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Alyssa DVM is a singer-songwriter residing in Hamilton, Ontario. With the release of her debut EP in 2019 under the acronym ADVM, she followed the success up with multiple singles, and the continuous venture to craft her sound through her rock vocal training, love for acoustic tones, and college music theory knowledge. Delving into the most recent passion-fueled release by Alyssa DVM, “Presence,” is the lulling piano ballad that taps into the reflective state of your mind as you hone in on the cognizant offerings vulnerably conveyed. With minimalistic instrumentation that is heavily focused on major piano chords and the strength of Alyssa DVM’s luscious timbres, the two components coincide for a sophisticated and tasteful interpretation of her inner emotions. The reverberated essence that is locked into her striking croons is accompanied by the mindful spirit of her harmonies in an abundant narrative of missing someone’s presence and the melancholy behind the absence. Heightening the desire we have to navigate through dark chambers of our own, the foreboding tones emitted by the arrangement has us locked into a headspace that embodies our personal findings while playing off of the self-reflection that Alyssa DVM channels. Elusively luring us deeper into “Presence,” as the melodies carry forth, we’re immersed in a pool of brilliant amalgamation in the talents of Alyssa DVM and the top-tier production quality. Her love of storytelling shines through her lyrics as her music helps to compliment the tales she expresses. Actively striving to redefine what it means to be an artist that can constantly evolve and adapt in an ever-changing society, Alyssa DVM stays true to her roots. Congratulations on the release of “Presence.” We love the emotion you poured into this piece. Could you please take us into the inspiration behind the lyrics? The inspiration for these lyrics is deeply rooted in the emotions I was feeling when I was dealing with my long-distance relationship. It wasn't that I couldn't trust my boyfriend when he would hang out with other girls, but I was just not trusting the girls themselves. I know this distrust began when I was growing up; I grew up with two younger brothers, I played in a male-dominated basketball league for ten years, and I found myself gravitating towards friendships with guys. So knowing all this, and being as upset as I was, the lyrics just poured out of me. At the time I wrote this in October 2020, writing this song felt frustrating because I was trying to deal with the issue as I was writing a whole song about it. I definitely would not recommend doing that! Did you find it difficult to write about this subject or did it come fairly easy to you? Could you please share a bit of the creative process with us? I tend to write songs without knowing the story at first. I usually don't know what I'm even talking about until I write the first chorus; that's when I start to tie loose ends together. So as soon as I pinpointed the inspiration for this song, the lyrics just flowed out. I try not to think too hard as I write, and that's where my best work comes from. My creative process is always the same. I come up with chords first and then I write melodies and lyrics simultaneously. This way of doing writing lets me fabricate a story with the lyrics, but also allows the melody to tell the same tale. What inspired the simplicity of the instrumentation present on this record? Honestly, this was the first song I had written on piano, and as the vulnerability and pain came out in my lyrics and melody, I knew it had to stay a piano ballad. It was the best way to communicate my story, and I think the simplicity and space the instrumentation gives are super beautiful. I usually hear the instrumentation of a new song in my head, but with "Presence", all I could hear was the piano and some vocal layers. I think it was crucial for this song to stay that way. What are you hoping your fan base takes away from the messaging in “Presence?" I'm hoping that this song inspires open communication with their partner and their friends. It took me until after writing this song to realize that, but it's super critical to a healthy and honest relationship. I'm hoping that my fans understand that in order to trust a partner, you have to trust that they are hanging out with the right crowd. As I wrote "Presence," it was hard to see that, but now I understand that having trust in someone has so many different layers. I always hope that my music inspires people to be their 100% authentic selves, and I think that stripping this song back and keeping it simple helps to communicate that as well. Instagram Facebook

The Canadian-American musician, singer-songwriter, and producer Marcelo Quinonez team up with Kathryn Sordahl and Palmer Lee for their latest vibrant collaboration, "Phenomena." The multifaceted artist has made his way across our industry for various years now, having landed over eighty sync placements, creating several original feature score compositions while also winning multiple Best Original Score awards. As his music blurs the lines of reggaeton, afrobeat, alt-rock, and alt-pop, Marcelo Quinonez is truly an artist to keep an eye on. Highlighting his latest groovy single, "Phenomena," Marcelo Quinonez is accompanied by the vocal stylings of Palmer Lee, creating a dense and anthemic atmosphere for anyone to get down with. Marcelo Quinonez's instrumentation brings us into a blend of reggaeton and alt-pop, which leaves us lost in the groove from beginning to end. Listening to the entirety of "Phenomena," our journey begins with muffled acoustic guitars and smashing drum breaks. As Marcelo Quinonez and Palmer Lee make their way in, their vocal duet is truly transcendent as they both complement each other's haunting and engaging delivery. Listening to the instrumentation, the atmosphere later expands with bright brass elements and mid-tempo percussion. Not to mention the soft and melodic keys, Marcelo Quinonez and Palmer Lee continue their passionate venture alongside the groovy and dense instrumentals while leaving us tapping our feet the entire way through. We love the uplifting and romantic lyricism within this tune, as Marcelo Quinonez reminds us to seek the type of love that leaves one breathless. Lose yourself in the heavy groove of Marcelo Quinonez's latest single, "Phenomena," and find the rest of his broad-ranging discography on all streaming platforms. Hello Marcelo, and thank you for joining us at BuzzMusic. We love the passion and vibrance you delivered within your latest single, "Phenomena." Where did the inspiration for this song come about? The inspiration for this song came from realizing while going through the pandemic and other challenging times with my wife and realizing that together we could get through anything and that was special and something to really be grateful for. Could you expand on your collaboration with Kathryn Sordahl and Palmer Lee for "Phenomena?" Were both artists featured vocally, or did they help with the instrumentation/production as well? Well, I co-wrote the original lyrics with my wife Kathryn Sordahl she is a co-writer on the song. We had most of the lyrics finished but we knew we wanted a female vocalist and we were introduced to Palmer Lee through a mutual friend. We knew she was also a seasoned songwriter so we asked if she could lend some of her writing talents as well as her voice to the track. She delivered some awesome vocal takes that really helped elevate the song. What did you want your audience to feel after listening to "Phenomena?" What sort of instrumental atmosphere did you want to capture for this single? When I reached out to Palmer one of the things I said to her as inspiration for the vocal was to “pretend your a badass witch casting some sort of spell to create the perfect partner”. So our idea was some kind of ethereal dream-like space that was created as a product of our love. Since "Phenomena" is your first single of the year, what's been keeping you busy since your last release? How have you managed to stay inspired during these times? For most of 2020 and the beginning of 2021, I was writing music for a TV show set to come out later this year. It’s a kids show and the producers also hired me to write and produce an album to go along with the show so I was working on that mostly. During that time I was working on this song and a few others that I had been trying to finish when I could find the time. Once I finished the show I finally had time to finish some tracks and start releasing music again. So this is one of a few tracks that I will be releasing this year. What is one thing you'd like new listeners to know about your music? I produce a variety of styles and genres and I really enjoy blending styles and bending genre rules to make music that sounds uniquely mine. I think if you follow me as an artist you will be surprised by the variety of music that I put out. Instagram Twitter

Italian Swiss-based songwriter Veronica Fusaro has listeners eagerly awaiting her forthcoming debut album as she gives them a taste of what’s in store with “Fool.” The 23-year-old musician writes authentic storytelling Pop songs interweaved with powerful melodies and plenty of heart that shimmers somewhere between retro soul and future Pop resonance. Being the second single to be teased from her debut album, Veronica Fusaro delivers a dark bluesy ballad that places her vocals on a pedestal with unalloyed grace and velvety hues. “Fool,” paints a vivid illustration that dips into lies, deceit, and a broken heart. The empowering resonance that surges from the deluxe vocal harmonies chiming in unison at the mesmerizing chorus showcases Veronica Fusaro’s undeniable timbres with glimmers of the unapologetic persona that she encapsulates so authentically. Cascading with the raw essence of the reverberated guitar riffs and tightly knit drum patterns, our senses are peaked to the various sides of Veronica Fusaro’s characteristics that bring the picturesque virtuoso to an illuminating spotlight. Robust hues sweep the melismatic resilience that is juxtaposed in her widely tackled vocal range. Defying all genres, Veronica Fusaro weaves various elements that contrast in robust, mellow vibrations as she fashions a sound that is uniquely her own. With her sight set on appealing to her audience’s retrospective lens, her sound is burgeoning and mature for an artist of her and time. Creating music that is everlasting for the ages to come, Veronica Fusaro drives it home with “Fool.” We love the genres that you combine to bring a unique lane of your own styling. How did you come to create such a striking sound? Do you feel that the music scene in your surrounding area influences your sound in any way? Thank you! I think the type of music that I make is influenced by whatever sound reaches my ears. I love listening to various genres, from Amy Winehouse, Melody Gardot to Beth Hart, but I also very much love R&B artists like SZA, H.E.R. or Anderson.Paak. I think there’s always something to learn, no matter what genre. Although there is a growing music scene in Switzerland, I didn’t grow up listening to “local” music. So I don’t think it influences my sound, as I always looked up to international artists, mainly English-singing ones. What moment or story inspired the creation of “Fool?” What does it say about you as an artist and individual? The song is about a broken heart that didn’t break overnight. It was more of constant damage that took place until I couldn’t bear it anymore which lead to this song. I was very hurt, and the first time I sang the chorus it felt really liberating, and it still does every time I sing it. I think in the song you can hear two sides of me - a very fragile, vulnerable, maybe a little naive one in the verses, but also a strong side in the chorus. In terms of themes and messaging, what are you hoping your listeners take away from “Fool?” That even in the most heart-broken moments there can be positive effects. Maybe not in the first couple of days of course. But for me, after realizing the true intention of the other person, I wasn’t only hurt. I also somehow got to know a new type of strength that I hadn’t met before. Of course, it sucks getting your hurt broken, feeling „defeated“ and all of that. But there’s always something to take away from this kind of story. How does this song compare to other releases in your music catalog? I think it’s a very live-oriented song instrumentation-wise. I can’t wait to play this one with my band, the song comes from the stomach and will be performed that way if that makes sense? I’d say it compares the most to my song „Venom“, it has a similar taste I think. Instagram Facebook

Emotionally attuned, indie pop artist Ashlyn Uribe is based in Charlotte, North Carolina, where she has recently popped onto the scene with her powerhouse vocals and bright, aromatic production. Writing from an array of her own experiences, Ashlyn Uribe’s sensually raw but witty lyricism paired with her sometimes high energy, sometimes tranquil melodies bring her fans together through a sense of validity and resonation. Reviewing events past, present, and anticipated, she seeks to paint vibrant pictures for her fans of what they can learn from their relationships and how they can continue to grow and manifest their futures for the better. Her goal is to master the balance of visceral storytelling and dynamic, pop melodies in a way that relates to fans while making them want to move their bodies and feel they're most free. A reverberated soundscape submerges us in the almost ethereal essence of Ashlyn Uribe’s vocalization in “Can’t Teach Me.” The enchanting presence of the angelic timbres expressed by her talents, has us swerving down an avenue that conjoins elements of Ariana Grande and Demi Lovato’s vocalization, with the charisma of Camila Cabello. Effervescent instrumentation shakes up the dynamics present as we hone in on various elements throughout different times of the arrangement. Brilliantly cascading with the sultry echoes poured into the composition of “Can’t Teach Me,” Ashlyn Urbie has the ability to send chills down our spine as we remain focused on the vulnerability conveyed in her melismatic vocal range. Harmonies flood the sound waves when the chorus comes jolting into action, sweeping us into a thriving foundation of passion-fueled emotion. As we reach the bridge, Ashlyn Urbie’s vocal layers have texture oozing from each breadth, in a liberating showcase of unique stylings that have her presence rising to the top of the totem. Each word takes on a different note that punches through the musicality in a way that has us anticipating the final chorus in all of its glory. Bringing us to the final moments of this track, we don’t want this perfectly executed song to come to a halt. “Can’t Teach Me,” has a magnitude of lanes ventured in true sonic voyage fashion. You take on such a unique challenge when bringing the various dimensions of “Can’t Teach Me,” to life. We love every moment. What inspired you to add such a wide array of elements to this single? I definitely aim to make the scope of my songwriting focused but multi-dimensional! With "Can't Teach Me" I wanted the production elements in particular to reflect the complicated facets of deciding to connect with an ex-lover again, or any past relationship or habit we find ourselves re-entangled with. The crisp cuts in and out within the production of the song are meant to sonically mirror what it feels like to gamble with the push and pull of these situations; it's the sound of deciding if it's worth it- going back to those relationships and how far to take them. The melodies I wrote and the sound I envisioned were brought to life entirely by my amazing producer, Michael Finster. Without his talent, I don't know if I'd be able to truly breathe the kind of life I want into my music, he translates my ideas so beautifully. I tend to write from areas of vulnerability and honesty, and with this song, I wanted its elements to remind people that it's hardly ever black and white when it comes to reconnecting with things and people from our past and that that's okay. What was the moment or story that influenced the lyrics we hear and thrive upon? I wear a lot of my heart and experiences on my sleeve, something I both hate and love about myself, and while I want my writing to always be open and raw, I wanted the person this song was inspired by to remain a secret. I have definitely fallen back into old patterns with relationships more than once, but "Can't Teach Me" was influenced by a relationship that resurfaced during one of the newest and most isolated times of my life. I was lonely and bored, I wrote from a place of retrospective stubbornness and selfishness. This was also a time in my life where I had finally gained the most emotional and bodily autonomy I had ever had, which was something to be proud of, but my newfound strength in my sexuality drove me to push my limits past a breaking point. I was curious. I wanted to test myself and my boundaries with this "reinvented" relationship, but as my higher self expected, it became too reckless and messy. The fun and riskiness and secretiveness very quickly turned into a reminder of why we had ended things in the first place. Does “Can’t Teach Me,” hold a different significance to you than it does to your audience? Could you please explain? For sure it does. While I want the contents of my music to relate to my audience in whatever way they need it to, songs like this, born out of very intimate experiences in my life are always going to hold a different sort of significance in my heart. "Can't Teach Me" I feel, could've very easily turned bitter and jaded in essence, and it's definitely got a bite to it that makes me feel proud, but at its core, it's a lesson and a reassurance. It means empowerment to me, it reminds me that I can turn my mistakes and misjudgments into layers of vibrance and self-actualization. This track is absolutely an essential piece of not only my future discography but my personal development and path to self-love. What has been the best piece of advice that you’ve applied to your career? Michael Finster and singer-songwriter, Natalie Carr are some of my very best friends and collaborators who have always had endless gems of advice that I've applied to my career. In fact, when I made the move from New York back to Charlotte, they were the first to introduce me to the local music and art scene, I owe a lot of what brought me out of my post-move depression to those two. From day one of knowing them, they have always encouraged me to write as much as possible, no matter how strong or weak the lines might come out. They've instilled in me that songwriting is a muscle, and to have confidence in my own personal process. Within the first year of my burgeoning music career, I sometimes thought of myself as a "slower" writer, when in actuality I was just avoiding my fear of imperfection when sitting down to write a track. Applying a sense of self-trust and dedication to writing has been essential for my work and planning in 2021 so far and I hope these pieces of advice inspire other artists to trust their processes as well, there really are no "wrong answers" for what you create. What's next for you? 2021 is going to be an exciting year as things continue to open up in the live music realm. As long as venues are kept safely spaced and cleaned, I am looking forward to performing in Charlotte this summer and am currently in the process of booking with a really cool spot in the city (TBA). Last week, we tracked the vocals for "Bleed n Bloom", a song about social anxiety and addiction which will be the fourth and final song in my debut EP "Take Your Time". I'm excited to be releasing the EP as a whole Friday, May 28th, and from there will be moving on to my debut album! I hope you stay tuned for the ride! Instagram

Not only is Kay Soul dripping with talent within the music industry as a singer, songwriter, and recording artist, but she is also an aspiring model. The multi-faceted artist established her passion for the arts while growing up in Chicago, where she began writing her own music in elementary school. It was at the young age of 19 that Kay Soul officially recorded her debut solo track, and her R&B career has only been propelling upwards since then. Kay's musical personality is simply contagious as she emanates passion and charisma towards her fans. Kay Soul pays tribute to old-school R&B sounds with every track and adds her own contemporary spices to construct a unique flavor of the genre. When it comes to lyricism, Kay Soul has no problem sharing her authentic self with fans. She opens up and allows the listener to visualize the inner workings of her heart and soul, which reminds fans that they are not alone in their feelings. By truly embracing vulnerability within her songwriting, Kay Soul encourages honesty and authenticity from the listener. Discover more about Kay Soul, here. Instagram Facebook

Fresh off her well-received 2020 collaboration with Charlie Curtis-Beard, "Sunlight, Quiet, Flowers," the Los-Angeles-based pop/r&b artist and singer-songwriter Dolly Ave returns with a dreamy ode to empowerment entitled "Try (feat. Chai)." Recently releasing her debut full-length album, 'Sleep,' Dolly Ave is excited to introduce her genre-weaving sound to new audiences, as she continues to blur the lines of pop, r&b, soul, and electronic. When asked about her album, 'Sleep,' Ave stated, "'Sleep' is not a heartbreak album... It's definitely me finding empowerment in the vulnerability of each stage." Introducing us to her debut album through its lead single, "Try (feat. Chai)," Dolly Ave and Chai carry us into our sleepy states through their ethereal performance and transcendent r&b production. As Dolly Ave serenades us with a vulnerable and empowering message of self-love, she reminds us that it's never too late to "Try." "Try (feat. Chai)" opens with Dolly Ave's soft and feathery vocal stylings alongside a profound array of drum breaks and vibrating sub-bass. Within seconds, Dolly Ave and the supporting production lift us into a dream-like state alongside the low-pitched ghost vocals, adding nothing but pain and heartbreak to the dense atmosphere. Towards the outro, Dolly Ave begins to transcend above her troubled space while encouraging herself to move forward and not be bothered by exterior influences. Her warm vocals and haunting harmonies float us towards the song's end while the same aching low-pitched vocal continues to mimic Ave's depths of despair. Allow Dolly Ave's emotional single, "Try (feat. Chai)," to lift you into better places, alongside her recently released debut album, 'Sleep,' now available on all streaming platforms. Hello Dolly and welcome to BuzzMusic. We truly admire the soft feel and comforting tones within your recent single, "Try (feat. Chai)." How does this single tie into the overall theme and concept of your debut album, 'Sleep'? Thank you so much! My album tells my story from darkness to light. Because “Try” starts near the beginning of the album, although soft and gentle, I am actually discussing the pain of being in my own skin. The music is quite a contrast from the lyrics but sets the stage for how devastated I felt at the time. What inspired you to write such a soothing and encouraging single like "Try (feat. Chai)" I am glad something positive came out of this song. During this time I truly needed to create to get me out of my own sadness and depression. Most people interpret the song as being written about a lover, but I was fighting another day to get myself back. I know self-love is a journey so I’m telling myself and the listener we’ll be fine. It’s one day at a time. What was your creative/collaborative process like working alongside Chai for "Try (feat. Chai)?" Was this your first time working together? I was working separately with our producer, Always Dime who I met at a pop-up event. While writing this song I felt having a female voice would complement especially since the song is me talking to myself essentially. She lives in Korea so it was quite a process in terms of back and forth emailing her vocal takes. Amazing enough she was in Chicago for a small window of time so I flew out there to get us an hour or two sessions at Classick Studios. This was our first time working together and meeting actually. I wouldn’t have changed the process. I like that this album is a lot of one takes and unfiltered thinking. What sort of lyrical or sonic experience did you want to deliver to your audience through your debut album, 'Sleep?' How does it help introduce us to who you are? I was so immersed in the joy of making this that putting the audience into consideration did not come until the end. I had no idea these songs would go together because I wasn’t planning a theme around an album. To some degree that would have taken the authenticity out of what I wanted to say and how I wanted things to sound. Looking at it now I just wanted people to experience the growth from self-destruction to self-empowerment. These topics are relatable and when they hear the music they can feel less alone because someone else was struggling too. What's next for you? These songs were written around 2018 - 2019 and were a time capsule of my journey as a musician. At the time I had way fewer resources and still learning about my voice and what I like. Now I am at a place where I’m more comfortable and my ears have gotten better so I’m working on new music and hopefully another album. Next is always growth. I am excited for you to come along to this next part of my story. Instagram Facebook

Plowing through the industry by way of Michigan, the hard rock/metal band and quartet Fatal Conceit leaves us with an empowering anthem of self-worth with their recent hit, "Takin Back the Name." Comprised of Timothy March, Bruce Schafter, James Balina, and Nick Pavlat, the rocking quartet is truly on the path to greatness as they never fail to bring listeners into mind-blowing and exhilarating sonic experiences. Founded in 2020, Fatal Conceit has garnered excellent traction merely through its first year of releases. Produced by Shawn Papineau at Dead Wing Recordings, Fatal Conceit's latest single, "Takin Back the Name," and accompanying music video serves all the power and might to take back what is ours. Touching on the song's concept, lead vocalist/guitarist Timothy Martuch stated, "This song is a defiant, anthemic declaration that seeks to make clear that no one gets to determine who or what you are." Jumping into the single, "Takin Back the Name," the track begins with Fatal Conceit's cohesive and blistering instrumentals that send us into the heart of hard rock/metal. As lead vocalist Timothy Martuch makes his powerful vocal appearance, he sinks us into the depths of inner power through his anthemic lyricism that reminds listeners to seize the day. Fatal Conceit has our feet stomping 6ft below the ground with their punchy and stimulating instrumentals, especially Nick Pavlat and Timothy Martuch's layered electric guitars alongside James Balina's ever-changing drum patterns and Bruce Schafter's thumping bassline. Ending the song with the utmost vigor, strength, and power, Fatal Conceit truly leaves us in awe as they command our attention from start to finish. Catch Fatal Conceit's latest single, "Takin Back the Name," on all streaming platforms, and find the song's equally empowering music video on YouTube. A warm welcome to BuzzMusic, Fatal Conceit. We can't get enough of the energy and intensity within your recent empowering single, "Takin Back the Name." How did the song's concept and inspiration come about? Thank you so much for having us. We’re so grateful for your kind words. I have wanted to write a song that has to say what this one says for a long time, and while I’ve made a few attempts, they never really cut it. Anyway, as a starting point for this tune, I rather liked the aesthetic of those old blues charts. Back when I played bass in a jazz combo in college, used to play a bunch of tunes like that. All Blues from Miles Davis, Footprints by Wayne Shorter, Gershwin’s Summertime—those kinds of charts. I find a certain charm it's their simplicity, the singular form that just repeats throughout. Could you break down your band's creative process when formulating your dense and heavy instrumentals, especially for "Takin Back the Name?" How did you want your listeners to feel after experiencing the hard-hitting instrumentals? Ah, the process. Well, when I wrote this song, I had written the rhythm guitar part, the vocal melody, and an early version of the lyrics by myself in an acoustic setting. That was back on Thursday, August 27th of 2020. On the 28th, I started to work on tracking the demo, which was finished by that evening. The solo—which largely follows the melodic contour of the lead vocal part—was finished just a few days later. Finally, I presented the demo to the band and Shawn, our producer. Shawn worked with both the bass and drum parts on this song and processed the guitars and vocals as they were originally recorded. He really took this song to the next level. We want people to leave this song with velocity. Let this song be a launchpad to conquering the naysayers. The disbelievers. The toxic, sticky people who want you to be stuck like they are. “The Name” doesn’t even have to be a name. It can be anything taken from you that is intrinsically yours. Your value. Your strength. Your reputation. Your dreams. They don’t get to define you. They don’t get to take those things from you. Who wrote the lyrics for your single, "Takin Back the Name?" Does your band allocate a specific member to tackle the songwriting process, or was this a collective experience? While all members are welcome to contribute their own partial or complete songs and musical materials, I’ve been l really at the center of the writing process for the band. With very few exceptions. Once the first version of the lyrics was finished for this song, I took them to my dear friend, Katie Puga, for development. Katie’s an extraordinary creature. She’s primarily an interior designer with Ethan Allen, but she and I have worked together in music for years. I really trust her to be honest with me about the quality of my work. When she heard the demo, there were a few lines she recoiled at and immediately conjured EXCELLENT replacement lines, earning her a lyric credit on this song. Is this your first time working with producer Shawn Papineau for your single, "Takin Back the Name?" Or is he a regular addition to your band's creative/recording process? Shawn and I go way back. In 2014, I joined his band Oxal Pointe as a vocalist. Bruce, our bassist, was also in that band. That’s how I know him. That band was nuts, man. When Shawn had to move to Florida, that was sort of the end for that project and we all went on to do other things. Fast forward to 2020, Shawn’s hardcore band, Dead Wing, had just recently dropped a super heavy EP and a follow-up single. So anyway, Shawn sort of mentioned in passing that he was getting into music production and I asked if he wanted to work on our stuff. He’s been on the team ever since. Shawn has an interesting and eclectic background in music. He’s a ripping guitarist and drummer with some pretty solid bass chops. But he’s not just a metal guy. Shawn and I once played a wedding in a country band called “Pappy and the Crab Grass Band.” It was hoot! Anyway, his contributions have been extraordinarily valuable to the team and we’re grateful for his excellent work. Check him out on Instagram, @DW_Recordings. Instagram Facebook

Dallas native Bayleigh Cheek began her love affair with music at an early age thanks to her immersive upbringing. Both parents were in the music scene, exposing her to a variety of sounds ranging from psychedelic and folk to progressive rock and new wave. Some of her personal music influences include Patti Smith, P.J. Harvey, Radiohead, and Angel Olsen, which led her to the creation of her EP, ‘Immortals.’ Bayleigh Cheek has frequently performed venues such as The Kessler Theatre, House of Blues, and Three Links, opening for acts including Matthew Sweet, and Dallas natives Medicine Man Revival playing consistently for the past five years. Fresh off the release of her most recent experimental single, “Release Me,” Bayleigh Cheek delivers a sultry vocalization that smolders in radiant hues of personality. Drenched in the reverberated chambers that surround her lush timbres, the aura creates a blanket of comfort to come pouring from each word articulated. The combination of dark folk ambiance meets an indie-pop realm that hosts “Release Me” in all of its glory. There is an almost ethereal essence to this track that weaves through elusive tenors and sparkling components of psychedelic tendencies. Allowing listeners to peek into her kaleidoscope lens, the misty lyrical motifs that Bayleigh Cheek submerges us in a narrative that seems to produce liberation from the grasp of dishonesty. ‘Release me. Open-eyed. Soul confined. To one thing,’ is the entrancing chorus that leads us into the imagery of emancipation of our mind and any toxicity that chooses to follow us. With this being the lead single from the re-release of her EP ‘Immortals,’ set to come out in 2022 under the label Red Zeppelin Records, the bar is raised high for Bayleigh Cheek. Knowing that she’ll seamlessly top any challenge in her way, we look forward to the various routes of exploration that she’ll showcase in her progressive resonance. We love how the entirety of “Release Me,” paints a bold picture in the realm of being freed! What inspired you to take on this topic in your single? It just kind of naturally happened. For a few years now I have been writing this concept album, around that idea exactly. The thing in the back of your head that feeds you lies about yourself and how easily it is to fall into false concepts of yourself and believe them. Whether it was caused by an incident in your life or society, sometimes we just end up believing those lies. So like I said, I have been working on the full project for a while now so it’s kind of been on the front of my mind. When I started writing “Release Me,” it was almost begging to be the first thing released. Almost like a foreshadow of “hey we’re about to go and talk about some dark things, but I promise you’ll see the other side of it.” I want people to see the victory before the chaos. Did you find this subject to take on an easier route of your creativity when bringing it to life? What did the process entail? This subject has been very close to me for a while now. I hit a point in my life where I realized my mind had been my worst enemy and noticed so many others struggled with similar issues. I’ve been very inspired to write about it, and it has just kind of turned into its own thing. The process of writing “Release Me” came very naturally at that point, and by the time we went into the studio it just kind of evolved by itself. Even down to the instrumentation, ended up completely different than how I considered it going into the studio, but only in the best way. So essentially it’s the art of letting go, and this song taught me that. Have you noticed drastic changes to yourself as an individual and artist once you broke free from what may have been restricting you? What’s your advice to your fan base that may struggle with this? Oh absolutely! It’s still a daily battle, just like with anything because that’s life. It’s still there, I just know how to manage it better. The whole point is once you know the real truth about yourself, nothing can really take that away from you, which is where the title for the EP “Immortals” comes from. Doesn’t mean that those lies will just magically disappear, maybe for some people it does, but in my personal experience using that truth to combat those lies is where you have power over it. I’m definitely no expert. Music has given me the release and ability to talk about it, and if that speaks to anyone or even just helps someone not to feel alone, that’s the reason why I choose to write about it. You’re set to re-release ‘Immortals,’ in 2022. That must be an exciting process for you! Could you please take us into what encouraged you to do so and what listeners can expect? It’s definitely exciting. I self-released the EP last year in 2020, literally a week before the pandemic shut everything down, and didn’t get the chance to promote it. I was lucky enough to get nominated for Best New Artist and Best EP for the 2020 Dallas Observer Music Awards. Red Zeppelin Records wanted to re-release the EP, and I couldn’t be more excited to have this partnership. So with “Release Me,” there will be four more songs with the EP that will be released by the summer of this year. We are about to go in and start recording my first full-length album, which I am very excited to start creating, and will be released in 2022. What has been your favorite personal release of this year, released by an artist you admire? I’m pretty excited about the new 'LUMP' record. I feel not a lot of people of heard them yet, but I think there’s something special about their music and I feel like people should put them on their radar. Instagram Facebook

Hailing from Scarborough, England, the soul-stirring band, The Ardents, release a massively intense electronic/orchestral soundscape with their latest single, "Outside the Lines." Known for combining the fierce storm of rock with emotional melodies and infectious rhythms, the stylings of Peter, Leigh, Stu, Katty, and Chris are constantly leaving listeners wanting more. Through their versatile sound that borders genres like rock, blues, and country, The Ardents continually seek new ways to engage their audience further. Doing so with their latest reflective and intense single, "Outside the Lines," The Ardents deliver quite an authentic and unique listening experience. When speaking upon the single, founding member Peter Snowdon had this to say, "The song is about a young lady asking her partner to help her 'live life outsides the lines,' she wants the excitement, danger, safety, and stability but wants to live a different life." Written and produced with Peter Snowdon, "Outside the Lines" begins with somber violin arrangements and a pulsating sub-bass/synth. As Chris' downtempo and ominous drums make their way in, Katty's deep cello enters the track while complementing lead vocalist Leigh and her breathy vocal delivery. Continuing through this magnetic and mysteriously-sounding track, guitarist Peter later delivers his sweet electric guitar melodies alongside Stu, as the two set sail into a haunting sonic atmosphere. While the sonics merge an orchestral soundscape with modern electronic tones and effects, the song comes to an ominous and groovy end. We're honestly astounded by this dark tune, as The Ardents are clearly establishing themselves in the heart of our cut-throat industry. Get to know The Ardents and their latest single, "Outside the Lines," now available on all streaming platforms. Don't forget to keep your eyes open for the Scarborough-hailing band as they continue creating outside-the-box music throughout 2021. Welcome to BuzzMusic, The Ardents. We truly admire the soothing tones and honest lyricism within your recent single, "Outside the Lines." What inspired founding member Peter Snowdon to write a song based on life's constraints and yearning to live outside the lines? To be honest, it’s even a mystery to me where the songs come from. We are relentlessly bombarded with ideas from the news, media, conversations, and life experiences every second of every day. Subconsciously I file away everything I experience which plants the seed for my inspiration. I like to use the analogy of a garden. Initially, a seed of grass is sown, as the lyrics develop it becomes a beautiful lawn that follows the ups and downs of the emotional idea. The music becomes beautiful flowers and plant them within and bordering the lawn and you have yourself something truly breathtaking. Then just like a garden, I hope people will take great pleasure from different elements within the love and emotion it allows them to feel. Could you expand on your band's creative process when exploring the sound and feel for your latest single, "Outside the Lines"? How did you create the sonic atmosphere to complement and amplify the song's lyrical theme? I believe the lyrics and music must work in unison to dig deep into the listeners' heart and feel the emotion within the words. So each part is equally important. Strings and particularly the cello bring a potent sense of limitless power and emotion to a piece of music, so that was my starting point. The powerful drums came next which I felt added drama, excitement, and passion. By adding further layers of both strength and power just further perfected the magic. The addition of the keys, synth, and percussion gave the music the mystery and intrigue I was looking for. Regarding the music video for "Outside the Lines," why did you choose to create such vibrant and soothing visuals? How does the music video coincide with the story told in the single itself? The video is my personal interpretation of a person's mind running wild with ideas, thoughts, and aspirations of how their life will be. I hope it gives a sense of calm, excitement, drama, and passion. Surely the things we all need to live a fulfilled life. Seeing that your group usually writes music within the sounds of country, blues, and rock, do you feel that this statement will soon dissipate as you continue to explore outside of these genres? Should we expect more explorative sonics in the future, or do you plan to lean back into your roots? Many ideas for the seeds of new songs are gradually growing. I find it deeply refreshing and challenging to explore new ideas and avenues, I am a passionate lover of music first and foremost, So I truly hope my skills will develop to a point that the rigid boundaries of musical genres don't constrain my ideas. Often as artists evolve they become locked into one genre. I wanted to avoid this. What's next for you? The 7th of May also saw the release of a second song. Definitely back to our rock roots it’s a song called “Storm.” I am extremely lucky that I work with a group of highly gifted and talented musicians. To be part of the creative process in the studio is the most amazing experience, we are all looking forward to the day when we can perform our music live for everyone to enjoy. Instagram

Grooving his way in from Seattle, Washington, the singer-songwriter and rock artist Adams Traktor releases a conceptual tale with his latest single, "Divided." Continuously exploring, expanding, and bending various genres that shaped our progressive and modern music, Adams Traktor definitely isn't an act to miss. Gearing up to release his forthcoming debut album, 'Quench,' later this year, Adams Traktor prepares us for the soon-to-be-release project with its fourth released single, "Divided." Expanding on the single, "Divided," Adams Traktor mentioned that the song speaks upon our similarities, yet our innate drive to divide ourselves from other beings. "We are divided at inception, yet forever bound to the things and people around us. We are entangled by the gravity of our hearts and minds, yet forever divided," states Adams Traktor. Getting to the goods, "Divided" ominously opens with short acoustic guitar strums, a pulsating upbeat kick, and Adams Traktor's unique vocal stylings. While singing a story of attempting to forget the past and move forward for the better, we're met with a tempo change at the hook where Adams Traktor releases his emotions towards our divided society. We can't help but feel a similar sound and style to Pearl Jam, as Adams Traktor takes us through similar sonic atmospheres alongside his Eddie Vedder-like vocal stylings. Landing on the bridge, a wild and upbeat electric guitar whales its way to our hearts, accompanied by the surrounding blistering instrumental soundscape that blasts us towards the outro. Feel "Divided" no longer with help from Adams Traktor and his recent single, and gear up for the release of his forthcoming debut album, 'Quench,' later this year. We adore the soul and concept you delivered within your recent single, "Divided." What inspired you to create a single that touches on our divided society? I’m cognoscente of the division we see around us in the world today. It worries me - as it should all of us. We are divided at inception but forever connected with the environment and people that make up the fabric of our lives. We are divided on all fronts - politics, race, religion… and these fronts also divide families, communities, etc. It seems to be accelerating, the type of division that can have a highly negative impact on us in highly divisive ways. What did you want your audience to take away from your lyricism within "Divided?” “Divided” is a call to action as well as the simple statement to live life with optimism and passion. “Divided” is a song about the irreducible space between life, love, and death. We are divided at inception, yet forever bound to the things and people around us; the fabric of our lives. We are entangled by the gravity of our hearts and minds, yet forever divided. We love and do great things madly and heroically, as we should, always knowing things will pass; they will end. Divided until no more... What inspired the dynamic and rollercoaster instrumentals within "Divided?” How do the instrumentals complement and emphasize the song's concept? Divided was originally written on my acoustic and still resonates in this format but the nature of the lyrics and the message led us to add more dynamics and really build to a climactic end. Almost a little out of control really. The song has a lot of dynamics which just adds to the message of unpredictability, uncertainty, frantic volatility, and the division we are experiencing in the world today. How do your four released singles prepare listeners for your debut album, 'Quench'? Do the singles touch on any themes or concepts that are apparent in the album? These first four singles emphasize the fact that we live in a world that is in disarray, that is “Divided”, and there is a “Need” for us to “Wake Up” before there is “Noth’en” left to save and/or preserve to pass on to future generations. I just manage to get the name of our first for singles into a single sentence and to actually sum up the overall direction of the album. Not intentional believe me, but I’ll leave it at that. Instagram Facebook