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Emerging R&B artist Welz releases her very first track, titled "Trust Issues." When you first listen to the soundings of Welz, you wouldn't know she's debuting herself as an artist for the very first time. Her sound feels cultivated and shaped, and we hear such an enriched tone within her vocals. As an independent singer/songwriter, Welz extracts inspiration from everyday life. And we feel that sense of realness from Welz, especially with what she chose the theme of her first track to be. Right away we get an inside look at the way Welz heals, and how she chooses to take care of her mental state. Receiving this type of introspection from Welz already allows us to feel connected in very intimate ways to the artist. We felt very attracted to "Trust Issues" right from the beginning of the first beat. Welz brings an extremely smooth sound to her song here but glides along with a heartfelt storyline of painful love. The melody is very laid back which is what primarily offers that lax environment Welz effortlessly brings for listeners to soak up. Once you begin following the storyline, you'll realize that Welz dives into the relatable feeling of having previous trust issues that can change the way you perceive future events. Welz gives us a refreshing perspective on what trust issues within any past or present relationship can really do to one's emotional state. She also explores the obstacles trust issues can bring about in other relationships, and the teaching process that must occur in order to heal from broken trust. We feel empowered by Welz and the inspiration she brings to her song "Trust Issues", in which we feel rejuvenated with a new mindset regarding faith, love, and trust. Give a listen to Welz's track "Trust Issues" here. Welcome to BuzzMusic, Welz! Congratulations on the release of "Trust Issues", and ultimately on the debut of yourself as a music artist! This entire process must feel incredibly empowering for you. Are you able to walk us and our readers through how you're feeling as an artist who has just released their first-ever single? I feel liberated, to be honest. I've been meaning to release music for a while now but finally got the courage to do so and I'm so so happy. I feel like now is the right moment for me to put music out, I know who I am and am comfortable with the type of content I want to put out. It's a reflection of who I am as a woman and I think people will relate to that. I mean, of course, it's incredibly nerve-wracking to put out a song especially if it's personal BUT at the end of the day, I just felt like what's the worst that could happen? It's not really about me it's about the record and what it does for other people. I've been getting a lot of positive feedback from my listeners so I think I made the right decision. "Trust Issues" really dove deep into the emotional bearing past experiences can have on an individual, and how that individual handles life following hardships such as one impeding on another's trust. With "Trust Issues" being such a vulnerable and personal sharing, how did you feel writing and recording this particular track, considering the number of emotions that went into its upbringing? To be honest it was more therapeutic for me than anything. As soon as I finished the song I felt better about where my mind was at that time. I always try to look at unfortunate situations and sort of seeing the introspective side. That's kind of how Trust Issues came about. It helped me take a deeper look in and do some self-evaluation on how I want to move forward when it comes to relationships, romantic or otherwise. Recording the track was super fun though, I worked with my friend Jong at his home studio so it was a super comfortable and organic experience. Knowing the authentic emotion that went into recording "Trust Issues", can listeners expect the same type of perceptive in your future music? Do you typically prefer to create songs that reflect the personal aspects of your life? Absolutely!! I'll always write about my experiences. Sometimes ill listen to a story about someone else and be inspired by that but ultimately I'll still write it in a song from my perspective. It's hard to fake to understand how someone else thinks or the emotions they went through inexperience but It can be relatable and I can write from my point of view based on my experiences as well. Now that "Trust Issues" is debuted for all listeners to hear, where do you think you'll continue the development of your artistry from here?! Are you feeling inclined to create more new music, or are you going to take a break before the release of more content? Oh, I am definitely looking forward to releasing more music and doing live shows. That was kind of the plan, but since we can't do any live shows right now and I can't go to the studio :(, I'm just continuing to write music and record in my home studio. There's definitely more songs coming soon. I think now that I've released the first one I feel a bit more at ease and excited actually. What can we expect to see from Welz throughout 2020? I really want to build my repertoire this year. Put out as much music as I can so that when opportunities for touring start to come, I have enough content out that people vibe with so they can come out to shows. There's so much more to come and I'm really excited to share with everybody. instagram.com/simply_welz facebook.com/welz.nxumalo #BUZZMUSIC

Nashville-based singer/songwriter and 3 piece band Liv Noelle is proudly showcasing their raspy seduction in recent music. The biggest attraction of Liv Noelle is the richness and quality of her vocal performance. In addition, the amazing artistry and talent from her sister Eva and their father, Lee on drums. She knows her dynamics, and she uses that knowledge to her utmost advantage. Her music is very smooth, gliding along with a slow rhythm that makes the environment buzz with a melodramatic feel. Liv Noelle aims to add many dimensions to her sound, and with what we've heard so far, she definitely seems to be on the right track. In late 2019, Liv Noelle's EP 'Facing Forward' released and subsequently found its place at #1 on the US iTunes Singer Song Writer Chart. Liv Noelle has always had the mindset of bringing heartfelt and melodic music to her listeners. The recent release, "Bitter" incorporates a strong emotional warmth, and we felt like Liv Noelle had her inner self completely exposed to listeners. We felt like we got to know Liv Noelle in a different way, not only with "Bitter", but with the overall album, it stems from. "Bitter" has those prominent raspy elements unique to Liv Noelle's sound, which eventually climaxes to the showcasing of her multi-faceted tone. We're stimulated by the sound of Liv Noelle's voice, and she matches the overall creamy rhythm very well. Check out the smooth stylings of Live Noelle in "Bitter" here. Hey, Liv Noelle! It's great to have you on here to chat about your recent single release, "Bitter"! What did this particular song mean to you, and what was your thought process as you constructed the single? Thank you for this opportunity. We appreciate your interest in our music. To me, Bitter symbolizes when you’re so hurt that you can taste the pain, it’s another level of the blues. You've always been an artist that encourages the revelation of truth, as well as producing reflective content. With the release of "Bitter", what did you want listeners to be stimulated to reflect upon? With this song, I wanted our listeners to have an anthem to which they could reflect upon when they’re really feeling the blues - more than ever. I wrote this song to relate to people in more ways than just anger. I purposefully involved all five senses in this song because the blues are more than just a feeling, it’s a smell, something to see, to feel, hear, and most importantly with this song, to taste. How long would you say it took you to establish your refined and sultry sound, especially the type of vocal sound you exhibited in "Bitter"? Did this kind of vocal tendency establish itself over time, or was it naturally inherent to your vocal abilities? I believe it’s ancestral. From the coal mines in the hills of Kentucky all the way to my parents and my grandma having a band of their own before I was even a thought. The soul behind my voice comes from what kind of people my family has always been, hard-working, perseverant, and joyful. Are there any chances you're wanting to take with your future music? Where do you see yourself artistically in a decade from now? I am definitely not afraid of genre fluidity. We orbit around Americana but we like to keep a healthy dose of Rock ‘N Roll and the Blues. Whatever kind of songs I write, I hope people recognize our signature sound regardless. In a decade from now, we will hopefully be working on close to our 20th project and on tour with some phenomenal acts around the world. Only time will tell. I just want to give people my soul’s true projection. instagram.com/livnoellemusic LivNoelle.com #BUZZMUSIC

Hailing from Asperen, Netherlands, Folk-Rock artist TuskHead is out with his leading single “The Whiskey” off his debut EP 'Hello, Goodbye.' Also known as Patrick van Zandwijk, beginning his venture into the music industry by being apart of a two-man band up to 2013, then releasing a full-length album in 2018 as a member of Sandwick. TuskHead’s hit “The Whiskey” off his debut EP serves an upbeat blend of country, folk, and rock, all while spicing it up with his own unique and dynamic approach. From skillful electric guitar riffs to his deep and polished vocals, “The Whiskey” gets our spirits high and ready to party. The single starts off with riveting electric guitars and ground stomping drum patterns. All in the intro of the song, the instrumental melodies take a turn into an even more textured and catchy feel. TuskHead’s fun-loving vocals are at the forefront, showcasing the songs playful theme with his radiant energy. The rocking instrumentals on “The Whiskey” perfectly support the tracks Friday night feel, letting you forget this week’s stress and relax. Aside from TuskHead’s dynamic vocal abilities, the track keeps you listening with it’s piercing electric guitar solo’s thoroughly enhancing the songs thrilling atmosphere. It’s without a doubt that TuskHead is an artist to keep your eye on. Listen to “The Whiskey” here. Hey TuskHead, welcome to BuzzMusic! We’re loving the feel-good energy off your latest single “The Whiskey”. What were TuskHead’s original intentions for how you wanted the song to sound for its listeners? I wanted to create a fun upbeat song with a catchy and positive vibe. My songs are usually more acoustic and focused on the lyrics and the overall ambiance. The Whiskey is more guitar-driven and the guitar goes hand in hand with the lyrics and vocal melody. This one was heavily inspired by some of the southern rock bands I'm currently listening to. Not only do the lyrics on “The Whiskey” serve a fun message, but the track's instrumentals perfect support it! Could you share what TuskHead’s creative process was like when crafting the instrumentals to speak the same message as the lyrics? The song just kind of happened. The only lyric I had in mind when I started out with the song was 'The whiskey, baby, helps me sleep at night'. I really wanted to write a song about Whiskey, haha. Usually, I pick up an acoustic guitar when writing, but for this one, I picked up my Otentic Firebird, cranked up the overdrive and the rest of the writing just 'happened' automatically. The fun rhythm also made it really easy to figure out a fitting guitar solo. You've mentioned that you’ve been in a variety of groups from past to present. Could you expand on what makes your work as TuskHead different from all the other bands you’ve been apart of? I'm really driven to write new music. In a couple of my past projects, I was usually the one trying to get everyone in the same room to write music. When most people aren't as motivated as you it gets tiring. TuskHead is the new name I chose for my solo project (I made music the past two years under the name Sandwick). Writing music solo is really fun because you're in charge of everything yourself. The songs usually turn out exactly as you envision them. But it can get a little 'lonely' and result in tunnel vision. When you're struggling creatively or when you write something 'out of the box' it's fun to bring other people in to collaborate with. I've got two other bands I'm currently active with, The Attic Getaway, with Jeroen Hardeman, a fantastic singer and guitarist and Woodwick, with Ronald Woudenberg, a fantastic pianist and bass player. For my solo song 'Alright' I asked Ronald from our band Woodwick to play the piano to give the song more feeling and support the message of the song. That's just an awesome thing, the ability to collaborate with friends and create something unique whether it's in a band or for my solo project. TuskHead’s music serves a unique mix of country, folk, and rock. Who are some major musical influences for you, and how have they impacted your music thus far? My influences have quite changed over the years as has my music taste, haha. First I really listened to heavy music a lot and I'm noticing that in the past years it has really shifted to folk, country, and rock. My current heavy rotation playlist consists of some great bands and artists like Whiskey Myers, Sean Rowe, Darius Rucker, and The Cadillac Three. Whiskey Myers and The Cadillac Three really inspire my more guitar-driven work, a little bit of rock with a southern/country vibe. Sean Rowe and Darius Rucker really inspire my overall songwriting. I'm especially feeling inspired by Sean Rowe at the moment, that man's got a baritone voice and folk sound that's just out of this world! What can we expect from you throughout 2020? I've just released my first EP as TuskHead called 'Hello, Goodbye' this week. I guess that's just the start! I really want to do a country/folk acoustic album, so I'm guessing that's going to be the next step. Also working with The Attic Getaway on our first EP and I'm planning on busking with my band Woodwick when the corona crisis settles down and it's safe and okay to travel again. facebook.com/iamtuskhead instagram.com/iamtuskhead twitter.com/iamtuskhead #BUZZMUSIC

Tinashé Fazakerley was born and raised in Zimbabwe and creates his music under the name Rationale. Rationale is a multi-instrumentalist who now resides in London, England, and has been producing soulful R&B music since 2015. He has recently come up with a song that represents a friend’s experiences of missing an ex-love interest called “Whiskey Regrets.” The initial reaction to Rationale’s “Whiskey Regrets” will be exactly what music lovers are searching for – his song is shockingly artistic. Rationale collaborated with artist fellow UK singer-songwriter TS Graye who’s an angelic voice takes this track to the next level. “Whiskey Regrets” opens up with Rationale’s gentle vocals along with a subtle percussion beat transporting you to a place of serenity. He quickly adds a finger snap at every beat, and TS Graye joins in the vocals soon after. Combined with an acoustic countermelody, the intro to “Whiskey Regrets” is the soulful masterpiece that chill loving music fans, will die for. Lyrically, he sings about the memories that last from a relationship. “Whiskey Regrets” is not only a musical gem, but it is a song that fans will be able to relate to. Having discovered his musical passion through finding solace in music, Rationale has successfully shared this outlook with his fans. “Whiskey Regrets” is the chill track you have been looking for; it is a song you will want to listen to on repeat. Listen to "Whiskey Regrets” here. facebook.com/iamrationale twitter.com/iamrationale instagram.com/iamrationale #BUZZMUSIC

Born in San Diego, but based in Los Angles is Keenan McGuckin otherwise known as, Bluegray. After teaching English in Ethiopia for two years as a Peace Corps Volunteer, Keenan is now back in California ready to write, create and let his music career flourish. Bluegray specializes in creating dream-like soundscapes that allow the listener to close their eyes, relax and escape into the musical world of Bluegray. Bluegray displays his complex sounds in his latest single “Catastrophe”. “Catastrophe” begins with the intricate sound of the piano, as we are met with the opening vocals. There is a very soft and unique tone to Keenan's voice, which he can control remarkably. “Catastrophe” speaks about the issues going on around the world like climate change and global pandemic but speaks about it refreshingly. He relates the world’s problems and issues through beautiful lyrical metaphors. "Catastrophe" features more soundscapes and instruments that fill up and create a magnificent musical environment throughout the rest of the song. “Catastrophe” fuses together different vibes, ambient sounds, and complex vocal arrangements to create a unique and memorable song for all listeners. Listen to “Catastrophe” here. facebook.com/BluegrayOfficial instagram.com/bluegray_official #BUZZMUSIC

Miella Sartori does it all! As an Audio Engineer, Singer, Songwriter, Guitarist, Pianist, Drummer, Miella has successfully crafted her sound with an extreme level of musicianship and of course talent. If you’re wanting to know the general sounding of Miella Sartori, we can describe it as melodic, sensual, creamy and rich in texture. She has the kind of voice that can intimately connect with listeners on a multitude of levels, and this is the exact aspect of Miella’s sounding that attracts us so intensely. One of Miella Sartori’s most recent pieces of work has gained the highly commended award at the 2020 Queensland Awards in Australia. Miella Sartori is rising to the top, and all we can do is watch. Miella Sartori’s latest single, titled “To Whom It May Concern” begins off with a sultry and smooth tune that’s pretty much held consistent throughout the entire length of the song. There’s a jazz feel to her music, and “To Whom It May Concern” flourishes with its smooth jazz integration, honing in on prominent bluesy instrumental combinations. The flow and quality of Miella Sartori’s voice mesh incredibly well with the overall production of the song, and we’re exposed to some of the best features Miella’s voice has to offer. Varying from her strong rasp and confidence within her vocals, along with the absolute power in her vocal mannerisms. There’s always that sense of confidence that you can find in many songs that have a heavy use of jazz stylings, as well as a level of allurement. We extract this from the artistic persona and sound of Miella, as her voice is ultimately silky, delicate and luscious within each musical offering, and we feel completely soothed by “To Whom It May Concern”. For future music offered by Miella Sartori—we’re compelled and excited. Listen to “To Whom It May Concern” by Miella Sartori, here. miellasartori.com.au instagram.com/miellasartori facebook.com/miellasartorimusic #BUZZMUSIC

King Kane is a London based Rapper, Singer, and Songwriter who blends thought-provoking lyrics with stylistic dynamic flows and catchy hooks. Since releasing his debut album in 2018 'The Colour Black' he has gained over 60,000 streams on Spotify alone and continues to interrupt the boundaries of music in London. King Kane has recently released his upbeat new song "Wait A Minute". "Wait A Minute" features a hooky synth that acts as the instrumental backbone of the song, explosive but clean drum rhythms, and a bouncy vocal that delivers a tight consistent flow. The verses of "Wait A Minute" have attitude and punch. The feeling that perfectly keeps up with King Kane's intricate lyrics and wordplay. The drums have an ear-catching way of transforming in the different sections and leading subtle transitions that keep a space for the vocal to breathe. The instrumental of "Wait A Minute" is supporting the vocal perfectly, together there is an almost minimalistic quality that keeps the energy and bounciness of the lyrics in play. "Wait A Minute" is a feel-good record that you will be able to put on at any time and be able to connect with. Listen to "Wait A Minute" by King Kane, here. Welcome to BuzzMusic King Kane! Your latest release "Wait A Minute" is a bop! What was the songwriting and production process like for it? Thank you for having me! That’s very kind of you, ‘Wait A Minute’ is a song that seemed like a fun and easy idea but took a lot of hard work to execute and get to a place where I can say that I’m proud of the final result. The songwriting process was one of those where as soon as I heard the beat it instantly spoke to me. I started vocalizing the melody of the chorus and every couple of bars ended with “wait a minute” then “hold up Kane just wait a minute” and the rest of the words slowly fell into place. It was just one of those, I built the flow and added the words on top, using my voice an instrument. Unlike other songs, I just knew instantly how I was going to write it. The production process, on the other hand, was different from my regular production process. Normally I get into the studio with my bro Mike, who produces, engineers, mixes, and masters all my music. Mike and I are like Drake and 40, or Logic and 6ix, the only difference being he doesn’t have a number in his producer name. Usually, either I have a rough idea going already, he has a beat or we just create from scratch together. This was one of the very few times I had a beat from somebody else that was pretty much already produced, so we laid the vocals down one day at the studio and Mike went away to work on it as he usually does. When he came back with the final master he only changed and added some subtle elements, but they made a significant difference. That’s why I trust him with all my work, he knows just what to add, take away or change and knows exactly what I’m looking for in terms of feeling, texture or even how I want my vocals to sit in the mix. You have a very intricate flow in this record, what had inspired the rhythm in your lyrics? Did you ever have other versions of this song? Again - thank you, that’s very kind. No, I didn’t have any other version of the song. When I approach writing, especially verses, I try to think about how many different flows I can come up with even before I start writing. So as I’m writing, I get to about 4 - 6 lines in and I think about what the next flow is going to be to keep people on the edge of their seat and engaged. However, throughout this process, I still try to remain as lyric-orientated as I can, so that the flow and the lyrics are both attended to. As I’m finding flows I’m also finding phrases and seeing what fits and what doesn’t, sometimes I’ll try tens of different phrases and trash them to find the best one because I want to make sure that what I’m saying is as interesting as the flow. Then when I finally find that one phrase, it will inspire another one and so on. Your sound has a familiar but fresh feeling to it, what are your influences for your music? What about your influences makes them an influence? My influences are always things that are different in character. That’s why I liked trap music before it was popular when no one was really listening to Future. At the time it was really underground but it brought in this ‘new wave’ of music that has been melody-orientated, with the way people like Young Thug have been able to find new cadences and ways to express words and use the voice like an instrument that is completely unprecedented. At the same time, I have always been inspired by people like Kendrick and Cole and how they deliver their lyrics and use wordplay. I’ve come across so many people that have amazing bars for days that you’d read on a piece of paper and think - that would kill Kendrick, but the delivery was dead. So then you realize that what makes people like Kendrick a Pulitzer prize winner is not just what he says but how he delivers it. That’s what makes these influences an influence of mine, it’s how they create their own character with the words they write and the way they deliver them. Future might go in the booth and hum the melody and figure out how to make a song catchy, while Kendrick or Jay Z are sitting there thinking about what they’re going to say and figuring out inside their head how they can make it more and more complicated. They’ll do that until they can say something in a way that you would never have thought of. So I would have to say that what influences my music is the combination of both melodic flows and thought-provoking lyricism. Uniqueness, as well, is what makes people influential - that the difference between them and others for me. Kendrick is headlining a bunch of festivals this year when his last album (DAMN.) dropped in 2017, and he still hasn’t announced any new releases. Wouldn’t it be insane if he headlines everywhere but doesn’t even drop an album, he just wanted to go out and tour? That’s what makes them so influential, they’re able to do those things because they are who they are and they don’t stray from that. People like that inspired me to be different, to be what I want. There is no Kendrick album that’s the same. They might all fit under the umbrella of ‘rap’, but ’To Pimp’ had actual jazz bands tracked in for some songs while ‘DAMN.’ is a journey through contemporary trap-inspired production to old-school soul sample chopping. We love the tone of your voice in this one, what was the recording process like for it? Were there any challenges faced? It was tiring. I really thought it was going to be an easy song to get done but Mike is a perfectionist and somehow I forgot that. Just when you think you’ve got the perfect take, he’ll be like - “let’s go again, we’re almost there”. So there was a lot of recording work put into nailing that playful/silly voice tone in the verses, and then a lot put into layering specific impact moments in the song to get that energy across. To the point where I was almost regretting all the intricate things I put in the song and was looking for any excuses to get out of the booth because I was tired of doing the same verse over and over again, but in the end, it was all worth it. Beyond recording, Mike worked his producer magic and put in technical work to elevate the song to the level it is at now, that we would need a whole separate Genius tutorial to explain. The vocal tone itself, if I remember correctly, was inspired by Young Thug and maybe Future. Remember that Future line in ‘King’s Dead’ - “La di da di da, slob on me knob” - that won a Grammy award for best rap performance? When I was writing this song I was reminded of my vocal coach who always slays me whenever I’m out of key even for a second and thought to myself that I don’t need to fit in any box or be confined to a vocal range I can or cannot hit, you know? When everyone I look up to is no longer confined to that. At the end of the day, you have to ask yourself if it sounds dope and whether it is authentically you. All of my influences tell me to do what I want to do and what sounds cool to me, not because it sounds cool to anyone else. I actually didn’t think the tone of my voice in this song would be cool to anyone else but I liked it so much that I wasn’t going to change it. Thank you so much for having me on BuzzMusic! I can’t wait to come back to you guys with more music very soon. instagram.com/kingkanemusic facebook.com/kingkanemusic twitter.com/kingkanemusic #BUZZMUSIC

Pop artist Cassidy Taylor is here to display her raw, acoustic stylings. Always remaining true to her experiences, Cassidy Taylor is an open and expressive artist that is huge on communication with her listeners. She seeks to establish meaningful connections through her music and hopes to inspire or relate to listeners abroad. Recently graduating from the Metalworks Institute of Sound & Music Production, Cassidy has a strong understanding of music and applies her knowledge to her very own personable sound. Cassidy Taylor creates a moment of intimacy with her new single "Speak of the Devil". The song begins off with a clear-cut recording of Cassidy Taylor and really hones in on her soft but wide-ranging vocal tendencies. Once we venture further into the track, we get to explore the vocal soundings of Cassidy Taylor and all of the mystic elements that come along with it. The integrated acoustic sound of "Speak of the Devil" brings a warm sensation to our listening atmosphere, and we found that Cassidy Taylor's voice easily cursive. As a singer, Cassidy Taylor really knows how to hook in listeners with the alluring component her voice has to offer. You know, when an artist can easily perfect that sultry and almost sensuous tone in their voice? Well, Cassidy Taylor has done it, and it's all proven with "Speak of the Devil". "Speak of the Devil" was the track from Cassidy Taylor that really kept our attraction, so we're anticipating any new music from the artist as a result. Check out Cassidy Taylor in her song "Speak of the Devil", here. Hello, Cassidy Taylor! "Speak of the Devil" was your most recent release, and the song featured your strong ability to form a luscious atmosphere with your vocal sound. Are you able to delve deeper into the process behind your music, and how you've worked to create your own characterizable sound? Hello! First off, thank you for having me, BuzzMusic. I’d say my musical process always starts with honesty. I write songs from what I’m feeling and create for the sake of creating, rather than create for the sake of pleasing others. When I’m writing a song about something especially personal, I write it for me and tell myself that nobody is going to hear it. Of course, I almost always end up showing someone the song, but it allows me to put opinions aside and focus on conveying the feeling. “Speak of the Devil” was the first song I was really able to take control of in the studio. Me and my co-producer, Yanni Caldas, would throw ideas off of each other until something worked. Most of the time, I work off gut feeling – if the idea feels right, it probably is – and I got lucky working with somebody who has that same gut feeling. Really, the ultimate goal for me is to never do the same thing twice, but I think honesty keeps that sense of unity somehow. To summarize, I just try to stay true to myself and my feelings and I think the sound comes on its own. "Speak of the Devil" truly felt packed with raw emotion. What did this particular track mean to you, and how were you intending for it to feel for your listeners? Thanks. I wrote this song when I wasn’t feeling myself. I had just moved away from home, for me is a very small town, to go to college in the city. I felt sad and unmotivated and it took over my life for a while. Eventually, I wrote this song out of frustration. This song came from a lot of negativity, but I want people to hear it and know that they aren’t alone, cause that’s how I felt. A song like this would’ve helped me realize that I wasn’t the only person feeling this way, so I hope it can do that for someone. As an artist who has already performed at a multitude of venues, and within various locations, what has been the biggest lesson you've learned as a performer? Are you drawn more towards a certain city/place performing-wise? I think the biggest lesson I’ve learned performing, is to connect with the audience every chance you get but also don’t forget about yourself and your own experience on stage. It’s so easy to overthink what your doing artistically and physically to engage the audience and capture their attention, but the most captivating thing is when you’re feeling it too. My hometown, Haliburton, ON I think will always be my favorite spot to perform. There’s a strong sense of community that I took for granted growing up, and you can feel it from the moment you step out in front of these people. It’s really amazing. Your sultry and alluring vocal sound is definitely a staple to your music, and an element your listeners expect to hear in each song. Would you say that your vocal abilities have taken time to craft, or has this element come naturally to you as an artist? Thank you! I think my vocal style has been with me since day one and I’m still finding challenges in improving my technique without losing that quality in my sound. Though, I think it’s definitely improved with practice and attention to detail. I learned a lot from my vocal coach, Anna Mastin. She’s done a great job helping me keep the qualities of my voice but improving technique for longevity. What can we expect to see from you throughout 2020? You can most definitely expect more music releases! I’ve been working on my live show to make it more of a unique experience for the audience, too. I’m really looking forward to showing the world what’s been in the works! instagram.com/casstaylormusic twitter.com/casstaylormusic #BUZZMUSIC

The Blood Moon Howlers come to BuzzMusic to showcase their bubbly Blues/Rock soundings. Forming in 2017, the band wanted to align their unique and eclectic stylings to produce the very eccentric melodies we hear from them today. The band gives an array of earthy rhythms, alluring vocalism, and brassy expressions, all of which combine in a complementary way. The Blood Moon Howlers' most recent release, "Moonlighters", follows along with a story of the nightlife, bringing a sense of adventure for listeners. "Moonlighters" has a really potent and relaxed atmosphere that fills the air while you listen. The vocals of the track contain a sultry component that's full of silky and delicate tendencies. We find ourselves hooked, reeled in by the attractive elements to the vocalist's voice. As for the production, we find ourselves drawn to the refreshing and eccentric combination of instrumental stylings. "Moonlighters" was incredibly easy to groove along with, and in fact, almost impossible not to move some part of your body along with the infectious melody. The Blood Moon Howlers really did it right with "Moonlighters". This track has stimulated each of our senses in a rejuvenating and vivacious way. Mixed by Brandon Cooke, and mastered by Grammy award-winning master engineer Hans DeKline, "Moonlighters" brought many unique stylings and expressions. The band is fun and spunky, proving their collective spirit with "Moonlighters". We can't wait for more of the band's melodic rhythms to be released, but for now, we're perfectly content basking in the energy of "Moonlighters". Check out "Moonlighters" by The Blood Moon Howlers, here. instagram.com/thebloodmoonhowlers #BUZZMUSIC

Los Angeles Rock band Visitor is hitting the music scene at full swing with recent music. The band has been working on their future album 'Origin Threshold', which is set to contain a very distinctive sound of Visitor. Collectively, Visitor has the goal in mind of creating memorable music that holds a certain quality of substance for listeners. They've flourished with their sound and found ways to incorporate a variety of stylings, such as metal and slight Motown elements. Visitor's latest single "Apollo Chaos", off of 'Origin Threshold', was debuted to listeners, and the track houses many stylings from the Grunge Rock music scene. Collectively, the band aims to maintain a unified sound that makes listeners feel full of buzzing energy. "Apollo Chaos" brings forth a different kind of energy, one that is buzzing, but more mellow in tone. Produced by Grammy award-winning producer Chuck Alkazian, "Apollo Chaos" brings a reminiscent feel of early 00's alternative rock soundings, which allow for a sense of familiarity. "Apollo Chaos" was strategically constructed by the band to capture their audacious sound. Drawing from real-life experiences, "Apollo Chaos" is one journey to really focus in on, as there's a prominent message from Visitor here that can be easily extracted. Discover the soundings of Visitors in their single "Apollo Chaos", here. instagram.com/visitormusic #BUZZMUSIC