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R&B singer and producer extraordinaire, Calvin Ross reigns from Tennessee. Growing up in an area of Tennessee where crime and violence are the norms, Calvin Ross has a colorful story to tell–one that continues to make his music stand out from the rest. He began making music when he was 17, right after moving back home to Tennessee from a 6-year stay in Detroit. After becoming acquainted with how to produce his own beats, he took advantage of his talent for singing and turned to recording and mixing to go hand in hand with his abilities. Taking pride in the quality of the music that he creates, it wasn’t until after winning a showcase at P. Diddy’s studio, Daddy’s House, that Calvin Ross got to meet with an A&R for Def Jam Recordings where he was further reassured of his talents. Calvin Ross recruits the talents of 2c’s in his most recent EP, 'Erotica.' Dipping into themes of mood oriented flows, we are offered a variety of energies in the realm of Contemporary R&B and modern wave Hip-hop. With a top-notch production quality simmering in the soundscape of the four tracks exuded, we hear the soothing vibes of Calvin Ross’ vocals sweeping us off our feet in mesmerizing hooks and verses. The introductory single, “Bank,” radiates a hard-hitting ambiance as we embody our most confident selves with the self-assured tones set in place. “Winner,” and “DIOAS,” transport us to luxurious atmospheres of delicate embrace. The warm cascades offered up have us swooning over these artists as they connect with their audience on an emotional level. Now we come to that standout record that has our main focus. This is where “Face Down,” comes into play. Following suit in the effervescent poise that, “Bank,” exudes, “Face Down,” shines a light on getting intimate with that special someone. The enthralling chorus allows this track to be served in a simmering manner that has Calvin Ross and 2c’s performing at their peak. The dynamism between himself and 2c’s lyrical bows, have us finding, 'Erotica,' a supreme contender in the exclusive aptitude that these artists are offering upon the spectrum of intoxicating melodies. All in all, 'Erotica,' is a project best served with the lights low, and the volume high. Congratulations on the release of, “Erotica,” with 2c’s. You two mesh together in such a brilliant way! How did this collaborative project come to be? We've been knowing each other since we were 14. I moved to Atlanta and about a year later he moved too. We just linked up in the studio and got to work. What was the main inspiration that you both took into the creation of the lyrical content? The main inspiration we took was basically our everyday life. Things we’ve been through and seen. It’s kinda easy to write about stuff that has actually happened. Do you have a particular song that resonates with you more than others on this project? Yes, and that song is “Winner”. Winner speaks on a woman that’s basically winning! She’s a professional dancer but also knows how to take care of her business outside of the club. Can compose herself around my family and friends, and also can spot when something or someone isn’t right. Being able to peep bad vibes and ill intent. What themes and messages would you like listeners to take away from, 'Erotica?' Erotica is a vibe that was aimed mainly toward the woman of the adult night club. We did this intentionally, mainly because that’s where we were at in our lives at the moment of recording it. Living in Atlanta it’s easy to find that inspiration. What can we expect to see next from you? I’m currently working on my next project which is titled “Preface”. In this project, I’ll be going a little deeper into who I am as an individual and share more personal experiences. Looking forward to sharing that with you guys soon. Instagram Twitter #BUZZMUSIC

The alter ego Seven Layer Piano Cakes of Los Angeles-based attorney and law professor Justin Hoyt releases his dynamic debut EP, 'The Patriarch.' As a classically trained pianist and vocalist, Seven Layer Piano Cakes strives to deter from conforming with one particular sound. When speaking about his latest EP, 'The Patriarch,' Seven Layer Piano Cakes mentioned that the project contains feels of acts like Queen, The Beach Boys, Thrice, Elton John, Beach House, and Sufjan Stevens, while also touching on genres like dream pop, alternative rock, classic rock, and indietronica. Opening the EP with the intro and title track, "The Patriarch," the instrumentals begin with heavy electric guitars, mid-tempo drum patterns, and melodic background synths. Once Seven Layer Piano Cakes starts singing his incredibly poetic and gut-wrenching lyrical story, he locks us into the song with each descriptive and intriguing message surrounding the tale of a boy sent off to war who later drowns his sorrows in bottles and booze. Seven Layer Piano Cakes pierces his bright vocals throughout this engaging piece; he continues to offer his intense lyrical message while the surrounding instrumentals blaze through the fiery track. As we move into the second piece, "Novel Opening," we can tell that Seven Layer Piano Cakes will delve into another lyrical and poetic storyline merely through the soothing and soft instrumentals that allow his vocals to shimmer centerstage. Listening to Seven Layer Piano Cakes' lyrical content, he takes a poetic turn on what we assume is our country's political climate and our journey back to health while singing in an incredibly ethereal and warm tone. Through lyrics like, "-but the work is not complete" and "-this rebuild needs more than a vaccine," Seven Layer Piano Cakes exclaims his truths for our country to take away. Reaching the EP's outro track, "Kaleidoscope," Seven Layer Piano Cakes slows it down and takes his time to deliver a heightened emotional lyrical message of yearning to slow down the pace and focus his gaze on what truly matters. While a beautiful and serene piano melody leads the way through the song, a mild drum arrangement slowly makes its way in alongside Seven Layer Piano Cakes' smooth background harmonies that glimmer with grace. Shining all the way to the outro, we're more than impressed with Seven Layer Piano Cakes' cinematic instrumental approach, warm vocal delivery, and each heartfelt lyrical message. Get to know the versatile stylings of the LA-based recording artist and singer-songwriter Seven Layer Piano Cakes through his latest EP, 'The Patriarch,' on all digital streaming platforms. Instagram #BUZZMUSIC

Being a DJ, Producer, and EDM artist, Kellalit’s high energy comes alive during her sets. She mixes mid-tempo, dubstep, and techno while honing in on her electric stage presence. Originating from San Francisco, California, she strives to captivate her audience and generate energy that stems from her passionate performance on the CDJs supplemented with vivacious dancing. Bringing to life her hard-hitting, bass-forward new single, “Mind Control,” Kellalit delves into a universe that shines a light upon the tiring emotion that goes into being frustrated and fed up. In a dark escapade of chilling musical quintessence, the slow burn of this arrangement cuts through the speakers in one fell swoop. Profoundly sanctioning the bass vessel to rule the thrilling territory of an apocalyptic soundscape, Kellalit provides an unruly grime driven resonance that has us clutching onto our seats. “Mind Control,” is the sonic venture that Kellalit put in place for her listeners to absorb in a spellbinding manner of cerebral environments. With the concept coming to Kellalit at a pivotal moment in her life where she allowed her frustrations of stereotypes in the industry to influence this musical creation, the roots of “Mind Control,” were birthed on sight. As a female taking over in a male-dominated industry, Kellalit ensures that her talents speak for her, as she continues to ripple through the Richter scale of the Dubstep and Electronic music variety. As we embrace the chills down our spine while listening to this appealing masterpiece, we admire the creative realm that Kellalit performs in. With the fervently riveting spirit of, “Mind Control,” her audience is in for an auditory jaunt that they won’t forget. We appreciate the finer details in this piece as a whole. Could you please share a glimpse into the creative process that brought this song to life? When writing this song, I was feeling super dark and scary but at the same time really powerful. While sitting on the floor at 3:00 am, I got this beat stuck in my head and I had to get it out. I threw it into Ableton, some kicks, snares, a nasty cello, and had it running on a loop. Thinking about what to add next, I was sitting there reflecting on how I wasn’t being treated as an equal amongst the music scene I was currently in and that’s when I wrote the ad-lib “He cannot control me”. With being direct in your messaging and the theme behind this song, how crucial is it for you to channel your emotions onto the pieces you put forth? It is extremely important; emotion is my main driving force behind my writing. Without emotion, for me, it lacks meaning and that means it lacks power. I think having a powerful song is crucial. Do you always allow your emotions to drive the concepts of your work, or do you sometimes let the music fuel your emotions? When I sit down to write a song, I always start with some sort of inspiration. That could be emotion, a cool art piece, or even a phrase. However, once I start there, the music fuels the rest of the fire. Being one to stand for meaningful messaging, what has been the best piece of advice that you have received throughout your career? My old mentor at Icon Collective College of Music, Habitaat, once told me that my passion for creepy, hard, dark music was inspiring and that having these weird sounds with a different feel was unique to me. He said everything can’t be perfect because if it is perfect, then it is not organic; therefore it’s not human. That stuck with me because it's never going to be perfect and that’s okay because that’s what makes it me. What has been keeping you inspired to create music? I want people to hear what I have to say, I want to pave the way for younger girls to do what they love and be confident while doing it… it also makes me happy, being able to wake up every day and do what I love. It’s everything I could have ever asked for and more. Also, my friends. They keep me going. Their endless support and creativity is super inspiring. Instagram #BUZZMUSIC

Some describe music as a calling, but for Melody Sheppard, it goes much deeper. It’s the reason she breathes. From years of learning the ropes on stage, as a child from recording artists well before her time, Melody Sheppard emerged on the Nashville music scene as an independent artist at the age of fifteen. After collaborating with 2 x Grammy Award-winning producer and songwriter Shannon Sanders in 2018, the dynamic collaboration of the two led to Melody Sheppard releasing a single titled, “TRY.” As she dips into authentic themes of challenging her audience to tackle obstacles in their way, she reiterates the prevailing message to pull through while never giving up. Two years later, Melody Sheppard is fresh off the launch of her own acoustic elucidation of, “TRY.” As Melody Sheppard taps into ethereal territories that this single has yet to see, she embraces the dominant tones radiated in her lush vocal performance as she cascades her essence on this ameliorated creation. Accompanying the tantalizing production of, “TRY,” with an enticing music video sure to draw in listeners, Melody Sheppard uses this moment to pay tribute to the cluster of deadly tornadoes that impacted Tennessee in 2020. With this stripped-down version of, “TRY,” breaking through the soundwaves, we admire the impactful spirit of the message to shine through each carefully crafted word penned. The unique take on the visual aspect shows Melody Sheppard performing this piece on the piano amongst the debris and aftermath of the tornadoes that touched down. Her triumphant vocal performance matches the tone of the music video in a way that victoriously meshes the two together, like finding the final puzzle piece and laying it down. Through the quick cute scenes that transport your mind in an interlude of meaningful conveyance, Melody Sheppard drives home the power that she holds in this beautifully unembellished acoustic version. What sparked your inspiration in recreating this piece as an acoustic version? Thank you so very much!! It’s a song I’m incredibly proud of and have been from day one. Some songs exist in a special place that transcends the original idea, and I’ve always felt TRY is one such song. The message reverberating throughout is simple, but it dives into the heart of what it means to truly persevere through adversity and strive to meet goals and chase dreams we’ve had from day one. When you take the instrumentation away and leave only the piano and melody, you have no choice but to let those words sink in even further and become words of affirmation I believe our hearts desperately need in this life. So, strip it away we did, and what was left is a beautiful ballad that took on a whole other life! With the original song being created in a collaborative effort between you and Shannon Sanders, what was that process like? Haha...collaborating with Shannon Sanders...I can honestly say that writing with Shannon is the only time I ever end up crying while creating! He is truly one of the most gifted songwriters and producers and I have ever known, so to share that space with him is quite an experience, and it’s definitely one that pulls out the real and raw and roots of my heart. He and I have worked together creating music for years, but the day we landed on TRY, I recall sitting across from him as the words to the bridge came together....”Bold and beautiful, strong and powerful, fearless and capable. Go in confidence, give it 100%, keep swinging for the fence.” I couldn’t hold back the tears as the words came out and I remembered yet again the power in speaking truth and life through song into the hearts of listeners. That’s creating with Shannon, though: it’s so much more than words and music and production to him. It’s leaving the world a better place than we found it through an art form that becomes the soundtrack to people’s hearts. TRY was created that day, and it’s been going strong ever since! The concept for the music video is rather genius. Was this always the plan that you had in mind for the visuals? Not in the slightest! We knew we wanted an acoustic visual to go with this new acoustic version, but no idea ever felt quite right. Then, I ran across a news story of a lone baby grand piano left standing atop the wreckage of a church from a tornado just days prior, and I think we were in the car the very next morning to that church in Chattanooga, TN. We knew we were heading into a war zone with so many lives affected and taken by this storm, but seeing the community come together to clean up and pull each other back onto their feet made it all the more important to get to that piano and capture such a beautiful moment amidst what had been utter chaos....a real-life version of the song we’d created years earlier...clearly meant for such a moment as this. What was it like filming on set? Are there any memorable stories that you would like to share about the process? This video was truly as simple as it gets and yet profoundly complicated at the same time! The rain had absolutely drenched the entire area the night before, and you can still see water dripping from the bottom of the piano in the video! It was quite chilly and breezy, my fingers icy cold trying to play the notes on the keys, but the sun was out and shining in the most brilliant way, and it suddenly didn’t matter a bit. Volunteer clean up crews were everywhere, and it took several times of willing myself to hold back the tears as we filmed instead of letting them fall as I saw folks standing on top of piles of shredded homes and the pieces of Faith Wesleyan Community Church. They were there to make sense of this massive destruction in their lives, but at that moment, they stood still watching and listening, smiling through their own tears, and holding socially distanced arms out in appreciation at us as I sang words that truly were an anthem for their story of adversity and redemption. It was incredibly surreal and in one of those moments, I am thankful this music is more than and bigger than me. It’s just not about me. It’s about the heart and soul of what makes us keep going. They were doing it right before my eyes, and my song was now a part of their story, too. What can we expect to see next from you? There is some special new music we’ve been cooking up for a while, and I am SUPER excited about serving it up in 2021! I’m a big lover of anthemic vocals and songs that encourage and empower and uplift, so you’ll definitely hear more of that in the new stuff, but it’s also time to release some new sounds, thoughts, and musical influences in these songs, so stay tuned...it’s gonna be a fun ride! Instagram Facebook #BUZZMUSIC

Nigerian born musician TEJ is a writer and filmmaker based in Toronto, Canada. As a teen, TEJ attended an arts high school where he fell in love with the creative process, acting in plays, and writing. With a love for music, TEJ explores music as another avenue for narrating his thoughts, following in the footsteps of other storytelling musicians. Using his art to express the life journey that has taken him from Nigeria to Canada, TEJ is ready to explore where else it can take him. With his debut single, “Watch Out,” TEJ recruits the artistic talents of fellow SEE THINGS, VIVID collective member, LOST KID GAMBIT in order to produce a somber exploration of what it’s like to hold onto faith in oneself, even in your darkest times. The melancholic ambiance that is radiated in, “Watch Out,” simmers in a pool of raw emotion as TEJ illustrates penetrating metaphors that delve into isolation and sadness as a necessary step in the process of attaining what you desire. Through dark themes, the unique stylings of TEJ shine brightly as he approaches this track with spirited confidence that embodies the meaningful lyrical motifs portrayed. With a slow-tempo progression that seethes in the realm of minimalistic instrumentations, both TEJ and LOST KID GAMBIT allow their ominous vocal performance to ring bells as the haunting tones infiltrate your headspace. Fusing together a world of Hip-hop tones that float in a wave of new wave commotion, these two artists work seamlessly together to get their hard-hitting point across. As conscious hues stroke your mindset, it is easy to get lost in the imagery formed by these members of SEE THINGS VIVID. If there’s one thing that stands, it’s that they most definitely have you swimming in a narrative custom to their prevailing panache. With this being your debut release, how does it feel to have your first track out into the public? It feels surreal, for a long time this is what imagined and the reality is actually much better than what was in my head, just to have something you are proud of in the world is a very gratifying feeling. What inspired the creative process behind the songwriting in this song? I would say it's the feeling of working hard for a long time and the way it can weigh on you if it's not where or how you want it to turn out yet. You can work on your craft for a while and your pace will be different from others and sometimes that may get you down but ultimately in that feeling you have to remind yourself why you do it, and that optimism is still possible. Even if you feel weighed upon by your own expectations and the opinions and expectations of others you can still remember what it is you are striving for, whilst still being honest to the negative feelings that we all get. Both are possible at the same time; you don't need to run away from one for the other to exist. Though it sounds dark, I still find the song uplifting as it's what I needed to hear to remind me to keep going no matter what's around me. Working with LOST KID GAMBIT, what was it like bringing, “Watch Out,” to life? It was a very fun experience. The track came out organically, with him just strumming some chords on the guitar and me randomly singing the lyrics that became the intro of the top of my head. We hadn't planned on making the song perse, it was just a spontaneous moment that the music came from. I always enjoy his playing because it has so much soul and personality so I was just trying to match it at that moment with my voice and it fits so well. From there we just built around the basic structure of the track. It's quite easy working with him and hearing his taste in music expands my own and forces me to try new things I didn't yet know I enjoyed. What's the message you're trying to deliver through "Watch Out?" That whatever rough situation you face in life, because it gets to you does not mean you are not still capable of overcoming. Even if you feel lost or scared or alone, those things are not signs that you should stop, rather signs that what you are undertaking is worth it. What can we expect from you in terms of releases in 2021? As far as 2021 the goal is more exploration. I'm excited to make music all the time because it's always something different and I just enjoy the many ways a song can take shape, I use it to not just express but understand who I am and whatever comes out next will be different not by choice but by interest. I've been working for a while and every time I look back, I realize no two things sound exactly alike. #BUZZMUSIC

From Miami, Florida, the alternative rock trio The Collective Bus sings a reflective ode to relationship confusion with their debut single, "Take Time." Consisting of Daniel Correa, Aldo X, and David Hidalgo, The Collective Bus takes their name after the Argentinian double-decker bus Colectivo. While fusing their music with an Afro-Cuban flair, The Collective Bus takes influence from acts like Angelique Kidjo to deliver their high-octane performances for anyone to enjoy. Through their debut single, "Take Time," The Collective Bus sings a delicate story of lovers who sadly drift apart while both individuals take time to reflect on who they are in the present. While Daniel Correa sings his saddened message alongside his tender electric guitar, Aldo X pushes a vibrant and emotional bassline that leads the song into a daydream with help from David Hidalgo's soothing drum patterns. The opening of "Take Time" is Daniel Correa's delicate electric guitar melodies and warm vocals that sing of silent suffering due to a relationship's end. As Aldo X's soft bassline makes its way in alongside David Hidalgo's jazzy drum patterns, the song truly comes together to offer vast emotion from each sonic and lyrical aspect. Danial Correa's melancholy lyricism gives listeners vulnerable and profound themes to relate with while offering an emotional performance to emphasize his inner turmoil further. Coming to an end, The Collective Bus has truly poured their hearts out on this reflective single, and we're more than pleased with the outcome. Find The Collective Bus' recent single, "Take Time," on all digital streaming platforms, and float yourself into introspection with the band's emotional lyricism and gentle performance. How did the inspiration for this single come about? Was it a collective inspiration or an individual? Before I even go into anything, I just want to say that there is a coup happening in the once democratic nation of Myanmar that is hardly being talked about. We need as many eyes on the issue as possible as citizens are being silenced within their own nation. Anyway, moving forward..... Our once guitarist and forever co-writer of this song, Ben often took calls away from us, going on walks that led to his own little adventures. The image of him on the phone need to take the time to sort things out formed the central thesis of the work. I can't think of this song without thinking of him, without thinking about our relationship to one another. A relationship connected and severed by a series of phone calls because of how this virus has divided us. We needed to take time apart as much as we took time together. Wounds heal in different ways. Why did you want the emotional and delicate single "Take Time" to lead the way of your band's career? How does this single help represent your group's sound and style? It wasn't my choice. This was a strategic effort made by a marketing firm we were partnering with because October was Mental Health Awareness Month. Taking time is certainly something we're all doing while the world comes back to what we once knew, or at least a form similar. To answer the second, more interesting question, it represents 'a style' in our repertoire. We pride ourselves on a diversity of sound that can change at the drop of a hat. Sometimes to our own detriment. Maybe there is another 'Take Time' in me, or Aldo, or Ben (if he wants to do another co-write), but I'm just trying to have fun, and fun for me is what is going to be the next thing? How do we keep this ball rolling? Push our envelope even further. Could you take us through your songwriting and instrumental creative process for "Take Time?" How did your group split the work behind the scenes? We were on tour, the first time visiting Pittsburgh, exploring the South end. A lovely strip of stores and we needed to head into a music shop to acquire some gear for ourselves. Naturally, as musicians are wont on to do we settled into Pittsburgh Guitars, playing their wares. Our guitarist at the time, Ben Youngblood, played a descending line that really caught my ear which then led us down a rabbit hole to the melody. Once we had our sketch, the lyrics came quite easily over the course of 45 minutes on a several hour-long cars rides from Pennsylvania to Massachusetts(as far as I remember). Seeing as "Take Time" is your debut single, should we anticipate more soothing and tender releases like this in the future? Or do you plan on experimenting with more energetic sounds as well? I plan on giving the people what they want. If more heartfelt singer-songwriter balladry is the demand then I shall contort my form to Phoebe Bridgers or Adrianne Lenker(Greater forms than I) to meet it. What I want is to definitely experiment, energize, and all sorts of permutations thereof. My background is in rock, pop-punk, and ska so Take Time is the exception, not the rule. Please go check out any of our live shows. I like going fast because fast=fun. I have a very simple brain. This first album; however, I imagine will have a whole spectrum of tempos being a more pop-oriented effort. Slowly we'll dive deeper into the more punk-influenced, math-rock territory. Bands like Kero Kero Bonito and Ween(Greater forms than I) are those with trajectories I'm trying to follow. Our audience currently is exposed to a wide range of sounds so I think it's possible, but I could be putting the cart before the horse. It wouldn't be the first time. What would you like listeners to know about you and the music that you create? Our ethos is to "always go 100%, especially when it's not called for". We're trying to cultivate a DIY, Punk atmosphere and that means not tolerating intolerance. Confront the paradox of bigotry in the fucking face as we continue to champion Human rights wherever and whenever we can. Our shows by extension are a space to celebrate otherness, where all identities(orientation, disability, ethnicity, etc) can come together and have a great time. Unless you're a bigot, pedophile, or just a general piece of crap then there is a seat on the bus for you. I hope y'all join on for the ride. Be kind. Stay kind. Again, please keep your eyes on the political situation of Myanmar. The more press, the better. Much love. Instagram Facebook #BUZZMUSIC

From Madrid to Britain, the singer-songwriter and actress Annie Balmori highlights the emotional intro track, "Requiem," off of her debut EP, 'Unafraid.' Bringing Spanish vibes and sounds to the rainy shores of Britain, Annie Balmori graduated from the prestigious Drama School of Murcia and later studied opera in Prague before touring in Spain. After experimenting with sounds of funk and electronic, Annie Balmori felt compelled to include more traditional Spanish influences in her music. Expanding on the intro track and lead single, "Requiem," off of her debut EP, 'Unafraid,' Annie Balmori mentioned that this piece offers a magnetic feeling of rebirth, similar to the EP's accompanying two tracks. Fueling her powerful melodies with Spanish-infused sounds and techniques, Annie Balmori makes us feel nothing but at home through the song's tenderness and heart. "Requiem" opens with hefty drum breaks, a vibrant string section, soulful piano melodies, and Annie Balmori's emotionally-charged vocal portrayal. As she begins singing of feeling broken and hopeless after a relationship, she powers through with resilience and pushes the hook with intense vibes through her striking and powerful delivery. The surrounding sonics offer an emotional and heartfelt tone through their natural delicacy, primarily through the tender piano melodies and floating string section that sings us into a sweet slumber. What wakes us up is Annie Balmori's compelling performance, exuding empowerment from all aspects for her audience to keep pushing. Cry your heart out with Annie Balmori's striking and emotional release, "Requiem," off of her debut 3-track EP, 'Unafraid.' Find the EP and single on all digital streaming platforms. We love the passion and power you’ve delivered through your single, “Requiem". What pushed you to create this emotion-evoking piece? Requiem is about remembering those who one day meant something for us, those who broke our heart and now are gone. It is about honoring our mistakes for the last time, and be able to say goodbye. It is not a particular case that inspired this song but a compilation of many along with my life. Like some, I got my heart broken a thousand times so I decided to ‘take’ all those memories and turned them into art. There was never a sad motivation or feeling behind this song. Did you write your lyrics yourself for your single “Requiem?" What did you want your audience to take away from the song’s lyrical content? “Requiem” is indeed the first song I wrote for “Unafraid” and I can certainly say it’s got all of me into it. I believe inspiration particularly smiled to me when writing its lyrics because it almost felt like a torrent, something you can’t stop in a way. It all just happened really nice and naturally. I did not want to go for a sweet romantic topic, I really wanted the first song to be fierce, passionate, and empowering. To represent me, with all my contradictions and fears, as well as everyone else who ever went through the same as I did. I wanted to inspire them and give them strength. I wanted for all of them to listen to it and think: “This is my song!“, more than anything else. Seeing as you described your EP, 'Unafraid,' as a magnetic feeling of rebirth, how does your single “Requiem” honor that statement? If we look at the three tracks with a bit of perspective, we can see that they happen chronologically along with the same storyline; almost as if they were three chapters of the same book. “Hurricane” would represent the euphoria of being in love. “Requiem” the death of the broken heart that somehow continues beating. And “Spaceships” would mean the ‘afterlife’, then moving on when you are finally free and it hurts no more. I have been through some really bad times in my life and I can say that the whole meaning of “Requiem” utterly relates to my own storyline. To me, it means resurrection from death and rebirth from the ashes, like the Phoenix. No matter how bad things were, there was always my vital strength to help me pull through. What was it like working with the production team AudioHaus for your EP, and more specifically, your single “Requiem?” How did they help incorporate the Spanish vibes you were going for? My experience with AudioHaus was simply great. Will was a fantastic person to create with and on many occasions knew what I was looking for almost before I even said it. We connected really well from the very beginning and it made the creative process easy and enjoyable, both for “Requiem” and the rest of the songs. He also nailed it at bringing those “Spanish vibes” in, most particularly into “Hurricane”. He thought it would be great to introduce a Spanish guitar along with the song and this way incorporate a part of my Spanish background. The result was great! The guitar gave the song a fantastic fresh touch, yet still delicate and romantic. I think we made a really good decision. What can we expect to see next from you? 'Unafraid' was a really personal work, totally connected to my personal life experience. That’s how I wanted it to be and I’d never have done it otherwise. But I believe the artist’s task is also to try and change the world through their music; so for my next project, I would definitely be open to contemplating some other important topics in the world and the society. For instance, the LGBTQ community, which I am strongly involved with, among others. I would love to create a song just to cherish them, a song that was very summery and colorful. A song to celebrate and perhaps to dance to! I never truly stop imagining new projects or creating new songs so.. we shall see! Instagram Facebook #BUZZMUSIC

Charting new waters on the wind and waves of harmony, Celestial Navigation was formed in 2013 out of a need for three seasoned musicians to create something truly unique. Soaring violin solos, hypnotic rhythms, and insightful lyrics are just a few of the tenors that you can expect from this band. Hailing from Ankara, Turkey, Didem Somel (vocals, strings, and keys), Glen Anderson (double bass), and Robby Albrecht, (drums, vocal, production), form the empowering trio that is Celestial Navigation. Shining a light on the introductory song, “Press Home,” from Celestial Navigation’s highly anticipated album, ‘From Afar,' we indulge ourselves in the poignant sounds fashioned in a striking mid-tempo collection of raw emotion. Guiding this record in an effortless influence of rhythmic tempo, the bassline digs into a structural finesse of fortified unification. Acting as a skeleton for the enticing elements to soon layer their radiance over, you find yourself fixated on each instrument as its own individual offering of peace and tranquility. The arrangement sits on the line of ease and buoyancy. With soothing vocals to grace the mix in a seamless fashion, you gravitate towards Celestial Navigation as they cast out the spellbinding, “Press Home,” for all to feast upon. Just when you thought this track had conveyed its full offerings in the realm of syncopation, Didem Somel lays down an introspective stringed solo that has your jaw descent to the flooring beneath your feet. The overall essence that drives the spirit of, “Press Home,” is the eloquent manner that Celestial Navigation works together like a well-oiled machine. Playing upon each member's talents, but delivering a synthesis of explosive emotion in a united front, Celestial Navigation has us following their compass and allowing them to lead the way. Welcome to BuzzMusic, Celestial Navigation. The delivery in, “Press Home,” truly sets the tone for your album, ‘From Afar.’ What is the creative reasoning for placing this single first on the tracklist? We think it gives a nice introduction to the different aspects of our sound and it has a catchy chorus. Could you please take us into what the creative and recording process entailed when customizing your entire album, ‘From Afar?' Didem writes all the music. We rehearse a lot before recording. We recorded it and mixed it all in our home studio. Robby does all the engineering and production. It was mastered by Ed Brooks at Resonant Mastering in Seattle. How does, “Press Home,” and the entire album as a whole compare to previous bodies of work that you have released? We learn a lot with each record. Our first one, Southern Cross, was pretty much recorded live and is very artsy. Our second record, Cosmic Journey, is more accessible. With From Afar, we feel we really have refined our sound to a nice combination of the two. With live performances playing such a huge role in your life, how have you found it adjusting to the new world of performances since Covid-19 touched down? It’s been hard. We finished the record during the early part of the pandemic. Since we got a green screen and have been making videos. We are trying to boost our internet presence. Instagram Facebook #BUZZMUSIC

Fox Wilde, is the bold, daring, and edgy project of composer, producer, and artist duo, Demitri and Michael Lerios. As children, the brothers looked up to their father, Pablo Cruise' Cory Lerios, and his success in the music industry. Even from an early age, the two found themselves gravitating towards their own musical career and further exploring their creative synergy. With a list of accomplishments that take them from working on projects for Demi Lovato, to collaborating with writers and producers behind artists such as, Miley Cyrus, Backstreet Boys, and Aerosmith, their main project, Fox Wilde, showcases their multi-instrumental talents, pop writing sensibility, and incomparable stage presence. Giving their musical identification a broad horizon that swims in the Electro-Pop spectrum, Fox Wilde takes subtle hues from Contemporary R&B to embellish their most recent single. “Dangerous Thing,” is a filled to the brim melodic fusion that has you busting out your most dramatic dance moves as you soar from one end of the room to the other in pure poignant vibrations. The dynamic duo captures a prevailing sizzle that strikes your ears in the most pleasant manner. Formulated with layers of thunderous synths, pulsating rhythm, and lucid vocals that radiate power, Fox Wilde exudes the type of confidence that one can only dream of. This mid-tempo bop has you transitioning your attention from the tenacious, soul-infused tenors sang, to the tight rhythmic elements provided in a larger than life arrangement of, “Dangerous Thing.” Enthusiastic, even when speaking on themes of pursuing the wrong person, even though you love the craze it sends you spiraling in, Fox Wilde has you fully committed to the messages they send out because of how they convey it. Dynamism like that isn’t just found, which is why it makes their music that much more authentic. As Fox Wilde continues to get intrapersonal with their listeners, we have our minds made up as we fixate ourselves with their incontestable talent and work ethic. Congratulations on the release of your latest hit, “Dangerous Thing.” With the intoxicating melodies that you serve up, what is your reasoning behind this song being your first release of the year? Well, first off thank you very much!! You are far too kind! “Dangerous Thing” was chosen to be our first release of 2021 because it is the next chapter in the story of Fox Wilde. In 2020 Fox Wilde began a new journey and shared that journey with the world. “Dangerous Thing” marks the 3rd single of the new album set to release this year. Fox Wilde is in a constant battle against himself, trying to break free of the demons inside. This story picks up from our previous singles “Looks To Kill” and “Bad For You” where I (Demitri) have “killed off” my old self — my insecurities. “Dangerous Thing” begins with the continued shedding of who I once was; It is truly about the sacrifices that came with my “re-birth”. We all look back on life at one point and have hope that someone or something will come back. We sometimes have hope that things will be the same again. That same hope can leave you waiting for the past; a past that will never come. And usually, that hope can be such a “Dangerous Thing”. Was there a specific moment or story that influenced the songwriting in, “Dangerous Thing?" “Dangerous Thing” may have been my subconscious taking everything that had happened in my life from the past to what was happening directly in front of me. I was going through a lot of things at the time. Trying to discover my true self again, breaking up with my girlfriend, COVID, etc. Stuff I think everyone was going through. I woke up really early in the morning, still in a lucid state, sat down, and “DANGEROUS THING” just happened. The lyrics, the music, the recording. It was the fastest song I had written. It all happened in about 15 minutes. Thinking about it now, everything I was going through is a culmination of what the song is about. How I was hoping for a different outcome from my past. How I was hoping my relationship didn’t have to inevitably end. How I was hoping COVID didn’t take the world the way it has. How hope can be such a “Dangerous Thing” How has Fox Wilde managed to stay creative and inspired throughout the Covid-19 pandemic? Have you faced any challenges in this sector of the journey? Something interesting happened when COVID hit. COVID made everyone stop and think. Sounds crazy but hear me out. It made you look inward. To assess what life means and how we can move forward and create a more meaningful life for ourselves and those around us. So when Covid hit that’s what happened. I looked inward and I looked around. With that, my creativity, my music, my art has never been the same. Not a day has gone by since Covid that I haven’t been in between two speakers. Of all the complications it has brought upon people, it gave me the gift of ultra creativity. It was what saved me back in high school and it’s what saved me now. Talk about full circle. What is the overall message that you convey in the music that you put out for your audience? To be bold, be daring, and find the art in your pain. To own your flaws. That’s what Fox Wilde is. All you have to do is dig deep in yourself and discover the Fox Wilde that lives in you. What can we expect to see next? The story of Fox Wilde continuing. More music, more videos, and more discoveries. Instagram Facebook #BUZZMUSIC

Latech is composed of Psy-trance producer, Oded Krakov and Jazz Saxophonist, Adi Ben Yehuda. Radiating a new age, a funky electronic mashup of modern and reminiscent worlds, this Los Angeles based duo thrive on their sound by combining a smooth brass section, funky guitar riffs, and explosive Electronic production. Submitting yourself to a deluxe world that combines the golden hues of Jazz, and the buoyant universe of Electronic production, Latech’s latest single “Mr. Bill,” breaks ground as they mesh together a sizzling atmosphere that fuels creative genius. The lively effervescence that this record produces has the listeners succumbing themselves to numerous genres that form this cascade of resonance. Purely instrumental, you get the chance to embrace the distorted synths, weighty bassline, delicate keys, and of course the infectious essence of the opulent horn section performed. In this poised concoction of high to low frequencies, every sound you hear has its own perfected place in the mix as you zone in on an otherworldly peak of heightened senses. “Mr. Bill,” acts as the track you can play for any occasion. With the transition between mid to up-tempo dynamism and the flexible structure that is embodied, you’re encouraged to have this song playing in the foreground or background as the soundtrack of your life. In a world that is so focused on conforming to what's popular, Latech breaks the tethers and creates an unhinged lane of their own. Highlighting their rhythmic escapades through auditory delicacy, Latech takes the cake with, “Mr. Bill.” Welcome to BuzzMusic, Latech, and congratulations on this striking arrangement in, “Mr. Bill.” What is the inspiration behind the creation of this song? Mr. Bill was the first song that we created in the new format of this band. Basically, we tried to combine some glitch and psy electronic sounds with a live brass section and Funky Guitar. Also, we can say but we wanted to combine the old Dixy world with the new Age psy electronics sound. What are you hoping that your listeners take away from, “Mr. Bill?" Mostly we want to create a song that people will have fun dancing to. something that will shake them up, but also will feel kind of artistic and not corny / EDM. You both have an unmatched dynamism in the way that you work together! How have you been able to stay inspired through the pandemic to keep on creating music for your audience? Actually, this period of time just pushed us to do more music we decided that if there are no shows there is more time to do music so we basically went inside the studio and wrote an album in eight months .it would sound kind of stupid but when things get harder and more depressing I felt we found the Comfort Inn making music. Also, both of us are performers in other bands and venues and scenes we don’t have any job cause the entertainment world went to shit. We had way more time to do music. What can listeners expect from you in terms of releases in 2021? So as I said before Mr. Bill is the first release of the year and there are seven more to come In the next year. The next releases are even more progressed and in some of them, we Join forces with another musician in the LA area. What is the main message you'd like to deliver as an artist? Our music is all about fun and joy and good vibes so basically we wanted to give this feeling to our audience in those disturbing times. Instagram Facebook #BUZZMUSIC