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With no foreseeable end to a music scene deprived of gigs and struck by the circumstances of the ongoing pandemic, Waterfront sought to dig deeper in prioritizing their craft to make a riot out of their shared love of energized music. Traveling to Vancouver, Canada during the summer of 2020, Waterfront went on to partner with Garrett Ward and Dan Botch of The Faceplants and The Renaissance to produce their forthcoming EP, ‘New Heights.’ Through the lifelong memories created, Waterfront is extremely proud to continue their journey and solidify the endurance they take with them to rise to all challenges as a band. “Backbreaker” is the product of hard work and perseverance that has surfaced from the deep to bring forth the heavy-hitting energy Waterfront seamlessly creates. Intensifying in a realm of syncopated liveliness, Waterfront produces an immense resonance. Chugging guitar riffs that surround colossal percussion and the jive of a rhythmic bass line have us copiously engrossed in the musical fortitude that Waterfront presents as an entirety. Enhancing the dissonant soundscape with roaring vocals bellowing from a place fueled by passion, “Backbreaker” is rich in sonic turbulence. Searing across this arrangement, the musical amalgamation allows each element to shine in its own light, as well as glisten individually. Enthralled by the tempo that has your head bopping from side to side, you feel the angst that drips from this composition. Our jaw hit the floor when we heard the blistering guitar solo that unleashes a moment of signature rock n roll virtuosity that sends us through waves of nostalgia. “Backbreaker” delivers a surge of power through your speakers as you bask in the boisterous essence of Waterfront. Fluently moving in a motion that has you shook to your core, the vitality that is fashioned in this track is truly one for the books. We love the edginess that surfaces in “Backbreaker.” Could you please take us into the inspiration behind this song? “Backbreaker” was one of the first songs our band wrote and like a lot of our recent opportunities, it brought us together at the very onset of Waterfront. It was that one song we looked forward to every show and every set. We would be playing a show and having the time of our lives, but in the back of our mind it was “Backbreaker is only one more song away”. That driving force had us feeling special about this song and even more so to have it finally recorded years later and ready to release. We’re hoping this song gets people feeling good and rocking out in their rooms somewhere because we will be too! What was the experience of traveling to Vancouver in order to record your forthcoming EP like? Did you find that creativity and energy hit differently being away from home? The experience was great. We didn’t really know what to expect. We had previously recorded ourselves independently as music production students at the University of Lethbridge for fun so packing ourselves up and going to Vancouver for a week or so stretch was completely unknown territory. The energy once we arrived was amazing. We really hit the ground running and that’s thanks to everyone’s dedication, hard work, and preparations. Dan Botch and Garrett ward of The Renaissance music produced this song and the rest of our EP. Their guidance was priceless, and they helped foster a vision and direction that we’re taking into our futures together. What do listeners have in store with the ‘New Heights’ EP? Do you think that “Backbreaker,” reflects the project in a direct way? Listeners will have a great time hitting the replay button if our experience privately listening to these songs for months means anything. We’re super happy with what we came away with and proud to share it with everyone else. Backbreaker absolutely carries that energy forward from New Heights and yet we still have a few more surprises left in store for the project! What’s the main message that you send out to your audience as a band? If we had to specify one message for our audience, it's perhaps that we’re here for you! We make these songs to share our defining moments with anyone who may also identify with what comes out of those speakers. We want to share our experiences and hear about yours. So, always feel welcome to communicate with us on any of our platforms. No one is alone and you’re not expected to drag yourself out of a low by yourself. It took us as an entire band to reach out for newer heights and we’d like to bring our audience with us. Instagram Facebook

Alex Van is a Belgian independent singer-songwriter who began to play classical guitar at the age of 9. Quickly, his musical style started to shift towards folk, blues, and rock music, where his talents took him to Brighton, the UK in 2015 to study songwriting and discover a love for busking. During his second year, a tragic family incident shook up his life, when his older brother unexpectedly passed away and shaped him personally and as an artist. His honest lyrics and up-front melodies invite the listeners directly into his heart. Through his music, he sets out to channel his energy into a creation true and inspiring while covering topics like heartbreak, grief, and mental struggles. The pulsing warmth radiated in his most recent single, “Countdown to Love,” leaves us embracing the authentic dimensions of Alex Van’s talents that are effortlessly conveyed. There are various traits fused together in the soundscape of this song that pull inspiration from Folk, Blues, and modern-day Pop. Locked into his undeniably comforting vocalization, we hear a profound message that sends rays of adoration beaming down on us gracefully. Sometimes less is more and the mid-tempo instrumentation focuses on the simplistic rawness of delicate acoustic guitar chords strummed and the rhythmic spirit of the jaunty percussion setting the tempo. Sprawling lyrical motifs such as “No one’s here but you and me, our heartbeats match the melody,” throughout this heartfelt composition, we find ourselves falling into the charm of Alex Van that much more. You become one with his buttery croons that have your spirits elevated in a feathery exploration of newfound heights. Musically, Alex van creates pieces that are timeless. Executing his flairs in a way that lather his songwriting techniques in divine sincerity, “Countdown to Love,” has Alex Van on the rise as he remains one to be on the lookout for in the music industry. Welcome back to BuzzMusic, Alex Van. “Countdown to Love,” is such a beautiful song. What moment or story inspired the creation of this buoyant ballad? Thanks for having me, the story behind this song is a rather funny one. I was finishing my songwriting course in Brighton and due to procrastination, I was a bit behind on my deadlines. One of the deadlines was writing a song in collaboration with another artist. I asked my friend Migle if she could write a melody and lyrics on a chord progression that I wrote a few weeks back. We sat in the living room along with a couple of beers and very quickly we came up with the song structure. I practically bullied her into writing a song (laughs). How long did it take you to write “Countdown to Love?" Could you please take us into what the creative process looked like when bringing life to this track? The writing of the song took an hour approximately. it all came out so naturally. For the instrumental part of the song, I inspired myself from one of my favorite bands Milky Chance (a band from Germany). I took a lot of pleasure in arranging and producing the demo of the track. The recording of the track in the studio went very fast because I already knew exactly what I wanted. Do you happen to have a favorite part of the creative process that you enjoy more than others? Why? Overall I do enjoy any creative process, throughout the years I noticed that there is no magical formula to write a good song. Every song that I wrote came out through a different creative process. But if I had to choose it would be the preproduction of the song. When the song structure is defined then it's like I have a blank canvas in front of me and then the fun begins. What has been the highlight of your artistic career to date? So far I like to say that I had many highlights, but the biggest highlight for me personally was when I managed to get 10 000 euros through a crowdfunding campaign. For the first time in my life, I really had this opportunity to release music professionally. What's next for you? The next step in my career will be to finish my album, what will happen after I don’t know for sure but I would love to work as a songwriter for other artists alongside my own projects of course. But the plan is to keep making music and growing within the music industry. Instagram Facebook

Zaida was born into art. From early memories of watching her mother’s fingers move graciously throughout the piano keys, she was mesmerized by the experience and took it into her own musicality by learning how to play the piano when she was 12 years old. From then on her love for music began to branch out into the indulgent act of listening to music. Inspired by musicians such as Rob Thomas, Pink, and Jewel, Zaida is a storyteller in her songwriting that encourages listeners to travel with her. Zaida states “Although the journey has been challenging, I am not ready to stop showing the people the world through my eyes. My lyrics portray the different journeys my life has taken me through; heartache, hardships, falling in love, and happiness. I want the people to feel what I felt, to see what I have seen, and to know what I have learned.” Tapping into the likes of her most recent self-produced single “Bulletproof Queen,” we’re immersed in the electric environment that is portrayed in this empowering anthem. Embarking on a sonic voyage that takes personal experiences and caters them to directly relate to her fan base, we hear the narrative delve into a transition from one extreme, to the next. Amplifying her boisterous persona and the fierce edginess that runs through her essence, “Bulletproof Queen,” has Zaida sky-rocketing to new heights as she expresses a prevailing tone that carries forth her luscious timbres. An electrifying sequence of guitar riffs drives home the unmatched energy that Zaida portrays through this song. Accompanied by the intensity delivered in the notably taut percussion arrangements which are memorable enough to write home about, every musical element meshes together for a colossal expansion of the rock n roll realm ruled by the femme power of Zaida. Through each moment that conveys seamless anticipation of what’s to come next in the composition, you’re immersed in the bolstering spirits breaking free in what we trademark as a certified hit. Executing her talents on levels that have yet to be explored by the artist herself, we admire the passion that continues to go into Zaida’s melodic creations. Congratulations on the release of “Bulletproof Queen.” We’re thrilled to hear that you’ve taken your skillset to self-production! What was the experience like when bringing this to life? The positive aspect about having to quarantine, was that I was able to solely focus on my music and new methods. Thanks to Amazon, I built a home studio in my tiny dining room area, I had the time to learn new music programs, and perfect my recording skills. With Bulletproof Queen, I first produced the entire song in my head, using the acoustic version I had originally recorded on my cellphone. Luckily, by the time I was ready to record Bulletproof Queen, the recording studio in Miami re-opened. It was then that I able to transpose what was in my head onto the sound-board. Although, I did not bring Bulletproof Queen to life on my own. I had an amazing support group behind me. I had sent my band-mates the acoustic version of the song. We then got together and perfected the sound that was already produced in my mind. It all came together very smoothly. Did producing “Bulletproof Queen,” on your own terms alter your creative process by any means? I love being my own producer. I set my own goals, and I was able to follow through with all my ideas, and test out which ones work with the song. Producing Bulletproof Queen actually enhanced my creative process. The song is a completely different genre then what I usually compose/record. I wanted to record the song quickly because I had so many detailed ideas that I didn’t want to miss out on trying. I love being able to decide and finalize what sound comes out in the end. From the snare drum to a guitar riff, I love being the one to determine what stays and what doesn’t. Being creatively free is a gratifying feeling. Do you find that you carry traits from your early start in music to the songs you fashion today? I do find that I carry traits from my early start in music. I am still a storyteller at heart. Whether I tell my story using a ballad or a rock song, like Bulletproof Queen, the storytelling trait will never diminish. What is the significance that this song holds to you? What are you hoping that your fan base takes away from it? Bulletproof Queen, for me, is an anthem about mental strength. Society, nowadays, is harsh on a person. You have to speak correctly, look a certain way, carry yourself a certain way, the list is infinite. It seems that society has set so many unwritten rules for us to subconsciously follow. I, for one, have been “pulled apart”, I have been categorized a certain way, and I have not met those expectations that society tends to put on a person. But, I have come to realize, that yes, “I am who I am”, and that is a good thing. I know who I am, I know what I can do, and I will prevail. I am strong enough to overcome the obstacles that have been thrown at me, because I am a Bulletproof Queen. I want the listeners to feel that same emotion when they hear my song. I want them to think, “yes, I can do this, I won’t let anyone tell me different, I will believe in myself.” I want people to have confidence in themselves. That is the message I want to convey with Bulletproof Queen, you are who you are, and that is an amazing thing! Instagram Facebook

From New York to Los Angeles and finally Hamburg, the pop/electronica artist, songwriter, and producer Mot & Krid teams up with Redd Carter for their inspirational single, "Waiting 4 Rain (feat. Redd Carter)." Having been playlisted on various Spotify playlists while receiving extensive radio airplay has led the diverse stylings of Mot & Krid to quickly become one of the most sought-after acts in North America and Europe. Driven by Thomas Gallmeier, he's continuously upping his craft to meet the expectations his music has set. More recently, Mot & Krid paired up with singer-songwriter Redd Carter for their motivational single, "Waiting 4 Rain (feat. Redd Carter)." Quite the lush and uplifting pop-inspired tune, Mot & Krid and Redd Carter deliver the utmost inspiration through their anthemic vocal portrayal and the exciting underlying sonics/instrumentation. "Waiting 4 Rain (feat. Redd Carter)" brightly opens with Redd Carter's soothing vocal stylings, soft percussion patterns, a sparkling acoustic guitar, and warm piano melodies. Instantly setting a feel-good tune to the song, Redd Carter and Mot & Krid lead us towards the pre-chorus, where a rich female vocal accompanies Carter's anthemic vocal portrayal and pushes us towards the uplifting hook. As we dissect the song's lyricism, Redd Carter lets us into a heartfelt story of catching someone when they fall and supporting them during the toughest of times. Mot & Krid has truly carved the instrumentation and sonics to expel such vibrance and heart, especially as the blazing electric guitars make their way in and hold our hands until the polished outro. Hello Mot & Krid, and welcome to BuzzMusic. We truly appreciate the uplifting tone and feel of your latest single, "Waiting 4 Rain (feat. Redd Carter)." When did you begin creating this piece? What initially inspired you? Unless I am hired to write for a specific project or artist, I frequently get together with good friends, who are also songwriters and musicians, to write new material. Our new single Waiting for Rain was originally written for Redd Carter. I think Redd came into the studio, mind you this was pre Covid19, so no worries about social distancing and masks, wanting to create a moody, kinda dark yet uplifting tune. I then came up with this chord progression and piano part, playing on the 1/4 note, keeping it really simple. We were also joined by Redd’s boyfriend and one of my best friends Kelly Kidd, helping write the top line and lyrics. What pulled you towards the vocal stylings of Redd Carter to feature on your single "Waiting 4 Rain (feat. Redd Carter)?" What does he offer that you felt needed to be captured in the song? Well, as mentioned earlier, I like to keep it in the family. In this case, Waiting for Rain was actually written for Redd. Redd, Kelly, and I wrote this track to best suit his vocals and create an atmosphere that supported melody and lyrics. Redd has an incredible voice and I have had him as a featured artist on my releases in the past. So I certainly knew what I was getting. And I always love it. Could you break down your creative process for "Waiting 4 Rain (feat. Redd Carter)?" What was it like in the studio when creating and recording the sonics and instrumentation? Writing sessions and recording basic tracks were all done before Covid19 in Los Angeles. I usually write songs on the piano. So I recorded a basic piano track with that simple 1/4 note feel first. Another early idea was a big kick and snare sound with that distinct syncopation. So now I had a piano track, kick and snare rhythm, and scratch vocal. I felt it needed more flow and came up with this rather intricate drum part, using tight sounds, to stay out of the way of that big kick and snare, to introduce more groove elements to drive the track. Bass had to leave lots of room as well and was mainly played on whole notes. With piano, drums, and bass done, I proceeded to record lead vocals. I also had this distinct keyboard melody in my head that plays during the chorus in the background. I layered quite a few sounds to get it right and recorded and added them to the mix. Now we had a complete recording of the song and I felt it was all done. I like to sit on a track and mix for a while to get distance and have fresh ears. When I came back to listen to the mix/song, I did really love the simplicity, space, and mood of this record. We are halfway through 2020 by now and everything is shut down. Just by chance, there was an opportunity to pitch the song as a duet and so I recorded female lead and background vocals with my good friend and top singer Cindy Gomez. She recorded her vocals in Canada sent me audio stems and I mixed them in with Redd’s vocals. That opportunity came and went, however, I loved Cindy’s background vocals so much, I kept them in the mix. At this time I also added additional synth parts. I relocated to Germany at the end of 2020. At my new location, I listened to the updated mix and decided that Waiting for Rain would be a Mot & Krid release. And I just knew, what instrument was missing. Guitar. So I send the mix to my good friend and LA studio guitarist extraordinaire Ricky Z and told him, I needed a guitar arrangement and parts, that is sort of indie pop/rock with an ever so slight touch of blues. Well, what you hear is what he sent me back. I mixed the parts in and it was absolutely perfect. My only suggestion was to add some Beatles-ish rock guitars in chorus and finally Waiting for Rain was done. Seeing as you've received vast attention from both North American and European markets, how do you plan to keep these audiences engaged within your future releases? I think with everything shifting more and more to social media, especially to Spotify and Youtube - YouTube.com/motandkrid my audience is already spread around the globe. I believe the key is to produce authentic content that any audience that likes what I do, can relate to and is interested in. It is quite difficult to be found these days since there is an over-saturation of everything. I plan to keep creating audible and visual content that I believe in and in my opinion is worth sharing. And it will always be about who I am and what I stand for. What would you like new listeners to know about your music? I write music from the heart. What you hear and see, is what I have been going through. Moments in life that made me sit down and turn that memory or emotion into music. Sometimes it is silly, sexy, and fun, and other times it’s full of contemplation, doubt, the desire to do and be better and inspire. There’s always hope. And it is always who I am. Instagram Facebook

Emerging artist and producer 7 Metrix hails from the Southside of Chicago delivering quality music that connects him to his audience in an exclusive way. “Study In Blue,” is the most recent project from 7 Metrix and it’s his debut instrumental EP. Containing six songs each dedicated to the color blue, the thought-provoking resonance evokes what the various hues of blue would sound like. Delving into the journey that serenades you with deep bass and soothing soundscapes, 'Study In Blue,' encourages you to be still as you grasp the concept of mindfulness. Being a rhythmic escape that pairs enticing drum patterns with almost ethereal vocals buried in the mix to enhance the cerebral wave of cognizance the initial spirits heard grasp the overall appeal of a world where we take in each moment. “Blue,” is the introductory single heard on 'Study In Blue,' and immediately lures you into the vibrancy that the color portrays. With the project honing in on its instrumental quintessence, each song is up for interpretation as you bask in the imagery that is set in your own headspace. Carrying soul-infused aspects, the sounds divulged lean into the R&B nostalgia that focuses on vocal samples, airy synths, and a timeless feature that has you feeling the passion explored. “So Cold,” is the second track offered up and it invites you to sit with your emotions as you peel into an introspective lens. In a world where we are urged to fall into the hustle and bustle of the fast-paced city landscapes before us, the thought of slowing down scares many individuals out there. “High (The Innerlude),” is a prime example of how 7 Metrix taps into the tranquility that is reflected through our chattering minds in a manner that welcomes the pacifying framework and makes it out to be intriguing for those that are unsure of how to slow down. “Out of my Mind” simmers in a bass-forward ambiguity that has a surge of passion seeping from your speakers. 7 Metrix has us hanging on the edge of our seats with this standout record as the placement on the tracklist is impeccable. Thriving in an environment of decadent narratives, no words need to be expressed as the musicality speaks for itself. Recruiting the talents of DgSax on “Never Be the Same,” to produce notes of warmth in the golden saxophone progression, energy surfaces as transferred into this masterpiece. This song plays into two atmospheres as the warmth radiated suggests joy and optimism, but the mystery transmitted through the evolution of resonated synths unravels the anticipation of enigmatic paths weaved in the realm of divine discernment. Completing the project with the sixth song on 'Study In Blue,' we get a nostalgic wave of reminiscent hues as we voyage through the eras on “Lavell’s Prayer (Miss You Unc).” Tying together any loose elements that may not have been expressed in the shades of blue, we find a tribute is a perfect way to cross off all of the sentiments felt with indigo, cobalt, sapphire, and all the tints in-between. 7 Metrix vouches that the best way to listen to this project is when the lights go out and the peace of the night takes over. Igniting a flame where the blue blaze is the hottest, we’re thrilled to have gone on this therapeutic journey with 7 Metrix. Listen to 'Study In Blue' here. Welcome to BuxxMusic, 7 Metrix, and congratulations on the release of your latest instrumental project, “Study In Blue.” We love the sounds that you deliver to us in the various shades visited metaphorically. What inspired you to produce this concept? What inspired me to make this project was the attempt to work with samples in my production. I never really did any work with samples, so this time I felt I should try it out. After that I wanted my sample choices to make sense so I started thinking about concepts different concepts. The concept of self-discovery kept coming to me because I find myself at a transitional point in my life. Then I started thinking about what color would represent not only my lowest moments but my transition into being at peace with my life and where I'm going. That color ended up being my favorite color which was blue. Blue can represent the greatest depressions and the coming of a beautiful day (state of mind). Could you please take us into the creative process of fashioning “Study In Blue?" How long did it take for you to create this body of work? It took me about 4 months to create the project. I wanted to pick the right songs and sample them in a certain way. I wanted the samples to be heard with a lot of reverb causing them to feel meditative and spacious. Also, I didn't just want the samples to stand alone, I wanted to add instrumentation that would also provide ingredients to enrich the meal of sorts; adding parts of myself into it. Each sample had to speak to a specific time in the journey. They needed to provide words that the listener could connect to like a therapy session. Is there a song that resonates with you more than the others explored on “Study In Blue?" Why? The song that resonates with me the most is "Never Be The Same." The lyrics, "I've be confused and in the dark, but now I understand," are very powerful to me. Sometimes in life, we go through so much that we can't make heads or tails of the experience. We become lost in emotion and the depths of the experience to the point we lose sight of who we are. But sometimes that is the point right? There comes a time when in order to become new, the old you have to become unrecognizable and undesirable. The song represents the ups and downs of that journey. The first part of it is the beautiful struggle to love oneself. The sample asks "Why it is," of so many struggles with people and self throughout the verse until the hook reflects the total state of being. The transition and second verse become the turning point of making a decision. Knowing you will never be the same again. Will you choose to become a better human being letting the past go or will you stay in the same confusion. The last part is choosing the peace of understanding and becoming better. You used such an array of samples and we loved what each did to the songs offered up. Could you please share what encouraged you to use each sample for that specific song and what the sample is from? See now you're trying to get me to give up the sauce lol. I will have none of it!!! (joking) The intro track was sampled from Cleo Sol's Sweet Blue. The overall message that I took from the song and parts I used was to encourage the listener to keep going. Keep your head up no matter what you go through. So Cold was sampled from Mary Go Round by Musiq Soulchild. It is one of my favorite tracks from him. I think everyone has dealt with the loss of love and I wanted to capture the feeling of a relationship gone wrong. Especially when a person feels like they've done everything they could. I always wanted to do something with this track and it finally was the time. High was created from the song St. Elmo's fire. I liked the calming, smooth feel of the song. So I decided to use the parts without drums and create something that felt ethereal. When we all finally accept every part of ourselves. We finally let go of what the world wants us to be and become one with who we are. "We get high" is when those parts transcend into "something new." Finally, we develop a passion for self-love that burns like the hottest flame of blue. A love so sharply focused on elevating ourselves as better human beings that we forget all the negative that was. Out of My Mind was sampled from Alicia Key's track, "Feeling You, Feeling Me Interlude." On this track, I really wanted the vibrating bass and lofi Rhodes keys to drive the feeling of cool passion. Creating that intimate moment with someone you love or when you're by yourself thinking about them. Time freezes and everything is at a standstill. It's just you in your mind with soothing thoughts of the one you love. Never Be The Same is sampled from Corrine Bailey Rae's song Like A Star. This is one of my favorite love songs from her. So I wanted to take some parts that reflected the self-love theme I was going for and ask the listener when is the last time you thought to love yourself. Lavell's Prayer was sampled from the Supreme Jubilees' "It'll All Be Over." I liked the calm and hopeful aspect of the song. I wanted to use it as a representation of my uncle's faith and legacy as a man who truly believed in God. He passed away from Covid last year. It was a big blow to my family and myself. But at the end of it, all creating this instrumental brought me hope. What is the main message that you send to your fan base through the music that you create? The message I send is no matter what you are going through you can make it. Difficult times in life come but we determine how it shapes us. I put all of my emotions of the last two years in these 6 tracks to display in music my own journey of self-love and improvement. These are the pains, hopes, and amazing realizations I have come to as I enter the next phase of my life. No matter what, you can always start over to build yourself better and new. Instagram Facebook

Bringing us the heat from Toronto, the hip-hop/r&b artist, rapper, and singer-songwriter Kem'Yah spits nothing but fire with his latest single, "Shango." Emphasizing his Congolese background through his versatile stylings, Kem'Yah's music blends the sounds of Congolese rumba, reggae, hip-hop, r&b, soul, and jazz. Excited to pierce through international markets with his blazing tunes, Kem'Yah's music is quickly making its way to various audiences while garnering ample attention. Highlighting his latest single, "Shango," Kem’Yah takes on a heated approach through his tight vocal delivery and the song's sweltering sonics. Hitting us over the head with the ferocity and liveliness of modern hip-hop, Kem’Yah makes the experience all the more memorable with help from his stimulating performance. Getting to know the single, "Shango," the track opens with samples of a deep lion roar and groan while swiftly dropping into a heavy beat drop through punchy kicks and vibrating sub-bass. Making way for Kem’Yah's vocal delivery, he begins rapping with the utmost poise and heart while touching on themes of working hard for the successes he's gathered. We're wildly impressed by Kem’Yah's crisp and understandable vocal delivery, as he carries us through the track with his densely melodic vocals and powerhouse bars without a dull moment in sight. While Kem’Yah continues to ride the contemporary hip-hop beat until the outro, he brings us into a scorching hot atmosphere through the song's dark tones and his intense delivery. Catch yourself deep in the vibe of Kem’Yah's latest single, "Shango," and get to know the talented hip-hop/r&b artist on all digital streaming platforms. Hello Kem’Yah and thank you for joining us at BuzzMusic. We admire the heat and power you've delivered within your recent single, "Shango." What inspired you to create this robust and powerful hit? I had some legal troubles and recently beat my charges. The sense of invincibility that comes when one feels they've regained their freedom after having it seized from them is really what sparked this record. The more eye dove into that state of mind, Shango, an Orisha in the Yoruba belief system kept coming to mind. Other than being the original Thor, to some he also represents justice and so eye delivered that on the single from my perspective. What did your songwriting process look like behind the scenes of your single, "Shango"? What message did you want to get across through your bars? I poured a libation to Shango, lit a hemp blunt, and began writing. And the message was really to be fearless, trust in yourself and your nature, and you'll be surprised at how similar you and the gods are. We can't get enough of the deep and growling production within "Shango." Did you create the production yourself, or did you work with any producers during this process? DB The Plug produced the beat, and my engineer Astro and eye added the lion growl, as well as the thunder effects, heard throughout the hook. Would you say that most of your music resides under the heated sounds of contemporary hip-hop, or do you often explore other genres and sounds as well? Well, we've coined my own genre and dubbed it Afro-Rebel. Since I'm Afrikan my music will always be Afrikan in nature and will always be influenced and inspired by all that is Afrikan music from Hip Hop, to RnB, To Pop, Afrobeat, to Congolese Rumba, and etc. The rebel aspect is because my music always aims to challenge all systems in place that oppress my people and others who are affected by these systems in similar manners. What can fans anticipate to hear next from you? 'The Gods Are Rising.' Instagram

Breakout artist DANJUL is an unconventional artist on the rise with a flair for reinvention. Born in Inglewood, California, and raised in Covina, he discovered his passion for music. The California native has a sound that is complex yet relatable. He delivers a luscious fusion of cutting-edge EDM and electro-pop synergy along with savory rock nuances. DANJUL’s music has been described as pop music with a cinematic touch. The artist has an affinity for classical music and epic instrumental scores; traces of these elegant genres can be found in most of DANJUL’s productions. DANJUL is no stranger to the depths of his musical landscapes endeavor. We’re offered up an enticingly cathartic escapade that is piano forward and euphonious in his latest single, “Scarecrow.” Gracefully smooth with the empowering spirits of the intruding resonance in the rhythmically enhanced environment laces us in lucid perception as we grasp onto the eloquent vocal performance that DANJUL offers up. Addressing a subject that induces vulnerability when you make the conscious decision to let your guard down around someone, this whimsical balance fastened into the entirety of “Scarecrow,” invites you to break free and take flight with DANJUL as the liberation you feel from the unalloyed harmonies sparks a flame within yourself. Mastering the conveyance of this electronic production, the evocative tenors that have us weaving through the unrestrained ambiance pairs strikingly with the steady tempo of the beat recognized. As we enter the captivating embrace of the lyrical dexterity illuminated, this personal invitation into DANJUL’s musical therapy session has us wrapped in the unveiling of his inner emotions. Delving into the miscellany of synths etched into the arrangement of harmonious components, we sonically feel “Scarecrow,” embody a syncopated structure that has listeners remembering it as a complex with unforgettable superiority. Welcome to BuzzMusic, DANJUL. The entirety of “Scarecrow,” has us winded. Such a beautiful composition. What moment or story inspired the concept that we’re exposed to? The reasons behind my song "Scarecrow" aren't what people might think. The song was written as a poem to my teenage self. "Scarecrow" was used as a metaphor for being so afraid to live life. When people come from hard upbringings it shapes the mind into how dark and lonely the world really is...if only they were shown love, then maybe pain could have been suppressed. How do you find “Scarecrow,” holds up to other pieces of work in your music catalog? Do you find that this single is a direct representation of who you are as an artist in the present moment? "Scarecrow" is definitely my best to date! My other songs, I love...but "Scarecrow" is the beginning of me wanting people to take me seriously as a mainstream pop artist. What is the main message that you’re hoping your audience grasps from the meaning in “Scarecrow?" Never be afraid to be uniquely you...never be afraid to show vulnerability either. Do you have a specific highlight in your music career this far that keeps you working towards your goals? What is the significance of that accomplishment? Highlight? Being featured and interviewed by BuzzMusic LA of course! I recently signed a distribution deal with Bentley Records NYC! Debut single should be out in summer 2021! This is a big deal for me because I've dealt with so many hardships on my journey as an artist, so getting support from Bentley is amazing! Music is my life, and becoming a great pop artist is all I've ever wanted to do. My hardships are what keeps me fighting for this. What's your mission statement you'd like to deliver to others as an artist? I know it's cliche, but...NEVER EVER GIVE UP! Instagram Twitter

Azure Wolf started as a solo folk project of Victoria Backle. The Winchester, VA-hailing indie outfit now consists of Victoria Backle (singer-songwriter, rhythm guitar), Isaac Foltz (lead guitar and vocals), Sean Spencer (bass, synth, and vocals), and Tommy Moore (Drums). With their collective influences ranging from Kings of Leon to Alt-J to Nirvana to Alanis Morrissette, dynamism has remained a constant throughout their releases since making their debut with ‘Dancing Bears’ in March 2020. Tapping into the most recent single from Azure Wolf, “Black Fur,” embodies nods of an alternative 90’s-inspired ballad that hones in on optimistic hues. The compelling listening experience delves into brightly performed piano chords, reinforcing percussion, an infectious bassline, and the mesmerizing opulence of guitar riffs you want to write home about. You’re immediately absorbed in the almost ethereal soundscape that presents itself in a hypnotic wave of melodies. Steered by spellbinding tenors that are presented in a way that has you effortlessly moving your body to the sound of the music heard, Azure Wolf takes you on a sonic expedition that you don’t want to leave. Basking in the harmonious timbres exuded in a passion-fueled showcase, Azure Wolf has us biting onto every word that is seamlessly executed by a fortified persona. Being a conceptual song that is inspired by Victoria Backle’s own lived experiences, we navigate through the struggle of dissociation from traumatic experiences. Embracing the lyrical notions that have “Black Fur,” taking on the role of an unscheduled therapy session, you get lost in your thoughts as they cascade with the brilliance illuminated in the stimulating hues more felt than heard. “Black Fur,” has found a way inside your mind to linger for quite some time to come. Instagram Facebook

Nashville-based and led by singer and guitarist Sebastian Mogan who is profoundly hearing and vision impaired, the Rhythm Bullies take the best parts of Rock N Roll and fuse them with synthesizers, world, and symphonic music. Portraying a colossal universe of heavy-hitting energy, the Rhythm Bullies come in hot with their debut single “Dysnomia.” Collaborating with the talents of Grammy-nominated engineer Bobby Holland who tackled the brilliant production elements, the enticing soundscape that is rich in electric synths, zesty guitar riffs, and impactful percussion sits with the charismatic vocals centered in the mix for an all-out Post-Punk inspired record. Taking cues from the early 80’s Goth era as well, listeners can find themselves copiously riveted in the authoritative atmosphere that hones in on ethereal-like glimmers from the opera reminiscent harmonies introduced halfway through the composition. With the song being written during the events of 2020, the lyrical motif that commences this eclectic offering of energy is, “Hell is empty. Look around you;” depicting the chaos packed into the modern times of today. For a debut single, “Dysnomia,” pays homage to numerous influences weaved throughout the eras before the Rhythm Bullies were established. Commending them on an exceptional job of amplifying the sound waves in a manner that has us eagerly wanting more, the Rhythm Bullies has us fully wrapped around their finger as we embark on their musical journey for the long haul. Welcome to BuzzMusic, the Rhythm Bullies. We love your debut single “Dysnomia.” Congratulations on the release! With the song receiving such success in the short period of time it has been out, how does it feel to have this track being reciprocated so well? Did you expect these results prior to the release? I've been thrilled with the response to Dysnomia! I never know what to expect when releasing something new. This is the first time I have heard one of my songs on the radio, so that has been super exciting. What was it like working with Grammy-nominated engineer Bobby Holland in order to produce such a great-sounding track? Bobby's a good friend of mine and I knew we would make something amazing together. We like a lot of the same bands, so he knew what I was going for. He has a lot of great ideas and can get things done quickly. It's definitely the best-sounding stuff I have ever recorded. Being written in 2020, what moment or story inspired the meaning behind “Dysnomia?" It is based on the Greek story of Dysnomia. The word translates to "lawless." It is also a moon, which is why there is a space and celestial-inspired aspect to the song. Dysnomia is actually a re-working of an older song of mine that I changed to fit the events of last year. You really set the bar high with “Dysnomia.” What do listeners have in store with future releases? The Dysnomia EP will be released in May. It has a sister track called "Escape from Dysnomia" which is an instrumental that mixes synthesizers and organic orchestral instruments. Another song has a gypsy/reggae vibe and features Jeff Coffin (from Dave Matthews Band) on Turkish pipe. Instagram Facebook

Formed in Bakersfield, CA, in 2016 after a charity concert Art and the Resistance brought together unlikely local musicians to play songs written by Art himself. Over time, multiple musical styles made their way into the band's revolutionary sound, and the term poly rock was first coined. Appealing to an audience that familiarizes themselves with the sounds of rock, pop, Latin, funk, symphonic, and prog, Art and the Resistance continues to garner attention from a fan base across the globe. Tapping into the undeniable zest of their latest single and music video release, Art and the Resistance provides us with the enticing and distressed sounds of “Serenity.” We’re sinuously eased into the resonated bellows that collide with colossal instrumentation through the minimalistic commencement of chugging guitar riffs provided by Art Machuca and black and white footage honing in on close-ups of Art Machuca playing into the graceful approach that accompanies the musical complexity that is about to infiltrate our speakers. Introducing the groove-filled bass component delivered by Gilbert Machuca and the enigmatic piano chords performed by John Calanchini, we hear the tempo resting perfectly in the mix as colorful hues release a full-blown performance from each member of Art and the Resistance showcasing their dynamism. To say the performance in the filmic component is fueled by energy is an understatement. There are so many layers to depth uncovered in “Serenity,” however the thunderous percussion thanks to Jeremy Bridgdam sweeps us into full throttle. Just when we think the visuals couldn’t be any more prominent in our mind, the abstract artistry that is provided by a femme figure in a black bodysuit in the outdoor landscape introduces a foreboding essence of ambiguity. As the sonic and visual spirits coincide as they unleash an inner beast, the intensity picks up and we’re fixated on the vocal layers accompanying the boisterous roars of Art Machuca. Letting loose and breaking free in all aspects, the “Serenity,” that is achieved shows that it comes from within, and we’re the only cure to save ourselves. Welcome to BuzzMusic, Art, and the Resistance, and congratulations on the release of “Serenity.” We love how the sonic and visual components fit seamlessly within one another. Could you please take us into the inspiration behind the song's meaning? Hi! Thank you for having us here as well as for the kind words. This video is still fresh in our minds and we’re happy for all the positive feedback we’ve been getting. Art (our singer) was fresh out of a breakup when he began writing this song and, without getting too in-depth (we like to let the listener draw their own conclusion) this song is about letting go, especially of things that are poisonous and tempting. There are subtle hints about that scattered through the music video on YouTube, so give it a watch! How did the vision for the “Serenity” music video come to life? With the energy being portrayed in such a major way, what were the vibes like on set? We’ve been actively working to build a team of strong creative people to support and inspire us. Two of those people, Dstructive and Petey J. Agalos are visual artists whose ideas and technical abilities helped to bring our initial ideas about the music video into being. Filming music videos, especially this one, is incredibly fun! Everyone in the band brings high energy and positivity to the shoot and when we’re not working, we’re barbecuing, playing pranks, making jokes, and having an overall great time. Positive vibes all the way. Are you able to share a glimpse of what the creative process looked when fashioning “Serenity?” What was it like working with all parties to give this track its desired sound? The time that we recorded "Serenity" was an interesting one; it could be described as a time of transition. Not only because of the breakup mentioned earlier, but we had just started working with our then-new guitarist Spencer, who was finding his voice within the band. You can hear this transitional quality when you compare Serenity to our previous works, it has a much deeper and more emotionally raw quality to it. How does it feel to have this piece of work out into the world? What is the significance that it holds to you as individuals and a band? It’s always exciting to release a song out into the wild and watch what happens with it. We have high hopes that it will exceed the performance of our previous music video for Chris Isaak’s “Wicked Game”, but no matter how the world appreciates it, it holds a value to us as a band as a point in time that marks a new direction for our songwriting and creative evolution. What's next for you? We have another new music video coming out in June, and we’ve recorded three new singles which will be released throughout the spring and summer. Until things open back up, we will be in songwriting/recording/music video mode, and then when the day comes you can see us back on stage! We’re really hoping that happens sooner rather than later, we miss seeing everyone! Instagram Facebook