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Consisting of two true talents, neontown is the dynamic Pop duo turning heads. Jac and Aure are based out of Leeds, UK, where these multi-talented Singers, Songwriters, and Producers, always strive to convey warmth and nostalgia in the pieces they create. Their most recent single, “Neverland,” delves into the fiery spark in which the core of passion is kindled. Illustrating images of wanting to take flight to a place of solitude, the pop ambiance hones in on modern production techniques with the pulsing tempo and electronic elements. Offering listeners an intensified medley of emotions, the harmonious vocalization merges with the uplifting melodies in this zealous story chalked full of lyricism and genuine sonic tones. As “Neverland” progresses, crystal clear images of unhindered love are painted as they prove that there is something so delicate about settling down with that special someone. Genuine love and cordiality are brought to the table as neontown submerges us in an ambiance served on a silver platter. Discover more about neontown here. Instagram Website

AESTHETIC wins fans over with the melodic Pop essence that shines through his danceable singing and songwriting techniques. Using relatable emotional connectors in the music he crafts, AESTHETIC is often compared to the likes of blackbear, The Chainsmokers, and Zedd as he fashions his unique delivery in his own way. Now, after a yearlong hiatus, he returns with his latest single, "Good." The up-tempo rumble of vibrant synths fill the speakers as the pep in our step picks up as soon as "Good" is introduced to our ears. Adding some shimmer to the dark, bass-heavy synths, the instrumentation elements balance each other out in a recipe for success. Acting as an anthem that expresses the positivity in AESTHETIC's mindset, you can hear him taking the high road as he refuses to let any negative vitality cloud the space he occupies. Proud of his accomplishments, he wears his confidence on his sleeve with no regrets in flaunting what he has worked hard for. AESTHETIC holds a hunger in the prevailing tonal distinction his vocals exude. You can feel the energy radiate from his charismatic performance as each harmonious melody shed adds an extra dose of life into this carefully crafted composition. Triumphantly conquering anything that comes his way, AESTHETIC showcases victory in how he conveys his message to his listeners. As his rapidly growing fan base continues to skyrocket, it's no wonder that AESTHETIC is garnering the attention that he is. Continuously putting his best foot forth, we can vibe with the liveliness emitted as we anticipate his next release. Congratulations on the release of, “Good.” Exuding your boisterous persona, could you please tell us; what inspired the creation of this record? Thank you so much for having me! I’m excited to be speaking to you all again. Boisterous persona?! That’s a new descriptor for me but I like it haha. “Good” was actually a track that came together after I opened up a beat I had previously written and shelved a couple of years ago. It’s weird to me that I shelved this beat considering it was one of the better more fleshed-out beats I had personally created. But after recently relocating from Philly to Los Angeles, I opened it back up with a better headspace, and everything just kind of came together. When I first wrote this beat, my ideas for melody and lyrics were completely different than what it ended up being. Lyrically speaking, the track is about me fulfilling my dream of moving out to Los Angeles to pursue music and all of the ups and downs that came with it. I’ve wanted to make this dream a reality ever since I was a teenager strumming on the guitar playing anywhere around my hometown that I could. There’s just an energy about the city of Los Angeles that brought out what I believe to be not only the best record I’ve ever put out but also the most uplifting one I’ve ever put out. Just goes to show what a change in scenery with some nicer weather can do. Haha. What did the creative process look like when fashioning “Good?" Fundamentally speaking, the creative process wasn’t all that different from my previous releases. All of my songs start off being written on acoustic guitar before they get entered into Logic Pro X on my laptop. I will say that the energy of this one is definitely happier and more uplifting. I impart that on the fact that my new apartment here in LA has much more natural lighting flooding into my home studio than my place back in Philly. The way I see it, this year has been a tough one for many, myself included. I felt that it was high time to inject some positivity. And for me, that came in the form of a feel-good track about living my dream and proving all of my doubters wrong. I could have listened to all of the kids in my hometown who told me I couldn’t sing, write, or whatever back when I was 14 and let my dreams go dead in the water. But against all of the odds of 2020, I made it happen and I’m so excited to be promoting my 5th release as AESTHETIC. Being compared to the likes of Blackbear, the Chainsmokers, and Zedd, how do you let their art speak into your creations? I would say The Chainsmokers and Zedd laid the groundwork for me breaking into more electronically driven pop music. I actually come from a more punk rock background so shifting to these sounds and styles to tell my stories was an interesting process for me. When I launched this project back in 2018, my first single “Happy Again” was very much driven by melody building up to the drops as is the case with most EDM music like theirs. For this release, while that all still played a part, I think the lyrical influence of artists like blackbear and Marc E. Bassy played a bigger part for me. I felt that the lyrics and melody had more confidence and attitude in them compared to my previous releases and that is a big reason why I listen to both of those artists. While I love and appreciate those types of comparisons, I think the beautiful thing about pop music is that it is such a fluid genre. The styles that were hot yesterday aren’t always the talk of the town tomorrow. So while I always point to those artists as major influences for me, I think that “Good” is just the next step for me and my evolution as an artist. I believe that this record and all that I have planned for next year just goes to show how refined my own sound as AESTHETIC has become. What has been your biggest takeaway from 2020? My biggest takeaway is that this year is insane and we all need to get out of it as soon as possible. Hahaha. In all honesty, my biggest takeaway from 2020 is just perseverance. No matter the odds, always bet on yourself. Good things will happen. You can make your dreams come true. Just have to find a way. As difficult as this year has been, it challenged me in ways that have made me better as a person and as an artist. I’m very much excited to carry this momentum going into 2021, and so excited to put 2020 in the rearview. What can listeners anticipate to hear from you in the coming year? In addition to “Good”, I have another song locked, loaded, and ready for early 2021. This next track is going to be very different from all of my tracks to this point. I plan to shoot a music video and I’m so excited to hear what people think about that one. Good things to come in 2021!...pun intended hehe. Instagram Facebook #BUZZMUSIC

Los Angeles-based Influencer and Artist Chad Tepper teams up with trio DREAMERS for the release of their exhilarating single "I Wanna Be Your High (feat. DREAMERS)." Originally from Orlando, FL, Chad Tepper has seen extensive growth within his music career over the past five years. Having moved to Los Angeles in 2015, there was no stopping Tepper as he'd soon go from homelessness to over 5M followers on all social media platforms. After writing alongside artists like Mod Sun, Lil Xan, Sean Kingston, DREAMERS, Cheat Codes and DeathbyRomy, Chad Tepper demonstrates vast talent and dedication to his craft. With his latest single, "I Wanna Be Your High (feat. DREAMERS)," we hear an incredibly tight Alternative-Rock anthem that leaves the listener feeling nothing but exhilarating. While Chad Tepper and DREAMERS push the song with desirous and playful lyricism, we love the energy and heart that they've infused into this powerhouse single. Listening to "I Wanna Be Your High (feat. DREAMERS)," the track opens with a blistering electric guitar whaling in the foreground, while a punchy rhythm guitar and sweet bass licks lay in the background. Once Chad Tepper makes his vocal appearance, he begins singing of the many regrets he's lived while wishing to be someone's sweet escape. The instrumentals are incredibly tight and energetic, as DREAMERS and Chad Tepper have fueled this song with expansive sounds that settle in the heart of exciting Alt-Rock. Indeed a dynamic track with help from the heavy instrumental breakdowns and transitions, we can feel this overall sense of life and belonging after experiencing this punchy single. Chad Tepper and DREAMERS have our heads bopping with the release of their anthemic hit, "I Wanna Be Your High (feat. DREAMERS)," and we're highly anticipating more punchy and exciting tracks from Tepper himself in the near future. Instagram TikTok

We love shining the spotlight on Los Angeles based Artist, Singer and Songwriter, Lyra Star. As one to engage us with her captivating vocals and themes that weigh heavy on the emotions she exudes, Lyra Star manages to illustrate a picture wherever she goes with her in-depth storytelling talents. Her most recent single “Light,” paves a relatable path to anyone who has undergone the heartache from a lost love. Delving into the delicate piano melodies accompanied by the song's natural atmosphere, Lyra Star has fans gravitating towards the emotional connection exuded that in return allows them to not only hear the music but to feel it. Floating upon the chilling performance she delivers, we remain committed to the fervent journey we set sail on in, “Light.” Capturing our hearts with her warm embrace, Lyra Star glistens as the fiery passion in her ignites with no sign of burning out. Discover more about Lyra Star here. Instagram Facebook

TerraTara reigns as half-Italian, half-Irish, North American Singer and Songwriter. On top of her vocal and written flairs, she is a multi-talented musician gifted with playing the mandolin, guitar, piano, and various types of percussion. Her artistic versatility ranges from traditional Eastern European sounds to a Middle Eastern essence, all the way to Americana Folk music. After a tragic event led her to take a hiatus from the music industry, TerraTara returns with more motivation than ever. The first single she is eager to share with the world since her reappearance is the charismatic “Ain’t Gonna Let Them.” Accompanied by striking visuals, TerraTara shows that she is here to stay. The worldly influences that TerraTara allows to speak into her music shine bright in the performance of “Ain’t Gonna Let Them.” The minimalistic grace of the instrumentation resonates on its own wavelength as it graces your thoughts with ease. Fueling this record with empowering harmonies and a robust vocalization, TerraTara dominates in all aspects of this traditional and buoyant showcase. As she expresses her rebellion against the ones encouraging her to conform, she puts her foot down in this powerful delivery of the message she sends out. The simplicity of the music video remains rather elegant as TerraTara can be seen playing the mandolin in the middle of a path surrounded by greenery amongst a fielded area. The longer angled shots zoom in and out on the artist as the camera follows TerraTara exhibiting her polished essence. Catering to a diverse audience as she ignites the burning passion within her, TerraTara proves to be making a colossal impact on society as we know it. Carefully placing her talents on a podium, the pep in her step coincides with the organic nature in which she has her listeners flocking towards her. Hello TerraTara, Congratulations on the release of “Ain’t Gonna Let Them,” and welcome to BuzzMusic. We love how your multi-talented skillset is placed on display in this record. How did the inspiration for “Ain’t Gonna Let Them,” come to you? The inspiration came to me from the convoluted lies on mainstream media. How they bombard with you information that is unnecessary. And they create storylines that are meant to shape your mind and control your actions in a certain way that you might not realize. And it's only by not tuning in, can you stop it from poisoning you. Let’s talk about the graceful execution of the music video. Was that always the vision for this record? Rails to Trails, in Slocan BC., is an old railway along the Slocan Valley river. The location represents the ancient transformed, the overgrown past, the antiquity of 20th-century technology. It's prophetic of the future and mirrors what has yet to become. Walking forward is the only way to overcome taking charge of your life. After your hiatus, it must have been a while until you were back in the studio. Could you please take us into what the recording session was like when creating this song? How does it feel to be back? It was as natural as ever going back into the music studio. Taking a hiatus was from playing professionally. I never stopped playing music. I just shifted how and where I played, focusing more on ceremony style playing these last few years. However, I plan on releasing 30 more songs in the near future. What would you like your listeners to take away from the melodies that you create? This song is less melodic and more piercing. It's more about the lyrics getting heard and coming through and the rebel energy surrounding it. I made the mandolin melodic to balance the straightness of the melody line. I hope that people are inspired by it, in whatever form. What has been keeping you inspired throughout the challenging year of 2020? Resistance keeps me inspired in 2020. Be careful with what you accept. You might build a reality around you that is the opposite of inspiration and freedom. Instagram Facebook #BUZZMUSIC

Hip-hop artist Crazy City has deemed himself The Wolf of New York as he brings forth his conscious, reality-based style to the music industry. From his southpaw flow, visual rhyme patterns, and captivating hooks, Crazy City is a stand-alone powerhouse with a vision of his own. With his latest single, “Knew Me,” Crazy City recruits artists M6, Mad Bling and JG as he continues to establish his name as an up and coming artist making larger than life moves. Buried in the depths of “Knew Me,” there is a menacing essence brewing. The record carries forth the dominance of heavy hitter Crazy City as he approaches the mesmerizing instrumentation with a hunger in his vocal performance as The Wolf of New York. Demonstrating his slick cadences that ride the beat like a California wave, Crazy City radiates a spirited confidence in his lyricism that we all secretly wish we had. “Knew Me,” illustrates a representation about how the world will go on thinking they know the real you, but as soon as you follow the ever-growing evolution that life has set out for you, they put on a façade and decimate the relationship in which they were once present in your life. Draping the leading quintessence of the record in Crazy City’s passionate verses, his lyrical abilities are complimented in a vibrant manner with each artist on this track offering up a diverse flavour. Passionately rapping about how he had to do everything for himself until he found the fortifying support that he can add to his Wolf Pack, Crazy City’s performance is a hard hitting groove in the realm of new wave Hip-hop as it holds elements from the nostalgic fundamentals Hip-hop was raised on. Leading the pack, we know this won’t be the last we hear from Crazy City as he continues clawing his way to the top. Congratulations on the release of “Knew Me.” Welcome to BuzzMusic, Crazy City! We felt like we were able to learn a lot about who you are as an artist from this record. How important do you think it is to be vulnerable with your fans while spreading your music? Thanks a lot, when recording my music all I want to do is to get my message across as best as possible. I think it's important to stay truthful with my fans as I call them wolves, to understand we are all fighting the same fight, it doesn't matter what color crayon you are in the crayon box we are all in it together. Could you please take us into what the creative process looked like for “Knew Me”? To be honest, I was thinking of an action/thriller movie with fast-paced action. As you can hear from my verse it just boom, boom, boom, right to the point. The featured acts also played their part in this movie as you listen to the build-up. How was your experience collaborating with M6, Mad Bling, and JG for this track? Collaborating with these artists was great, the energy from all of them made this song what it is. M6 with is a hardcore street and I am going to teach you vibe, Mad Bling with his joking but the still serious vibe, and JG with his making money and this is me now vibe, everything just matched up perfectly. Also, they are very good at what they do, so this was very high energy and quick knockout song. What words of wisdom would you give to anyone feeling like a lone wolf out in the world? If you are feeling like a lone wolf just know that you are always going to be hungry and there are 24hr's in a day, which means you have to get up and do something for yourself. Doesn't mean you need to make a million dollars right now or run the biggest company, just work on yourself and your goals every day. If it's just reading 5 pages a day it's something, if it's just doing 10 push-ups and jogging up the block it's something and the best part about it's for you. Remember this, there are kids born in this world with issues and dying of cancer and wish they could have your life, so fight till you die for those that can't fight. One last thing, real support is going to come right when you realize you need to support yourself first. No one in this world is going to live for you, in this world we call life. What has been keeping you inspired in 2020? What can we expect to see next from you, as we enter a new year? What kept me inspired in 2020? Realizing that I don't control what's going to happen tomorrow, we are in this weird time of sickness, hate, and honestly the wild, wild west. Why sit and wait, when I know how talented I am, I have a legacy I am building for myself and I am the only one who can do that for myself. Waited before and that didn't get me anywhere, just stress and life telling me you can't run away from what you are supposed to truly be doing. What can the world expect from Crazy City? "Knew Me" the music video releasing around the end of this month, my project Wolf Season releasing the top of 2021 mostly in January. More music, more content, more podcast episodes from "Vision, Vibes, and BS", more things coming out of Hostile Flight Music. It's a Wolf Thing...Crazy. instagram.com/crazycity13 hostileflightmusic.com

Holding true to their reputation, Attic Light has been described as "somewhere between Depeche Mode and Prince." With frontman Nathan Bowman leading the band in a fully energized and stimulating rock style, this hard-hitting group is also made up of Patrick Rippeto, showcasing rhythm on the bass, Michael Pittman drowning us in lush guitar licks, and Joseph Dillman flaunting tight drums patterns and exhilarating keys. This Kansas City-based band has become well-known for their energetic and eccentric live performances, which have made the band a distinct presence in the Midwest. Their latest album release, "These Exiled Years," features seven of the band's favorite tracks recorded both in Nashville with producer extraordinaire Dohse of AGD Entertainment. Shining that enlightening focus on the hometown inspired dance single, "Hot in Kansas City," Attic light wants you to know that they are working hard on their evolution. "Hot in Kansas City" instantly transports you to a vibrant night out with the weighty rhythm and funk elements presented in the composition. Taking a nostalgic voyage through the eras, we can pick up on a little something from the 1970s to present day intoxicating melodies that shower us with nothing but good vibes raining from the speakers. Oozing with opulent guitar chords, booming drum hits, mellow bass grooves, airy synths, and resonant, charismatic vocals, the progression of the tale, which is "Hot in Kansas City," has us wanting to book a one-way ticket to the Jazz infused town to fuel our souls with the passion that is emitted in this record. Flowing together in an unforced manner, the likes of Attic Light fit together as seamlessly as a jigsaw puzzle. Each member brings forth a fortified presence as they complement one another through each melody performed. Although Attic Light has taken a hiatus most of 2020, you would never guess that was the case with the solidified content that they exude as they continue to smother us in reverberated delicacy reminiscent of better days. Inspiring us to let loose, dance a little, or a lot, and to get lost in the music, we can eagerly say that we're ready for what comes our way. Congratulations on the release of “Hot in Kansas City,” from your album “These Exiled Years.” With the wild dynamic that you all have, could you please tell us; how did Attic Light come to be formed? Nathan and Patrick were the two original members. They've been playing music together since high school and collaborated on several other music projects before forming Attic Light with another guitarist and drummer. After our first year (ish) as a band, Mike (guitar) and Joseph (drums) joined. Everyone in Attic Light comes from a fairly different musical background and has different tastes which we enjoy. Each member brings something different to the songwriting process. We are constantly sending each other songs to listen to so we can see what is influencing each member at the time. What was your inspiration behind “Hot in Kansas City,” and the entire album “These Exiled Years”? "These Exiled Years" is a collection of songs we had previously recorded, but never released as a collection together in one EP. We had written and recorded a few more songs, but we feel that the songs of this EP best reflect who we are as a band. When we write, we try to make sure every song has a strong beat. Our tagline has been "Midwest Dance Rock." We try to write music that people can move to, and we think this EP can do that! What encouraged you to make “Hot in Kansas City” the single off of the album? "Hot in Kansas City" means a lot to us as it's about our hometown. The song has a few influences. "Kansas City" is an old blues standard with a long history of being covered by artists from The Beatles to Mumford and Sons. That old standard is about going to Kansas City for a good time. We wanted to invoke the spirit of that classic, with a funkier attitude. When Nathan was composing the song, he was really drawn to the syncopated dance beats of Prince which inspired the song's overall feel. And for those who don't know, "City of Fountains" is a nickname for KC. If you listen to the song, that'll make sense... Nearing the end of the year, what was your biggest lesson learned as a band in 2020? Off...so many. One is that you really can't plan for much in the current atmosphere. Many bands say this, but it is certainly true of us as well, we are very much a live band. We love playing shows. That has always been the backbone of what we do. Maybe we didn't record as much as we would like, maybe we weren't on social media enough, but we played A LOT of shows. With live shows no longer an option, we have had to learn how we can still be productive and keep things moving forward. What can we expect to see next from you? We have been writing a lot of songs. We are going to begin releasing a steady stream of singles beginning in 2021. A silver lining to taking a break from playing live is that it's allowed us to focus on new material, so we are very excited to start recording again! Facebook #BUZZMUSIC

The Los Angeles-based Latin Artist and Singer/Songwriter The Melody releases an empowering breakup tune titled, "20/40." The bilingual creator has been delving deep into music since before she can remember. With a name like Melody Florez that rolls off the tongue, it's no wonder why The Melody came into this world singing. Listening to a wide variety of music from Fleetwood Mac to Carlos Vives helped The Melody narrow her sound while fueling her wild and vivid imagination. Celebrating her life's journey through her music, The Melody encourages her audience to listen to her messages carefully, as they're bound to find a connection. With her recent release, "20/40," The Melody offers a sweet Latin-Pop tune through highly modern production that sets a warm and inviting atmosphere. The highlight of this track has to be The Melody's natural power and confidence, as she shines her beaming vocals over the bright tune while singing of leaving someone who can't seem to treat her right. We're excited for listeners to get to know this song, as it ends the year off with a bang. A bright percussion pattern opens the song, "20/40," while the background drips with reflective and somewhat sensual acoustic guitar melodies. As the percussion begins to expand, giving us a taste of Latin culture, The Melody comes in and starts singing of the bittersweet love she's received and wishing to flee from someone so ignorant. We love the confidence that The Melody gives listeners through her powerful lyricism. This mid-tempo tune is highly rhythmic, as the supporting production/instrumentals get the listener out of their seats instantly. We have our undivided attention locked into The Melody's broad vocal range while she expels her lyricism with incredible passion and emotion, making her message all the more powerful and relevant. Ending the song off on a warm note, we're head over heels for such an empowering breakup tune. The Melody is making breakups easier and easier, especially with the help of her self-sufficient single, "20/40," reminding listeners to seek the love they genuinely deserve. Hello THe Melody and welcome to BUzzMusic. We sincerely appreciate the power and confidence you've delivered with your single, "20/40." What inspired you to create an empowering breakup tune? Rather than a saddened one? The inspiration for this song started when I was on vacation in Cuba with my best friends and ex-boyfriend. I was paying the woman of our Airbnb in cash. I was counting out the cash in Spanish (20, 40, 60, 20, 40, 60, 80, 100), and my boyfriend looked at me and said, “Babe, you should make a song like that.” After that, I could not stop playing with the idea and it soon evolved into a melody. I swear everything in Spanish sounds much more interesting (LOL). The melody I created instantly just sounded fun and energizing, and I wanted to maintain that same vibe with the lyrics. I wanted to write an anthem that symbolized my ideology in life, which is to never settle for less than you deserve. Technically the song is not supposed to be centered around romantic relationships but rather life itself. 20/40 is meant to be relatable to every demographic. I am expressing that it is never too late to make a change. It doesn’t matter how old you are or how deep you are in, what matters is your self-worth, your self-respect, and your personal growth. I want this to be an empowering anthem about taking the reins of your life because our existence is too short to be lived unhappily. We all need to expunge ourselves of the toxicity we let control our lives. I do think there are plenty of sad break-up tunes out there. I didn’t want to create that kind of atmosphere for this song, especially because it was not directly associated with any personal relationship of mine. I also don’t like looking back at my past relationships with a bitter or somber mindset. I truly do think I have grown tremendously from my past relationships, and in particular with the ex that gave me this idea, to begin with! :) Speaking of the bright sonic atmosphere you've created with "20/40," what did your creative process look like when finding the right sound and feel for the song? When I came back to California, I immediately reached out to my producer at the time, Sam Garrett. He is an all-around talent and him and I were always musically in sync; it was as if we shared the same brain sometimes. I sang him the melody and he had the song mapped out on his acoustic guitar right away. The song evolved from there and throughout the process, the beat became more and more danceable. I knew I wanted something poppy, with a reggaeton influence and Afro- Latin, tropical percussion. I rewrote the lyrics multiple times. I gathered different percussive parts by listening to Latin music extensively and going through hundreds of sounds on ProTools. Sometimes communicating all of my ideas to Sam was challenging because the song could’ve taken so many directions. We spent so much time working out the length and the dynamics of the song. At one point, I had a whole extended bridge that I was going to have my friend rap on. At the end of the day, we just decided to go back to the basics and uncomplicate things. Sometimes less is just more. We spent years going back and forth on this song, and months at a time away from it. It was a huge accomplishment to finally finish it. I felt like it was my baby (LOL). We've noticed that you also released a music video for "20/40." How does the music video honor the empowering lyricism within the song itself? The music video means so much to me because this was the first professional showcase of my music. Having a visual to support my vision is so exciting. It’s very self-explanatory about what is happening. I do think the acting totally honors the lyrics and meaning of this anthem. It was very important for me to have a diverse group of people come together to strongly express the symbolism of 20/40. (FUN FACT: EVERYBODY IN THE VIDEO IS MY CLOSEST FRIENDS AND FAMILY.) The video portrays four women leaving their partners and celebrating their decision afterward. It is all a metaphor for self-love and self-worth. We hold the key to our happiness. It is up to the individual to choose the life they want and deserve. It is never too late to take a stand and to leave behind what is no longer serving you. I was very adamant about wanting to include an older audience. I feel like sometimes the elderly are forgotten and I don't agree with that. My grandmother is my role model, and she is one of the stars featured. I wanted to make sure there was no ageism in this video; this anthem is meant to be for everybody. It frustrates me to see people feeling “stuck” and without recourse. It saddens me when I see people being complacent (myself included at times) about their situation; I feel that is such a detriment to our society. This song is out there to encourage people of every age group to take action. There is no clock on your happiness. The best part about this video is that it is a universal topic everyone can find comfort in. Everybody wants to be happy and to be assertive. I think that life-changing behavior needs to be celebrated and should never go unnoticed. We must note that within your single "20/40," you're absolutely glimmering with confidence and poise. What did you want listeners to feel after hearing the song? Thanks so much! I want my listeners to feel strong and empowered. I want them to feel like the sky is the limit! I want them to know they are worth fighting for and they can always turn their lives around. If someone or something is not giving you 100%, know that the only thing preventing you from moving forward is yourself. There is always a way out. You need to self-reflect, analyze, and diagnose what the problem is and how you’re going to fix it. I want my audience to exude passion, self-love, and confidence! What has been keeping you inspired throughout 2020? What will we be seeing next from you as we enter a new year? This year has been the weirdest year of our lives. I have had my ups and downs especially when it comes to my creativity and my career. I like to be transparent. I won’t lie that I struggled for a long time to want to put this song and video out to the world. It never seemed like the right time. There has been so much sadness and confusion circulating this year, and it took these last couple of months for me to re-find my motivation. Now I feel like I have regained inspiration, and I couldn’t be more excited to release 20/40. The time is now! I am ready to present myself as an artist and to delve into my Colombian and American roots. I am ready to build a connection with my audience. Despite the dysfunction, we have all been exposed to recently, I never stopped writing melodies. I never stopped wanting to share my experiences and my music with others. This year expect me to fill your ears and your eyes with color and excitement. Expect to listen to music in both Spanish and English, and allow me to show you the versatility of my character and my talents. Expect music that is raw and authentic. I want to present myself as a well-rounded artist, one who writes, dances, sings acts, and creates. I am really looking forward to 2021 and expanding my horizons. I want to push the envelope and step out of my comfort zone! Instagram Website #BUZZMUSIC

Known for their unconventional genre-bending fusions that combine sounds from far and wide, Drenalin reigns from the great city of Cleveland, Ohio. The edgy and hard-hitting band consists of Dan Gutschmidt slaying the vocals and keyboard, Justin Karallus immersing us in his vocalization, Justin Fuller providing electric sounds on lead guitar, Nick Galbincea serving up rhythm guitar and backing vocals, and last but not least, Mike Scarvelli executing tight drum patterns. Formed in 2005, they are best known for their huge contribution in sports broadcasting with composing for the MLB, NBA, NHL, LFL, and MMA. Drenalin holds their greatest achievements at a high standard as their nomination and award list includes, five Promax Award wins, two Emmy Award nominations, and one Emmy Award win. “24k,” is a top contender in the heavyweight division with the electric Metal and Rock filled anthem they exude. The intoxicating energy behind “24k,” surges through your sound system as the enticing musical progression delivers at a high voltage. The magnetism within each carefully crafted lyric defines the genre fused composition in a captivating manner. As we hear each guitar lick shredded in coalition with the rhythmic drum patterns, we feel the passion and anticipation shake the core of our very being. Triumphantly putting forth a message of conquering everything they have set out to do, Drenalin sets forth on a mission to dominate with each word that is shed in this creation. The expressions of “It’s time for thunder, it’s time for pain,” in the lyrics, send relatable words of reinforcement to the fans and listeners of Drenalin. Showing the wide range of artistic versatility that Drenalin holds, this song has us dripped out in angst as we reassess our flair. Drenalin as a collective and as individuals present a colossal performance that leaves it all on the table. This record is not only an anthem but a soundtrack to life as we set forth on our grand mission to do everything we can on our route to success. From each enthralling element that Drenalin exposes, “24k” is placed high on the totem as they assault the beat holding a victorious dominance. Hello, Drenalin, congratulations on the release of “24k,” and welcome to BuzzMusic. With a record that operates at such a high caliber, could you please take us into the creative process of this piece? The inception of this song started with an athlete in mind. We wanted to capture the adrenaline, perseverance, and glory of victory associated with sports in this song. During the writing process of the song, we transitioned to writing it with the intent to emphasize a strong female athlete and came up with a complete rewrite of the lyrics. The gold medal or trophy is the pinnacle of any sport and the motivation for every athlete to be at the top, for them to “shine like gold”. With all of your involvement in sports broadcasting, do you allow that to speak into the music you create? If so, at what level does it influence your creations? When we have the inspiration for writing a song for an athlete or a particular sport we try to encompass the “getting pumped” feeling! Directly correlating to our name, Drenalin, we try to harness and project the sensation of adrenaline, that feeling that can make or break the outcome of a game, the feeling that can give the athlete the last bit of energy they need to succeed and claim victory. Just like music genres, there are many sports genres and variations of athletes; we pride ourselves on the ability to provide the music for so many different athletes to enjoy and help them achieve that “W”. If you could pick a favorite lyric in “24k,” what would it be? "Do you get the picture, or do you need me to build you a bigger frame?” We thought that was quite clever and visual at the same time. Is “24k,” a representation of what we can expect to hear on your forthcoming album? The upcoming album, 'Unrestricted,' contains many genres spanning from rock, hip hop, electronica, and symphonic. “24K” is by far the heaviest song on the album and probably the heaviest song that Drenalin has ever written. We wanted to give our fans a taste of the “new” Drenalin as we have not released any material since 2018, while at the same time giving them the heavy and riffy Drenalin that they have loved over the years. This year has been a crazy year for all of us. Did the band face any challenges, if so how did you overcome those challenges? Answer: To be honest the lack of shows allowed us to put all of our efforts into finishing the upcoming album as well as shoot and edit music videos. So this year was actually a blessing in disguise for Drenalin. It was hard not playing out and we have just started to do live streams so hopefully, that will satisfy our itch to play live until things return to normal. Instagram Facebook #BUZZMUSIC

When the globe come to a crushing hold during the pandemic early in march, musical projects and life as we knew it had to be placed on the back-burner. This was not the mentality that Brett Copeland, the protean rocker from Laurel Canyon, California, had when the beginning of a dissimilar world was beginning to set-in. Writing in a bungalow alongside Justin Smolian, the bassist for Dirty Honey, and with a festering throat infection on the rise, the unwavering singer-songwriters devoted their combined talents to create a blood-thirsty hard-rock song that plunges into its psychedelia-infused counterparts and presents kaleidoscopic, profound, and compelling in design. Like a sinuous journey through one road-block to the next, "Ruse" stands as a testament to the resolute rock phenomenon Brett has become. Finishing the recording with an infection that stripped him of his vocal range, the adaptive intoner took measures to redefine and bend how the song rendered-up, festooning his masterpiece with a hall-mark falsetto performance that compounds with its scorching instrumental counterparts like gasoline on a well-stocked fire. Recorded in Joshua Tree, processed and refined by professionals in Brazil, and in Pioneertown, by the notoriety mixer Chad Shlosser, this song has a tumultuous rearing that reflects in the message it effortlessly defuses with each scintillating guitar riff, bombastic drum fill, and resounding lament. Inspired by the maniacs driven by ego and the thirst for power who govern the world, "Ruse" comes intrinsically imbued with an undiminished sense of urgency. Over a blistering tempo, Brett and Justin corral their industrious instrumentals with magnetizing sonic characteristics that feel like a blend between Rush and the hyper refined mechanics of a band like Muse. Inaugurated with a finite display of precision and mixed in with unrelenting weight behind each stroke, the drums come bouldering down on the ride-cymbal while Justin's futuristic bass-line arpeggiates at a speed that would make you think he's half-robot and half-human. As the brooding guitars accentuate every crashing anthemic uproar, Brett's unmistakable vocals stack up to form a unified top-line that works in tandem with the hyper-driven orchestration working its magic from behind. As he sings, the dynamic spaces of the mix swell and stretch in conjunction with Brett's utterly affecting performance, decrying the suit-wearing puppeteers responsible for the dismal fate of society, and bolstering the notion that there are only survivors left: "they rule the minds, lead from behind, you commit their crimes, and this time, there are no heroes - there's only survivors!" "Ruse" is a super-charged spin into a burning anthem that gathers from the touchstones of psychedelia, and new-age rock, conferring them together like a radical sonic composition that reflects a blinding beam of adhesive orchestrations to anyone who gets close enough to relish it. When the bridge reaches you, after the guitar solo tears-up your ear-drums with its ravaging jurisdiction, it's like getting sucked into a wholly redefined world of rock music; where the drums have an endless drive, the vocals captivate the heart, the guitars burn with ardent passion and the bass-line rolls over you like a bulldozer. On "Ruse," Brett Copeland reminds us why members from Guns N Roses, Grandson, Velvet Revolver, and Billy Idol have no reservations about working with the budding L.A. rockstar. Can you tell us about some of the emotions that led you to be inspired to write a song like "Ruse?" How did those emotions end up affecting the performances you captured when recording? The writing process was intense and there were a lot of drastic emotions surrounding the song. The first time I heard Justin play the bass riff at my house in Laurel Canyon, I had just performed at a sold-out - at capacity event at the Troubadour. Justin came by the next day and I was still buzzing from the night before. The emotions on that day were ones of elation, joy, and excitement. And then, almost overnight, the Covid lockdowns started, and the world found itself in the grips of a terrifying global pandemic that the majority of the entire planet was terrified of. The news was peddling terror 24/7. The not knowing was terror. The conspiracy theorists' theories were terror. The emotions then were of fear and confusion. Subsequently, not long after, I became very, very ill. I was bedridden for weeks. I was sicker than I had ever been in my life. When I felt good enough to sit up in bed, I started writing bits and pieces of lyrics and melodies to the song. At that point, the emotions were: more terror, confusion, and anger. Before Covid, I had made it a point to stop reading the news. During covid, at that time, I was glued to it. I started seeing a lot of crazy things happening around the world. Even in my inner circle - shit was getting crazy. People were getting arrested for surfing on deserted beaches. All of the trails were taped up. Civil rights were being violated arbitrarily around the world. Covid had infiltrated not only the health and emotional stability of the world's population - but it had also become a tool - a political tool that created mass hysteria, riots, protests, and a great divide in popular opinion. At that point, I had enough. My wife and I left Laurel Canyon and moved to Joshua Tree to get the f*ck away from everything. The emotions at this point were: relief, anger, confusion, and fear. The fear was because I was still a little sick and for months I had lost my voice. I could only speak in a whisper. I feared I may have lost my voice forever. But I still wanted to finish the song and the lyrics were all completed. When I laid the first vocals down to get the ideas out - I could only sing in a soft falsetto. That's all the voice I had in me. The final emotions were excitement, clarity, and satisfaction. Ultimately, I got my voice back and I was stoked. I recorded the song again in my home studio with a full voice. Ironically, Justin suggested I keep the falsetto in the verses - and the rest was history. I feel very satisfied with the song. The emotions all found their way into my performance in a unique way because the vocal parts were sung at different times of the pandemic. It was difficult to make happen due to the lockdowns. The instrumentals were recorded remotely at Justin's apartment and his bandmate's lockouts. No studios. The vocals were done in my home studio in Joshua Tree. The mixing was done in Brazil and Pioneertown. For what technology we had at our disposal, I think we made a rad song. What were the influences you drew from both musically and otherwise for "Ruse?" Are these inspirations and influences common-place in your musical process nowadays? I was heavily influenced by world events. The pandemic is unlike anything most people have ever or will ever experience, so I definitely don't think the influences or inspirations are common-place. As far as musical influences, you would probably have to ask Justin Smolian. He wrote the music. When it comes to the insanity behind "Ruse," do you feel like you've learned anything new about yourself personally as an artist? Yes. I learned a lot. Primarily, having been so sick and not being able to sing. There was that moment when I was definitely asking myself, "It's been four months. I can still barely talk. Will I ever sing again...?" That's when I realized more than ever just how much singing means to me and what a major part of my life it is. I will never forget that. I also learned that I may have been naive and a little blind about how world events go down. If you could give your audience a few words that would act as the prologue to the intended experience behind "Ruse," what would you feel the need to express, and why? I would tell them: Wake up! Be aware! Many of our leaders are no longer leaders. They are affected by "celebrities" maddened with power. They only care about their power. And they will do whatever it takes at the expense of humanity to fulfill their ego's lust for power. Listen to this song, and the lyrics, and get ready to want to break free. What can fans anticipate to hear next from you? I have a LOT of material being released in 2021. Including a bunch of cool covers and collaborations recorded remotely with my talented friends. Follow me on Spotify for all of my latest releases. Instagram Website #BUZZMUSIC