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From Boston to Orlando, the pop artist and singer-songwriter with a knack for nostalgia, Faae, releases her reflective first studio single entitled "In Another Lifetime, Loser." Venturing into her craft by writing and releasing poetry collections, Faae later sought something more profound and compelling. Now on track to release her debut EP later this year, Faae is currently working and expanding her craft with detailed lyricism and complexly painted metaphors. Through her latest single, "In Another Lifetime, Loser," Faae wears her heart on her sparkly sleeve while slamming her warm acoustic guitar and serenading us with the utmost emotion and soul. While the song's instrumentation glides with the sounds of pop-country, Faae delivers her soothing vocals to bring us deeper into the emotional concept at hand. Listening to "In Another Lifetime, Loser," the song opens with a quick sample of Faae stating, "I know, but I want something personal at the beginning," which perfectly meets the entrance of her tender acoustic guitar. Once Faae makes her soothing vocal appearance, she brings us into the song's delicate atmosphere with help from her heartbreaking emotion. The highlight of this song has to be Faae's gut-wrenching lyricism, as she begins telling us stories of an ex's silver sedan and how she currently gets a bad taste in her mouth whenever a silver sedan rolls down the road. While the bright acoustic guitar continues serenading us towards the outro, Faae ends the song on an emotional note with lyrics like "It's a shame we never knew just what to do." Immerse yourself into the emotional depths of Faae's latest single, "In Another Lifetime, Loser," and be on the lookout for her forthcoming debut EP later this year. We adore the tenderness and emotion within your latest single, "In Another Lifetime, Loser." How did this song's creation come about? Did you begin by writing your poetic lyricism? 2020 was a tough year, full of a lot of heartbreak and change. I've been a writer for most of my life, and as a kid, I had a tendency to come up with little melodies in my head as I was writing, but I'd never tried working with music as an additional medium before. As I started learning guitar, the circumstances that had changed in my life became a major inspiration point, and once I started writing, I couldn't stop. It felt like there was finally a place to put all the emotion I'd had stored up into something that was outside of my own head. Speaking on your poetic and detailed lyricism within "In Another Lifetime, Loser," did you find it challenging to reach back into those emotional memories when writing your lyricism? Or is this process somewhat familiar to you? Yes and no. This song was particularly hard to write, just because it has to do with falling in love with someone, who feels like they're going to be your person forever, but, your lives just start moving at different speeds. "loser" is about the feeling that though things didn't work out here, maybe there's another world where trying again isn't so hard. Maybe it is this one. Who knows? Dipping back into the turmoils emotions that were involved in this situation did hurt because it does feel like a different life compared to the one that I live now. Though I'm familiar with writing about these kinds of themes, the musical element felt like an extra layer of interest. I wanted to have the storytelling resonate. The details and memories in the piece mean a lot to me, and I wanted it to mean a lot to others too and write in a way that sticks with everyone that has gone through something like this. How did you want your audience to feel and react to your single "In Another Lifetime, Loser?" I hope (as sad as it is) people can relate to it. Heartbreak is an inevitable and tough part of the human experience, especially the concept of the right person, wrong time (or life.) I hope when people listen, they get that image of this world I'm painting, feel like they lived in it too, and the bittersweetness of wanting a different ending. Should we anticipate "In Another Lifetime, Loser" to be on your forthcoming debut EP? What should we expect from the entire project itself? "Loser" will appear on my full EP later this year! The whole EP centers around the notion of what it means to actually take care of yourself. Each song captures a different element of the complexities of self-respect, from letting go of the people restraining you from it to accepting your own flaws as what they are: facets of you but not a reason to entirely think of yourself as the villain. I think it's a really important concept, and it's one that I am working really hard on learning to express, and actualize. Instagram

Jacqueline Hackett is a singer-songwriter from New York City that has recently made her debut in the music industry. Growing up with artistic parents, her father being a musician and her mother being a poet, she was surrounded by creative energy all the time. Deciding to jump headfirst into the music industry was a long-awaited decision made while struggling with meaning and purpose during college, and Jacqueline Hackett is now hard at work pursuing her true passions. She aims to be raw and real with her lyrics, to connect with listeners on a meaningful level, and fearlessly wear her heart on her sleeve. Her soft but powerful vocals and stripped-down guitar radiate nostalgia and draw in the listener. Music is something that uniquely gives an opportunity for reflection and contemplation about significant or even mundane events in our lives. Jacqueline Hackett’s self-awareness and willingness to be vulnerable makes her relatable to listeners and helped make a statement during the release of her debut single, “The Rest of the World Could See”. She took love and loss and projected that into her music, and this kind of dexterity and inventiveness will stick with her in the long run. Jacqueline Hackett has recently finished preparing a debut EP that will further introduce herself to the world and build a foundation for her future career. Instagram Twitter

Born out of needing something to do during the COVID-19 quarantine, Did We Just hails from New York City. Comprised of Jeet Suresh Paul (guitar/engineer/producer), Reisha Cadelina (singer/lyricist), Hari Mohanraj (bass), and Gregory Telfeian (drums), Did We Just have risen to the surface with their debut single, “St. Nobody’s Day.” Meshing together in unison, when forming the band the question that almost inevitably came into the queue was, ‘did we just form a band?’ and thus Did We Just came about. Capturing their authentic essence in the edgy resonance of “St. Nobody’s Day,” Did We Just delve into the theme of finally letting go of someone you love or care about who is constantly letting you down. Executing vibrant energy that radiates in darkness transitioning to a light theme, the chugging of the thunderous guitar riffs fills out the composition as the rhythmic appeal ushers us into the spellbinding components of repetition exposed. Bopping our heads to the tight drum patterns that syncopate with the groove-filled bass line, we’re quick to realize that although recently formed Did We Just amalgamate in a unified bliss that has us begging them for more. Produced and engineered by Jeet Suresh Paul, the manner in which Reisha Cadelina’s euphonious vocals center in the mix has us finding “St. Nobody’s Day,” to be a perfectly balanced musical cocktail. The Rock forward spirit that drives the vigor exemplified throughout the dynamic of Did We Just are uncanny. Amplifying the sound waves in a way that has us grasping onto the, break from the toxic pattern thesis, we’re fully open to the creativity surging from Did We Just as the artistic sparks infiltrate our speakers in an unforgettable manner. Welcome to BuzzMusic, Did We Just, and congratulations on the debut release of, “St. Nobody’s Day.” This song is such a strong debut single that we can’t wait to hear what else you have in store from us. Before Did We Just were formed, did you all have experience being part of a band or solo acts of your own? Jeet: Yea actually, 3/4 of us are actually the "leaders/founders" of our own bands on the NY/NJ local scene. I founded a band called Meaxic in 2012 that's currently working on its second EP. Reisha: Yes, I am currently the frontwoman and manager for NYC-based rock band Grayhunter. I've also had experience as a solo vocalist, performing pop and jazz music in venues such as Parkside Lounge and Don't Tell Mama. Greg: Absolutely, we all have been playing in our individual projects and have worked with Jeet Paul in the past. He is an amazing musician, sing/songwriter, recording engineer, and producer. Jeet has always brought the best out of me as a music artist. Hari: I've been in and out of bands since high school. In fact, Jeet and I were in my first band together in high school. How does it feel to have the heavy-hitting “St. Nobody’s Day,” out to the public? What inspired you to make this your debut release? Reisha: It feels amazing. My lyrics have a story to tell, and when the song was released it felt like I was finally able to make my message be heard and get a lot of feelings off my chest. It was such an honor to be able to work with such talented musicians. Hari: Honestly, why not? We've all been isolated from each other for so long that we need to start finding new ways to connect with each other and make art. We dusted off an old demo and got to work crafting it into a full-fledged song. Greg: It feels great, however, making sure it actually gets in front of more eager ears will take a lot of pushing and we appreciate your support. Jeet: Never thought about it too much. Was just itching to produce a beefy rock song again. Could you please take us into what the creative process looked like when bringing this song to life? How was the chemistry with each band member? Hari: The seed for this song was an old instrumental scratch track demo that I recorded a few years ago. I shared it with Jeet back then, and we thought it would be cool to produce a solid rock song from it someday. That idea laid dormant until now. Jeet and I dug it back up and reached out to Reisha and Greg to collaborate on the track. Reisha wrote a killer vocal line, and Greg brought the song to life on drums. The main dynamic within the band is trust. Everyone trusted the solid starting point we had, and we trusted the energy and character that each person brought to the track. It really transformed into a song that we've all written together. Reisha: The creative process was an interesting one. The 4 of us have never been in the same room, so all we had to refer to was the demo. But we are very like-minded artists, so we were able to tell right away what the vision was for this song. We recorded and wrote our parts separately, and when we finally put it all together it was a perfect fit. Our chemistry as artists and as people is really great. Jeet: It's funny coz I've worked with all these people 1 on 1 and had a strong sense that they'd all step up to the challenge when thrown into the same project. I'm primarily an audio engineer and really I just wanted to produce a thick meaty ball to wall Rock song again. Greg: Well Jeet had brought together all of us and he felt that we are all like-minded and would add value to getting this idea executed with the best workflow. Honored to part take in the awesomeness. What is the main message that you’ll be sending out to your audience as a band? What are you hoping listeners take away from the message in “St. Nobody’s Day”? Reisha: The message I wanted to send with this song was that we understand how it feels to be disappointed by a loved one and how it feels to learn that sometimes, what you want isn't exactly what you need. This song is meant to inspire others to realize that they deserve to be treated better by everyone in their lives, and they should speak up about it. Hari: I'm hoping that people take away the fact that sometimes, you just need a rock song to channel your energy. Whether it's joy or anger or something else, sometimes you just need to sing your heart out to a 4/4 beat. Greg: That when you have a great collaboration with the right people that agree with a common goal that it can be accomplished. Also, that you shouldn’t wait around for someone that doesn’t love and respect who you are. You deserve the best and if you’re being treated like the amazing person you are cut those people out of your life. What's next for you? Reisha: We're gonna keep working together to get our music out there and show what we're truly capable of. I'm super excited Hari: Unsure. My reaction to producing this track is as our name suggests... did we just write and produce a song together? It feels great, and I'll have to see where that energy takes me next. Jeet: The process was so smooth that I'd love to do a few more songs with these people. Let's see Greg: More awesome song released and collaborating with these amazing artists. Instagram Facebook

The Norwich-based rapper, producer, and songwriter COLL releases an in-depth music video for his first single of 2021 entitled "L8 Nights." Showing no signs of slowing his roll, the up-and-coming creative always lets his audience know that he's a force to be reckoned with in our ever-expanding hip-hop scene. Gearing up to release his third mixtape 'Blue Magic 3," COLL is excited to supply his fans with consistent content and tunes for them to groove alongside. Hyping his audience with the release of his recent single and music video, "L8 Nights," viewers can catch COLL grooving in his winter coat alongside the vast fields of Norwich. When asked about the single itself, COLL stated, "L8 Nights is about working hard and keeping yourself happy and positive at all times." Starting our venture into the music video for "L8 Nights" were met with well-edited shots of Norwich and the streets/fields that COLL wanders. Jumping from drone shots to close-ups, COLL delivers his magnetic and charismatic performance within his city's expansive landscape while touching on his endless grind to success. We're incredibly impressed by the video's crisp and tight editing, as viewers can catch COLL delivering a dominant performance alongside the conceptual visuals that emphasize the tedious hours towards his up-and-coming music career. Taking us through Norwich's neighborhoods and farmlands, COLL reaches the video's end with nothing but poise as he continues venturing towards greatness with each endeavor. Find COLL's latest music video for "L8 Nights" on YouTube, and keep track of the rapper/producer as he prepares to release his third mixtape 'Blue Magic 3' later this year. We really enjoyed your dominant performance and inspirational lyricism within your recent music video for "L8 Nights." What did you want your audience to take away for themselves from your motivational music video and single? Thank you very much, I'm happy you liked it. I wanted the video to be a natural as possible so it's focused on me and my story and getting people pumped up and ready for the next day and the week and month ahead so we can achieve our goals. I wanted the confidence of the song to come out through the video. Diving deeper into your music video for "L8 Nights," did you work with any directors, editors, or producers? Who accompanied you during this process? Yes, I did, I worked with my partner Amber Winter and my editor Ditsum who I have worked with over the last year and this was our 5th music video together since July last year. We filmed everything ourselves including the drone shots and had an equal say in the creative process. The video took 1 week to film and edit and that was impressive. What inspired the various scenes of you performing within different areas of your hometown for the music video "L8 Nights?" What sort of vibe and feel did you want to capture through these scenes? We wanted to capture natural scenery and for those who live in Norwich, they might know some of the areas we filmed. I know how important the visual aspect of a music video can be so I felt this was the right track to make a video for based on the energy. Now that your third mixtape's release, 'Blue Magic 3' is almost here, we'd like to ask what's different this time around? How does the new mixtape contrast 'Blue Magic 2' and 'Blue Magic?' I think with BM 1 and BM2 I was in the experimental stage of the artist I wanted to become. This time around I think it's more aggressive, straight to the point and I have taken more time to make it. I have also included some more features from other artists who compliment my style well which I believe gives the project a good solid feel. The main thing is to have fun and put my best work out there and I think we will do that with BM3. What's next for you? The Blue magic 3 mixtape is my main focus, then I and my team are working on a small 5/6 day tour in the UK towards the end of the year. More positive energy and more good music I hope as well. The main goal is to keep improving so every year we can see a difference and keep growing. Instagram Facebook

Aortaproject has been turning heads for quite a few years now, with vivid and expressive alternative electronic music that speaks to listeners and leaves them wanting more. Steven Sheffield leads this musical production, a talented composer, multi-instrumentalist, and producer himself. Aortaproject's newest single, "Wounded Warrior," has recently been released, and it is nothing short of breathtaking. The song features Rachel Bennett (A Just Nova), a beautiful addition to the song with a diverse and impressive vocal range. The song starts out dark and stormy, the bass following the underlying melody in from the start and setting the scene for what will be quite the moving and impassioned three and a half minutes. Energy radiates from your speakers as the pressure builds, and you wait for the inevitable beat to drop. In with the beat are Rachel Bennett's ethereal vocals, relaying the well-spoken lyrics that will pierce your soul and reminding you that you are on the "road of change." "Wounded Warrior" is packed full of fearless chord progressions, startling guitar, and combative lyrics and is the perfect second single in a line of new releases in 2021 for Aortaproject. These singles are to be compiled into an EP entitled 'Seminal' and pay tribute to the late father of aortaproject. "Wounded Warrior" will leave you feeling rejuvenated and determined, and we can't wait to hear the next single that will precede the release of 'Seminal.' How does “Wounded Warrior” fit into the narrative that you have created for your new EP? Wounded Warrior fits into the narrative of the "Seminal" coming from a dark place but pressing on. My dad passed away unexpectedly and this collection of songs is about that process. I didn't know it at the time, I wasn't writing the music or setting out to do it as an ode to my father or reflect on my grief. WW was the 3rd song of the writing process. I connected with it emotionally early on. My songs tend to build their own path over me trying to force them in a certain direction. WW followed this same narrative, it occurred on its own and in hindsight is easier to reflect upon in relation to the other tracks. WW was originally crafted entirely instrumental, it sat in a folder for a while until I was able to get in contact with Rachel. Rachel laid down her powerful vocals to bring a new spin on the track and transcend it. The pressing on and embracing change vibe is mostly from her standpoint. What was the songwriting process like for “Wounded Warrior?" How did your first idea turn into the atmospheric and passionate production that “Wounded Warrior” is now? Many of my tracks start with piano and I find a full range of melodies and octaves to explore. Then I pull those layers apart and adapt to a different sound pallet. I knew I wanted a powerful "movie trailer" like drums but something honest and vulnerable for the overall feel of the track. There was a lot of back and forth with the song. Wrangling it and trying to find the "right" expression. I even omitted an additional ending piece that had a more climatic finish. Maybe something to add for live performances but it didn't feel right for this presentation of the song. Who are some of your musical inspirations for “Wounded Warrior”, and how do they weave their way through the song? The easiest comparison is "nine-inch nails." NIN had a huge impact on me in my formative years and TR is still an icon. There are other influences for people who are into deep cuts of "God iI An Astronaut," "Jon Hopkins" and "Moderat." These artists' emotional presentations of electronic music have always been a staple for me and I think that shows in my writings and production. The vulnerable pianos with very atmospheric production, driving beats, and an ethereal feel. Just to name a few things. What gave you the idea to release every song on your new EP 'Seminal' as separate singles? Are they being released in any particular order? The idea to release a series of singles over an EP started from a different place than what it has become. Originally in the brainstorming process was to have more content available to provide on SM. You release an EP, promote it for a month, and then you have nothing to talk about without the daily; "I'm eating this, or here is random chords on a piano that won't be in a song you hear, etc." Nothing against people or artists who do promote that way, it's just not my style. I like my content to be more meaningful and direct. As the songs were coming together and being mix/mastered and artwork designs coming in, I was able to reflect on the process a bit more and realized what I had written was about me coping with the sudden passing of my father, and releasing the track one at a time 1x a month was about the same pace I was processing the world around me. It felt more true to the experience I lived and I felt an honest connection to that with the music and decided to release the tracks this way. What's next for you? Up next? 3 more songs to be released. 2 instrumentals (Asylum and Last of your Name) and 1 with vocals from my friend Gabe Cavazos (The Lying Den). They will follow the same path with 1x release a month for the next several months with the corresponding video. With all the free time from the pandemic, I have already written and recorded a 3rd EP with about 6 songs. They still need vocals and then will be mixed and mastered. Probably late 2021 or early 2022 releases for them. Instagram

Stephie Joanna Victomé, known professionally as Stephie, is a Haitian-American independent singer and songwriter based in West Palm Beach, Florida. Stephie discovered her passion for music at the age of seven when she joined the elementary school choir. Shortly after, she began creating music of her own and at one point performed locally around Palm Beach County with her sister, Sterling. Stephie made the decision to pursue music professionally in late 2018, releasing her first pair of singles, “Underestimate” and “Love this Love,” which were both well received by the general public and landed her a couple of interviews with Ania Holland for Medium, as well as Anthony Hall for GCFX Global Radio. Inspired by an emotional experience, we fast-track to her most recent releases. The soothing ballad titled “Black Rain” dips its toes in a pool of alluring captivation. We’re simply absorbed as we simmer in the dark Contemporary R&B vibrations that have us gravitating towards every word that Stephie utters. Her lyrical dexterity effortlessly transports us to the soundscape of her choosing as she masters the art of creating ethereal universes that contain heartfelt ammunition. The intricate words arranged in this ballad describe a medley of heartache, confusion, and overall coming to terms with new normality. Stephie uses “Black Rain” to act as a note to the one that she no longer confides in. With the slow-paced instrumentation hanging in a sultry Jazz infused atmosphere, the dreamscape lies in an ominous hue. Stephie’s vocalization sheds luxurious timbres setting sail in euphonious harmony. As this record comes from her 2020 EP, “Stay for a While,” Stephie made a point to collaborate with local engineers and artists such as Jefeth Frankson, known professionally as J Sharp, and Jacksonville, FL rapper Kale on the entirety of the project. “Black Rain” is merely a striking slice taken from the full musical pie. Stephie, we loved the sounds that you deliver in “Black Rain.” Could you please share a bit of the back story that inspired you to make this record in particular? Hi! Thank you for having me. Black rain is one of my favorite songs of mine. It's simple yet catchy in a way. I wrote it around the end of 2019 and it's about a number of things depending on who's listening. The first couple of lyrics are based on a personal experience that happened, and I thought it was funny to put it in there. Part of it is about people weighing all of their problems on you without asking if you have the mental headspace to accept it. This song comes off of your EP, “Stay for a While.” Would you say that the rest of the songs heard on the EP tie into what you're speaking about in “Black Rain?" I don't think any of my songs on this project tie into any of the other songs but that was its intended purpose. How do you compare “Black Rain,” to the other songs heard on the project? Black rain matches the vibe of the project but again it doesn't compare to any other song. What are you looking the most forward to in your musical journey this year? I have so many things planned for 2021 I could explode just by holding it all in. I'm mostly looking forward to releasing the album I'm currently working on and reaching a lot more potential listeners and supporters. What's next for you? That's a surprise you'll find out in the coming weeks. You'll have to follow me on social media for that surprise. I promise it'll be worth it. Instagram Twitter

Hailing from Toronto and Cape Breton, the feel-good pop-country duo Broadtree shares a breath of fresh air with their recent 11-track album, 'Feeling Bad. Feeling Better.' Consisting of two theater performers Armand Antony and Nicole McCafferty, both artists deliver their timeless stage presence into each of their tracks, allowing listeners to anticipate the duo's live performances once again. Always writing from personal experiences, Broadtree utilizes their musical theater storytelling overtop of pop-country's uplifting sound, which can be heard on their latest album, 'Feeling Bad. Feeling Better.' Opening the album is the upbeat intro track, "Running Shoes." The instrumentals begin their uplifting venture with help from powerful drum breaks, heartfelt acoustic strumming, and a sparkling electric guitar whaling in the background. As Nicole McCafferty starts singing rather personal and emotional lyricism, she floats her way to the hook alongside Armand Antony as the two set sail into a sonic wonderland. Listening to their lyricism, Broadtree touches on themes of devoting oneself to be by someone's side for the rest of time, which leads the track to a sweet ending while perfectly setting the album's heartfelt theme. Moving onto the next piece, "Remember The Time," this is where Broadtree gets incredibly nostalgic. As Antony and McCafferty open the song with their reminiscent lyricism and detailed storytelling, they remind us of easier times with loved ones that we took for granted. Not to mention the crisp, powerful, and bright country instrumentals, Broadtree flawlessly switches up their musical approach within the next track, "Home Is Where The Heart Aches." While the instrumentals open the song on a nostalgic 90s country note, Broadtree later serenades us while pouring their emotional aches and pains over our speakers for us to grasp and take away. The next track, "This Side," truly caught our attention right off the bat, as Broadtree emphasizes their musical theater backgrounds with help from their cinematic instrumentals. While Antony opens the song with his dynamic vocal stylings, he continues singing about a troubled relationship and forgiving someone's mistakes time and time again. We truly adore the sincere and authentic feel of this song; it's almost as if Broadtree has taken us to a full-fledged country musical, as we're starting to pick up on the album's deeply emotional themes surrounding a broken relationship. As the song comes to an orchestral ending with help from a chilling string section, we move onto the next piece. As we begin to reach the album's halfway point, we're met with the tender acoustic ballad, "Wendy," where Broadtree opens the song with McCafferty's bright vocals singing about the song's protagonist and her wild imagination. While Antony makes his way in and adds to the deep and introspective atmosphere, he continues touching on Wendy's adventurous lifestyle and how she strives for freedom. Moving onto the next emotional piece, "Even Now," Broadtree serves us more heartfelt songs that emphasize the album's delicate and passionate theme. While Antony serenades us with lyrics surrounding the rush of memories with a past lover, Broadtree truly allows their audience to feel lost in their impeccable storytelling and relatable concepts. Holding tight onto their musical theater backgrounds, the next piece, "Welcome Home," perfectly exemplifies this. As McCafferty opens the song with her lush vocal stylings, she begins singing of holding someone's hand through thick and thin while helping them back down to earth mentally. As Antony makes his way in, he continues the song's genuine theme over top of the soothing country instrumentals. The song's luminous electric guitar and accompanying acoustic truly make for a chilling experience. We must also note the contrast between this track and "Home Is Where The Heart Aches," as Broadtree goes from searching for a place to lay their head, to feeling at home in someone's presence merely within the space of five tracks. Sweetening the instrumental atmosphere with the next song, "The Other Side," the piece blissfully opens with tender piano melodies and McCafferty's soothing vocal performance. As she begins singing of feeling lost, confused, and down, Antony later makes his way in to remind listeners that their light hasn't dimmed in the slightest. We truly adore the tender and fragile feel of this song, as it perfectly complements the next song's energy and concept, "Bad For Each Other." While the song opens on an upbeat note with swinging acoustic guitar melodies and Broadtree's duo vocal stylings, they begin letting us into another romantic atmosphere. While singing a conceptual story of two lovers and their journey, Broadtree leaves us with the utmost love while putting aside their differences to work through their relationship. Reaching the album's second last track, "Champagne Problems," Broadtree takes us through another emotional and fragile atmosphere as they open the song with soothing acoustic guitar picking and McCafferty's heavenly vocals. As we dive deeper into her lyricism, she tells a reflective story of dropping someone's heart like glass and watching the pieces shatter before her eyes. While a tender cello begins sonically serenading us, Antony makes his way in a tells the other side of the story as he describes watching love slip out of his hands and control. We're genuinely head over heels for Broadtree's detailed storylines, as it blurs the lines between country and musical theater seamlessly. Landing on the album's outro track, "Shining Star," the song opens with short acoustic guitar bursts and McCafferty's introspective lyricism. As she begins letting us into her vulnerable and heartfelt atmosphere for the final time, she tells us an incredibly reflective story of waiting around for someone's call while feeling as though time has frozen. Listening to Broadtree's lyricism, we begin to understand the album's overall theme and concept as the duo takes us through the troubles of a modern-day breakup throughout the project's entirety. Leaving us with the outro track, Broadtree reminds us to brush ourselves off and start anew. Truly a refreshing outro, we feel more than satisfied with the album's fluid concept and heartfelt delivery. Discover the dynamic stylings of Broadtree with their latest genuine and conceptual album, 'Feeling Bad. Feeling Better.,' now available on all streaming platforms. We genuinely admire the deep and conceptual storyline within your recent album, 'Feeling Bad. Feeling Better.' How long was this project in the making? When did you begin writing songs and creating lyrical concepts? Nicole: Originally we had only planned on releasing one song together, a cover of ‘Red’. That recording became so special to us that we decided to hold a Livestream to release it performing some favorite covers; the covers we played there became our first EP, and before the EP was even out, we started getting excited about the possibility of writing some of our own songs together. We both come from a background in theatre, musical theatre in particular - it was hard to avoid that making its way into the songs, which was never a bad thing. It actually made songwriting quite easy and allowed us to develop our relationship as songwriters extremely well right off the bat. We always seem to somehow know what the other is thinking, whether it’s a line, a melody, a song concept - we were at a point where we were churning out a new and complete song every rehearsal. Thinking of the voice of ‘speaker’ in the song as their own person, their own character, helped us separate our experiences from ourselves and make them more universal. We wrote our first song on December 29, finished writing 6 weeks later, and had the album released exactly 100 days since writing our first song together. It’s been a wild ride. Did your duo work entirely solo for the album 'Feeling Bad. Feeling Better.?' Or did you reach out to any musicians, producers, or engineers to heighten the album's sonic emotion? Armand: This was our baby from the beginning and we kept a pretty closed lid on it. All the music and lyrics were strictly heard and seen by us. We didn’t really show the songs to anyone until the very end for some final checks. But some songs were definitely influenced by others. For certain songs, like Wendy, a song about having everything and losing it, we reached out to a good friend who had lost her big acting break because of COVID, and her story helped shape the song. The entire performing arts industry has lost so much, but we wanted to find a unique way to tell that story without making an obvious statement about how sad we are about what we’ve lost. Some other singer/songwriter and musician friends also provided some great feedback; little changes that made a huge difference. Another example is the key change in ‘Remember the Time’, which was an amazing suggestion that gave the song such a great energetic (and emotional!) boost at the end. Could you let us know what inspired the concept and theme behind the album 'Feeling Bad. Feeling Better.?' How did the album's storyline come about? Nicole: The last year has been hard on everyone, but as we said before, it’s harder when you finally have what you’ve always wanted, and what you’ve worked towards most of your life has been stripped away from you. Pre-pandemic, both of us had reached a point in our lives where we were essentially ‘living our best life,' and without warning, that was gone. Add on some of the dark places we’ve both been in and it would have been very easy for this to be a REALLY depressing album. But we wanted to find hope, and add a layer of hope, however small or however big, to each situation. Armand: We helped each other to do that, whenever it got too dark. For example, a song like Remember The Time, which is all about saying goodbye to a friend, focuses on the good rather than the sad farewell; that lasting promise that this isn’t really the end. A song like Welcome Home, about the dark side of mental illness, focuses on what a positive end could be like rather than the pain being lived through. Is there a track within your album 'Feeling Bad. Feeling Better.' that's your duo's personal favorite? What draws you to that song in particular? Armand: Shining Star was a personal favorite to write. It’s a song that has been interpreted so many ways by different people when we released it as a single a month ago. Some look at it as a statement about hope, some about the nerves of starting something new like the first date in a new relationship, and others see it as a desire to be heard and seen. As actors, the experience of going through self-doubt, auditions, rejection, success, and thrill was what shaped the song. But that’s something magical about music - anyone can hear anything and take away something that’s theirs. It’s humbling to know we were able to write a piece of that that others can take away, that they can self-interpret and relate to. Nicole: Wendy is also very special to us. I still get goosebumps whenever we sing it. It’s a story I love telling and has so many facets to us. We both love fables and fairy tales, and to find a way to turn a very real and current experience into something with a hint of magic and mysticism was a very cool experience. It almost even has a ‘moral’. I think people will be surprised by that one - and hopefully, it might help them to find a little bit of hope in these so-called ‘trying times,' too. Instagram Facebook

Texas-based recording artist, rapper, and lyricist Big Badd Wolf is ready to have his listeners take a dive into the sultry new single, “Bae (She’s All That).” Channeling his vast array of musical influences, Big Badd Wolf is known for the creativity he exudes in a way to elevate his skill set. Beginning his musical career as a drummer in high school, Big Badd Wolf has learned to establish his rhythm as he has developed his singing, rapping, and songwriting abilities through the years. Touching on an intimate soundscape of his latest single, the charismatic persona of Big Badd Wolf illuminates through the layers of musicality that drip from “Bae (She’s All That).” The empowering tone that Big Badd Wolf exemplifies is prevailing upon impact. You’re immediately hooked on the scorching narrative that is unraveled through the surge of confidence emitted in the tonal distinction heard. Pairing the unmatched vocal performance with the bass-forward instrumentation, you find yourself lured into an enticing atmosphere dissecting the emotions displayed through enigmatic lust. “Bae (She’s All That)” portrays glowing illustrations as we traverse through witty lyrics flaunting the ingenious dexterity that Big Badd Wolf has on lock. With the storytelling being sprawled into various sections of the infatuation that Big Badd Wolf has for the apple of his eye, we feel a personal connection to the story being exposed. Harmoniously revealing a side of himself that drips in sensation, Big Badd Wolf has us singing along to the lyrical motif of “Cause you’re all that and a bag of chips.” Always allowing his creations to sky-rocket, the ceiling has blown off of the building when Big Badd Wolf is around. We always love seeing what you’re up to with your artistry. Could you please take us into the creative process that fashioned the tantalizing sound of “Bae (She’s All That)?” Thank you so much! I'm always happy to share it with y'all! It really all started when I first heard the instrumental, and almost immediately started singing the "All That" theme song from the 90s sketch comedy show. Once I caught that vibe, everything else came together. How do you find that this single holds up to a record like “Cry Wolf,” or any other song in your musical catalog? I feel like it's the absolute natural progression from my past singles and style. Hopefully, it shows my growth as an artist. My past singles were meant to entice new listeners to explore my work, and this one is supposed to compel them to continue listening. We know how much you love focusing on the words that you craft. Do you have a favorite lyric from “Bae (She’s All That)?” I really love the opening lyrics. They bring you right into the setting of the track. However, my favorite lines have to be: "Girl you're the sh*t & I won't let you forget Cuz you're all that & a bag of chips" because they're all the way 90s." You have experience with creating singles and albums. We’re sure that the creative process varies depending on the project. At what point do you know a song is complete? That's easy! You know a track is ready when it's a vibe. When I play it, and can't help but jam out. It takes some patience and tweaking, but it's always worth it once it's finished. What can listeners expect to hear next from you? This single is the first look at my new EP titled: "Naked Truths". It's going to be a short, and sweet project that'll hopefully be played while everyone is out on their adventures this summer! Instagram Facebook

The Dallas-based singer-songwriter and dynamic pop artist Sophia Treadway stands her ground with the release of her empowering music video, "I'm Good." Gaining interest from major players like Disney and Scooter Braun has led Sophia Treadway to make profound waves across the industry at a relatively young age. Recording music since the mere age of ten, Sophia Treadway is continually blossoming into a fully-developed and multi-faceted pop artist. Recently releasing her conceptual music video for her single "I'm Good," viewers are able to witness a fully-realized Treadway as she stands her ground against someone who can't seem to commit and who only hits her line when the sun has set. Also delivering an energetic and confident performance to her lush pop single, Sophia Treadway exudes nothing but self-love and poise. Diving into the music video for "I'm Good," we're met with scenes of Sophia Treadway reaching for her phone as the clock strikes midnight, only to roll her eyes at what seems to be a booty call. While accompanied by a contemplative and silent male lead, Sophia Treadway and her 'insignificant' other roll into scenes of needed conversations and arguments of where they stand. Simultaneously, the video makes several cuts and transitions to Sophia Treadway and her sassy solo performance while standing her ground and explaining that she won't wait around for someone to commit. As the video ends with both parties standing back-to-back, we can't help but feel a sense of empowerment through Sophia Treadway's self-assured lyrical message and vibrant performance. Watch Sophia Treadway's latest music video for her single, "I'm Good," on YouTube, and find the sassy single on all streaming platforms. Congratulations on your latest release "I'm Good." We deeply admire the empowering theme and music video seen and heard on, "I'm Good." What moment or experience inspired you to create such a powerful single like this? I was going through a breakup and realized how hard they truly are, but realized I’m worth it too. I’m good is all about self-worth. We don’t need someone who gives us 50%. It’s all about finding the right person who gives us that 100% and not going for anything less. Regarding the music video for "I'm Good," what was it like working with Director Marc E. Williams? How did he make the shooting process easier and more efficient? I’ve worked with Marc for over 10 years and he is one of the best in the music industry. We have a blast working together and we help strengthen each other’s creativity and a lot of it is bouncing back and forth ideas. This video was a blast to film and create. Who was your male counterpart in the music video for "I'm Good"? Did you have to hold auditions for this role, or was it easy to come across someone who could play the part you were looking for? We did we cast many male actors for this video. Over 300 people submitted for it but the minute we saw Logan Demaris the male role in the video. We knew it was gonna be him. I enjoyed working with him! After watching and experiencing the overall music video for "I'm Good," what did you want your audience to take away for themselves? I wanted my audience to take away the mindset that they are the prize and they are worth it. Make sure that your significant other loves and gives you all they have. And if they don’t you deserve to find someone who will. Be you and be the best version of yourself. What can we expect to see next from you? You can expect more singles coming out, and currently, I’m working on a single that is in Spanish and English and I can’t wait to share it with everyone! Instagram Facebook

Drenching us in Detroit's electronic nightlife, the producer and DJ Donovan Montgomery releases his groovy debut single, "Detroit Sunshine." Diving into music at an early age through guitar, drums, and attending music camps led Donovan Montgomery to a future of creativity. After hosting the radio show, The EDM Hour of Power at Cave Radio, Donovan Montgomery began focusing on his solo career and musical path. Highlighting his debut release, "Detroit Sunshine," Donovan Montgomery sonically expresses his love for his hometown while offering us themes of what to expect from the city's bright future. While fueling the song with groovy basslines and haunting vocal chops, Donovan Montgomery takes us right back to the beach with this bouncy release. As we hit play on "Detroit Sunshine," powerful and sultry female vocal chops open the song alongside a deftly kick, dropping into a bright beat drop with futuristic synths and a groovy bassline. Merging sub-genres of electronic like deep house, progressive, and tech-house, Donovan Montgomery does an excellent job of transporting us back to the wild festival nights. About halfway through the song, we can hear sonic similarities to the producing style of the electronic duo DADA LIFE, as Donovan Montgomery takes us back a decade with the intricate and tightly-wound drum arrangements. Ending the song with energy through the vibrant vocal chops and piercing drums, we absolutely adore the lively sonic atmosphere of this hit. Introduce yourself to the electronic stylings of Donovan Montgomery through his debut release, "Detroit Sunshine," and follow the artist as he begins to put his city on the map. Congratulations on the release of your debut single, "Detroit Sunshine." Why did you want this track to lead the way of your career? I wanted the track to show unity and pride not just in the city of Detroit but with many other cities that have a bright future with innovative sounds. Did you work solo on the creation of your single "Detroit Sunshine,”, or did you bounce your ideas off any other creatives and producers? I created Detroit Sunshine a while ago but was inspired to devote my energy to complete the song during the 2020 pandemic. How does "Detroit Sunshine" sonically tell the story of your love for the city? Detroit has unique sounds that reflect the pride and resilience that you can find in the heart of the city with summertime vibes. How does "Detroit Sunshine" prepare us for the sounds and styles we should anticipate from you in the future? Detroit Sunshine is the first of many in the EDM sector ( Electronic Dance Music) that I will produce and release. What would you like new listeners to know about you and the music you create? I’m a DJ by nature who enjoying spinning and producing EDM. I’m a native Detroiter and I want my listeners to know that they can follow their dreams no matter the challenges or complications. If you work with diligence you can move forward with your goals. Instagram