He indulges listeners in cognizant lyrics that reflect himself finally being able to be himself through liberation, but by doing so, he happens to be someone else’s nightmare because he is not who they want him to be. As we wrap our heads around a subject so profound and vulnerable, we fixate ourselves with the passion that pours from the honeyed timbres emanated on “Worst Nightmare.” Navigating us through lyrical motifs that effortlessly paint the larger picture for those out there struggling to find their identity, beautiful sculpted words such as, ‘I don’t need your permission, I stand for what I believe in,’ pull us deeper into the profound conveyance of this hard-hitting single. Through reverberated croons that evoke grippingly raw emotion, Jason Salazar still ensures that his music has a mainstream feel with the top-tier production quality helping to shape “Worst Nightmare,” into being a certified hit in anyone’s eyes. Hello Jason, and thank you for joining us at BuzzMusic. The message in “Worst Nightmare,” pairs beautifully with the instrumentation it lays upon. We love what you’ve done to this track, what was the exact moment or story behind the inspiration heard? I was in a position where people were dictating how I lived, who I was, and what choices I made and even though I was doing those things, it still wasn’t enough for them. One night I had a breakdown in the middle of the night and my partner Lee was comforting me and said the words “they do not deserve your tears.” In the following hours, I sat at my piano and wrote out all the lyrics, and then the next day I started tracking the song on my computer. When bringing this song to life, did you work with a team of any sorts to give “Worst Nightmare,” the sound it deserves? What was everyone’s role? Yes, I did! This project was really special to me so I wanted to figure out both big and small ways to include the people in my life. My better half Lee Salazar helped me a lot with producing Worst Nightmare and the song's arrangement. Lee also sang some of the vocals on this record (all of the really high harmonies in the choir and the higher octave melodies and ad-libs throughout the song)! I wanted the vocals to be prominent, almost like a duet because we have been on this journey together literally side by side and also because Lee is my muse. It was a priority for me to include my brother Josh Salazar. Josh helped me create all of the synth bass and low-end synth sounds in this record. I felt like his musical input and expertise gave this song an extra layer that blended so well with my vision for the final product. I was also able to work with my good friend, Draven Rodriguez who did all of the mixing and mastering for Worst Nightmare. His creative knowledge and skill allowed me to express what I envisioned for this song and we were able to transform the auditory vision in my head into something tangible. Lastly, my good friend Madlyn made the cover art for Worst Nightmare. The cover art has a lot of symbolism and some hidden pictures in it that are really special to me and symbolic to my loved ones. I sent Madlyn all the inspiration and all of the pictures and she put it together and made something really meaningful that also perfectly represents the vibe of Worst Nightmare. From the moments you were creating this single, to the present moment of it finally being out to the public, how have you found yourself growing as an artist and individual? I really feel like I've found my own voice for the first time ever. I spent a lot of my past trying to follow instructions, blend in, and match what was already created. I didn't have any experience really tapping into something that represents me and my own heart. Being able to make all the creative decisions and identifying my own sound for this project was so empowering for me as an artist as well as an individual. What words of advice do you have to those struggling to find their identity and perhaps in a situation that you got yourself out of? If you feel like the situation you're in is not right for you or is not safe, it's okay to decide to walk away. You don't need permission from other people to prioritize your mental and emotional health! As far as struggling with identity, It takes some courage and bravery to embrace our inner selves; the version of you that you hide from others because you don’t think they’ll accept you. It's not easy to embrace that part of yourself, in fact, it's really scary and sometimes people don’t accept you and it sucks. But the freedom and peace that comes from allowing yourself to be who you truly are are worth so much more than pretending to be someone you’re not. I just hope that listening to Worst Nightmare can empower and inspire people to be stand up for what they believe in, be who they want to be, and not live their lives by someone else’s expectation of them. What's next for you? I am continuing on my journey of self-discovery and I am working on more music! It takes time as an independent artist because of money and resources but I am already writing my next single! I’d love to eventually get into live performances, touring, music videos, and an ep or full-length album. Instagram Twitter

Residing in Mississauga, ON, 24-year-old HeLix provides a breath of fresh air with his unique style of R&B, Rap, Hip-hop, and Pop music. Inspired mainly by artists such as The Weeknd, Ed Sheeran, Frank Ocean, PARTYNEXTDOOR, and 6LACK, he takes various elements from these artists to elevate his own unique voice and song composition ability. Still in his growing stages, as he discovers his own sound, HeLix has crafted a distinct musical identity for himself that can be heard throughout his various singles. The enticingly melodic realm of HeLix’s latest single, “Broke,” enlists the talents of empowering femme songstress SIM in order to portray an atmospheric vision destined to move you. Through instrumentation that delves into a slow to mid-tempo setting, we grasp onto the intentions of this record in a way that has us drawn in, and eager to comprehend more. Contrary to popular belief, the title of this song reflects being broken due to heartache, versus the physical state of being strapped for cash. With that being said, the artistic talents that bounce between these two make it so that the moment this track begins to play, you know the exact notions of how the melodies will freely fall into your headspace; that takes a special type of talent. The cascading timbres of HeLix trickle through your speakers in a delicate, yet prevailing manner as he professes lyrical motifs poignant in nature. Taking the second verse, SIM provides a sultry tone in the way she conveys her message, which ultimately allows their dynamism to thrive in the grand scheme of this composition, as it sounds as if the two are performing these intricately crafted words to one another. Each element offered up in the musical arrangement of this song has your thoughts working overtime as you find the emotional strength within you to bear the nostalgic tendencies. “Broke,” captures what we have all felt in our lives, at one point in time or another. Welcome to BuzzMusic, HeLix, and congratulations on the release of “Broke.” This masterpiece flows so beautifully through the speakers, that its evolution tells a tale of its own. What does this song mean to you? What moment or story sparked its creation? Hey BuzzMusic, thank you for having me. I’m glad you guys enjoyed the song as much as I loved creating it. I was in a different headspace when creating this track, I was dealing with someone and things were going great, but slowly things started getting worse and worse. I thought it was because of a lack of communication and effort which led to its end. The song was just a way to get things off my chest and off my mind. It ended up becoming something beautiful. What was it like working with SIM in order to achieve such a wonderful dynamic? How did you two come to collaborate? While I was creating the song, I realized that to broaden the audience for this track, I wanted to get a woman’s perspective on the situation. I gave SIM full creative freedom to express herself and write what she felt. I think she did an amazing job on her part, and I enjoyed hearing our voices harmonize together. I discovered SIM through social media, I instantly became a fan of her voice and her music. I believed in her work and what she was doing so I contacted her and wanted to collaborate on the track. She liked the concept and was on board. She has a bright future ahead of her and I’m grateful that I got the chance to work with her. Were you able to project your vision exactly as you had imagined it? Were there any obstacles that popped up during the release process that shaped this experience? I was looking for a beat that really captured my mood, and I came across a producer named Matthew May who created this beat. I connected with it strongly and decided to just release what I had built up on to the beautiful production. The biggest obstacle was finding the right person to handle the second verse. I spoke to others about the project and even had different voices on it. But it didn’t hit right. SIM delivered, and I was happy with what she brought to the table. What are you hoping that your audience takes away from “Broke?" I wanted to show my audience and people who would find me through this track that I’m human, we all go through things like this, it’s about letting it out and moving forward. You must accept the reality if you put in the effort to work things out but the other person doesn’t care or reciprocate. It wasn’t meant to be, it was broken. Move on. What's next for you? I have so much more music on the way, honing my craft, sharpening the blade, and having fun with the whole process. Some come out great, some don’t, but that never stops me. I’m happy doing what I love. I’ve had a great year so far, don’t expect me to disappear. I hope you guys enjoy my future work. Thank you for the support, enjoy the song. HeLix Instagram SIM Instagram

CEO of Label GAWD Entertainment LLC, and a rapper/songwriter, The Real Corey J. was born and raised in Riviera Beach, Palm Beach County Florida. Always being an avid lover of music, he began writing raps in middle school at the age of 13 years old. When the route of school and sports didn’t take him as far as he expected, it seemed that music would be his destiny. Through time, perseverance, and patience, The Real Corey J. has been shaping up to be a force to reckon with in the Florida Hip Hop music scene. Taking in his most recent 10 track album, “Real Deal: True Story Pt.2,” The Real Corey J. can be heard following up the 2018 body of work titled, ‘Real Deal: True Story.’ Looking to immerse his audience in the mesmerizing way he gets his point across, The Real Corey J. prides himself on the authenticity that he allows to shine through this soundscape as he brings a refreshing take to the new wave of Hip-hop. Accompanying the buoyant persona of The Real Corey J., we have him touring us through personal reflections of the life he lives. He kicks off the album with “Seen It All. II,” as he gives us a gritty and raw delivery through energetic cadences that propel his maturity and seasoned flair in the industry. Carrying a true Florida essence to the music he casts out, you can hear his lived experiences passionately pouring through rhythmic instrumentation. We admire the attention to detail that is placed throughout this album, as no two songs carry out the exact same sound. Although some may fall into a similar scheme, which makes an album a beautifully flowing piece of art, the specific beat structures that The Real Corey J. exudes his talents over have us becoming familiar with the vast array of mid to upbeat tempos that strikingly fit his intentions for each song performed. “Make A Play,” has us effortlessly flowing to the almost mainstream style of Hip-hop that showcases his versatility in a way that screams, ‘he can do it all.’ It’s that innovative moment on the album where you hear his evolution as an artist and individual. Knowing what it takes to make a certified hit, not all of the tracks heard follow the mainstream appeal as what The Real Corey J. is looking to get across is his reality. Records such as, “Blue Faces,” and “Busy Body,” are direct and blatant with the braggadocious lyrics and impeccably timed adlibs etched into the soundscape. You hear The Real Corey J. hone in on his work ethic and state of mind as he navigates through the carefully curated avenues he has solidified for himself while bringing his fan base something new and exciting each time. Fixating upon the melodic dips through a multi-dimensional skill set, “Changed Me,” brings out his talents as more than just an emcee on the ride. The Real Corey J. seamlessly provides listeners with a buoyant punch through the words he charismatically takes us through. In a parallel empire, but still switching it up enough to have us fully engaged, “I Might,” flows into a laidback tonal distinction that entrances us with mind-altering waves of ease, while, “What You Need,” has a nostalgic feel to the instrumentation as the elements contained mirror an 80’s style instrumentation and an early 2000’s beat structure. All components deliver that harmonious twist that reflects his musical inspirations of J.Cole, Ice “Billion” Berg, Plies, Rick Ross, Triple J, Lil Wayne, and Boosie. If we’re branching off into that album single that has us submerged in the depths of the composition, “On Gawd,” has us weaved into the compelling nature of the chorus that draws us into its gravitational pull. Transitioning us through impeccably timed verses, and the effortless sway into the hook, we’re eager to learn every word so we can perform it right back to The Real Corey J. Each song provides its own escape into his understanding of how his life is panning out with a pure focus on relating to those who are in the same shoes as him. “Mask Up,” and “Grimey,” are prime examples of how his lyricism dips into the vulnerable sector of his artistry while maintaining the integrity of “Real Deal: True Story Pt.2.” Delving into narratives that profoundly enlighten his audience on what it’s like coming up in the streets and projects. As he genuinely illuminates the trials and tribulations endured, we hear the pain in his voice as he outlines the things you have to do in the fight for survival. The Real Corey J.’s lyrical motifs rest on our minds in a way that stirs up a feeling of gratitude for what we have while respecting the true hustle that he has preserved through as he continues to establish his name. Take in “Real Deal: True Story Pt.2,” to learn more about the come-up of The Real Corey J., and to immerse yourself in an inspiring tale that continues to give back. Welcome to BuzzMusic, The Real Corey J., and congratulations on the release of your album, “Real Deal: True Story Pt.2.” You were able to get vulnerable, playful, and intense all in one project, which is truly remarkable! Was this always your vision for this piece of work? Thank you I appreciate the opportunity to be on BuzzMusic and talk to you all today about my latest project. And Thank You again I’m glad the album was received to be remarkable. To be real though this album came with lots of emotion and basically the inner tales of the things I’ve seen over the course of my life and now I just seem to put it all together in Story form which was something I had in mind to do but I didn’t think it would come to be as powerful as it is. I’m a libra so we tend to get full of emotion and go to expressing it all someway creatively and the next thing you know you have an album like this at your disposal. Being the follow-up to the 2018 ‘Real Deal: True Story,’ what are some similarities and differences that you noticed through the process of each? The similarities of the two tapes were that I solely used myself and others life experience to influence the way I delivered my message to my audience, speaking on things that normally don’t catch the topic of discussion in today’s time but still needs to be talked about. My music is just my time stamp in history because I can listen to my old music and it takes me back to a place where I used to be and it goes to show just how far I’ve really come and how far I still have to go. The only difference between the two projects is I’ve sonically grown into a more solid lyricist and more Confident Artist but my Ground basis of “Keep The Grind Alive” is something I will forever stand on and that’s how I will continue to grow as an Artist/ Brand and hopefully continue to make music that the people will effectively grab hold and listen to for years to come. Out of the ten tracks offered to us, do you happen to have one that resonates with you more than the others? Why? Aw man that’s a hard one don’t do me like that! I’m so much of a strong and picky artist that of the 10 songs it’s extremely hard to choose which one resonates the most because each song was tied into a different feeling and situation I happen to be going through at the time, But if I had to choose ONE Then I would go with “Mask Up” which was the First song I recorded for the album back in early 2019 at LCP studios in Port Saint Lucie Florida, the day I recorded that song I knew it would be a crucial song for me moving forward because that track is about as real as it gets, it explains the life, the rise, and fall of most men in black communities between ages 18-25 trying to chase a dollar and we would “mask up” to do anything for that dollar, then it ultimately turns around & hurts us in the long run so it was a song for me but it was more so a song for the streets to get acquainted with, and once Covid hit as of 2020 “Mask Up” became Mandatory so then it all made sense ya know. Where was your mindset when creating this album? Is it different from where your mindset currently is? My mindset through the course of this album was all but focused like I got the job done BUT it took me basically 2 years to create those 10 songs because of what was going on in my life, having to work jobs, losing jobs, being a provider to raise my daughters effectively, balancing a relationship that wasn’t doing all that well, family issues, etc the list goes on and while all still trying to build myself into this world-renowned rap artist that nobody has heard of lol so basically success was starting to feel out of reach and I had to make sure that didn’t happen so no matter what I knew I always had to come back to the music. My current mindset is more focused and I can tackle clear objectives now on how to expand my reach and create more compelling music which is my ultimate goal for my career. What are you hoping that your audience can take away from this masterpiece? I am praying that whoever plays this album in its entirety from song 1-10, from beginning to the end which I’m more than positive at least 3 of those songs will speak directly to you in some way shape or form, and hopefully, you can take that and understand that this thing we call “Life” that we are forced to get up every day and live is something you will NEVER CONTROL, GOD is in control, and you won’t comprehend everything that God does in your life and things will happen outside of your means, but there will ALWAYS be a story to tell, if you have a dream then chase it, if you have a goal to reach then reach it, the time has come for you to break through all your fears and Go for it, I mean honestly “What else do you have to lose?” Instagram Facebook

Amy Blake is an Irish singer-songwriter living in Vancouver, Canada. Born in Dublin, Ireland, she comes from a large family of musicians and writers and has been immersed in music since she was a small child. Most notably, Amy Blake is the granddaughter of Peadar Mercier, bodhran player, and original member of Irish trad group The Chieftains. It was while she was studying music at University that she began to explore self-expression through her own compositions, and thus began her journey of establishing her song-writing style. Rooted in Alternative Folk/Pop of the present, she presents to us the most recent release from her music catalog; “Circles In the Sand.” Produced by Daniel Klenner at North Bluff Studios, the instrumentation is carried out by both himself and Amy Blake. Indulging listeners in a jaunty and playful ambiance through the pulsating instrumentation, the pairing of Amy Blake’s delicate vocals cascade with the musical elements in an atmospheric and intriguing manner. Through euphonious harmonies and an intimate display of lyrics that allow her to get vulnerable while remaining abstract in a way organic to her songwriting, Amy Blake lures us into gentle ominous hues as her voice peaks and dips in the emphasis placed in this narrative. Illuminating the complex emotions that shape our comprehension of the world we live in, Amy Blake’s reminiscent styling allows her to establish a lane that is true to her authentic, traditional Irish singing. Amy Blake brings something different to the table when it comes down to her craft, and this refreshing take, allows us to fall even deeper into the flourishing tales she casts out. We dare you to not be intrigued by the way this chronicle weaves itself through lyrical motifs that delve into introspective and honeyed hues. Welcome to BuzzMusic, Amy Blake, and congratulations on the release of “Circles In the Sand.” We love the overall quintessence of this piece! It carries numerous elements that evoke emotion, and we’re here for it! How did you come to work with Daniel Klenner in order to allow this vision to thrive? Thank you so much! I'm excited that this song is now out in the world! I have been working with Daniel for the past few years, and I find that he's very musically intuitive. My music comes to life in a really special and authentic way when we work together. I think from the get-go we realized that 'Circles' was quite different from other songs that I've written, as it was more playful and tongue and cheek than the songs that came before. We really hit the ground running with this playfulness, and allowed the track to really evolve into this kind of weird and wonderful bop. How long did it take you to create “Circles In the Sand?" Could you please share a glimpse of what the creative process looked like when fashioning this piece together? I wrote this song last May and took it in to the studio in September. Dan and I spent two full days in the studio tracking this song. 'Circles in the Sand', like all my songs, started as a voice memo that I then sent to Dan prior to our sessions. I had an acoustic vision of the song, and together, in the studio, we decided how this song was going to take shape. There were a few really important elements for me in that I wanted to be very prominent on the track: 1. the recurring bass notes in the guitars, and 2. The ritardando (slow down) at the end of the chorus. Because of this 'freer' rhythm, we had to record this song without a click track. This meant that drums, guitar 1, and vocals were all tracked together, which was a really fun and kind of hypnotic experience. This rhythmic freedom is central to the experience of the song, and for me, to its overall sentiment. I wanted this song to sound really dreamy, so we have many lush three-part harmony lines and reverb on the vocals. I perform all vocals and guitar 1 on this track, and Dan performs drums, bass, piano, and guitar 2. Did you find this subject fairly easy to write about? How would you describe your songwriting style? My songwriting style is typically quite self-reflective, and my goal as an artist is to give voice to the complex emotions that we experience as humans. I typically don't shy away from difficult themes. While this song emerged as a product of isolation during the pandemic, it rings true for life in general. One can notice this from day to day - how joyous moments are often followed by bouts of intense existential dread. How can these two conflicting emotions sit in such close proximity to one another? What are you hoping that your audience takes away from “Circles In the Sand?" Ultimately I want the listener to feel good. This song is really fun, upbeat, and quirky - and yes - it covers themes like existential dread and hard feelings that sit in your bones and weigh you down. But how weird, wonderful, and often painful it is to be alive and to experience these feelings. I would love my listeners to just reflect on the universality of this internal conflict while inviting them to tap their toes, nod their heads to the music, or move in any way that feels good. What's your favorite release of 2021, from an independent artist you admire? My favorite release from an independent artist in 2020/2021 is Alysha Brilla's 'Love'. Alysha really is an inspiration to all independent artists out there as someone who writes and produces her own music. She is also incredibly generous with her time and offers mentorship and virtual workshops via her online portal. 'Love' is a beautiful and delicate track with both tender and powerhouse vocals. I love the instrumentation and her vocal embellishments. It's a winner for me. Instagram Facebook

By way of Mississauga, Canada, the blistering rock band and trio MAYBE MAY reminds us to seek the light at the end of the tunnel with their emotionally charged single, "Survive, Satellite." Founded by Demetrius, Rian, and Vitaly, MAYBE MAY are known for their heavy instrumentation merged with sublime melodies and lyricism that touches on loss, love, and betrayal. With four EPs under their belt, thousands of streams, and a great deal of radio airplay, MAYBE MAY is bound to land in your speakers one way or another. Produced/engineers by JUNO Award-winning Kevin Dietz and masted by Noah Mintz, MAYBE MAY's latest infectious single, "Survive, Satellite," leaves anyone with a sense of rejuvenation and reflection. "The song calls the listener to keep pushing forward when faced with life's challenge, with the bigger picture in mind," says singer-songwriter and guitarist Demetrius. Plunging into "Survive, Satellite," the track opens with guitarist/vocalist Demetrius' heavy guitar riffs and his powerful belt, reminding us to keep pushing through the long nights. As Vitaly's punchy drum breaks appear alongside Rian's thick bassline, MAYBE MAY switches up their tempo and brings us into a refreshing sonic atmosphere through their punk-rock approach. We're genuinely impressed by the tight and precise instrumental delivery from MAYBE MAY; their tempo changes and transitions are truly impeccable, so much so that they keep us engaged and locked into each moment they grace our speakers with. As MAYBE MAY makes their way to the melodic and energetic outro, they remind us that life's not over until we're six feet below. Allow MAYBE MAY's recent single, "Survive, Satellite," to be your beacon of hope towards a brighter day. Find the sweltering single on all digital streaming platforms. Welcome to BuzzMusic, MAYBE MAY. We're incredibly excited to chat with you about your latest gripping single, "Survive, Satellite." What inspired your group to write a song that reminds listeners of hope and to keep pushing forward? Thanks, BuzzMusic – you guys are the coolest! Behind the scenes, we’ve been blessed as a band as well as individuals & I suppose our music is the outward reflection of that. In the past few years, have written a lot of positive lyrics & given the state of the world lately, more positivity in music can’t hurt right? Regarding your band's creative process for "Survive, Satellite," what was it like working with producer Kevin Dietz? How did he bring your visions to life? Kevin is a gem, even though he doesn’t like Blink182 – putting that aside, working with him has been a blast! He has been on some really cool projects in the past so we were thrilled that he decided to give us attention. His laid-back playful nature made us really enjoy the studio process & bring our vision to life quite organically. Check him out at www.kevindietzmusic.com What did your mastering process look like when working alongside Noah Mintz for "Survive, Satellite?" What was your experience like? If you’re in Canada, there’s 2…maybe 3 people that everyone goes to for mastering - Noah is on top of that list, having mastered songs by the biggest artists around. It was a real smooth experience with Noah putting that finesse on our songs like we’ve never had before. Does your band usually cook up singles/projects that inspire the listener, similar to "Survive, Satellite?" Are songs like this a solid example of the music you tend to create? We haven’t always had an obvious ‘positive spin’ or ‘inspirational message’ in our songs but it’s certainly a direction we’ve gone in as of late. Last year, we released a collaborative single that addressed the rise in people’s needs due to the pandemic, raising money for the local food bank. Our songs this year & next will focus on mental health issues & challenges. If we can give people something a bit more meaningful than just a catchy tune, we’re all about it! Sound-wise, we tend to dabble in a bit of hard rock, pop-punk & even acoustic stuff. What's your favorite release of 2021 so far, from an independent artist you admire? Everyone needs to check out LIVING DEAD GIRL, with who we played our last gig with in April 2020. Their debut album comes out next month & they have a couple of killer videos/singles out. For more, www.livingdeadgirl.ca Instagram Facebook

21-year-old Maric was born and raised in the Cayman Islands. He grew up in a diverse household with his father being Jamaican and his mother from the UK. Music has always been a large part of Maric’s life with the earliest memory he has been writing lyrics to a song on a napkin in preschool and showing his parents. Taking his Caribbean roots and influences, he places them into his music in a major way as he leaps into a solo career of his own. Enlisting the euphonious timbres of Esty in order to deliver the tropical vibration of his most recent single “Centipede,” Maric has us swaying to the beat of his melodic croons this summer anthem. You immediately transport yourself to being under the simmering rays of the sun as the heated evolution of “Centipede,” touches on prevailing messaging through the musicality exposed. Maric’s vocals settle into your mind in a fluent motion that has you submitting to his harmonious performance. Combining his energy with that of Esty’s, this dynamic duo brings forth unalloyed life to this single in a way that has you wanting to hear more from them in the future. Everything about “Centipede,” has us experiencing a diverse skill set from these two as we pan back and forth between English and Spanish lyrics. This sonic voyage immerses in a buoyant manner as you are gently brought into the gravitational pull of Maric and Esty. Fashioning a striking utopia that resonates with audience members far and wide, Maric makes it known that his musical canvases are meant for all to enjoy as long as they find a way to relate to the auditory goodness exposed. Weaving us through the compelling expedition of expressions, “Centipede,” will be sure to make it to your summer playlists this year. We love the vibes that you and Esty present in “Centipede.” You both work together incredibly! What is the inspiration behind the lyrics heard in this single? The hook was more aimed at the stage of my life that I am in right now. I feel like when you hit your 20s you start really making judgments on the people in your life. I feel thankful that a lot of those who surround me are genuine people but I see my friends get burned all the time by people plotting behind their back, using them, etc. So the premise of the song is that you cant surround yourself with this energy that these fake people provide, separate yourself, and don't associate, and once you do that you can really start to enjoy life. How did this collaboration come to be? Could you please share a glimpse of what the creative process entailed? I actually only met ESTY last January through a group of friends that my girl and her friends were connected with, I only really tapped into his music however last summer, and really liked his style especially since I started getting more into reggaeton music. With regards to the song I just dm'd him one day to listen to this song that I had just made (Centipede) and he vibed with it, I asked him if he would feature on it, he agreed, and about a week later he sent his vocals. ESTY killed his part and we both love the song, I'm sure we have more collaborations coming in the future. If your audience could take away one thing from this single, what would you want it to be? I would say I want them to listen to the feel-good vibes and positive energy from the track and have it inspire them to take control of who is in their life. I feel like the lyrics are easily glossed over because a lot of people listen to it for the energy, but surrounding yourself with the right people is essential for whatever you want to do with your life and more importantly to live a happy life and that exactly what the lyrics are trying to say. What is your mission statement as an artist? How do you allow that to speak through your music? Ultimately I want to bring my home, Cayman Islands, to the limelight. We have so many talented people on the Island and many of them are finally starting to be recognized. However, I want more than just a little recognition, when people think of Cayman I want it to be recognized for the talent it produces, much like how Jamaica is so often associated with Bob Marley, Vybz Kartel, Popcaan, Koffee, etc. My mission is to have my name attached to my home on an international level, I want everyone to know where Maric is from and who he represents. I try to show this through my music by using my Caymanian accent, making reference to Cayman, just showing pride in where I come from in general to make it known that Cayman is what made me great. What's next for you? More growth. That's all I want, I know I'm infinitely critical of my music so every time I release something I listen and think about how I can make it better for the next drop. A year from now Maric is going to be big. Maric Instagram Esty Instagram

In a city where stars are expected to shine bright, burn out and fade away, the stars that shine steadily are too often overlooked. Dale Fisher is one such star. With many accolades under his belt, Dale Fisher is a well-traveled musician who has written and recorded with John Mellencamp, conquered the Los Angeles local scene, climbed a mountain of soundtracks, recorded and performed around the world, and even penned a commercial jingle or two. Dale Fisher offers a perspective that’s not common in the ever-changing, always- cynical music industry. He boasts an airy and buoyant, acoustic guitar-based sound, densely speckled around a farm-fresh foundation. Upon first listen to Dale Fisher’s most recent single, “Be in Your World,” we find ourselves instantly gravitating towards the funk-fueled rhythm that pulses through the effervescent soundscape before us. Dale Fisher creates a jaunty realm of textured captivation as he offers an invitation to his listeners far and wide to step into the eclectic world of his musical creations. The sound provided in “Be in Your World,” is colossal. Transitioning through rhythmic layers of syncopated patterns, the opulent layers of unpredictable guitar riffs bounce off the uplifting structure held in the mind-altering fusion at hand. Lyrically tackling the theme of being caught off guard by the apple of his eye, we hear the passion spill fervently from the reverberated timbres cascading with the arrangement of “Be in Your World.” Washing over us in one fell swoop, the smooth operating mechanics of this record work together in order to achieve the larger-than-life sound that we find ourselves immersed in. Dale Fisher is no stranger to molding the minds of his audience with each release, and with “Be in Your World,” the transmission of feel-good vibrations reigns supreme in his conveyance. If you’re looking to be moved both literally and metaphorically, we suggest you play Dale Fisher’s latest hit at full volume. Welcome to BuzzMusic, Dale Fisher, and congratulations on the release of your most recent single, “Be in Your World.” With the themes of your songwriting jumping out of the speakers, was this song based on a real-life moment? Yes, this song idea started in a late-night dance club called The Box in Gummerbach, Germany, and some locals took me there. I changed some of the words because my producer Chis Wonzer brilliantly pointed out that my describing a girl on the dance floor, from afar, was kinda creepy the way I originally worded it (I think I was talking about how her hips moved), so we moved her to her car for that reason. Otherwise, it's pretty spot on regarding her beauty, how it affected me, those around her, and those around me. Could you please share a glimpse of what it was like working with your team to get the desired sound of this single? Chris Wonzer was Linda Perry's engineer for many years working at Royal Tone Studios, which became Kung Foo Gardens when Linda eventually bought it (named something else now, I think). He worked with Christina Aguilera, Macy Gray, Enrique Iglesias, Rod Stewart, Cheap Trick, Glen Ballard, and Alanis Morissette, to name drop a few. I was having a hard time getting all of his attention in L.A., so we went to Palm Springs to an Airbnb of a friend for 12 days to work on sounds, loops, beats, and other experimental sounds. This ended up being a great idea, and really brought the years of work on this album, up to the level that you hear on this single "Be In Your World". Did you find the creative process for this track to be similar or different from your usual process? Could you please share any stand-out moments from the experience? This single was a little different, in that I had a demo of many songs we did in Germany at Artfarm Studios outside of Köln, with Rami Jaffee from the Foo Fighters/Wallflowers and producer/engineer Robert Shuller. It wasn't until we got to Palm Springs that the rhythm section for "Be In Your World" was finally perfected, along with playing the keyboard part backward at the beginning (or it's most noticeable at the intro). We also eliminated some speaking/rap parts at the end where I was giving shout-outs to many cities I was performing in over there( Dortmund, Berlin, Stuttgart, Munich, etc). It was one of those rare moments when someone (Chris), has to be the one that tells the artist, this sounds stupid lol! What emotions and themes are you hoping to transmit to your audience from “Be in Your world?" With all that has been going on in the world and all that has been halted because of Covid, including love and romance, it kinda changed into a feel-good song about what we all can relate to, dreaming of love, and a look back at more normal times, with brighter times for the future. The theme of being in your world really just described the age-old story of wanting to be in love at first sight, and the hopes that it would be reciprocated. Since I am not one to execute my ideas many times, this one was an instance that I wrote about later, after I failed to get up the nerve to speak to her, then, or when I saw her again. Don't miss chances would be a message to transmit, or you will be only WISHING you were in their world for a lifetime. What's next for you? As I said the last time we spoke, a piano Ep is more than halfway done. The first single will be "17", an up-tempo tune that many working on the record, say is one of my best. Paul Ill on bass, Kellii Scott on Drums, Rami Jaffee on keys/sounds, and some others who will be doing overdubs shortly. "4 wheel drive", "Remember When We Were Young", and a remake of "Zoobie Zooie" from my Qkumbrz album, are all in the hopper at the moment. I have been in Florida and open States in the midwest during Covid to be able to continue to perform. Many of my comrades have not been so lucky, and are chewing at the bit to gig. Heading to Germany, as soon as the international travel opens, for 8 weeks of recording and playing small venues, is my next vision I hope to accomplish. We have also completed the filming on a video, with a young filmmaker Ryan Lotfi. He is Iranian, born in Dubai, with an exceptional talent for using drones and switching to live moments from the shoot, fading out the soundtrack at certain times during the track to give it a modern look. Ryan is in editing mode at this moment, with all A rolls and B rolls finished. With luck, love will show me the way, and I hope to continue, is really all that is "what's next". Facebook Website

The song of the summer is already here, and it goes by; “On My Way.” The latest hit single from internationally recognized artist Alex Costova, and its upbeat energy and powerful vibes are already creating a strong buzz among industry insiders with whispers that it will be the standout track for the summer. Featuring two up-and-coming female artists Jamara and J!NX!, the single is a synth-pop track that melds elements of Soul and EDM in ways that are equal parts subtle and substantial. Transporting listeners into a world that is colorful and easing, the atmospheric realm of “On My Way,” has us immersed in infectious grooves that constantly evolve to bring an intended ambiance forth in the sonic landscape showcased. Having us swim through the electronic escapades, Alex Costova syncopates elevated vocal techniques while enlisting the euphonious timbres of both Jamara and J!NX!. You’re simultaneously swooped into the effervescent kingdom of soul-infused lyrics, while the passion have you sinking into your seat and feasting on the entrancing essence of “On My Way.” The intention set through the purpose of this record conveys a warmth not only through the vibrant instrumentation but within its anthemic messaging that encourages people to embrace the gifts, talents, and abilities they have been blessed with. Due to the current state of the world, Alex Costova found mass importance in delivering the poignant bop in a fashion that allowed him to share the meaningful nature with Jamara and J!NX!. Embracing the welcoming invitation of “On My Way,” the polishing strokes on this track are courtesy of engineer Shane Violette, as this collaboration reaches a newfound glory in what it’s capable of doing. Those in the industry who know about Alex Costova are clamoring to work with him and with masterpieces such as “On My Way,” it’s extremely apparent as to why. Hello Alex, thank you for joining us at BuzzMusic. We absolutely love the message that you etch into “On My Way.” With such a brilliant opportunity to not only create an anthem but lift people up, was there a moment in particular that inspired you to take this song to the level that you have? We all wanted to do something great and inspiring not only for ourselves but for those who have been locked in for over a year not able to have a voice and do what they want. Covid really took a hit on a lot of us & now that we are getting back to a new normal we wanted others to not feel like they needed to hide anymore & stand up for what they want & fight for what they want in life especially their dreams & goals in life. What was it like working with Jamara, J!NX!, and Shane Violette in order to bring this song to the final point it’s at now? How did these collaborations come to be? Working with two brand new artists Jamara & J!NX! Has been wonderful. To watch them grow right out of the first time in the studio to what they are starting for themselves is heartwarming. It’s been fun & exciting and they are such great artists. Working with Shane is always a great pleasure. He is like a mentor to me. He’s taught me so much about the industry & how to become a better artist & songwriter by coaching. We’ve all been so motivated by this song. Shane is very professional through the whole process allowing us to get over our anxiety in the studio especially if it’s your first time. Once Shane & I heard Jamara we instantly knew she was gonna be a great fit for this song. Then Shane discovered J!NX!. We knew she was gonna be a perfect fit for our pre-chorus & bridge with her different style. We have something different in each part of this song which is beautiful. What musical and non-musical influences do you tend to take inspiration from? Does this always stay consistent or do you find it's always transitioning? I have always had a huge musical influence from Adam Young of Owl City & Tom Delonge of Angels & Airwaves. They have been my two biggest inspirations. With owl city’s synth-pop & Angels & Airwaves anthems with rock, they have gotten me through soo much with not only their music but their message. I hope to meet them & collaborate someday. I’ve found myself transitioning to future bass & acoustic genres lately. Gryffin has been a great influence lately. The Lost Kings is another great band. Loving the vibes. How have you grown since the creation of “On My Way,” to this moment in time? Honestly, I’ve grown from having nothing to something. A legacy. Some form of appreciation not only for the music business but for the creation of beautiful music. It’s awesome to see Jamara & J!NX! Grow as well since the creation too. They have futures in the industry I’m looking forward to seeing them all grow up & pursue their dreams. What's next for you? Well, not a whole lot. I’m going to be taking a break for a little to promote our new song & get as big of an audience as possible & I’m looking into releasing the official music video with the team here in a few weeks & also starting to fi d a booking agent to start doing g some solo showstopper get my feet wet as they say in the aspect of the performing arts of live shows. Once that’s all said and done I’d love to see how much we have all grown since then. Instagram Twitter

Los Angeles-based rapper and songwriter L Francis grew up on the West Coast of Norway. Taking a wide range of influences from the likes of G-Eazy, Mac Miller, and Lil Skies, his music has a seamless blend of Pop Rap and Trap to perfect his sound. Although hailing from a country known for EDM and electronic music, he sets himself apart by wanting to put Norway on the map for its Hip-hop. Delving into his most recent single, “Don’t Look Down,” the elusive essence of this atmospheric bop is a collaborative effort with Norwegian Pop band Karston&Niko. With the top-tier production elements being handled by notyourguy, the universe that is cast out to listeners is memorable in all of its poignant hues. Enticing drum patterns and airy synths infiltrate the speakers as L Francis cascades slick verses with punchy rhyme schemes throughout this piece. Exuding a fusion of soothing tenors accompanying the compelling magnitude of the musical progression, “Don’t Look Down,” hones in on its exclusivity as it gracefully allows you to float to cloud nine. As much as we fall for the lush verses in all of their glory, we have to give credit to the harmonized chorus performed by Karsten Osterbo that takes on an eloquent charm in its pacifying conveyance. “Don’t Look Down,” provides the fan base of L Francis with such an inimitable scope into his artistic versatility. Taking on the influence of various musical stylings, L Francis is able to carve out a solidified lane of his own as he incorporates intricate traits from his inspiration and gives it a revamped sound like he does in “Don’t Look Down.” Hello Liam, welcome to BuzzMusic, and congratulations on the release of “Don’t Look Down.” We love the overall vibe of this song. Could you please take us into the song’s meaning and the inspiration behind it? Love to hear good feedback on our release! It all started from a beat pack full of beats the producers sent to me, and I really liked the vibe of it so the whole song started out by me just freestyling to the beat. I got the flow of the verses down really quickly, and it was a fun process to write. I mainly took inspiration from the laid-back feel of the beat, also I wanted to make something that would be relaxing but at the same time have a “bounce” to it, so the lyrics were mainly inspired by partying and just not caring about the repercussions. What was it like working with Karston&Niko as well as notyourguy, in order to deliver the vision you set your sights on? It has been a joy to work with both of them! They are really talented individuals that always put in a countless amount of hours in their work. This collaboration also pushed us to be more versatile which is a good experience. It started out with them sending me a folder full of different beats and ideas, which I recorded and sent back to them. Since they are located back home in Norway, it took a lot of coordination and time to schedule calls to discuss plans and the release of the track. It was a really positive experience working with someone who mainly does a different genre of music, so we all learned from our differences and opted to make several tracks that take inspiration from both our genres. So this collaboration pushed us to be more versatile. We have released two collaborations together, with “Lemon” being the first in February. We are looking forward to taking everything we learned from this experience and working further on our own individual releases. Do you find that you’re more influenced by the sounds of Norway or Los Angeles when it comes down to your overall musical resonance? I would definitely say I'm more influenced by the sounds of Los Angeles. Two of my biggest influences, G-Eazy and Jez Dior, are both from the West Coast. I've always been drawn to the Hip-hop and rap scene in the US, and I would spend most of my time in High School making beats and wanting to move away from Norway to do music for real. I also released a track with LA-based rapper $teven Cannon, which is an artist I've been listening to for years, so for me to meet him and make a track with him was really cool and something I didn't expect, so a big shout out to him! There are several talented and good artists from Norway, but mostly we are known for EDM and electronic music, so 9/10 times you mention Scandinavia and that you do music in the US, they always assume you make EDM. What are you hoping that your fan base takes away from the messaging you put into your music? A thing I learned over time is that we are always afraid to step out of our comfort zone, and always worry about everyone's opinion of ourselves. I moved to a completely new Environment over 5000 miles away from where I grew up without knowing anyone there. Within a couple of months, I was already comfortable with the new environment and met lots of new people. I will never forget the feeling of the first few days I was there. I learned from that experience that you shouldn't really be afraid to take a chance with something, and if you really have a passion you should just put everything into it. What can listeners anticipate next? In the future, I will continue in my own lane and put my focus on perfecting my own sound. I and my producers have several projects planned for the second half of 2021, but our next project is scheduled to release in late July early August, so we are looking forward to releasing them and putting in countless hours into making every release perfect. Instagram Facebook

Well-known as the former guitarist of St Petersburg, Florida's Post Hardcore outfit The August Name, Dacian Miron is an American singer, songwriter, and musician from Tampa, Florida making a name for himself. After he parted ways with the band, Dacian Miron took a five-year hiatus from music and returned as a solo artist. Launching his debut project in the summer of 2019, he tends to draw influence from artists such as Frank Sinatra, Journey, Queen, Michael Jackson, Panic! at the Disco, My Chemical Romance, and an eclectic mix of 2000’s alternative punk and emo subculture. Delving into Dacian Miron’s fresh five-track EP, ‘Slightly Mysterious, Somewhat Delirious,’ we get scooped into the enticing soundscapes of amplified energy. Specifically in the introductory single on the project, "Call it a Hustle, Sweetheart,” we’re immersed in a brilliant collaboration of brightly riffed guitar chords, airy synths, and an enigmatic atmosphere thriving with the notion of reigning supreme. Dacian Miron’s prevailing vocalization exudes such an array of emotions that each word robustly propelled into the thesis of this song implodes upon impact. Enlisting the vocal talents of Kellin Quinn to enhance the dynamism launched into the anticipation surfacing, this track is the true definition of a sonic journey. “Call it a Hustle, Sweetheart,” weaves you in and out of each uncanny avenue traveled as you grasp on to the narrative displayed through intricately crafted lyrical motifs. Shifting between the striking harmonies that each artist's luscious crooning brings forth, you’re eased into a triumphant sense of one song coming to halt while the rest of the expedition locked into ‘Slightly Mysterious, Somewhat Delirious,’ awaits your arrival. In this fury of Pop Punk excellence, we’re thrilled to announce that Dacian Miron's latest EP has entered the chat and won’t be leaving any time soon. Hello Dacian Miron, thank you for joining us at BuzzMusic. The entire essence of “Call it a Hustle, Sweetheart,” sets the amplified tone of your recently released EP. We love it. What inspired you to make this single the opening statement? I was bullied a lot as a kid. I didn't have many friends in middle and high school. The super cliché rhetoric of not being accepted by the popular crowd exists. I was never invited to parties, but I did get shoved in lockers and picked on because I didn't fit in with the norm. It made me realize that although I got older, this is still a daily problem for the youth. I know it's not easy for people, so I wanted to make a song to encourage kids to embrace their "outcast" qualities. Not to try to fit in and change who they are in order to be accepted. One day, you will find yourself but don't feel like you have to be pressured into it, especially by someone who doesn't understand you. Could you please share the meaning behind this single and how it ties into the concept of ‘Slightly Mysterious, Somewhat Delirious’? Well, with everything going on in the world today between Racism and Corona, mental health seems to be a major concern amongst the general public, which is totally understandable and one of my major driving factors for this track. You see, I wanted to reach out individually to anyone going through something and reassure them that it will get better. I know some of my friends are always thinking "am I good enough?" "Why are others so judgmental of someone they don't understand?" "they said I'm not a good fit because of my tattoos." Unfortunately, the human condition is that passing judgment before understanding, and that will never fully change in society no matter how bad we want it to. My goal is to let everyone know that they don't have to change or impress the wrong audience in order to be who they are, they just have to be happy with themselves. Love comes from the inside, for in order to achieve fulfillment and true happiness, one must love and accept themselves first... And you're more than enough for that. The whole concept for "Slightly Mysterious, Somewhat Delirious" is what I went through in my life up until this point, a self-reflection of myself, for every song, has a story to tell and there is a correlation between each track. "Call it a Hustle, Sweetheart" was the first piece of the puzzle. The collaboration between yourself and Kellin Quinn brings out both of your talents so well! What was it like working with one another and how did this collaboration come to be? Honestly, I don't think this song would have had the same feel without Kellin's part. He brought out true emotion in a full aesthetic fashion. Our voices complimented each other really well in the bridge and I'm REALLY stoked with what he came up with. Initially, I reached out to his agency because I know he sometimes likes to help artists starting out. I sent him 3 early demos that I was working on including "The Cure for Sobriety" "Nightcrawler's Revenge" and a really rough version of "Call it a Hustle". I let him know that I was a huge fan of his work and that I had the perfect idea for his talent on one of my bridges. He replied and said he loved the vibe and was down! The rest was history! If your audience could take one thing away from ‘Slightly Mysterious, Somewhat Delirious,’ what would you like it to be? In life, you're going to go through a lot of changes in order to find out who you are as a person. It's a journey. It's a process. Whether it's your first heartbreak, changing your major in college, overcoming an addiction to drugs and alcohol, or finding out that sometimes pleasing the wrong people just isn't worth it anymore. You'll get there, and it doesn't happen overnight. I want to inspire people, give them confidence, and reassure them that it'll all work out in the end. "Enjoy the journey" because life is just too short. What's next for you? I actually have a lot of new tracks I've been working on. I'm hopeful that after the pandemic starts to settle down and life returns to a steady new normal I can get started on my first full length, and start booking some shows! I'm flying out to Columbus, Ohio, June-July to start the preproduction stages on that. Hopeful that "Therapy that Makes a Difference" will be my follow-up and possibly the best work I've ever done outside of the Rock genre. However, before that, expect a couple music videos for "Nightcrawlers' Revenge" and "Call it a Hustle, Sweetheart" ft. Kellin Quinn in the upcoming months. Instagram Facebook