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Southern rock Singer/Songwriter Micheal Shaun Brown captures the raw feelings and emotions towards his wife in his new single “From the Start”. Known as a simple country music soul, Brown relocated his family to the rural midwest amidst the 2020 pandemic to aid in his writing and recording of such organic musical tracks. As a previous member of the band Bone Feather, Brown was able to create two successful records and tour the country before releasing this solo piece in 2020. “From the Start” explores a touching love story, so humble and wholesome that no matter what these two individuals are held together by the strength of this love. The raw vocal emotion and vibrato in the lyrics and Brown’s voice help to capture the raw feelings he holds towards this one individual and how these two individuals are entirely made for one another. The simple melody help listeners to focus on the depth of the lyrics and the pure heartfelt passion. For me, this song was able to capture what we all look for in true love. A simple, organic love where you don’t need anything in the world except each other. Brown is able to capture his true happiness and allow listeners like me to believe in simple, all eternity love. Welcome to BuzzMusic Michael, we are absolutely head over heels for your new organic, loving track “From the Start.” You mentioned this was a song written for your wife, how would you say this impacted your creative process when creating this song? Thank you so much! And yes, I wrote this song for my wife, Aaryn, as a surprise to play for her at our wedding. She has always wanted me to write a song for her and figured that if I was going to do it, then why not make it really special. I would say that the major impact on my creative process with this song is that it really made me dig deep into my emotions in order for me to express and portray the love that I feel for her. One of the lines in the song is literally "I'm not the best at telling how I feel" and that is completely true. So, I really had to dig deep to be able to tap into those emotions and allow myself to be that vulnerable during the writing of this song. Since this is your first solo track since 2015, how was the creation process by yourself and during the pandemic? It was definitely a new experience - that's for sure. I had just bought my own home studio setup at the beginning of the year and the pandemic put me in the position to work hard at it to learn and hone in on the skill set of recording and mixing. Don't get me wrong, I'm no Dave Cobb or anything, but I enjoy being able to do it all myself and I believe that I have a recording that I can be proud of for a lifetime. We saw that you relocated your family to a more rural, organic, and natural environment to help raise your children and write music, do you think that because of this change your upcoming music will also follow this organic and wholesome sound? Absolutely. I grew up in a rural setting in a small town in Southwest Virginia. And, even though I ended up moving to Missouri when the pandemic started, I can still honestly say that I feel more connected to my "roots" in a more country/rural way of life. I also feel like reconnecting to the countryside of life will certainly translate into my writing and artistry. We absolutely love this track and can’t wait to see its success in the future, what are your next steps from here? Thank you, again. I really can't begin to express how much I appreciate that. The steps moving forward from here are just to keep digging and working hard to put out the best music that I can possibly make. 2020 has been a very challenging year for everyone. What has been keeping you inspired to create music? What advice can you give another artist who's finding it difficult to do so? I just love the creative process. I can't say that there haven't been times this year that I have felt uninspired or less creative. This year has been so tough that at times it seems like it took all that I had just to keep rolling with the punches. But, you have to keep pressing on. There is no other option. So, if I was in any position to give anyone advice on 2020 and creativity, it would just be that it's okay to go through ruts and be less inspired sometimes - that doesn't last forever and, with a little effort, you can pull yourself out of those ruts when the timing is right. Instagram Facebook #BUZZMUSIC

Solo Hip-Hop musician who goes by the name Inkwater will drag you through the depths of emotion in his new track “Alone Forever.” This dark, emotional track is filled with difficult lyrics that examine the struggles individuals face. This Seattle based artist consistently releases somber, melodic tracks that focus on the struggles of depression, racism, and mental health, and his new single is no different. “Alone Forever” creates a storyline of being left all alone, with no support system left and the anger and unrest this creates. The lyrics are able to accurately describe the struggles and the melodic beat creates a more mysterious, dark backdrop to enhance the lyrical focus. As an artist who writes, records, and entirely puts together his music and videos, the idea of being left alone is very familiar for Inkwater, and because of this, he is able to create a passionate sound where he is locked into the lyrics and melody. For listeners like myself, this song has a strong message with some angry rap lyrics that all individuals can relate to in some form. The feeling of being alone is one shared by so many, making this song a definite upcoming hit to watch out for. Hey! We are so excited to have you here on Buzz Music and are loving your new single “Alone Forever,” what kind of creative process went into creating this emotional piece? Hey glad to be back. Mainly, the last year was spent grieving for a lot of people and I was no exception. Everything seemed to be going wrong, and I found myself at a place where I just didn't want to leave my bed for any reason, not even food. I'm pretty much still in that place. Everything is just insurmountably difficult right now. I figured putting that feeling into the song would resonate with my listeners. You mentioned that your music tends to focus on the significance of depression, racism, and other mental health difficulties individuals face. Have you been influenced by these challenges yourself and has the ability to write and release music been an outlet for you to overcome some of these personal challenges? More or less. The process will always be enjoyable regardless of who's paying attention to what I do. I'm at least glad that I find satisfaction in writing for the sake of writing. I'm also super glad not to have to rely on music for money right now. The world is falling apart and I'd absolutely hate to be stuck trying to pay bills with no ability to do meaningful work anywhere. It’s quite amazing that you are able to write, record your song, and produce a music video all alone as a solo individual. Why would you say you did this and how has it affected your ability to create music? To be honest, I got tired of waiting around for the right time to do things. My previous projects were mainly waiting with little execution. Maybe for fear of failure? I'm not sure why things have gone the way they have, but I've gone the deepest into music out of many of my peers. Not to mention, I always feel like an impostor when it comes to my music, so taking others out of the equation at least allows me to take all accountability for whatever happens, good or bad. It's almost easier to learn from my mistakes this way. The obvious downside is that I usually have to figure everything out myself. Moving forward, do you think that some of your upcoming music will relate to this sound as well or does each song tell a distinct story for listeners? Each song is different in its own way and I usually don't make two songs about the same subject unless I have a new perspective or something worthwhile to add. Still, I think it's about time to start collaborating with other producers and using beats that aren't mine. The team-ups I've done so far have really shown me that this workflow is much better than I had it when dealing with other people, and even with collaboration things tend to work out at a pace I can keep. If anything, streamlining the writing process will be the most important thing to me in the coming months. What has been keeping you inspired? Definitely anime and Marvel content. Mandalorian, too. I haven't seen a whole lot of good in the world whatsoever since around when I put out my debut EP if I'm being perfectly honest. But it's the small things that keep me going. Big inspirations have been depressing in their own right because of the way life has been. My favorite musicians keep dying and there's so much negativity online. If I pay too much attention to other people's egos these days, I just get frustrated with my own. So being able to create a space away from everything has been inspiring in its own right, and I'm so glad I get to be a hermit right now. instagram.com/inkwaterwa

The Nashville-based uke-bard Garrett DeVaughn returns with a conceptual and emotional EP titled "Adam the Astronaut." An origin story and continuously under construction, the friendly and personable Garrett DeVaughn is here to share his inner monologue. Blending the sounds of Folk, Progressive Metal, and Rock elements through his trusty ukulele, Garrett DeVaughn keeps listeners engaged with his lyrical storytelling abilities as well. Recently releasing his 5-track concept EP "Adam the Astronaut," Garrett DeVaughn takes listeners through picturesque and descriptive scenes while keeping them locked into the energy and strength within his vocal portrayal. Although he's known for his blend of Rock elements, this EP gives us more of a Folk feel, especially with his bright ukulele instrumentals. Garrett DeVaughn opens the EP with the intro track, "Adam the Astronaut, Pt 1: Death of an Astronaut." As he opens the project with his bright and fluttering ukulele, we already admire the tones and atmosphere that the project has to offer. Through the intro track, Garrett DeVaughn delivers more of a reflective message of reminding himself that he's not alone in the abyss that is space. As we move into the project's second piece, "Adam the Astronaut, Pt 2: Splitting the Adam," we feel more of an upbeat and energetic tone through Garrett DeVaughn's uplifting delivery and descriptive lyricism of attempting to head back home after facing the horrors of reality. This piece still takes us into the serene sounds of his ukulele, but with minimal background synths that add a dynamic feel to the EP. Jumping into the third tune, "Riding Shotgun without a Driver," again, we can feel another heavily lyrical and conceptual track grace our speakers while Garrett DeVaughn begins singing of the lingering feeling of emotional pain. This track marks the turn of instrumentation as Garrett DeVaughn delves deeper into his Rock roots and shoves a hefty bassline in our faces alongside the freshest of drum patterns. Continuing with the brightness and warmth of his ukulele on the next piece, "The Climb," we've already familiarized ourselves with this song's empowering theme through a recent feature. When asked about this piece, Garrett DeVaughn stated that the only theme on his mind was resilience. While singing a message of chasing dreams and pushing full-throttle towards his destiny, Garrett DeVaughn gives us an incredibly passionate performance through his tenor ukulele and soothing vocal abilities. Reaching the end of the EP, we're graced with the final and outro track, "Enter Pinhead." Through this piece, we hear more of a melancholy tone through the layering of DeVaughn's ukulele melodies that soak our speakers with passion. Garrett DeVaughn enters the track with a heightened sense of energy as he begins singing the need to escape a puzzling situation that drains every emotion within. Ending the EP on a powerful and reflective note, we truly admire the lyrical depth that Garrett DeVaughn has placed into this project. Don't miss out on Garrett DeVaughn's concept EP "Adam the Astronaut" as he expands on themes of reflection, loneliness, resilience, and change. Catch the EP on all streaming platforms. We're excited to have you back to chat about your recent EP, "Adam the Astronaut." What inspired you to create the project? The inspiration for the EP title tracks started over 10 years ago, after watching "A Space Odyssey: 2001". The scene where "HAL" flings the astronaut out into space got me thinking about what it would be like to go spinning into the infinite...The fear of the unknown and to be literally all alone in the vacuum was fascinating to me. Over the years, the idea evolved into a story about the feeling of isolation and feeling like an outcast and the difficulty that comes with change. As I started putting the tracklist together, I wanted to continue looking at resilience and struggle, and isolation in their different forms. What was your collaborative process like with producer Corey Horn for your EP "Adam the Astronaut"? How did he help bring your sonic visions to life? I really cannot say enough about Corey's help. Corey's experience with recording and mixing, and his musical knowledge, were exceptionally helpful to me in finding the heart of the album. When we sat down to talk about the album and what I wanted from it (and what it needed), it was literally just me and my ukulele. We quickly started to see that there were places that some of the tracks could really be cultivated and given some depth. Particularly speaking about the two title tracks, I knew I had something powerful, and that there was room for expansion, I just wasn't sure about exactly where to go. So, throughout the recording process, we worked hard to not force anything and to really stay present with what each song needed. I feel like maintaining this openness really allowed us to bring life to the songs, and what Corey added to Adam the Astronaut Part 1 and 2, was just amazing to me. It all sounds like a really long and tedious process but all-in-all, we had the full EP recorded and ready for mixing within a few days of studio work. Within your EP "Adam the Astronaut," you delve incredibly deep into your lyrical content. What messages did you want to share with your audience through the EP? First, I appreciate you saying that. Lyrics are often the most difficult part of writing for me. Between my insecurities, ego, inner critic, and desire to be authentic, things get gnarled up pretty quickly inside the ole' noggin. Elaborating further on the themes of resilience and struggle and isolation, I wanted to show these ideas from different perspectives, and different degrees of intensity, and different stages of healing. For instance, "The Climb" is very much about acknowledging how hard it can be to push through, and still knowing that you have the strength to do it. "Enter Pinhead" on the other hand is more about being in the depths of shame and fearing that you don't have the ability to pull yourself up and out of it (even when there are people trying to support you). Pretty much every track touches on the feeling of isolation and being alone in the struggle. Is there a track on your EP "Adam the Astronaut" you feel is the most personal to you? Why do you relate to this piece the most? I don't know if there is one track that feels the MOST personal, generally speaking. So, I have two answers ... "Adam the Astronaut, part 1 and 2" is probably the most personal in the sense of my own growth. In the last couple of years, my wife and I have worked hard at shedding old ideas and beliefs that were passed down through the generations and being open to finding our own truth. There have been some very challenging times through this, and there will be more to come. "Adam the Astronaut" is all about leaving what you "know" and leaning into the unknown for new answers to old questions. "Riding Shotgun without a Driver" is extremely personal to me in that it is about a very painful piece of my life. The song is about the survivors of those that complete suicide. I wanted to be sure I did not shame people that complete suicide, but acknowledge their pain and also acknowledge the feelings of those of us left to figure it out. So, context...My literal oldest friend, Ashley Kelley, completed suicide several years ago, and "Riding Shotgun.." is about the inner turmoil left in the wake of his actions. The range of emotions in the fallout went from anger at my friend for his actions, to guilt at me for not doing more when I knew he wasn't doing well, to relief that he was no longer in pain, to rage at how the community around him handled things, to sadness for the loss and for his young children, to worry for what the future would hold for his children, and to pretty much any other emotion you want to throw in the mix. A tricky part for me about knowing someone that completes suicide is that we don't get closure from the source of the pain, so we have to figure it out within ourselves and it can feel very out of control. Through your previous interview with us, you stated that a goal for your music this year was to deliver to those who need it. What sort of audiences and listeners do you feel need to hear the EP "Adam the Astronaut?" I think the album is for anyone that is anxious about the uncertainty of things (externally or internally); and anyone struggling with the knowledge that old norms are no longer helpful, but also afraid of letting go of things that have been a constant for so long. It's for everyone that feels so very alone in the world. I'm not saying the album can solve your problems, but I believe it can be a companion and validation for how hard things can be. Instagram Facebook

Hailing from New York, the Trinidadian-American Production conglomerate Rebel Muzik teams up with Singer/Songwriter Tyler Sjostrom to release their upbeat dance tune, "Upside Down." What makes Rebel Muzik stand out amid the heat of the Electronic industry is their ability to fuse their Caribbean sound into their music, keeping their roots as a staple sound. That being said, Rebel Muzik is continuously striving to create versatile music while seamlessly blending their heritage into the mix. Regarding their latest single, "Upside Down," Rebel Muzik fueled this single with incredible vibes that take us to the warmth of their homeland, all while Tyler Sjostrom serenades us with his bright and melodic vocals. Driving a profound lyrical message within this song, we're excited to introduce this single for listeners to experience themselves. "Upside Down" begins with floating background pads, airy drum patterns, and soothing keyboard melodies. As Tyler Sjostrom takes the stage with his shimmering vocal stylings, he starts singing a message of the cause and effect of our words and actions that turn many lives "Upside Down." We love the organic and powerful feel that Tyler Sjostrom exudes through his vocals, as he brings listeners into needed introspection. We must note the broad and dynamic production within this single, as Rebel Muzik blends in the warmth of organic instrumentals while also allowing the staple steelpan drum to lead the song into success. The track offers vibrance from each intriguing aspect, especially through Rebel Muzik's in-depth production that gets us moving and grooving. We're nothing but pleased with the versatility and vibes within Rebel Muzik's latest single, "Upside Down," as they touch on vital lyrical concepts while allowing the listener to lose themselves in the sonic warmth. Hello Rebel, and welcome to BuzzMusic. When did you begin your creative process for the single "Upside Down?" What did you initially want to offer listeners through this piece? The idea for this single didn't come till months after I built the skeleton for this beat, funny thing was, I was going to trash it before I sent it over to Tyler because I was honestly stuck with no direction, after I sent it to him, the rest was history lol, what I would like to offer listeners is the beautiful fusion combining Caribbean flavors with modern music. Speaking on the exceptional feature from Tyler Sjostrom on "Upside Down," why did you choose to collaborate with him specifically? What was that process like? Tyler had written some previous songs for us in the past so sending him ideas isn't a second thought and when he agreed to be featured on this track I knew it was going to be something special, he has a unique style that I really like and this dude can literally write fire to anything you send his way. Could you bring us into the sonic creative process for your single "Upside Down?" How did the producers within Rebel Muzik split the work to be done? The creative process was a strange one, because of the current pandemic and working from my home studio not everyone was able to be at the studio together so we relied on alot of zoom calls, where everyone would add their input verbally then I would transfer their suggestions to the session. Seeing as your group tends to touch on the sonics of your heritage, how do you create each song to stand out from each other while still managing to bring your Caribbean sounds to the stage? Even tho we love our Caribbean background, we try not to overdo it and force it on the listeners, so we would always add splashes of the Caribbean flavor to spice things up, whether it be in the drums or percussions or how we create the swing or bounce in our tracks or in this case we added the world-renowned steel pan or "steel drums" that originated in our homeland, Trinidad and Tobago. What can listeners anticipate to hear next from you? We already have a few more tracks lined up to release in the next few months where we tried a few new tricks we learned musically in the past few months that we are super excited to share! Instagram Facebook #BUZZMUSIC

Hailing from the West Midlands, UK, Shane Gunnell, professionally known as RABArtist has always used his passion for music to grow artistically. With his early exposure to music, RABArtist was attracted to urban music in 2007 when he started his career 2007 in a group titled, “Sumthin’ Special.” After the group parted ways in 2010, RABArtist began to make music as a solo artist, under the name R.A.B. Going on to collaborate with music sensations Snoop Dogg and Bizarre, RABArtist later changed his name to what it appears as currently. Building his career as a singer, emcee, DJ, and music producer, this multifaceted creative believes that his music speaks for itself as it has the ability to express true passion. Releasing the extended verse to his, “Why’m I High?” remix, we’re swarmed with gently toned instrumentation that is guided by enticing snare rim hits and somber keys. Delving into the conscious essence of the hard-hitting lyricism that RABArtist displays, we are offered up a vulnerable presentation of artistry as we tap into the intrapersonal thoughts that are casting a shadow on RABArtist’s mindset. Pondering through themes of sorrow, pain, and death, we hear the strength ooze from the tonal distinction of RABArtist, as he provides listeners with a cascade of realism. The mesmerizing visuals that have been released to accompany RABArtist’s, “Why’m I High?” remix allows listeners to get lost in the depth in the meaning of the words at hand. Through larger than life scenery of RABArtist can be seen standing at the top of a cliff, backing the ocean, with just himself and a microphone. Placing more emphasis on the actual impact of each word trickling onto the beat, this particular single shies away from deluxe wordplay and places the focus on the message in the music. RABArtist proves to us time and time again that music is a blank canvas to paint your thoughts upon, and he is the maestro with the pen. Welcome to BuzzMusic, RABArtist! Congratulations on the release of your, “Why’m I High?” remix. You truly allow your fan base to tap into your vulnerability with this song. How was the creative process different approaching this track, versus others that you have released? This track is a true honest reflection of how I felt about losing family. It’s different because the first verse was written on the exact day my Aunt passed away, 20/4/20, and the second verse is about one of my Best Friends Colton Bryan who passed in July. 15/7/20. That’s why it’s so raw because I wrote it while grieving. Could you please share a glimpse of what went into the vision of the music video? Did your visual plan turn out the way you had expected? The visions for the video turned out exactly as planned, if not better. I and my content creator/ creative director knew about the location from previous shoots we’ve done near. We sometimes go to this spot to have a think and reflect on life, making it quite an intimate and personal location to us. What non-musical and musical influences do you allow to speak into your work on a regular basis? The influences I allow to speak on my work have to be known experiences. So either thing I've been through personally or know somebody close to me who has been through what I speak of. I always try to stay away from topics I’m not educated in, so literally anything from mental health to discovery, sports, social media. So quite a difference of extremes. From real-life problems that people are suffering with to the everyday common practice. Going through events such as the ones you speak about in this song; how have you grown as an artist? I think going through hardships really crafts the person you are today! Without these experiences, you wouldn’t have the same morals and standards. I think like an artist who lives music 24/7 you kind of become the person who you actually are without hiding behind the smoke and mirrors. Which in turn can leave you quite vulnerable, but I believe in being honest and real. What can we expect to see throughout 2021 from you? 2021 I’m going to focus on writing more. You’re gonna be hearing some production from me and you might even see my face in a film or two. You know I’m not going to say 2021 is my year because I think it’s quite a cliche. So long as there’s progress and I’m helping just one person get through a tough time with my music then the dream is being lived. twitter.com/rabartist instagram.com/rabartist facebook.com/RABArtist

Andrew Frankel attempts to not consume himself with writing love songs at this point in his career. Since conducting improvising orchestras, and experimental concerts for the deaf at UC Berkeley, the six-string electric fiddler and baritone ukulele-wielding singer has long enjoyed songwriting the way some people enjoy sitting down with a Sudoku. As a huge fan of indie-rock, 60’s pop, and 80’s new wave himself, complexity in music has always been alluring, but years of experimenting leads the listener back to pleasant melodies you can sing to yourself walking down the street. In the naturally gleaming light of Andrew Frankel’s, “That’s Not The Sun,” you can hear him delicately strumming along to the pride and joy of his ukulele, as he tones the ambiance down to a more subtle tempo for all to capture the mesmerizing performance he executes. Emanating raw talent at its finest, Andrew Frankel’s gentle and soothing vocal presentation has a knack for allowing the listener to feel like they are in a safe place. Accompanied by his abstract depiction of lyrical genius, we look forward to getting lost in the words that he wisely lets flow. Refreshing tones of the backing instrumentation seep into this piece gracefully. However, the permeating melodies don’t cast a shadow over the undeniable arrangement that is the centerpiece. You are able to confidently take in all aspects of, “That’s Not The Sun,” as each element that ties everything as one, has its own spotlight. Sending you off into the tranquil realm of Andrew Frankel, there is no denying the ease in which he displays his artistic elegance. Polishing together an elusive resonance that stays on your mind when the going gets tough, he has an irrefutable knack for the creative melodies he seamlessly pieces together. Welcome to BuzzMusic, Andrew Frankel! Congratulations on the release of, “That’s Not The Sun.” Could you please share a glimpse into what this song means to you and what you would like listeners to take away from it? It’s about thinking for yourself and not being afraid to enjoy the simple pleasures of life. When people hear the words ‘that’s not the sun you see,’ I’d like for them to look out the window and say, “Yes, yes it is.” How did inspiration strike for the creative aspect of, “That’s Not The Sun?" Sometimes images pop into my head, and I remember seeing a bunch of people squinting and shielding their eyes as they moved closer to a light source. I sort of captioned it with a warning “that’s not the sun” and felt a familiarity about that kind of distrust, denial, and fear, and just kept pulling that thread. What non-musical influences do you allow to speak into the pieces of work that you create? Great question! The video for “That’s not the Sun” features art by Richard Duardo—a close-up of the iconic ‘Kubric stare’ from A Clockwork Orange. But as a fan of surrealist art and absurdist humor, I aim for surreal imagery and double-entendres, and anytime I can work physics or neuroscience into a metaphor I am all for it. What is a misconception that some may have of you as an artist and what is the actual truth behind this? That I’m some depressed or a tortured artist—I’m fine. It’s just that some of my best work comes from moments of pain, and sometimes performing is like picking a scab—you bleed, but you’re not hurt. What can we expect to see from you throughout 2020? More probably. Why stop now? I’m a voice actor so I’ll pop up in some new animated shows, radio ads, and stuff like that later this year. But I really like writing songs, and if I’m able to, I’d like to start live-streaming on YouTube as I have on Reddit singing whatever people type in the comments while improvising piano. It’s fun for audiences because we get to work together making music, usually very silly, and we get to make a personal connection quickly despite being six feet or six thousand miles apart. andrewfrankel.com

Brooklyn-based Songwriter from Tel Aviv, Itamar, interlaces gripping melodies with raw lyricism. He forms adept arrangements supporting sincere, poetic-while-straightforward songs. Itamar embarked on a sonic journey from a young age, initially expanding his expression through saxophone performance and composition. Upon moving to Brooklyn, New York, he became entranced by popular music and contemporary production. Itamar’s music is the product of this departure. With the release of his most recent four-track EP, “Tomorrow Was Today,” Itamar utilizes colossal elements as he recruits the talents of Yoni Marianer and O Mer, in order to bring a true Pop essence into the depths of this project. Zoning in on the first single off of the project, “One to Five,” Itamar offers up a sonic voyage that touches on his intricately fashioned resonance as he allows his audience to connect with his music. “One to Five,” shimmers with buoyancy as the vivid ambiance set in place washes over your entire being. Greeting us with a sprightly sparkle, we become fixated on the intoxicating bassline that oozes with the rhythm in the flood of affluent guitar riffs to keep up with the tight drum patterns performed. The manner in which Itamar’s vocalization delves into the raw talent that he holds has us fully immersed in the abstract poetry he lets speak into his carefully crafted lyrics. Behind the expressions epitomized in the creative details of his tale, an indefinable dreamscape of melodies comes pouring into, “One to Five.” There is a certain execution of the heavenly utopia touched on that adds the extra pep in your step and grin on your face as you listen to this record from start to finish. We have to admit, it’s pretty much game over as soon as the golden saxophone notes arrive in your mind like bees on honey. The unique Jazzy tones lead into the outro of this first-rate masterpiece and we couldn’t think of a better way to do so. Dipping us into a pond of the reality that comes with this crazy little thing called life, Itamar has us queuing up the rest of his EP, “Tomorrow Was Today,” as we speak. Instagram Facebook Twitter

Carl Adams reigns from Atlanta as a Singer, Songwriter, multi-instrumentalist, and Producer. The multi-faceted artist began his musical journey at the young age of 11 years old. He always felt drawn to orchestras' sounds, which led him to sing in choirs for two years. Realizing that he could play songs by ear, he began playing Hip-Hop songs on the violin, later delving into metal songs and familiarizing himself with the ins and outs of a bass guitar at 15 years old. With sounds stemming from Classical, Hip-Hop, Ambient Orchestral, and Electronic, he is eager to share his vast creations with the public. Pushing himself to master his craft by at least 1% every day, Carl Adams is continuously proving himself to be an artist to watch out for. Washing us in the opulent sway of electric chords emitting thunderous strums, we are fully immersed in the anticipation that Carl Adams latest instrumental single, "Detriment," holds. Acting as a fascinating progression of internal buildup, we drift into the mesmerizing musical components that Carl Adams meshes together with delicate synths laying in the background of this mid-tempo composition. The delicate inclusion of the subtle yet compulsory elements that strike our ears throughout this piece has us understanding the attention to detail that Carl Adams carries in his everyday work. "Detriment" brings forth the ambiance of a heavy metal record that works itself up to a massive breakdown; however, that break down doesn't happen in this piece; which we actually find enthralling. The manner in which we energize ourselves in order to transport our minds to the big bang we are hoping for allows us to focus on the sonic journey we are onboard. Carl Adams has us seizing his deep quintessence that he is able to portray without lyrics. That is a musical feat that takes utter talent. Proving to us that all types of messages can be sent with an auditory touch, Carl Adams has us captivated in one fell swoop of "Detriment." Welcome to BuzzMusic, Carl Adams, and congratulations on the release of, “Detriment.” With such a powerful delivery, what went into the creative process of this record? I actually wrote this years ago, but I remember vividly. I picked up tapping as a guitar technique and one day stumbled into the line that starts the song and repeats throughout. Then I realized I could probably add onto it with some different layers and build up to a grand climax. The climax having strings and drums is something I do in most songs, it just adds a new element to keep it interesting, and in my head, that serves as the payoff. In this song the strings and drums serve as the contrast to keep it interesting and really drive that mood home. Writing it was a good time! How does this process vary when you take on a song that is purely instrumental versus conveying a message with lyrics? I love this question. Often, when you have a lyricist/singer, whatever they have to say ends up driving the song. When you make songs that are instrumental, the rules are largely the same. However, instead of having vocals, you have to engage the listener solely with melody, and that presents its own set of challenges. There's a lot less you can get away with if you don't have vocals, so you absolutely have to make the song interesting. That challenge is what makes it the most rewarding and for me, it's always much more fun. What does this song mean to you and what are you hoping your listeners take away from it? This song was written at a time in my life where I was somewhat unsure of myself as a musician, it was hard for me to make a song without the use of the standard verse-chorus-verse-chorus-bridge-chorus formula I was used to. I really had to step outside of the box and figure out how to drive a song without my usual go-to method. But even without all that, I was just sad. All the time. But I was also hopeful. I poured both of those emotions into the song and I think the listeners will pick up on that duality. You live by a deep message of progressing in your craft by at least 1% every day. We love that inspiration! How have you grown as an artist from your first creation until now? I think the biggest area of growth is versatility and intent. As far as intent, I used to write songs that didn't really progress anywhere. They'd have a verse, a chorus, a bridge, and a solo, then they'd repeat in some order. Not all that interesting to actively listen to. But now there are synth layers, orchestral sections, and tempo variations. These different instruments and patterns are all built around whatever the "center" of the piece is. As to the versatility, I went from exclusively being capable of writing metal to writing hip-hop, electronic, orchestral, and ambient songs. The best part is that they all still sound like me. Being able to superimpose my songwriting style on all those genres is something I'm very proud of. What can we expect to see throughout 2021 from you? I have some collaborations lined up with some artists that should see the light of day in the fall or the winter. As far as solo releases, I'll actually be taking this year off but I'll be back in 2022 with a very, very nice surprise. Fun times ahead! Instagram #BUZZMUSIC

Midas hails from Montreal, Canada. As a rapper who has been consistently creating hard-hitting content since 2010, he first started his musical journey by rapping and writing lyrics at the tender age of 16. Using his musical abilities to offer up messages that are about more than money, cars, women, and jewelry, he greatly takes the title of a Conscious Rapper. Through his thought-provoking lyrics dipped in witty quips, he prides himself on his artistic talents in the realm of lyricism. With the release of his second studio album in early 2020, “M.I.D.A.S.,” Mighty Rich uses this opportunity to shine a bright light on what he calls one of his greatest bodies of work. With his influences ranging from his all-time favorite rapper, Nas, to 50 Cent, MF Doom and Little Brother, Mighty Rich takes these musical inspirations and floats certain attributes of theirs into a unique sound that he owns. Mighty Rich recruits Michael Perry in, “I Wish I Can Fly,” a heartfelt record about wishing to reach a higher destination than the current one that he’s in. Through raw vocalization and profound emotion, Mighty Rich pulls us into his cognizant grasp with a warm invitation. By telling a story that acts as a sequel to the movie Paid in Full, Mighty Rich presents the enthralling appeal of his single, “Paid in Full: The Sequel.” With the intense storytelling method that he uses to paint a lively illustration, the weighty bars create a larger than life scene through great lyrical adroitness. As we reach a moment of finer sentiments with Mighty Rich’s releases this year, “I Forgive,” features the vocal talents of Justine Garamani. Using this opportunity to speak about humble beginnings, his childhood, and everything he has had to endure growing up, he opens his heart and mind to forgive the people who did wrong him as a kid. Mighty Rich has exposed numerous sides of his vulnerability as he encourages his listeners to get to know him on a deeper level. As we eagerly anticipate what’s to come in the future, Mighty Rich has raised the bar for his future releases to grace our presence. Learn more about Mighty Rich's music here. Hello Midas, and welcome back to BuzzMusic, it’s always a pleasure when we get to chat it up with you. Congratulations on all of your success through this year. With the uncertainty of 2020, how did this year compare to your other years as an artist? Well, this year was the first I got to put out something proper with the Release of my 2nd studio album 'M.I.D.A.S.' so compared to the years before that it was the best one so far throughout my musical journey despite the Covid-19 Pandemic. What challenges have you faced as an artist throughout the year? How were you able to overcome them? The Challenges I faced this year. Well, I will start off with the main challenge I faced this year and a Major one for that matter. I wasn't sure if I wanted to continue to Rap and at one point thought about giving it all up. I will explain it. Seeing that the sound that is dominating hip hop today is Trap music it kinda deterred me from continuing to Rap a bit because anybody who knows me knows that I am not a big fan of that sound. now have I rapped over trap beats before. Yes, but that was only to keep up with the times cause sometimes you gotta give the fans the type of music they want even if its something that you don't particularly wanna do, mainstream artists do this all the time because they have the largest demographic and the biggest fanbases in the music world but me I don't really like trap like that I prefer either boom-bap or just some original authentic hip hop type of production. That's just my taste. That's always been my taste even as a kid so I was in a place where I felt like I wouldn't succeed because of the type of music that I produce. In the end, I still wanna rap so I have decided to just continue doing me just to see where it gets me especially considering the fact that hip hop is supposed to be diverse which is something that is lacking today. If it gets to a point where I'm gonna have to produce a certain type of sound just to appeal to the masses I will do that because I'm a true artist so I'm able to pull that off but I will still try to be myself at the same time and I will never sell my soul. Out of each release that you put out into the world in 2020, do you have one that resonates with you more than the others? I did this song called "Spiritual Warfare" which is gonna be on my up-and-coming mixtape called 'Mighty,' which should be released sometime in 2021. That's the song that resonates with me the most so far. Could you please take us into what your creative process entails? My creative process into making my music is conceptual for the most part. I hear a beat and I start thinking about multiple concepts that could potentially fit the sound of the beat or Instrumental. Once I come down to the concept that I think is the best one for the track I start coming up with rhymes & lyrics and then it's pretty much on from there. What has been the most important lesson that you have learned in 2020? The most important lesson I've learned in 2020 was that life is certain, mostly because of me getting kicked out of my mother's house and being homeless for 2 months but also because of the Covid-19 Pandemic and of course me almost giving up Rap music for good. I decided I will continue to Rap and make music because I feel like everyone should take advantage of the talent or the gift that God gave them instead of just wasting it. For instance, Lebron James is the most talented basketball player in the NBA today and what is he doing? Taking advantage of the gift that God gave him by not only displaying his incredible skills on the court for millions to see but also winning MVP Awards and NBA championships. What projects and releases can we expect from you in 2021? What are you able to share with us? Like I mentioned earlier I will be releasing a mixtape called Mighty sometime in 2021. No said date yet just 2021. instagram.com/therealkingmidas

Bri Zoli is the kind of artist you desire when in need of a great therapeutic listening experience. As an up-and-coming artist that hails from Brooklyn, NY, Bri Zoli knows all about determination and motivation within the music scene. With great attention to harmony and the ability to deeply connect with listeners, the music of Bri Zoli almost always tends to be remedial in some way, and her latest release of "Lullaby" only fell in line with that declaration. "Lullaby" begins with a transformative collection of rhythmic sounds, stimulating a claiming sensation over listening ears. Soon enough, the soft voice of Bri Zoli integrates within the soothing melody and establishes an even greater potency with regard to the song's tranquil effect. The electronic components of Bri Zoli's sound get easily translated within the fusion of synths, and the contemporary element of her sound is further demonstrated through her vocal performance. Bringing the two together, we receive uplifting and serene expressions of sound, and the product creates a beautiful soundscape to lose yourself in. "Lullaby" can easily make one feel at peace, and that's typically the exerted effect of Bri Zoli, usually followed by harmony and transcendence. If you're looking for a calm listening experience, "Lullaby" is most definitely the song for you. Hello Bri and welcome to BuzzMusic. Considering how impressionable your vocal sound is, what kind of steps went into place in order to create the ethereal vocal sound in "Lullaby?” I definitely had a vision for “Lullaby” for quite some time - I went into the session with a clear idea of what types of sounds I wanted to include and how I wanted it to make people feel. The vibe of this track is what I’ve been aching to create for years, and it’s truly a reflection of my soul. The vocal style really came from channeling the emotion that emanated from the instrumentals. I really wanted people to be able to dig deep and sink their teeth into the story. Serving poetic and mysterious, melodic lines through a soft, almost conversational, the tone felt right for the vocals. Were there any components of the creative process regarding "Lullaby" that made you feel challenged as an artist? Honestly, the song came together so naturally! There was such a strong, creative energy flow in the air during the session that once we had the instrumentals down, the melodies and lyrics came quickly after. Ben Cina and I have worked together on a couple of songs before “Lullaby” so I think going into the session with a clear goal of what we wanted to achieve, really helped us envision the end goal. The only thing we got stuck on was finding a suitable name for the track - we had a couple of ideations but “Lullaby” came to mind after letting the song sit for a couple of months. It couldn’t be more perfect! How do you feel that "Lullaby" compares to other tracks you've released in the past? What makes this track stand out, compared to other electronically infused contemporary singles? I love this question! I like to consider myself genre-splicing and identity with a couple of different sounds and styles as an artist. My first single release, “Your Eyes Only,” is absolutely more electronic and upbeat than “Lullaby,” but I think the same vocal emotion is there. Having that consistency throughout your catalog is what defines your sound and makes you unique as an artist. I’m also really moved by what influences me at the time of creating a track. What I was listening to, how I was feeling, what I was going through. I wrote “Your Eyes Only” three years ago when I was heavily listening to electronic music. “Lullaby” was written one year ago in December when I had strong emotions toward past events. I think standing outcomes down to how you translate real, raw emotion so that it’s just as relatable and interpretable to the listener. How do you feel personal elements of your character are translated into "Lullaby?” Being a classically trained musician in voice and flute, I naturally gravitate towards beautiful, orchestral-like sounds that make you feel something all the way to your bones. As a kid, playing in an orchestra around the world was the greatest form of therapy for me. Being more of a classical musician then as opposed to a singer-songwriter now, I do believe playing pieces by the world’s greatest composers had a lasting effect on how I approach my own work. Haunting melodies with relatable lyrics that linger are what I’m most attracted to as a musician. In “Lullaby,” I wanted there to be a vast and powerful vocal section in the background that simulated a chorus. That might just be one of my favorite elements of the song – it’s like the backbone holding all of the moodiness together while taking you on a trip through an ethereal soundscape. What has been keeping you inspired throughout 2020 to create music? What can we expect to see next from you as we enter a new year? As weird as it sounds and despite the chaos, 2020 has been a great year of progress, motivation, creativity, and collaboration for me. In the sudden slowness we all experienced, it was actually the perfect time to reflect and focus on goals that I might not have had the capacity to hone in on pre-pandemic. Leaning into music was the best way to take my mind off the buzzing energy of the world. Thanks to Zoom and Facetime, sessions have continued virtually and I’ve met some amazing people along the way! Collaboration is such a motivational driver. In 2021, you can look out for another single from me and my debut EP. I’ve been working on a ton of music behind the scenes, and can’t wait to share it with all of you soon! Instagram Facebook #BUZZMUSIC