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Toronto’s own Specyal T returns to the stage with her long-awaited album, ten years in the making 'A Specyal Remedy.' After years of experience in the industry and adding doses of projects to her “Dose of Distinction” trilogy, Specyal T has carefully placed the final touches on the layered trilogy. Having 500+ shows under her belt and a variety of radio airplay across the world, her music has never failed to speak whole-hearted messages. Specyal T unfortunately, experienced the loss of her daughter three years back; with this life-altering event, she uses her music to overcome obstacles and pay tribute to her late daughter with heartfelt lyricism. Specyal T’s album 'A Specyal Remedy' opens with the groovy R&B intro track “Box Food.” As the hi-fi kick opens on its own, Specyal T’s vocals open full of breath and passion sang in an intriguing low octave. Also, incorporating a jazz approach through melodic piano and warm bass lines, “Box Food,” is a groove we can get down to every day. Moving into a more mid-tempo approach to jazz/blues with “Yorkshire Pudding,” Specyal T exudes sexuality on this song, pulling in a sensual and vibe through her detailed lyrics of fantasies and getting lost in thought over someone. The underlying jazz beat perfectly lets Specyal T’s vocals stand clear on their own. Opening with serene electric guitar, the next song “Three” brings a mellow atmosphere from the beginning with a soft down-tempo beat. Specyal T’s layered vocals serve us harmonic melodies that are the highlight of the album so far. With an incredibly unique style emphasized on “Three,” she takes another beautiful love song to an authentic level. Keeping the melodic electric guitar moving with the next track, “Even Tho,” Specyal T finds another way to appreciate someone by letting them know she could never spend too much time with them. With mesmerizing low octave notes again, Specyal T vocalizes similar to Missy Elliot, with power and poise. Bringing the modern R&B vibes back up with “Your Place” Specyal T emphasizes how she feels her best when around her significant other, and how they bring out the best in her. This track radiates ambiance with a mix of modern R&B and a light touch of vibrant deep house. We love her dynamic transitions between songs, with Specyal T’s next track, “I’m Good,” she takes another sultry approach and brings a heated and sensual atmosphere. She sings, “If you wanna kick it for the night, I’m good,” overtop down-tempo keys and peaceful R&B production. Emphasizing her low and airy vocals at the beginning of “Last Supper,” Specyal T brings a deep and dark mix of electronic, R&B, and even alternative through blistering synths, h-fi crashes, and hard-hitting kicks. She sings lyrics that channel imagery from the last supper and brings forward messages of overcoming struggle and adversity—moving forward to the bright vibe with “Peanut Butta Jealous feat. Jayde Wilson”, the keyboards open the song with melodic and warm chords bringing in a light atmosphere. While Jayde Wilson and Specyal T go back and forth with lyrics of staying true to yourself, they bring forward a message we can easily takeaway. The next track, “Remind Me,” opens with an upbeat vibe through keyboards similar to Drake’s “Hotline Bling.” While making it entirely her own, Specyal T speeds up the beat and adds layers of intriguing R&B production. She raps lyrics of her significant other, and how she effortlessly comes alive when they’re around. Ending off her album with the celestial vibe set on the outro track “Already Done (Part 2)”, Specyal T brings a conceptual piece of running out of time and speaking your truth before it’s too late. With unique R&B/new beat production and added violin strings, “Already Done (Part 2)”, serves a deeply captivating piece. The entire album 'A Specyal Remedy' was a captivating piece. From Specyal T’s unique vocal delivery to her array of atmospheres, the album is not one to miss. You can find 'A Specyal Remedy' here. Hey Specyal T, welcome to BuzzMusic! We’re in awe with your unique and layered album 'A Specyal Remedy.' Seeing as you’ve been releasing music for about 10 years, how does “A Specyal Remedy” standout from the rest of your discography? Thanks for having me BuzzMusic! Much respect! “ASpecyalRemedy” is the third installment of my “Dose Of Distinction” trilogy; the final dose. Speaking on Specyal T’s recent album 'A Specyal Remedy' you incorporate a variety of moods and atmospheres that tell a whole storyline. Could you take us through your creative process when finding what sounds and instrumentals worked best with the album? I chose to work with a couple of new producers on this project along with one that I’ve worked with for a few years now. With specific concepts already in place, I spoke with my long-time producer to work on selected ones. I also searched through the new producer’s catalogs and selected instrumentation that suited each idea which I then penned. We’ve heard that Specyal T has released a few projects under your “Dose of Distinction” trilogy. How did you want 'A Specyal Remedy' to end off the trilogy, and what did you want to leave listeners with? Yes this is the final installment of my “Dose Of Distinction” trilogy. It started with my debut album “Dose Of Distinction” followed by my sophomore album “Dose Of Distinction 2.” As this one is a Remedy, I wanted to tie up any loose ends and leave listeners satisfied but naturally wanting more (with future projects). Now that Specyal T has put the last touch on your trilogy with 'A Specyal Remedy,' is there any song within 'A Specyal Remedy' that you resonate most with, or speaks to you the most? I wanted this final dose to have a little something for everyone to enjoy. With that said, I can’t pinpoint just one song that resonates with me personally as they all do in different ways. It’s musical soul food. What can we expect to see from you throughout 2020? A continued evolution of Specyal T. Same vision, sharper focus! facebook.com/iamspecyal instagram.com/iamspecyal twitter.com/SpecyalT #BUZZMUSIC

Cheerful, electronic pop synths fill your ears on Merlot Embargo's latest hit "One Day." It's a modern twist on an '80s soundscape, and lead singer Scarlet's rich voice generates a feeling of paradise. Merlot Embargo's beginnings had a dramatic start. After a nearly fatal car accident, husband and wife, Scarlet and Geoff managed to walk away unscathed from their mangled Toyota. Their brush with death awakened an untapped plethora of creativity, which pushed them to form a band, adding bassist Jeremey, drummer Lonn, and video game composers Dave and Ben to complete their sound. "One Day" is a song that is chasing a feeling. Scarlet's delivery of unadorned sound can and will stop you cold, and the harmonization Geoff generates off of Scarlet's sultry tone is a cohesive blend of octaves. The instrumental break two minutes into the song showcases Geoff's fast guitar licks as they whale along to the synthesized melodies. "One Day's" sense of longing and exploration for something more is painted into the lyrics, verses like: "One day the fire is going to burn out, but we don't have to quit feeding the flame," "It's now or never, who we are is on the line," "All of my life I've been of looking back and watching everybody fade." We loved the invigorating aura listening to "One Day" gave us, and we think you are going feel the same. Listen to "One Day" here. instagram.com/merlotembargo facebook.com/merlotembargo #BUZZMUSIC

Twin artists Christopher and Anthony Ward are a versatile, dynamic duo who are eager to share their new album 'Audio Drugz Collective Take One, Vol. 1.2.' The duo, who produces music under the name T.H.P.D, is educated in the art of music production. They first realized their place in the industry when they began their musical careers as beatboxers. T.H.P.D had a charismatic flow with their beets that rap artists couldn't help but fall in love with. They trained under their old musical friend NOIR, where they learned the ins and outs of the music industry – and the music itself. T.H.P.D now specializes in instrumental music but refuses to limit themselves to one genre. Their music encompasses aspects of hip-hop, R&B, EDM, deep house, deep dance, orchestra, funk, Latin and African music. Their strength as artists comes from their openness to any music. 'Audio Drugz Collective Take One, Vol. 1.2' consists of ten highly instrumental songs. This album may seem strange to music lovers at first glance but put into the perspective of drugs - in relation to its title. The idea that the album is a "drugs collective" fills it with wonder and mystery, leaving everything to the imagination. Could the diversity of each song represent a different drug? A different mindset? The beauty of 'Audio Drugz Collective Take One, Vol. 1.2' lies in the fact that T.H.P.D allows each song to become whatever you want it to be. If listeners go through the album in order, they will be taken along a journey of ups and downs. The album itself builds to a climax (a song called "The Climazx") and then dissipates, just like a song… and just like a high. T.H.P.D starts off gentle with "Take One." The song is electronic and futuristic, but its mellow vibes bring a taste of classical and jazz all at once. The instrumental tone changes often, but always remains casual. The next track, "Mezmero" takes a more aggressive stance. Its sparse, muffled vocals shouting the word "mezmero" are animalistic. The intense style of the song stands out because of its original and repetitive percussion sounds. Next, "Groove Toss" will bring the energy level back down with its catchy melody. The vocals are robotic and repetitive, but the lyrics are welcoming. As if the album is following a dynamic pattern, the next track opens with a hard-hitting beat. "Mega Drugz" will transport the listener into another dimension. Its quick-paced rhythm will have you in a trance, picturing a bright-colored swirling illusion. "Take Two" is precisely what is expected. It is its brother, "Take One," times two! The ingredients are the same, but each flavor seems to be a little bit stronger. With a higher intensity level, "Take Two" is a sign that the album is building. Following "Take Two," the song "Sfh" is a wrestle between moods. There is an aggressive side and a tender side – as if you have an angel and a devil on your shoulders fighting for control. The track could genuinely be described as stressful, but there is no better song to precede "Feelings of Euphoria." Taking a full 180, "Feelings of Euphoria" highlights the warmth and vibrancy of T.H.P.D's music. This song seems to represent the beauty of a happy mindset. The next track, "Outta This World" is lighthearted and straightforward. It's unique sounds almost encourage your mind to wander randomly. Listeners will hear this song and feel like they are floating. Soon to follow is the peak of the album – "The Climazx." Its energy is intense and important. The song keeps you listening because you'll feel like you need to. "The Climazx" seems to use an edging technique until it reaches its tone. In an unexpected twist, the climax is not a base drop – but a feeling of serenity and tranquillity. Finally, "Transition Station" is the ideal song, to sum up, the album. T.H.P.D seemed to encompass the beauty, the ups and downs, and the musical movements of each track all wrapped into one. Each song allows flexibility for listeners; whether you are a drug user or not, the songs are best enjoyed from a relaxing state with no inhibitions – whatever that means to you. With "Audio Drugz Collective Take One, Vol. 1.2," T.H.P.D allows you to take a more in-depth look at how you are feeling in this state. Listen to T.H.P.D's album here. Welcome to BuzzMusic T.H.P.D! With your new album “Audio Drugz Collective Take One, Vol. 1.2,” you have certainly given listeners something they have never heard before! More importantly, you gave us something to think about. How does the name of the album represent its songs and the stories they tell? First and foremost, thank you for accepting our submission to buzz music it means a lot to the independent artist that we have a platform to share our music for the community of the world to hear. Number two, when we did a lot of music testing we wanted to make sure our vibes and sounds showed up as different not the usual music that people hear on a daily basis. At the time when we released this first volume we thought about one thing and one thing only, how are we going to get people addicted to this sound and how are we going to keep them. ADC or how we used to be called the audio drugz collective we may be subject to change the name but our purpose is to get people addicted to different sounds that we can use from basic sounds to characterize them and get them engineered to keep people hooked into the loops of our music. These particular songs represent how we really feel about most creatives telling people they do more than one genre of music. We are showing people we are capable of more than one genre of music. It keeps the mind busy trying to understand our vibrate frequency. We care mostly about did we catch your interest. Did we hook you in? Last but not least how long can we keep you hooked into this kind of music and vibes we are creating for the people? The stories of the music tell about how to keep a positive head in your everyday grind and how to stay groovy. "mezmero" was a song created by a challenge my brother gave me to just work with a base beat and one instrument. Quite challenging at the time I couldn't get the name of spiderman's enemy right so I came up with this persona mezmero the purpose of keeping you mesmerized and pumped up and dancing. Man, that's quite a track we made there. But however, this will be our 2nd mix-tape release since the world beats collection. Our 3rd album the GOJ is coming out on July 23rd just like every major album it always streams on the 23 because that is the day of our birth. And its a gift to the world for the creations of music we do. Although your songs do not have explicit lyrics, they surely tell a story. Can you describe the story that your album tells and the story of some of the songs? You are right our biggest thing is to show people we are educated and not just working lyrics with cursing in it. Sometimes when you get on the mic you go pretty hard so in one sentence imma summarize each song and what kind of story it shares. Vol 1 ADC Take one: that song was an introduction to chilling people out while using vocal patterns to keep your mind in a relaxed state. Mezmero: A simple story of how to keep people mesmerized in a drum pattern challenged with just one instrument heavy bass. We thought of jimmy hendrix when it came to this track and well mezmeros purpose is to keep you hooked and release a lot of anger that resided in your head. Scream it out and show the world you have pain your only human. Groove toss: The story of how working hard pays off and it becomes easier the more you work on the craft in this crazed out media world. Also, I'm here to share the pain with others that it's not always a hard grind. Mega Drugz: We thought of some serious video game jazz-based vibes on that one. That one was what you call like an old school, neo aged track. Brings in the addictive nature of the audio you want to keep listening to it over and over again. Vol 2 Take 2: Honestly, when we came up with that concept it is what you would call a tech/deep house chill groove vibe. Great for drinking and getting loose or being at home with the missus and well "magic happens" mostly a love vibe based track or what you call universal deep tech house track. Makes you feel you just entered another world. Feelings of Euphoria: Man what can I say about this track. I had the most fun with that one enough said. Outta this world: When we both created this track only 3 were just created by one twin brother but the rest was created by both of us. To continue outta this world is a track well its how you would say your mind just took off somewhere. And it's like a catch 22 to bring your mind back in once your done pausing from this world listening to this track. If that sorta makes sense. SFH (SOOOO F&*king High): Basically a bruce loko based house track where we capture the feeling of being extremely high from marijuana and putting together this track using the midi sound. Simple straight to the point. And it builds the high so far outta space that it makes you go back to outta this world and listen again another catch 22 track. How can we keep you from not being that stoned out of your mind? Lol best weed smoking track ever. The Climazx: Well the story of that track is well uhm sounds that are having sex with each other. Basically used for the magical supreme amount of sex in the bedroom. That is what that sound is there for. it's like that intense super f*&king but without lyrics in it the sounds goes into the couple's minds and well you know from one point to another. Magic in the bedroom based track. Transition Station: Heavy track is basically the choice of where the next sound is going to take us. As we transition from our old patterns of ways and showing new ways and patterns of how music should ascend. I took the time personally to get people to sit in the music train station and made them think about the sounds and how it feels. This is just the icing on the cake once the whole layer of cake was put together. Transition station is the transition of looking for the next big sound as we continue to explore this world of music. Could you describe your collaboration processes together to create your music as twin brothers? As me and my twin brother collaborated to make such a sound I mostly start off the drumming sessions as my brother builds the backbone of this music. As it continues our skills become better over time. We both focus on the feeling and what it means sometimes we start off with the music being built then the beat than vice versa. We use a lot of beat packs and stock sounds to convey the message we are creating. Which I can say our mixes always turn out different because we both always aim to not be consistent in the sound process we create. So both of us build these mixes off of feeling instead of being technical. The song “Sfh” seemed to stand out to us because of its wrestle between tones. Can you tell us more about what this song represents? What does the name “Sfh” mean? SFH (SOOOO F*&king High): Basically a bruce loko based house track where we capture the feeling of being extremely high from marijuana. And putting together this track using the midi sound. Simple straight to the point and it builds the high soo far outta space that it makes you go back to outta this world and listen again another catch 22 track. How can we keep you from not being that stoned out of your mind? Lol best weed smoking track ever. But this particular house sound that we created we were heavily inspired by bruce loko. When I built the drum pattern I'll be honest I created the pattern just to make cool house base beat track then my brother told me to move out the way and he had a vision and I let him jump straight too it. We were both stoned which is what brought the feeling So F*&king High. What can we expect to see next from you? Well by the end of this year we will release a new EDM Mixtape October, our 3rd Major album release the G.O.J which is short for good old jams July 23. We brought some 90's California flavour to this next set of music. Ranging from chill, trippy, hip-hop, house, deep-house vibes, RnB vibes to we brought in a melting pot of genres into this next major album as we create for all of our music. So check us out today our greatest content will always be when it was first made. Anyways hopefully this answers all of your questions. We are from riverside California born and raised. So we got the stamp of being a Native Californian like seriously a native Californian. In our next albums coming which would be like 2 more after. We basically completed our musical super journey. After 4 and a half years of building this sound, I wanna go 3 more years just to see how much more crazier our sounds are going to get. 2021 gets better. We are going to release a deep-dance genre mood of the African worldbeat collection and the Dr robust show which will have lyrics. Hopefully, this answers all of your questions about the music and also go check out the Hungry Dilemma, WardGanda, Latin World Beat Collecion, Drugz bunny what's up doc Elmerfud Edition. twitter.com/Collectivedigi4 instagram.com/v.a.d.c_ent facebook.com/AudioDigitalCreations #BUZZMUSIC

From London, UK, Darren Brandon is a DJ turned music producer who has just released a song to remember “There For You.” Initially, Darren spent most of his time working at radio stations and gaining fans as a DJ. His tunes and DJ style was inspired by DJ red, Ant rusher, and the brain killers. Around the year 2000, he was scooped up by label Pluto, who noticed his knack for music production for an extensive London tour. Since then, Darren Brandon has been making waves in the music production world with his new single. Kicking off with a simplistic 808 trap beat, “There For You” soon pulls a 180 as Darren begins to add his flavor with various percussion sounds. The beat is quick, yet subtle. Eventually, the backtrack embraces the soulful aspects of multiple instruments, including a keyboard and trumpet. Not only does Darren display his ear for music by incorporating many instruments, but he also prefers teamwork and takes advantage of the unique talents of other artists. With “There For you,” Darren Brandon collaborated with vocalist Alix Robson, whose warm voice is ideal for the song’s supportive lyrical message. Alix Robson shows off her personal flair with vocal trills and a broad range. The highlight of “There For You” is songwriter Anita Traci’s tender lyricism. By including phrases of empathy and encouragement, Anita’s lyrics reveal a tone of security. Offering herself as a personal safety net, the listeners are inspired to chase after their dreams without any fear. Darren Brandon’s real gift is his ability to mix the best aspects of multiple artists and instruments into one song. After listening to “There For You,” Darren Brandon will be leaving fans with a boost of motivation and a sense of belonging. Discover "There For You" here. Hi Darren, and welcome to BuzzMusic! We loved your latest creation "There For You." Can you tell us more about your collaboration with Alix Robson and Anita Traci? How were you able to produce a song that perfectly matches Anita’s heartwarming lyrics? I connected with Anita online, hearing some of the tracks she had already made so I had an idea of her songwriting skills. Luckily, when I sent her some of my soulful house demos, she came back with great lyrics. We had talked about the back story of the lyrics and I loved that it resonated with me. Anita had worked with Alix previously and said she has the powerful vocals to bring the lyrics to life and deliver the emotion it deserved. The rest is history as the saying goes… With your natural ear, it is clear that music has always been a large part of your life. What made you decide to pursue a career in music production? Like all musicians, music has been a huge part of my life since I was a child. I was always really intrigued by how songs came together and wanted to know how the instruments were blended together. My first foray into music production was at college; we used Atari computers with Cubase (showing my age now!) which was something that felt so different and made music more accessible to me. I probably focused more on music production than djing after I made some songs on a PlayStation game called Music 2000. My friends were amazed at what I had been able to create on what was quite a basic game. They really encouraged me to take my music more seriously and I’ve been figuring out new tracks ever since.  How has your history as a DJ benefitted your career as a music producer? The biggest benefit is being able to read a crowd and know your audience. Watching people taught me what listeners are looking for and how to structure music in terms of build-up, and drops. It also occurred to me that especially in bars and clubs, listeners rarely hear the end of a song so the start is very important. Being a DJ also taught me how to structure a song in terms of how it could be mixed or turned into a radio edit.  What can we expect to see from you throughout 2020? I have an EP coming out soon which will have some Deep/Soulful house instrumentals. If anyone hears it and would like to collaborate, get in touch! I also have more collaborations with Anita Traci. I’ve also been working on some Chill Hop, and I’m wondering if I’ll emerge from quarantine with a new sound! instagram.com/Alixrobsonofficial #BUZZMUSIC

Medolic synths cascade out from your stereo as you hit play on CHISE UP's latest hit "Luxury Rapp." The rappers that form CHISE UP enter the track like smooth operators, spouting lyrical rhymes as sleekly as the brass instrumentals layering the background sound. Chicago's Daw Lotto and Cognac Classic created the twosome rap group CHISE UP in college. Since then, the duo has released several hits with multiple collaborations and offshoots, garnering praise and notoriety for their craft. "Luxury Rapp" features soulful R&B female vocals on the dreamy ode to Chicago chorus, and Lotto and Classic paint a picture of sophistication and class through their rhymes. Lyrics like "Luxury highs is what I provide," "No lease I'm an owner," "In my glass is some yak," is a testament of how these guys are living comfortably. Producer, S7NLEE is cranking out some sultry downtempo beats on "Luxury Rapp," and the blues-infused trumpet that serenades the track gives a "Casablanca" era to the mix. Together the elements create a steamy, sensual hip hop number. CHISE UP is undoubtedly bringing the heat on their latest hit "Luxury Rapp," hip hip lovers will not want to miss out on this one. Discover "Luxury Rapp" here. Hello CHISE UP, and welcome to BuzzMusic. We loved your new jam "Luxury Rapp". Can you tell our listeners a bit about the song and what you wanted the overall message to encompass? When S7N Lee (@s7nlee) ( producer ) first played the beat for Daws Lotto (@dawslottochiseup) and I already knew this was a banger. The beat embodied everything about summertime in Chicago. You have made a long list of successful collaborations with other artists and producers. What do you feel collaboration brings to your music? Collaborations are always key. Just for the fact that you are exposing each artist's fan base to said artist that you are collaborating with. Plus when the chemistry is great a great product usually is the result. What does the creative process look like for you two? How has working with S7NLEE enhanced your creative flow? Cognac Classic (@cognacclassicchiseup) and I usually write separately to a beat we are vibing to. And basically whoever gets to the studio first is the order on the song. Lol. We are very like-minded so we don't need to be in the same room when writing to be on the same page on the song. The vibe at an S7N LEE session is very very ideal which makes recording and collaboration with him super easy. What has the music community in Chicago and the greater Illinois area, done for your music? Chicago is basically responsible for our sound and content as a whole. Our experiences and relationships with the city can be heard throughout our music. What's next for you throughout 2020? New single (prod by CKP) and video (Dir. by Str8 Gulley Prod) "I Wanna Smoke debuting late spring. The Album Heavy Drugs 3 dripping this summer with features and production from CKP (@cokillaproductions), ILL BROWN (illbrown_), MAC MILLIE (@tmacmillie), SZN LEE , GENO PACINO (@pain707), E JILLA (@ejilla) Then we got THE FLU GAME EP coming after that. Exclusively prod by ILL BROWN and more collaborations obviously with DaCirleCru homies O Plus (@oplustheprince), King Chaz (@Bigda24), AnteUp (@anteup,_maintaing) and Big Mel (@bigmelmusic). Plus selling this merch at ChiseUpApparel.com. instagram.com/chiseup #BUZZMUSIC

Los Angeles based rock duo Tarah Who? channels their inner punk with their killer music video "Pantomath." The duo being Tarah G. Carpenter (vocals/guitar) and Coralie Hervé (drums/backing vocals), Tarah Who? is never shy to stand their ground and fight for what they believe in. Especially with their recent track/music video "Pantomath," Tarah Who? broke down the meaning of the word and explained that a pantomath is someone who wants to know, and knows everything. Tarah Carpenter spoke on a conversation she had with a musician. He was criticizing others and their decision making towards his version of success, thus being inspired to create the beast that is "Pantomath." Taking a look at the music video for "Pantomath" (produced by Nupur Mehrotra/Apoorv Arora and directed by Ellinor Skeppström), the opening scene consists of nothing but Tarah Carpenter and the desert of Antelope Valley, CA. The track jumps right in and screams female empowerment through scenes of stern and powerful women on their motorcycles, and highlighted lyrics like "Just because of my gender I get a lot of mansplaining, I'm smiling, but I know you're wrong." Tarah Who? really hits ignorance on the nose, as they powerfully express their pent up aggression towards forced smiling, nodding and putting up with blatant remarks. As Tarah Carpenter walks straight from the desert into the set to plug in her guitar and meet Coralie Hervé on the drums, Tarah Who? sets off into the fire with an energetic performance. Capturing an anthem for bothered females everywhere, Tarah Who? and their video for "Pantomath" brings a healthy way to express those mind-boggling occurrences. You can watch the video for "Pantomath" here. facebook.com/Tarahwho instagram.com/tarahwho twitter.com/TarahWho #BUZZMUSIC

An eclectic, danceable collection of hip-hop, R&B, and pop flow into an exciting experience for the listener on Theresa's new release, "Kiss Kiss." The bubbly pop beats paired with Theresa's sweet and sassy vocals celebrates the excitement behind the title. We have all been there, that elusive person you have been crushing on, dreaming of a perfect moment to pucker up- and then, all at once it happens, romantic comedy screens flashing through your brain at warp speed, and they don't even compare because you have your crush right where you want them; at your lips. It's refreshing to hear such a fun and carefree song, and it transports us back to our junior high days where the shy emo guy you've been crushing on just made his move on you at the video dance in your school gymnasium. Growing up in Long Island, Theresa has always dreamed of realizing her pop music aspirations. At the young age of 11, she began filling notebooks full of lyrics. After suffering a family tragedy during her formative year, she refocused her musical dreams and immersed herself within the industry. Her music infuses iconic '80s and '90s pop but stays current and lends her authenticity to her creations. The distorted, low synthetic beat pumping the track along is reminiscent of 80s Madonna beats. The vocals give characteristics of Stefani and Fergie, elevating it beyond your categorical bubble gum pop. “Kiss Kiss” is a fun song to get stuck in your head, discover it for yourself here. Hi Theresa, and welcome to BuzzMusic! Thank you for speaking with us on your new release “Kiss Kiss.” The song has such a happy vibe, perfect for the upcoming summer season. How are you feeling about the release and the finished piece? Hey BuzzMusic!  Thank you so much for having me.  I am SOOOOO excited to be releasing Kiss Kiss.  It’s got such an infectious groove and the lyrics are just so flirty and fun.  To me, it sounds like THE summer song that you blast in the car - singing unapologetically - on the way to the beach with the windows down! It’s the perfect song for when you are crushing on someone and all you want to do is “kiss kiss” them! What about the pop genre that has been so appealing to you throughout your life? Do you feel you embody any traits from the genre? I shamelessly LOVE pop music.  I love a catchy hook and a melody that gets stuck in my head for days.  I’m really into pop songs that have honest lyrics which is why I am really attracted to artists that write their own lyrics like Madonna and Mariah Carey.  While I was growing up listening to their music, I got a glimpse into what they were going through and was able to relate with their lyrics. Taylor Swift has a great way of expressing what she is feeling too. I am also a huge fan of Selena Gomez’s “Back To You”.  That was written by the insanely talented songwriter, Amy Allen. THOSE LYRICS are everything.  So raw and real. What message do you want to deliver to your listeners when you compose a song? I want my listeners to know that every song I write, it needs to come from my heart.  Whenever or whatever I write, I need to feel those emotions.  I need to feel that the story I am telling through my music is real and honest. Everything I put out into the world, it has to first come from within. There is a drive within me - a little voice that tells me that I need to share these songs with other people to help inspire or help those going through a hard time. OR on the flip side to help celebrate the fun times and positive feelings too! Just like Madonna, Mariah, Taylor, and the other awesome artists I love and admire, I want to be that friend who you go to when you just need to be yourself. That friend who accepts you and loves you unconditionally. How has your journey become an artist evolved throughout the years? Have you experienced any setbacks in your journey that posed a risk of moving forward and if so how did you power through it? I make it no secret that I just turned 40 this past January.  I had all these dreams of being a pop star but I suffered from low self-esteem when I was a kid and most of my adult life.  As a young girl, I was chubby and loud and that combination didn’t help me win any love from the boys (and girls) in my class. I was constantly made fun of for being fat and ugly. But I continued to believe that one day I’d still make it.  My high school years proved challenging, as my father was sick and my best friend battled cancer.  Within the first three months of me moving to the city to attend school at Marymount Manhattan College, they both passed away.  As hard as it was, I knew that I needed to keep on my journey for not only them but most importantly for me.  Through the years that followed, I continued writing music and tried to find outlets to perform, but something didn’t feel right.  I just didn’t have the confidence in myself to go further - and I was having great success as a music producer specializing in advertising that I just pushed my artist career aside. It was about 18 months ago now that I reconnected with my music.  I rediscovered my old songs and lyrics and really was proud of that past and knew that part of my journey was far from over.  Now, the timing feels RIGHT.  I have a ton of confidence in myself.  I’ve done a lot of work on myself to get to this place.  I truly believe that through any setback, if we continue to believe in ourselves, have faith that it will work out, and surround ourselves with supportive people, we can do anything we put our minds to. I try to remain focused on the now, knowing that I am putting in the work to make my dreams come true.  I am not worried about how I will get there, because I have no doubt I will make it. Thank you for joining us, Theresa! What can your fans anticipate next from you? I’ve got SO much more to share.  After Kiss Kiss, I have my next 2 singles planned.  Doing a lot of collaborating with not only my good friends, Mike Cash + Jesse Blum but also with some new folks too which I am excited about.  Hopefully, I will be able to get some live dates going as soon as it is safe to get back out there.  To quote one of my upcoming singles, Marathon, “I won’t stop til I get to the top, and when I am on top, I will not stop!”.  And that’s the honest truth. instagram.com/theresamusicofficial facebook.com/theresamusicofficial #BUZZMUSIC

You don't know where your ears are headed when "Wow" opens with a tack piano, all to explode into a gritty rock piece. Suarez is most comfortable in changeable atmospheres, creating more artistic and abstract pieces while expanding on the themes and messages within a project. "Wow" goes through an evolution of sound from the playful beginnings, the gritty uptick, to a massive rock journey; the music shifts through its emotional subject matter: "the weight of the world." It's evident Tyler Suarez has a heightened level of awareness in layering and exploring different sounds currently attending the University of Bridgeport, Suarez is majoring in Music Education, the broadening is already keen musical aptitude. Our favorite part of "Wow" is how one instrument, in particular, evolved throughout the piece. It starts with more of a tack (jangle) feeling piano, and it slowly transforms into piano balladry, an impressive evolution. The piece is sung with a mellow punk rocker tone that stands out against the thrashing drums and rapid electric cords. We can't wait to hear what's next for Tyler Suarez. Discover “Wow’ here. facebook.com/tylersuarezmusic instagram.com/tylerrsuarez twitter.com/tylerrsuarez #BUZZMUSIC

From Tyler, Texas, aspiring vocalist Christopher DeShun Ward is determined to continue evolving as an artist. He has been immersed in the music world from a young age, and constantly embraces life experiences as opportunities to grow. Shun Ward was incarcerated for a year at age 21, but took advantage of the situation and began using it as personal motivation. Ever since, he has been grinding to become the best artist he can be. Shun Ward has since rebuilt his persona as an artist; under the new stage name Eddie Coke, he has released three singles and is soon to release his album' Pure.' Eddie Coke is Shun Ward's opportunity for a fresh start in the music industry – and he is certainly taking advantage. His new single "Get It All" is one of those songs that will have your head bopping on the first listen! To ensure that his music can be played for all audiences, Eddie Coke released both an explicit and non-explicit version of "Get It All." The initial tone of "Get It All" is mysterious, with its repetitive acoustic guitar plucks and deep voices singing "oohs" in the background. Once the 808 trap beat kicks in, Eddie Coke turns on the heat with his soulful vocals. He creates a mixture of R&B and trap styles by combining his expressive vocals with "Get It All's" hard-hitting beat. By sharing his authentic self and passion in his new single "Get It All," Christopher DeShun Ward has undoubtedly made a new name for Eddie Coke. You can find "Get It All" here. Welcome to BuzzMusic Eddie Coke! Could you describe the creative process of “Get It All,” and your inspiration for the song? The creative process for "Get It All" was organic, yet spiritual at the same time due to how I felt at the time. I felt unstoppable when the beat was created and dropped. The experience was unexplainable, yet amazing. You recently changed your stage name to Eddie Coke. Can you tell us what this name represents, and what changing it meant to you? Changing my name meant I was growing and outgrowing the old me. I'm more focused, locked in, and more aggressive with my craft. I didn't just change my name, I changed my lifestyle. You told us that you once teamed up with Snoop Dogg, T-Pain, and Flo’Rida! How did your experience with these artists influence or inspire your music style? My experience was short however full of insight. I learned how to be a star in my own arena and be myself to where I'm a benefit and an asset to any movement and/or whoever I engage with. Can you describe how your experience with incarceration motivated you to take back control of your career as an artist? My experience with incarceration was very mind-blowing because I didn't know I had it in me to get through it. I had to change my mindset and boost my confidence. And when I say that, I mean not only the star quality but the confidence to get out there and do what I do best and that's making the dopest music you can listen too. What can we expect to see from you throughout 2020? Expect the unexpected, a dark skin Nino Brown type R&B singer, tearing up the music scene with classic music. PURE MUSIC! instagram.com/eddiecokemusic #BUZZMUSIC

The duo, Black Lab, have made major-label records for Geffen and Epic, and now they're here to share their newest, most cinematic track to date; "In A Moment." It's hard to believe that Andy Ellis and Paul Durham work together from across the country. Singer/songwriter Paul Durham and producer/composer Andy Ellis, have released a diverse amount of music together under the name, Black Lab, ranging from unplugged records to electronica instrumentals. Their newest creation, "In A Moment" captures a sentiment that we loved. "In A Moment" draws you in with smooth synthesizers and a laidback beat. Even with the hip hop influence behind the drums, we felt the emotion shine through. Paul's voice is hauntingly beautiful and especially captivating when he sings the lyric, "this sweet life goes by in a moment." Paul's lyrics and vocals paired with Andy's production and composition give their music unique energy. "In A Moment" left us with a slow fade out and dramatic reverb that will have you returning for more in no time. Black Lab has pulled off yet another style that you won't forget once you hear their new single, "In A Moment." Listen to Black Lab's “In A Moment” here. instagram.com/paulblacklab twitter.com/paulblacklab #BUZZMUSIC