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Waterfront is a friendly group of Canadian music students who were given the opportunity to travel to Vancouver, Canada over the summer of 2020 to produce the first single and title track, “New Heights,” off of their debut EP that shares the title. The group rose to the occasion partnering with Garrett Ward and Dan Botch of The Faceplants and The Renaissance to produce the four-song project soon after the pandemic plunged the music scene into uncertain times. The opportunity-filled Waterfront with immense gratitude and gave them invaluable guidance and insight for taking their passion for energy and guitar-filled music to brand new heights. Surging your speakers with the spunky charisma that the only Waterfront can offer to their audience, their latest single, “New Heights,” conveys a hard-hitting essence through the in-your-face energy they effortlessly perform with. The righteous methods that scoop up the eminence production quality have you weaving through an abundance of elements that make up the bigger picture that is, “New Heights.” Waterfront takes the title of this song and gives it immortality in this timeless piece that pulls inspiration from the Punk, Rock, and Indie genres before them. With the complexity of the instrumentation delivering a high-impact structure, we’re facing the full repercussions of the unapologetic single. Tackling the animated soundscape of fruitful timbres, the reverberated essence plays into the roaring presentation that is sweeping your soundwaves. With each member of Waterfront coming together to produce the completion of their gusto, the vitality implemented through this edgy universe is redefining organized chaos. Exemplifying an adrenaline-charged escapade of riveting elements we take, “New Heights,” with us to a newfound dimension of talents. As Waterfront throttles through the multifaceted articulation, they keep us on our toes with a swarm of melodies that have us raising our standards. Congratulations on the release of your latest single, “New Heights.” We are exposed to so many layers in the recording. Could you please share a glimpse of what the creative and recording process entailed? We think with New Heights, in particular, we were able to come together and focus on bringing ourselves to higher standards with the opportunity we were given last year. As the pandemic began to shut down the music scene and gig economy, we became uncertain about what would happen next for us. We were very fortunate for Garrett Ward and Dan Botch of The Renaissance Music to reach out to us. They presented us with an opportunity to travel to Vancouver, Canada to produce a 4-song EP. New Heights is the first single from this project and we’re very proud to share this evolution of our band and music. Everything aligned at the perfect time to turn our newest lows into our highest highs. What does “New Heights” personally mean to you all as a collective? New Heights represents this period in our history that brought us together with purpose. We became motivated to push ourselves harder and further, ultimately making Waterfront our musical family. New Heights and this opportunity presented us with the biggest test of our careers and for that, we’re super grateful! What encouraged you to make, “New Heights” your lead single and title track? Was this always the vision going into the EP? New Heights was an easy choice for us to lead our next phase of Waterfront with. Not only have we chosen this song to also title our forthcoming EP, but as we’ve discussed, it encapsulates the entire experience we’ve had as an independent band in 2020. New Heights will forever be a musical journal entry for all of us as musicians. Is this what listeners have in store for your forthcoming EP? What can you tell us about the highly anticipated project? If listeners enjoy New Heights, they will be extremely pleased with the rest of what our EP will have to offer. We’re incredibly proud and eager to share these songs. New Heights is only the first step upwards for us. This EP will continue to meet and then exceed the expectations that New Heights will put forward. What's next on deck for you guys? What’s next? More work! We’re so happy to be able to have a lot on our plates to tackle without the gig economy still. We’re currently working through tons of content to support the forthcoming EP while we also write many more songs in preparation for a follow-up project this summer. We’re hard at work developing the next 2 years and more of Waterfront. There will always be more heights for us to reach towards together with our listeners. Instagram Twitter #BUZZMUSIC

In an era that boasts money, cars, clothes, and women, Deshawn Johnson, better known as Young Sixx, is a refreshing talent on the music scene. An Inglewood, California, native, the Hip hop artist has not only collaborated with industry heavyweights such as Nipsey Hussle and Rayven Justice but is a seasoned performer internationally. With a flawless flow and consistent and authentic delivery, Young Sixx strives to make relatable music that reaches across the world. Utilizing the infamous sample from the hit song “Shining,” by DJ Khaled, Beyonce, and Jay-Z, Young Sixx recruits D.DOT in order to create his own flavored rendition of this smooth banger. The comforting tones in his lyrical dexterity flaunt self-assurance as well as his clear and present techniques as his skill set washes over you in one fell swoop. By consistently keeping the mesmerizing hook identical to the original, Young Sixx adds that memorable appeal that has you drawn towards the composition as it pulls you in ever so tight. Soaked in the charismatic poise that effortlessly drips off of him, Young Sixx has you fully immersed in the pulsating bop. The dynamism between himself and D.DOT remains superior as their energy bounces off one in another to complement their vital stylings in an infectious manner. As you find yourself rapidly addicted to their interpretation of, “Shining,” you appreciate each unique flair that they intricately placed into this composition with care. Taking the hues of “Shining,” into a seasoned course of up-tempo synthesis, Young Sixx weighs in supreme as we find this bop rather hard to forget. Lingering on our minds long after the song is over, we’re urged to click repeat, so we can take it all in once more. Welcome to BuzzMusic, Young Sixx! Congratulations on your release of, “Shining,” featuring D.DOT! What was it like working with one another in order to bring this song forth? How did the collaboration come to be? Me and D.DOT are long-time collaborators but before that we are family !! DDOT always experimenting so when he heard the original it was moving positive energy and he just wanted to lay his own twist and give our character! The actual track was recorded 3 years ago but, I don’t find the right time to release it, but after all the pandemic, and social chaos I felt for me personally it’s time to shine, so I told DDOT lets re-record it and let it go! What inspired you to create your own rendition of the song, “Shining”? I felt the song didn’t last as long as it should because of the time and place of when it was released and the mood and vibe of the music, but now after so much turmoil and darkness, people will want to shine again In terms of themes and messaging, what are you hoping that your audience takes away from this track? Just to shine no matter what you are going thru, don’t let anyone cloud or block your shine and just feel good, all your wins may not be celebrated but you are still winning and enjoy that What can we expect from you in terms of future releases in 2021? I plan to be consistent to build a da base and catalog of music and offer variety and range of content. What has been keeping you inspired to create music? The music itself inspires me, I love the creative part of making the concept and storyline, and when it does gravitate to the fan's friends and supporters who let me know they feel the music and enjoy it too. Twitter Instagram YouTube Spotify

Raised in Los Angeles, Norman Woods is a professional skater and musician who has exercised his talents playing guitar and supplying vocals in Grim Sun, as well as filling in on bass for the bands Psychic Jiu-Jitsu, and Cashew & Cleary. In his most recent single, “Patina,” Norman Woods recycles stimulated guitars from previous recordings as he takes an innovative approach with the addition of drum machines and electronic instrumentation. Using this opportunity to expand the sonic palette of Norman Woods, we find ourselves floating into an ominous universe that encompasses enigmatic traits to build its ravishing kingdom of edge. Laying his clear and precise vocals to add an alluring presence through the dark tones of, “Patina,” this slow tempo indulgence has us hanging onto the edge of our seats as we simmer in the nadirs of Norman Woods artistic talents. Applying a minimalistic variety of sounds that garner complex individuality from the effects placed into them, you find yourself welcoming the enticing resonance that creeps into your mind. Playing upon the thesis of this song, the lyrical motifs that lay in a bed of uninterrupted messaging have our thoughts provoked in the best way possible. “Loving is contagious, creepin’ into every dream, invading every thought, pressure bustin’ through my seams,” has us delving into the ingenious mindset that sets off alarms for Norman Woods fan base. Keeping us on our toes with every release placed forward, we can always count on Norman Woods to deliver an auditory journey fueled from a meaningful place. Congratulations on the release of, “Patina.” What inspired the concept of recycling guitar recordings in order to achieve this sound that we’re exposed to? Thanks! It feels like forever. I wrote and tracked this song in late 2017. I have a habit of making music whenever I’m tipsy at home. Most of it never sees daylight, because the tracks differ from my usual style. Patina was started one of those late nights. I had the beat in my head and was thinking about the beauty and character that comes with wear. Whether on a human face, raw denim, or leather. I had the tracks completed that first night. I’d work on the mix, on and off, over the next year. But, I’ve never released anything quite like it. So, it sat on a shelf until Nemo Jonze heard it and offered to help with the mix. We worked for a month, with plans to release it in late 2019. Then came COVID. Here we are all these days past and I’m happy to finally release it. Taking it into your own direct translation, what is the meaning behind, “Patina?" I see it as the character people and things accumulate. Blemishes, scars, prevalence and transcendence, all mark the experiences we carry with us. I wanted to express the value of the scrapes life gives us all. Throughout your experience in the music industry, what happens to be your proudest career moment to date? I was excited when my first demo received a positive reward in LA Record. But, I see my music as snapshots of my thoughts and feelings. So, each release is a landmark, regardless of any metric it could be judged by. What can we expect from you in terms of new releases in 2021? I have a stream of songs that I’m prepared to release this year. My plan is to release one each month. The next track, Allen, is about my relationship with my father. It will be out on April 12th. What's some advice that's helped you through your career as an artist? Don’t wait for approval. Find your voice and serve it. Be decisive and confident, but ready to consider criticisms of your work. Accurate self-assessment is invaluable. Instagram

From Fremantle, Australia, the producer and singer-songwriter Boox Kid pours his psychedelic sonics through our speakers with his latest release, "When I Was a Young Boy." A proud Noongarman of the Wardandi Bibbulmun nation, Boox Kid, strives to deliver unique melodies, harmonies, instrumentation, and thrilling live shows. Recently featured by PILERATES for NAIDOC week 2020, Boox Kid also earned a spot in BIGSOUND50, the industry's top 50 emerging Australian acts. Bringing the heat with his latest single, "When I Was a Young Boy," Boox Kid takes listeners through a nostalgic lyrical concept. Simultaneously, the surrounding sonics pour through our speakers with modern synth arrangements and organic instrumentals. Offering a heavily psychedelic approach through the sonics, Boox Kid grooves away with the dynamic and wavy instrumentals to make for a transcendent adventure. "When I Was a Young Boy" begins with a down-tempo kick, snare, and Boox Kid's soulful vocal stylings. As he continues singing of having the strangest dreams as a young boy, the dreamy electric guitar melodies make their appearance alongside the chilling electronic production. Offering more organic and soulful Tame Impala-flairs through this single, Boox Kid truly delivers a unique and soothing experience. The blend of organic instrumentals with exhilarating synthetic production truly gives the track incredible depth, especially as we're met with a tempo-switch leading to the outro. While Boox Kid passionately sings of not finding the words for how he feels about someone, the sonics drench us in energy through the foot-stomping outro while ending the song with nothing but life. Experience Boox Kid's dynamic single, "When I Was a Young Boy," on all digital streaming platforms, and find yourself enamored with the versatile instrumentals/production and Boox Kid's savory vocals. We're truly impressed with the versatility and depth within your recent single, "When I Was a Young Boy." Did any moment or event inspire the creation of this single? There wasn't any moment per se, I think with this track I really wanted to create something very dreamy, something that makes the listener recall their own personal events. There are elements of the song that for me take me to my childhood and this is probably where the main lyric came into play. What was it like creating the textured and intricate production for "When I Was a Young Boy"? What did your creative process look like when recording and laying down your tracks? Often I will arrange the instrumentation first and then experiment with melodies and then the song kind of evolves from there. With 'When I was a young boy', I remember experimenting with all sorts of odd sounds and using the vocoder in sections. The guitar was one of the last things to be tracked. Originally I had an ending that was a bit left of field and I wasn't totally happy with it and the guitar solo, so one night I tried something different and went double time in the ending with a Tame Impala influence and added some Rhodes to thicken things up. I was all hyped up because I knew it worked a lot better than the original idea. What did you want your audience to take away from your lyricism within "When I Was a Young Boy"? What themes did you want to get across to listeners? The song is essentially about desire and longing. Whether it's longing for a person or a place; you can take away what you want as a listener, but for me, the song evokes memories and the feelings associated with those memories, a nostalgia. Are there any artists or bands that helped inspire your sound and style? Is there anyone that you look up to? I really love Tame Impala and the sounds Kevin Parker uses. For years though I have been listening to Miike Snow and Andrew Wyatt in particular. Old favorites though; I would say David Bowie and Stevie Wonder, incredible songwriters. I love artists that experiment and create things they enjoy and not necessarily what everyone wants to hear. What's next for you? I am planning to release an EP mid-year and to hop onto a few festival bills over in Australia and a small tour in my local state. I can't wait for people to hear what I have and on stage is one of the few places where I can make the production come to life. Facebook Instagram YouTube Spotify #BUZZMUSIC

From Nashville to the West Coast, the captivating artist, singer-songwriter, and contortionist Lyra Star returns to BuzzMusic with her reflective single, "The Loneliest Nights." Through various features with us over time, we've gotten to know the stylings and creative works of Lyra Star rather personally. When asked about what she strives to do with her music, Lyra Star noted; "I'm trying to create beauty through my art because I think we can always use more of that in this world...creating music serves as a window into my heart and soul for those that know me mostly as a movement artist." Sharing an ode to our isolation through her recent single, "The Loneliest Nights," Lyra Star ethereally serenades us while offering her introspective lyricism for each listener to connect with. The song gives us similar tastes to the melancholy tones and cinematic appeal of a 2012 Lana Del Rey, oozing with haunting vocal harmonies soaked in mystery and grace. "The Loneliest Nights" begins with an incredibly dark and gloomy electronic soundscape through pulsation keys, groaning sub-bass, and plucky guitar strings. While Lyra Star gracefully enters the song with her magnetic performance, she starts describing saddening scenes of isolation through lyrics like, "This is the worst waiting game I've ever played." About halfway through the track, a haunting string section makes its appearance and contrasts the modern electronic elements, making for an incredibly lush and emotional sonic atmosphere. As Lyra Star moves towards the outro, she belts her soulful vocals while her backing harmonies end the song off with nothing but power. Experience Lyra Star's tender and relatable emotion within "The Loneliest Nights" and allow the single to serenade you during this dreadful waiting game. Welcome back to BuzzMusic Lyra, it's always a pleasure to chat with you about your creative works and ideas. What compelled you to create an ode to our isolation with "The Loneliest Nights?" To be honest, I didn't really finish writing all that many songs during quarantine, but this one started to take shape a few months into the pandemic. I was obviously having a lot of time to think about everything going on and to really be in my own space, and it was so lonely. At the same time, I knew that others were also going through this same type of experience, and I wanted to write a song about it without being super specific regarding the lockdown or the pandemic. I think a lot of people will be able to relate to this song for sure, and I think it's fitting for me to be releasing it one year after all of this began. What inspired the broad sonic arrangement within "The Loneliest Nights?" What feelings and sensations did you want to offer listeners through the production/instrumentation? So I initially wrote this song on my electric guitar, but I wanted the song to have more of an electronic feel... sort of a trip-hop vibe with the beats along the lines of Portishead and with haunting vocal harmonies similar to what Thom Yorke does on some of his solo tracks and with Radiohead. I wanted to create this haunting, sexy, dark, gothic, moody vibe, and I think we definitely achieved that. The song just started to evolve as we got deeper into the production process, and I am super grateful that we had a violinist that was able to track the string parts because it really amped up the track and added something special. The producer, Sam Garfield, really has a strong ear for this type of sonic soundscape, so it really worked out well. "The Loneliest Nights" seems to offer a more melancholy and emotional side to your music. What does this song mean to you, and was it challenging to create a piece so personal and in-depth? This song definitely came from a space of great loneliness... I had just moved to LA a little over a year and a half ago when everything shut down. I was just starting to feel like I was making a bit of headway in the music scene, the performance world, and the fitness world (I teach yoga and pilates). Then everything just came to a complete halt, and it kept going on and on and on... everything the media was saying was so depressing and awful. I was in a dark place, and I needed to sing about it. This song was more cathartic for me than anything else, which is what music has always been for me. Writing it actually helped me come out of that dark space a bit because I knew that others were experiencing the same sort of emotions. In a recent interview with us, you've mentioned that music videos will be quite prevalent throughout your upcoming endeavors. Are there any forthcoming videos we should expect? Yes, I am definitely going to shoot a video for this song, but my next video shoot date is on 3/15 for my previous single, "Light." That one will hopefully be released later in the spring... I have a fantastic team on board and an incredible venue where we are going to shoot. I'm also excited to not have to do contortion in the rain or outdoors... it will be much easier for me on the performing arts side than my last two videos. What's next? I am going to start working on an EP! This will be my first full body of work since my album came out in 2018... I'm excited to start on that process next month. Instagram Facebook

POst Annam hails from Ghana as an Indie artist, taking inspiration from the American music scene while blending it with his African roots. POst Annam has developed his sound through his musical journey of experimental resonance. With a unique sound ready for music lovers searching for new faces in the industry, the Ghanaian-born artist is looking forward to achieving more tremendous success through each release. With undeniable energy that is augmented with an engaging juxtaposition, Post Annam has listeners going crazy over the release of “SHEILA.” Directly translating to the Australian slang of pretty young girl, this is POst Annam’s second release that transitions his inventive offerings to the Indie Pop realm of his artistry. Coating our very essence with prevailing vibrations, this laid-back melody captures the hearts of anyone out there who is in love. You can’t help but find yourself instantaneously moved by this masterpiece as a whole body of work with sweet tenors in the delivery styles conveyed. Shining a light on the wide range of talents that Post Annam continues to reveal, you hear him solidifying his place in the music industry with untried sounds to touch on themes important to who he is as an artist and individual. Forming an untouchable ambiance in the way his vocalization collides with the instrumentation, we sink our teeth into the composition a little bit more with each listen. Never one to follow the crowd, you hear the musical influences that Post Annam takes into his work as he factors in the truthfulness that lies in his veracity. “SHEILA” is most definitely the start of an innovative sound for the emerging artist before us. Congratulations on the release of your second single, “SHEILA.” Could you please take us into what moment or story inspired the lyrical content in this song? Yes, thank you for having me, when “SHEILA” was written at first, it’s was a story about convincing a girl to like you, but I quickly figured that the story had been told so many times, and I needed something different, so I came up with a story about how I left a girl and then realizing how precious she was to me, and that I wanted her back. During that time I had also ended a relationship with a girl to focus on my music, which also inspired the lyrics as well. With you tapping into a different side of your artistry, how did your creative process differ on this release from your previous song? “SHEILA” song comes from a lonely place I would say, I wrote this song at the bus station while I was waiting on a bus, I was alone during those times, I wanted a chill pop song for sad people that why I made the song. So I knew what kind of sound I was looking for compared to the previous release I was just experimenting with. What themes and messages do you want your listeners to capture with your overall essence as an artist? I want listeners and fans to enjoy this song and tap into POstAnnam music, I want this song to send a message that there are more great songs to come, and also show how versatile I am overall. What are you looking the most forward to in your artistic career for the year 2021? More music from me, more music videos as well. Looking to make major moves in 2021. Twitter Soundcloud Instagram #BUZZMUSIC

Navigating life in Nashville, TN, the alternative-pop artist and singer-songwriter Kenna releases her empowering Covid-inspired single, "Second Wave." Deeply believing in the power of growth and healing through music, Kenna's sound offers a brave space of intention and meaning; she's always one to combine heartfelt lyrics with infectious melodies and catchy rhythms. An LGBTQIA+ identifying artist, Kenna is passionate about using her art to bring awareness to the community's boundless social injustices. Co-written with Jared Anderson and Hadley Kennary, Kenna's latest single, "Second Wave," offers listeners a breath of fresh air through the inspiring lyrical message and serene instrumentals. When expanding on the song's inspiration, Kenna stated, "I'm learning that every experience I have of 'failing' leads to growth...life comes in seasons, and sometimes we just have to surrender to the moment and dive in." Listening to "Second Wave," Kenna opens the song with her soothing vocal portrayal, singing of the surprising emotion she felt during our first wave of the pandemic. While the supporting instrumentals slowly begin to pour in their ethereal tones and uplifting melodies, Kenna starts singing of diving into the experiences that life throws her way. Serving listeners a bounty of inspiration and hope through lyrics like "It's a cycle for survival, don't give up," Kenna makes her way to the song's outro alongside the mid-tempo drum patterns, gleaming electric guitar, and vibrant synth melodies. We genuinely admire Kenna's ability to offer an ode to the long-lasting pandemic while also allowing listeners to stay inspired and motivated. Find Kenna's empowering single, "Second Wave," on all digital streaming platforms, and allow the Nashville singer-songwriter to help you keep faith during our repetitive days. We truly appreciate the uplifting lyricism and relatable themes you've delivered within "Second Wave." How long was the single in the making? When did the process begin? Thank you so much! I definitely was hoping for it to come across that way. We wrote this song over Zoom in May of 2020. It was shortly after the pandemic hit and we were forced to pivot in the way we collaborate together as musicians. We worked on the track and cut vocals shortly after. This one felt like it happened pretty quick, in comparison to a lot of my other songs. What was your collaboration like with co-writers Jared Anderson and Hadley Kennary for the single "Second Wave"? How did they help bring the ideas and lyricism to life? It was a beautiful collaboration! I love working with both of them so much. Jared was the one who had the song title idea “second wave”. We got into a conversation about the feeling of swimming in the ocean when waves are crashing one after the other. Every time the three of us write together, it always begins with a conversation about what’s happening in our own personal lives. This topic came up very organically. I find that the best songs I write relate to real-life experiences. Did you work with any producers or musicians when navigating the sonic atmosphere and instrumentals for your single "Second Wave"? Jared Anderson, who wrote on the song, also produced and mixed the song. Hadley tracked background vocals on this one. It was super fun making this one and also strategically adding some water-sounding elements to the track to go along with the theme. How do songs like "Second Wave" help listeners get to know you and your brand better? Do you normally create such relatable lyrical environments within your songs? I’m all about writing to themes of growth, learning, uncertainty, and being human. I'd say this song lines up pretty clearly with my mission as an artist. I really just write about the things I go through in my own life. I think we all go through similar things as humans. What's next for you? I’ll be releasing one song per month for the rest of the year! So, be on the lookout for much more new music. Instagram Facebook Twitter

Marlon McClain has been an innovative music visionary for nearly five decades. Starting his musical journey as a teenager, he was the co-leader and guitarist of the 70’s progressive jazz, rock, funk band Pleasure. He later joined the Dazz Band and began writing and producing songs for such luminaries as George Benson, En Vogue, and Eric Benet. Excelling in many roles, Marlon McClain also currently manages award-winning guitarist Tim Bowman and his niece, rising singer-songwriter Whitney McClain, and his son singer/songwriter Brando who was featured on the platinum single "Body" with Loud Luxury Diving into his most recent release, multifaceted musician Marlon McClain recruits Brooklyn native BD3 to fuse generations through the infectious grooves of “Ain’t No Stoppin’ Now.” Sprinkling some East Coast flavor, BD3 can be heard flaunting his extensive lyricism and unparalleled versatility through the intoxicating rhythm that surges through your speakers. “Ain’t No Stoppin’ Now” embodies the luxurious quintessence of the nineties. As the vocals emanate hard-hitting emcee techniques through a sweep of cadences, and an outpour of vivacious melodies, the soaring performance from both Marlon McClain and BD3 drips in opulent charisma. The upbeat instrumentation arrangement remains top tier as effervescent percolation tackles a fiery poise of the melodic expedition that we embark on. Meshing together a seamless universe that is fueled by funk and compelling swagger, we can’t help but shine in the optimistic world we succumb ourselves to as this record progresses. Thriving in the nostalgic vitality sure to send reminiscent reflections to anyone who crosses paths with “Ain’t No Stoppin’ Now,” the unmatched panache that trickles throughout each wistful synth and weighty bassline has us on the hook. We admire the passion and intricacy that Marlon McClain provides each of his songs that he releases into the world. Collaborating that dynamism with the simmering spirit of BD3, and we have a perfectly balanced cocktail of hypnotic bliss. Congratulations on the release of “Ain’t No Stoppin’ Now.” We love the collaboration between yourself and BD3. Could you please tell us how this collaboration came to be, and what it was like working with one another? Thanks for taking the time to chat with me! I am so excited about this collaboration between BD3 and myself, it came together through my friend and associate George Littlejohn, I was talking to him about Ain’t No Stoppin Now and how I heard an east coast rapper on the song, and he suggested BD3, he sent me his music and I loved his flow. BD3 and I connected on a phone call, I really felt his passion, it felt like we were already in a band together. What was your vision when creating “Ain’t No Stoppin’ Now?" Did the finished product come out how you initially envisioned? I wanted to fuse the old and new together, I have always liked doing that, with adding BD3 that was the icing on the cake. Yes, yes, BD3 heard my vision, naturally and very organically! How does being an experienced musician and recording artist help you with your strategies with your management clients Tim Bowman, Whitney McClain, and Brando? I can use my experiences and knowledge to guide their careers in a certain direction, which I think has an impact. Not that I know it all, because I am still learning since the business is constantly evolving, but my experience does help in the overall sense of things. With that said it is a team effort, I try hard to listen to what they want to accomplish and then go out and try and make that happen for them. With each artist varying, at what point do you know a song is complete? I’ve always thought that songs are complete when they feel good and when the artist loves them. The artist is always the best representative of what they do, so when they like it / love it, it makes a statement that is true and from the heart. What are you hoping that listeners take away from the messages you put forth in your music? That I am a sincere person and doing my best to make music from my heart and soul. Can you tell us a little about your upcoming album? Funky Friday’s Vol. 2 is a continuation of Funky Friday’s Vol. 1 which started from me posting guitar jam videos on Facebook. I would wake up on a Friday, turn on my laptop, plug my guitar into my amp and start jamming while recording the jam into my cell phone. Whatever I played at that moment I would post on my Facebook page. I would get comments and great feedback from my FB friends, so I decided to take those guitar jams and turn them into songs, it has been very therapeutic for me, just letting my feelings out through music. I think my fans will be pleasantly surprised with Funky Friday’s Vol 2, I am doing a few things different on this release., like having BD3 on it, there is a song that we did called “Get Down” that I added Jeff Lorber to the song and it is simply amazing! I also worked more closely with my producer Ralph Stacey aka Phantom. 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Hard work and dedication may as well be MaizyF’s middle name. Not only is she a skilled emcee and producer, but she is also the mastermind behind the 6ix Female Cypher, which was established in 2005 and has since been aired on Rogers TV. Laying modern Trap and Pop on top of a well-managed Hip-hop base, MaizyF creates layer upon layer of dynamic sounds when she steps into the studio and up to the mic. In the ominous sounds of the heavy-weight single, “BagBak,” MaizyF can be heard flexing her lyrical dexterity in a sequence of unrivaled rhyme schemes. The power behind her tonal distinction comes straight from the heart as you hear the passion pouring into the work that she immaculately places in front of her audience. MaizyF has an undeniable manner in which she transitions through slick cadences to deliver her prevailing tones. Being well-rounded as an emcee and producer, you can hear the intricate details that she ensures sets her music apart from the rest. Taking the upbeat vibrancy of “BagBak,” and accompanying it with a dark ether allows the connotation to sweep you into her spellbinding techniques. If the hard-hitting bars weren’t enough, MaizyF provides her audience with eye-catching visuals that showcase quick cut scenes in black and white transitions to set the governing tones emitted in “BagBak.” MaizyF syndicates a harmonious concoction of old-school Hip-hop nostalgia with the innovative wave of buoyancy that we hear from today’s genre. If you’re looking for a track that is both energetically stimulating and thought-provoking, look no further. MaizyF will happily rap laps around anyone in her way, and this stands especially true in “BagBak.” We love the energy that you serve up in “BagBak.” Could you please take us into what inspired this song? I have gone through many tribulations in my life thus, resilience is key to my survival. In a world where we have very little control over things, I find it extremely important to associate yourself with those who operate on a similar positive frequency. This song BagBak, is basically me warning those with ill will or bad intentions to stay away, Hence the name of the song “Bag Bak”, which is slang for get back or move back. Those who really listen to the track will appreciate the lyrics, wordplay, and theme of the song. You’ve mentioned that you focus on melodies when it comes to producing, singing, and writing. However, with rapping, you focus on flow and wordplay. Could you please share a glimpse of what the creative process looked like specifically for the single “BagBak”? For this track specifically, I paid close attention to the lyrics used and the metaphors made. The process of writing comes naturally. A combination of freestyle, and intentional writing. I like wordplay, and I like my lyrics to be multi-dimensional which allows listeners to interpret at free will. The music video matches the tone of “BagBak,” extremely well! Was this always your vision when it came to the visuals? What was it like working with Aaron Alter in order to produce the vision? I’m sort of “trippy” and I think that anyone who listens to or watches my videos can tell. Aaron Alter was able to interpret the track and my image and came up with an amazing vision. The black and white tone, the flashing lights, and the scene layout was all Aaron Alter. He really came legit with his gear and cameras and he directs his vision with precision. It was truly a great experience working with him and I look forward to possibly working with him again in the near future. What is the main message that you hope your audience grasps from your artistry? “Step into The Maze” Come in and see the multi-dimensional talent within. My artistry is unique, original, and actually good… I’d like my audience to appreciate my versatility as well as my layered creativity. What has been keeping you inspired to create music? I get inspired by many different things in life; both positive and negative. When music is a form of emotional release, I guess I am somewhat inspired by pain. Nonetheless, I am also inspired by love, my supporters, and ultimately the love for music. Instagram #BUZZMUSIC

Emerging Pop singer and songwriter Joséphine currently resides in Los Angeles, where she focuses on Pop and Jazz vibrations. Originally born in Tucson, Arizona, the presently LA-based artist uses her powerful voice reminiscent of past eras, adding a unique and modern twist to Jazz-Pop's world. Grasping on the pulling emotions that are felt when tangoing with a toxic relationship, Joséphine takes it upon herself to dive into vulnerable themes in her most recent single, "Replay." In an Electro-Pop universe that trickles melodic synths and weighty drum patterns, the angelic reverberations of Joséphine's vocalization allow you to become fixated on her fusion of sultry crooning meets empowering themes. A force to be reckoned with, the artistic versatility that Joséphine delves into contains elegiac songwriting that reflects on her Middle Eastern roots. Pushing the envelope for first-generation Persian-Americans, Joséphine embodies poise and compassion in the tenors she sheds. Transporting us to heights we have yet to reach, "Replay" produces an undeniable atmosphere that surges glimmers of confidence through our speakers. Rich in intensity with the alluring juxtaposition Joséphine exudes, the golden hues radiate from her artistic canvas leave us breathless. As she continues to illuminate paths that have dark clouds hanging over them, Joséphine's prevailing tones carry enough soul to power spirits far and wide. Suppose you haven't familiarized yourself with Joséphine by now. In that case, we highly encourage you to take her empowering words to heart as you sink into your seat and appreciate the vulnerable themes that she effortlessly dives into. Hello Joséphine, thanks for taking the time to sit down and chat with us at BuzzMusic. We love the vibes and message in your latest single, “Replay.” What inspired the vulnerable themes that you dive into in this record? Thank you.I found myself in a place where I felt like I was constantly making the same mistakes.. dating emotionally unavailable people, self-sabotaging myself, etc. and so I wrote this song to help me forgive myself. It’s a self-fulfilling downward spiral of sorts when you get into that headspace so I had to flip the script. I had to be like okay I fucked up, it’s okay, I’m human, I’m learning. It was empowering to finally accept my decisions for the better. To acknowledge that each mistake brings me closer to myself and who I am meant to be. Having that compassion and forgiveness for myself helped me make better choices and be more compassionate and forgiven of others in return. So this one is for everyone who thinks they’re forever failing. I love the Churchill quote: “If you’re going through hell, keep going”. Could you please share a glimpse of the creative and recording process that you experienced when bringing this song to life? The process for this song was actually quite extensive. I wrote Replay 3 years ago and actually wasn’t even planning on releasing it, I kind of just wrote it off as one of those “practice songs.” I wrote it with Paul Water @itswaters @theonlytwiz and Paul produced it as well. He also executive produced my debut Ep Love Trap and is one of the first people who ever believed in me as an artist. For you personally, how do you know when a song is complete? I know a song is complete when I feel like I’ve given everything I can to that story. There are always those moments where you’re like “well what if I add this, or what if I add that,” but always just follow the feeling- that I gave everything I could to the song and the next concept will be for the next story. It’s always about the feeling. What is the main message that you send to your audience as an artist? The main message I want my fans to get from me is that vulnerability is power, honoring your purpose equals honoring yourself, and living authentically is the key to freedom. I want my fans to feel free to be who they are, share their stories honestly and unapologetically and be brave enough to shine their light, thus inspiring others to do so as well. Instagram #BUZZMUSIC