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Canada's multi-platinum rock trio The Tea Party presents a blazing anthem of celebration with their recent hard-hitting single, "Summertime." Having sold over 2M records worldwide while touring around the globe for the past decade, the likes of Jeff Martin, Jeff Burrows, and Stuart Chatwood are continually seeking ways to take listeners on dynamic and adventurous journeys. With various nominations, awards, and certifications under their belt, The Tea Party has now set sail into heat with their latest gripping anthem, "Summertime." When speaking upon their latest hit, lead vocalist/guitarist Jeff Martin stated, "You've all done the hard yards and have done the right thing with regards to keeping yourself and others safe. With absolute respect and humility, The Tea Party offers up this song with the hope that it might become an anthem for an appropriate celebration." Taking a deep dive into their latest single, "Summertime," the track opens with Jeff Martin's scorching electric guitar riffs, Jeff Burrows' thumping drum breaks, and Stuart Chatwood's stimulating bassline. Once Jeff Martin's iconic, charming, and low-toned vocals pour through our speakers with nothing but heat and desire, a bright acoustic guitar accompanies him alongside the beaming instrumentals that soak us in lust and energy. Listening to Jeff Martin's lyricism, he takes us through the blistering sun rays with picturesque scenes of a distant memory and longing for it to become a reality. While describing a woman with sunshine in her hair and moonlight on her skin, The Tea Party later drops into the sweltering hook and reminds us to bask in the heat and appreciate all that the season has to offer, especially during these unpredictable times. "Summertime" is right around the corner, and there's no better way to kick off the season than grooving to the beat of The Tea Party's latest anthem, now available on all digital streaming platforms. Welcome to BuzzMusic, The Tea Party. We're excited to chat with you about your recent blazing anthem, "Summertime." What inspired your group to create an ode to summertime and all its glory? After writing a career’s worth of dark poetry we felt it was time to change things up somewhat as the music was a high-energy guitar riff and we thought that an ode to the joys of summer contrasted well against the music and fit the bill nicely. It’s our very own Dancing Days (Led Zeppelin). We adore the descriptive and picturesque lyricism within your single, "Summertime." When writing your lyricism, what did you want your audience to feel and picture throughout their listening experience? We've spent 30 years together touring around the world so needless to say there have been many summertime experiences. As an indie band, we'd put ourselves to sleep listening to Neil Young's Harvest Moon. That song is magic in the way that it can conjure up a summer's evening at the cabin by the Lake. What was your band's creative/recording process like when formulating and executing your instrumentals for "Summertime?" How did you go about capturing the heat and essence of the forthcoming season? Fortunately for us, we were able to record this and four other songs for our upcoming EP in Vancouver before Covid took hold. It's rare that we get to create music together in the same room so we took advantage of it. We went our separate ways afterward and completed some of the overdubs remotely. Being that "Summertime" is your band's first release in over a year, what's kept you busy during these times? Have you been tweaking or reworking your sound for future releases and projects? We did release 2 cover songs early on in this pandemic. Every day is like Sunday by Morrissey and joy divisions isolation. Both songs are on YouTube for those interested. Mixing and finishing Summertime and our new EP took up most of the year for The Tea Party but for myself, I have been extremely busy as a video game composer. My latest game that I've been working on is entitled Darkest Dungeon 2 and is scheduled to come out this fall. With over 20 years in our ever-changing industry, how does your band manage to stay current and keep your audience engaged and wanting more? We really enjoy making music first and foremost. As long as we can keep putting out music I think the audience will be engaged. What really looking forward to however is coming to the upcoming tour across Canada entitled Saints and Sinners scheduled for this November. We have rescheduled this tour twice now so we can't wait to get back in front of people and feel the energy that only a live audience can bring. After that tour finishes will probably look at doing some select US dates followed by a proper tour of Australia. The record is being released in Europe again so it's another dream of ours to head over there for the first time since 2001. Instagram

The Toronto-based alt-folk/rock artist, producer, multi-instrumentalist, and singer-songwriter Fourth Born pays tribute to our isolated days with a soulful single, "Long Distance." First attempting to embark on his music career before the pandemic struck, Fourth Born found himself playing gigs full time until our live performance industry plummeted. Back and better than ever, Fourth Born spent most of his quarantine creating a personal acoustic EP entitled 'Snow,' which swooned our ears from beginning to end. More recently, Fourth Born made his big comeback with a powerful single, "Long Distance." When listening to the single, listeners are bound to fall for Fourth Born's captivating performance and conceptual lyricism, as he paints delicate images while emphasizing the song's emotion with each soulful and folk-inspired instrumental arrangement. The single, "Long Distance," opens with a crisp acoustic guitar melody and Fourth Born's bright vocal arrangements. As he begins singing an empowering story of finding all the love he needs within himself, Fourth Born later meets up with lush and short keyboard bursts that lead us towards the ground-breaking hook. Punching through our speakers with incredible soul and passion, Fourth Born and his mid-tempo folk-inspired instrumentals offer all the love and joy we can find from external sources nowadays. With help from a savory and uplifting organ arrangement, the song drifts from major to minor while Fourth Born continues to sing of loving someone from afar and making an effort to appreciate the self-love he's steadily grown. Allow Fourth Born to remind you that the journey towards happiness begins with self-love and acceptance with help from his latest single, "Long Distance," and let the influential singer-songwriter inspire you to keep your head held high. Find "Long Distance" on all digital streaming platforms. We can't get enough of the passionate and soulful flairs of your latest single, "Long Distance." What inspired you to create a single that touches on self-love and loving someone from afar? Thank you! This song was a very intuitive writing approach. I wrote it from a place of agony to be honest - considering it is a relatively upbeat song. I was dealing with a breakup regarding a recent long-distance relationship. It was a relatively clean break but it just seemed premature. She was honest above all and I couldn't help but respect that deep down. I just still loved her and had nowhere to put it. So this song, just as abruptly as the initial breakup, nudged me into the direction of self-love instead. I started working out and eating healthy and decided that it's okay that I love this person. And that it doesn't need to be returned in order to be beautiful. I just turned it in on my self which is extremely important I think. I think it's common, especially for romantics to feel like love is some act of selflessness. It just shouldn't be in my opinion. We should all think for ourselves first before even considering loving someone else. That way it comes from a place of want and not need. If you're going to start a garden, do you want to water the plants, or do you need to? Adding to someone's experience in life shouldn't take away from your own experience. We water plants because we want to watch them grow. Seeing as you're a producer, multi-instrumentalist, and singer-songwriter, did you create "Long Distance" entirely yourself? What was your solo creative process like? I did create "Long Distance" entirely independently. This one was a fascinating process. It just intuitively flowed through me. I recorded a guitar and vocal part on my phone recorder the night it came into my head. I was pretty tired so I went to sleep and then finished the song in one fell swoop the next day. It was a very quick process. And it was all tracked in just one day. I spent about 1 hour on the first mix, and then recently did a remix and master it recently upon my decision to release. How does your single, "Long Distance" stand out from and contrast your latest EP, 'Snow'? Why didn't this single make the cut for the EP? Snow is what I was feeling before coming to the realization of "Long Distance". The message in the Snow ep revolves around desperation and loss. There's definitely an air of neediness lingering within the snow ep. Dealing with the loss of loved ones can often lead to those sorts of empty feelings. Whether talking about death, break-ups, or just someone simply moving away. There's often a hole left inside of you and it's hard to figure out how to resolve that. Self-love and accepting that the love is not necessarily gone is what "Long Distance" means to me. Releasing the Snow ep and then Long-distance soon after is almost like a call and response to me. Loss in life sucks, but self-love and loving regardless is the answer. For readers who are now introduced to your music, could you break down what you stand for as an artist and how you intend to use your platform? Of course, as an artist - I stand for wisdom, truth, and depth. I don't intend on using my platform for anything other than what is my truth in life. As honesty is a value I hold to strongly - and always have. With that said, I often write from a point of fiction so as to expand the tools I have for articulating my honest emotions. My overall intentions with my platform are very clear to me. I'm tackling an issue in the most authentic way I can. And my approach to that is expressed through my music. Overall I want to relate with people who struggle to relate with others. What can we expect to hear next? I will be releasing a 7 track ep titled: Thoughts of a ventriloquist. I'm not sure if I'll be releasing it all at once or not. But this ep holds an air of darkness and depth for sure. It's a representation of my adolescence and the darkness felt during those times. In a way, it represents the dark side of being an introverted artist. Pertaining primarily to my hands as my source of expressing myself: much like a ventriloquist does. There's a lack of stability, and second jobs are definitely not uncommon. Crippling self-doubt is also something I've learned to be very comfortable with. It's a body of work that I think could inspire people to take a leap of faith toward something they love to do regardless though. To take a risk in life and find value in something that isn't financially promising. I love my life and I wouldn't trade it for anything. Being an artist is exciting regardless of the level of stability. The joy comes from the creation and the mystery in life itself. Instagram Facebook

KUNAISKILL is a rising talent out of Tegucigalpa, Honduras. Once riddled with depression and hopelessness, Miami-based producer Ebaniez met KUNAISKILL through mutual friends while he was visiting Honduras. From there the two linked and Ebaniez began to send KUNAISKILL beats to express his artistic talents over. Fast forward to two years later and KUNAISKILL has arrived at the scene with his debut EP, 'Out Of Nowhere.' Taking inspiration from indie pop, grunge, and emo-rap, the five-track project exudes the virtuoso abilities of KUNAISKILL as he sings and raps about his past relationships, going through various emotions and feeling lost. Introducing us to the body of work that is “Out of Nowhere,” KUNAISKILL radiates a unique clarity in his vocal delivery on the EP’s introductory single, “School Days.” Melodically performing over mid-tempo instrumentation that pulls your attention towards the layers of distortion speaking to the complexity of the composition, KUNAISKILL conveys heartfelt messaging through his songwriting techniques that gracefully ease us into the quintessence of this project. ‘Since I was a kid, I was a misfit,’ is the lyrical motif that allows us to get to know the artist emerging from the underground rap scene with his emotionally intriguing expressions. Transitioning into a dark representation of up-tempo vibrancy, the reverberated essence of KUNAISKILL on “Long Time No See,” has him articulating his sentiments in a bilingual presentation of the English and Spanish language. A mind-altering spirit surfaces from the effervescent beat structure as we become fixated with the distant resonance of the bass sitting in the composition in all of its glory. Delving into a variety of cadences in the realm of icy and slick, KUNAISKILL has us up and out of our seats while implementing emcee-like verses and the prevailing nature of his timbres repeating, ‘and we can party all night till 3.’ Third, on the tracklist we have the somber essence of “Used 2.” With the instrumentation taking full control through the live drum patterns offered up, versus the emphasis on mechanical patterns in Ebaniez’ DAW of choice, the liveliness is a refreshing take that assists in illuminating the melancholic lyrics shed by KUNAISKILL. Slowing the tempo to create an impactful moment of breathtaking nostalgia, we can’t help but transport ourselves into the buoyant universe of reflection through memories of our own. “Used 2,” focuses on the fortified relatability factors of KUNAISKILL as he has his audience gravitating towards his poignant renditions showcased on “Out of Nowhere.” “Ghost Avenue,” follows the already versatile order that the tracks fall into as its overall conveyance serves up a fusion of the sounds formerly presented. The synth patterns seamlessly tie into the enticing hi-hats as KUNAISKILL’s vocals embed themselves into the center of this mix. Through a remarkable evolution of quick-paced rhyme schemes infiltrating our speakers, to the echoed croons pouring passion onto the bright instrumentation, we admire the fact that KUNAISKILL pulls out all the stops for a piece of this caliber. Reciting the lyrical motif of ‘going to be a lonely night without you,’ the accompaniment of such distraught lyrics blend with the portrayal of eclectic visual imagery in the vivacity executed in the overall arrangement. Reaching the final moments of 'Out of Nowhere,' we are thrilled with the concluding track choice of “Lonely Night,” to close off the loose ends of this KUNAISKILL chapter. Eccentric piano chords take the spotlight in this Ebaniez beat as we are entranced with a slowly annunciated hook dipping into ominous timbres by KUNAISKILL. Quickly filtering those mystical harmonies with a direct touch down of Spanish verses that are performed at the speed of lightning, we come to realize that KUNAISKILL is the type of artist who doesn’t waste any opportunity presented to him. Leaving his audience with the final moments of his lyrical techniques, KUNAISKILL proves that 'Out of Nowhere,' is an EP that will jump-start his career to come. When people hear this project from front to back, they will be surprised to know that this kid from Honduras came out of nowhere. Congratulations on the release of your debut EP, “Out of Nowhere.” The versatility that you sprawl throughout this piece is remarkable! What was it like working with Ebaniez in order to produce a piece of work at a high caliber? Could you please take us into more detail on how you connected? Thank you for your kind words! Working with Ebaniez is great! We get along pretty well and are like family at this point, but that doesn’t mean that we just fool around and not work hard on the material. We take our time to perfect every song we work on and pay attention to the details. We make two to three demos per song until it is where we want it, then we record the final version in the studio. Some songs come together more quickly than others, it’s a matter of the vibes that we feel at that moment. We actually met thru mutual friends while Ebaniez was visiting Honduras back in 2018. He heard that I was into music and we made “Lonely Night” in the first two hours that we met. He is currently living in Miami, so we are always sending each other beats and vocal samples to make songs. What inspired the overall concept of this EP? What was your choice for releasing this project as a collection of songs versus the single-release approach that is sweeping the industry? To be honest the inspiration for this EP was very spontaneous. The main idea was to show my versatility as an artist and not just any artist, but an artist from Honduras. A lot of the music that comes out of my country is very typical of the region or a lot of the same. I wanted to do something different to show that Honduras can produce artists that can transcend borders and reach more people. I want people to hear the EP and think to themselves, “Where did this kid come from!?” I will reply with the title of my EP, 'Out Of Nowhere.' I had released two of the songs from the EP a few months before as singles. They were “Used 2” and “Long Time No See”. People really started responding positively and it was exciting to be able to release more music for the ones that were expecting it. Out of each song presented on 'Out of Nowhere,' do you have a particular song that resonates with you more than the others? I feel a connection with each song on the EP because each one contains a fragment of my mind and heart. If I had to choose one, it would be School Days because I feel it has that nostalgic euphoria of being in school and with your friends and having a crush. Those are the days that many people cherish. You perform in both English and Spanish on this EP, which is outstanding. It added some brilliant contrast. Is there a language that you prefer creating in? Most of my musical inspiration comes to me in English. This is because a lot of my favorite artists and the music I listen to is in English. However, each song gives me a different vibe and at the moment I usually go from either English to Spanish, and sometimes I use both. If your audience could take away one thing from this EP, what would you want it to be? I think I would have to say to them not to underestimate anyone, especially someone that comes Out of Nowhere. This EP is really just the beginning of KUNAISKILL and soon everyone in Honduras and hopefully throughout the world will know who I am. Instagram

The Los Angeles-based electro-pop trio Wyld Ruse brings us the heat with their latest electrifying and stimulating single entitled "Lethal Dose." Comprised of the stylings between Alon Eida, Branden Tighe, and Iain Findlay, the trio managed to work with acts like Kid Cudi, Dr. Dre, Xzibit, and other Grammy Award-winning producers/songwriters. Poised and ready to take on another 20 years in the industry, Wyld Ruse is excited to introduce their latest single. Their latest single, "Lethal Dose," brings listeners into a futuristic electro sound merged with the old-school nostalgia of classic rock influences. While the track blurs the lines between rock and electronic, we can also feel a whirlwind of powerful emotion pour through the voice of lead vocalist Alon Eida. Leaping headfirst into the single, "Lethal Dose," Wyld Ruse introduces us to their powerhouse sound through a haunting organ-like pad that floats and drifts in from the background. As the heavy and blistering beat drops, Wyld Ruse hits our speakers with a groaning bass-like synth that vibrates our speakers and leaves us in a trance. We can't help but get down and dirty with the overall production in this tune, as Iain Findlay's bass and guitars bring us into a nostalgic and heavy atmosphere while blending it with Brendan Tighe's tight and bouncy house production. As the song grooves through our hearts alongside Alon Eida's dynamic vocal stylings, the track comes to a hearty and heated ending while leaving us with a desire to hit up our nightclubs to experience heavy electronic bangers like this. Don't miss out on the stimulating experience of Wyld Ruse's latest single, "Lethal Dose," now available on all digital streaming platforms. We're truly getting down with the heavy grooves of your recent single, "Lethal Dose." How did the creation of this single come about? So, this was the first song we made after completing our last debut project Pryzm. That EP was us searching for our sound. We were still trying to find ourselves somewhere in between house, pop, and rock, and we really feel we hit the nail on the head with this song. What was your band's creative process like behind the scenes of "Lethal Dose?" How did you split the work amongst the three of you? Our music goes through a ton of changes throughout our process. All of us have been making music professionally for 10+ years each and cut our teeth at major studios as engineers and producers. That being said, we have our own prime studio that we are able to work out of privately. Lethal Dose, like most of our songs, started with Branden creating the basic bass line and drum groove. Once the basis of the track was set, Alon laid down his first vocal ideas. After the first vocal idea, we collectively built off of that to the next part of the song. Then it was like a mudslide. We went back and forth between vocals and production until the song feels finished and cohesive throughout. Even the little things are important, like Iain going back in to add live hi-hats even though this song had programmed drums, which really funked up the groove! Mixing is normally split between Alon and Iain, and mastering the track always goes through Mike Bozzi at the incomparable Bernie Grundmand Mastering studio What sort of vibe or atmosphere were you aiming to create with the overall track "Lethal Dose?" What did you want your audience to feel? Someone once said to me that they love to listen to music that they could walk away from an exploding building in slow motion. That was it. That’s what I feel when I listen to the song, and I want that same excitement and entitlement when our audience hears it. It’s simple, and it’s made to just ride. Alon’s guitar solo in the middle was never meant to be shredding or particularly complicated like the one on “Recall”. It was meant to feel like a mess, and a slight homage to the great jimmy page, who he feels is one of the coolest guitarists ever. You've mentioned that you are excited to build on your momentum throughout 2021. How will you be doing so? Do you have any forthcoming projects on the rise? Extremely excited. We have releases coming every 6 weeks on the dot throughout the end of the year. The project itself is called “Sphere” which will be released in full on Dec. 10th. It will hold all the singles dropped this year plus three bonus tracks. The titular song Sphere is set to be released on June 25th, and it is a completely different vibe from Lethal Dose. What would you like new listeners to know about your music? If you’re only into 2-minute songs, we might not be the best fit for you. All our songs run through changes, and focus on production along with vocals, as opposed to the norm today of being totally vocal-driven. We feel Alon is great at sprinkling vocals throughout the records as an instrument instead of the spotlight. We have major influences from Daft Punk, LCD Soundsystem, Justice, and classic to 90’s rock, so if there’s one thing that’s for sure about our music, no two songs are the same. We want our audience to be on their toes for what is to come next. Instagram Facebook

The Connecticut-based singer-songwriter, multi-instrumentalist, and alt-pop artist Steph Devine releases her intensely emotional and romantic sophomore single entitled "Be." As she weaves genres like alternative and acoustic pop, Steph Devine's music career hit the ground running in 2021, where she teamed up with No Dogs Left Behind to write a soundtrack for the rescue organization. As her influences stem from acts like The Chicks, Brandi Carlile, Cher, Kacey Musgraves, Train, Taylor Swift, and Dolly Parton, Steph Devine's sound is constantly flourishing with help from her innate drive and talented musical influences. Through her recent sophomore single, "Be," Steph Devine lets us into her personal and romantic world through the song's delicate and heartfelt theme. While the instrumentals bring us into the dreamy soundscapes of acoustic pop, Steph Devine makes the experience all the more refreshing through her broad vocal range and honest lyricism. Getting to the goods, Steph Devine's single, "Be," opens with soft acoustic guitar picking and her radiant vocal stylings that serenade us with lyrics of feeling completely and utterly devoted to someone's love since first laying eyes on them. As the instrumentals begin to expand with a soothing string section, Steph Devine continues her heartfelt venture and reminds us to find the love we deserve. We adore the organic and lush feel of this single, as it perfectly displays Steph Devine's broad musical talents as she delves deep into passionate lyrical themes while leaving her audience astounded by her sweet-sounding vocals and serene instrumentation. As the song comes to an end, Steph Devine leaves us wanting more heartfelt and natural acoustic-pop ballads like this. Delve into love with Steph Devine's sophomore single, "Be," and allow the up-and-coming singer-songwriter to sweep you off your feet with each release. Find Steph Devine's discography on all digital streaming platforms. Welcome to BuzzMusic, Steph Devine. We truly admire the passionate and heartfelt approach you've taken with your recent single, "Be." When did you begin feeling inspired to write such an honest and moving ballad like this? I wrote “Be” a few years ago. It was just after having a conversation ​with someone about the relationship I was in. At that time, it felt like everyone was trying to talk us out of being in love, but It wasn’t something ​that I had ever questioned. “Be” is my way of trying to explain that love is something you have to believe in, even when it is not always easy. Did you work alongside any producers or engineers when formulating the soothing and organic instrumentation for "Be?" What was your creative process like regarding the instrumentals? “Be” was originally super simple & acoustic. I played it with just my guitar for years. Working with Lit Honey Productions has brought the song to life. I wanted to keep the roots of the song while adding layers that would help speak to the emotion of the song. Speaking on your songwriting process for "Be," was it easy for you to write such genuine, passionate, and heartfelt lyrics? Or did you face any personal challenges along the way? “Be” was a song that I wrote very easily. Songwriting is the way I express myself and the meaning of this song is so personal to me that it came very naturally. How do your two released songs help listeners get to know you better? Does your current released discography share any hints about what we should expect from your music in the future? My two released songs shed insight into my writing style. I’ve been songwriting for years and have many songs I am so excited to share. I think my released songs and future songs have a common theme we all can relate to, falling in love and being in love. Although it is an incredibly personal event in someone’s life, it is something that we all know a little bit about. Instagram

Famoso & Lafleur are a rapper/producer duo from Anaheim, California made up of the emcee, Bob Famoso, and producer Niko Lafleur. The childhood friends grew up listening to Hip-hop and eventually started making their own music for fun. The duo both started out rapping, with Niko eventually switching over to the production and Bob taking full reign on the mic. Enlisting the ingenious skillset of singer-songwriter KLA, the collaborative EP ‘Micro Dose’ is fresh to streaming platforms as Famoso & Lafleur plot their album release later this year. Containing the melodic yet hard-hitting essence of this single, “Eazy Duz It” we’re graced with whimsical vocal layers of KLA submerging the speakers in bliss as the instrumentation portrays psychedelic elements in the advancing structure. With the vocalization being sparse, the quality implodes upon impact every moment they touch down. As you sway to the electric synths and colossal percussion hits designed by Lafleur, you’re effortlessly taken into the evolution of the musical soundscapes as you transition into the variety cast out through the brilliant rendition of the same song. Two-thirds of the way in, we have Famoso grace the track in a way that exudes his lyrical dexterity through cadenced statures. Incorporating the right amount of attitude, the unapologetic persona he embodies pairs dazzlingly with KLA’s harmonious timbres. The three creatives join forces in a way that evokes thought and emotion as we drift away into the starry-eyed composition that is “Eazy Duz It.” Taking the helms as we navigate to the blissful utopia punched into the musical GPS, Famoso & Lafleur and KLA convey exactly what’s needed in this time of uncertainty in the world; a breakaway. We absolutely love the way how “Eazy Duz It,” progresses to showcase all of your talents! What was it like working with KLA in order to portray this vision? How did this collaboration come to be? Niko: It actually just came about organically. Kayla is great to work with, her creativity and songwriting help bring another element to the project, Could you please share a glimpse of what the creative process entailed when bringing ‘Micro Dose’ to life? How long did it take for this project to be created? Niko: Kayla and I had started working on our project, and when this originally started we asked Kayla to do a verse and chorus to our song 'Pin Curl', and then she ended up doing backing vocals on 7th Grand as well, and eventually we decided to do a full collaborative ep, which ended up being MicroDose. What are you hoping that your audience specifically takes away from “Eazy Duz It?" Niko: 'Eazy Duz It' is really a groove session, it doesn't have any traditional song structure and is really a song that we're hoping the audience just vibes to. I had the beat with the original melody that you hear in the beginning, then I put in some transitions, and Kayla and I just sat in the studio and she freestyled her vocals and that is what you hear on the song. From there, Bob came in later in the week to drop his verse, and he was a 'one-take jake' with it. From beginning to end, the song just flowed and came about effortlessly. What musical and non-musical influences do you allow to shape your sounds as artists? Can we expect this in full force on your forthcoming album? Bob: Musically, over the years I have really been influenced by several artists, to name a few; most of the release from the Rhymesayers label, Dilated Peoples, Gang Starr, Pete Rock & CL Smooth, Devin The Dude, and a lot of early Motown era stuff. Influences outside of music for me would be drugs, coffee, Cohen brothers movies, pop culture, and experiences with my friends and family. Niko: Musically, I'm on the same page with the Rhymesayers label, and other groups Bob mentioned as well. Outside of that, I am heavily influenced by DJ Quik, underground funk, and low rider oldies. The list goes on, I listen to a bunch of different stuff. As far as influences outside of music, I would say mainly; my personal experiences & relationships that my beats serve as soundtracks too, craft beer, good whiskey, fashion, 90's pop culture, & space. What's next for Famoso & Lafleur? Bob: Glory Daze!!! Niko: Glory Daze!!! Instagram Famoso & Lafleur Instagram KLA

As the State of California gears up to re-open on June 15th, 13-year-old LA-based singer Alexander James Rodriguez releases a feel-good, blue-sky, and fun-packed anthem to celebrate all things, “California.” Written by the bubbly teen, the vivacious essence of this track is based on his own experiences; an ode to California if you will. Embodying all of his favorite activities to do on the West Coast, his heightened urge to explore is showcased through the visuals at hand. The manner in which “California” produces sun-kissed instrumentation that taps into infectious grooves sure to have you moving is quite remarkable. You’re immediately invited into the warmth of not only the Golden State but the optimistic energy that is propelled throughout the sonic and visual pairing. Belting out a charismatic reveal of the unmatched persona he buoyantly exemplifies, you can’t help but get lost in the vocals of Alexander James Rodriguez, as he takes you on a tour through Venice Beach, Beverly Hills, Hollywood Boulevard, and the Hollywood Sign. Incorporating his personal beloved hot spots, we feel his love for California thrive in this upbeat showcase of celebration. For us, the brilliant color schemes take over the cinematic component as the bright hues match the energy portrayed by the emerging artist himself. Eagerly embarking on his positive outlook and journey to show off his home, Alexander James Rodriguez has us cashing in on the breathtaking views and undeniable talent. Welcome to BuzzMusic, Alexander James Rodriguez, we absolutely love the energy that “California,” gives off. When writing about a place that you love so much, how did you find the writing process for this song? Could you please take us into a bit? Hi guys, first off, a huge thank you for having me, and for supporting my journey. I am British so was not born in California. I have basically adopted the State of California and all that it offers since being in Los Angeles. Of course, I love London and my Spanish roots – I’m able to appreciate them all. When I first heard the music, or beat, for the song it was really tough coming up with the melody. It was high energy, had a big high hat in the opening and there wasn’t much room for us to find something – so I actually used computer software to slow the music down a little, then from there, I found the pre-chorus melody, “Coz this life’s a party…” – then sped it back up to the original BPM. Once I had that melody idea, I shared it with my mom, and we started piecing together the rest of the song on Voice Notes. The hook was the easiest, “It’s California!" In the first verse, I wanted to showcase everything I do myself in California. For my 13th birthday last year, my mom bought me a surfboard (which was so awesome she hid it at our neighbor's house), I have a few skateboards, including a cool Ghost Long Board and I love to wear Vans. With those notes personal to me, came verse one, and some of the bridge. Verse two is much shorter, and more of a comparison for Miami and New York, with LA having it all. It took 2 hours to write in total. The fastest song to write and the longest to musically finalize! I recorded the song, November 11th, 2020 in North Hollywood, but it wasn’t fully ready until February 20th this year. You hit up so many amazing places in the Golden State! How long did it take you to film the music video for “California?" I wanted to showcase more! When we finished the song, which went through two different producers, multiple mixes, and two versions of mastering before the song you hear today, we wanted to take a road trip from Venice Beach all the way up to San Francisco. With COVID still raging, we opted to use just one small camera and stay local around Los Angeles. Day one of filming, it was a Saturday, we arrived at Venice Beach and it was so overcast. There was no “Sun is out and the waves are high” per the lyrics. We ended up having to re-shoot another day but more 12pm once the sun had burnt off the Pacific Ocean mist. We grabbed footage over a few days and around my school schedule. I’m in 8th grade. We just filmed bit by bit weather and school permitted. Once we had my performance shots in Venice Beach, Beverly Hills, and the Hollywood sign we started to piece, with my mom’s editor in England, the B-roll, and the rest of the California footage. I have been so lucky to have driven with my mom up the Big Sur, stay in Cambria, visit Hearst Castle, and bike ride over Golden Gate Bridge in San Francisco, to Sausalito, so selecting the footage was easy. The drum roll over the Hollywood Sign was all our editor Steve in London and the bag scene coming out of Bijan Boutique on Rodeo Drive was our nod to the movie “Pretty Woman” - the lyrics are “like a scene from the movies…” The music video is really a visual of the lyrics. Could you please share a bit about the team that helped you bring this vision to life? What was it like working with them? My team is super small. My mom and I mostly write the songs, plus Brian on camera in LA and Steve in the UK on editing. The record producer who really helped finish the song was Gemini Muziq and he is amazing. I am working with him on a few more songs coming out this year – including my hybrid Spanish–English song, ‘Bella Loquita’ out next. I enjoy working with this small group because my voice is heard. I have a say in what I write about, how the music goes, my input has value, and I am very much part of the process. My opinion is considered every step of the way. I may not always get a unanimous yes, but I am heard. So many artists my age, and even older, aren’t given that much freedom. It’s important to me though, as I am the one representing my music and out there promoting it. I have to feel proud of what I am singing, and I am proud of the final product of ‘California’. What are you hoping that your listeners take away from the music video and song for “California?" Oh my, it would be incredible if my song was the new State of California anthem. I would love it if the music video encouraged people to visit California, and road trip up the Pacific Coast Highway. I am a huge supporter of getting outside and exploring. The Big Sur is incredible, the water is so blue, and I guess I would want everyone to feel they should either visit California or if they live here already, get out there and explore. Being a tourist in your own state is kinda’ cool. I’m a tourist every day here in California. There is so much to see and do. What draws you to California? For me, I love California for its sunshine and blue skies. For its surfing and skateboarding along boardwalks, for its mountains and lakes. For the endless things, you can do. I swim, surf, skate, paddleboard, snowboard, hike, bike ride, and ride horses (my horse is here now too from England). I love Lake Arrowhead, Big Bear, Mammoth, San Diego, Lake Tahoe, Alcatraz, Sausalito, Golden Gate Park, and the windmills, the Big Sur, the seals by Hearst Castle, the incredible beaches – the list is endless. Did I mention the sunshine? My Instagram has so many photos of me exploring California it was inevitable I would release the song, "California." Who knows one day maybe I will be the Governor – but for now I hope everyone enjoys the song and music video! Instagram

What would make a successful model and actress pick up a guitar and start a rock band? For frontwoman Natalie Denise Sperl, it took just one Social Distortion concert. After teaching herself how to play guitar, she created a full band alongside Adam Smith (lead guitar) and Mike Evans (bass). Armed with attitude and panache, Kill My Coquette recorded their self-titled debut EP, written and arranged by Sperl, produced by Danny McGough (Tom Waits, Social Distortion, Shivaree) at Evelyn Martin Recordings. While tipping their hat to game-changing artists like Jack White, Brody Dalle, Joan Jett, and The New York Dolls Kill My Coquette has created a sound of their own. Delving into the vibrant and upbeat intensity emanated in Kill My Coquette’s latest single “Coffeebean Song,” we immediately pick up on the robust performance of each band member that shakes your energy to the core. A grunge-esque ambiance is amplified in a way that trickles into a new wave meets old school 80’s Rock atmosphere. The chugging guitar riffs unleash a rambunctious essence that is integral to the song’s framework. Coinciding with tight drum patterns, an electric bassline, and of course voluptuous timbres from Natalie Denise Sperl herself, we sink into the high-impact realm that effortlessly flows with angst perseverance. The lead vocal drives home a sense of cutting-edge melodies that take you into the buoyant narrative of memorable encounters at her local coffee shop. Catering to an audience that indulges in each juicy detail leaping from a storyline in sonic formation, Kill My Coquette has undoubtedly painted a charismatic series of scenes that directly fall into the scheme of “Coffeebean Song.” With an unapologetic persona at the helms, the infectious grooves that radiate from this heaping showcase of magnification have us all looping this track so we can keep the vigor copiously pouring in. Welcome to BuzzMusic, Kill My Coquette. Your latest single “Coffeebean Song,” had us up and out of our seats with the energy it produces! With such a cheeky narrative, could you please take us into the story that inspired this song? So here’s the thing. I was a security guard for a hot minute (one of many side jobs) and got paid to be bossy, which naturally attracted me. Plus I worked at a world-famous music venue (sup Palladium!) and got to see all the best live shows. So, I took the job. Across the street is a Coffeebean where we’d go for breaks. Simultaneously, I put an ad out on Craigslist (changed to Instagram in the song) for a guitarist for my band. We end up meeting at another Coffeebean. We dated but eventually, that didn’t work out, and found another guitarist. Short answer- The song is a caffeinated love song mixing reality and fantasy. Fabricated from my mind on all those work breaks. Extra whip cream, please... Could you please share a glimpse of what went into the creative and recording process in order for the energy to be perceived the way that it is? The energy in the song comes from the claps (turned up loud and upfront in the mix) the drumbeat, and the use of the gang vocal “yeah yeahs” which I sort of “borrow” from one of my fav bands “The Dollyrots”. They have a way of writing these awesome infectious high-energy sing-alongs. I wanted to try something similar. How does “Coffeebean Song,” compare to other songs heard in your music catalog? This track is different from our other singles mostly because of that drawn-out bridge. No other song was written like that. Originally, I had this idea of doing a sorta Shangri Las talky/single part in the middle with another female musician. A collaboration but after looking awhile with no confirmed singers I decided I’d do both parts. I didn’t know how I could make it work. Would the listener know both voices were me? Then it hit me- they’re both the same person: me. The Twins, I’m a Gemini. Problem solved:) Natalie, with such an extensive background on screen, how do these two loves of yours tie into one another? What’s your mission statement as an individual that you find yourself applying to both being a musician and an actress? I simply love performing. Provoking. Always have. I suppose the Freudian answer would be I’m afraid of mortality so in my quest for immortality I’m making things that will hopefully outlive me long after my number is called. Only Art will survive... But come on, it’s just fun! Being a movie star is fun. Being a rockstar is fun too. I highly recommend it. If you dig Coffeebean Song please share it with your friends. X thanx BuzzMusic! Instagram Facebook

It’s all about catching, not only dreaming of, the things you want to achieve for storyteller Jirko. Whether it ranges from insecurities to frustration, he has something he would like to address in each song he creates. Being authentically himself allows him to have the balance in his world to produce strength and connection amongst others. Becoming an artist in the midst of the pandemic, Jirko still has a lot to experience in the industry. Being grateful for the connections he has made with his fan base thus far, Jirko is ready to place all of his faith into his craft. The most recent single from this emerging artist embodies a major wave of simmering heat that produces “Hold.” With such delicate instrumentation that packs a punch in the realm of mid to up-tempo dance music, we bask in the warmth emanating from a soundscape of this caliber. The exclusive flavor that is sprinkled into this piece heats things up while a vivacious atmosphere is tapped into. Jirko has a unique tone to his charismatic timbres that have you locked into each word he passionately performs. Exercising his skillset in a way that has the contrast of his inimitable croons take the front of the stage in this truly remarkable vibe, the energy he conveys matches with the instrumentation to syncopate a bolstered foundation. There are bits of mystery weaved into the vocal presentation of Jirko as he has his audience intrigued by the songwriting narrative that transports us to not holding back in the love of a lifetime. Allowing us to peek into the emotional lens he proudly showcases, we learn more about Jirko as an artist and individual. Through each verse and chorus, themes of unforgettable memories formed to take the helms. With the dynamism and aptitudes, he is placing into what he does, it is no doubt that he will remain unstoppable. Congratulations on the release of “Hold.” We love the vibe that you exude in this track. What moment or story inspired the message behind the lyrics? Thank you, it has been amazing connecting with new people and hearing their thoughts and stories. The first time I realized I wanted to make a song like “Hold” was honestly ages ago but got more realistic a few months back. In the past, I struggled to balance between staying authentic and true to myself and my dreams, as those were not in favor of some. As I got into music, I really understood how those thoughts had been holding me back, so voilà. No regrets! It’s all about growth. What does a typical creative process look like for you? What musical and non-musical influence do you allow to speak into your music? I write often, but for a lot of times even lyrically complete songs only contain some bits of what I actually want to use. It always starts with a mission – is it to share a story or to manifest. I am very visual, so often before even knowing how’s the song is going to be like, I have a video or ideas of photos in my head. A photo or a magazine cover might be a kick. That is what I hope to be to someone else, a source of inspiration. Needless to say, all the incredible music artists and others make is a big source of power too, I think I only understood the whole of it only once I got to know the industry a bit more. How do the sizzling vibes of “Hold” compare to other songs heard in your music catalog? What is its meaning to you? “Hold” is a strong statement of the "I can do it"-attitude, something I cherish deeply. It’s got a catchy danceable vibe, that has sort of becoming my signature thing. Not completely by purpose, but I would lie if I’d say that I wouldn’t be into music that I can dance to. None of my songs are love songs alone – they hold other meanings, sometimes deeper than just that. And that sentence also describes “Hold”, holding onto your dreams and desires is what gives you more than doing what you are expected of doing. It’s all intentional in a sense. Being a newer artist to touch down in the industry, what is your mission statement? I began my career in 2020, but everything that would happen in the world got in the way. I had recordings in London that I couldn’t travel to for quite some time, so it postponed the production of my first song "I Feel You." Now however I have gotten onwards at a high speed – I’ve gotten to work with insanely talented and credited producers and other industry pros and that is something I plan on doing in the future too. Finding new people to work with, live shows, photo, and video shoots, all that cool stuff. I have my goals set big, that’s how I’ve always been. “Hold” will get a music video that we shot with my friend, it’s full of color and excitement! I also have new songs in the making so it’ll be a very hectic summer and that’s how I like it! Instagram Twitter

Known for his talent writing, rapping, producing, mixing, and mastering melodic rap, Into The A.M. does not hesitate to experiment with new sounds in order to bring his fans a refreshing sonic experience with each release. The background melody is first introduced with a classy atmosphere created by a spirited piano melody. “Some People Change, But I Don’t… Sorry” quickly transitions into an animated soundtrack as the piano melody is soon replaced by an electronic organ sound, giving the traditional R&B song a unique and memorable edge. The organ production is logically layered, by Into The A.M. himself, within a laid-back trap beat that radiates flavors of R&B and soul. With the ultimate goal of doing what he likes without thinking about why he is doing it, Into The A.M. has an inspirational message to share with his fans. The young artist uses “Some People Change, But I Don’t… Sorry” as a platform to convey the importance of living life for yourself. With each dynamic verse, Into The A.M. elaborates on how people in his life seem to expect him to act and feel a certain way. The phrase “people get too sad and chase my clouds away,” Into The A.M. brings attention to how the discomfort that stems from others’ perceptions can sometimes influence how people live their lives. With the inspirational verse “What’s the shame? That’s my lane,” Into The A.M. gives the listener the motivation to do what they want. With your main goal to live for yourself without worrying about the opinions of others, can you elaborate on the message behind your lyrics with “Some People Change, But I Don’t… Sorry?” Sure thing, "Some People Change, But I Don't... Sorry" was written with those who vibe with the low frequencies, in terms of being up late at night, or just love being alone. In verse one I say, "This my zone, This my spot, This the only thing I got, When nobody was around me, The problems kept me on top" All to say that I truly do appreciate my problems and downfalls because at a certain point you just gotta learn to love yourself. The following lyrics go on to explain how I'm truly more comfortable in a dark room by myself than a full room with people I should know. In the 2nd verse I wanted to apologize for all those who deal with me, I explain how I wish I could be more like everyone else, but honestly, I just vibe better alone. What was your main inspiration when writing the song “Some People Change, But I Don’t… Sorry?” I wanted to write a song that explained my mood most of the time, I used to hear "your music sounds sad" all the time. And honest it got to me at some point and I wanted to write a song for those out there like me who are always, "sad". Are there any specific artists that have inspired you over the years? How do these artists influence your music style? A few of the artists who have made the biggest impact on my sound have been, RUSS, Eminem, Blackbear, Post Malone, Chase Atlantic, Jon Bellion, and a whole lot more! A lot of these artists are involved heavily in the creation of music, they spend hours making their beats and curating their sound. Since I've always loved being involved in every aspect these artists showed me I just had to keep working and improving. Beyond that, it's their style, and love for what they do that truly is the greatest motivator for me. When it comes to my sound, they all play a role from the delays I choose to the flow or melodies I come up with. As an artist who produces, mixes, and masters his own music, you have complete control over the entire creative process. Could you describe what it was like to make every decision during the creative process of “Some People Change, But I Don’t… Sorry?” Some people change was a really fun experience because I made the song in 4 days and spent countless hours afterward trying new things. The beat was actually the easiest part because I knew that I needed something more low-key, I wanted to place emphasis on the lyrics and chorus more than a crazy dope drum pattern or a complex background melody. I actually free-styled the chorus after the beat and the melody just popped out to me, I kept humming them until I finished the lyrics and flew from there. The mixing is where I think the vast majority of my sound comes into play, I love effects and vocal manipulation, so it's easy to say this is where the majority of the time went. Being the only person who works on my music is awesome because I get to make every choice involved, the problem is I have to make every choice involved. Meaning I sometimes don't know if a track truly "slaps" I can only assume until I start showing others, it comes with its fallbacks but I 100% would recommend it to every artist. Control of your process and flow is everything when it comes to sustainability and long-term growth. What has been your personal favorite release this year? My favorite release this year SO FAR is Some People Change. However, I dont think ill be able to say that by December. Instagram