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Da Problem Children is a hip-hop artist who’s music reflects his trials of life by fusing in various styles that range from rap, urban, Latin, soul, gospel, and rock to create a universally accessible message. Recently, Da Problem Children released his banging new old-school tune “Cali Sun,” and it is the perfect record to pump as loud as you can from your car when driving down the highway. “Cali Sun” is one of those tunes that transports you to a new location, instantly while listening, we are hit with the waves of California before being hit with a surfy guitar riff that washed over our heads. We were there brought to an incredibly vibey verse that introduces that classic organic drum kit that solidifies us onto the ground along with Da Problem Children’s enchanting vocals, and speaking of the vocals; they completely hit us by surprise. There’s some old school rap, there’s some smooth, more pop-sounding vocal, and there’s a tremendous little soulful flair that tops the cake. It is clear while listening to “Cali Sun” that Da Problem Children loves kicking it back in the sun, and while listening to this one, we couldn’t help but feel like we were there as well. “Cali Sun” is the perfect song to ease your mind and let your problems float away. You can listen to “Cali Sun” here. Hey there Da Problem Children! Welcome to BuzzMusic! We’re loving the ever so chill vibe you created in “Cali Sun” was that something you used as inspiration to create the song? Or did the songwriting influence the vibe? We are all a product of growing up in California. From the far northern shores of Humboldt County, South to San Francisco, and now Los Angeles County where we all reside in one place or another. The beach and the chill vibe is a part of who we are. Drew Evrist the lyricist and singer on the hook said that he based his writing on the chill vibe of the track and lyrically related his experience of taking magic mushrooms on the beach and trippin’ on the Cali Sun. Speaking of the songwriting, what was the whole process like when writing the song initially? What about production? Was there a specific part that was done first before the others? Producer Mark V writes/plays the beats first and gets them to about 70% finished. With Cali Sun the track was given to vocalist/lyricist Drew Evrist who wrote and performed the hook. Once the hook is produced the track is arranged and given to our feature rappers. Usually going to bandmate Style Ray first and from him, it goes to the feat artists that we select. Mark V finishes the instrumentation on the track once the vocals are done and it's mixed at his facility Chat Lunatique Recording in Arcadia, CA. The blend of styles you have going on is extremely eye-catching, do you have any influences from the different styles that inspired the creative choices you made? Mark V has a background as a rock drummer and spent 25 years in Los Angeles and San Francisco recording, mixing, and producing various kinds of music. He has Gold and Platinum records with Bone-Thugs-N-Harmony and worked with Run-DMC, the Luniz, Gang Starr, and many West Coast artists. He also has a Grammy nomination for his work with Cuban and Latin Jazz artists. His influences are as varied as his career. Style Ray is from Compton and came upon the streets of South Central LA rapping about the trials and tribulations of his life. He is always open to the challenge of rapping to different styles of music. Who would be your all-time favorite icon that you draw inspiration from and what makes them your favorite? We have too many to list. Since the release of “Cali Sun”, how do you think you have grown as a songwriter and artist since your first release “Purple”? Do you see yourself trying anything new in future songs? We are always trying to keep it real, based on our real lives and experiences. We strive to put the truth of whatever we feel out to the public. It's not just about Hustlin’, Pimpin’, Violence, etc. Some of our songs touch on depression, politics, and the job of just staying alive. We want to share the trials and tribulations as well as the chill vibe where we can get it. Do you see yourself trying anything new in future songs? The challenge for us is to do what we feel and not get sucked in stylistically with the flavors of the month. We are always gonna try new stuff. We mix Rock, Latin, New Wave & Pop influences with rap. That's what we do! facebook.com/DaProblemChildren instagram.com/daproblemchildren #BUZZMUSIC

From Redondo Beach, California, MJ is an up and coming artist who has just released hip hop single “Falling.” MJ grew up in Florida listening to old school singers, including Luther Vandross and OutKast. In 2014 she released her debut album “Live Through Me.” She has since moved to Houston, Texas, where she released another album and continues to release more music, including her recent single “Falling.” All of MJ’s verses in “Falling” are narrated with a spoken-word style. She includes a few Spanish lyrics, which adheres to multicultural audiences. “Falling” is sung to a laid back, trap-like beat and a melody that contains Latin tones, which naturally provokes a shake of the hips. During the chorus, MJ maintains her spoken lyrics while she draws out the notes for emphasis. Lyrically, MJ sings about a love interest that she fell in love with at first sight. The majority of “Falling” is an anthem of self-love that is sure to boost the confidence of MJ’s audience. She focuses attention on esteem while also representing that maintaining a relationship while still loving herself is possible. With the high energy melody of “Falling,” the lyrics are the cherry on top in making the track an anecdote of positivity. Listen to "Falling" here. We had the chance to interview MJ about her newest single "Falling". Check out her video answer to our questions below! Listen to "Falling" here. twitter.com/mjmtherapper instagram.com/mjmtherapper facebook.com/mjmtherapper #BUZZMUSIC

From Montréal, Canada, rapper Profound Artist drops his lo-fi hit “Dripping Sand (feat. Eric C)”. Striving to provide his audience with the flow that makes you think outside the box and question absolutely everything, Profound Artist’s deep meaning within his songs and different underlying production (trap, boom-bap, or jazz) gives him a significant advantage in the industry. His recent single “Dripping Sand (feat. Eric C)” gives us a reflective glimpse of Profound Artist’s inner thoughts and Eric C’s conceptual bars. Both rapping over a jazz-infused beat giving us a lo-fi atmosphere, Profound Artist has crafted a laid back yet confident vibe. “Dripping Sand (feat. Eric C)” softy opens with muffled brass over a soothing jazz type beat. Once Profound Artist’s bars break through the silence, he brings out an unpredictable side of the song that captures our attention. Rapping and preaching authenticity and not letting others negatively influence him, but having a positive influence on his surroundings. While Eric C. begins his verse, he brings a powerful message with top-flight bars of questioning insanity and testing his limits. Although Profound Artist and Eric C. are delivering quite serious and stern words, the production gives a mellow jazzy atmosphere that’s music to our ears. Giving us something to lay back and relax to, Profound Artist’s single “Dripping Sand (feat. Eric C)” is definitely worth the listen. Discover “Dripping Sand (feat. Eric C)” here. instagram.com/profoundartist facebook.com/therealprofoundartist #BUZZMUSIC

With what's been transpiring globally within the last few months, it's easy to find yourself stuck in a rut amongst the four walls and ceilings of our homes. Fortunately, with the increased spike of online activity, we've also seen an escalation in creative means in which to retain some sanity and optimism about the future. This is where Cheap Synths — A band gloriously named after the $10 1987 Yamaha Portasound keyboard they purchased at a garage sale— has taken to asking their community for help in producing their most recent music video/tribute to first-responders. The concept is fueled by the combined gathering of 15-second fan-made clips featuring a variety of ways in which their fans have been keeping themselves busy through self-isolation. Accompanying this massive display of community and fortitude is a tune that endeavors to mirror the same emotions sonically. The result is a cheeky music video featuring a compilation of dancing, day drinking, animal zoomies, and exceptional talents all choreographed alongside the Brooklyn duo's new uplifting single, "Champions." With a vibe that radiates positivity and wellness, this song serves as an outstanding illustration of how a proper electro-rock 'n' roll infused anthem can shine a light on a seemingly blank canvas. A display of such support and confidence is refreshing to watch, and the creative means in which Cheap Synths has manufactured this form of gratitude by taking our communal 7:00 p.m. daily show of appreciation to the next level is motivating. It's incredibly fitting that this upbeat duo would endeavor to bring some light in this time of darkness and not just with the release of a new single that resonates with an overflowing abundance of self-esteem boosting self-love, but also a representation of togetherness. We're all going to come out of this quarantine with a renewed appreciation for one other. But until then, maybe a virtual gathering through Cheap Synths latest video project is just what you needed for today's episode of isolation. You can watch "Champions" here. instagram.com/cheapsynths youtube.com/c/cheapsynths #BUZZMUSIC

Modesto based artist Edison is making waves in the R&B scene with his latest release “Real One” it is clear that Edison is able to draw attention to his music. Since starting his career, Edison was signed to Static Records in 2016 which then lead to his debut single “Break It Down”, later in 2018 he had left Static Records and began working with Ziggy to bring us to his now latest release “Real One”. This record is full of good upbeat vibes, we couldn’t help but begin dancing around as we listened throughout “Real One”. There’s a modern crisp going on in “Real One” that keeps everything sounding extremely modern but there is a flair of nostalgia, especially in that deep Moog styled bass and flavorful tape stop effects. Both Edison and Ziggy’s vocal performances have a raw, honest, emotion to them that is able to speak to your soul. This release really shows off Edison’s writing mastery, especially with lyrics like “With a style like mine, yeah it’s hard to follow”, Edison is able to cleverly rhyme throughout “Real One”, it’s incredibly hard to get this tune out of your head after your first listen. We are excited to hear about what Edison will be showcasing next with future music. You can listen to "Real One" here. Hi there, Edison! Welcome to BuzzMusic! Your latest release “Real One” tells us about what someone really wants with someone else, how do you find yourself personally relating to the lyrics? The song is actually based on an experience that I had when I was still in college. I think it is a song that I believe a lot of people can relate to as far as going through rejection. The song was based off of me telling this girl how I felt about her and she did not feel the same and she just wanted to be friends. One day at one of my friend's birthday party I caught her cheating on her boyfriend with someone else. So at the time I looked at it in a way as in you rejected me because you did not feel like I was "real enough" for you. That is pretty much how the song was created. The funny thing about it though is that it took about a year to come up with the idea.  We're loving the lines that both you and Ziggy delivered in this release. What was it like to collaborate together? How did the two of you come to meet? What was the workflow like? It was a good opportunity to work with Ziggy. I never actually got to meet him. He knew my producer Chris Keys who produced the song. Chris knew that I was looking for a rapper to be a featured artist on the song and he sent me links to rappers that he knew and asked me to make the choice. Ziggy made a lot of noise in his hometown at the time so I told Chris you have to get this guy on the track with me. About two months after recording the song Ziggy passed away. We were getting ready to put out ideas for the music video at the time, but then Chris called me to break the news to me so that was very sad for me. It's obvious to me and to a lot of people that the workflow with Ziggy was great. Once he got the track he was already fully invested. I would like for him to know that I thank him for everything when it came to the song and I wish I got the chance to work with him a bit more.  Your music is definitely able to give us a good time wherever we hear it. What are some of the ways you try to achieve this? Does it come during the production or do you think about it when writing? I try to take it one thought at a time. I think it is important for all artists in every genre to make sure everything relates to what you want to put out. Taking time and not rushing the song will always create something that is fun to listen to. Make it catchy and just have fun going through the process of creating it. It really depends on where my head is at the time when it comes to writing. There are times where I don't need to hear production and there are times where it is necessary. Sometimes I need production as assurance in order to tell myself that the song can sound great. Writing during production I think can lead to a more consistent pace because you are able to get two things out of the way at once. So any strategy can work depending on how the artist prefers to work. “Real One” really shows us your growth as an artist, how do you think you have grown since your debut “Break it Down”? What are some of the things you have learned now creating music with a label? I think I've grown in a lot of different ways. I've become more comfortable within myself on what I know I can do. Growing with my fans and interacting with them more is very important. It is an important growth that I become more involved within my fan base because that is how the growth of relationships work sometimes. Being able to think outside the box and be more creative with my sound, my lyrics, and my brand as an artist has improved a lot more than I have ever seen. One of the things that I learned from being signed with a label is knowing how to network and talk to people a lot better. That is one of the things that I appreciated during my time with them. It is amazing how building these business relationships can do to help you so I would advise all artists to not be afraid to go out there and create more relationships for you and your brand. I also learned how to record music better on finding the right engineer, creating the right mix, how to invest into it, and how to be smart with your money. After leaving the label, it felt like I had this self awareness that I know I can do this and I feel more comfortable going out there and sharing my music with the world and not being scared to hear any type of feedback whatsoever. The label helped me not only as an artist but as an individual. It has made me want to invest in businesses in the future and being able to take care of myself in any way I can. What can we expect to see from you throughout 2020? In 2020 you can expect me to be involved with other things besides music. You will see me record more music, but you will also see me be more involved when it comes to acting, doing movies and networking with people within that business. Dancing is something that I look to improve in and I look to learn in that as well. Working in entertainment is my dream goal so I look to be involved with it in any way I possibly can. The learning never stops. instagram.com/musicedison twitter.com/MusicEdison #BUZZMUSIC

"Light As a Feather" is Lithic's second cut from their year's impressive display of genre-bending releases. It lands between an elusive layer of psychedelia, grunge rock, and alternative rock while still sounding current. Though co-written amongst the bands four members, its pieces—buzzing guitar riffs, a fluid evolving melody, saturated vocals, and a smashing drumset performance—are a testament to Lithic's reasserting dominance in this year's Alt-Rock standoff. The combined complexity in the song offers the all-encompassing thrill of headbanging your way into the front row of your favorite rock concert while displaying what feels like their ache for distant connection through its whimsically swaying vibe. "Light as a feather, free from the weight, nothing to teather.." they sing, extending a fascinating proposal to step into the breathing void of their desert rock colored music. Lithic once again re-shapes the idea of what a rock single might sound. It feels good to disappear into something so anthemic and mysterious at the same time for a while. A full and round low-end absorbs the more bottomless crevasses of this musical journey, while still providing an aggressive punch through its attack. A psychedelia influenced falsetto develops into a scolding beacon of confidence and upheaving energy throughout the chorus. As the heavy-handed guitar riffs tradeoff between vocals and crashing cymbals, this tune induces a trans-like state—pulling you between a swaying lullaby into a dramatic forward-moving march. The arpeggiated guitar solo is the lightly scorched garnish on top of this warm appetizer on Lithic's dynamic musical menu. It's no doubt this band has followed their creativity, and with a tasteful blend of character borrowed from genres alike, they're jousting to be king of the alternative-rock hill in the not so distant future. You can listen to "Light As a Feather" here. Welcome to BuzzMusic Lithic! We're absolutely overwhelmed by your vibe. You guys have such an imaginative and captivating sound. Can you tell us more about the inspirations behind the name "Lithic"? Where did the inspiration for this title come from? Stone (Guitar & Vocals): Thank you guys so much! The story behind the name is a little bit silly… When I first dreamt of being in a band I mused day and night over a captivating name for it. My guitar teacher at the time was in the dopest metal band, and he was like “Bro, you should name your band Neolithic, ya know since your name is Stone!” I was like “Dope.” It sounded better without the Neo (who doesn’t love the Matrix?), and boom! I kinda carried the name around in my pocket until I met the band, and here we are! In "Light As a Feather," you display an enormous understanding of musical structure and flow. Is this something that comes naturally when you collaborate together amongst yourselves? Jack (Guitar & Vocals): We all spent years on our musical process. Every song, from songwriting to the master recording, gets the care it deserves. All of us have a unique opinion about every little detail and we end up sculpting and polishing until everyone’s happy! At times, that can take quite a bit of back and forth, but the product is that much sweeter for it. We always try to think to ourselves, “What will best serve this song?” Then we try to build and highlight the vibe, while also satisfying or messing with the listener's expectations to make each song it’s own journey. What usually fuels your artistic expression throughout your days in the practice room? Stone: We play off of everyone's respective vibe. Jack and I truly inspire each other as songwriters; the two of us will bring in tunes we’ve composed, and Marvin n’ Juan will warp them into a new beast. Juan and Marv’s contribution is vital to Lithic’s final sound. They mutate, rearrange, and reinterpret Jack’s and my compositional ideas; without them, there is nothing. As a quartet, we like to polish up the loose ends in the practice room, but we don’t really rehearse all that often. Although, we all hit the shed as individuals like crazy. Is there something you all do together as a band to manufacture these creative compositions other than band practice? Juan (Bass): We became really close to each other. We hang out often and share our life stories. When Jack or Stone brings a new song to the table we can all relate to it because we’re deeply familiar with the people and emotions attached to the writing. Also, everyone comes from different backgrounds so that’s a big part of what makes this band sound unique. It is very special to work with people you truly trust and respect. This is reflected in the way our music sounds, and the closer we get as friends the better the music becomes. It was awesome featuring you here on BuzzMusic! Can you tell us about any plans you guys have for new releases in the future? What else have you been working on? Jack: We appreciate you having us! The next single, “Nightmares” is coming out very soon! Beyond that release, you can expect the stream of new music to keep on flowing. That’s all I can say for now ;) Keep your eyes on our Instagram (@lithicofficial) or Facebook page and some goodies will be right around the corner. P.S. Marvin, our drummer, could not be here for this special occasion but he sends hearty regards. instagram.com/lithicofficial facebook.com/lithicofficial lithicofficial.com #BUZZMUSIC

Brooklyn's own Willis Love releases his R&B/Dancehall hit titled "W.I.G.G. (Ft. Zoo Rass)" influenced by icons across R&B and pop like; Micheal Jackson, Usher, R.Kelly and more. Willis Love's diverse taste in music lets his sound expand into an intoxicating pop infused dancehall feel. His recent track "W.I.G.G. (Ft. Zoo Rass)" takes you on a trip to warm islands, giving us bright and loving imagery while serenading with tender and lush lyricism. His vocals bring forward the likes of his inspirations while showcasing his own unique and dynamic sound. "W.I.G.G. (Ft. Zoo Rass)" kicks off with incredibly rhythmic drum breaks and lively melodies on the keys. With a groovy downbeat into Willis Love's soft and charming vocals, the melodies he's produced alongside the supporting synths create an ear-pleasing ambiance. Another notable aspect to "W.I.G.G. (Ft. Zoo Rass)" is the twist that Zoo Rass takes, giving the track spirited dancehall energy. Bringing it back around to Willis Love's captivating vocals, he portrays themes of loving someone so deeply and wanting to take his time when she asks, "Where it's gonna go?". Although adding some fun-loving elements to the lyricism, Willis Love's sole message of passion stands strong. Experience the feel-good energy for yourself on his latest single "W.I.G.G. (Ft. Zoo Rass)". You can listen to “W.I.G.G. (Ft. Zoo Rass)” here. Hey Willis Love, welcome to BuzzMusic! We’re mesmerized by the energy and loving atmosphere on your track “W.I.G.G. (Ft. Zoo Rass)”. Could you share what inspired you and Zoo Rass to create such a feel-good song? Well I wrote the song last year around springtime and I was speaking on past experience with a previous love interest of mine, she was very curious about taking the next step in our dating phase so I decided to voice that experience through music. I built the beat to match the lyrics in my home studio and when I got to that second verse I felt like my brother Zoo Rass could take the song to another level with his tone and flow, so I sent him the demo and it was born from there. Your track “W.I.G.G. (Ft. Zoo Rass)” gives off a very warm and passionate vibe to it through complex drum breaks and timeless rhythm. Could you elaborate on Willis Love’s creative process behind the track, and how you initially wanted it to feel? When I first started the beat I wanted it to be sexy, smooth & still have energy that you can rock too, once I got the percussion and melody down I knew it needed a break or a drop to just give it a unique feel of it being my sound my music. We’ve heard that Willis Love has produced various Dancehall compilations featuring different artists around the world. How do you think this may have helped your sound grow to be as diverse as it is today? I first started doing dancehall compilations back in 2011 and I worked with so many different artists that have different tones and personalities sonically and I believed it opened up my ears musically. With 2 albums and several notable singles in Willis love’s discography, is there anything you’d like to say to our readers about your music and what you stand for as an artist? What I stand for as an artist isloveI tend to write a lot about past love experiences and relationships because it also feels like its healing me and I know a lot of people who support me can relate to me through my music What can we expect to see from you throughout 2020? 2020 you can expect a lot more music and I'm gonna continue to write and produce but due to the Covid-19 pandemic a lot of plans changed musically for me and my team as far as music videos, live shows & content go, I'm praying for God to heal the planet and bless the first responders that are out there fighting this pandemic (Will be launching my website soon) instagram.com/Willisloveu_ twitter.com/Willisloveu facebook.com/WillisLoveU #BUZZMUSIC

Coming from La Crosse is the R&B artist Ace Wild who fuses in a whole range of styles in his music that range from traditional hip-hop, midwest chopping, and even grungy metal screaming. Since beginning his musical journey, Ace Wild has been featured on projects from acts that include Ti-Red, Lil Ithy, and Catastrophy. Recently Ace Wild released his soon to be a classic record “Runaway” and we are absolutely in love. “Runaway” is an incredibly cool record, it’s got a drive but is also really happy sounding despite the darker lyrics that are present. The quick highlight is Ace Wild’s vocal performance that dynamically evolves throughout the tune, his use of harmonizing vocoders that then flip to an intense rap that reminds us of icons like Eminem causes us to keep going up and down a rollercoaster of emotions. From start to finish “Runaway” is full of energy and tells us the story of a relationship gone wrong, with lyrics like “You made a fool out of me and now I’m going crazy” it becomes clear why Ace Wild felt like running away. “Runaway” features a delicate ambient piano that plays a beautiful polyrhythm with the thundering 808 drums, and of course Ace Wild’s highlight of a performance. With performances like this it is easy to hear why his releases gain the traction of fans from all over and Ace Wild can now consider us to be another. You can listen to “Runaway” here. Hi Ace Wild! Welcome to BuzzMusic! We are absolutely in love with “Runaway”, it was definitely an emotional rollercoaster to listen to, did you have any influences while creating this track that led you to the creative decisions that you made? Great to be back! "Runaway", as you can tell, is a very personal track. Back when I released "Hated Love", I sensed that my tracks about relationships were very relatable for a lot of people. So I took the same situation that inspired that track and put it into a different light. With a different sound, a little more melodics, I knew this track would hit my audience hard, and it did just that. Another thing I wanted to incorporate were certain phrases that I've hidden in the back of my mind, which I have been trying to pull out for a long time. I have gone a long time in my life being able to open up, but with things that have happened in the last year or so, I came to a point where it was really hard for me to be able to have conversations about this topic. I decided to leave it all on the mic, and have people take it that sense, which has helped me out tremendously with my mental health. While listening to this tune we got the impression that it was about someone completely ruining you and then running away from them, what was the original meaning behind the lyrics when you wrote them? Is there a personal connection to them? You definitely have a good chunk of my message with how you described your first impression! The situation was definitely like that. "Runaway" has two different points of view described throughout its run time. In the chorus especially, it flips between those meanings. I describe myself as a "runaway" from the situation itself, knowing that small parts of us wanted things to work, also knowing it would lead to imminent destruction for each other's mental stability. Putting myself in the character of the "runaway" really helped me see what I did wrong, and how I know things could have been different if I decided to make smarter decisions along the way. Throughout both verses, I describe the girl in said situation as the one who ran away, tearing me apart from the original fall. (Which was how "Hated Love" was inspired.) Putting her actions and how they made me feel, while also describing my point of view and how I needed to tell her that I was done was really the large point that drove the lyrics. This song means a lot to me, as it allows me to remind myself that opening up is still beautiful, that it's still an art that can be just waiting to be shown to the world. It's really just an amazing product of my mind, in my eyes, that I'm proud to have. With having such a diverse range of influences from old school styles to even metal, what solidifies you to sound like you? Do you think you have your own sound and what would be that sound if you were to describe it? I have way too many genres of music that I listen too. Which in reality, isn't a bad thing at all. A lot of people look at that and try to label you as "this" or "that", and being able to mix things together is where I think I can set myself aside from a lot of different artists. I know that other artists do it too, which is what I really can appreciate. Artists like that I feel can be thrown aside sometimes. To be honest, I don't think I've even found my true sound yet. I'm young, I have some room to mature, expand, all while especially needing to better my craft. I definitely have some improvements to be made, but that all comes with time, and the people you meet. It's kind of a weird position to be in to describe how you sound without putting my diversity of music genres into play. Hip-hop artists such as Eminem, Chris Webby, Royce Da 5'9", and Tech N9ne have always been playing in my car or in my room for as long as I can remember. Bands such as Linkin Park, Disturbed, Slipknot, Theory of a Deadman, and Hollywood Undead are what I was really into growing up. There's just a crazy amount of elements that each act has put into their discography that has always caught my ear. I want to be able to do the same thing with my music, but I also get the comparisons a lot. I like darker style sounding beats, but I'm exploring and finding new things as I build myself up as a producer/songwriter/lyricist. But, if there was anyway from my point of view to describe my sound, I guess it would just be a big mixing pot of darker elements, where things can sometimes be unexpected to have on certain sounds. I tried my best, haha. From your very first release back in 2018, how do you think you have changed as a songwriter? Do you see yourself delving into any new styles in the future? Taking myself back to my first couple of songs has definitely brought my growth into a real perspective. My first song had some large influences on it, and now being able to sway away from that has been really cool. I tended to stay to the same vague concepts, whereas now I still talk about them, but I feel like I can do it differently, all while being more specific. My writing process has changed drastically since 2018 too. I try experimenting with starting with different parts of the song, where I was always trying to write the hardest bars I could, without really driving the hook to tie it all together. I have a wide variety of concepts that I want to explore going forward. I feel like being the driving force behind my content has been hard, but has bettered my abilities to know what sounds good, and what doesn't. I really feel like going forward with more melodic styles, and even some R&B styles added could expand my sounds. I have started working with different sounding artists, which is also going to spark some different styles. What can we expect to see next from you? The first three singles, one being "Runaway" that I've released this year are all different sounding tracks. I want to keep that diversity going, but making sure it's still recognizable to "Ace Wild". I've got plans on doing more remixes, covers, skits, all while building the hype for my second album, which will be dropping this year. The album is going to hit hard for me personally, as I dwell in the mental states I had over this last year after I lost next to everything. I've been through a lot since our first article together. My first music video will be dropping very soon, with one of the best tracks I've ever made. I'm planning to set 2020 on fire in the music scene. instagram.com/ace_wild_official twitter.com/AceWildMusicOf1 facebook.com/acewildlaxmusician #BUZZMUSIC

Today we hone in on New Orleans Hip/Hop artist Freaky Deeky. Recently, Freaky Deeky released his passion-driven EP, which features 5 heavily intensified tracks. Each track that Freaky Deeky includes within the EP brings its own understanding and level of eloquence. All in all, listeners can expect to extract a real sense of understanding from Freaky Deeky regarding life and experience. Freaky Deeky begins StarMode The EP off with "StarMode II", and the track truly kickstart the energetic surge listeners can expect to receive from it. "StarMode II" houses a low-key vibe, stemming ultimately from the consistent beat the track showcases. Freaky Deeky takes the track to express internal conflicts, as well as perspectives regarding his personal life. The same kind of intensity is kept with "Big Bank Rolls", so don't expect to relax your senses any time soon. That's one aspect of Freaky Deeky's music that's kept steady--his ability to always generate music that easily stimulates the listener. "Big Bank Rolls" delves deeper into the perspective visions of Freaky Deeky, and shares extractable lessons. He's trying to keep it real in "Big Bank Rolls", and the energy feels incredibly real. Freaky Deeky establishes a prominent theme once we arrive at "Fallen Starz". The third track shows a pure fervor from Freaky Deeky, and the production seriously felt hypnotizing with the persistent bell sound. Freaky Deeky unravels his inner wisdom regarding life. Listeners get to hear about how painful obstacles and experiences can force drive and sometimes, tragedy. We receive a lot from Freaky Deeky with this particular track, and he really impresses us with his willingness to delve so deeply into his personal life. "Made Out" is the next track we come across, and Freaky Deeky slows things down a bit with a mix of this track. As listeners, we're brought along the fierce exploration of Freaky Deeky with his own personal truth. He offers intriguing expressions in "Made Out", and makes the track incredibly personable with the lyrical content. As we end the EP, we come across 'StarMode'. Freaky Deeky begins the track discussing the influence of circumstance, and eventually goes deeper into external expectations of himself. There are so many themes packed into 'StarMode', which made us realize how introspective Freaky Deeky is as an artist. 'StarMode' sets in place the ideology that Freaky Deeky extends his personal wisdom out to listeners through his music, and takes the time to really rat perspectives worth hearing about. We were attracted to the natural depth StarMode The EP had to offer, but most importantly, we felt allured by the connection that came along with the flow of Freaky Deeky's verses. We really got to know the artist in a different and more intimate sense with this EP, which only makes us excited to see what the artist will construct next. We're hoping for more thought-provoking tracks, and we don't expect Freaky Deeky will be disappointing us anytime soon. Check out Freaky Deeky's latest EP here. Welcome, Freaky Deeky! Congrats on releasing StarMode The EP. With the release of this record, how did you feel you were transforming your music and ultimate sound? Is there a certain direction you were hoping to extend out in with the release of the EP?! With this release, ultimately I wanted my sound to be more uptempo. Usually, my music is more expressive of the dark side of life. I wanted to reach a hyper audience. With the 5-track EP, what track did you feel held the most personable expressions? Was there any track that was difficult to write and record due to its content, and what it meant for you personally? The track I feel expressed me more personably would be Made Out. As an artist who prides himself with capturing real and authentic content, how do you feel you've projected this quality into StarMode The EP? I feel like I merged the subject matter and an uptempo sound with this release. "Big Bank Rolls" offered an insightful perspective with the current realities of society today. Was there a certain message you wanted your listeners to take away with this track? Do you find there's a particular takeaway theme for each track you produce? I wanted to shed light on the obstacles in life in a manner the club crowd could turn up to. We appreciate the time, Freaky Deeky! Where would you say your sound will extend itself next with future music to come?! Who knows, I couldn’t say but I’m getting better and better every day! instagram.com/p/B-9fi9LlmTB twitter.com/deestar__ #BUZZMUSIC

After three long years of finding their voice, Mirage Wave releases their timeless debut 4-track EP "The Last Sunset You Will Ever See." Forming in 2017 with Alexandra Gray and Noely Gonzalez under a different name, they had the goal of forming an all-woman band. Adding Maria Flaherty on guitar and former drummer Haleigh Stilton (now Steve Austad). After finding what Mirage Wave is best at, they conjured up a brilliant EP showing the entire sound spectrum of rock music. With Mirage Wave's intro track "I Hear the Lunatic Singing Too", they start the EP with a bang. With bright electric guitar and quick-moving drum patterns, the track is already at a surreal atmosphere just within seconds. As Noely Gonzalez's vocals take the forefront, the track takes a fun-loving alt-rock turn from dreamy background vocals to Alexandra Gray's deep and groovy bass line. Mirage Wave brings warm west coast imagery through their finely sculpted instrumentation and a sort of blasé, been-there-done-that attitude. Taking a hard-hitting turn towards their second track "Supreme Summer," beginning with scorching electric guitar from Maria Flaherty, and deep throbbing drums from Steve Austad. With an up-tempo and high energy intro, we can't help but feel the confidence and delivery of strong standing female rock groups like The Beaches, Hole and L7. Not to mention Mirage Wave's intent of addressing reoccurring feminist issues, they energetically touch on misogyny in "Supreme Summer" that seamlessly radiates power. Moving on to the third track "Nothing Happens Here (Only the Ordinary)," Mirage Wave takes a mid-tempo turn with this track. Opening with ear-pleasing electric guitar melodies and an underlying rhythmic bassline, bringing back the been-there-done-that attitude. With vocals that explain routine and getting tired of the same old things, we can't help but relate heavily to this track since we're all on an ongoing routine as well. With feel-good alt-rock instrumentals, "Nothing Happens Here (Only the Ordinary)" evens out the EP perfectly. Reaching the end of "The Last Sunset You Will Ever See," EP, we're met with the outro track "Wolves (For Emily)." Taking us back to blistering rock instrumentals and powerhouse female rock vocals. This track's instrumentals are a bit different, sonically splitting into two parts. With the thrilling first half full of groundbreaking rock, then moving into a deep dark bassline and textured drum patterns. As the scorching electric guitar begins whaling overtop, they end off 'The Last Sunset You Will Ever See' EP just as they started it, with heat and power. Take a listen to what Mirage Wave has crafted up, as their EP is one that'll stand strong. Be sure to listen to the 'The Last Sunset You Will Ever See' EP here. Hey Mirage Wave, welcome to BuzzMusic! We’re really getting down with the variety of atmospheres and vibes you provide on your EP “The Last Sunset You Will Ever See”. Seeing as it’s your debut release, how do you think the EP serves as an introduction tool to who Mirage Wave is? All: Thank you BuzzMusic for having us! We’re glad you enjoyed our first EP. It was a lot of hard work and countless hours in the studio trying to get everything right and we are very proud of our work. We got a great response to it from our fans and friends! This EP is the best representation of us individually. We all listen to a variety of music and very influenced by different genres. We started this project with a clean slate, in terms of no one had a clear expectation of what the band would sound like. We didn’t either, to be honest, but whatever riff or musical idea we had, we just went along with it and added on with their idea. If it was sounded completely different from the last song, we didn’t mind. So long as we liked it. We didn’t want to limit or pigeon hole ourselves with one sound. We want our audience to explore our songs as well. Speaking on your EP “The Last Sunset You Will Ever See” as a whole, Mirage Wave goes from hard-hitting rock to more of a feel-good alt-rock vibe. Are there any favorites that Mirage Wave has off the EP? For any reason at all? Alex: My favorite song is a tie between “I Hear The Lunatic Singing Too” and “Wolves”. Lunatic is such a fun song to play, it always reminds me of New Order and Noely’s vocals are amazing. “Wolves” just slaps, and the ending bit always goes over well live. Maria’s solo during the last bit is just a killer.  Noely: Personally, I enjoy “Nothing Happens Here”. I like the sound of it musically and adding the somber and melancholy lyrics that come with it. It’s the perfect mix. I’m very proud of this song. We’ve heard that Mirage Wave strives to be a voice for female empowerment and ongoing feminist issues. During your track “Supreme Summer” off the EP, you touch on misogyny as well. Could you elaborate on the songs overall message? Alex: I wrote the chorus after seeing a bunch of shitty terfs on Twitter misgendering a murdered transwoman of color. Someone wrote, “It can’t be a woman if it doesn’t bleed”. Like, this woman was murdered because she was a woman, and they don’t care about her because she was black, and she was trans. To boil down an entire gender to whether or not you get a period is just so demeaning and wrong. The hypocrisy of using misogyny to defend “real” women. Seeing as your EP “The Last Sunset You Will Ever See” channels different aspects and sounds of rock from across the spectrum, did Mirage Wave endure any difficulty when creating the EP? How did you overcome these issues? All: The music part was easy to be honest, despite the songs being so different from each other. We would say getting the tone for each song was the challenge overall. We had to approach each song with a different mindset. A reset if you will. Each song had its own distinct idea of how it should sound i.e. adding guitar tones, distorted vocals, loud drums. In the end, all the songs came out better than our expectations! What can we expect to see from you throughout 2020? All: We still have plenty of songs in our catalog that we’ve played live but haven’t recorded. Another possible EP or album is in the works! If luck is on everyone’s side, and when we are all cleared, we are looking into playing shows in the future. We are so amped up to play with our friends. Thank you so much BuzzMusic! Rock on! twitter.com/_miragewave instagram.com/_miragewave facebook.com/MirageWaveBand #BUZZMUSIC